M (part 1)

M. Nero Films, AG., Berlin. 1931. 9 reels, sd.

Credits: Director, Fitz Lang; scenario, Thea Von Harbou.

M. G. M. INTERNATIONAL NEWSREEL. 1929. 1 reel each. The issue of July 28, 1929, numbered volume 2. no. 101, marks the combination of International Newsreel and M. G. M. News into one unit, to form the title M. G. M. International Newsreel. © William Randolph Hearst.

Volume 2, 1928/29.

101. © 28Jul29; MP680.

102. © 1Aug29; MP681.

103. © 4Aug29; MP682.

104. © 8Aug29; MP683.

Volume 3, 1929/30.

1. © 11Aug29; MP684.

2. © 15Aug29; MP685.

3. © 18Aug29; MP774.

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M. G. M. NEWS. 1927-29. 1 reel each.

1. © 16Aug27; MP4332.

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Volume 2, 1928/29.

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After the issue of July 25, 1929, M. G. M. News was merged with International Newsreel to form M. G. M. International Newsreel.

MA AND PA. 1922. 2 reels.

Credits: Director, Roy Del Ruth.

MABEL AND FATTY VIEWING THE WORLD'S FAIR AT SAN FRANCISCO, CAL. 1915.

Credits: Producer, Mack Sennett.

MABEL AND FATTY'S MARRIED LIFE. 1915.

Credits: Producer, Mack Sennett.

MABEL AND FATTY'S WASH DAY. 1915.

Credits: Producer, Mack Sennett.

MABEL LOST AND WON. 1915.

Credits: Producer, Mack Sennett.

MABEL'S WILFUL WAY. 1915.

Credits: Producer, Mack Sennett.

MABLE, FATTY AND THE LAW. 1915.

A MACARONI SLEUTH. Nestor. 1917. 1 reel.

Credits: Director, Louis William Chaudet; story, Bess Meredyth.

MCFADDEN'S FLATS. A Richard Wallace Production. 1927. 8 reels. From the play by Gus Hill.

Credits: Producer, Edward Small; director, Richard Wallace; scenario, Charles Logue; adaptation, Jack Wagner, Jack Jerne, Rex Taylor.

MCFADDEN'S FLATS. Presented by Adolph Zukor. 1935. 7 reels, sd. From the play by Gus Hill.

Credits: Producer, Charles R. Rogers; director, Ralph Murphy; screenplay, Arthur Caesar, Edward Kaufman; adaptation, Casey Robinson; additional dialogue, Andy Rice.

MCGILL. (The Spirit of the Campus) Presented by E. W. Hammons. 1933. 821 ft., sd.

Credits: Director, Aubrey Scotto; story, Millard Gibson, Gar O'Neil; narration, Graham McNamee.

MCGINIS VS. JONES. (Stern Brothers Comedy) 1927. 2 reels. From the cartoons by Pop Momand [pseud.]

Credits: Director, Gus Meins.

MCGINTY AND THE COUNT. 1914. 1 reel.

Credits: O. A. Nelson.

Credits: Drawn by Edwin Johnson.

MACGOWAN-PARKER SUPRAPUBIC CYSTOTOMY. (EASTMAN MEDICAL FILMS) 1932. 1 reel.

MCGUIRE OF THE MOUNTED. 1923. 5 reels.

Credits: Director, Richard Stanton; story, Raymond L. Schrock; scenario, George Hively.

MACHINE GUNS IN THE MAKING. 1916. 1/2 reel.

A MACHINE THAT THINKS. 1924. 1 reel.

MACHINING THE CYLINDER BLOCK; Safeguarding Quality. 1927.

MCKAY AND ARDINE, BACK FROM ABROAD. 1929. 1 reel, sd.

MCKENNA OF THE MOUNTED. 1932. 7 reels.

Credits: Director, D. Ross Lederman; story, Randall Faye; dialogue and continuity, Stuart Anthony.

MCQUADE OF THE TRAFFIC SQUAD. 1915. 1,000 ft.

Credits: Director, Eugene Nowland.

MCTEAGUE. SEE Greed.

MAD ABOUT MUSIC. 1938. 10 reels.

Credits: Producer, Joe Pasternak; director, Norman Taurog; original story, Marcella Burke, Frederick Kohner; screenplay, Bruce Manning, Felix Jackson; music and lyrics, Jimmy McHugh, Harold Adamson.

THE MAD DANCER. 1925. 7 reels.

Credits: Director, Burton King; story, Louise Winter; continuity, William B. Laub.

THE MAD DOCTOR. (Mickey Mouse, no. U. A. 9) 1933. 1 reel.

THE MAD DOG. (Mickey Mouse, no. 24) 1932. 1 reel.

THE MAD EMPRESS. First National. 1939. 8 reels.

Credits: Producer and director, Miguel C. Torres; screenplay and dialogue, Jean Bart, Jerome Chodorov, Miguel C. Torres.

THE MAD GAME. 1933. 6,884 ft., sd.

Credits: Director, Irving Cummings; story, William Conselman; screenplay and dialogue, William Conselman and Henry Johnson; music, Samuel Kaylin.

THE MAD GENIUS. 1931. 8 reels, sd. From the play by Martin Brown.

Credits: Director, Michael Curtiz; screenplay, J. Grubb Alexander, Harvey Thew.

THE MAD HERMIT. Special Big U. 1916. 2 reels.

Credits: Director, Francis Ford; scenario, Grace Cunard.

MAD HOLIDAY. 1936. 8 reels, sd., b&w. Suggested by the story "Murder in a Chinese Theatre" by Joseph Santley.

Credits: Producer, Harry Rapf; director, George B. Seitz; screenplay, Florence Ryerson, Edgar Allan Woolf; film editor, George Boemler; music score, William Axt.

MAD HOUR. Presented by Robert Kane. 1928. 7 reels. Suggested by the novel "The Man and the Moment" by Elinor Glyn.

Credits: Producer, Allan Dwan; director, Joseph C Boyle; scenario, Tom J. Geraghty.

THE MAD KING. (Paul Terry-Toons) 1932.

Credits: Frank Moser, Paul Terry.

MAD LOVE. 1923. 6 reels.

Credits: Director, Ernst Lubitsch.

MAD LOVE. 1935. 7 reels, sd., b&w. From the novel "Les Mains d'Orlac" by Maurice Renard.

Credits: Producer, John W. Considine, Jr.; director, Karl Freund; screenplay, P. J. Wolfson, John J. Balderson; adaptation, Guy Endore; translated and adapted by Florence Crewe-Jones; film editor, Hugh Wynn; music director, Oscar Radin.

THE MAD MAID OF THE FOREST. Bison. 1915. 2 reels.

Credits: Producer, Jack J. Clark; scenario, Ben Cohn.

THE MAD MARRIAGE. 1921. 5 reels.

Credits: Producer, Rollin Sturgeon; story, Marjorie Benton Cooke; scenario, Marion Fairfax.

MAD MELODY. (Aesop's Fable) The Van Beuren Corp. 1931. 1 reel.

Credits: John Foster, Mannie Davis.

THE MAD MISS MANTON. 1938. 80 min., sd.

Credits: Producer, Pandro S. Berman; director, Leigh Jason; story, Wilson Collison; screenplay, Philip G. Epstein; editor, George Hively; music score, Roy Webb.

MAD MONEY. (Court of Human Relations) 1936. 1 reel, sd.

THE MAD PARADE. 1931. 7 reels, sd.

Credits: Gertrude Orr, Doris Malloy; producer, Herman M. Gumbin; supervision, M. H. Hoffman; director, William Baudine; screenplay, Henry McCarthy, Frank R. Conklin.

THE MAD RACER. 1926. 2 reels. Adapted from "The Adventures of Van Bibber" by Richard Harding Davis.

Credits: Director, Ben Stoloff; scenario, Mark Sandrich.

THE MAD RUSH. (Cameo Comedy) 1925. 1 reel.

MAD SCRAMBLES. (A Paramount-Christie Comedy) 1927. 2 reels.

Credits: Director, Arvid Gillstrom; original story and scenario, Hal Conklin.

THE MAD STAMPEDE. Big U. 1917. 1 reel. Based on the poem "Lasco" by F. Desprez.

Credits: Director, J. Farrell MacDonald.

THE MAD WHIRL. Universal-Jewel. 1924. From the story "Here's How" by Richard Washburn Child.

Credits: Director, William A. Seiter; adaptation, Frederic and Fanny Hatton.

THE MAD WOMAN. 1919. 2 reels.

Credits: Director, George W. Terwilliger; scenario, Calder Johnston.

MAD YOUTH. 1939. 8 reels, sd.

Credits: Director, Melville Shyer.

MADAM BUTTERFLY. 1933. 10 reels. From the story by John Luther Long and the play by David Belasco.

Credits; Producer, B. P. Schulberg; director, Marion Gering; screenplay, Josephine Lovett, Joseph Moncure March.

MADAM SATAN. 1930. 13 reels, sd., b&w.

Credits: Producer and director, Cecil B. De Mille; story, Jeanie Macpherson; music and lyrics, Clifford Grey, Herbert Stothart, Elsie Janis, Jack King; film editor, Anne Bauchens.

MME. ALDA SINGING AVE MARIA BY VERDI. 1930. 1 reel, sd.

MADAME, BEHAVE. Released by Producers Distributing Corp. 1925. 6 reels. From the French farce by Jean Arlette.

Credits: Director, Scott Sidney; adaptation, F. McGrew Willis.

MADAME CUBIST. Victor. 1916. 2 reels.

Credits: Elaine Sterne; producer, Lucius Henderson.

Credits: Martin Jörgensen, Louis Levy.

MADAME DUBARRY. 1917. 7 reels.

Credits: Director, J. Gordon Edwards; adaptation, Adrian Johnson.

MADAME DUBARRY. Presented by Herbert T. Kalmus. 1928. 2 reels.

Credits: Producer, Herbert T. Kalmus; director, R. William Neil; screenplay, Jack Cunningham; film editor, Aubrey Scotto.

MADAME DUBARRY. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1934. 9 reels, sd.

Credits; Director, William Dieterle; story and screenplay, Edward Chodorov.

MADAME DYNAMITE. 1926. 2 reels.

Credits: Supervision, George E. Marshall; director, Zion Myers, Gene Forde; story, Franklyn Ardell, Henry Johnson.

MME. ERNESTINE SCHUMANN-HEINK, CONTRALTO, SINGING: DANNY BOY [and others]. 1927. 1 reel, sd.

MME. ERNESTINE SCHUMANN-HEINK, CONTRALTO, SINGS: BY THE WATERS OF MINNETONKA [and others]. 1927. 1 reel, sd.

MME. FRANCES ALDA SINGING THE LAST ROSE OF SUMMER AND BIRTH OF MORN. 1929. 1 reel.

MADAME FRANCES ALDA SINGING THE STAR SPANGLED BANNER, ACCOMPANIED BY THE VITAPHONE SYMPHONY, HERMAN HELLER, CONDUCTING. 1927. 1 reel, sd.

MADAME JEALOUSY. 1918. 5 reels.

Credits: Director, Robert G. Vignola; story, George V. Hobart; scenario, Eve Unsell.

MADAME KURENKO. (Metro Movietone Act) 1929. 1 reel, sd.

MADAME LA PRESIDENTE. 1916. 5 reels.

MME. MARIA KURENKO [offers] SHADOW SONG FROM DINORAH, SONG OF INDIA. (Metro Movietone Act) 1930. 1 reel, sd.

MADAME OF THE JURY. 1930. 1 reel.

MADAME PEACOCK. 1920. 6 reels.

Credits: Director, Ray C. Smallwood; original story, Rita Weiman; adaptation, Nazimova.

MADAME POMPADOUR. 1927. 7 reels. From the play by Rudolph Schanzer and Ernst Welisch.

Credits: Director, Herbert Wilcox.

MADAME Q. (Hal Roach Comedy) Presented by Hal Roach. 1929. 2 reels.

Credits: Director, Hal Roach; story, Leo McCarey; editor, Richard Currier.

MADAME RACKETEER. 1932. 8 reels, sd.

Credits: Malcolm Stuart Boylan, Harvey Gates; directors, Alexander Hall, Harry W. Gribble.

MME. ROSA RAISA OFFERS A. GOOD-BYE BY F. PAOLO TOSTI, B. EILI-EILI! BY KURT SCHINDLER. 1928. 1 reel, sd.

MME. ROSA RAISA OFFERS A. PLAISIR D'AMOUR BY PADRE G. MARTINI, B. LA PALOMA BY S. YRADIER. 1928. 1 reel, sd.

MADAME SANS-GENE. 1923. 6 reels. From the comedy by Victorien Sardou and Émile Moreau.

MADAME SANS-GENE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 10 reels. From the play by Victorien Sardou and Émile Moreau.

Credits: Director, Leonce Perret; screenplay, Forrest Halsey.

MADAME SARAH BERNHARDT AT HOME. 1913. 2 reels.

MADAME SPY. 1918. 5 reels.

Credits: Producer, Jack Mulhall; director, Douglas Gerrard; story, Lee Morrison; scenario, Harvey Gates.

MADAME SPY. 1934. 7 reels. From a novel by Max Kimmich.

Credits: Director, Karl Freund; screenplay, William Hurlbut.

MADAME WANTS NO CHILDREN. 1927. 6 reels.

Credits: Director, Alexander Korda; edited and titled by Katharine Hilliker and H. H. Caldwell.

MADAME X. 1915. 6 reels.

Credits: Producer, Henry W. Savage.

MADAME X. 1920. 7 reels. From the play by Alexandre Bisson.

Credits: Director, Frank Lloyd; scenario, J. E. Nash, Frank Lloyd.

MADAME X. 1929. 10 reels. From the play by Alexandre Bisson.

Credits: Director, Lionel Barrymore; story, Alexandre Bisson; dialogue, Willard Mack; film editor, William S. Gray.

MADAME X. 1937. 8 reels, sd., b&w. From the play by Alexandre Bisson.

Credits: Producer, James Kevin McGuinness; director, Sam Wood; screenplay, John Meehan; film editor, Frank E. Hull.

Credits: H. K. Ward.

THE MADCAP. Red Feather. 1916. 5 reels.

Credits: Producer, William Dowlan; story, George Gibbs; scenario, Leonora Ainsworth.

A MADCAP ADVENTURE. 1915. 1 reel.

Credits: Director, Theodore Marston.

THE MADCAP COUNTESS. SEE Conquered.

THE MADCAP MUSICIAN. SEE Herschel Henlere in the Madcap Musician.

THE MADCAP QUEEN OF CRONA. Gold Seal. 1916. 2 reels.

Credits: Grace Cunard; producer, Francis Ford.

MADDEN OF THE MOUNTED. (Western Featurette) 1928. 2 reels.

Credits: Director, Josef Levigard; story, Thomas Malloy; continuity, William Lester.

Credits: Producer, William Duncan.

MADE FOR EACH OTHER. Released by United Artists. 1939. 10 reels, sd. Suggested by a story by Rose Franken.

Credits: Producer, David O. Selznick; director, John Cromwell; screenplay, Jo Swerling; film editor, James E. Newcom; music director, Lou Forbes.

MADE FOR LOVE. Presented by Cecil B. De Mille. Released by Producers Distributing Corp. 1925. 7 reels.

Credits: Producer and director, Paul Sloane; story, Garrett Fort; editor, Elmer Harris.

MADE IN HEAVEN. Goldwyn Studios. 1921. 5 reels.

Credits: Supervised and directed by Victor Schertzinger; story, William Hurlbut; scenario, Arthur F. Statter.

MADE IN THE KITCHEN. 1921. 2 reels.

Credits: Director, Noel Smith.

MADE ON BROADWAY. 1933. 7 reels, sd., b&w. Based on the story "Public Relations" by Courtenay Terrett.

Credits: Director, Harry Beaumont; screenplay, Courtenay Terrett; film editor, William S. Gray.

MADE-TO-ORDER HERO. (Ranch Riders Picture) 1927. 5 reels.

Credits: Director, Edgar Lewis; story and continuity, William Lester.

MADEIRA. (Vagabond Adventure Series) RKO-Van Beuren. 1934. 1 reel, sd.

Credits: Text, Russell Spaulding; narrator, Alois Havrilla.

MADEIRA—A GARDEN BY THE SEA. (A. Fitzpatrick Traveltalk) 1931. 1 reel, sd.

MADEIRA, ISLE OF ROMANCE. (James A. Fitzpatrick's Traveltalks) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., color.

Credits: Photographer, Hone M. Glendining; music score, Jack Shilkret.

MADELAINE MOREL. 1916. 3 reels.

MADELON. SEE False Evidence.

MLLE FIFI. SEE The Divorce Game.

MADEMOISELLE FROM ARMENTIERES. 1928. 6 reels, sd., b&w. From the story by Victor Saville.

Credits: Producers. A. A. C. & R. C. Bromhead; director, Maurice Elvey; titles, Ralph Spence; supervising editor, V. Gareth Gundry; film editor, Hugh Wynn.

MLLE. IRENE THE GREAT. 1931. 2 reels, sd.

Credits: Director, Eddie Cline; story, Nunnally Johnson.

MADEMOISELLE MIDNIGHT. 1924. 7 reels.

Credits: Written and adapted by John Russell, Carl Harbaugh.

MADEMOISELLE MODISTE. First National. Presented by Asher, Small, and Rogers. 1926. 7 reels. Adapted from the operetta by Henry Blossom and Victor Herbert.

Credits: Director, Robert Z. Leonard.

MLLE MODISTE. SEE

Fifi.

Kiss Me Again.

THE MADHOUSE. (Jack White Talking Comedies) 1929. 18 min., sd.

Credits: Director, Stephen Roberts.

A MAD HOUSE (Paul Terry Toons) Educational Pictures. Presented by E. W. Hammons. 1934. 521 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

MADHOUSE MOVIES. (Paramount Varieties, no. 1) Presented by Adolph Zukor. 1934. 1 reel, sd.

Credits: Director, Eric Von Zourpuss.

MADHOUSE MOVIES. (Paramount Varieties) Presented by Adolph Zukor. 1934. 1 reel.

A MADISON SQUARE ARABIAN NIGHT. 1918. 2 reels. Based on a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Ashley Miller; adaptation, A. Van Buren Powell.

MADISON SQUARE GARDEN. 1932. 8 reels, sd.

Credits: Producer, Charles R. Rogers; director, Harry Joe Brown; story, Thomson Burtis; screenplay, Allen Rivkin, P. J. Wolfson.

MAD MAN OR GENIUS. SEE A Stage Romance.

Credits: Director, Travers Vale; story, Emmett Campbell Hall.

THE MADNESS OF LOVE. 1922. 5 reels.

Credits: Written and directed by Wray Physioc.

MADNESS OF YOUTH. 1923. 5 reels, b&w, tinted sequences.

Credits: Director, Jerome Storm; story, George F. Worts; scenario, Joseph Franklin.

Credits: Director, Frank Cooley.

MADONNA OF AVENUE A. 1929. 8 reels.

Credits: Mark Canfield; director, Michael Curtiz; adaptation, Ray Doyle.

MADONNA OF AVE. A. Trailer. 1929. 1 reel.

A MADONNA OF THE SLUMS. 1919. 2 reels.

Credits: Director, George W. Terwilliger; story, Jessie Bonstelle; scenario, Calder Johnston.

MADONNA OF THE STREETS. Presented by Edwin Carewe. 1924. 8 reels. Adapted from "The Ragged Messenger" by W. B. Maxwell.

Credits: Director, Edwin Carewe.

MADONNA OF THE STREETS. 1930. 8 reels, sd. From the play "The Ragged Messenger" by W. B. Maxwell.

Credits: Producer, Harry Cohn; director, John Robertson; adaptation, dialogue, and continuity, Jo Swerling; film editor, Gene Havelick.

MÄDCHEN IN UNIFORM (GIRLS IN UNIFORM). 1931. 10 reels, sd. From the play "Gestern und Heute" by Christa Winsloe.

Credits: Director, Carl Froelich; music. Hansom Milde-Meissner.

DAS MÄDCHEN OHNE VATERLAND. SEE The Girl Without Home.

THE MAELSTROM. 1917. 5 reels.

Credits: Frank Froest; director, Paul Scardon.

MAFIOSI DI PALERMO. SEE I Mafiosi alla Vicaria di Palermo.

MAGAZINE COOKING. 1914. 1 reel.

MAGDA. 1917. 6 reels. Based on the play by Hermann Sudermann.

Credits: Director, Emile Chautard; scenario, Margaret Turnbull.

A MAGDALENE OF THE HILLS. 1917. 5 reels.

Credits: Director, John W. Noble; story, Harry Chandlee; scenario, June Mathis.

MAGGIE PEPPER. Paramount. Presented by Jesse L. Lasky. 1919. 5 reels. From the drama by Charles Klein.

Credits: Director, Chet Withey; scenario, Gardner Hunting.

MAGIC. (A Buster Brown Comedy) (Stern Bros. Comedy) 1929. 2 reels. From the cartoons by R. F. Outcault.

MAGIC ART. (Aesop's Fables) 1932. 665 ft.

Credits: John Foster, Harry Bailey.

THE MAGIC BEANS. (A Walter Lantz Nertsery Rhyme) 1939. 1 reel.

Credits: Director, Lester Kline; story, Vic McLeod; animation, George Dane, Fred Kopietz.

THE MAGIC BON-BONS. Victor. 1915. 1 reel.

THE MAGIC CARPET. (Dinkey Doodle Cartoon, no. 9) Bray. 1925. 1 reel.

THE MAGIC CHEST. 1924. 1 reel.

Credits: Directors, J. A. Norling, William Ganson Rose.

THE MAGIC CITY. (Our World Today) 1928. 1 reel.

THE MAGIC CUP. 1921. 5 reels.

Credits: Director, John S. Robertson; story and scenario, E. Lloyd Sheldon.

THE MAGIC EYE. 1918. 5 reels.

Credits: Director, Rea Berger; story, Norris Shannon; scenario, Frank H. Clark.

THE MAGIC FISH. (Paul Terry Toons) Educational. Presented by E. W. Hammons. 1934. 520 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

THE MAGIC FLAME. 1927. 9 reels. From the stage play "King Harlequin" by Rudolph Lothar.

Credits: Producer and director, Henry King; adaptation, Bess Meredith; continuity, June Mathis; titles, George Marion, Jr., Nellie Revell.

THE MAGIC GAME. (A McDougall Alley Comedy) 1927. 2 reels.

Credits: Director, Robert B. Wilcox.

THE MAGIC GARDEN. Released by F. B. O. 1927. 7 reels. From the story by Gene Stratton-Porter.

Credits: Adaptation and direction, J. Leo Meehan; continuity, Charles M. Kerr.

MAGIC INDIA; AS SEEN BY DOCTOR DORSEY. Powers. 1917. 1/2 reel.

THE MAGIC JAZZ-BO. Joker. 1917. 1 reel.

Credits: Story and direction, Albert A. Sautell; scenario, Arthur F. Statler.

THE MAGIC LAMP. (A Dinky Doodle Cartoon) 1924. 1 reel.

Credits: Written and directed by Walter Lantz.

THE MAGIC MIRROR. (Is Marriage Sacred?) 1917. 2 reels.

Credits: Charles Mortimer Peck; director, E. H. Calvert.

THE MAGIC MUMMY. (Tom and Jerry) The Van Beuren Corp. 1933. 645 ft.

Credits: John Foster, George Stallings.

MAGIC NIGHT. British & Dominions. 1932. 9 reels.

Credits: Holt Marvell, George Posford; producer and director, Herbert Wilcox.

THE MAGIC OF MUSIC. Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky, Fred Rath.

THE MAGIC OF OIL. 1936. 4 reels, sd.

THE MAGIC OF SPRING. 1917. 1/2 reel.

MAGIC ON BROADWAY. (A Max Fleischer Screen Song) 1937. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Roland Crandall.

THE MAGIC SKIN. 1915. 5 reels.

Credits: James O. Walsh, Rex Taylor, Joseph A. Richmond.

THE MAGIC WORD. (An Educational Mirthquake Comedy) Presented by E. W. Hammons. 1935. 1,500 ft., sd.

Credits: Producer, Al Christie; story, Marcy Klauber, Charlie Williams.

THE MAGICIAN. (Dinky Doodle Cartoon) 1926. 1 reel.

Credits: Written and directed by Walter Lantz.

THE MAGICIAN. 1926. 8 reels. From the novel by W. Somerset Maugham.

Credits: Direction and adaptation, Rex Ingram; film editor, Grant Whytock.

Credits: Producer, Charles H. France.

MAGICIAN MICKEY. (A Walt Disney Mickey Mouse) 1937. 1 reel, sd.

THE MAGICIAN'S DAUGHTER. Presented by Metro-Goldwyn-Mayer. 1938. 2 reels, sd., b&w.

Credits: Direction and original story, Felix E. Feist; screenplay, Jack Woodford, Richard Goldstone; music score, David Snell.

THE MAGISTRATE'S STORY. 1915. 1,000 ft.

Credits: Allen Potter Crolius; director, Langdon West.

THE MAGNATE. 1930. 1 reel, sd.

Credits: Director, Dick Currier.

THE MAGNATE OF PARADISE. 1914. 2 reels. An adaptation of the novel by Mary Imlay Taylor.

THE MAGNETIC BAT. 1928. 1 reel.

MAGNETIC EFFECTS OF ELECTRICITY. 1930. 976 ft., 16 mm.

THE MAGNIFICENT AMBERSONS. SEE Pampered Youth.

THE MAGNIFICENT BRUTE. 1921. 5 reels.

Credits: Producer, Robert Thornby; story, Malcolm Stuart Moylan; scenario, Lucien Hubbard.

THE MAGNIFICENT BRUTE. 1936. 8 reels, sd. Based on the story "Big" by Owen Francis.

Credits: Producer, Edmund Grainger; director, John Blystone; screenplay, Lewis B. Foster, Owen Francis, Bertram Millhauser; film editor, Ted Kent; music director, Charles Previn.

THE MAGNIFICENT FLIRT. 1928. 4,998 ft. Suggested by "Maman" by Germain [pseud. of José Germain Drouilly] and Moncousin.

Credits: Director, H. D'Abbadie D'Arrast; screenplay, Jean de Limur, H. D'Abbadie D'Arrast.

THE MAGNIFICENT FRAUD. 1939. 8 reels, sd. Based on the story "Caviare for His Excellency" by Charles G. Booth.

Credits: Producer, Harlan Thompson; director, Robert Florey; screenplay, Gilbert Gabriel, Walter Ferris; film editor, James Smith.

THE MAGNIFICENT LIE. 1931. 8 reels. Based on "The Laurels and the Lady" by Leonard Merrick.

Credits: Director, Berthold Viertel; screenplay, Vincent Laurence, Samson Raphaelson.

THE MAGNIFICENT MEDDLER. 1917. 5 reels.

Credits: Director, William Wolbert; story, Lawrence McCloskey; adaptation, Garfield Thompson.

MAGNIFICENT OBSESSION. 1935. 13 reels, sd. Based on the novel by Lloyd C. Douglas.

Credits: Director, John M. Stahl; screenplay, Sarah Y. Mason, Victor Heerman, George O'Neil.

MAGNOLIA. SEE

The Fighting Coward.

River of Romance.

THE MAGPIE. Gold Seal. 1917. 3 reels.

Credits: Director, Edwin Stevens; story, George Dana Smith.

A MAID AND A MAN. 1915. 1 reel.

Credits: Producer, Horace Davey; scenario, Al. E. Christie.

MAID FOR A DAY. 1936. 2 reels, sd.

Credits: Director, Joseph Henabery; story, A. Dorian Otvos.

THE MAID FROM SWEDEN. 1914. 1 reel.

Credits: Director, Lee Beggs.

MAID IN CHINA. (Terry Toons) Presented by E. W. Hammons. 1938. 619 ft., sd.

Credits: Paul Terry, Connie Rasinski; music, Philip A. Scheib.

MAID IN HOLLYWOOD. (Hal Roach Comedy) (Thelma Todd and Patsy Kelly Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Louis McManus.

MAID IN MOROCCO. (Lupino Lane Comedies) 1925. 2 reels.

Credits: Director, Charles Lamont.

THE MAID O' THE MOUNTAINS. 1915. 2 reels.

Credits: Director, George Archainbaud; story, Adrian Gil-Spear.

THE MAID OF HONOR. 1912. 1 reel.

Credits: Bannister Merwin.

A MAID OF MANDALAY. 1913.

Credits: Director, Maurice Costello.

THE MAID OF ROMANCE. 1915.

MAID OF SALEM. Presented by Adolph Zukor. 1937. 9 reels, sd.

Credits: Producer and director, Frank Lloyd; story, Bradley King; screenplay, Walter Ferris, Bradley King, Durward Grinstead; editor, Hugh Bennett; music, Victor Young; music director, Boris Morros.

THE MAID OF THE MIST. Rex. 1915. 1 reel.

Credits: Producer, Joseph DeGrasse; scenario, James Dayton.

MAID OF THE WEST. 1921. 5 reels.

Credits: Directors, Philo McCullough, C. R. Wallace; story, W. E. Spencer.

MAID TO ORDER. (Star Comedy) 1923. 1 reel.

MAID TO ORDER. 1931. 1 reel, sd.

MAID TO ORDER. 1939. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Charles Roberts; story, Charles Roberts, George Jeske; film editor, Les Millbrook.

MAID WANTED. (Star Comedy) 1918. 1 reel.

Credits: Directors, Lyons-Moran; story, Phil Le Noir; scenario, Frank Howard Clark.

MAIDS A LA MODE. (Hal Roach Pitts-Todd Comedy) 1933. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Louis McManus.

MAIDS A-COURTING. (Star Comedy) 1920. 1 reel.

Credits: Director, Vin Moore; story, Maynard Laswell.

MAIDS & MUSIC. (Nu-Atlas Musical) 1938. 1 reel.

Credits: Director, Milton Schwarzwald; dialogue, Sands & Wilson; orchestrations, Jack Schaindlin.

MAIDS AND MUSLIN. 1920. 2 reels.

Credits: Director, Noel M. Smith; story, Anthony W. Coldeway.

THE MAID'S NIGHT OUT. 1929. 1 reel, sd.

MAID'S NIGHT OUT. 1938. 7 reels, sd.

Credits: Producer, Robert Sisk; director, Ben Holmes; story, Willoughby Speyers; screenplay, Bert Granet; editor, Ted Cheesman.

MAIL AND FEMALE. (Hal Roach Comedy) (Our Gang Comedy) 1937. 1 reel, sd., b&w.

Credits: Director, Fred Newmeyer; film editor, William Ziegler.

MAIL AND FEMALE. (Broadway Brevity) 1937. 20 min., sd.

Credits: Director, Lloyd French; story, Jack Henley, Eddie Forman.

THE MAIL PILOT. (Mickey Mouse, no. U. A. 13) 1933. 1 reel.

THE MAILMAN. Released by Film Booking Offices. 1923. 7 reels.

Credits: Director, Emory Johnson; story and adaptation, Emilie Johnson.

THE MAIL MAN. (Fables, no. 395) 1928. 1 reel.

Credits: Paul Terry, Mannie Davis.

MAIMED IN THE HOSPITAL. Nestor. 1918. 1 reel.

Credits: Written and directed by Craig Hutchinson.

THE MAIN EVENT. De Mille Pictures Corp. 1927. 7 reels. From the story "That Makes Us Even" by Paul Allison.

Credits: Director, William K. Howard; adaptation, Rochus Gliese; film editor, Claude Berkeley.

THE MAIN EVENT. 1938. 6 reels, sd.

Credits: Director, Danny Dare; story, Harold Shumate; screenplay, Lee Loeb.

MAIN 4400. Victor. 1916. 2 reels.

Credits: Producer, William Worthington; story, Willard Bradley; scenario, Maie Havey.

Credits: Director, Al. Santell.

MAIN STREET. 1923. 9 reels. Adapted from the novel by Sinclair Lewis.

Credits: Director, Harry Beaumont; adaptation, Julien Josephson.

MAIN STREET. SEE I Married a Doctor.

MAIN STREET FOLLIES. 1935. 2 reels, sd.

Credits: Director, Joseph Henabery; story, A. Dorian Otvos, George J. Bennett.

MAIN STREETS. (An E. M. Newman Traveltalk) 1933. 1 reel.

Credits: Editor, Bert Frank.

LES MAINS D'ORLAC. SEE Mad Love.

THE MAINSPRING. Red Feather. 1916. 5 reels.

Credits: Director, Jack Conway; story, Charles Agnew McLean; scenario, William Parker.

THE MAINSPRING. Falcon Features. 1917. 4 reels. From the story by Louis Joseph Vance.

Credits: Supervision, H. M. and E. D. Horkeimer; director, Henry King.

THE MAINSPRING. SEE Lost at Sea.

MAISIE. Presented by Metro-Goldwyn-Mayer. 1939. 7 reels, sd., b&w. From a book by Wilson Collison.

Credits: Producer, J. Walter Ruben; director, Edwin L. Marin; screenplay, Mary C. McCall, Jr.; film editor, Frederick Y. Smith; music score, Edward Ward.

LE MAITRE DE FORGES. SEE The Iron Master.

MAJESTIC CEYLON, AS SEEN BY DOCTOR DORSEY. Powers. 1916. 1/2 reel.

MAJOR BLUFF'S ADVENTURES. Nestor. 1916. 1/4 reel.

MAJOR BOWES AMATEUR PARADE. 1936. 1 reel each, sd. © RKO Radio Pictures, Inc. (Biograph Pictures Corp., author);

1. © 1May36; LP6406.

2. © 5Jun36; LP6434.

3. © 3Jul36; LP6448.

4. © 19Jul36; LP6495.

5. © 31Aug36; MP6771.

6. © 2Oct36; LP6633.

MAJOR BOWES THEATRE OF THE AIR; Amateur Night. 1935. 2 reels each.

Series 1.

1. © 29Aug35; LP5771.

2. © 20Sep35; LP5809.

3. © 4Oct35; LP5870.

4. © 18Oct35; LP5871.

5. © 8Nov35; LP5982.

6. © 22Nov35; LP5983.

MAJOR DIFFICULTIES. 1938. 19 min., sd.

Credits: Producer, Bert Gilroy; director, Louis Brock; story, George Jeske, Jack Townley; film editor, Les Millbrook.

MAJOR GOOGLE. Released by Columbia Pictures Corporation. 1936. 753 ft., sd., color. From the King Features comic page by Billy De Beck.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; music, Joe De Nat.

THE MAJOR LIED TILL DAWN. (Merrie Melodies) 1938. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Frank Tashlin; story, Richard Hogan; animation, Philip Monroe; music director, Carl W. Stalling.

MAKE A MILLION. 1935. 7 reels, sd.

Credits: Director, Lewis D. Collins; original story, Emmett Anthony; adaptation and screenplay, Charles Logue; editor, Jack Ogilvie.

MAKE BELIEVE REVUE. (Color Rhapsody) Presented by Columbia Pictures Corp. 1935. 1 reel, sd., color.

Credits: Producer, Charles Mintz; story, Ben Harrison; animation, Manny Gould, Harry Love; music, Joe De Nat.

THE MAKE-BELIEVE WIFE. Paramount. Presented by Adolph Zukor. 1918. 5 reels.

Credits: Director, John S. Robertson; story, Edward Childs Carpenter; scenario, Adrian Gil-Spear.

MAKE BUYING PLEASANT. 1931. 1 reel.

MAKE IT SNAPPY. 1924. 2 reels.

Credits: Director, Charles Lamont.

MAKE IT SNAPPY. Snappy. 1929. 2 reels.

Credits: Director, Harry Edwards; story, T. Page Wright, Bill Weber.

MAKE ME A STAR. 1932. 9 reels, sd. From the novel "Merton of the Movies" by Harry Leon Wilson, and the play by George S. Kaufman and Marc Connelly.

Credits: Director, William Beaudine; screenplay, Sam Mintz, Walter DeLeon, Arthur Kober.

MAKE OR BREAK. (Sport Pictorial, no. 15) 1921. 1 reel.

Credits: Producer, Jack Eaton; editor, Grantland Rice.

MAKE UP YOUR MIND. 1931. 1 reel, sd.

Credits: Director, Howard Bretherton; story, Walton Butterfield.

MAKE WAY FOR A LADY. 1936. 65 min., sd. From the novel "Daddy and I" by Elizabeth Jordan.

Credits: Associate producer, Zion Myers; director, David Burton; screenplay, Gertrude Purcell; editor, George Crone.

MAKE WAY FOR TOMORROW. Presented by Adolph Zukor. 1937. 10 reels, sd. Based on a novel by Josephine Lawrence and a play by Helen and Nolan Leary.

Credits: Producer and director, Leo McCarey; screenplay, Vina Delmar; film editor, LeRoy Stone; original music, George Antheil; music director, Boris Morros.

MAKE YOUR DEMONSTRATIONS AS IMPRESSIVE AS YOUR PRODUCTS. 1929. 1 reel.

MAKE YOUR EYES BEHAVE. Released through General Film. 1917. 15 min.

Credits: Arranged and directed by Arthur D. Hotaling.

A MAKER OF GESTURES. SEE Too Many Kisses.

MAKER OF MEN. 1931. 7 reels, sd.

Credits: Director, Edward Sedgwick; story, Howard J. Green, Edward Sedgwick; screenplay, Howard J. Green; film editor, Gene Milford.

MAKERS OF MELODY. 1929. 2 reels.

Credits: Screen story and direction, S. Jay Kaufman.

MAKIN' EM MOVE. (Aesop Sound Fable) Van Beuren Corp. 1931. 1 reel, sd.

Credits: John Foster, Harry Bailey.

MAKING A BOOK. 1931. 980 ft.

MAKING A CONVERT. 1914. 1 reel.

Credits: Epes Winthrop Sargent.

MAKING A MAN. 1922. 6 reels.

Credits: Director, Joseph Henabery; story, Peter B. Kyne.

MAKING A RUBBER TIRE. (Ford Educational Library. Industrial Geography of the United States) Ford Motion Picture Laboratories. 1922. 1 reel.

MAKING A TABORET. 1929. 1 reel.

MAKING A U. S. SOLDIER. Powers. 1916.

MAKING AMERICA MUSICAL. 1932. 2 reels.

MAKING AN IMPRESSION. 1916. 1 reel.

Credits: Producer, Frank Currier.

MAKING FRIENDS. (Betty Boop Cartoon) 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Hicks Lokey.

MAKING GOOD. 1916. 1 reel.

Credits: Written and produced by Tom Mix.

MAKING GOOD. 1931. 1 reel.

MAKING GOOD. (An Oswald Comedy) 1932. 1 reel.

Credits: Walter Lantz, Bill Nolan.

MAKING GOOD WITH GOOD HUMOR. 1937. For Good Humor Ice Cream Co. Filmstrip, sd.

MAKING GOOD WITH HER FAMILY. 1914. 1 reel.

Credits: Producer, Harry Jackson.

MAKING MANHANDLERS. 1935. 1 reel, sd.

Credits: Producer, Jack Eaton.

MAKING MONEY IN YOUR OWN BUSINESS. 1936. For Goodrich. Filmstrip, sd.

MAKING MONKEY BUSINESS. Special Victor. 1917. 1 reel.

Credits: Tom Gibson; director, Allen Curtis.

MAKING MORE SALES FROM GOOD SERVICE. 1930. 1 reel.

THE MAKING OF A TOUPÉE. 1915. 1 reel.

THE MAKING OF BOB MASON'S WIFE. 1916. 1 reel.

Credits: Marie W. Fellner; director, Burton L. King.

THE MAKING OF CROOKS. 1915. 3 reels.

Credits: Director, William Robert Daly.

THE MAKING OF HIM. 1914. 2,000 ft.

THE MAKING OF HUNDRED-TON GUNS. 1917. 1 reel.

THE MAKING OF MADDALENA. 1916. 5 reels. From the story by Mary and Samuel Lewis.

THE MAKING OF O'MALLEY. 1925. 8 reels.

Credits: Gerald Beaumont; supervision, Earl Hudson; director, Lambert Hillyer.

THE MAKING OVER OF GEOFFREY MANNING. 1915. 4 reels.

Credits: Director, Harry Davenport.

MAKING ROOM FOR THE WHIPPET. 1928. 1 reel.

MAKING ROSA STYLISH. SEE The Apple.

MAKING STARS. (Betty Boop Cartoon) 1935. 1 reel.

Credits: Director, Dave Fleischer; animation, Edward Nolan, Herman Cohen.

MAKING THE GRADE. 1929. 6 reels. Based on the story by George Ade.

Credits: Director, Alfred Green.

MAKING THE HEADLINES. 1938. 7 reels.

Credits: Director, Lewis D. Collins; story, Howard J. Green; screenplay, Jefferson Parker, Howard J. Green.

MAKING THE LAST QUARTER COUNT. 1930. 1 reel.

MAKING THE ROUNDS. 1934. 2 reels, sd.

Credits: Producer, Phil L. Ryan; director, Del Lord; story and adaptation, James Mulhauser, Scott E. Cleethorpe; music, Abe Meyer; editor, Francis Lyon.

MAKING THE VARSITY. Presented by Samuel Zierler. 1928. 6,400 ft.

Credits: Supervision, Burton King; director, Cliff Wheeler; story, Elsie Werner, Bennett Southard; editor, Lee Anthony.

MAKING THE WILLYS SIX SPEAK FOR ITSELF. 1930. 1 reel.

MAKING THEM COUGH UP. 1914. Split reel.

MAKING WHOOPEE. (Tuxedo Comedies) 1928. 2 reels.

Credits: Producer, Jack White; director, Charles Lamont.

MAL HALLETT AND HIS ENTERTAINING ORCHESTRA. 1929. 1 reel, sd.

MAL HALLETT AND HIS ORCHESTRA. 1937. 1 reel, sd.

Credits: Director, Lloyd French.

MAL HALLETT AND HIS WAY DOWN EAST BAND. 1929. 1 reel, sd.

MALARIA. 1924. 3 reels.

Credits: Scenario, Samuel T. Darling, William B. Herms, E. H. Kleinschmidt, Edward Stewart.

MALARIA AND THE MOSQUITO. 1922. 2,245 ft.

Credits: Planned and supervised by William B. Herms.

MALAY NIGHTS. Presented by George W. Weeks. 1932. 7 reels.

Credits: Supervision, Cliff Broughton; director, E. Mason Hopper; story, Glenn Ellis; adaptation and dialogue, John Thomas Neville; editor, Byron Robinson.

MALAYAN JUNGLES. 1937. 1 reel, sd.

Credits: Dialogue, Ira Genet; narrator, Howard Claney.

MALAYAN MOTOR ROADS. (Paramount-Burton Holmes Travel Picture) 1920. 1 reel.

THE MALAYS OF SUMATRA. 1929. 1 reel.

Credits: Edited by the Dept. of Anthropology, Harvard University.

MALAYSIA. (Vagabond Adventure Series) 1932. 9 min.

MALE AND FEMALE. 1919. 9 reels. Founded on the play "The Admirable Crichton" by J. M. Barrie.

Credits: Director, Cecil B. De Mille; adaptation, Jeanie MacPherson.

THE MALE MAN. 1931. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

THE MALEFACTOR. SEE The Test of Honor.

MALIBU. SEE Sequoia.

MALLOY COMPEADOR. SEE The Scrapper.

THE MALTESE FALCON. 1931. 9 reels, sd. Based on the novel by Dashiell Hammett.

Credits: Director, Roy Del Ruth; screenplay and dialogue, Maude Fulton.

MAMA LOVES PAPA. (Hal Roach Comedy) 1931. 2 reels, sd., b&w.

Credits: Director, George Stevens; dialogue, H. M. Walker; editor, Richard Currier.

MAMA LOVES PAPA. 1933. 7 reels, sd.

Credits: Director, Norman McLeod; story, Keene Thompson, Douglas MacLean; screenplay, Nunnally Johnson, Arthur Kober.

MAMA RUNS WILD. 1938. 7 reels.

Credits: Associate producer and director, Ralph Staub; original story, Gordon Kahn; screenplay, Gordon Kahn, Hal Yates; additional dialogue, Paul Gerard Smith, Frank Rowan; film editor, Edward Mann; music director, Alberto Colombo.

MAMA STEPS OUT. 1937. 8 reels, sd., b&w. From a play by John Kirkpatrick.

Credits: Producer, John Emerson; director, George B. Seitz; screenplay, Anita Loos; film editor, George Boemler; music score, Edward Ward.

MAMAN. SEE The Magnificent Flirt.

MAMA'S AFFAIR. First National. 1921. 6 reels. From the play by Rachel Barton Butler.

Credits: Director, Victor Fleming; adaptation, John Emerson, Anita Loos.

MAMA'S BABY BOY. Presented by Samuel V. Grand. 1923. 2 reels.

Credits: Director, Archie Mayo.

MAMA'S COWPUNCHER. Century. 1921. 2 reels.

Credits: Written and directed by Alf T. Goulding.

MAMA'S LITTLE PIRATE. (Hal Roach Comedy) (Our Gang Comedy) 1935. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Bert Jordan.

MAMA'S NEW HAT. (A Captain and the Kids Cartoon) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., sepia. Based on the United Features comic "The Captain and the Kids."

MAMBA. 1930. 9 reels, sd., color.

Credits: Director, Albert Rogell; story, F. Schumann-Heink, John Reinhardt; continuity and dialogue, Tom Miranda, Winifred Dunn.

MAMMON AND THE ARCHER. Broadway Star Feature Co., Inc. 1918. 2 reels.

Credits: O. Henry [pseud. of William Sydney Porter]; director, Kenneth Webb.

MAMMY. 1930. 84 min., sd., color. Story based on the play "Mr. Bones" by Irving Berlin.

Credits: Director, Michael Curtiz; story and songs, Irving Berlin; screenplay and dialogue, Gordon Rigby, Joseph Jackson.

MAMMY. Trailer. 1930. 1 reel, sd.

MAMMY'S BOY. SEE His Darker Self.

A MAN ABOUT TOWN. Presented by William Fox. 1927. 2 reels. Based on a story by O. Henry [pseud. of William Sydney Porter].

Credits: Supervision, George E. Marshall; director, Eugene J. Forde; scenario, Andrew Bennison, Frank Martin.

MAN ABOUT TOWN. 1932. 6,357 ft., sd. From the novel by Denison Clift.

Credits: Director, John Francis Dillon; screenplay, Leon Gordon; editor, Frank Hull.

MAN ABOUT TOWN. 1939. 9 reels, sd.

Credits: Producer, Arthur Hornblow, Jr.; director, Mark Sandrich; story, Morrie Ryskind, Allan Scott, Z. Myers; screenplay, Morrie Ryskind; film editor, LeRoy Stone.

THE MAN ABOUT TOWN. SEE Frank X. Silk in The Man About Town.

THE MAN ACROSS THE STREET. Imp. 1916. 2 reels.

Credits: Scenario and production, Henry Otto; story, Robert Thomas.

A MAN AFRAID. 1915. 2 reels.

MAN AGAINST WOMAN. 1932. 7 reels, sd.

Credits: Director, Irving Cummings; story, Keene Thompson; screenplay, Jo Swerling.

MAN AND BEAST. Butterfly. 1917. 5 reels.

Credits: Director, Henry McRae; scenario, Henry McRae, W. B. Pearson.

MAN AND HIS ANGEL. 1916. 5 reels.

MAN AND HIS MASTER. 1915. 2 reels.

A MAN AND HIS MONEY. Rex. 1915. 1 reel.

Credits: Producer, Joseph De Grasse; scenario, Frances Willey, Ida May Park.

A MAN AND HIS MONEY. Presented by Samuel Goldwyn. 1919. 5 reels. From the story by Frederick S. Isham.

Credits: Director, Harry Beaumont.

Credits: Written and produced by Lem B. Parker.

MAN AND HIS SOUL. Quality Pictures Corp. 1916. 5 reels.

MAN AND MAID. Presented by Louis B. Mayer. 1925. 6 reels. From the novel by Elinor Glyn.

Credits: Director, Victor Schertzinger; story, scenario, and continuity, Elinor Glyn.

MAN AND MORALITY. Victor. 1916. 3 reels.

Credits: Written and produced by Harry C. Myers.

THE MAN AND THE DOLL. SEE L'Homme et la Poupée.

THE MAN AND THE MOMENT. Presented by Richard A. Rowland. 1929. 7 reels. From the story by Elinor Glyn.

Credits: Produced and directed by George Fitzmaurice; screen version, Agnes Christine Johnston.

THE MAN AND THE MOMENT. Trailer. First National. 1929. 1 reel, sd.

THE MAN AND THE MOMENT. SEE Mad Hour.

THE MAN AND THE TEST. SEE The Lamb.

Credits: Adapted and directed by Alice Blaché.

MAN AND WIFE. 1923. 5 reels.

Credits: Director, John L. McCutcheon; story and adaptation, Leota Morgan.

MAN BAIT. Presented by John C. Flinn. Released by Producers Distributing Corp. 1926. 6 reels. From the play by Norman Houston.

Credits: Director, Donald Crisp; adaptation, Douglas Z. Doty.

THE MAN BEHIND THE CURTAIN. 1916. 5 reels.

Credits: Producer, and director, Courtlandt J. Van Deusen.

THE MAN BEHIND THE DOOR. 1914. 4 reels.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

A MAN BETRAYED. 1936. 6 reels.

Credits: Producer, Nat Levine; director, John H. Auer; original screenplay, Dorrell and Stuart McGowan.

MAN BITES LOVE BUG. 1937. 2 reels, sd.

Credits: Director, Del Lord; story, Al Giebler, Elwood Ullman.

THE MAN CALLED BACK. Quadruple Film Corp., Ltd. Presented by Tiffany Productions, Inc. 1932. 8 reels. Adapted from the novel "Silent Thunder" by Andrew Soutar.

Credits: Producer, Sam Bischoff; director, Robert Florey; screenplay, continuity and dialogue, Robert Presnell.

MAN CRAZY. 1927. 6 reels. From the story "Clarissa and the Post Road" by Grace Sartwell Mason.

Credits: Producers, Charles R. Rogers, John Francis Dillon; adaptation and continuity, Perry Nathan.

A MAN FOR A' THAT. 1916. 2 reels. Reissue.

THE MAN FOUR-SQUARE. 1926. 5 reels, b&w, tinted sequences.

Credits: Director, R. William Neill; story, William MacLeod Raine; scenario, Charles Darnton.

THE MAN FROM ARGENTINE. Powers. 1915. 2 reels.

Credits: Harvey Gates; producer, Lynn Reynolds.

THE MAN FROM ARIZONA. 1932. 6 reels.

Credits: Producer, Trem Carr; director, Harry Frazer; story and adaptation, Wellyn Totman.

MAN FROM BAR 20. SEE Partners of the Plains.

THE MAN FROM BEYOND. 1921. 7 reels.

Credits: Director, Burton King; original story, Harry Houdini; adaptation, Coolidge Streeter.

THE MAN FROM BITTER ROOTS. 1916. For Fox Film Corp. 5 reels. From the story by Caroline Lockhart.

Credits: Adapted and produced by Oscar C. Apfel.

THE MAN FROM BLANKLEYS. Warner Brothers Vitaphone. 1930. 8 reels. From the play by F. Anstey [pseud. of Thomas Anstey Guthrie].

Credits: Director, Alfred E. Green; screenplay, Harvey Thew; dialogue and titles, Joseph Jackson.

THE MAN FROM BLANKLEY'S. Trailer. 1930. 1 reel, sd.

THE MAN FROM BLANKLEY'S. SEE The Fourteenth Man.

THE MAN FROM BRODNEY'S. 1923. 8 reels. From the story by George Barr McCutcheon.

Credits: Director, David Smith; adaptation, C. Graham Baker.

THE MAN FROM CHICAGO. 1931. 6 reels, sd. From the play by Reginald Simpson.

Credits: Director, Walter Summers; adaptation, Walter Summers, Walter Mycroft; film editor, Leslie Norman.

THE MAN FROM DOWNING STREET. 1922. 5 reels.

Credits: Director, Edward José; story, Clyde Westover, Lottie Horner, Florine Williams; scenario, Bradley J. Smollen.

THE MAN FROM EGYPT. 1916. 1 reel.

Credits: Producer, Lawrence Semon.

THE MAN FROM EGYPT. 1920. 1 reel.

Credits: Lawrence Semon, Graham Baker; director, Lawrence Semon.

THE MAN FROM FUNERAL RANGE. 1918. 5 reels. From the play "Broken Threads" by W. E. Wilkes.

Credits: Director, Walter Edwards; screen adaptation, Monte M. Katterjohn.

THE MAN FROM GUNTOWN. 1935. 6 reels, sd.

Credits: Producer, Nat Ross; direction, story, and continuity, Ford Beebe; film editor, Robert Johns.

THE MAN FROM HELL'S EDGES. 1932. 6 reels.

Credits: Direction, story and adaptation, Robert N. Bradbury.

THE MAN FROM HOME. Presented by Jesse L. Lasky. 1914. 5 reels. From the play by Booth Tarkington and Harry Leon Wilson.

Credits: Producer and director general, Cecil B. De Mille.

THE MAN FROM HOME. Paramount. 1922. 7 reels. From the play by Booth Tarkington and Harry Leon Wilson.

Credits: Producer and director, George Fitzmaurice; scenario, Ouida Bergere.

THE MAN FROM LONE MOUNTAIN. 1925. 5 reels.

Credits: Director, Ben Wilson; story, George W. Pyper.

THE MAN FROM LOST RIVER. 1921. 6 reels.

Credits: Director, Frank Lloyd; story, Katharine Newlin Burt; scenario, Lambert Hillyer, Arthur F. Statter.

THE MAN FROM MEDICINE HAT. 1921. 5 reels. From the novel "The Manager of the B. and A." by Vaughan Kester.

Credits: Director, J. P. McGowan.

THE MAN FROM MEXICO. SEE Let's Get Married.

THE MAN FROM MONTANA. Butterfly. 1917. 5 reels.

Credits: Director, George Marshall; story, George Marshall, Harvey Gates.

THE MAN FROM MONTEREY. 1933. 57 min.

Credits: Producer, Leon Schlesinger; director, Mack V. Wright; screenplay and dialogue, Lesley Mason.

MAN FROM MONTREAL. 1939. 7 reels.

Credits: Director, Christy Cabanne; original story, Ben Pivar; screenplay, Owen Frances.

MAN FROM MUSIC MOUNTAIN. 1938. 6 reels, sd.

Credits: Associate producer, Charles E. Ford; director, Joe Kane; original story, Bernard McConville; screenplay, Betty Burbridge, Luci Ward; film editor, Lester Orlebeck.

THE MAN FROM NOWHERE. Red Feather. 1916. 5 reels.

Credits: William H. Clifford; director, Henry Otto.

THE MAN FROM PAINTED POST. 1917. 5 reels.

Credits: Director, Joseph Henabery; story, Jackson Gregory; scenario, Douglas Fairbanks.

THE MAN FROM RED GULCH. Presented by Hunt Stromberg. 1925. 6 reels. From the story "The Idyl of Red Gulch" by Bret Harte.

Credits: Director, Edmund Mortimer; adaptation, Elliott J. Clawson.

THE MAN FROM SUNDOWN. 1939. 6 reels, sd.

Credits: Director, Sam Nelson; original screenplay, Paul Franklin; film editor, William Lyon; music and lyrics, Bob Nolan, Ted Spencer; music director, M. W. Stoloff.

THE MAN FROM TEXAS. 1915.

Credits: Director, Tom Mix.

THE MAN FROM TEXAS. 1939. 6 reels, sd.

Credits: Producer, Edward Finney; director, Al Herman; story and screenplay, Robert Emmett; film editor, Fred Bain.

THE MAN FROM THE DESERT. 1915. 3 reels.

Credits: Director, Ulysses Davis.

THE MAN FROM THE DESERT. SEE Desert Driven.

THE MAN FROM THE EAST. Released through General Film Co. 1914. 1 reel.

Credits: Written and directed by Tom Mix.

THE MAN FROM THE SEA. 1914. 2 reels. Adapted from a sketch by Paul Dickey and Charles Goddard.

Credits: Adaptation, George W. Terwilliger.

THE MAN FROM THE WEST. 1913. 1 reel.

Credits: Frances M. Wright.

THE MAN FROM THE WEST. (Blue Streak Western) 1926. 5 reels.

Credits: Director, Albert Rogell; story, Josephine Dodge; adaptation and scenario, Harrison Jacobs.

THE MAN FROM TOWN. 1915. 1 reel.

THE MAN FROM UTAH. (Lone Star Western) 1934. 6 reels, sd.

Credits: Producer, Paul Malvern; director, Robert Bradbury; story and screenplay, Lindsley Parsons; editor, Carl Pierson.

THE MAN FROM WYOMING. Universal Special. 1923. 5 reels. From the book "Wyoming" by William McLeod Raine.

Credits: Director, Robert North Bradbury.

A MAN FROM WYOMING. 1930. 5,989 ft. From a story by Joseph Moncure March and Lew Lipton.

Credits: Director, Rowland V. Lee; screenplay, John V. A. Weaver, Albert Shelby LeVino.

THE MAN FROM YESTERDAY. 1932. 8 reels, sd. Based on a play by Nell Blackwell and Rowland G. Edwards.

Credits: Director, Berthold Viertel; screenplay, Oliver H. P. Garrett.

THE MAN-HATER. 1914. 1,000 ft.

Credits: Producer, E. A. Martin.

THE MAN HE MIGHT HAVE BEEN. 1913. Produced in cooperation with the National Association of Manufacturers. 1 reel.

Credits: James Oppenheim.

THE MAN HE MIGHT HAVE BEEN. 1916. 1 reel.

Credits: Hettie Gray Baker; director, Burton L. King.

THE MAN HE USED TO BE. Broadway Star. 1916. 3 reels.

Credits: Producer, Eugene Mullin.

THE MAN HIGHER UP. 1929. 2 reels, sd., b&w.

Credits: Story, William De Mille.

THE MAN HUNT. 1916. 3 reels. From the novel by Arthur C. Train.

Credits: Director, Paul Scardon; adaptation, Joseph Gollomb.

Credits: Director, Travers Vale; story, Fred Jackson.

MAN HUNT. 1933. 7 reels, sd.

Credits: Producer, J. G. Bachmann; director, Irving Cummings; story and screenplay, Sam Mintz, Leonard Praskins.

MAN HUNT. 1936. 7 reels, sd.

Credits: Director, William Clemens; original story, Earl Felton; editor, Louis Hesse.

MAN HUNT. (An Oswald Cartoon) 1938. 1 reel, sd.

Credits: Producer, Walter Lantz; story, Victor McLeod, James Miele; artists, Lester Kline, Ralph Somerville.

THE MAN HUNTER. 1919. 6 reels.

Credits: Story, scenario and direction, Frank Lloyd.

THE MAN HUNTER. Warner Brothers and Vitaphone. 1930. 6 reels, sd.

Credits: Director, Ross Lederman; original story, Lily Hayward; screen adaptation and dialogue, James A. Starr.

THE MAN HUNTER. Trailer. 1930. 1 reel.

THE MAN HUNTERS. 1914. 1 reel.

THE MAN I KILLED. SEE Broken Lullaby.

THE MAN I LOVE. 1929. 7 reels, si., sd.

Credits: Director, William A. Wellman; story and dialogue, Herman J. Mankiewicz; adaptation, Percy Heath.

THE MAN I MARRY. 1936. 8 reels, sd.

Credits: Producer, Val Paul; director, Ralph Murphy; original story, M. Coates Webster; screenplay, Harry Clork; film editor, Bernard W. Burton.

THE MAN IN BLACK. 1914. 1,000 ft.

Credits: Producer, Edward J. LeSaint.

THE MAN IN BLUE. Jewel. 1925. 6 reels.

Credits: Director, Edward Laemmle; story, Gerald Beaumont; scenario, E. Richard Schayer.

THE MAN IN BLUE. 1937. 7 reels, sd.

Credits: Associate producer and author of original story, Kubec Glasmon; director, Milton Carruth; screenplay, Lester Cole; film editor, Paul Landres; music director, Charles Previn.

THE MAN IN DRESS CLOTHES. SEE Evening Clothes.

THE MAN IN EVENING CLOTHES. SEE She Wolves.

THE MAN IN HIM. 1916. 2 reels.

THE MAN IN HOBBLES. 1928. 7 reels. Suggested by the story by Peter B. Kyne.

Credits: Director, George Archainbaud; adaptation, John Francis Natteford; titles, Frederic Hatton, Fanny Hatton; editor, Desmond O'Brien.

THE MAN IN MOTLEY. 1915. 1 reel.

Credits: I. A. R. Wylie.

Credits: Producer, Ralph Dewsbury.

THE MAN IN POSSESSION. 1931. 9 reels, sd., b&w. From the play by H. M. Harwood.

Credits: Producer, Sam Wood; screen adaptation, Sarah Y. Mason; additional dialogue, Sarah Y. Mason, P. G. Wodehouse; film editor, Ben Lewis.

THE MAN IN THE BARN. (An Historical Mystery) 1937. 1 reel, sd., b&w.

Credits: Director, Jacques Tourneur; screenplay, Morgan Coxe; historical compilations, Charles E. Whittaker; narrator, Carey Wilson.

THE MAN IN THE CHAIR. Imp. 1915. 2 reels.

Credits: Producer, Leon Kent; story, Hobart Henley; scenario, Harvey Gates.

THE MAN IN THE DARK. 1914. 1 reel.

Credits: John H. Collins.

THE MAN IN THE IRON MASK. Presented by Edward Small. Released through United Artists. 1939. 12 reels, sd. From the novel by Alexandre Dumas.

Credits: Producer and director, James Whale; screenplay, George Bruce; film editor, Grant Whytock; music, Lucien Moraweck; music director, Lud Gluskin.

THE MAN IN THE IRON MASK. SEE The Iron Mask.

THE MAN IN THE MIRROR. Presented by Edward L. Alperson. 1937. 8 reels, sd. From the novel by William Garrett.

Credits: Producer, Julius Hagen; director, Maurice Elvey; adaptation and dialogue, F. McGrew Willis.

THE MAN IN THE MOONLIGHT. 1919. 6 reels.

Credits: Director, Paul Powell; story, Elliott J. Clawson.

MAN IN THE ROUGH. 1928. 5 reels.

Credits: Director, Wallace Fox; original story, W. C. Tuttle; screenplay, Frank Howard Clark.

THE MAN IN THE SADDLE. Universal-Jewel. 1926. 6 reels.

Credits: Director, Clifford S. Smith; story and scenario, Charles A. Logue.

THE MAN IN THE SHADOW. David Hartford Productions. 1926. 5,632 ft.

Credits: Director, Bertram Bracken; story and adaptation, Frances Nordstrom; editor, Walter L. Griffin.

Credits: Producer, Oscar Eagle.

THE MAN IN THE STREET. 1914. 3 reels. An adaptation from the novel by Mary Imlay Taylor.

Credits: Director, Charles J. Brabin.

THE MAN IN THE TRUNK. (The Perils of the Secret Service, no. 5) Imp. 1917. 2 reels. Founded on the Yorke Norroy stories by George Bronson Howard.

Credits: Director, George Bronson Howard.

THE MAN INSIDE. Broadway Universal. 1916. 5 reels. Adapted from the novel.

Credits: Producer, J. S. Adolphi; adaptation, R. L. Schrock.

THE MAN LIFE PASSED BY. 1923. 7 reels.

Credits: Original story, Victor Schertzinger; screenplay, Winifred Dunn.

MAN-MADE ISLAND. (A Columbia Tour) 1939. 1 reel, sd., color.

Credits: Associate producer, Hugh McCollum; narrative, Leonard Zinberg, Peter Martin; narrator, Gayne Whitman; film editor, Arthur Seid; photographer, Frank Good.

MAN-MADE WOMEN. 1928. For De Mille Pictures Corp. 6 reels.

Credits: Producer, Ralph Block; director, Paul L. Stein; story and adaptation, Ernest Pascal; screenplay, Alice D. G. Miller; film editor, Doane Harrison.

A MAN MUST LIVE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6,116 ft. Based on "Jungle Law" by I. A. R. Wylie.

Credits: Director, Paul Sloane; screenplay, James Ashmore Creelman.

THE MAN NEXT DOOR. 1923. 7 reels. From the novel by Emerson Hough.

Credits: Director, Victor L. Schertzinger.

THE MAN NOBODY KNOWS. 1925. 6 reels. Based on the book by Bruce Barton.

Credits: Produced and photographed by Erret LeRoy Kenepp; titles, Bruce Barton; musical settings, Alexander Savine.

THE MAN OF A THOUSAND HITS. 1935. 1 reel, sd.

Credits: Director, Joseph Henabery; continuity, A. Dorian Otvos.

A MAN OF ACTION. First National. 1923. 6 reels.

Credits: Director, James W. Horne; original story, Bradley King.

MAN OF ACTION. 1933. 6 reels, sd.

Credits: Director, George Melford; story, William Colt MacDonald; screenplay, Robert Quigley; film editor, Otto Meyer.

A MAN OF ACTION. SEE

Rip Roarin' Roberts.

Walloping Wallace.

MAN OF AFFAIRS. 1936. 8 reels, sd. Adapted from the play "The Nelson Touch" by Neil Grant. Released in England under the title "His Lordship."

Credits: Director, Herbert Mason; screenplay, L. Du Garde Peach, Edwin Greenwood; adaptation, Maude T. Howell; editor, M. Gordon; music director, Louis Levy.

MAN OF ARAN. Gainsborough. 1934. 8 reels, sd.

Credits: Director, Robert Flaherty; editor and scenarist, John Goldman; music score, John Greenwood; music director, Louis Levy.

MAN OF CONQUEST. 1939. 11 reels, sd.

Credits: Associate producer, Sol C. Siegel; director, George Nicholls, Jr.; original story, Harold Shumate, Wells Root; screenplay, Wells Root, E. E. Paramore, Jr., Jan Fortune; film editor, Edward Mann; music score, Victor Young.

THE MAN OF DESTINY. 1914. 1 reel.

Credits: Preston Kendall; director, Walter Edwin.

THE MAN OF GOD. 1915. 2,000 ft.

Credits: Written and produced by George W. Terwilliger.

A MAN OF HIS WORD. Falcon Features. 1917. 4 reels. From the play "Jelf's" by Horace Annesley Vachell.

Credits: Adapted and produced by George L. Tucker.

A MAN OF IRON. 1925. 6 reels.

Credits: Director, Whitman Bennett; adaptation, Lawrence Marsten.

MAN OF IRON. First National Productions Corp. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1935. 7 reels.

Credits: Director, William McGann; story, Dawn Powell; screenplay, William Wister Haines.

MAN OF LETTERS. (Let George Do It Series) (Stern Brothers Comedy) 1927. 2 reels. From cartoons by George McManus.

Credits: Director, Samuel Newfield.

THE MAN OF MIGHT. 1918-19. 2 reels each. © The Vitagraph Co. of America.

Credits: Director, William Duncan; story, Albert E. Smith, C. T. Brady; scenario, Graham Baker.

1. The Riven Flag. © 20Dec18; LP13172.

2. The Leap Through Space. © 20Dec18; LP13173.

3. The Creeping Death. © 20Dec18; LP13174.

4. The Gripping Hand. © 4Jan19; LP13232.

5. The Human Shield. © 22Jan19; LP13313.

6. The Height of Torment. © 12Feb19; LP13392.

7. Into the Trap. © 13Feb19; LP13393.

8. The One Chance. © 8Mar19; LP13473.

9. The Crashing Horror. © 19Mar19; LP13515.

10. Double Crossed. © 22Mar19; LP13528.

11. The Ship of Dread. © 5Apr19; LP13569.

12. The Volcano's Prey. © 12Apr19; LP13597.

13. The Flood of Despair. © 21Apr19; LP13625.

14. The Living Catapult. © 26Apr19; LP13651.

15. The Rescue. © 2May19; LP13668.

THE MAN OF MYSTERY. Imp. 1917. 2 reels.

THE MAN OF MYSTERY. 1917. 5 reels. Adapted from a novel by A. C. Gunter.

Credits: Director, Frederick A. Thompson; adaptation, H. C. Bergman.

A MAN OF NERVE. Released by F. B. O. 1925. 5 reels.

Credits: Director, Lewis W. Chaudet; story, John H. Hamlin; scenario, George Hively.

A MAN OF PARTS. 1915. 1 reel.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

A MAN OF PEACE. SEE Hobart Bosworth in A Man of Peace.

A MAN OF POSITION. 1923. 2 reels.

Credits: Written and directed by Archie Mayo.

A MAN OF QUALITY. 1926. 6 reels.

Credits: Director, Wesley Ruggles; story, H. H. Van Loan.

A MAN OF SENTIMENT. 1933. 7 reels, sd.

Credits: Director, Richard Thorpe; story, Frederick Hazlitt Brennan; screen story and dialogue, Robert Ellis.

THE MAN OF SHAME. 1915. 5 reels. Adapted from the French novel "Roger La Honte" by Jules Mary.

Credits: Producer, Harry C. Myers; adaptation, M. B. Havey.

A MAN OF SORROW. 1916. 6 reels. From the play "Hoodman Blind."

Credits: Written and produced by Oscar C. Apfel.

THE MAN OF STONE. 1921. 5 reels.

Credits: Director, George Archainbaud; story, John Lynch, Edmund Goulding; scenario, Lewis Allen Browne.

MAN OF THE FOREST. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 6 reels. From the story by Zane Grey.

Credits: Associate producer, B. P. Schulberg; director, John Waters; adaptation, Max Marcin; screenplay, Fred Myton.

MAN OF THE FOREST. 1933. 7 reels, sd. From a story by Zane Grey.

Credits: Director, Henry Hathaway; screenplay, Jack Cunningham, Harold Shumate.

Credits: Picturized by Morris Tourneur.

THE MAN OF THE HOUR. 1914. 3 reels.

MAN OF THE PEOPLE. 1937. 8 reels, sd., b&w.

Credits: Producer, Lucien Hubbard; director, Edwin L. Marin; original story and screenplay, Frank Dolan; film editor, William S. Gray; music score, Edward Ward.

MAN OF THE WORLD. 1931. 6,364 ft., sd.

Credits: Director, Richard Wallace; story, Herman J. Mankiewicz.

MAN OF TWO WORLDS. 1934. 10 reels, sd. From the novel by Ainsworth Morgan.

Credits: Producer, Pandro S. Berman; director, J. Walter Ruben; screenplay, Howard J. Green, Ainsworth Morgan; editor, Jack Hively; music director, Max Steiner.

Credits: Adaptation, Philip Hubbard.

THE MAN ON THE BOX. 1925. 7 reels. From the novel and stage play by Harold MacGrath.

Credits: Director, Charles Reisner; scenario, Charles A. Logue.

THE MAN ON THE FLYING TRAPEZE. (A Popeye the Sailor Cartoon) 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, David Tendlar.

MAN ON THE FLYING TRAPEZE. Presented by Adolph Zukor. 1935. 7 reels, sd.

Credits: Producer, William LeBaron; director, Clyde Bruckman; story, Charles Bogle, Sam Hardy; screenplay, Ray Harris, Sam Hardy; film editor, Richard Currier.

THE MAN ON THE ROCK. (An Historical Mystery) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., sepia.

Credits: Director, Edward Cahn; original story, Pierre Artigue; screenplay, Herman Boxer; narrator, Carey Wilson; music score, David Snell.

MAN OR MONEY? Imp. 1915. 3 reels.

Credits: William Lippert; producer, Henry McRae Webster.

MAN OVERBOARD. 1915. 1 reel.

Credits: Producer, Norval MacGregor; scenario, Cynthia Payne.

MAN-PROOF. 1937. 8 reels, sd., b&w. From a book by Fanny Heaslip Lea.

Credits: Producer, Louis D. Lighton; director, Richard Thorpe; screenplay, Vincent Lawrence, Waldemar Young, George Oppenheimer; film editor, George Boemler; music score, Franz Waxman.

MAN RUSTLIN'. Independent Picture Corp. Released by F. B. O. 1926. 5 reels.

Credits: Director, Del Andrews; story, Bill Branch; continuity, Burl R. Tuttle, Jay Chapman.

THE MAN TAMER. 1921. 5 reels.

Credits: Story, John Barton Oxford; adaptation and scenario, A. P. Younger.

THE MAN TAMER. Mustang. 1927. 2 reels.

Credits: Director, Ernst Laemmle; story and continuity, William Lester.

THE MAN THAT MIGHT HAVE BEEN. 1914. 1 reel.

Credits: Director, William Humphrey.

THE MAN, THE MISSION, AND THE MAID. 1914. 1 reel.

Credits: Director, Theodore Marston.

THE MAN THEY COULD NOT HANG. 1939. 7 reels, sd.

Credits: Producer, Wallace MacDonald; director, Nick Grinde; story, Leslie T. White, George W. Sayre; screenplay, Karl Brown; film editor, William Lyon.

MAN TO MAN. Universal Jewel. 1922. 6 reels.

Credits: Director, Stuart Paton; story, Jackson Gregory; scenario, George C. Hull.

MAN TO MAN. 1930. 8 reels. Based on the story by Ben Ames Williams.

Credits: Director, Allan Dwan; screenplay and continuity, Joseph Jackson.

MAN TO MAN. Presented by E. W. Hammons. 1937. 1,545 ft., sd.

Credits: Director, Raymond Kane; story, Marcy Klauber, Arthur Jarrett.

A MAN TO REMEMBER. 1938. 79 min., sd. From the story "Failure" by Katharine Haviland-Taylor.

Credits: Producer, Robert Sisk; director, Garson Kanin; screenplay, Dalton Trumbo; editor, Jack Hively; music score, Roy Webb.

THE MAN TRACKERS. 1921. 5 reels.

Credits: Written and produced by Edward Kull; scenario, George Plympton.

THE MAN TRAIL. 1915. 6 reels. Adapted from the novel by Henry Oyen.

Credits: Producer, E. H. Calvert.

THE MAN TRAILER. 1934. 6 reels, sd.

Credits: Direction and screenplay, Lambert Hillyer.

THE MAN TRAP. 1917. 5 reels.

Credits: Director, Elmer Clifton; scenario, Waldemar Young.

MANTRAP. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 7 reels. From a novel by Sinclair Lewis.

Credits: Director, Victor Fleming; screenplay, Adelaide Heilbron, Ethel Doherty.

MAN TROUBLE. 1930. 7,800 ft., sd.

Credits: Director, Berthold Viertel; story, Ben Ames Williams; adaptation, George Manker Watters, Marion Orth; editor, J. Edwin Robbins.

THE MAN UNCONQUERABLE. 1922. 6 reels.

Credits: Director, Joseph Henabery; story, Hamilton Smith; scenario, Julien Josephson.

THE MAN UNDER COVER. 1922. 5 reels.

Credits: Director, Tod Browning; story, L. V. Eytinge; scenario, Harvey Gates.

THE MAN UPSTAIRS. 1926. 7 reels.

Credits: Earl Derr Biggers; director, Roy Del Ruth; screenplay, Edward T. Lowe, Jr.

MAN WANTED. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1932. 7 reels, sd.

Credits: Director, William Dieterle; story, Robert Lord; adaptation, Charles Kenyon.

THE MAN WHO. 1921. 6 reels. Adapted from the story in the Saturday Evening Post by Lloyd Osbourne.

Credits: Producer and director, Maxwell Karger; adaptation, June Mathis.

Credits: Producer, F. Martin Thornton.

THE MAN WHO BROKE THE BANK AT MONTE CARLO. 1935. 6,020 ft., sd. From the play by Ilia Surgutchoff and Frederick Albert Swann.

Credits: Director, Stephen Roberts; screenplay, Howard Ellis Smith, Nunnally Johnson; music director, Oscar Bradley.

THE MAN WHO CALLED AFTER DARK. 1916. 2 reels.

THE MAN WHO CAME BACK. 1924. 9 reels. Founded on the story by John Fleming Wilson.

Credits: Producer and director, Emmett J. Flynn; scenario, Edmund Goulding.

THE MAN WHO CAME BACK. 1930. 7,786 ft., sd. Based on the play and story by Jules Eckhardt Goodwin and John Fleming Wilson.

Credits: Director, Raoul Walsh; screenplay, Edwin Burke; editor, Harold Schuster.

THE MAN WHO COULD NOT SLEEP. 1915. 1,000 ft.

Credits: Mark Swan.

THE MAN WHO COULD WORK MIRACLES. 1937. 9 reels, sd. Based on the story by H. G. Wells.

Credits: Producer, Alexander Korda; director, Lothar Mendes; scenario and dialogue, H. G. Wells.

THE MAN WHO COULDN'T BEAT GOD. 1915. 5 reels.

Credits: Directors, Maurice Costello, Robert Gaillard.

THE MAN WHO CRIED WOLF. 1937. 7 reels, sd.

Credits: Arthur Rothafel; associate producer, E. M. Asher; director, Lewis R. Foster; original screenplay, Charles Grayson, Sy Bartlett; film editor, Frank Gross; music director, Frank Previn.

THE MAN WHO DARED. 1920. 6 reels.

Credits: Director, Emmett J. Flynn; story and scenario, Jules Furthman.

THE MAN WHO DARED. 1933. 6,200 ft., sd.

Credits; Director, Hamilton McFadden; original screenplay, Dudley Nichols, Lamar Trotti; editor, Al DeGaetano.

THE MAN WHO DARED. First National. 1939. 6 reels, sd.

Credits: Director, Crane Wilbur; original story, Lucian Hubbard; screenplay, Lee Katz.

THE MAN WHO DARED. SEE When a Girl Loves.

THE MAN WHO DISAPPEARED. 1914. 1 reel each. © Thomas A. Edison, Inc.

Credits: Richard Washburn Child.

1. The Black Mask. © 21Mar14; LP2372.

2. The Hunted Animal. © 4Apr14; LP2463.

3. The Double Cross. © 18Apr14; LP2539.

4. The Light on the Wall. © 2May14; LP2631.

5. With His Hands. © 16May14; LP2721.

The Gap. © 29May14; LP2773.

Face to Face. © 22Jun14; LP2903.

A Matter of Minutes. © 3Jul14; LP2962.

The Living Dead. © 18Jul14; LP3060.

By the Aid of a Film. © 1Aug14; LP3122.

THE MAN WHO FIGHTS ALONE. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6,337 ft.

Credits: Producer and director, Wallace Worsley; story, William Blacke, James Shelley Hamilton; screenplay, Jack Cunningham.

Credits: Directed and adapted by Emile Chautard.

THE MAN WHO FOUND HIMSELF. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 7 reels.

Credits: Director, Alfred E. Green; original screen story, Booth Tarkington; scenario, Tom J. Geraghty.

THE MAN WHO FOUND HIMSELF. 1937. 7 reels, sd. From the story "Wings of Mercy" by Alice F. Curtis.

Credits: Producer, Cliff Reid; director, Lew Landers; screenplay, J. Robert Bren, Edmund L. Hartmann, G. V. Atwater, Thomas Lennon; editor, Jack Hively.

THE MAN WHO FOUND OUT. 1915. 1 reel.

THE MAN WHO HAD EVERYTHING. 1920. 6 reels.

Credits: Director, Alfred Green; story, Ben Ames Williams; scenario, Arthur F. Statter.

THE MAN WHO KNEW. 1914. 1 reel.

Credits: Director, William Humphrey.

THE MAN WHO KNEW TOO MUCH. Gaumont British Picture Corp., Ltd., London. Released by Gaumont-British Distributors, Ltd. 1934. 8 reels, sd.

Credits: Charles Bennett, D. B. Wyndham Lewis; director, Alfred Hitchcock; scenario, Edwin Greenwood, A. R. Rawlinson; additional dialogue, Emlyn Williams; music, Arthur Benjamin; musical director, Louis Levy.

THE MAN WHO LAUGHED LAST. SEE Sessue Hayakawa in The Man Who Laughed Last.

THE MAN WHO LAUGHS. Universal Jewel. 1928. 10 reels. From the novel by Victor Hugo.

Credits: Director, Paul Leni; adaptation and continuity, J. Grubb Alexander.

THE MAN WHO LIVED AGAIN. 1936. 7 reels.

Credits: Director, Robert Stevenson; screenplay, L. du Garde Peach, Sidney Gilliat, John L. Balderston.

THE MAN WHO LIVED TWICE. 1936. 8 reels, sd.

Credits: Director, Harry Lachman; story, Tom Van Dycke, Henry Altimus; screenplay, Tom Van Dycke, Fred Niblo, Jr., Arthur Strawn; film editor, Byron Robinson.

THE MAN WHO LOST HIMSELF. 1920. 6 reels. From the novel by H. de Vere Stackpoole.

Credits: Scenario and direction by George D. Baker.

THE MAN WHO MARRIED HIS OWN WIFE. 1922. 5 reels.

Credits: Director, Stuart Paton; story, John Fleming Wilson, Mary Ashe Miller; scenario, George Hively.

THE MAN WHO NEVER WAS CAUGHT. 1915. 1 reel.

THE MAN WHO PLAYED GOD. Released by United Artists Corp. 1922. 6 reels. From the play by Jules Eckert Goodman, based on the short story by Gouverneur Morris.

Credits: Director, Harmon Weight; adaptation, Forrest Halsey.

THE MAN WHO PLAYED GOD. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1932. 9 reels, sd. From the play by Jules Eckert Goodman, based on the short story by Gouverneur Morris.

Credits: Director, John G. Adolfi; adaptation, Julian Josephson, Maude Howell.

THE MAN WHO PLAYED SQUARE. 1924. 7 reels, b&w, tinted sequences.

Credits: Director, Al Santell; story, William Cook; scenario, John Stone.

THE MAN WHO RECLAIMED HIS HEAD. Presented by Carl Laemmle. 1934. 9 reels, sd. From the play by Jean Bart [pseud. of Marie Antoinette Sarlabous].

Credits: Associate producer, Henry Henigson; director, Edward Ludwig; screenplay, Jean Bart, Samuel Ornitz; film editor, Murray Seldeen.

THE MAN WHO SAVED THE DAY. Special Big U. 1917. 2 reels.

THE MAN WHO SAW TOMORROW. 1922. 7 reels.

Credits: Perley Poore Sheehan, Frank Condon; director, Alfred E. Green; adaptation, Will Ritchey, Frank Condon.

THE MAN WHO STAYED AT HOME. Presented by Screen Classics, Inc. 1919. 6 reels. Adapted from the play by Lechmere Worrall and J. E. Harold Terry.

Credits: Supervision, Maxwell Karger; director, Herbert Blache; scenario, June Mathis.

Credits: Director, Frank Hall Crane.

THE MAN WHO TOOK A CHANCE. 1917. 5 reels.

Credits: Ben Cohn; director, William Worthington.

THE MAN WHO TURNED WHITE. SEE The Sheik of Araby.

THE MAN WHO VANISHED. 1914. 1 reel. Adapted from the Felix Boyd series "Below the Dead Line" by Scott Campbell [pseud. of Frederick William Davis].

Credits: Director, Langdon West.

THE MAN WHO WAS AFRAID. 1917. 65 min. From the story by Mary Brecht Pulver.

Credits: Director, Fred E. Wright; adaptation, H. Tipten Steck.

THE MAN WHO WENT SANE. 1916. 3 reels.

Credits: Paul West; director, Thomas R. Mills; picturized by Joseph F. Poland.

THE MAN WHO WOKE UP. 1921. 2 reels.

Credits: Story, L. Underwood; scenario, Robert Dillon.

THE MAN WHO WON. 1919. 5 reels. Based on the book by Cyrus Townsend Brady.

Credits: Director, Paul Scardon; scenario, Edward J. Montagne.

THE MAN WHO WON. 1923. 5 reels, b&w, tinted sequences. Based on "The Twins of Suffering Creek" by Ridgwell Cullum.

Credits: Director, William A. Wellman; scenario, Ewart Adamson.

THE MAN WHO WOULDN'T LOVE. SEE Sinner or Saint.

THE MAN WHO WOULDN'T MARRY. 1913.

Credits: Annesley Burrowes.

THE MAN WHO WOULDN'T REMOVE HIS HAT. SEE The Devil's Bowl.

THE MAN WHO WOULDN'T TELL. 1918. 5 reels.

Credits: Director, James Young; story, Bess Meredyth.

THE MAN WITH A PACKAGE. Joker. 1917. 1 reel.

Credits: C. B. Hoadley; director, W. W. Beaudine.

THE MAN WITH THE BROODING EYES. SEE Brooding Eyes.

THE MAN WITH THE IRON HEART. 1915. 3 reels.

Credits: Director, George Nicholls.

1. The Murder in the Villa Falcon. © title, descr. & 126 prints, 18Oct15; LU6694.

2. Mystery of the Midnight Express. © title, descr. & 143 prints, 17Feb16; LU7658.

3. The Stolen Invention. © title, descr. & 142 prints, 12Jan17; LU9953.

4. The Lonely House. © title, descr. & 120 prints, 12Jan17; LU9954.

THE MAN WITH THE PUNCH. 1920. 2 reels.

Credits: Story, W. C. Tuttle; scenario, Burl Armstrong.

THE MAN WITH THE SCAR. Mustang. 1926. 2 reels.

Credits: Director, William A. Crinley; story, and scenario, Basil Dickey.

THE MAN WITH THE TWISTED LIP. 1922. 2 reels. From "The Adventures of Sherlock Holmes" by Sir Arthur Conan Doyle.

Credits: Director, Maurice Elvey.

THE MAN WITH TWO FACES. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1934. 7 reels. Based on the play "The Dark Tower" by George S. Kaufman and Alexander Woollcott.

Credits: Director, Archie Mayo; screenplay, Tom Reed, Niven Busch.

THE MAN WITH TWO MOTHERS. 1922. 5 reels.

Credits: Director, Paul Bern; story, Alice Duer Miller; scenario, Julien Josephson.

THE MAN WITHIN. 1916. 3 reels.

Credits: Director, Tom Mix.

THE MAN WITHOUT A CONSCIENCE. 1925. 7 reels.

Credits: Director, James Flood; story, Max Kretzer; adaptation, Hope Loring, Louis Duryea Lighton.

THE MAN WITHOUT A COUNTRY. 1917. 6 reels. Based on the story by Edward Everett Hale.

Credits: Supervision, Edwin Tanhouser; director, Ernest C. Warde; scenario, Lloyd Lonergan.

THE MAN WITHOUT A COUNTRY. 1925. 10 reels. Based on the story by Edward Everett Hale.

Credits: Director, Rowland V. Lee; adaptation and scenario, Robert N. Lee.

THE MAN WITHOUT A COUNTRY. 1938. 2 reels. From the story by Edward Everett Hale.

Credits: Director, Crane Wilbur; screenplay, Forrest Barnes.

THE MAN WITHOUT A COUNTRY. SEE As No Man Has Loved.

THE MAN WITHOUT A FACE. 1927-28. 2 reels each. © Pathe Exchange, Inc.

Credits: Director, Spencer Gordon Bennet; screen version, Joseph Anthony Roach.

1. A Perilous Mission. © 12Dec27; LP24762.

2. The Barrage. © 15Dec27; LP24763.

3. The Death Shell. © 22Dec27; LP24802.

4. The Abduction. © 24Dec27; LP24803.

5. The Mark of Crime. © 12Jan28; LP24871.

6. The Road of Peril. © 15Jan28; LP24872.

7. The Master Strikes. © 21Jan28; LP24908.

8. The Crime Craft. © 28Jan28; LP24930.

9. A Mysterious Visitor. © 6Feb28.

10. Unmasked. © 9Feb28; LP24969.

MAN WITHOUT A HEART. 1924. 6 reels. From the novel by Ruby M. Ayres.

Credits: Director, Burton King; screen adaptation, Harry Chandlee.

Credits: Adapted and produced by George L. Tucker.

MAN, WOMAN, AND SIN. 1927. 7 reels.

Credits: Produced, written and directed by Monta Bell; scenario, Alice D. G. Miller; film editor, Blanche Sewell.

MAN, WOMAN, AND WIFE. 1928. 7 reels.

Credits: Director, Edward Laemmle; story, Charles A. Logue.

MAN, WOMAN, MARRIAGE. Presented by Allen A. Kaufman. 1921. 9 reels.

Credits: Story and direction, Allen Holubar.

MANAGED MONEY. (Frolics of Youth) Presented by E. W. Hammons. 1934. 2 reels, sd.

Credits: Producer, E. H. Allen; director, Charles Lamont; story and dialogue, Ernest Pagano, Ewart Adamson.

THE MANAGER OF THE B. AND A. SEE The Man from Medicine Hat.

MANANA LAND. SEE An Uneven Match, Manana Land and Memories.

MANCHU LOVE. 1929. 2 reels, sd., color.

Credits: Aubrey Scotto; producer, Herbert T. Kalmus; director, Elmer Clifton; story, Jack Cunningham.

MANCHUKUO. 1938. 1 reel.

MANDALAY. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1934. 7 reels.

Credits: Director, Michael Curtiz; story, Paul Henry Fox; screenplay, Austin Parker, Charles Kenyon.

THE MANDARIN. 1924. 1 reel.

Credits: Director, William H. Watson; story, Richard Smith.

THE MANDARIN MYSTERY. 1936. 7 reels. Based on "The Chinese Orange Mystery" by Ellery Queen [pseud.]

Credits: Producer, Nat Levine; director, Ralph Staub; screenplay, John Francis Larkin, Rex Taylor, Gertrude Orr, Cortland Fitzsimmons.

Credits: Director, Oscar Apfel; story, Philip Lonergan; scenario, Lucien Hubbard.

MANDRAKE THE MAGICIAN. 1939. 2 reels each, sd. Based on the newspaper feature created by Lee Falk and Phil Davis.

Credits: Directors, Sam Nelson, Norman Deming; screenplay, Joseph F. Poland, Basil Dickey, Ned Dandy.

1. Shadow on the Wall. © 2May39; LP8816.

2. Trap of the Wasp. © 8May39; LP8828.

3. City of Terror. © 11May39; LP8834.

4. The Secret Passage. © 15May39; LP8840.

5. The Devil's Playmate. © 22May39; LP8863.

6. The Fatal Crash. © 26May39; LP8867.

7. Gamble for Life. © 29May39; LP8873.

8. Across the Deadline. © 13Jun39; LP8912.

9. Terror Rides the Rails. © 13Jun39; LP8913.

10. The Unseen Monster. © 19Jun39; LP8917.

11. At the Stroke of Eight. © 26Jun39; LP8927.

12. The Reward of Treachery. © 5Jul39; LP8963.

THE MAN-EATER. (James Montgomery Flagg's Girls You Know) 1918. 1 reel, color.

Credits: Director, Jack Eaton.

MAN-EATING SHARKS. (Cannibals of the Deep Series, no. 4) 1932. 770 ft.

Credits: Producer, Mack Sennett.

MAN EATING TIGER. SEE Spring Tonic.

MANHANDLED. 1924. 6,998 ft. From the Saturday Evening Post story by Arthur Stringer.

Credits: Producer and director, Allan Dawn; screenplay, Frank W. Tuttle.

MANHANDLING ETHEL. SEE Enchantment.

MANHATTAN. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6,415 ft. Based on "The Definite Object" by Jeffery Farnol.

Credits: Director, R. H. Burnside; adaptation, Paul Sloane, Frank Tuttle.

MANHATTAN COCKTAIL. 1928. 6,051 ft.

Credits: Director, Dorothy Arzner; story, Ernest Vajda; screenplay, Ethel Doherty.

A MANHATTAN KNIGHT. 1920. 5 reels, b&w, tinted sequences.

Credits: Director, George A. Beranger; story, Gelett Burgess; scenario, Paul H. Sloane.

MANHATTAN KNIGHTS. 1928. 7 reels.

Credits: Director, Burton King; story and continuity, Adeline Leitzbach.

MANHATTAN LOVE SONG. 1934. 8 reels, sd. Suggested by the novel by Cornell Woolrich [pseud. of Cornell George Hopley-Woolrich].

Credits: Director, Leonard Fields; screenplay, David Silverstein, Leonard Fields; editor, Carl Pierson.

MANHATTAN LOVE SONG. SEE Change of Heart.

MANHATTAN LULLABY. (Song Hit Stories) Educational Pictures. Presented by E. W. Hammons. 1933. 9 min., sd.

Credits: Producer, Jack White; story and music, James F. Hanley.

Credits: Charles T. and Frank Dazey; director, John McDermott; scenario, E. V. Durling.

MANHATTAN MARINERS. (Grantland Rice Sportlight) Van Beuren Corp. 1931. 1 reel.

MANHATTAN MARY. SEE Follow the Leader.

MANHATTAN MELODRAMA. Cosmopolitan. 1934. 9 reels, sd.

Credits: Producer, David O. Selznick; director, W. S. Van Dyke; original story, Arthur Caesar; screenplay, Oliver H. P. Garrett, Joseph L. Mankiewicz; film editor, Ben Lewis.

MANHATTAN MERRY-GO-ROUND. 1937. 10 reels, sd. Based on the musical revue by Frank Hummert.

Credits: Associate producer, Harry Sauber; director, Charles F. Riesner; original screenplay, Harry Sauber; editors, Murray Seldeen, Ernest Nims; music director, Alberto Colombo.

MANHATTAN MONKEY BUSINESS. (Hal Roach Comedy) 1935. 2 reels, sd., b&w.

Credits: Directors, Charles Parrott, Harold Law; film editor, William Ziegler.

MANHATTAN MOON. Presented by Carl Laemmle. 1935. 7 reels, sd.

Credits: Producer, Stanley Bergerman; director, Stuart Walker; original story, Robert Harris; screenplay, Barry Trivers, Ben Grauman Kohn; adaptation, Aben Kandel; film editor, Phil Cahn; music, Karl Hajos.

MANHATTAN PARADE. Warner Bros, and Vitaphone Production. 1932. 8 reels, sd. Based on a play by Samuel Shipman.

Credits: Director, Lloyd Bacon.

MANHATTAN RHYTHM. Presented by Adolph Zukor. 1935. 1 reel, sd.

MANHATTAN SERENADE. (M. G. M. Colortone Revue) 1930. 2 reels, sd., color. Based upon an original composition by Louis Alter.

Credits: Director, Sammy Lee; dialogue, Joe Farnham; music, Louis Alter, Howard Johnson, Charles F. Riesner; orchestral arrangement and direction, Arthur Lange.

MANHATTAN SHAKEDOWN. 1939. 6 reels, sd.

Credits: Director, Leon Barsha; story, Theodore Tinsley; screenplay, Edgar Edwards.

MANHATTAN TAPESTRY. Treasure Chest. Presented by E. W. Hammons. 1936. 906 ft., sd., color.

Credits: Producers, Palmer Miller, Curtis F. Nagel; editors, Richard Fair, William M. Pizor.

MANHATTAN WATERFRONT. (World on Parade, no. 7) 1937. 1 reel.

Credits: Text, Harold McCracken; narrator, Alois Havrilla.

MANIAC. 1934. 6 reels, sd.

Credits: Director, Dwain Esper; story and continuity, Hildegarde Stadie.

THE MANICURE GIRL. 1913. 1 reel.

Credits: George Randolph Chester.

THE MANICURE GIRL. (Chronicles of Bloom Center) 1915. 1 reel.

Credits: Producer, Burton L. King.

THE MANICURE GIRL. Paramount. 1925. 5,959 ft.

Credits: Frederic and Fanny Hatton; director, Frank Tuttle; screenplay, Townsend Martin.

THE MANIFESTATIONS OF HENRY ORT. SEE Straight Is the Way.

MANNA. Gold Seal. 1915. 2 reels.

Credits: Producer, Henry Otto; scenario, Olga Printzlau.

MANNEQUIN. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 7 reels. From the story by Fannie Hurst.

Credits: Producer and director, James Cruze; screenplay, Frances Agnew; adaptation, Walter Woods.

MANNEQUIN. A Frank Borzage production. 1938. 9 reels, sd., b&w.

Credits: Producer, Joseph L. Mankiewicz; director, Frank Borzage; story, Katharine Brush; screenplay, Lawrence Hazard; film editor, Frederick Y. Smith; music, Edward Ward.

MANNERS AND THE MAN. 1915. 1 reel.

MANON. SEE Hope Hampton in the Fourth Act of Manon.

MAN POWER. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 5,617 ft.

Credits: Associate producer, B. P. Schulberg; director, Clarence Badger; story, Byron Morgan; adaptation, Ray Harris, Sam Mintz; screenplay, Louise Long.

MAN'S BEST FRIEND, and THE STORY OF THE ROOSEVELT FAMILY IN AMERICA. (The Human Side of the News) 1933. 1 reel.

MAN'S CASTLE. 1933. 8 reels, sd. From the play by Lawrence Hazard.

Credits: Director, Frank Borzage; screenplay, Jo Swerling; film editor, Viola Lawrence.

MAN'S COUNTRY. 1938. 6 reels, sd.

Credits: Assistant producer, Robert Tansey; director, Robert Hill; original screenplay, Robert Emmett; film editor, Russ Schoengarth.

MAN'S ENEMY. 1914.

A MAN'S GAME. 1934. 6 reels, sd.

Credits: Director, D. Ross Lederman; story and screenplay, Harold Shumate; film editor, Otto Meyer.

MAN'S GREATEST FRIEND. (A Pete Smith Specialty) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., sepia.

Credits: Director, Joe Newman; screenplay, Barney Gerard, Richard Goldstone; research compilations, Dr. Ryland R. Madison.

A MAN'S HARDEST FIGHT. Big U. 1916. 1 reel.

Credits: Ben Cohn; producer. Jay Hunt.

A MAN'S HOME. Presented by Lewis J. Selznick. 1921. 6 reels.

Credits: Producer and director, Ralph Ince; story, Anna S. Richardson, Edmund Breese; scenario, Edward J. Montagne.

MAN'S LAW. 1915. 2 reels.

Credits: Written and directed by Colin Campbell.

MAN'S LAW AND GOD'S. 1922. 5 reels.

Credits: Written and directed by Finis Fox.

A MAN'S MAKING. 1915. 5 reels.

A MAN'S MAN. 1917. 7 reels. Adapted from the book by Peter B. Kyne.

Credits: Director, Oscar Apfel; scenario, Thomas Geraghty.

A MAN'S MAN. Released by Film Booking Offices of America. 1923. 5 reels. From the book by Peter B. Kyne.

Credits: Director, Oscar Apfel; scenario, Thomas C. Geraghty.

A MAN'S MAN. 1929. 8 reels. Based on the play by Patrick Kearney.

Credits: Produced and directed by James Cruze; continuity, Forrest Halsey; film editor, George Hively.

MAN'S MANIA FOR SPEED. (Adventure of the Newsreel Cameraman) 1934. 1 reel, sd.

A MAN'S MATE. 1924. 6 reels.

Credits: Director, Edmund Mortimer; story and scenario, Charles Kenyon.

A MAN'S PAST. Jewel. 1927. From the play "The Diploma" by Emerich Foeldes.

Credits: Director, George Melford; continuity, Emil Forst.

MAN'S PLAYTHING. 1920. 6 reels.

Credits: Written and directed by Charles T. Horan.

A MAN'S SACRIFICE. 1915. 3 reels.

Credits: Director, George D. Baker.

MAN'S SIZE. Fox Film Corp. 1923. 5 reels. Based on the novel by William MacLeod Raine.

Credits: Director, Howard M. Mitchell; scenario, Joseph Franklin Poland.

A MAN'S SIZE PET. Mustang. 1926. 2 reels.

Credits: Director, Vin Moore; story, W. C. Tuttle.

MAN'S TRIUMPH OVER THE MIGHTY FOREST. 1917. 1 reel.

Credits: Director, Travers Vale; story, William Addison Lathrop.

A MAN'S WORK. 1916. 3 reels.

A MAN'S WORLD. 1918. 5 reels. From the play by Rachel Crothers.

Credits: Supervision, Maxwell Karger; director, Herbert Blache; scenario, June Mathis.

THE MANSARD MYSTERY. Imp. 1916. 2 reels.

Credits: Director, Stuart Paton; story, Sylvester Jones; scenario, Harvey Gates.

Credits: Written and produced by Lem B. Parker.

A MANSION OF TRAGEDY. 1915. 3 reels.

Credits; Director, Joseph Byron Totten.

MANSLAUGHTER. Paramount. Presented by Jesse L. Lasky. 1922. 10 reels. From the Saturday Evening Post story by Alice Duer Miller.

Credits: Producer and director, Cecil B. De Mille; adaptation, Jeanie Macpherson.

MANSLAUGHTER. 1930. 7,954 ft., sd. Based on the novel by Alice Duer Miller.

Credits: Director, George Abbott; screenplay, George Abbott; film editor. Otto Lovering.

THE MANTLE OF CHARITY. 1918. 5 reels.

Credits: Stephen Fox; director, Edward Sloman.

THE MANTLE OF DECEIT. Rex. 1916. 2 reels.

Credits: Written and directed by Robert F. Hill.

THE MANUFACTURE OF BIG GUNS. 1915. Split reel.

THE MANUFACTURE OF COIN. 1915. Produced by permission of the United States Treasury Department. 1,000 ft.

MANUFACTURE OF WOOLENS. SEE Worsted Yarn Manufacture.

Credits: Producer, George Loane Tucker.

MANY A SIP. 1931. 2 reels, sd.

Credits: Producer, Louis Brock; director, Mark Sandrich; story and continuity, Ben Holmes, Nat Perrin, Mark Sandrich; film editor, Sam White.

MANY A SLIP. Released by F.B.O. 1927. 2 reels.

Credits: Directors, Charley Bowers, H. L. Muller; story. Charley Bowers, H. L. Muller, Ted Sears.

MANY A SLIP. 1931. 8 reels. From the stage play by Edith Fitzgerald and Robert Riskin.

Credits: Associate producer, Albert De Mond; director, Vin Moore; screenplay and added dialogue, Gladys Lehman.

MANY HAPPY RETURNS. Presented by Adolph Zukor. 1934. 7 reels, sd. Based on the novel, "Mr. Dayton, Darling" by Lady Mary Cameron [pseud.]

Credits: Producer, William LeBaron; director, Norman McLeod; screenplay, J. P. McEvoy, Claude Binyon; adaptation, Keene Thompson, Ray Harris; music, Arthur Johnston.

MANY MOONS. 1930. 1 reel, sd.

Credits: Director, Robert C. Bruce; story, Richard Cameron.

MANY SAPPY RETURNS. 1938. 2 reels, sd.

Credits: Director, Del Lord; story and screenplay, Charley Chase.

MANY UNHAPPY RETURNS. 1937. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Charles Roberts; story. Charles Roberts, Ewart Adamson; film editor, Les Millbrook.

MANY WINGS—BESIDE THE STILL WATERS. 1927. 1 reel.

Credits: Robert C. Bruce.

MAPLE SUGAR. (Ford Educational Library, Agriculture) Ford Motion Picture Laboratories. 1922. 1 reel.

MAPLE SYRUP AND SUGAR. 1930. 1 reel.

Credits: Producer, Joseph W. Smiley.

MARATHON MANIACS. Victor. 1917. 1 reel.

Credits: Written and directed by Craig Hutchinson.

MARBLE HEADS. Joker. 1917. 1 reel.

Credits: Director, Allen Curtis; scenario, Tom Gibson.

THE MARBLE HEART. Imp. 1915. 4 reels.

THE MARBLE HEART. 1916. For Fox Film Corp. 5 reels.

Credits: Producer, Keenan Buel; supervision, scenario, and adaptation, Herbert Brenon.

THE MARCELLINI MILLIONS. 1917. 5 reels.

Credits: Director, Donald Crisp; story, Edith Kennedy; scenario, Edith Kennedy, George Beban.

THE MARCH HARE. 1921. 5 reels.

Credits: Director, Maurice Campbell.

THE MARCH OF CHAMPIONS. (A Sportlight Picture) 1933. 1 reel, sd.

THE MARCH OF CRIME. 1936. 2 reels.

Credits: Narrative by Wedgewood Nowell.

THE MARCH OF FREEDOM. 1939. 2 reels, sd.

Credits: Producers, Joseph O'Brien, Thomas Mead; script, Henry Clay Bate; narrator, Graham McNamee.

MARCH OF THE PRESIDENTS. Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Narrator, John B. Kennedy; commentary, Horace A. Woodmansee; editors, Fred Waller, Milton Hocky.

MARCH OF THE YEARS. Columbia. Produced and dramatized by March of the Years Associates. 1933-34. 1 reel each, except the first entry which is 2 reels, sd.

2. © 4Oct33; LP4324.

3. © 22Oct33; LP4208.

4. © 8Nov33; LP4228.

M5. © 2Feb34; MP4564.

M6. © 2Feb34; MP4565.

M7. © 10Feb34; MP4566.

8. © 24Mar34; MP4685.

9. © 10May34; MP4762.

M10. © 15Aug34; MP4945.

MARCH OF TIME. Presented by the editors of Life and Time (Volume 1, no. 1 to Volume 3, no. 5, editors of Time) 1935-39.

Volume 1, 1935/36.

1. © 2Jan35; LP5291.

2. © 8Mar35; LP5378.

3. © 11Apr35; LP5551.

4. © 15May35; LP5587.

5. © 15Aug35; MP5791.

6. © 20Sep35; MP5867.

7. © 18Oct35; MP5927.

8. © 15Nov35; MP6060.

9. © 13Dec35; MP6092.

10. © 17Jan36; MP6142.

11. © 14Feb36; MP6310.

12. © 13Mar36; MP6311.

Volume 2, 1936.

4. © 17Apr36; MP6476.

5. © 15May36; MP6465.

6. © 12Jun36; MP6655.

7. © 10Jul36; MP6680.

8. © 7Aug36; MP6697.

Volume 3, 1936/37.

1. © 11Sep36; MP6770.

2. © 2Oct36; MP6829.

3. © 6Nov36; MP6925.

4. © 27Nov36; MP6946.

5. © 25Dec36; MP7077.

6. © 22Jan37; MP7142.

7. © 19Feb37; MP7194.

8. © 19Mar37; MP7298.

9. © 16Apr37; MP7344.

10. © 14May37; MP7470.

11. © 11Jun37; MP7526.

12. © 9Jul37; MP7611.

13. © 6Aug37; MP7669.

Volume 4, 1937/38.

1. © 3Sep37; MP7819.

2. © 1Oct37; MP7820.

3. © 29Oct37; MP8088.

4. © 26Nov37; MP8124.

5. © 24Dec37; MP8230.

6. © 21Jan38; MP8089.

7. © 18Feb38; MP8416.

8. © 18Mar38; MP8290.

9. © 15Apr38; MP8486.

10. © 13May38; MP8428.

11. © 10Jun38; MP8680.

12. © 8Jul38; MP8761.

13. © 5Aug38; MP8824.

Volume 5, 1938/39.

1. © 2Sep38; MP8762.

2. © 30Sep38; MP8825.

3. © 28Oct38; MP8879.

4. Uncle Sam—The Good Neighbor. © 25Nov38; MP9017.

5. The Refugee—Today and Tomorrow. © 23Dec38; MP9203.

6. State of the Nation, 1939. © 20Jan39; MP9062.

7. Mexico's New Crisis—Young America. © 17Feb39; MP9204.

8. The Mediterranean Background for War. © 17Mar39; MP9376.

9. Japan—Master of the Orient. © 14Apr39; MP9327.

10. Dixie, U. S. A. © 12May39; MP9493.

11. War, Peace & Propaganda. © 9Jun39; MP9486.

12. The Movies March On. © 7Jul39; MP9541.

13. Metropolis—1939. © 4Aug39; MP9580.

Volume 6, 1939/40.

1. Soldiers with Wings. © 1Sep39; MP9670.

2. The Battle Fleets of England. © 29Sep39; MP9712.

3. Uncle Sam—The Farmer. © 27Oct39; MP9734.

4. Newsfronts of War—1940. © 24Nov39; MP9802.

LA MARCHE AU SOLEIL. SEE Children of the Sun.

MARCHETA. 1936. 1 reel.

MARCHING ALONG. (The Little King) 1933. 1 reel. Based on the cartoon by O. Soglow.

Credits: Animation, Jim Tyler.

MARCHING HOME. 1929. 1 reel, sd.

MARCHING ON. 1929. 3 reels, b&w.

Credits: Director, Marcel Silver; story, Ben Holmes.

MARCHING TO GEORGIE. 1929. 2 reels, sd.

Credits: Director, William Watson.

MARCHING WITH SCIENCE. (Adventures of the Newsreel Cameraman) 1934. 1 reel, sd.

MARCO HIMSELF. SEE The Social Lion.

MARE NOSTRUM. 1926. 10 reels. Based on the book by Vincente Blasco Ibanez.

Credits: Director, Rex Ingram; scenario, Willis Goldbeck; film editor, Grant Whytock.

MAREEA THE FOSTER MOTHER. 1914. 2 reels.

Credits: Director, Ulysses Davis.

MAREEA, THE HALF-BREED. 1914.

Credits: Director, Ulysses Davis.

MARGARET MCKEE, ASSISTED BY THE VITAPHONE SYMPHONY ORCHESTRA [WITH] HERMAN HELLER CONDUCTING, IN A NURSERY SCENE, WHISTLES AND SINGS WOOING HOUR [and others]. 1927. 1 reel, sd.

Credits: Producer, Lem B. Parker.

MARGIE OF THE UNDERWORLD. 1915. 2 reels.

Credits: Producer, Wilbert Melville.

MARGUERITE DE VALOIS. SEE Queen Margaret.

MARIA. 1923. 13 reels.

MARIA DEL CARMEN. SEE Serenade.

MARIA ROSA. 1916. 5 reels. Founded on the play by Guido Marburg and Wallace Gillpatrick.

Credits: Producer, Cecil B. De Mille.

MARIAN, THE HOLY TERROR. 1914. 1 reel.

Credits: Producer, William Duncan.

MARIANNA. Laemmle. 1915. 1 reel.

Credits: Written and produced by Harry G. Stafford.

MARIANNE. A Marion Davies production. 1929. 7 reels.

Credits: Produced and directed by Robert Z. Leonard; story and screenplay, Dale Van Every; film editor, Basil Wrangell.

MARIA'S SACRIFICE. 1914. From a Study in Sociology.

Credits: Director, William Humphrey.

MARIE ANTOINETTE. Presented by Metro-Goldwyn-Mayer. 1938. 17 reels, sd., b&w. Based in part on the book by Stefan Zweig.

Credits: Producer, Hunt Stromberg; director, W. S. Van Dyke II; screenplay, Claudine West, Donald Ogden Stewart, Ernest Vajda; film editor, Robert J. Kern; music score, Herbert Stothart.

MARIE GALANTE. 1934. 8,192 ft., sd. Based on the novel by Jacques Deval.

Credits: Director, Henry King; screenplay, Reginald Berkeley; music director, Arthur Lange.

MARIE, LTD. 1919. 5 reels.

Credits: Director, Kenneth Webb; story, Louise Winters; scenario, Jane Murfin.

MARIHUANA. 1936. 6 reels, sd.

Credits: Director, Dwain Esper; story, Hildagarde Stadie; continuity, Rex Elgin.

MARINE CIRCUS. (A Pete Smith Specialty) Presented by Metro-Goldwyn-Mayer. 1939. 785 ft., sd., color.

Credits: Director, James A. FitzPatrick; film editor, Philip Anderson.

MARINE FOLLIES. Mentone. 1936. 2 reels, sd.

Credits: Story and direction, Milton Schwarzwald.

MARINE MARVELS. (Sportlight) 1934. 1 reel, sd.

THE MARINE PARADE. (A Bray Nature Special) Presented by the Bray Studios. 1927. 1 reel.

Credits: Titled by Don Carlos Ellis.

THE MARINES ARE COMING. 1934. 8 reels, sd.

Credits: Supervision, Colbert Clark; director, David Howard; original story, John Rathmell, Colbert Clark; screenplay, James Gruen; film editor, Thomas Scott.

THE MARINES ARE HERE. 1938. 7 reels, sd.

Credits: Director, Phil Rosen; original story, Edwin L. Parsons, Charles Logue; screenplay, Jack Knapp, J. Benton Cheney; film editor, Russell Schoengarth; music director, Abe Meyers.

MARION HARRIS [IN] SONG: MINE ALL MINE. 1929. 1 reel, sd.

MARION HARRIS [IN] SONGS: AFRAID OF YOU AND WE LOVE IT. (Movietone Act) 1928. 1 reel, sd.

MARION HARRIS [IN] SONGS: I WONDER AND I'M MORE THAN SATISFIED. (Movietone Act) 1928. 1 reel.

MARION HARRIS [IN] SONGS: RAIN AND DOWN BY THE OLD FRONT GATE. (Movietone Act) 1928. 1 reel, sd.

MARION TALLEY, SINGING CARO NOME, FROM [THE] OPERA RIGOLETTO. 1927. 1 reel, sd.

MARION TALLEY, SOPRANO, AND BENIAMINO GIGLI, TENOR, OF THE METROPOLITAN OPERA COMPANY SINGING VERRANNO A TE SULL'AURA (BORNE ON THE SIGHING BREEZE) FROM ACT 1 OF THE OPERA LUCIA DI LAMMERMOOR. 1927. 1 reel, sd.

THE MARIONETTES. 1917. 2 reels. Based on a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Thomas R. Mills; adaptation, Helmer Walton Bergman.

THE MARIONETTES. 1918. 5 reels. From the play by Pierre Wolff.

Credits: Director, Emile Chautard; scenario, Frederick Chapin.

MARIONETTES. 1926. 2 reels, color.

Credits: Director, Henri Diamant Berger.

THE MARIONETTES. 1929. 1 reel, sd.

Credits: Director, Hugh Croise.

THE MARIONETTES. SEE The Ransom.

MARIPOSA. SEE The Charmer.

MARIUTCH. 1930. 1 reel.

Credits: Director, Dave Fleischer; animation, Max Fleischer.

MARK IT PAID. (Joe Rock Comedy) 1923. 2 reels.

Credits: Director, Grover Jones.

THE MARK OF A GENTLEMAN. Gold Seal. 1916. 2 reels.

Credits: F. McGrew Willis; producer, William Worthington.

THE MARK OF CAIN. Red Feather. 1916. 5 reels.

Credits: Director, Joseph De Grasse; scenario, Stuart Paton.

MARK OF THE FROG. 1928. 2 reels each. © Pathe Exchange, Inc.

Credits: Edgar Wallace; director, Arch B. Heath.

1. The Gas Attack. © 28Feb28; LP25011.

2. Decoyed. © 3Mar28; LP25043.

3. The Jail Delivery. © 7Mar28; LP25065.

4. Triple Vengeance. © 22Mar28; LP25111.

5. The Enemy Within. © 29Mar28; LP25112.

6. Cross Fire. © 3Apr28; LP25113.

7. Framed. © 8Apr28; LP25143.

8. A Life at Stake. © 14Apr28; LP25153.

9. A Race with Death. © 14Apr28; LP25185.

10. Paying the Penalty. © 30Apr28; LP25199.

MARK OF THE VAMPIRE. 1935. 6 reels, sd., b&w.

Credits: Screenplay, Guy Endore, Bernard Schubert; film editor, Ben Lewis.

THE MARK OF ZORRO. 1920. 8 reels. From the novel "The Curse of Capistrano" by Johnston McCulley.

Credits: Director, Fred Niblo.

A MARKED MAN. Butterfly. 1917. 5 reels.

Credits: Director, Jack Ford; written by George Hively.

MARKED MEN. 1920. 5 reels. From the story "The Three Godfathers" by Peter B. Kyne.

Credits: Director, Jack Ford; editors, Frank Lawrence, Frank Atkinson.

MARKED MONEY. 1928. 6 reels.

Credits: Producer, Hector Turnbull; director, Spencer Bennet; original story, Howard J. Green; adaptation, George Dromgold, Sanford Hewitt; film editor, Harold McLernon.

MARKED WOMAN. First National. 1937. 10 reels, sd.

Credits: Director, Lloyd Bacon; original screenplay, Robert Rossen, Abem Finkel; music and lyrics, Harry Warren, Al Dubin.

MARKET GARDENING. 1929. 1 reel.

THE MARKET OF SOULS. 1919. 6 reels.

Credits: Supervision, Thomas H. Ince; director, Joseph De Grasse; story, John Lynch.

THE MARKET PRICE OF LOVE. 1915. 1 reel.

Credits: William Wright Farmer.

MARKING TIME. 1929. 2 reels.

Credits: Director, Ben Holmes; story, Emily Barry.

THE MARKSWOMAN. Big U. 1915. 1 reel.

Credits: Producer, Burton King; scenario, Edward Sloman.

MARLIE, THE KILLER. 1928. 5 reels.

Credits: Director, Noel Mason Smith; story, Hazel Christie MacDonald; continuity, George Pyper.

MAROONED. 1916. 3 reels.

Credits: H. Tipton Steck; director, E. H. Calvert.

MAROONED HEARTS. 1920. 6 reels.

Credits: Director, George Archainbaud; story, Lewis Allen Browne.

THE MARQUIS AND MISS SALLY. 1918. 2 reels.

Credits: O. Henry [pseud. of William Sydney Porter]; director, Allen Watts.

MARQUIS PREFERRED. 1929. 6 reels. Based on a story by Frederic Arnold Kummer.

Credits: Producer and director, Frank Tuttle; story, Ernest Vajda; screenplay, Ethel Doherty.

MARRIAGE. 1927. 6 reels. From the story by H. G. Wells.

Credits: Producer and director, R. William Neill; scenario, Gertrude Orr.

Credits: Director, James Young.

Credits: Story and direction, Robin H. Townley.

THE MARRIAGE BED. SEE Husband's Holiday.

Credits: Producer, Lawrence Marston.

THE MARRIAGE BROKER. Victor. 1916. 2 reels.

Credits: Producer, Ben Wilson; story, Bruno Lessing [pseud. of Rudolph Edgar Block]; adaptation, Helmer W. Bergman.

MARRIAGE BY CONTRACT. 1928. 8 reels, sd.

Credits: Producer, John M. Stahl; director, James Flood; story, Edward Clark; continuity, Francis H. Hyland; titles, Paul Perez; editor, L. R. Brown.

THE MARRIAGE CHEAT. 1924. 7 reels.

Credits: Director, John Griffith Wray; story, Frank R. Adams; adaptation, C. Gardner Sullivan.

MARRIAGE CIRCLE. 1923. 8 reels. From the play by Lothar Schmidt [pseud. of Lothar Goldschmidt].

Credits: Producer and director, Ernst Lubitsch; adaptation, Paul Bern.

THE MARRIAGE CLAUSE. Universal-Jewel. 1926. 8 reels. From the story "Technic" by Dana Burnet.

Credits: Scenario and direction, Lois Weber.

MARRIAGE DE L'AMOUR. SEE The Marriage of Cupid.

A MARRIAGE FOR REVENGE. Joker. 1916. 1 reel.

Credits: W. W. Farmer; producer, Allen Curtis.

MARRIAGE FORBIDDEN. 1938. 6 reels. From the French play by Eugene Brieux.

Credits: Director, Phil Stone; adaptation, Upton Sinclair; continuity, Joseph Hoffman.

MARRIAGE-GO-ROUND. (Radio Flash, no. 4) 1939. 18 min., sd.

Credits: Producer, Bert Gilroy; director, Harry D'Arcy; story, George Jeske, Harry D'Arcy; film editor, John Lockert.

MARRIAGE HUMOR. 1933. 2 reels, sd.

Credits: Producer, Arvid E. Gillstrom; director, Harry J. Edwards; story, Dean Ward, Vernon Dent; film editor, Jack English; background music, Lee Zahler.

MARRIAGE IN TRANSIT. 1925. 5 reels, tinted.

Credits: Director, Robert Neill; story, Grace Livingston Hill Lutz; scenario, Dorothy Yost.

MARRIAGE LICENSE? 1926. 8 reels, b&w, tinted sequences. Based on the stage play "The Pelican" by F. Tennyson Jesse and H. M. Harwood.

Credits: Director, Frank Borzage; scenario, Bradley King.

THE MARRIAGE LIE. 1918. 5 reels.

Credits: Director, Stuart Paton; scenario, Harvey Gates.

THE MARRIAGE MAKER. Paramount. 1923. 7 reels. Adapted from the play "The Faun" by Edward Knobloch.

Credits: Producer and director, William De Mille; adaptation, Clara Beranger.

Credits: Director, Arthur Ashley; story, Clay Mantley.

THE MARRIAGE MARKET. Presented by Columbia Pictures. 1924. 6 reels.

Credits: Producer, Harry Cohn; director, Edward J. Le Saint; story, Evelyn Campbell.

MARRIAGE MORALS. 1923. 7 reels.

Credits: Written and directed by William Nigh.

THE MARRIAGE OF ARTHUR. Laemmle. 1916. 2 reels.

Credits: Written and produced by Rupert Julian.

THE MARRIAGE OF FIGARO. SEE Figaro's Wedding.

THE MARRIAGE OF KITTY. SEE Afraid to Love.

THE MARRIAGE OF WILLIAM ASHE. 1921. 6 reels. From Margaret Mayo's dramatization of the novel by Mrs. Humphrey Ward.

Credits: Supervision, Bayard Veiller; director, Edward Sloman; scenario, Ruth Ann Baldwin.

MARRIAGE ON APPROVAL. 1933. 8 reels, sd. From the novel by Priscilla Wayne [pseud. of Besse Toulouse Sprague].

Credits: Director, Howard Higgin; adaptation, Olga Printzlau; continuity and dialogue, Howard Higgin, Edward Sinclair.

THE MARRIAGE PIT. 1920. 5 reels.

Credits: Producer, Frederick A. Thomson; story, Frederick Isham; scenario, Wallace Clifton.

THE MARRIAGE PLAYGROUND. 1929. Si. & 7,182 ft., sd. From "The Children" by Edith Wharton.

Credits: Director, Lothar Mendes; scenario, J. Walter Ruben; adaptation and dialogue, Doris Anderson.

THE MARRIAGE PRICE. Artcraft. Presented by Adolph Zukor. 1919. 5 reels.

Credits: Griswold Wheeler; director, Emile Chautard; scenario, Eve Unsell.

THE MARRIAGE RING. Paramount. Presented by Thomas H. Ince. 1918. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Fred Niblo; story, John Lynch; picturized by R. Cecil Smith.

MARRIAGE ROWS. (Educational's Comedies) (Lloyd Hamilton Talking Comedies) 1931. 20 min., sd.

Credits: Direction and story, William Goodrich; continuity and adaptation, Walter Reed.

THE MARRIAGE SPECULATION. 1917. 5 reels.

Credits: Director, Ashley Miller; story, Cyrus Townsend Brady, Albert E. Smith; scenario, A. Van Buren Powell.

THE MARRIAGE WAGER. 1914. 2,000 ft.

THE MARRIAGE WHIRL. First National. 1925. 8 reels. From the play "The National Anthem" by J. Hartley Manners.

Credits: Director, Al Santell; editorial director, June Mathis.

THE MARRIAGE WOW. 1932. 2 reels.

Credits: Director, Charles La Mont; story and dialogue, Harry Sauber.

MARRIAGE WOWS. 1930. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Max Fleischer, Dave Fleischer.

MARRIAGES ARE MADE. 1918. 5 reels.

Credits: Director, Carl Harbaugh; story, E. Lloyd Sheldon; scenario, Raymond L. Schrock.

THE MARRIAGES OF MAYFAIR. SEE The Fatal Hour.

MARRIED. 1930. 1 reel, sd.

MARRIED A YEAR. Nestor. 1916. 1 reel.

Credits: Director, John McDermott; scenario, Calder Johnstone.

MARRIED ALIVE. Presented by William Fox. 1927. 5 reels.

Credits: Director, Emmett Flynn; story, Ralph Straus; scenario, Gertrude Orr.

MARRIED BACHELORS. (Charlie Puffy-Octavus Roy Cohen Comedy) 1927. 2 reels.

Credits: Director, Ralph Cedar; original story, Octavus Roy Cohen.

MARRIED BEFORE BREAKFAST. 1937. 7 reels, sd., b&w.

Credits: Producer, Sam Zimbalist; director, Edwin L. Marin; story, Harry Ruskin; screenplay, George Oppenheimer, Everett Freeman; film editor, William S. Gray; music score, David Snell.

MARRIED, BUT SINGLE. Rolma Films, Inc. 1917. 1 reel.

Credits: Harry Mainhall; director, William Quirk.

MARRIED BY ACCIDENT. Nestor. 1917. 1 reel.

Credits; Director, Roy Clements; story, Eddie Lyons, Lee Moran; scenario, Tom Gibson.

THE MARRIED FLAPPER. 1922. 5 reels.

Credits: Director, Stuart Paton; story, Bernie Hyman; scenario, Doris Schroeder.

MARRIED FLIRTS. Presented by Louis B. Mayer. 1924. 7 reels, b&w, tinted sequences.

Credits: Producer and director, Robert G. Vignola; story, Louis Joseph Vance; scenario, Julia Crawford Ivers; film editor, Frank E. Hull.

MARRIED IN HASTE. 1919. 5 reels.

Credits: Director, A. Rosson; story, E. Lloyd Sheldon, J. Searles Dawley; scenario, Charles Kenyon.

MARRIED IN HOLLYWOOD. 1929. 9,700 ft., sd.

Credits: Director, Marcel Silver; editor, Dorothy Spencer.

MARRIED LADY NEEDS HUSBAND. SEE Señora Casade Necesita Marido.

MARRIED LIFE. 1920. 5 reels.

Credits: Director, Erle Kenton.

MARRIED NEIGHBORS. Century. 1925. 2 reels.

Credits: Written and directed by Charles Lamont.

MARRIED ON CREDIT. L-Ko. 1915. 1 reel.

MARRIED ON THE WING. Joker. 1916. 1 reel.

Credits: Ben Cohn; producer, Ernest Shields.

MARRIED OR SINGLE. 1933. 2 reels.

Credits: Director, Monte Brice; story, Jack Kirkland, Paul Gangelin.

MARRY ME. Paramount. 1925. 5,526 ft. From the play "The Nest Egg" by Anne Caldwell O'Dea.

Credits: Producer and director, James Cruze; screenplay, Anthony Coldewey.

MARRY MONTH OF MAY. 1926. 2 reels, b&w, tinted sequences. From a story by O. Henry [pseud. of William Sydney Porter].

Credits: Supervision, George E. Marshall; director, Thomas Buckingham; adaptation, Murray Roth.

MARRY MY WIFE. (Lyons-Moran Star Comedy) 1919. 1 reel.

Credits: Director, Lyons-Moran; story, J. Grubb Alexander.

MARRY OR ELSE. 1930. 2 reels, sd.

Credits: Director, Jack Partington.

MARRY THE GIRL. Presented by Sterling Productions, Inc. 1928. 6 reels.

Credits: Director, Philip Rosen; story, Wyndham Gitten; continuity, Frances Guihan.

MARRY THE GIRL. 1937. 8 reels, sd. Based on the novel by Edward Hope [pseud. of Edward Hope Coffey].

Credits: Director, William McGann; screenplay, Sig Herzig, Pat C. Flick, Tom Reed; film editor, Warren Low.

MARRY WHEN YOUNG. 1924. 1 reel.

Credits: Director, William H. Watson; story, Richard Smith.

MARRYING GRETCHEN. 1914. 1 reel.

Credits: Producer, William Duncan.

MARRYING MONEY. SEE Marriage a la Carte.

MARRYING SUE. 1913. 1 reel.

Credits: Director, Tefft Johnson.

MARS. (Oswald Cartoon) 1931. 1 reel.

Credits: Directed and animated by Walter Lantz, William Nolan.

MARS ATTACKS THE WORLD. 1938. 7 reels, sd. Based on the newspaper feature "Flash Gordon" by Alex Raymond.

Credits: Associate producer, Barney A. Sarecky; directors, Ford Beebe, Robert Hill; original story and screenplay, Ray Trampe, Norman S. Hall, Wyndham Gittens.

MARSE COVINGTON. 1915. 5 reels. From the play by George Ade.

MARSEILLES. (A Paramount-Burton Holmes Travel-Picture) 1921. 1 reel.

THE MARSHAL OF MESA CITY. 1939. 62 min., sd.

Credits: Producer, Bert Gilroy; director, David Howard; screenplay, Jack Lait, Jr.; editor, Frederic Knudtson.

THE MARSHAL OF MONEYMINT. (Hoxie subject) 1922. 5 reels.

Credits: Story and direction, Roy Clements.

Credits: Producer, William Duncan.

MARTHA. SEE Milady's Escapade.

MARTHA'S REBELLION. 1914. 1 reel.

Credits: Ruth M. Woodward.

MARTHA'S ROMEO. 1915. 1,000 ft.

Credits: Henry Beldon; director, Charles Ranson.

MARTHA'S VINDICATION. 1916. 5 reels.

Credits: Scenario, Ella Carter Woods.

MARTIN CHUZZLEWIT. 1914. 2 reels. Adapted from the novel by Charles Dickens.

MARTIN LOWE—FIXER. Laemmle. 1915.

Credits: Producer, Frank Lloyd; scenario, Ben Cohn.

MARTIN LUTHER, HIS LIFE AND TIME. 1924. 8 reels.

Credits: Editor, M. G. G. Scherer.

MARTIN OF THE MOUNTED. Mustang. 1926. 2 reels.

Credits: Director, William Wyler; story and continuity, George H. Plympton.

THE MARTINACHE MARRIAGE. Falcon Features. 1917. 4 reels. Based on the story by Beatrix Demarest Lloyd.

Credits: Supervision, H. M. and E. D. Horkeimer; director, Bert Bracken.

MARTINELLI NO. 2. 1931. 1 reel.

MARTINIQUE. SEE Volcano.

THE MARTYRDOM OF PHILIP STRONG. 1916. 5 reels. Based on "The Crucifixion of Philip Strong" and "In His Steps" by Charles Sheldon.

Credits: Dramatized by Francis Neilson.

THE MARTYRS OF THE ALAMO. 1915. 5 reels. Adapted from the novel by Theodosia Harris.

Credits: Adaptation, W. C. Cabanne.

MARTYRS OF YESTERDAY. SEE In the Land of the Setting Sun.

A MARVEL OF THE AGES. 1938. 1 reel, sd.

MARVELOUS MANHATTAN. (Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

Credits: Written and produced by Jacob Sarnoff.

MARVELS OF THE INSECT WORLD. 1915. Split reel.

Credits: Director, Raymond L. Ditmars.

MARY. 1915. 1 reel.

Credits: William Addison Lathrop; director, Langdon West.

MARY ANN IN SOCIETY. Victor. 1917.

Credits: Direction and story, Ruth Stonehouse; scenario, Fred Myton.

MARY BURNS, FUGITIVE. Presented by Adolph Zukor. 1935. 9 reels.

Credits: Producer, Walter Wanger; director, William K. Howard; original screenplay, Gene Towne, Graham Baker; continuity, Louis Stevens; editor, Pete Fritsch.

MARY CARY. SEE Nobody's Kid.

MARY ELLEN COMES TO TOWN. Paramount-Artcraft. 1920. 5 reels.

Credits: Director, Elmer Clifton; story, Helen G. Smith; scenario, Wells Hastings.

MARY FROM AMERICA. Gold Seal. 1917. 3 reels.

Credits: Director, Douglas Gerrard; story, Elizabeth R. Carpenter; scenario, Maude Grange.

MARY-'GUSTA. SEE A Petticoat Pilot.

MARY HAYNES [IN] THE BEAUTY SHOP. 1928. 1 reel, sd.

MARY JANE. 1913. 1 reel.

Credits: Director, W. J. Bauman.

MARY JANE ENTERTAINS. 1914. 2 reels.

Credits: Director, George D. Baker.

MARY JANE'S PA. 1917. 5 reels. From the play by Edith Ellis.

Credits: Director, William P. S. Earle; scenario, A. Van Buren Powell.

MARY JANE'S PA. First National Productions Corp. Presented by First National Productions Corp. and The Vitaphone Corp. 1935. 8 reels, sd. Based on the play by Edith Ellis Furness and the novel by Norman Way.

Credits: Director, William Keighley; screenplay, Tom Reed, Peter Milne.

MARY LEWIS IN WAY DOWN SOUTH. 1927. 1 reel.

MARY, M. C. SEE The Velvet Paw.

Credits: Synopsis, Arthur Maude.

MARY OF SCOTLAND. 1936. 14 reels, sd. From the play by Maxwell Anderson.

Credits: Producer, Pandro S. Berman; director, John Ford; screenplay, Dudley Nichols; music, Carroll Clark; orchestrator, Maurice De Packh.

MARY OF THE MOVIES. Presented by Columbia Productions. 1923. 7 reels.

Credits: Supervision, Louis Lewyn, Jack Cohn; director, John MacDermott; titles, Joseph W. Farnham.

MARY REGAN. 1921. From the novel by Leroy Scott.

Credits: Direction and production, Lois Weber.

MARY STEVENS, M. D. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1933. 8 reels.

Credits: Director, Lloyd Bacon; story, Virginia Kellogg; screenplay, Rian James, Robert Lord.

MARY STUART. 1913. 3 reels. Adapted from the play by Frederick Schiller.

MARY THE THIRD. SEE Wine of Youth.

MARYLAND MY MARYLAND. SEE Bride of the Storm.

MARY'S ANKLE. 1919. 5 reels. From the play by May Tully.

Credits: Supervision, Thomas H. Ince; director, Lloyd Ingraham; scenario, Luther Reed.

MARY'S DUKE. Victor. 1915. 3 reels.

Credits: Elaine Sterne.

MARY'S LITTLE LOBSTER. 1920. 2 reels.

Credits: Supervision, Hampton Del Ruth; director, Edward F. Cline.

MARY'S NEW HAT. 1913. 1 reel.

Credits: S. W. Bunting.

MA'S GIRLS. 1915. 2 reels.

Credits: Director, Tom Mix.

MA'S PRIDE AND JOY. 1932. 2 reels.

Credits: Director, Leslie Pearce.

THE MASAI. 1929. 1 reel, sd.

Credits: Edited by Harvard University, Dept. of Anthropology.

MASANIELLO. SEE The Dumb Girl of Portici.

MASK-A-RAID. 1931. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer.

Credits: Scenario, Jack Freise.

THE MASK OF FORTUNE. Laemmle. 1916. 1 reel.

Credits: Producer, George Cochrane; story and scenario, Calder Johnstone.

THE MASK OF FU MANCHU. 1932. 7 reels, sd., b&w. From the story by Sax Rohmer [pseud. of Arthur Sarsfield Ward].

Credits: Director, Charles Brabin; screenplay, Irene Kuhn, Edgar Allan Woolf, John Willard; film editor, Ben Lewis.

THE MASK OF LOPEZ. Released by Film Booking Offices. 1924. 5 reels.

Credits: Producer, Harry J. Brown; director, Albert Rogell; story and scenario, Marion Jackson.

THE MASK OF LOVE. Laemmle. 1917. 1 reel.

MASKED. 1920. 2 reels.

Credits: Director, Mack V. Wright; story, Harvey Gates; scenario, Hope Loring.

THE MASKED BRIDE. 1925. 6 reels.

Credits: Director, Christy Cabanne; story, Leon Abrams; scenario, Carey Wilson; film editor, Frank E. Hull.

THE MASKED CUPID. Special Victor. 1917. 1 reel.

THE MASKED DANCER. 1913. 2 reels.

Credits: Director, Burton King.

MASKED EMOTIONS. 1929. 7 reels.

Credits; Directors, David Butler, Kenneth Hawks; story, Ben Ames Williams; scenario, Harry Brand, Benjamin J. Markson.

MASKED FATE. 1915. 1 reel.

THE MASKED MARVEL. 1924. 2 reels.

Credits: Director, Roy Del Ruth.

THE MASKED MARVELS. Joker. 1917. 1 reel.

Credits: Director, Allen Curtis; story, Gale Henry; scenario, C. J. Wilson, Jr.

THE MASKED MENACE. 1927. 2 reels each. © Pathe Exchange, Inc. From the story "Still Face" by Clarence Budington Kelland.

Credits: Director, Arch Heath; scenario, Paul Fairfax Fuller.

1. Against Odds. © 12Oct27; LP24524.

2. An Unknown Assassin. © 17Oct27; LP24525.

3. The Enemy Strikes. © 18Oct27; LP24526.

4. A Half-Wit's Fury. © 12Nov27; LP24678.

5. An Attack at Midnight. © 15Nov27; LP24679.

6. Checkmate. © 24Nov27; LP24691.

7. By Hook or Crook. © 28Nov27; LP24692.

8. Still Face Shows His Hand. © 28Nov27; LP24703.

9. The Last Stand. © 28Nov27; LP24713.

10. The Menace Unmasked. © 30Nov27; LP24714.

THE MASKED PLAYERS CONTEST. 1925. 6 reels.

Credits: Written and directed by Aubrey M. Kennedy.

1. © title, descr. & 163 prints, 18Mar19; LU13504.

2. © title, descr. & 142 prints, 18Mar19; LU13501.

3. © title, descr. & 123 prints, 18Mar19; LU13503.

4. © title, descr. & 133 prints, 8Apr19; LU13574.

5. © title, descr. & 116 prints, 15Apr19; LU13601.

6. © title, descr. & 138 prints, 22Apr19; LU13624.

7. © title, descr. & 114 prints, 10May19; LU13693.

8. © title, descr. & 104 prints, 10May19; LU13694.

9. © title, descr. & 152 prints, 26May19; LU13760.

10. © title, descr. & 135 prints, 27May19; LU13761.

11. © title, descr. & 148 prints, 12Jun19; LU13817.

12. © title, descr. & 129 prints, 14Jun19; LU13823.

13. © title, descr. & 160 prints, 17Jun19; LU13835.

14. © title, descr. & 106 prints, 18Jun19; LU13845.

15. © title, descr. & 115 prints, 18Jun19; LU13846.

THE MASKED RIDER. 1916. 5 reels.

THE MASKED SUBSTITUTE. Laemmle. 1915. 2 reels.

Credits: Producer, William C. Dowlan; scenario, Leonora Ainsworth.

THE MASKED WOMAN. Gold Seal. 1916. 3 reels.

Credits: Producer, A. W. Rice; story, Tom Gibson; scenario, Harvey Gates.

THE MASKED WOMAN. 1927. 6 reels. From the stage play by Charles Méré.

Credits: Producer, June Mathis; director, Balboni.

MASKEE. SEE Shipmates.

DIE MASKEN ERWIN REINERS. SEE The Masks of the Devil.

MASKERADE. SEE Escapade.

MASKS AND FACES. 1914. 2 reels. Adapted from the novel "Peg Woffington" by Charles Reade.

MASKS AND MEMORIES. 1934. 3 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood, Eddie Moran.

MASKS AND MISHAPS. 1917. 1 reel.

Credits: Lawrence Semon, Graham Baker; director, Lawrence Semon.

MASKS AND MISHAPS. 1920. 1 reel.

Credits: Director, Lawrence Semon; story, Lawrence Semon, Graham Baker.

THE MASKS OF THE DEVIL. 1928. 8 reels, b&w. From the book "Die Masken Erwin Reiners" by Jakob Wassermann.

Credits: Producer and director, Victor Seastrom; continuity, Frances Marion; titles, Marian Ainslee, Ruth Cummings; film editor, Conrad Nervig.

THE MASQUE RAID. Presented by Columbia Pictures Corp. 1937. 645 ft., sd.

Credits: Producer, Charles Mintz; story, Allen Rose; animation, Harry Love; music, Joe De Nat.

MASQUERADE. 1929. 7 reels.

Credits: Director, Russell J. Birdwell; story, Louis Joseph Vance; scenario, Frederick Hazlitt Brennan.

MASQUERADE. 1931. 2 reels.

THE MASQUERADE BANDIT. Released by F. B. O. 1926. 5 reels.

Credits: Director, Robert DeLacy; story, Enid Hibbard, Ethel Hill; continuity, William E. Wing.

THE MASQUERADE PARTY. (A Krazy Kat Cartoon) 1934. 1 reel.

Credits: Story, Harry Love; animation, Allen Rose, Preston Blair.

THE MASQUERADER. Presented by Richard Walton Tully. 1922. 8 reels. Founded on the play by John Hunter Booth.

Credits: Director, James Young.

THE MASQUERADER. United Artists. 1933. 8 reels, sd. Based on John Hunter Booth's dramatization of the novel by Katherine Cecil Thurston.

Credits: Producer, Samuel Goldwyn; director, Richard Wallace; adaptation and screenplay, Howard Estabrook; dialogue, Moss Hart.

THE MASSACRE. 1912.

MASSACRE. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1934. 8 reels.

Credits: Director, Alan Crosland; story, Robert Gessner; screenplay, Ralph Block, Sheridan Gibney.

MASTER AND MAN. 1913. 1 reel.

MASTER FIXIT. 1913. 1 reel.

Credits: Director, Ralph Ince.

MASTER GILBERT, SENSATIONAL CHILD ARTIST. 1928. 1 reel, sd.

Credits: Picturized and produced by Harley Knoles; photographer and assistant director, Arthur Edson.

Credits: Director, Ernest C. Warde; story, F. X. James; scenario, Jack Cunningham.

THE MASTER MIND. 1920. 6 reels. From the story by Daniel D. Carter [pseud. of David Daniel Cohen].

Credits: Adaptation and direction, Kenneth Webb.

THE MASTER MUMMER. 1915. 3 reels. An adaptation of the novel by E. Phillips Oppenheim.

THE MASTER MYSTERY. Presented by B. A. Rolfe. 1918-19. 2 reels each, except no. 1 which is 3 reels. © Octagon Films, Inc.

Credits: Director, Burton King; story, Arthur B. Reeve, Charles A. Logue.

1. © 15Dec18; LP13194.

2. © 15Dec18; LP13195.

3. © 10Feb19; LP13422.

4. © 8Feb19; LP13379.

5. © 8Feb19; LP13380.

6. © 12Feb19; LP13387.

7. © 12Feb19; LP13388.

8. © 12Feb19; LP13389.

9. © 12Feb19; LP13390.

10. © 12Feb19; LP13391.

11. © 15Feb19; LP13409.

12. © 17Feb19; LP13410.

13. © 18Feb19; LP13423.

14. © 18Feb19; LP13424.

15. © 18Feb19; LP13425.

MASTER OF CEREMONIES. 1928. 1 reel.

Credits: Staged by Max Obal.

THE MASTER OF HIS HOUSE. 1915. 1 reel.

Credits: Director, Lee Beggs.

THE MASTER OF MAN. SEE Name the Man.

MASTER OF MEN. 1933. 8 reels, sd.

Credits: Director, Lambert Hillyer; story, Chester Erskin, Eugene Solow; screenplay, Edward Paramore, Seton I. Miller.

THE MASTER OF THE BENGALS. 1915. 1 reel.

Credits: Producer, L. W. Chaudet; story, A. Hiltbrunner.

THE MASTER OF THE HOUSE. 1915. 5 reels. Based on the play by Edgar James.

THE MASTER OF THE MINE. 1914. 2 reels.

Credits: Director, W. J. Bauman.

THE MASTER OF THE SWORD. 1915. 1 reel.

THE MASTER PASSION. 1916. 5 reels.

Credits: Director, Richard Ridgely.

THE MASTER ROGUES OF EUROPE. Big U. 1915. 3 reels.

THE MASTER SPY. (The Perils of the Secret Service) Gold Seal. 1917. 3 reels. Founded on the Yorke Norroy stories by George Bronson Howard.

Credits: Producers, Jack Wells, Kingsley Benedict; director, Jack Wells.

A MASTER STROKE. 1920. 5 reels.

Credits: Director, Chester Bennett; story, Frederic Van Rensselaer Dey; scenario, Lucien Hubbard.

THE MASTER SWEEPER. SEE Chester Conklin in The Master Sweeper.

Credits: Stein Riverton, Martin Jörgensen.

MASTER WILL SHAKESPEARE. (An MGM Miniature) 1936. 1 reel, sd.

Credits: Director, Jacques Tourneur; screenplay, Richard Goldstone; commentary, Carey Wilson; music, Herbert Stothart.

THE MASTERFUL HIRELING. 1915. 1 reel.

MASTERS OF MEN. 1923. 7 reels. From the novel by Morgan Robertson.

Credits; Director, David Smith; scenario, C. Graham Baker.

THE MASTER'S TOUCH. 1939. 10 min., sd., color.

Credits: Producer, Horace Shepard; commentator, Dwight Weist.

MATA HARI. 1932. 10 reels, sd., b&w.

Credits: Benjamin Glazer, Leo Birinski; producer, George Fitzmaurice; additional dialogue, Doris Anderson, Gilbert Emery; film editor, Frank Sullivan.

THE MATCH-BREAKER. 1921. 5 reels.

Credits: Producer and director, Dallas M. Fitzgerald; story, Metta White; scenario, Arthur J. Zellner.

THE MATCH KID. (A Scrappy Cartoon) Presented by Columbia Pictures Corp. 1933. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; music score, Joe De Nat.

THE MATCH KING. 1932. 9 reels. Based on the novel by Einar Thorvaldson.

Credits: Directors, Howard Bretherton, William Keighley; screenplay, Houston Branch, Sidney Sutherland.

MATCH PLAY. Presented by Mack Sennett. 1930. 22 min., sd.

Credits: Director, Mack Sennett.

MATCHING WITS. 1922. 2 reels.

Credits: Producer, Albert Russell; story, Malcolm Stuart Boylan; scenario, George Morgan.

MATCHING WITS. (Grantland Rice Sportlight) 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

THE MATCHMAKERS. 1916. 3,000 ft.

Credits: William Addison Lathrop; director, George Ridgwell.

THE MATCH-MAKERS. Metro-Drew. 1917. 1 reel.

Credits: Written and produced by Mr. and Mrs. Sidney Drew.

MATCHMAKING MAMMA. 1929. 2 reels.

Credits: Supervision, J. A. Waldron; director, Harry Edwards; story, Jefferson Moffitt, Carl Harbaugh; film editor, William Hornbeck.

MATERNITÉ. 1928. 7 reels.

Credits: Director, Carl Froelich; story, Robert Liebmann, Walter Supper.

Credits: Director, John B. O'Brien; story, Shannon Fife.

MATES AND MODELS. 1919. 2 reels.

Credits: Director, Noel Smith; story and scenario, Anthony W. Coldeway.

MATILDA'S FLING. 1915. 1,000 ft.

Credits: Mary Rider; director, Will Louis.

MATILDA'S LEGACY. 1915. 1 reel.

Credits: Written and produced by Arthur D. Hotaling.

THE MATINEE GIRL. (James Montgomery Flagg's Girls You Know) 1918. 1 reel, color.

Credits: Director, Jack Eaton.

THE MATINEE IDLE. SEE Henry Hull in The Matinee Idle.

MATINEE IDLES. (Star Comedy) 1922. 1 reel.

THE MATINEE IDOL. Metro-Rolma. 1916. 1 reel.

Credits: Leta Vance Nicholson; director, William Quirk.

THE MATINEE IDOL. 1928. 6 reels. Adapted from the story "Come Back to Aaron."

Credits: Producer, Harry Cohn; director, Frank R. Capra; story, Robert Lord, Ernest S. Pagano; adaptation, Elmer Harris; continuity, Peter Milne; film editor, Arthur Roberts.

MATINEE LADIES. 1927. 7 reels.

Credits: Albert S. Howson; director, Byron Haskin; scenario, Graham Baker.

THE MATING. 1918. 5 reels.

Credits: Director, Frederick Thompson; story, Millicent Evison.

THE MATING CALL. Paramount. Presented by Howard R. Hughes. 1928. 6,325 ft. From the story by Rex Beach.

Credits: Director, James Cruze; adaptation, Walter Woods.

THE MATING OF MARCELLA. Presented by Thomas H. Ince. 1918. 5 reels.

Credits: Supervision, Thomas H. Ince; director, R. William Neill; story, Joseph Franklin Poland; picturized by R. Cecil Smith.

THE MATRIMONIACS. Goldwyn Distributing Corp. 1920. 2 reels.

Credits: Director, Mark Goldaine; story, Scott Darling; scenario, L. V. Jefferson.

THE MATRIMONIAL BED. 1930. 8 reels.

Credits: Director, Michael Curtiz; screenplay, Harvey Thew.

THE MATRIMONIAL BED. Trailer. 1930. 1 reel.

A MATRIMONIAL BOOMERANG. 1915. 1 reel.

Credits: Producer, Tom Mix, story, Edith Blumer.

MATRIMONIAL MANOEUVERS. 1913. 1 reel.

Credits: Directors, Maurice Costello, Wilfrid North.

THE MATRIMONIAL WEB. 1921. 5 reels.

Credits: C. Graham Baker; director, Edward José; scenario, C. Graham Baker.

Credits: Supervision, Thomas H. Ince; director, Scott Sidney.

MATRIMONY. 1915. 5 reels.

Credits: C. Gardner Sullivan; director, Scott Sidney.

MATRIMONY BLUES. 1926. 2 reels, b&w, tinted sequences.

Credits: Director, Lex Neal; story, Edward P. Morgan.

THE MATRON'S REPORT. SEE Little Miss Nobody.

A MATTER OF COURT. 1914. Split reel.

A MATTER OF ETHICS. 1930. 1 reel.

A MATTER OF HIGH EXPLOSIVES. 1914. 1 reel.

Credits: Mark Swan; director, Charles Ransom.

A MATTER OF POLICY. 1923. 1 reel.

Credits: Director, William Watson.

MATTO GROSSO. 1932. 5 reels.

Credits: Directors, John S. Clarke, Jr., Floyd D. Crosby, David M. Newell.

MATTY'S DECISION. Gold Seal. 1915. 2 reels.

MAVIS OF THE GLEN. Laemmle. 1915.

Credits: Producer, Robert Leonard; scenario, Mary Murillo.

MAX COMES ACROSS. 1917. 30 min.

Credits: Written and directed by Max Linder.

MAX FISHER AND HIS CALIFORNIAN ORCHESTRA. 1928. 1 reel.

Credits: Director, Marcel G. Silver.

MAX IN A TAXI. 1917. 2 reels.

Credits: Written and directed by Max Linder.

MAX SCHMELING OF GERMANY. 1929. 1 reel.

MAX WANTS A DIVORCE. 1917. 30 min.

Credits: Written and directed by Max Linder.

MAY MCAVOY IN SUNNY CALIFORNIA. 1928. 1 reel.

Credits: Murray Roth and Hugh Herbert; director, Bryan Foy.

MAY USHER, COMEDIENNE, IN LYRICS OF LIFE SONGS: WHAT DO THEY MEAN BY LOVE [AND] IT'S NOT SO GOOD IN HOLLYWOOD. 1927. 1 reel, sd.

MAYBE IT'S LOVE. 1930. 8 reels.

Credits: Director, William Wellman; story, Mark Canfield; screenplay and dialogue, Joseph Jackson.

MAYBE IT'S LOVE. Presented by First National Productions Corp. and The Vitaphone Corp. 1934. 7 reels, sd. Based on a play by Maxwell Anderson.

Credits: Director, William McGann; screenplay, Jerry Wald, Harry Sauber; adaptation, Lawrence Hazard.

THE MAYFLOWER. (Paul Terry-Toons) Presented by E. W. Hammons. 1935. 545 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

THE MAYOR OF HELL. Presented by Warner Brothers Pictures, Inc. and The Vitaphone Corp. 1933. 90 min., sd.

Credits: Director, Archie Mayo; story, Islin Auster; screenplay, Edward Chodorov; film editor, Jack Killifer.

THE MAYOR'S DECISION. Laemmle. 1915. 3 reels.

Credits: Leonora Ainsworth; producer, William C. Dowlan.

THE MAYOR'S FALL FROM GRACE; or, THE MAYOR'S LAPSE FROM VIRTUE. 1916. 1 reel.

Credits: Producer, David Smith.

THE MAYOR'S LAPSE FROM VIRTUE. SEE The Mayor's Fall from Grace.

THE MAYOR'S WIFE. SEE His Wife's Husband.

MAYTIME. 1923. 8 reels. From the play by Rida Johnson Young.

Credits: Adaptation, Olga Printzlau.

MAYTIME. A Robert Z. Leonard production. 1937. 14 reels, sd., b&w. Based on the play by Rida Johnson Young.

Credits: Producer, Hunt Stromberg; director, Robert Z. Leonard; screenplay, Noel Langley; film editor, Conrad A. Nervig; music, Sigmund Romberg; musical adaptation and direction, Herbert Stothart.

MAZIE PUTS ONE OVER. 1915. 1,000 ft.

ME AN' BILL. 1914. 2 reels.

Credits: Written and produced by Colin Campbell.

ME AN' ME PAL. Red Feather. 1917. 5 reels.

Credits: Richard Ganthony; director, Harold Shaw.

ME 'AN SHORTY. SEE Cassidy of Bar 20.

Credits: Producer and director, Oscar Apfel; story, Hamilton Thompson.

Credits: Producer, Harold Shaw; story, Richard Ganthony.

ME AND MY GAL. 1922. 5 reels.

Credits: Director, George Pearson.

ME AND MY GAL. 1932. 7,295 ft., sd.

Credits: Director, Raoul Walsh; story, Philip Klein, Barry Conners; screenplay, Arthur Kober; editor, Jack Murray.

ME AND MY MULE. 1922. 2 reels.

Credits: Written and directed by Al Herman.

ME AND MY PAL. (A Laurel and Hardy Comedy) Presented by E. W. Hammons. 1933. 2 reels, sd., b&w.

Credits: Director, Charles Rogers; film editor, Bert Jordan.

ME AND THE BOY FRIEND. (Musical Pups Series) Presented by P. A. Powers. 1932. 1 reel.

Credits: Producer, Emil Velazco.

ME, GANGSTER. 1928. 7 reels, tinted.

Credits: Director, Raoul Walsh; story and scenario, Charles Francis Coe.

THE MEAD TRIAL. (William J. Burns Detective Mysteries) Educational Film Exchanges, Inc. 1931. 11 min.

THE MEADOW LARK. 1913.

Credits: Richard Ridgely.

THE MEANEST GAL IN TOWN. 1934. 7 reels, sd.

Credits: Producer, Russell Mack; story, Arthur Horman; screenplay, Richard Schayer, Russell Mack, H. W. Hanemann; editor, James B. Morley; music director, Max Steiner.

THE MEANEST MAN IN THE WORLD. First National. 1923. 6 reels. Based on the play by George M. Cohan; suggested by the playlet by Everett S. Ruskay.

Credits: Augustin MacHugh.

MEANS AND MORALS. 1915. 2 reels.

Credits: H. S. Sheldon.

THE MEASURE OF A MAN. 1916. 5 reels.

Credits: Director, Jack Conway; story, Norman Duncan; scenario, Maud Grange.

THE MEASURE OF A MAN. 1924. 5 reels.

Credits: Director, Arthur Rosson; story, Norman Duncan.

THE MEASURE OF LEON DUBRAY. Gold Seal. 1915. 3 reels.

Credits: Scenario and production, Henry Otto.

MEASURE THEM BY THE SAME YARDSTICK. 1936. 1 reel, sd.

MEASURING AND FITTING. 1930. Filmstrip, 80 frames.

MEASURING AND MODEL SELECTION. 1931. Filmstrip, 55 frames.

MEASURING BRAKE RESISTANCE SCIENTIFICALLY. 1928. 2 reels.

MEASURING THE PROSPECT. 1931. Filmstrip.

MEAT PACKING. (Ford Educational Library, Industrial Geography) Ford Motion Picture Laboratories. 1922. 1 reel.

MEAT PACKING. 1929. 1 reel.

MEATLESS DAYS AND SLEEPLESS NIGHTS. 1918. 1 reel.

Credits: Thomas J. Gray; director, Chester M. DeVonde.

THE MECHANICAL COW. (An Oswald the Lucky Rabbit Cartoon) 1927. 1 reel.

Credits: Walt Disney.

THE MECHANICAL COW. Presented by E. W. Hammons. 1937. 616 ft., sd.

Credits: Paul Terry, Jack Zander; scored and conducted by Philip A. Scheib.

THE MECHANICAL HANDY MAN. (Oswald) 1937. 1 reel.

Credits: Producer, Walter Lantz; story, Charles Bowers; artists, Ray Fahringer, Ted Dubois, Ed Benedict.

THE MECHANICAL MAN. Joker. 1915. 1 reel.

Credits: Producer, Allen Curtis; scenario, Clarence Badger.

MECHANICAL MAN. (Oswald Cartoon Comedy) Snappy. 1932. 1 reel.

THE MECHANICAL STORY ONLY WILLYS-KNIGHT CAN TELL. 1930. 1 reel.

MECHANICAL SUPERIORITIES OF THE NEW SUPERIOR WHIPPET SIX. 1929. 1 reel.

MECHANICS (General Science, no. 1) 1937. Filmstrip, 40 frames, 35 mm.

MECHANICS OF THE NATION'S MARKET PLACE. 1929. For the New York Stock Exchange. 25 min.

MECHANISM OF THE NORMAL HEART. 1929. 1 reel.

THE MECHANISMS OF BREATHING. 1936. 1 reel, sd.

Credits: Producer, E. M. Newman; director, Ira Genet; commentators, Howard Clancy, Jean Paul King.

MECHANIX ILLUSTRATED. (The Color Parade) 1939. Based on material in the magazine and produced in cooperation with Fawcett Publications. 1 reel each, sd., color. © The Vitaphone Corp.

Credits: Producer, E. M. Newman; director, Ira Genet; commentator, Dwight Weist.

MEDBURY IN ABYSSINIA. SEE Laughing with Medbury in Abyssinia.

MEDBURY IN BORNEO. (Walter Futter Travelaughs, no. M-316) Presented by Columbia Pictures. 1931. 1 reel, sd.

Credits: Producer, Walter A. Futter; written and spoken by John P. Medbury; film editor, David Miller.

MEDBURY IN MANDALAY. SEE Laughing with Medbury in Mandalay.

THE MEDDLER. Imp. 1915. 2 reels.

Credits: William Addison Lathrop; producer, Brinsley Shaw.

THE MEDDLER. 1925. 5 reels.

Credits: Director, Arthur Rosson; story, Miles Overholt; continuity, W. Scott Darling.

MEDDLERS AND MOONSHINERS. 1918. 1 reel.

Credits: Written and directed by Lawrence Semon.

THE MEDDLESOME DARLING. 1915. 2,000 ft.

Credits: Producer, Joseph W. Smiley.

MEDDLING WITH MARRIAGE. (Is Marriage Sacred?) 1917. 30 min.

Credits: Charles Mortimer Peck; director, E. H. Calvert.

MEDDLING WOMEN. 1924. 7 reels.

Credits: Direction and story, Ivan Abramson.

Credits: Story and direction, Ivan Abramson.

THE MEDIATOR. 1916. For Fox Film Corp. 5 reels. From the novel by Roy Norton.

Credits: Director, Otis Turner; adaptation, Otis Turner, Ethel Webber.

MEDICINE LODGE. SEE The Cheyenne Sun Dance.

THE MEDICINE MAN. 1930. 7 reels, sd. From the play by Elliott Lester.

Credits: Director, Scott Pembroke; screenplay, Ladye Horton; adaptation, Eve Unsell.

THE MEDICINE MEN. Presented by William Fox. 1929. 4 reels.

Credits: Director, Norman Taurog; story, Paul Gerard Smith, Clark & McCullough; scenario, Paul Gerard Smith; film editor, Albert C. Dripps.

THE MEDICINE SHOW. (Krazy Kat) Presented by Columbia Pictures Corp. 1933. 1 reel. Adapted from George Herriman's cartoon character.

Credits: Ben Harrison, Manny Gould; producer, Charles Mintz; animation, Al Rose, Harry Love; music score, Joe De Nat.

MEDITATIONS ON MARRIAGE. SEE If Women Only Knew.

MEDITERRANEAN BLUES. (Romantic Journeys) Presented by E. W. Hammons. 1934. 772 ft., sd., color.

Credits: Producers, Howard C. Brown, Curtis F. Nagel; music, Alexander Maloof.

MEDIUM SPIRITS. (Speed Comedy, no. 2) Reggie Morris Productions, Inc. 1921. 2 reels.

Credits: Director, Reggie Morris.

MEDIUM WELL DONE. 1937. 1 reel, sd.

Credits: Director, Lloyd French; story, Ira Genet.

THE MEEK MR. MEEK. 1930. 1 reel, sd.

Credits: Director, Morton Blumenstock; dialogue direction, Max Hayes.

MEET FATHER. 1924. 2 reels.

Credits: Director, Jess Robbins.

MEET MY DOG. (Cameo Comedy) 1926. 1 reel.

Credits: Director, Jules White.

MEET MY HUSBAND. (Star Comedy) 1921. 1 reel.

Credits: Director, Ward Hayes; story, Ward Hayes, Frank Kingsley.

MEET MY WIFE. Victor. 1917. 1 reel.

Credits: Written and directed by George Marshall; scenario, Karl Coolidge.

MEET NERO WOLFE. 1936. 7 reels, sd.

Credits: Producer, B. P. Schulberg; director, Herbert Biberman; story, Rex Stout; screenplay, Howard J. Green, Bruce Manning, Joseph Anthony; film editor, Otto Meyer; music director, Howard Jackson.

MEET THE AMBASSADOR. (Jimmy Aubrey Series, no. 8) 1925. 2 reels.

MEET THE BARON. 1933. 7 reels, sd., b&w.

Credits: Producer, David O. Selznick; director, Walter Lang; story, Herman J. Mankiewicz, Norman Krasna; screenplay, Allen Rivkin, P. J. Wolfson; dialogue, Arthur Kober, William K. Wells; film editor, James E. Newcom; music, Jimmy McHugh.

MEET THE BOY FRIEND. 1930. 1 reel, sd.

Credits: Director, Norman Taurog.

MEET THE BOY FRIEND. 1937. 7 reels, sd.

Credits: Associate producer, Colbert Clark; director, Ralph Staub; story, Jack Raymond, Robert Arthur; screenplay, Bradford Ropes.

MEET THE BRIDE. Presented by E. W. Hammons. 1937. 1,549 ft., sd.

Credits: Director, Robert Hall; story, Arthur Jarrett, Marcy Klauber.

MEET THE CHAMP. (A Phil L. Ryan Comedy) 1933. 2 reels, sd.

Credits: Director, Del Lord; story and adaptation, Luther Reed, Ralph Ceder, Scott E. Cleethorpe; editor, Maurice Wright.

MEET THE COUNT. (A Stern Brothers Comedy) (Keeping Up with the Joneses Series) 1928. 2 reels. From the cartoons by Pop Momand [pseud.]

Credits: Director, Gus Meins.

MEET THE DOCTOR. 1924. 2 reels.

Credits: Producer, Eddie Lyons.

MEET THE FOLKS. (Jimmie Adams Comedies) 1927. 2 reels.

Credits: Producer, Christie; director, Bob Kerr.

MEET THE GIRLS. 1938. 5,834 ft., sd.

Credits: Director, Eugene Forde; original screenplay, Marguerite Roberts; music director, Samuel Kaylin.

MEET THE HUSBAND. Bluebird. 1927. 1 reel.

Credits: Director, George Summerville.

MEET THE KERNEL. 1936. 1 reel.

Credits: Director, Joseph Henabery.

MEET THE MAESTROS. Presented by Adolph Zukor. 1938. 1 reel, sd.

Credits: Continuity, Milton Hocky; editor, Leslie Roush.

MEET THE MISSUS. 1929. 2 reels.

Credits: Kenyon Nicholson; director, Arvid E. Gillstrom; screen adaptation, Alfred A. Cohn.

MEET THE MISSUS. 1937. 7 reels, sd. From the story "Lady Average" by Jack Goodman and Albert Rice.

Credits: Producer, Albert Lewis; director, Joseph Santley; screenplay, Jack Townley, Bert Granet, Joel Sayre; editor, Frederic Knudtson; music director, Rob Webb.

MEET THE PRINCE. Released by Producers Distributing Corp. 1926. 7 reels. From the story "The American Sex" by Frank R. Adams.

Credits: Director, Joseph Henabery; scenario, Harold Shumate.

MEET THE PRINCESS. (Slim Summerville Comedy) 1932. 16 1/2 min.

Credits: Director, Harry J. Edwards; story, Francis J. Martin.

MEET THE PROFESSOR. Mentone. 1935. 2 reels, sd.

Credits: Director, Milton Schwarzwald.

MEET THE QUINCE. (H. C. Witwer Record Breaker Series, no. 2) 1929. 2 reels.

Credits: Director, Albert Herman.

MEET THE SENATOR. 1932. 2 reels.

MEET THE WIFE. 1931. 8 reels, sd.

From the stage play by Lynn Starling.

Credits: Producer, Christie; director, A. Leslie Pierce; adaptation and dialogue, F. McGrew Willis, Walter DeLeon.

MEET THE WIFE. SEE Frank Orth and Company in Meet the Wife.

THE MEETING. 1917. 1 reel.

Credits: Elaine Sterne; director, John Robertson.

A MEETING FOR A CHEATING. 1916. 1 reel.

MEETING MAZIE. Presented by Carl Laemmle. 1933. 2 reels, sd.

Credits: Producer, Warren Doane; director, James W. Horne; story, Albert Austin, W. P. Hackney; editor, Harry Marker.

MEETING MR. JONES. 1914. 1 reel.

MEG O' THE CLIFFS. 1915. 1,000 ft.

Credits: Producer, Melvin Mayo.

MEG O' THE MOUNTAINS. 1914. 2 reels.

Credits: Written and directed by Richard R. Ridgely.

MEIN FRIENDT SCHNEIDER. Big U. 1915. 1 reel.

Credits: Producer, Murdock MacQuarrie; scenario, G. E. Jenks.

MEINE FRAU DIE HOCHSTAPLERIN (My WIFE THE ADVENTURESS). 1932. 9 reels.

Credits: Director, Kurt Gerron; manuscript, Ernest Wolf, Frederich Zeckendorf, Philipp Lothar Mayring.

MEL KLEE IN THE PRINCE OF WAILS. 1929. 1 reel.

THE MELANCHOLY DAME. Presented by Al Christie. 1929. 2 reels, sd. From the story by Octavus Roy Cohen.

Credits: Director, Arvid E. Gillstrom.

MELLER DRAMMER. 1914. 1 reel.

Credits: Producer, E. A. Martin.

THE MELLOW QUARTETTE. (Pen and Ink Vaudeville) Educational. 1925. 1 reel.

MELO. SEE Dreaming Lips.

MELODIOUS MOMENTS. SEE The Croonaders in Melodious Moments.

MELODY CRUISE. 1933. 9 reels, sd.

Credits: Associate producer, Louis Brock; director, Mark Sandrich; screenplay, Ben Holmes, Mark Sandrich; additional dialogue, Allen Rivkin, P. J. Wolfson; film editors, George Marsh, John Lockert; music director, Max Steiner.

MELODY FOR TWO. 1937. 7 reels, sd.

Credits: Director, Louis King; story, Richard Macaulay; screenplay, George Bricker, Luci Ward, Joseph K. Watson; music and lyrics, Harry Warren, Al Dubin, M. K. Jerome, Jack Scholl.

MELODY GIRL. Presented by E. W. Hammons. 1937. 2 reels, sd.

Credits: Producer, Al Christie; story, Marcy Klauber, Arthur Jarrett.

MELODY IN MAY. 1936. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Ben Holmes; story, Stanley Rauh; film editor, Edward Mann.

MELODY IN SPRING. 1934. 8 reels, sd.

Credits: Producer, Douglas MacLean; director, Norman McLeod; story, Frank Leon Smith; screenplay, Benn W. Levy; continuity, Jane Storm.

MELODY LANE. Jewel. 1929. 8 reels. Adapted from the play "The Understander" by Jo Swerling.

Credits: Director, Robert F. Hill; adaptation, J. G. Hawks, Robert F. Hill.

THE MELODY LINGERS ON. 1935. 11 reels. Based on the novel by Lowell Brentano.

Credits: Producer, Edward Small; director, David Burton; screenplay and dialogue, Ralph Block, Philip Dunne; film editor, Duncan Mansfield; music director, Alfred Newman.

MELODY MAGIC. Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky, Fred Rath.

THE MELODY MAN. 1930. 7 reels. From the play by Herbert Fields, Richard Rodgers and Lorenz Hart.

Credits: Producer, Harry Cohn; director, R. William Neill; adaptation and dialogue, Howard J. Green.

MELODY MAN. (Organlogue, no. 3) 1931. 1 reel, sd.

Credits: Narrator, Campbell.

THE MELODY OF DEATH. Rex. 1917. 2 reels.

Credits: E. M. Ingleton; director, Douglas Gerrard.

THE MELODY OF DOOM. 1915. 2 reels.

Credits: Director, Frank Beal.

THE MELODY OF LOVE. Gold Seal. 1916. 3 reels.

Credits: Nell Shipman; producer, J. Warren Kerrigan.

MELODY OF LOVE. Jewel. 1928. 9 reels, sd.

Credits: Director, A. B. Heath; story, Robert Arch.

MELODY TRAIL. 1935. 6 reels, sd.

Credits: Producer, Nat Levine; supervision, Armand Schaefer; director, Joseph Kane; story, Sherman Lowe, Elizabeth Burbridge; screenplay, Sherman Lowe; film editor, Lester Orlebeck.

A MELON-DRAMA. 1931. 2 reels, sd.

Credits: Producer, Lou Brock; director, Mark Sandrich; story, Bobby Clark; adaptation and dialogue, Mark Sandrich, Johnnie Grey, William Grew; film editor, Ted Cheesman.

MELTING MILLIONS. 1917. For Fox Film Corp. 5 reels.

Credits: Director, Otis Turner; story, Joseph Anthony Roach.

Credits: Director, Spencer G. Bennet; story, Joseph Anthony Roach.

THE MEMENTO. SEE The Garter Girl.

MEMORIES. 1929. 1 reel, sd.

Credits: Basil Smith.

MEMORIES. SEE

Henpecks and Pecked Hens, Sunny Sands and Drifting Snow, and Memories.

Ima Vamp, Fairyland, and Memories.

The Last of the Morgans.

Mother's Angel, In Quest of a Minnie, and Memories.

Sweet Dynamite, The Land of Incense, and Memories.

Uneasy Feet, God's Country, and Memories.

An Uneven Match, Mañana Land, and Memories.

MEMORIES AND MELODIES. 1935. 1,467 ft., sd., color. Suggested by the memoirs of Stephen Foster.

Credits: Written and directed by James A. Fitzpatrick.

MEMORIES IN MEN'S SOULS. 1914. 1 reel.

Credits: Director, Van Dyke Brooke.

MEMORIES OF OLD MALACCA. (A Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

MEMORIES OF SPAIN. (Along the Road to Romance on the Magic Carpet of Movietone) 1936. 1 reel, sd.

Credits: Editor, Lew Lehr; narrator, Lowell Thomas.

MEMORIES THAT HAUNT. 1913. 2 reels.

MEMORY LANE. (Paramount-Post Nature Pictures) Post Pictures Corp. 1919. 1 reel.

Credits: Verse, H. C. Ruth.

MEMORY LANE. Presented by Louis B. Mayer. 1926. 8 reels.

Credits: Producer and director, John M. Stahl; original screenplay, John M. Stahl, Benjamin Glazer.

MEMORY LANE. First National. 1926. 8 reels.

Credits: Producer and director, John M. Stahl; original play, John M. Stahl, Benjamin Glazer.

THE MEMORY MILL. Special Big U. 1916. 1 reel.

MEMORY OF LOVE. SEE In Name Only.

THE MEMORY TREE. Big U. 1915. 1 reel.

Credits: Raymond L. Schrock; producer, L. Johnstone.

MEN. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 7 reels.

Credits: Direction and story, Dimitri Buchowetzki; screenplay, Paul Bern.

MEN AMONG MEN. SEE Fred Ardath with Earl Hall and Grace Osborn in Men Among Men.

MEN AND WOMEN. 1914.

MEN AND WOMEN. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 6,223 ft. From the play by David Belasco and Henry C. De Mille.

Credits: Director, William De Mille; screenplay, Clara Beranger.

MEN ARE LIKE THAT. 1930. 5,467 ft., sd. From the play "The Show-off" by George Kelly.

Credits: Director, Frank Tuttle; adaptation, Herman J. Mankiewicz; scenario, Marion Dix; film editor, Verna Willis.

MEN ARE NOT GODS. Presented by Alexander Korda. Released through United Artists. 1937. 10 reels, sd.

Credits: Written and directed by Walter Reisch; scenario and dialogue, G. B. Stern, Iris Wright; film editor, Henry Cornelius; music director, Muir Mathieson.

MEN ARE SUCH FOOLS. 1932. 8 reels, sd.

Credits: Director, William Nigh; story, Thomas Lloyd Lennon; adaptation and dialogue, Viola Brothers Shore; continuity, Ethel Doherty.

MEN ARE SUCH FOOLS. 1938. 8 reels. From a story by Faith Baldwin.

Credits: Director, Busby Berkeley; screenplay, Norman Reilly Raine, Horace Jackson.

MEN AT WORK. 1937. Filmstrip, 97 fr., sd.

MEN CALL IT LOVE. 1931. 8 reels, sd., b&w. Adapted from the play "Among the Married" by Vincent Lawrence.

Credits: Director, Edgar Selwyn; dialogue continuity, Doris Anderson; film editor, Frank Sullivan.

MEN IN BLACK. 1934. 2 reels, sd.

Credits: Director, Raymond McCarey; story and screenplay, Felix Adler.

MEN IN EXILE. First National. 1937. 6 reels. From stories by Houston Branch and Marie Baumer.

Credits: Director, John Farrow; screenplay, Roy Chanslor.

MEN IN FRIGHT. (Our Gang Comedy) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, George Sidney; original story, Carl Dudley, Marty Schwartz; screenplay, Hal Law, Robert McGowan; music, Dave Snell.

MEN IN HER LIFE. 1931. 8 reels, sd. Based on a story by Warner Fabian [pseud.]

Credits: Director, William Beaudine; adaptation and dialogue, Robert Riskin; continuity, Dorothy Howell; film editor, Richard Cahoon.

MEN IN THE RAW. 1923. 5 reels. From the story in Ace High Magazine by Bert W. Foster.

Credits: Director, George Marshall; scenario, George Hively.

MEN IN WHITE. Cosmopolitan. 1934. 8 reels, sd., b&w. From the play by Sidney Kingsley.

Credits: Producer, Monta Bell; director, Richard Boleslavsky; screenplay, Waldemar Young; film editor, Frank Sullivan; music score, William Axt.

MEN MUST FIGHT. 1933. 8 reels, sd., b&w. From the play by Reginald Lawrence and S. K. Lauren.

Credits: Director, Edgar Selwyn; screenplay, C. Gardner Sullivan; film editor, William S. Gray.

MEN O' WAR. (Hal Roach Comedy) Presented by Hal Roach. 1929. 2 reels.

Credits: Director, Lewis R. Foster; story, Leo McCarey; dialogue, H. M. Walker; editor, Richard Currier.

MEN OF AFFAIRS. SEE There's Millions in It.

MEN OF AMERICA. 1932. 7 reels.

Credits: Producer, David O. Selznick; director, Ralph Ince; story, Humphrey Pearson, Henry McCarty; screenplay, Samuel Ornitz, Jack Jungmeyer.

MEN OF CHANCE. 1932. 7 reels, sd.

Credits: Supervision, Pandro Berman; director, George Archainbaud; original story, Louis Weitzenkorn; adaptation and dialogue, Wallace Smith, Louis Stevens; additional dialogue, Eddie Welch; film editor, Archie Marshall.

MEN OF DARING. 1927. 6 reels.

Credits: Director, Albert Rogell; story and scenario, Marion Jackson.

MEN OF PURPOSE. Presented by Veterans Film Service. 1925. 10 reels.

MEN OF STEEL. Presented by R. A. Rowland. 1926. 10 reels. Suggested by the short story "United States Flavor" by R. G. Kirk.

Credits: Milton Sills; supervision, Earl Hudson; director, George Archainbaud.

MEN OF STEEL. Presented by Metro-Goldwyn-Mayer. 1938. 2 reels, sd., b&w.

Credits: Eddie Stanley, George Brandt; director, Sammy Lee; screenplay, Stanley Rauh; music score, David Snell.

THE MEN OF THE DESERT. 1917. 65 min.

Credits: Written and directed by W. S. Van Dyke.

MEN OF THE HOUR. 1935. 6 reels, sd.

Credits: Director, Lambert Hillyer; story and screenplay, Anthony Coldeway; film editor, John Rawlins.

MEN OF THE MOUNTAINS. 1915. 2,000 ft.

MEN OF THE NIGHT. Presented by Sterling Productions, Inc. 1926. 5,700 ft.

Credits: Director, Albert Rogell; story, Florence Wagner; adaptation, Lucille de Nevers.

MEN OF THE NIGHT. 1934. 6 reels, sd.

Credits: Direction, story, and screenplay, Lambert Hillyer; film editor, Al Clark.

MEN OF THE NORTH. 1930. 7 reels, sd., b&w.

Credits: Director, Hal Roach; story, Willard Mack; continuity and dialogue, Richard Schayer; film editor, Tom Held.

MEN OF THE SKY. 1931. 8 reels, sd.

Credits: Director, Alfred E. Green; story, Jerome Kern, Otto Harbach.

MEN OF TO-MORROW. London Film Productions, Ltd., London. Presented by Paramount Film Service, Ltd. 1932. 89 min. Based on the novel "Young Apollo" by Anthony Gibbs.

Credits: Producer, Zoltan Korda; director, Leontine Sagan; scenario and dialogue, Anthony Gibbs.

MEN OF TOMORROW. 1934. 6 reels. Based on the novel "Young Apollo" by Anthony Gibbs.

Credits: Director, Leontine Sagan.

THE MEN OF ZANZIBAR. 1922. 5 reels.

Credits: Director, Rowland V. Lee; story, Richard Harding Davis; adaptation and scenario, E. J. LeSaint.

MEN ON CALL. 1930. 6,050 ft., sd.

Credits: Story and dialogue, James Kevin McGuinness; editor, Paul Weatherwax.

Credits: Director, Travers Vale.

MEN WHO HAVE MADE LOVE TO ME. Released thru George Kleine System. 1918. 90 min.

Credits: Mary McLane; producer, George K. Spoor; director, Arthur Berthelet.

MEN WITH WINGS. Presented by Adolph Zukor. 1938. 11 reels, sd., color.

Credits: Producer and director, William A. Wellman; screenplay, Robert Carson; film editor, Tommy Scott.

MEN WITHOUT LAW. 1930. 7 reels, sd.

Credits: Producer, Harry Cohn; director, Louis King; story, Lew Seiler; dialogue and continuity, Dorothy Howell; film editor, Roy Snyder.

MEN WITHOUT NAMES. Presented by Adolph Zukor. 1935. 7 reels, sd.

Credits: Producer, Albert Lewis; director, Ralph Murphy; original story, Dale Van Every; screenplay, Marguerite Roberts, Kubec Glasmon; film editor, Stuart Heisler.

MEN WITHOUT SKIRTS. 1930. 2 reels.

Credits: Director, Lewis R. Foster.

MEN WITHOUT WOMEN. 1929. 7,774 ft.

Credits: Director, John Ford; story, John Ford, James Kevin McGuinness; screenplay and dialogue, Dudley Nichols; editor, Paul Weatherwax.

THE MENACE. 1918. 5 reels.

Credits: Director, John Robertson; story, Rex Taylor, Irma Taylor; picturized by George H. Plympton.

THE MENACE. 1932. 7 reels, sd. Based on a story by Edgar Wallace.

Credits: Director, Roy William Neil; adaptation, Charles Logue; continuity, Dorothy Howell; dialogue, Roy Chanslor; film editor, Gene Havelick.

MENACE. Presented by Adolph Zukor. 1934. 6 reels, sd.

Credits: Producer, Bayard Veiller; director, Ralph Murphy; story, Philip MacDonald; screenplay, Anthony Veiller; adaptation, Chandler Sprague.

THE MENACE OF THE ALPS. 1926. 1 reel.

Credits: Editors, Sydney Singerman, Maurice Pivar.

THE MENACE OF THE MISSISSIPPI; or, AMERICA'S GREATEST DISASTER. 1927. 2 reels.

MENACE OF THE MOUNTED. Mustang. 1926. 2 reels.

Credits: Director, Ray Taylor; story and continuity, George Morgan.

MENDEL, INC. SEE The Heart of New York.

MENDELSSOHN'S WEDDING MARCH. (A Musical Romance) Presented by Metro-Goldwyn-Mayer. 1939. 782 ft., sd., color.

Credits: Written, directed, and produced by James A. Fitzpatrick; musical adaptation, Nathaniel Finston, C. Bakaleinikoff.

MENSCHEN IM HOTEL. SEE Grand Hotel.

Credits: Harry G. Kebel.

MENTAL POISE. (Robert Benchley Comedy) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Ray Rowland.

MENU. (An Oddity) 1933. 949 ft., sd., color.

Credits: Director, Nick Grinde; story, Thorne Smith; explanatory remarks, Pete Smith.

MERBABIES. (A Walt Disney Silly Symphony) 1938. 1 reel, sd.

MERCHANDISING STAPLE VEGETABLES. SEE How Inventory Shortages Develop.

A MERCHANT OF MENACE. 1933. 2 reels, sd.

Credits: Supervision, Louis Brock; director, Harry Sweet; story, Walter Weems, Leslie Goodwin; film editor, John Lockert.

MERCY MERRICK. 1913. 1 reel. From "The New Magdalen" by Wilkie Collins.

MERELY A MARRIED MAN. 1915.

Credits: Producer, Mack Sennett.

MERELY MARY ANN. 1916. For Fox Film Corp. 5 reels. From the play by Israel Zangwill.

Credits: Producer, John G. Adolfi; written and picturized by John G. Adolfi, John W. Kellette.

MERELY MARY ANN. 1920. 5 reels. From the play by Israel Zangwill.

Credits: Scenario and direction, Edward J. LeSaint.

MERELY MARY ANN. 1931. 6,750 ft., sd. From the play by Israel Zangwill.

Credits: Director, Henry King; screenplay, Jules Furthman; editor, Frank Hull.

MERELY MOTHER. 1914. 2 reels.

Credits: Director, Oscar Apfel; story, Lulu Case Russell; scenario, Wallace C. Clifton.

THE MERL TWINS, BELLE AND CECILLE, SONGS AND DANCE, OFFERING: A. SUNDOWN [and others]. 1927. 1 reel.

MERLE KENDRICK AND HIS ORCHESTRA. (Melody Master) 1938. 11 min., sd.

Credits: Director, Joseph Henabery.

MERRILY WE GO TO HELL. 1932. 9 reels, sd. Based on the story "I, Jerry, Take Thee, Joan" by Cleo Lucas.

Credits: Director, Dorothy Arzner; screenplay, Edwin Justus Mayer.

MERRILY WE LIVE. (Hal Roach Feature Comedy) Presented by Hal Roach. 1938. 10 reels, sd., b&w.

Credits: Producer, Milton H. Bren; director, Norman Z. McLeod; screenplay, Eddie Moran, Jack Jevne; film editor, William Terhune; music director, Marvin Hatley; orchestration, Arthur Morton.

MERRILY YOURS. (Frolics of Youth) 1933. 2 reels, sd.

Credits: Story and direction, Charles Lamont; adaptation, Dona Barell, Thomas Carr.

MERRY ANDREW. SEE Handy Andy.

THE MERRY CAFE. (Krazy Kat) 1936. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Allen Rose; animation, Harry Love; music, Joe de Nat.

THE MERRY CAVALIER. Released by F. B. O. 1926. 5 reels.

Credits: Director, Mason Noel; story and continuity, Grover Jones.

MERRY DOG. (Pooch the Pup Cartoon) Snappy. 1932. 1 reel.

Credits: Direction and animation, Walter Lantz.

THE MERRY DWARFS. (Walt Disney Cartoon) 1930. 1 reel.

THE MERRY FRINKS. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1934. 7 reels.

Credits: Director, Alfred E. Green; story and screenplay, Gene Markey, Kathryn Scola.

THE MERRY GO-ROUND. 1919. 5 reels.

Credits: Director, Edmund Lawrence; story, Philip E. Hubbard; scenario, Douglas Bronston.

MERRY-GO-ROUND. Universal Jewel. 1923. 10 reels.

MERRY-GO-ROUND OF 1938. 1937. 10 reels, sd.

Credits: Associate producer, B.G. De Sylva; director, Irving Cummings; original story, Monte Brice, Henry Myers; screenplay, Monte Brice, A. Dorian Otvos.

MERRY JAIL-BIRDS. 1919. 2 reels.

Credits: Director, F. Fishback.

THE MERRY KITTENS. (Rainbow Parade, no. 8) 1935. 1 reel, sd.

Credits: Directors, Burt Gillett, Jim Culhane.

MERRY MANNEQUINS. (Scrappy) (Color Rhapsody) Released by Columbia Pictures Corp. 1937. 704 ft., sd., color.

Credits: Producer, Charles Mintz; director, Ub Iwerks; music director, Joe de Nat; music, Eddie Kilfeather.

MERRY MARY. 1916. 2 reels.

THE MERRY MERMAIDS. 1918. 2 reels.

Credits: Director, James Davis.

THE MERRY MODELS. 1915. 1 reel.

THE MERRY MUTINEERS. (Scrappy) (Color Rhapsody) Released by Columbia Pictures Corp. 1936. 669 ft., sd., color.

Credits: Producer, Charles Mintz; story, Ben Harrison; animation, Manny Gould; music, Joe de Nat.

THE MERRY OLD SOUL. (An Oswald Cartoon) Snappy. 1933. 1 reel.

THE MERRY OLD SOUL. (Merrie Melodies) 1935. 1 reel.

Credits: Producer, Leon Schlesinger; supervision, Isadore Freleng; animation, Rollin Hamilton, Riley Thompson; music, Norman Spencer.

THE MERRY WIDOW. 1925. 10 reels. Adapted from the musical comedy by Victor Leon [pseud. of Victor Hirschfeld] and Leo Stein [pseud. of Leo Rosenstein] and the operetta by Franz Lehár.

Credits: Screen adaptation and scenario, Erich Von Stroheim, Benjamin Glazer.

THE MERRY WIDOW. 1934. 10 reels, sd. Based on the book and lyrics by Victor Leon [pseud. of Victor Hirschfeld] and Leo Stein [pseud. of Leo Rosenstein].

Credits: Director, Ernst Lubitsch; screenplay, Ernest Vajda, Samson Raphaelson.

MERRY WIVES OF GOTHAM. SEE Lights of Old Broadway.

MERRY WIVES OF RENO. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1934. 7 reels, sd.

Credits: Director, H. Bruce Humberstone; story and screenplay, Robert Lord; additional dialogue, Joe Traub.

MERRY WIVES OF WINDSOR, OVERTURE PLAYED BY THE NATIONAL PHILHARMONIC ORCHESTRA OF THE U. S. A. (Paramount Symphonic Series) Symphonic Films, Inc. 1939. 1 reel, sd. From the opera, music by Otto Nicolai.

Credits: Conducted and directed by Frederick Feher.

MERRYMAKERS. (Cameo Comedy) 1925. 1 reel.

Credits: Director, Lloyd Bacon.

MERTON OF THE MOVIES. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 7,655 ft. From the novel by Harry Leon Wilson and the play by George S. Kaufman and Marc Connelly.

Credits: Producer, James Cruze; screenplay, Walter Woods.

MERTON OF THE MOVIES. SEE Make Me a Star.

A MESSAGE FOR HELP. Bison. 1915. 2 reels.

A MESSAGE FROM MARS. 1921. 6 reels. Based on the play by Richard Ganthony.

Credits: Producer, Maxwell Karger; scenario, Arthur Zellner, Arthur Maude.

A MESSAGE FROM THE SKY. SEE 0-18.

THE MESSAGE IN THE ROSE. 1914. 1 reel.

Credits: Bannister Merwin.

THE MESSAGE OF EMILE COUÉ. 1923. 2 reels.

THE MESSAGE OF HOPE. 1923. 4 reels.

Credits: Story, Genevieve M. Murphy.

THE MESSAGE OF THE MOUSE. 1917. 6 reels.

Credits: Director, J. Stuart Blackton; story, George Randolph Chester, Lillian Chester.

THE MESSAGE OF THE MOUSE. 1920. 5 reels.

Credits: Director, J. Stuart Blackton; story, George Randolph Chester, Lillian Chester; scenario, Edward J. Montagne.

THE MESSAGE OF THE SUN DIAL. 1914. 1 reel.

Credits: G. T. Perry; director, Richard Ridgely.

A MESSAGE TO GARCIA. 1916. 5 reels. Founded on the preachment by Elbert Hubbard.

Credits: Director, Richard Ridgely.

A MESSAGE TO GARCIA. 1936. 10 reels, sd. Suggested by the essay by Elbert Hubbard and the book by Andrew S. Rowan.

Credits: Director, George Marshall; screenplay, W. P. Lipscomb, Gene Fowler; music director, Louis Silvers.

MESSALINA. 1924. 8 reels.

Credits: Producer, Enrico Guazzoni.

THE MESSENGER. 1921. 2 reels.

Credits: Director, Jimmy Aubrey; story, Jimmy Aubrey, Bud Ross.

THE MESSENGER BOY. 1931. 2 reels, sd., b&w.

Credits: Director, Edward I. Luddy; story, Edward I. Luddy, Benny Rubin; screenplay, Ewart Adamson; film editor, Fred Maguire.

THE METHODS OF MARGARET. 1914. 1 reel.

Credits: Director, Wilfred North.

Introducing Gus Van and Joe Schenck, The Capitolians, Grace Rogers, and Broadway's Master of Ceremonies, Harry Rose. © 9Dec29; MP932.

2. Introducing George Dewey Washington, Johnny Marvin, Rosemarie Sennatt, The Locust Sisters and Harry Rose. © 10Jul29; MP404.

3. Introducing Frances White, Ponce Sisters, Reynold Sisters, Joseph Regan and Jack Pepper as Master of Ceremonies. © 14Jan29; MP5700.

METROPOLIS. 1927. 8 reels.

Credits: Director, Fritz Lang; story, Thea Von Harbou.

THE METROPOLIS—MEN INTO STEEL. SEE The City.

METROPOLITAN. 1935. 6,685 ft., sd.

Credits: Director, Richard Boleslawski; story, Bess Meredyth; screenplay, Bess Meredyth, George Marion, Jr.; music director, Alfred Newman.

METROPOLITAN NOCTURNE. 1935. 2 reels.

Credits: Producer, Lee Marcus; director, Leigh Jason; film editor, John Lockert; music director, Max Steiner; music, Louis Alter; orchestrations, Howard Jackson; lyrics, John Scholl.

THE METTLE OF JERRY McGUIRE. Bison. 1915. 2 reels.

Credits: Helen Holmes; producer, J. P. McGowan.

THE MEXICALI KID. 1938. 6 reels, sd.

Credits: Producer, Robert Tansey; director, Wallace W. Fox; original screenplay, Robert Emmett.

MEXICALI ROSE. 1930. 7 reels.

Credits: Producer, Harry Cohn; director, Erle C. Kenton; story and dialogue, Gladys Lehman; continuity, Norman Houston.

MEXICALI ROSE. 1939. 6 reels, sd.

Credits: Associate producer, Harry Grey; director, George Sherman; original story, Luci Ward, Connie Lee; screenplay, Gerald Geraghty; film editor, Tony Martinelli; music supervision, Raoul Kraushaar.

THE MEXICAN. 1914. 1,000 ft.

Credits: Producer, Tom Mix.

MEXICAN IDYL. (Musical Moods) Released by First Division Pictures, Inc. 1934. 1 reel, sd.

Credits: Director of orchestra, Rosario Bourdon.

MEXICAN MURAL. (Along the Road to Romance on the Magic Carpet of Movietone) 1937. 1 reel, sd.

Credits: Producer, Truman Talley; editor, Lew Lehr; narrator, Ed Thorgersen.

MEXICAN NATURAL HISTORY. Powers. 1916. 1/2 reel.

MEXICAN OIL FIELDS. (Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

Credits: Screenplay, Burton Holmes.

MEXICAN SILHOUETTE. 1939. Pt. 1, 2 reels; pt. 2, 1 reel, b&w, 16 mm.

Credits: Producer, Clement K. Chase.

MEXICAN TIPICA ORCHESTRA. 1929. 1 reel, sd.

MEXICANA. (Gus Edwards' Colortone Revue) 1929. 2 reels, sd., color.

THE MEXICAN'S GRATITUDE. 1914. 1 reel. An adaptation of "A Chaparral Christmas Gift" by O. Henry [pseud. of William Sydney Porter].

MEXICO. 1930. 1 reel.

MEXICO. (A Walter Lantz, Bill Nolan Cartoon) (An Oswald Cartoon) 1930. 1 reel.

MEXICO. (Paramount Color Cruises) 1938. 1 reel, sd., color.

Credits: Produced and photographed by Palmer Miller, Curtis F. Nagel; narrator, Gene Hamilton.

MEXICO AND ITS OILS. 1921. Produced under direction of United States Bureau of Mines in cooperation with Sinclair Consolidated Oil Corporation.

MEYERS AND HANFORD, THE ARKANSAS TRAVELERS. 1928. 1 reel, sd.

MI SEGUNDA MUJER. SEE Señora Casada Necesita Marido.

MIAMI. Released by W. W. Hodkinson Corp. 1924. 7 reels.

Credits: Director, Alan Crosland; story, John Lynch.

MIARKA, THE CHILD OF THE BEAR. SEE Gypsy Passion.

MICE IN COUNCIL. Educational. Presented by E. W. Hammons. 1934. 517 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

THE MICE WILL PLAY. (Merrie Melodies) 1938. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; story, Jack Miller; animation, Sid Sutherland; music director, Carl W. Stalling.

MICHAEL. SEE The Wings.

MICHAEL AND MARY. 1932. 8 reels. From the play by A. A. Milne.

Credits: Adapted and directed by Victor Saville; scenario, Angus McPail, Robert Stephenson.

MICHAEL O'HALLORAN. 1923. 7 reels. Adapted from the novel by Gene Stratton-Porter.

Credits: Adaptation and direction, J. Leo Meehan.

MICHAEL O'HALLORAN. 1937. 7 reels, sd. From the novel by Gene Stratton-Porter. A cartoon sequence is included through the courtesy of Walt Disney.

Credits: Associate producer, Herman Schlom; director, Karl Brown; screenplay, Adele Buffington.

MICHAEL O'HALLORAN. SEE Any Man's Wife.

Credits: Director, Lloyd B. Carleton.

MICHAEL STROGOFF; or, THE COURIER OF THE CZAR. 1926. 10 reels. From the novel by Jules Verne.

Credits: Producer, V. Tourjansky; directors, Louis Nalpas, Noe Bloch; English editing, Sylvia Tress; film editor, A. Bolton.

MICHAEL STROGOFF. SEE The Soldier and the Lady.

MICHAEL THWAITE'S WIFE. SEE The Better Half.

MICHIGAN. (The Spirit of the Campus) Educational Pictures. Presented by E. W. Hammons. 1932. 708 ft., sd.

Credits: Director, Aubrey Scotto; story, Millard Gibson, Gar O'Neil.

THE MICHIGAN KID. Jewel. 1928. 6 reels. From the story by Rex Beach.

Credits: Director, Irvin Wallat; adaptation, J. Grubb Alexander; continuity, Peter Milne.

MICHIGAN MEMORIAL PARK. 1929. 1 reel.

MICKEY. 1918. 7 reels.

MICKEY CUTS UP. (Mickey Mouse, no. 19) 1931. 1 reel.

MICKEY IN ARABIA. (Mickey Mouse, no. 28) 1932. 1 reel.

MICKEY IN LOVE. 1928. 2 reels.

Credits: Director, Earl Montgomery; story, E. V. Durling, St. Elmo Boyce, H. A. Woodmansee; editor, Earl Neville.

MICKEY IN SCHOOL. (A Mickey McGuire Comedy) 1928. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, E. T. Montgomery, Joseph Basil.

MICKEY PLAYS PAPA. (Walt Disney's Mickey Mouse) 1934. 1 reel.

MICKEY STEPS OUT. (Mickey Mouse Cartoon, no. 15) 1931. 1 reel.

MICKEY THE DETECTIVE. (Mickey McGuire Series, no. 3) 1928. 2 reels.

Credits: Director, Edward Herman; story, E. V. Durling, J. Basil.

MICKEY THE KID. 1939. 7 reels, sd.

Credits: Associate producer, Herman Schlom; director, Arthur Lubin; original story, Alice Altschuler; screenplay, Doris Malloy, Gordon Kahn; film editor, William Morgan; music director, Cy Fever.

MICKEY THE ROMEO. 1930. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling.

MICKEY'S AMATEURS. (A Walt Disney Mickey Mouse) 1937. 1 reel, sd.

MICKEY'S APE MAN. 1933. 2 reels.

Credits: Director, J. A. Duffy; story, Earl Montgomery.

MICKEY'S ATHLETES. (Mickey McGuire Series, no. 4) 1928. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, Joseph Basil.

MICKEY'S BABIES. 1928. 2 reels.

Credits: Director, Earl T. Montgomery.

MICKEY'S BARGAIN. 1930. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling.

MICKEY'S BATTLE. (Mickey McGuire Series, no. 4) 1927. 2 reels. Based on the cartoons by Fontaine Fox.

Credits: Producer, Larry Darmour; director, Albert Herman; story, E. V. Durling, E. T. Montgomery, Joseph Basil.

MICKEY'S BIG BROADCAST. 1933. 2 reels, sd. Based on the cartoons by Fontaine Fox.

Credits: Producer, Larry Darmour; director, J. A. Duffy; story, Joseph Levering, Hal Davitt.

MICKEY'S BIG GAME HUNT. (Mickey McGuire Series, no. 5) 1928. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, Joseph Basil.

MICKEY'S BIG MOMENT. 1929. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling.

MICKEY'S BROWN DERBY. (Mickey McGuire Series, no. 10) 1929. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, Victor Potel.

MICKEY'S BUSY DAY. 1932. 2 reels. From the cartoon by Fontaine Fox.

Credits: Director, J. A. Duffy; story, Joseph Levering.

MICKEY'S CHAMPS. 1930. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, Frank Liddell.

MICKEY'S CHARITY. 1932. 2 reels, sd. From the cartoon by Fontaine Fox.

Credits: Director, J. A. Duffy; story, Earle Montgomery, Joseph Levering.

MICKEY'S CHOO CHOO. 1930. 1 reel.

Credits: Arranged by U. B. Iwerks.

MICKEY'S CIRCUS. (Mickey McGuire Series) Released by F. B. O. 1927. 2 reels. Based on the cartoons by Fontaine Fox.

Credits: Director, Al Herman.

MICKEY'S CIRCUS. (A Walt Disney Mickey Mouse) 1936. 1 reel, sd., color.

MICKEY'S COVERED WAGON. 1933. 2 reels, sd.

Credits: Director, J. A. Duffy; story, Levering, Montgomery, Grey.

MICKEY'S CRUSADERS. (Mickey McGuire Series, no. 4) 1931. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling.

MICKEY'S DIPLOMACY. (Mickey McGuire Series, no. 4) 1931. 2 reels.

Credits: Director, Albert Herman; story, J. A. Duffy, Leon Leon.

MICKEY'S DISGUISES. 1933. 2 reels, sd. From a cartoon by Fontaine Fox.

Credits: Director, J. A. Duffy; story, Joseph Levering, Hal Davitt.

MICKEY'S ELEPHANT. (Walt Disney Mickey Mouse) 1936. 1 reel, sd.

MICKEY'S ELEVEN. (Mickey McGuire Series, no. 3) Released by F. B. O. Pictures Corp. 1927. 2 reels. Based on the cartoons by Fontaine Fox.

Credits: Producer, Larry Darmour; director, Albert Herman; story, E. V. Durling, E. T. Montgomery, Joseph Basil.

MICKEY'S EXPLORERS. (Mickey McGuire Series, no. 7) Released by RKO Productions, Inc. 1929. 2 reels. Based on the cartoons by Fontaine Fox.

Credits: Producer, Larry Darmour; director, Albert Herman; story, E. V. Durling, J. Basil.

MICKEY'S FIRE BRIGADE. 1935. 1 reel, sd.

MICKEY'S FOLLIES. (Mickey Mouse Cartoon) 1929. 1 reel.

MICKEY'S GALA PREMIER. (Mickey Mouse, no. 15) 1933. 1 reel.

MICKEY'S GARDEN. (A Walt Disney Mickey Mouse) 1935. 1 reel, sd., color.

MICKEY'S GOLDEN RULE. Presented by RKO Distributing Corp. 1932. 2 reels, sd. From the cartoon by Fontaine Fox.

Credits: Producer, Larry Darmour; director, J. A. Duffy; story, Joseph Levering; editor, Dwight Caldwell; music director, Lee Zahler.

MICKEY'S GOOD DEED. (Mickey Mouse, no. U. A. 7) 1932. 1 reel.

MICKEY'S GRAND OPERA. 1936. 1 reel.

MICKEY'S GREAT IDEA. (Mickey McGuire Comedies, no. 6) Released by F. B. O. Pictures Corp. 1929. 2 reels. Based on the cartoons by Fontaine Fox.

Credits: Producer, Larry Darmour; director, Albert Herman; story, E. V. Durling, J. Basil.

MICKEY'S HELPING HAND. (Mickey McGuire Series, no. 2) 1931. 2 reels.

Credits: Director, J. A. Duffy; story, George Gray.

MICKEY'S HOLIDAY. (Mickey McGuire Series, no. 5) 1932. 2 reels. From cartoons by Fontaine Fox.

Credits: Director, J. A. Duffy; story, Joseph Levering.

MICKEY'S INITIATION. (Mickey McGuire Series, no. 12) 1929. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling.

MICKEY'S KANGAROO. Released through United Artists. 1935. 1 reel, sd.

MICKEY'S LAST CHANCE. (Mickey McGuire Series, no. 9) 1929. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, Victor Potel.

MICKEY'S LITTLE EVA. (Mickey McGuire Series, no. 8) Larry Darmour Productions. 1928. 2 reels. Based on the Fontaine Fox cartoons.

Credits: Director, Albert Herman; story, E. V. Durling, E. T. Montgomery, Joseph Basil.

MICKEY'S LUCK. 1930. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling.

MICKEY'S MAN FRIDAY. (Walt Disney's Mickey Mouse) 1935. 1 reel.

MICKEY'S MASTER MIND. 1930. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling.

MICKEY'S MECHANICAL MAN. (Mickey Mouse, no. 14) 1933. 1 reel.

MICKEY'S MEDICINE MEN. 1934. 2 reels, sd.

Credits: Director, J. A. Duffy; story, Joseph Levering.

MICKEY'S MELLERDRAMMER. (Mickey Mouse, no. U. A. 11) 1933. 1 reel.

MICKEY'S MENAGERIE. (Mickey McGuire Comedies, no. 8) 1929. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, J. Basil.

MICKEY'S MERRY MEN. (Mickey McGuire Series, no. 3) 1930. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, Joseph Levering.

MICKEY'S MIDNITE FOLLIES. (Mickey Himself McGuire Series, no. 3) 1929. 2 reels.

MICKEY'S MINSTRELS. 1934. 2 reels, sd.

Credits: Director, J. A. Duffy; story, Levering, Blaiklock, Young.

MICKEY'S MIXUP. (Mickey Himself McGuire Series, no. 3) 1929. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, C. M. Kerr.

MICKEY'S MOVIES. (Mickey McGuire Series, no. 1) 1928. 2 reels.

Credits: Director, Earl T. Montgomery; story, E. V. Durling, A. E. Duncan.

MICKEY'S MUSKETEERS. (Mickey McGuire Series, no. 1) 1930. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, Joseph Levering.

MICKEY'S NIGHTMARE. (Mickey Mouse Cartoon, no. U. A. 1) 1932. 1 reel.

MICKEY'S NINE. 1928. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, E. T. Montgomery, Joseph Basil.

MICKEY'S NORTHWEST MOUNTED. (Mickey McGuire Series, no. 11) 1929. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling.

MICKEY'S ORPHANS. (Mickey Mouse Cartoon, no. 21) 1931. 1 reel.

MICKEY'S PAL PLUTO. (Mickey Mouse, no. U. A. 10) 1933. 1 reel.

MICKEY'S PALS. (Mickey McGuire Series, no. 2) Released by F. B. O. 1927. 2 reels. Based on the cartoons by Fontaine Fox.

Credits: Director, Albert Herman; story, E. V. Durling, E. T. Montgomery, Joseph Basil.

MICKEY'S PARADE. (Mickey McGuire Series, no. 5) Larry Darmour Productions. 1928. 2 reels. Based on the cartoons by Fontaine Fox.

Credits: Director, Albert Herman; story, E. V. Durling, E. T. Montgomery, Joseph Basil.

MICKEY'S PARROT. (A Walt Disney Mickey Mouse) 1938. 1 reel, sd.

MICKEY'S POLO TEAM. 1936. 1 reel.

MICKEY'S RACE. 1933. 2 reels, sd.

Credits: Director, J. A. Duffy; story, Joseph Levering.

MICKEY'S REBELLION. (Mickey Himself McGuire Series, no. 4) 1931. 2 reels.

Credits: Director, Albert Herman; story, J. A. Duffy.

MICKEY'S RESCUE. 1934. 1,696 ft.

Credits: Director, J. A. Duffy; story, Joseph Levering.

MICKEY'S REVUE. (Mickey Mouse Series) (A Walt Disney Cartoon) 1932. 1 reel.

MICKEY'S RIVAL. (Walt Disney Mickey Mouse) 1936. 1 reel.

MICKEY'S RIVALS. (Mickey McGuire Series, no. 2) Larry Darmour Productions. Released by F. B. O. Pictures Corp. 1928. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, J. Basil.

MICKEY'S SERVICE STATION. 1935. 1 reel, sd.

MICKEY'S SIDE LINE. (Mickey McGuire Series, no. 1) 1931. 2 reels.

Credits: Director, J. A. Duffy; story, Leon M. Leon.

MICKEY'S STAMPEDE. (Mickey McGuire Series, no. 3) 1931. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling.

MICKEY'S STEAM-ROLLER. (Walt Disney's Mickey Mouse, no. 24) 1934. 1 reel.

MICKEY'S STRATEGY. (Mickey McGuire Series, no. 3) 1930. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, Frank Liddell.

MICKEY'S SURPRISE. (Mickey Himself McGuire Series, no. 3) 1929. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, Hal Davitt.

MICKEY'S SURPRISE PARTY. 1939. 1 reel.

MICKEY'S TENT SHOW. 1933. 2 reels, sd.

Credits: Director, J. A. Duffy; story, Levering, Montgomery, Grey.

MICKEY'S THRILL HUNTERS. 1931. 2 reels. From the cartoon by Fontaine Fox.

Credits: Director, Albert Herman.

MICKEY'S TOUCHDOWN. 1933. 2 reels, sd.

Credits: Director, J. A. Duffy; story, Levering, Montgomery, Grey.

MICKEY'S TRAILER. (A Walt Disney Mickey Mouse) 1938. 1 reel.

MICKEY'S TRAVELS. 1932. 2 reels. From cartoons by Fontaine Fox.

Credits: Director, J. A. Duffy; story, Joseph Levering.

MICKEY'S TRIUMPH. 1928. 2 reels.

Credits: Director, Earl Montgomery; story, E. V. Durling, St. Elmo Boyce, H. A. Woodmansee; editor, Earl Neville.

MICKEY'S WARRIORS. 1930. 2 reels.

MICKEY'S WHIRLWINDS. 1930. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling.

MICKEY'S WILD WEST. 1928. 2 reels.

Credits: Director, Earl Montgomery; story, E. V. Durling, St. Elmo Boyce, W. H. Woodmansee.

MICKEY'S WILDCATS. 1931. 2 reels. From the cartoon by Fontaine Fox.

Credits: Director, Albert Herman; story, Leon M. Leon.

MICKEY'S WINNERS. (Mickey Himself McGuire Series, no. 3) 1930. 2 reels.

Credits: Director, Albert Herman.

THE MICROBE. 1919. 5 reels. Based on the story by Henry Altimus published in Ainslee's Magazine.

Credits: Supervision, Maxwell Karger; director, Henry Otto; scenario, June Mathis.

MICROBES. Metro-Rolma Film Corp. 1916. 1 reel.

Credits: William B. Courtney.

MICROSCOPIC ANIMAL LIFE. 1930. 1 reel.

MICROSCOPIC MYSTERIES. (An Oddity) 1932. 872 ft.

Credits: Director, Hugo Lund; explanatory remarks, Pete Smith.

MICROSCOPIC POND LIFE. 1915. 1 reel.

'MID KENTUCKY HILLS. 1913. 1 reel.

Credits: Director, Ned Finley.

MIDDLE ATLANTIC STATES. (Regional Geography) 1921. 2 reels.

THE MIDDLE WATCH. Presented by British International Pictures, Ltd. 1930. 11 reels, sd. Based on the book by Ian Hay [pseud. of John Hay Beith].

Credits: Supervision, Emile De Ruelle; director, Norman Walker; scenario, Norman Walker, Frank Launder; film editor, S. Simmonds.

THE MIDDLEMAN. 1915. 5 reels.

Credits: Henry Arthur Jones.

THE MIDLANDERS. 1920. 6 reels. From the novel by Charles Tenney Jackson.

Credits: Directors, Ida May Park, Joseph De Grasse.

MIDNIGHT. Imp. 1917. 1 reel.

Credits: Director, Allen J. Holubar; story, Frank H. Spearman; scenario, E. J. Clawson.

MIDNIGHT. 1922. 5 reels.

Credits: Director, Major Maurice Campbell; story, Harvey Thew.

MIDNIGHT. 1930. 1 reel, sd.

Credits: John Foster, Mannie Davis.

MIDNIGHT. 1934. 8 reels. From the play by Paul and Claire Sifton.

Credits: Producer and director, Chester Erskin.

MIDNIGHT. 1939. 10 reels, sd.

Credits: Producer, Arthur Hornblow, Jr.; director, Mitchell Leisen; story, Edwin Justus Mayer, Franz Schulz; screenplay, Charles Brackett, Billy Wilder; film editor, Doane Harrison.

THE MIDNIGHT ALARM. 1923. 7 reels.

Credits: Director, David Smith; story, Charles Graham Baker.

MIDNIGHT ALIBI. 1934. 59 min., sd. Based on the story "The Old Doll's House" by Damon Runyon.

Credits: Supervision, Robert Presnell; director, Alan Crosland; screenplay, Warren Duff; film editor, Jack Killifer.

Credits: Producer, Charles H. France.

A MIDNIGHT BELL. 1917. 2 reels. From the comedy by Charles Hoyt.

Credits: Director, J. A. Richmond; adapted by Richard Andres.

A MIDNIGHT BELL. Charles Ray Productions, Inc. Presented by Arthur S. Kane. 1921. 6 reels. From the comedy by Charles Hoyt.

Credits: Director, Charles Ray; adaptation, Richard Andres; editor, Harry Decker.

MIDNIGHT BLUNDERS. 1936. 2 reels, sd.

Credits: Director, Del Lord; story, Jack Leonard, Monte Collins; screenplay, Preston Black, Harry McCoy.

THE MIDNIGHT BRIDE. 1919. 5 reels.

Credits: Director, William Humphrey; story, Charles Stokes Wayne; scenario, Sam Taylor.

THE MIDNIGHT BUM. Bluebird. 1927. 1 reel.

Credits: Director, George Summerville.

THE MIDNIGHT CABARET. 1923. 2 reels.

Credits: Written and directed by Larry Semon.

MIDNIGHT CLUB. 1933. 7 reels, sd.

Credits: Producer, Bayard Veiller; director, Alexander Hall, George Somnes; original story, E. Phillips Oppenheim; screenplay, Seton I. Miller, Leslie Charteris.

MIDNIGHT COURT. 1937. 7 reels.

Credits: Director, Frank McDonald; original story and screenplay, Don Ryan, Kenneth Gamet.

MIDNIGHT DADDIES. 1930. 6 reels, sd.

Credits: Director, Mack Sennett; story and dialogue, John A. Waldron, Earle Rodney, Hampton Del Ruth, Harry McCoy.

THE MIDNIGHT EXPRESS. 1924. 6 reels.

Credits: Written and directed by George W. Hill.

THE MIDNIGHT FLYER. 1918. 2 reels.

THE MIDNIGHT FLYER. Released by F. B. O. 1925. 7 reels.

Credits: Director, Tom Forman; story, Arthur Guy Empey; scenario, J. Grubb Alexander.

MIDNIGHT FOLLIES. (Mermaid Comedies) 1926. 2 reels.

Credits: Supervision, Jack White; director, James Jones.

MIDNIGHT FROLICS. (Scrappy) (A Color Rhapsody) Released by Columbia Pictures Corp. 1938. 1 reel, sd., color.

Credits: Producer, Charles Mintz; director, Ub Iwerks; music director, Joe de Nat; music, Eddie Kilfeather.

Credits: Director, James McKay.

THE MIDNIGHT GIRL. 1925. 7 reels.

Credits: Director, Wilfred Noy; story, Garrett Fort; adaptation, Wilfred Noy, Jean Conover.

THE MIDNIGHT GUEST. 1923. 5 reels.

Credits: Director, George Archainbaud; story and scenario, Rupert Julian.

MIDNIGHT IN A TOY SHOP. (A Walt Disney Silly Symphony Comic) 1930. 1 reel, sd.