L (part 2)

Credits: Robert Lusk; producer, Edward J. LeSaint; story, C. N. Williamson, A. M. Williamson; scenario and adaptation, Harvey Gates.

1. Lord John in New York. © 6Dec15; LP7161.

2. The Gray Sisterhood. © 28Dec15; LP7308.

3. Three-Fingered Jenny. © 24Jan16; LP7492.

4. The Eye of Horus. © 21Feb16; LP7684.

5. The League of the Future. © 27Mar16; LP7927.

THE LORDS OF HIGH DECISION. Red Feather. 1916. 5 reels. Adapted from the novel by Meredith Nicholson.

Credits: Adaptation, William H. Lippert.

THE LORD'S REFEREE. SEE The Blue Eagle.

THE LORELEI. 1913. 1 reel. Adapted from the song and legend.

THE LORELEI. (Paul Terry-Toons) 1931. 6 min., sd.

Credits: Frank Moser, Paul Terry.

LORELEI. SEE Sirens of the Sea.

THE LORELEI MADONNA. 1915. 3 reels.

Credits: Director, Rollin S. Sturgeon.

LORENZINO DE' MEDICI. 1935. 10 reels, sd.

Credits: Screenplay, G. Smith; music, U. Mancini.

LORNA DOONE. 1915. 2 reels.

LORNA DOONE. 1922. 8 reels. From the story by R. D. Blackmore.

Credits: Producer and director, Maurice Tourneur; adaptation, Maurice Tourneur, Wyndham Gittens.

LORRAINE HOWARD AND FLORENCE NEWTON IN WEDDING BELLES. 1930. 1 reel, sd.

LORRAINE OF THE LIONS. Jewel. 1925. 7 reels.

Credits: Director, Frank Sedgwick; story, Isadore Bernstein, Karl Crusada.

LOS ANGELES EXAMINER. 1914. 1 reel.

LOS ANGELES—WONDER CITY OF THE WEST. (A FitzPatrick Traveltalk) 1935. 1 reel, sd.; color.

Credits: Compiler, James A. FitzPatrick; music, Nathaniel Shilkret; photographer, Wilfred E. Cline.

THE LOSER WINS. Mustang. 1925. 2 reels.

Credits: Director, Ernst Laemmle; story, Isadore Bernstein; continuity, Carl Krusada.

THE LOSING FIGHT. 1914. 1,000 ft.

Credits: Written and produced by Colin Campbell.

THE LOSING GAME. 1915. 3 reels.

LOSING WEIGHT. 1916. 1 reel.

Credits: Producer, Lawrence Semon.

LOSING WEIGHT. 1920. 1 reel.

Credits: Director, Lawrence Semon; scenario, Lawrence Semon, Graham Baker.

THE LOSING WINNER. Victor. 1917. 2 reels.

Credits: Director, Carter De Haven; story, H. C. Warnack; scenario, Charles J. Wilson, Jr.

LOST, A PAIR OF SHOES. 1914. 1 reel.

Credits: Harry Beaumont.

LOST—A WIFE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 6,420 ft. From the adaptation by Clare Kummer of the play "Banco" by Alfred Savoir.

Credits: Producer, William De Mille; screenplay, Clara Beranger.

LOST AND FOUND. 1917. 2 reels.

Credits: Written and directed by Al Green.

LOST AND FOUND. SEE Dinky Doodle in Lost and Found.

LOST AND FOUND ON A SOUTH SEA ISLAND. 1923. 7 reels.

Credits: Director, R. A. Walsh; story, Carey Wilson; scenario, Paul Bern.

LOST AND FOUNDERED. (H. C. Witwer Record Breaker Series) 1930. 2 reels.

Credits: Director, Phil Whitman; story, John Gray, Scott Darling.

LOST AND FOUNDRY. 1937. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Abner Matthews.

LOST AND WON. Released by Paramount Pictures Corp. 1917. 5 reels.

Credits: Margaret Turnbull; producer, James Young; director general, Cecil B. De Mille; story, Channing Pollock, Rennold Wolf.

THE LOST APPETITE. Nestor. 1917. 1 reel.

Credits: Frederick A. Palmer, C. B. Hoadley; director, Louis William Chaudet.

THE LOST ART OF MINDING ONE'S BUSINESS. SEE The Reformers.

LOST AT SEA. 1926. 7 reels. Suggested by the story "The Mainspring" by Louis Joseph Vance.

Credits: Producer, Phil Goldstone; director, L. J. Gasnier; scenario, Esther Shulkin; film editor, James C. McKay.

LOST AT THE FRONT. Presented by John McCormick. 1927. 6 reels.

Credits: Director, Del Lord; story and production, Frank Griffin; scenario, Hampton Del Ruth.

Credits: Director, G. W. Pabst; music director, Wolfgang Zeller.

THE LOST BATTALION. 1919. 8 reels.

Credits: Scenario, Charles Logue.

THE LOST CHICK. (Happy Harmonies) 1935. 932 ft., sd., b&w.

Credits: Hugh Harman, Rudolph Ising.

THE LOST CHORD. 1924. 7 reels. Based on the song by Sir Arthur Sullivan.

Credits: Adapted and directed by Wilfred Noy.

THE LOST CITY. 1920. 2 reels each, except no. 1 which is 3 reels. © Warner Bros.

Credits: Producer, William N. Selig; director, E. A. Martin; story, Frederic Chapin.

1. The Lost Princess. © 1Jun20; LP17042.

2. The City of Hanging Gourds. © 1Jun20; LP17043.

3. The Flaming Tower. © 1Jun20; LP17044.

4. Jungle Death. © 1Jun20; LP17045.

5. The Puma's Victim. © 1Jun20; LP17046.

6. The Man Eater's Prey. © 1Jun20; LP17047.

7. The Bride of Death. © 1Jun20; LP17048.

8. A Tragedy in the Sky. © 1Jun20; LP17049.

9. In the Palace of Black Walls. © 1Jun20; LP17050.

10. The Tug of War. © 1Jun20; LP17051.

11. In the Lion's Jaw. © 1Jun20; LP17052.

12. The Jungle Fire. © 1Jun20; LP17053.

13. In the Cave of Eternal Fire. © 1Jun20; LP17054.

14. The Eagle's Nest. © 1Jun20; LP17055.

15. The Lost City. © 1Jun20; LP17056.

LOST CONTROL. Century. 1924. 2 reels.

THE LOST CORD. 1914. 1 reel.

Credits: Director, Wilfrid North.

THE LOST CORD. 1925. 1 reel.

Credits: Director, Dick Smith.

THE LOST DEED. 1913. 1 reel.

Credits: Alice M. Yolton.

LOST ECSTASY. SEE I Take This Woman.

THE LOST EMPRESS. SEE Secrets of the French Police.

THE LOST EXPRESS. Presented by S. S. Hutchinson. 1917. 2 reels each. © Signal Film Corp. (Frederick B. Bennett, author).

Credits: Story, Frederick B. Bennett; adaptation, J. P. McGowan.

1. The Lost Express. © 17Sep17; LP12508.

2. The Destroyed Document. © 17Sep17; LP12509.

3. The Wreck at the Crossing. © 17Sep17; LP12510.

4. The Oil Well Conspiracy. © 17Sep17; LP12544.

5. In Deep Waters. © 17Sep17; LP12511.

6. High Voltage. © 17Sep17; LP12545.

7. The Race with the Limited. © 17Sep17; LP12512.

8. The Mountain King. © 17Sep17; LP12546.

9. The Looters. © 17Sep17; LP12513.

10. The Secret of the Mine. © 17Sep17; LP12514.

11. A Fight for a Million. © 17Sep17; LP12547.

12. Law is Law. © 17Sep17; LP12556.

13. Disowned. © 17Sep17; LP12557.

14. Trapped. © 17Sep17; LP12558.

15. The Found Express. © 17Sep17; LP12559.

THE LOST GAME. SEE Law of the Underworld.

THE LOST GOD, SEE The Sea God.

LOST HORIZON. 1937. 14 reels, sd., b&w. From a novel by James Hilton.

Credits: Director, Frank Capra; screenplay, Robert Riskin; film editor, Gene Havlick; music director, Morris Stoloff; music score, Dimitri Tiomkin.

THE LOST HOUSE. SEE The Kid Sister.

LOST IN A BIG CITY. 1923. 8 reels.

Credits: Director, George Irving; story, N. S. Wood.

LOST IN A PULLMAN. 1927. 2 reels.

Credits: Director, Craig Hutchinson.

LOST IN BABYLON. Special Rex. 1916. 1 reel.

Credits: Harvey Gates; director, Millard K. Wilson.

LOST IN LIMEHOUSE; or, LADY ESMERELDA'S PREDICAMENT. (A Masquers Presentation) 1933. 2 reels, sd.

Credits: Supervision, Louis Brock; director, Otto Brower; story, Walter Weems, Harrington Reynolds; film editor, Sam White.

LOST IN MID OCEAN. 1914. 1 reel.

Credits: Director, Ulysses Davis.

LOST IN THE ARCTIC; a Photographic Record of the H. A. and Sidney Snow Expedition to the Far North. 1928. For Fox Film Corp. 6 reels, color.

Credits: Editor, Kenneth N. Hawks; titles, Malcolm Stuart Boylan.

LOST IN THE JUNGLE. SEE Dreamy Dud in Lost in the Jungle.

LOST IN THE LURCH. Presented by J. R. Bray. 1928. 2 reels.

Credits: Director, Craig Hutchinson.

LOST IN THE STRATOSPHERE. 1934. 7 reels, sd.

Credits: Producer, W. T. Lackey; director, Melville Brown; original story, Tristram Tupper; screenplay, Albert DeMond; editor, Carl Pierson.

LOST IN THE STREETS OF PARIS. Rex. 1917. 1 reel.

LOST IN TRANSIT. 1917. 5 reels.

Credits: Director, Donald Crisp; story, Kathlyn Williams; scenario, Gardiner Hunting.

THE LOST JUNGLE. Presented by Nat Levine. 1934. 7 reels, sd.

Credits: Directors, Armand Schaefer, David Howard; story, Sherman Lowe, Al Martin; screenplay, Colbert Clark, John Rathwell; editor, Earl Turner.

THE LOST JUNGLE. Presented by Nat Levine. 1934. 2 reels each, except no. 1 which is 3 reels, sd.

Credits: Supervision, Nat Levine; directors, Armand Schaefer, David Howard; story, Sherman Lowe, Al Martin; screenplay, Barney Sarecky, David Howard, Armand Schaefer, Wyndham Gittens; film editor, Earl Turner.

1. Noah's Ark Island.

2. Nature in the Raw.

3. The Hypnotic Eye.

4. The Pit of Crocodiles.

5. Gorilla Warfare.

6. The Battle of Beasts.

7. The Tiger's Prey.

8. The Lion's Brood.

9. Eyes of the Jungle.

10. Human Hyenas.

11. The Gorilla.

12. Take Them Back Alive.

A LOST LADY. 1924. 7 reels. Adapted from the novel by Willa Cather.

Credits: Director, Harry Beaumont; adaptation, Dorothy Farnum.

A LOST LADY. Presented by Warner Bros. Productions Corp. and The Vitaphone Corp. 1934. 7 reels, sd. From the story by Willa Cather.

Credits: Director, Alfred E. Green; screenplay, Gene Markey, Kathryn Scola; editor, Owen Marks.

THE LOST LAUGH. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Stephen Roberts.

THE LOST LODE. Bison. 1916. 2 reels.

Credits: Director, Henry McRae; story, J. B. Rice; scenario, William Parker.

THE LOST MELODY. 1914. 1 reel.

Credits: Director, Richard R. Ridgely.

THE LOST MESSENGER. 1915. 1 reel.

Credits: Producer, George O. Nicholls; story, Emma Bell.

THE LOST MILLIONAIRE. 1913. 1 reel.

Credits: Director, Ralph Ince.

LOST MONEY. 1919. 5 reels.

Credits: Director, E. Lawrence; story and scenario, Denison Clift.

LOST MOTION IN SELLING UNDER OLD TIME METHODS. 1917. 3 reels.

LOST ON DRESS PARADE. 1918. 2 reels. Based on a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Martin Justice, adaptation, Fred R. Buckley.

THE LOST PATROL. 1934. 8 reels, sd. From the story "Patrol" by Philip MacDonald.

Credits: Associate producer, Cliff Reid; director, John Ford; screenplay, Dudley Nichols; adaptation, Garrett Fort; editor, Paul Weatherwax; music, Max Steiner.

THE LOST PRINCESS. 1919. 5 reels.

Credits: Scenario and direction, Scott Dunlap; story, J. Anthony Roach.

THE LOST RACE. (Romantic Journeys) Educational Pictures. Presented by E. W. Hammons. 1934. 765 ft., sd., color.

Credits: Producers, Howard C. Brown, Curtis F. Nagel.

THE LOST ROMANCE. 1921. 7 reels.

Credits: Edward Knoblock; director, William De Mille; scenario, Olga Printzlau.

A LOST SOUL. Bluebird. 1926. 1 reel.

Credits: Director, Harry Sweet.

Credits: Scenario, Donald I. Buchanan.

THE LOST SPECIAL. 1932-33. 2 reels each. © Universal Pictures Corp.

Credits: Director, Henry MacRae; story, Arthur Conan Doyle; screenplay, Ella O'Neill, George Plympton, Basil Dickey, George Morgan.

1. The Lost Special. © 31Oct32; LP3377.

2. Racing Death. © 31Oct32; LP3378.

3. The Red Lantern. © 31Oct32; LP3379.

4. Devouring Flames. © 5Dec32; LP3456.

5. The Lightning Strikes. © 13Dec32; LP3488.

6. The House of Mystery. © 21Dec32; LP3520.

7. The Tank Room Terror. © 28Dec32; LP3521.

8. The Fatal Race. © 5Jan33; LP3538.

9. Into the Depths. © 9Jan33; LP3553.

10. The Jaws of Death. © 17Jan33; LP3574.

11. The Flaming Forest. © 24Jan33; LP3598.

12. Retribution. © 31Jan33; LP3619.

THE LOST SQUADRON. 1932. 9 reels.

Credits: Associate producer, Louis Sarecky; director, George Archainbaud; story, Dick Grace; screenplay, Wallace Smith; additional dialogue, Herman J. Mankiewicz, Robert S. Presnell; film editor, William Hamilton.

Credits: Scenario, Chester De Vonde, Augustin MacHugh.

LOST—THREE TEETH. Nestor. 1915. 1 reel.

Credits: Producer, Al. E. Christie; scenario, Helen Jonas.

LOST TWENTY-FOUR HOURS. 1916. 3 reels.

Credits: W. A. Tremayne, Logan Fuller; director, L. C. Windom; scenario, H. S. Sheldon.

THE LOST WHIRL. (A Skylark Comedy) Presented by J. R. Bray. 1928. 2 reels.

Credits: Director, Glen Lambert; story, Glen Lambert, Frank Terry.

THE LOST WORLD. 1925. 10 reels. Based on the story by Sir Arthur Conan Doyle.

Credits: Director, Willis H. O'Brien.

A LOST WORLD. 1938. 1 reel. Scenes selected from the motion picture "The Lost World" based on a story by A. Conan Doyle.

THE LOST ZEPPELIN. 1929. 8 reels, si. & sd.

Credits: Director, Edward Sloman; story, John Francis Natteford; dialogue, Charles Kenyon; adaptation, Frances Hyland.

A LOT OF BOLONEY. (A McDougall Alley Comedy) Presented by J. R. Bray. 1928. 2 reels.

Credits: Director, Robert B. Wilcox.

A LOT OF BULL. (Star Comedy) 1922. 1 reel.

LOTS OF NERVE. Century. 1923. 2 reels.

THE LOTTERY BRIDE. United Artists. Presented by Joseph M. Schenck. 1930. 10 reels, sd.

Credits: Producer, Arthur Hammerstein; supervision, John W. Considine, Jr.; director, Paul L. Stein; original story, Herbert Stothart; adaptation, Horace Jackson; continuity and dialogue, Howard Emmett Rogers; editor, Robert J. Kern; music, Rudolph Frimi.

LOTTERY LOVER. 1935. 7,890 ft., sd.

Credits: Director, William Thiele; story, Siegfried M. Herzig, Maurice Hanline; screenplay, Franz Shulz, Billie Wilder; dialogue, Sam Hellman; music, Arthur Lange.

THE LOTTERY MAN. Paramount-Artcraft. Presented by Jesse L. Lasky. 1919. 5 reels.

Credits: Rida Johnson Young; director, James Cruze; scenario, Elmer Harris.

Credits: Original story, James B. Leong.

THE LOTUS EATER. First National. 1921. 7 reels.

Credits: Director, Marshall A. Neilan; story, Albert Payson Terhune; scenario, Marion Fairfax.

LOU HOLTZ IN IDLE CHATTER. 1930. 1 reel, sd.

LOU SELLS PAINT. 1937. For National Chemical Productions. Filmstrip.

LOU TALKS PAINT. 1937. For National Chemical Production. Filmstrip.

THE LOUD MOUTH. 1932. 2 reels, sd.

Credits: Director, Del Lord.

LOUD SOUP. (Hal Roach Comedy) Presented by Hal Roach. 1929. 2 reels.

Credits: Director, Lew Foster; story, Leo McCarey; editor, Richard Currier.

THE LOUDSPEAKER. 1934. 8 reels, sd.

Credits: Producer, W. T. Lackey; director, Joseph Santley; story and dialogue, Ralph Spence; screenplay, Albert E. DeMond; editor, Jack Ogilvie.

LOUIE THE FOURTEENTH. SEE Wife Savers.

LOUIS BERETTI. SEE Born Reckless.

LOUISE KLOSS, HARPIST, JEANNETTE ROGERS, FLUTIST, ANNA TIMNER, CELLIST, OFFER: A. SERENADE [and others]. 1927. 1 reel.

Credits: Director, Brian Foy.

LOUISE, QUEEN OF PRUSSIA (LUISE, KÖNIGIN VON PREUSSEN). 1931. 12 reels. From the novel "Luise" by Walter von Molo.

Credits: Director, Carl Froelich; scenario, Fred Hildenbrandt, Friedrich Raff, Julius Urgiss.

LOUISIANA. Paramount. Presented by Jesse L. Lasky. 1919. 5 reels. Based on the novel by Frances Hodgson Burnett.

Credits: Director, Robert G. Vignola; scenario, Alice Eyton.

THE LOUISIANA PURCHASE AND THE LEWIS AND CLARK EXPEDITION. (Westward Movement, no. 3) 1920. 1 reel.

LOVE. Paramount. Presented by Joseph M. Schenck. 1919. 2 reels.

Credits: Fatty Arbuckle, Vincent Bryant; director, Fatty Arbuckle.

LOVE. 1920. 7 reels. Adapted from a story by R. Carol Kapleau.

Credits: Director, Wesley Ruggles; scenario, Louis Joseph Vance.

LOVE. 1924. 2 reels.

Credits: Director, Jess Robbins.

LOVE. 1928. 8 reels. From the novel "Anna Karénina" by Lyof N. Tolstoi.

Credits: Produced and directed by Edmund Goulding; continuity, Frances Marion; film editor, Hugh Wynn.

LOVE A LA MODE. (Educational-Mermaid Talking Comedy) 1930. 20 min., sd.

Credits: Director, Stephen Roberts.

LOVE AFFAIR. 1932. 7 reels. From the story by Ursula Parrott.

Credits: Director, Thornton Freeland; adaptation and dialogue, Jo Swerling; continuity, Dorothy Howell.

LOVE AFFAIR. 1939. 89 min., sd.

Credits: Producer and director, Leo McCarey; story, Mildred Cram, Leo McCarey; screenplay, Delmar Daves, Donald Ogden Stewart; editors, Edward Dmytryk, George Hively; music score, Roy Webb.

THE LOVE AFFAIR OF IMA KNUT. Powers. 1917. 1/2 reel.

Credits: Pat Sullivan; animation, Otz Messmer.

LOVE AFLAME. Red Feather. 1917. 5 reels.

Credits: Direction and story, Raymond Wells; scenario, Fred Myton.

LOVE AMONG THE GEYSERS. 1912. 1,000 ft.

LOVE AMONG THE MILLIONAIRES. 1930. 6,910 ft., sd.

Credits: Director, Frank Tuttle; story, Keene Thompson; adaptation, Grover Jones, William Conselman; dialogue, Herman J. Mankiewicz; music, J. Wolfe Gilbert, Abel Baer.

LOVE AND A LIAR. Nestor. 1916. 1 reel.

Credits: Producer, S. Chaudet; story, Tom Gibson.

LOVE AND A SAVAGE. Nestor. 1915. 1 reel.

Credits: Written and produced by Al. E. Christie.

LOVE AND BLAZES. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, Vin Moore.

LOVE AND BRASS BUTTONS. Nestor. 1916 1 reel.

Credits: Al. E. Christie; producer, Horace Davey.

LOVE AND BULLETS. 1916. 1 reel.

Credits: Written and directed by Clay M. Greene.

LOVE AND CURSES. (Merrie Melodies) 1938. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Ben Hardaway, Cal Dalton; story, Melvin Miller; animation, Herman Cohen; music director, Carl W. Stalling.

LOVE AND DOUGHNUTS. 1921. 2 reels.

Credits: Director, Roy Del Ruth.

LOVE AND GASOLINE. Century. 1920. 2 reels.

Credits: Director, Noel Smith.

LOVE AND GLORY. Universal Jewel. 1924. 7 reels.

Credits: Director, Rupert Julian; story, Perley Poore Sheehan, Robert H. Davis; scenario, Elliott Clawson, Rupert Julian.

LOVE AND HANDCUFFS. Powers. 1915. 1 reel.

Credits: Written and produced by Sydney Ayres.

LOVE AND HASH. 1914. 1 reel.

LOVE AND HATE. 1916. For Fox Film Corp. 6 reels.

Credits: Director, James Vincent; story, James R. Garey; scenario, Mary Murillo.

LOVE AND HISSES. 1933. 2 reels, sd.

Credits: Producer, Lou Brock; director, Sam White; story, Ben Holmes; film editor, John Lockert.

LOVE AND HISSES. 1937. 7,609 ft., sd.

Credits: Director, Sidney Lanfield; story, Art Arthur; screenplay, Curtis Kenyon, Art Arthur; music, Louis Silvers.

Credits: Director, John Steppling.

LOVE AND LATHER. 1919. 2 reels.

Credits: Director, Gill Pratt; story, Montgomery and Rock.

LOVE AND LAVALIERES. 1918. 1 reel.

Credits: Montgomery, Rock; director, J. A. Howe.

LOVE AND LEARN. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 5,737 ft.

Credits: Produced and directed by Frank Tuttle; story, Doris Anderson; screenplay, Louise Long; adaptation, Florence Ryerson.

LOVE AND LIONS. 1925. 2 reels.

Credits: Director, Benjamin Stoloff; story, Murray Roth.

LOVE AND LOGS. 1917. For Fox Film Corp. 2 reels.

Credits: Written and directed by Walter Reed.

LOVE AND LOOT. 1916. 1 reel.

Credits: Producer, Lawrence Semon.

LOVE AND ONIONS. Presented by E. W. Hammons. 1938. 1,718 ft., sd.

Credits: Director, William Watson; story, Billy K. Wells.

LOVE AND SAND. (Horace in Hollywood Series) Snappy. 1928. 1 reel.

Credits: Story and direction, Edward I. Luddy.

LOVE AND SOUR NOTES. L-Ko. 1915. 1 reel.

LOVE AND SWORDS. 1915. 1 reel.

Credits: Written and produced by Edward McKim.

LOVE AND THE DEVIL. 1929. 7 reels.

Credits: Director, Alexander Korda; story, Josef Lazslo, Leo Birinski.

LOVE AND THE DEVIL. Trailer. 1929. 1 reel, sd.

LOVE AND THE LAW. 1915. 1 reel.

Credits: Director, R. S. Sturgeon.

LOVE AND THE LAW. 1919. 6 reels. Based on the Saturday Evening Post story "The Troop Train" by William Hamilton Osborne.

LOVE AND THE LEOPARD. 1915. 1 reel.

Credits: Director, E. A. Martin.

Credits: Director, Tefft Johnson; story, Philip Lonergan.

LOVE AND TROUBLE. 1915. 1 reel.

LOVE AND TROUT. 1916. 1 reel.

Credits: Producer, John Robertson.

LOVE AND VACCINATION. Nestor. 1916. 1 reel.

Credits: Producer, Al. E. Christie; story, H. Wendell Phillips.

LOVE AND WAR. 1921. 2 reels.

Credits: Director, Al Herman.

LOVE AT FIRST FLIGHT. Presented by Mack Sennett. 1928. 2 reels.

Credits: Supervision, John A. Waldron; director, Eddie Cline; story, Jefferson Moffitt, Earle Rodney; screen editor, William Hornbeck.

LOVE AT FIRST SIGHT. 1930. 1 reel.

THE LOVE AUCTION. 1919. 5 reels.

Credits: Director, E. Lawrence; story, May Edginton; scenario, Julia Burnham, Edmund Lawrence.

THE LOVE BANDIT. 1923. 6 reels. From the stage play by Charles E. Blaney and Norman Houston.

Credits: Director, Del Henderson; adaptation, Lewis Allen Browne.

THE LOVE BARGAIN. (Educational's Comedies) (Mermaid Comedies) 1931. 21 min., sd.

Credits: Director, Arvid E. Gillstrom; story, Florence Ryerson, Colin Clements.

LOVE BEFORE BREAKFAST. Presented by Carl Laemmle. 1936. 8 reels, sd. From the novel "Spinster Dinner" by Faith Baldwin.

Credits: Producer, Edmund Grainger; director, Walter Lang; screenplay, Herbert Fields; film editor, Maurice Wright; music director, Franz Waxman.

LOVE BEGINS AT TWENTY. First National Productions Corp. 1936. 58 min. From the play by Martin Flavin.

Credits: Director, Frank McDonald; screenplay, Tom Reed, Dalton Trumbo; film editor, Terry Morse.

THE LOVE BIRDS. (Joe Rock Comedy) 1923. 2 reels.

Credits: Director, Arvid E. Gillstrom.

LOVE BIRDS. Century. 1924. 2 reels.

Credits: Written and directed by Edw. I. Luddy.

LOVE BIRDS. 1929. 2 reels.

Credits: Edgar Allen Woolf; director, Ben Holmes.

LOVE BIRDS. 1934. 6 reels.

Credits: Producer, Carl Laemmle, Jr.; director, William A. Seiter; story, Clarence Marks, Dale Van Every; screenplay, Doris Anderson; film editor, Daniel Mandell.

THE LOVE BOAT. SEE Herman Timberg in The Love Boat.

THE LOVE BRAND. Presented by Carl Laemmle. 1923. 5 reels.

Credits: Director, Stuart Paton; story and scenario, Adrian Johnson.

THE LOVE BURGLAR. Paramount. Presented by Jesse L. Lasky. 1919. 5 reels. From the play "One of Us" by Jack Lait.

Credits: Director, James Cruze; scenario, Walter Woods.

LOVE BUSINESS. (Our Gang Comedies) Presented by Hal Roach. 1930. 2 reels, sd., b&w.

Credits: Producer and director, Robert McGowan; dialogue, H. M. Walker; editor, Richard Currier.

THE LOVE CAPTIVE. Presented by Carl Laemmle. 1934. 7 reels, sd. From the play "The Humbug" by Max Marcin.

Credits: Associate producer, E. M. Asher; director, Max Marcin; screenplay, Karen de Wolf; film editor, Ted Kent.

THE LOVE CHARM. 1921. 5 reels.

Credits: Director, Thomas N. Heffron; story, Harvey O'Higgins; screenplay, Percy Heath.

LOVE COMES ALONG. 1930. 8 reels, sd. Based on the play "Conchita" by Edward Knoblock.

Credits: Director, Rupert Julian; screenplay, Wallace Smith; music, Oscar Levant, Sidney Clare; music director, Victor Baravalle.

LOVE COMES TO MOONEYVILLE. 1936. 2 reels, sd.

Credits: Director, Preston Black; story and screenplay, Ewart Adamson.

THE LOVE CRAZE. Nestor. 1918. 1 reel.

Credits: Director, Tefft Johnson; story, Maravene Thompson; scenario, George DuBois Proctor.

THE LOVE DEPARTMENT. 1935. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus D. Wood.

THE LOVE DEPUTY. Mustang. 1926. 2 reels.

Credits: Director, Victor Nordlinger; story and scenario, William E. Oliver.

LOVE DETECTIVES. 1934. 2 reels, sd.

Credits: Director, Archie Gottler; screenplay, Edward Eliscu, Archie Gottler.

THE LOVE DOCTOR. 1917. 5 reels. From the story "Hashashin, the Indifferent" by George P. Dillenback.

Credits: Director, Paul Scardon.

THE LOVE DOCTOR. 1929. Si., & 5,503 ft., sd. Based on the play "The Boomerang" by Winchell Smith and Victor Mapes.

Credits: Director, Melville Brown; dialogue, Guy Bolton; adaptation, Guy Bolton, J. Walter Ruben.

THE LOVE DOPE. Rolma Films, Inc. 1917. 1 reel.

Credits: Jack Gorman.

LOVE DROPS. (Star Comedy) 1922. 1 reel.

LOVE 'EM AND FEED 'EM. Presented by Hal Roach. 1927. 2 reels.

Credits: Supervision, Leo McCarey; director, Clyde A. Bruckman; editor, Richard Currier.

LOVE 'EM AND LEAVE 'EM. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 6 reels. From the play by John Van Alstyne Weaver and George Abbott.

Credits: Associate producer, William Le Baron; director, Frank Tuttle; adaptation and screenplay, Townsend Martin.

Credits: Producers, John Emerson, Anita Loos; director, David Kirkland; technical director, Willard M. Reineck.

THE LOVE EXPERT. 1920. 6 reels.

Credits: Producers, John Emerson, Anita Loos; director, David Kirkland.

LOVE FEVER. Presented by Hal Roach. 1931. 2 reels, sd., b&w.

Credits: Director, Robert McGowan; dialog, H. M. Walker.

LOVE FINDS ANDY HARDY. Presented by Metro-Goldwyn-Mayer. 1938. 9 reels, sd., b&w. From the stories by Vivien R. Bretherton, based upon the characters created by Aurania Rouverol.

Credits: Director, George B. Seitz; screenplay, William Ludwig; film editor, Ben Lewis; music score, David Snell.

LOVE FINDS THE WAY. 1915. 1 reel.

Credits: Producer, Thomas Santschi; story, Maud Durbin Skinner.

LOVE, FIREWORKS, AND THE JANITOR. Joker. 1915. 1 reel.

Credits: Scenario and production, Archer McMackin.

LOVE FLIES IN THE WINDOW. SEE This Man Is Mine.

THE LOVE FLOWER. 1920. 7 reels. From the story "Black Beach" by Ralph Stock.

Credits: Producer and director, David Wark Griffith.

LOVE FROM A STRANGER. Released thru United Artists. 1937. 9 reels, sd. Based on a short story by Agatha Christie, from the play by Frank Vosper.

Credits: Producer, Max Schach; director, Rowland V. Lee; screenplay and dialogue, Frances Marion; editor, Howard McNeil; music, Benjamin Britten; music director, Boyd Neil.

THE LOVE GAMBLE. 1925. 6 reels. From the novel "Peggy of Beacon Hill" by Maysie Greig.

Credits: Director, Edward J. Le Saint; adaptation, Harry O. Hoyt.

THE LOVE GAMBLER. 1922. 5 reels.

Credits: Director, Joseph Franz; story, Lilian Bennet Thompson, George Hubbard; scenario, Jules Furthman.

THE LOVE GIRL. 1916. 5 reels.

Credits: Written and produced by Robert Z. Leonard.

LOVE GOES WEST. Presented by E. W. Hammons. 1938. 950 ft., sd.

Credits: Director, Robert Hall; story, Arthur Jarrett, Marcy Klauber.

LOVE GOOFY. Educational. 1925. 2 reels.

Credits: Robert Hall; director, Gil Pratt.

LOVE, HATE, AND A WOMAN. 1921. 6 reels.

Credits: Story and direction by Charles T. Horan.

LOVE, HONOR AND—? 1919. 5 reels.

Credits: Director, Henry McRae Webster; story, Julia Burnham.

LOVE, HONOR. AND BEHAVE. First National. 1921. 5 reels.

Credits: Directors, Richard Jones, Erle Kenton.

LOVE, HONOR, AND BEHAVE. 1938. 7 reels. Based on a Saturday Evening Post story by Stephen Vincent Benet.

Credits: Director, Stanley Logan; screenplay, Clements Ripley, Michel Jacoby, Robert Buckner, Lawrence Kimble.

LOVE, HONOR, AND HE PAYS. 1932. 1 reel, sd.

Credits: Director, Eddie Buzzell; story, William K. Wells; film editor, James Sweeney.

LOVE, HONOR, AND OBEY. 1920. 6 reels. From the novel "The Tyranny of Weakness" by Charles Neville Buck.

Credits: Producers, Arthur Sawyer, Herbert Lubin; supervision, Maxwell Karger; director, Leander de Cordova; adaptation and scenario, Eugene Walter.

LOVE, HONOR, AND OH! BABY. (Manhattan Comedy) 1930. 2 reels, sd.

Credits: Daniel Kusell; produced and directed by George Lemaire; film editor, E. Pfitzenmeier.

LOVE, HONOR, AND OH BABY. 1933. 7 reels. From the play "Oh, Promise Me" by Bertram Robinson and Howard Lindsay.

Credits: Director, Eddie Buzzell.

THE LOVE HOUR. 1925. 7 reels.

Credits: Gregory Rogers; scenario, Bess Meredyth.

LOVE HUNGRY. 1928. 6 reels, b&w.

Credits: Director, Victor Heerman; story and scenario, Randall H. Faye.

LOVE IN A BUNGALOW. 1937. 7 reels, sd.

Credits: Associate producer, E. M. Asher; director, Raymond B. McCarey; original story, Eleanore Griffin, William Rankin; screenplay, Austin Parker, Karen DeWolf, James Mulhauser.

Credits: Director, Dell Henderson; scenario, Wallace C. Clifton.

LOVE IN A HURRY. (A Young Romance Comedy) Educational Films Corp. of America. Distributed by Fox Film Corp. Presented by E. W. Hammons. 1935. 1,481 ft., sd.

Credits: Producer, Al Christie; story, Arthur Jarrett and William Watson.

LOVE IN A POND. (Fable) Van Beuren Corp. 1931. 1 reel, sd.

Credits: John Foster, Mannie Davis.

LOVE IN ARMOR. 1915.

Credits: Producer, Mack Sennett.

LOVE IN ARMS. Presented by E. W. Hammons. 1937. 1,644 ft., sd.

Credits: Producer, Al Christie; story, Arthur Jarrett, Marcy Klauber.

LOVE IN BLOOM. Presented by Adolph Zukor. 1935. 9 reels.

Credits: Producer, Benjamin Glazer; director, Elliott Nugent; original screenplay, Frank R. Adams; adaptation, J. P. McEvoy, Keene Thompson; additional dialogue, John P. Medbury; music and lyrics, Mack Gordon, Harry Revel.

LOVE IN EXILE. Capitol. 1936. 6 reels, sd. Adapted from the novel "His Majesty's Pyjamas" by Gene Markey.

Credits: Director, Alfred L. Werker; screenplay, Roger Burford, Ernest Betts; dialogue, Herman Manciewitz; editor, E. B. Jarvis; music, Benjamin Frankel; music director, Boyd Neel.

LOVE IN SEPTEMBER. Presented by E. W. Hammons. 1936. 1,842 ft., sd.

Credits: Director, Eddie Cline; story, Leon D'Usseau; music, Albert von Tilzer; music director, Edward J. Kay.

LOVE IN SUSPENSE. Joker. 1916. 1 reel.

Credits: Karl Coolidge; director, William W. Beaudine.

LOVE IN TENTS. 1933. 2 reels, sd.

Credits: Director, Lynn Shores; story, David Freedman, Max Hayes.

LOVE IN THE DARK. 1922. 6 reels.

Credits: Producer, Harry Beaumont; story, John Moroso; scenario, J. G. Hawkes.

LOVE IN THE DESERT. 1929. 6,365 ft.

Credits: Louis A. Sarecky; director, George Melford; screenplay, Harvey Thew; film editor, Mildred Richter.

Credits: Producer, Oscar Eagle.

LOVE IN THE MUD. SEE Carnival Queen.

LOVE IN THE RING. SEE Liebe im Ring.

LOVE IN THE ROUGH. 1930. 10 reels, sd., b&w. From the play "Spring Fever" by Vincent Lawrence.

Credits: Director, Charles F. Riesner; adaptation, Sarah Y. Mason; dialogue, Joe Farnham, Robert E. Hopkins; film editor, Basil Wrangell; lyrics and music, Dorothy Fields, Jimmy McHugh.

LOVE IN THE SUBURBS. 1931. 2 reels, sd.

Credits: Director, Ray Cozine; story, Paul Gerard Smith; adaptation, E. K. Nadel; dialogue staged by Max E. Hayes.

LOVE INSURANCE. Paramount. Presented by Jesse L. Lasky. 1919. 5 reels.

Credits: Director, Donald Crisp; story, Earl D. Biggars; scenario, Marion Fairfax.

LOVE INSURANCE. SEE The Reckless Age.

LOVE IS A HEADACHE. 1938. 8 reels, sd., b&w.

Credits: Producer, Frederick Stephani; director, Richard Thorpe; story, Lou Heifetz, Herbert Klein; screenplay, Marion Parsonnet, Harry Ruskin, William R. Lipman; film editor, Conrad Nervig; music, Edward Ward.

LOVE IS A RACKET. 1932. 7 reels, sd. Based on a novel by Rian James.

Credits: Director, William A. Wellman; adaptation, Courtenay Terrett.

LOVE IS AN AWFUL THING. 1922. 7 reels.

Credits: Written and directed by Victor Heerman.

LOVE IS BLONDE. 1928. 2 reels.

Credits: Directors, Mark Sandrich, Zion Myers; story, Arthur Greenlaw.

LOVE IS LOVE. 1919. 5 reels.

Credits: Director, Scott Dunlap; story, Richard Washburn Child; adaptation, Scott Dunlap, Anthony Roach.

LOVE IS NEWS. 1937. 6,999 ft., sd.

Credits: Director, Tay Garnett; story, William R. Lipman, Frederick Stephani; screenplay, Harry Tugend, Jack Yellen; music, David Buttolph.

LOVE IS ON THE AIR. First National. 1937. 6 reels, sd.

Credits: Director, Nick Grinde; story, Roy Chanslor; screenplay, Morton Grant.

THE LOVE KISS. 1930. 7 reels.

Credits: Written and directed by Robert A. Snody.

LOVE KRAZY. Presented by Columbia Pictures Corp. 1932. 1 reel. Adapted from the cartoon character by George Herriman.

Credits: Manny Gould; producer, Charles Mintz; animation, Al Rose; musical score, Joe De Nat.

LOVE LAUGHS AT DYSPEPSIA. Imp. 1916. 1 reel.

Credits: Hal Clotworthy; producer, Roy Clements.

LOVE LAUGHS AT THE LAW. Joker. 1916. 1 reel.

Credits: Written and produced by Allen Curtis.

THE LOVE LETTER. 1923. 5 reels.

Credits: Director, King Baggot; story, Bradley King; scenario, Hugh Hoffman.

LOVE LETTERS. 1917. 5 reels.

Credits: Supervision, Thomas H. Ince; director, R. William Neill; story, Shannon Fife; picturized by Cora Stuart Carson.

LOVE LETTERS. 1924. 5 reels, b&w., tinted sequences.

Credits: Director, David Soloman; story, Fred Jackson; scenario, Doty Hobart.

LOVE LETTERS OF A STAR. 1936. 8 reels, sd. From the story "The Case of the Constant God" by Rufus King.

Credits: Associate producer, E. M. Asher; directors, Lewis R. Foster, Milton Carruth; screenplay, Lewis R. Foster, Milton Carruth, James Mulhauser; film editor, Frank Gross; music director, Herman Heller.

LOVE LIFE OF A GORILLA. 1937. 6 reels, sd.

Credits: Assembled and edited by Samuel Cummins.

THE LOVE LIGHT. 1921. 8 reels.

Credits: Written and directed by Frances Marion.

LOVE, LIVE, AND LAUGH. 1929. 8,090 ft., sd. From the play "Hurdy Gurdy Man" by Leroy Clemens and John B. Hymer.

Credits: Producer and director, William K. Howard; dialogue, Edwin Burke, George Jessel; editor, Al De Gaetano.

LOVE LOOPS THE LOOP. 1918. 2 reels.

Credits: Directed by Walter Wright in collaboration with Hampton Del Ruth.

LOVE, LOOT, AND CRASH. 1915.

Credits: Producer, Mack Sennett.

LOVE, LOOT, AND LIQUOR. 1914. 1 reel.

LOVE, LUCK, AND GASOLINE. 1914. 3 reels.

Credits: Director, Wilfrid North.

LOVE MAKES 'EM WILD. 1927. 6 reels.

Credits: Director, Albert Ray; story, Florence Ryerson; scenario, Harold Shumate.

THE LOVE MART. Presented by Richard A. Rowland. 1927. 8 reels. From the story "The Code of Victor Jallot" by Edward Childs Carpenter.

Credits: Producer, George Fitzmaurice; adaptation, Benjamin Glazer.

THE LOVE MASK. 1916. 5 reels.

Credits: Cecil B. De Mille, Jeanie Macpherson.

THE LOVE MASTER. First National. Presented by Laurence Trimble and Jane Murfin. 1924. 7 reels.

Credits: Written and directed by Laurence Trimble.

LOVE ME. 1918. 5 reels.

Credits: Supervision, Thomas H. Ince; director, R. William Neill; story, C. Gardner Sullivan.

LOVE ME AND THE WORLD IS MINE. Jewel. 1928. 6 reels. From the story "The Affairs of Hannerl" by Rudolph Hans Bartsch.

Credits: Director, E. A. Dupont; adaptation and continuity, Imre Fazekas.

LOVE ME FOR MYSELF ALONE. SEE The Square Deceiver.

LOVE ME FOREVER. 1935. 10 reels, sd.

Credits: Story and direction, Victor Schertzinger; screenplay, Jo Swerling, Sidney Buchman; film editors, Gene Milford, Viola Lawrence; thematic music, Victor Schertzinger, Gus Kahn; musical treatment, Louis Silvers.

LOVE ME, LOVE MY BISCUITS. Joker. 1917. 1 reel.

Credits: Producer and director, William W. Beaudine; story and scenario, Karl Coolidge.

LOVE ME, LOVE MY DOG. 1916. 1 reel.

Credits: Producer, Max Figman.

LOVE ME TONIGHT. 1932. 10 reels, sd. Based on the play by Leopold Marchand and Paul Armont.

Credits: Produced and directed by Rouben Mamoulian; screenplay, Samuel Hoffenstein, Waldemar Young, George Marion, Jr.

LOVE MY DOG. Bluebird. 1925. 1 reel.

Credits: Director, Z. Myers.

THE LOVE NEST. 1922. 5 reels.

Credits: Written and directed by Wray Physioc.

THE LOVE NEST. 1923. 2 reels.

Credits: Director, Buster Keaton.

THE LOVE NEST. 1931. 1 reel.

LOVE NEST ON WHEELS. Presented by E. W. Hammons. 1937. 1,604 ft., sd.

Credits: Director, Charles Lamont; story, William Hazlett Upson; adaptation, Paul Gerard Smith.

Credits: Director, Tefft Johnson; story, Bertha A. Backus; scenario, Clara S. Beranger.

LOVE NEVER DIES. 1916. 5 reels.

Credits: Producer and director, William Worthington; story, Harvey Gates.

LOVE O' THE PARENT. Powers. 1915. 1 reel.

Credits: Scenario and production, Sydney Ayres.

THE LOVE OF CADDYING. 1925. 1 reel.

THE LOVE OF LOTI SAN. 1915. 3 reels.

Credits: Director, Lloyd B. Carleton.

THE LOVE OF MARY WEST. Big U. 1915. 1 reel.

Credits: Producer, Burton King; scenario, Mary Bailey.

THE LOVE OF PIERRE LAROSSE. 1914. 1 reel.

Credits: Director, Theodore Marston.

THE LOVE OF SUNYA. The Swanson Producing Corp. Presented by United Artists Corp. 1927. 7,311 ft. Based on the play "Eyes of Youth" by Charles Guernon and Max Marcin.

Credits: Director, Albert Parker; screen story, Earle Browne.

THE LOVE OF TOKIWA. 1914. 2 reels.

Credits: Director, U. David.

THE LOVE OF WOMEN. 1915. 3,000 ft.

LOVE OF WOMEN. 1924. 6 reels.

Credits: Director, Whitman Bennett; story, E. C. Holland.

LOVE ON A BET. 1936. 8 reels, sd.

Credits: Associate producer, Lee Marcus; director, Leigh Jason; story, Kenneth Earl; screenplay, P. J. Wolfson, Philip G. Epstein; editor, Desmond Marquette; music director, Alberto Colombo.

LOVE ON A BUDGET. 1938. 5,815 ft., sd. Based on the characters created by Katharine Kavanaugh.

Credits: Director, Herbert I. Leeds; screenplay, Robert Ellis, Helen Logan.

LOVE ON A LADDER. 1934. 2 reels, sd.

Credits: Producer, Lou Brock; director, Sam White; story, Carroll Graham, Arthur Ripley; film editor, Edward Mann.

LOVE ON A WEAK STOMACH. Bluebird. 1927. 1 reel.

Credits: Director, Jay Belasco.

LOVE ON AN EMPTY STOMACH. L-Ko. 1915. 1 reel.

LOVE ON CRUTCHES. 1917. 1 reel.

Credits: Director General, J. G. Blystone.

LOVE ON ROLLERS. National Film Corp. of America. Released through Goldwyn Distributing Corp. 1920. 2 reels.

Credits: Director, Mark Goldaine.

LOVE ON TAP. 1939. 1 reel, sd., sepia.

Credits: Producer, Louis Lewyn; director, George Sidney; original story and screenplay Richard Goldstone, Stanley Rauh; film editor, Tom Biggart; music arrangements, Lon Halmy.

LOVE ON THE RUN. 1936. 8 reels, sd., b&w.

Credits: Producer, Joseph L. Mankiewicz; director, W. S. Van Dyke; story, Alan Green, Julian Brodie; screenplay, John Lee Mahin, Manuel Seff, Gladys Hurlbut; film editor, Frank Sullivan; music score, Franz Waxman.

LOVE ON TOAST. Presented by Adolph Zukor. 1937. 7 reels, sd.

Credits: Producer, Emanuel Cohen; director, E. A. Dupont; story, Richard Connell, Jane Storm; screenplay, Doris Malloy, Richard Connell; film editor, Ray Curtiss.

LOVE ONE ANOTHER. 1916. 1 reel.

Credits: Producer, Earl Metcalfe.

LOVE OR AN EMPIRE. Special Rex. 1916. 2 reels.

Credits: Written and directed by Herbert Brenon.

LOVE OVER NIGHT. Pathe Studios, Inc. 1928. 6 reels.

Credits: Producer, Hector Turnbull; director, Edward H. Griffith; original story and adaptation, George Dromgold, Sanford Hewitt; film editor, Harold McLernon.

LOVE PAINS. (A Hal Roach Subject) Presented by Hal Roach. 1932. 2 reels, sd., b&w.

Credits: Director, James W. Horne; dialogue, H. M. Walker; editor, Richard Currier.

THE LOVE PARADE. 1930. 12 reels, sd. From the play "The Prince Consort" by Leon Xanrof [pseud. of Léon Fourneau] and Jules Chancel.

Credits: Producer and director, Ernst Lubitsch; story, Ernest Vajda, Guy Bolton; music, Victor Schertzinger.

THE LOVE-PHILTRE OF IKEY SCHOENSTEIN. 1917. 2 reels. From a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Thomas R. Mills; adaptation, Helmer Walton Bergman.

THE LOVE PIKER. Cosmopolitan. Presented by The Cosmopolitan Corp. 1923. 7 reels.

Credits: Director, E. Mason Hopper; story, Frank R. Adams; scenario, Frances Marion.

THE LOVE PIRATE. Released by Film Booking Offices of America. 1923. 5 reels.

Credits: Producer and director, Richard Thomas; adaptation, William Lester.

LOVE POWDER. SEE Goona-goona.

THE LOVE PUNCH. 1930. 2 reels.

Credits: Director, Nat Ross; continuity and dialogue, Hampton Del Ruth.

LOVE QUARANTINED. Joker. 1916. 1 reel.

Credits: Produced and written by Allen Curtis.

THE LOVE QUEST. SEE The Better Wife.

THE LOVE RACKET. Trailer. 1929. 1 reel, sd.

THE LOVE RACKET. 1930. 7 reels, sd.

Credits: Bernard K. Burns; producer, William A. Seiter; screen version, John F. Goodrich.

A LOVE RIOT. 1916. 2 reels.

LOVE SHY. (A Paramount-Christie Comedy) 1928. 2 reels.

Credits: Director, Harold Beaudine; story, Frank Conklin.

LOVE SICK. Century. 1925. 2 reels.

Credits: Written and directed by Charles Lamont.

THE LOVE SLACKER. Nestor. 1917. 1 reel.

Credits: Director, Roy Clements; story and scenario, Frederick A. Palmer.

LOVE, SNOW, AND ICE. 1915. 3 reels.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

LOVE SPASMS. Victor. 1916. 1 reel.

Credits: Samuel Greiner; producer, Harry C. Myers.

LOVE SPATS. (A Paramount-Christie Comedy) 1929. 2 reels.

Credits: Director, William Holland; story, Sig Herzig.

THE LOVE SPECIAL. 1921. 5 reels. From the story "The Daughter of a Magnate" by Frank H. Spearman.

Credits: Director, Frank Urson; scenario, Eugene B. Lewis.

LOVE, SPEED, AND THRILLS. 1915.

Credits: Producer, Mack Sennett.

LOVE SUNK. (Krazy Kat Cartoon) 1928. 1 reel. Adapted from the Krazy Kat cartoons by George Herriman.

THE LOVE SWINDLE. 1918. 5 reels. From the story "The Doings of Diana" by Rex Taylor.

Credits: Director, Jack Dillon; scenario, Fred Tupton.

LOVE-TAILS OF MOROCCO. (A Dogville Comedy) 1931. 2 reels, sd.

Credits: Directors, Zion Myers, Jules White.

LOVE TAKES FLIGHT. Condor. Presented by Edward L. Alperson. 1937. 8 reels, sd.

Credits: Producer, George A. Hirliman; director, Conrad Nagel; original story, Ann Morrison Chapin; screenplay, Lionel O. Houser, Mervin Houser.

THE LOVE THAT DARES. 1919. 5 reels.

Credits: Director, Harry Millarde; story, Elmer Harris; scenario, Denison Clift.

THE LOVE THAT KILLS. (Vagabond Adventure Series, no. 8) 1930. 1 reel, sd.

Credits: Elmer Clifton, Alfred Mannon.

THE LOVE THAT LASTS. Powers. 1915. 1 reel.

Credits: Written and produced by Sydney Ayres.

THE LOVE THAT LIVES. 1917. 5 reels.

Credits: Director, Robert G. Vignola; story, Scudder Middleton.

LOVE THE CLAIRVOYANT. 1914. 1 reel.

Credits: Directors, Maurice Costello, Robert Gaillard.

Credits: Producer, Lorimer Johnston.

THE LOVE THIEF. 1916. For Fox Film Corp. 5 reels.

Credits: Director, Richard Stanton; story, M. P. Niessen; scenario, Ben Cohn.

THE LOVE THIEF. Universal-Jewel. 1926. 7 reels.

Credits: Story, scenario and direction, John McDermott.

LOVE THINE ENEMY. SEE The Grip of Jealousy.

THE LOVE THRILL. Universal-Jewel. 1927. 6 reels.

Credits: Director, Millard Webb; story, Millard Webb, Joe Mitchell.

LOVE THY NEIGHBOR. 1933. 1 reel, sd.

Credits: Director, Alf Goulding; story, Glen Lambert.

LOVE THY NEIGHBOR. 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Edward Nolan.

LOVE TIME. 1921. 5 reels.

Credits: Director, Howard M. Mitchell; scenario, Dorothy Yost.

LOVE TIME. 1934. 7,186 ft., sd.

Credits: Director, James Tinling; story, Richard Carroll; screenplay, William Conselman, Henry Johnson; adaptation, Lynn Starling, Sally Sandlin; music director, Samuel Kaylin.

THE LOVE TOY. 1926. 6 reels;

Credits: Director, Erle C. Kenton; screen story, Sonya Hovey.

THE LOVE TRANSCENDENT. 1915. 1 reel.

THE LOVE TRAP. 1923. 5,719 ft.

Credits: Director, John Ince; story, Evelyn Campbell; scenario, Nan Blair.

THE LOVE TRAP. Universal Jewel. 1929. 8 reels.

Credits: Director, William Wyler; story, Edward J. Montagne.

THE LOVE TREE. 1929. 2 reels.

Credits: Edgar Allen Woolf; director, Ben Holmes.

LOVE TRIUMPHANT. Rex. 1916. 2 reels.

Credits: Written and produced by Harry G. Stafford.

LOVE TRIUMPHS. 1914. 1 reel.

LOVE UNDER FIRE. 1937. 6,806 ft., sd. Based on a play by Walter Hackett.

Credits: Director, George Marshall; screenplay, Gene Fowler, Allen Rivkin, Ernest Pascal; musical director, Arthur Lange.

LOVE UNDER THE RED TERROR. SEE The Sphinx.

LOVE VS. PRIDE. 1914. 1 reel.

Credits: Producer, Oscar Eagle.

THE LOVE WALLOP. SNAPPY. 1927. 1 reel.

Credits: Story and direction. Max Kimmich; continuity, George H. Plympton.

LOVE WATCHES. 1918. 5 reels.

Credits: R. De Flers & G. Caillavet; director, Henry Howry.

THE LOVE WHIP. 1915. 1 reel.

Credits: Director, Wilfrid North.

LOVE WILL OUT. 1914. 1 reel.

Credits: Director, Ulysses Davis.

LOVE WITHOUT QUESTION. 1920. 7 reels. From the story "The Abandoned Room" by C. Wadsworth Camp.

Credits: Director, B. A. Rolfe; adaptation, Violet Clark.

LOVE YOUR NEIGHBOR. (Tuxedo Talking Comedies) 1930. 20 min., sd.

Credits: Producer, Al Christie; director, William Watson.

LOVEBOUND. 1923. 5 reels.

Credits: Director, Henry Otto; story, George Scarboro; scenario, Josephine Quirk, Jules Furthman.

LOVED BY A MAORI CHIEFTESS. 1913. 2 reels.

THE LOVELORN. Cosmopolitan. 1928. 7 reels.

Credits: Director, John P. McCarthy; story, Beatrice Fairfax [pseud. of Marie Manning]; adaptation, Bradley King; film editor, John W. English.

LOVELY MARY. 1916. 5 reels.

Credits: Director, Edgar Jones; scenario, Richard Barry.

LOVEMANIA. (Tuxedo Comedy) Educational. 1924. 2 reels.

Credits: Written and directed by Al St. John.

LOVER COME BACK. 1931. 7 reels, sd.

Credits: Producer, Harry Cohn; director, Erle C. Kenton; story, Helen Topping Miller; adaptation, Robert Shannon; dialogue, Dorothy Howell; film editor, Gene Havelick.

LOVER DIVINE. 1934. 10 reels, sd.

Credits: Supervision, Anthony Asquith; director, Willy Forst; original story, Walter Reisch; dialogue, Benn Levy.

THE LOVER OF CAMILLE. 1924. 7 reels. From the play "Deburau" by Sacha Guitry and the English translation by Granville Barker.

Credits: Director, Harry Beaumont; screen version, Dorothy Farnum.

LOVERS? 1927. 6 reels. Based on the stage play "The World and His Wife" by Charles Frederic Nirdlinger which was adapted from the play "El Gran Galeoto" by José Echegaray y Eizaguirre.

Credits: Producer and director, John M. Stahl; continuity, Douglas Furber, Sylvia Thalberg; film editor, Margaret Booth.

LOVERS COURAGEOUS. 1932. 8 reels, sd., b&w.

Credits: Producer, Robert Z. Leonard; story, Frederick Lonsdale; film editor, Margaret Booth.

LOVERS' DELIGHT. (Educational-Jack White Talking Comedy) 1929. 1 reel, sd.

Credits: Director, Jack White.

LOVERS IN QUARANTINE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 7 reels. From the play "Quarantine" by F. Tennyson Jesse.

Credits: Producer and director, Frank Tuttle; screenplay, Townsend Martin, Luther Reed.

Credits: Producer and director, Henri Diamant-Berger; scenario, Arthur Hoerl; editor, Marie St. Clair.

THE LOVERS' KNOT. 1917. 1 reel.

Credits: Frederick R. Buckley; director, John Robertson.

LOVERS LANE. 1924. 6 reels.

Credits: Director, Phil Rosen; story, Clyde Fitch; adaptation, Dorothy Farnum.

LOVERS' LEAP. SEE The New School Teacher.

A LOVER'S LOST CONTROL. 1915.

Credits: Producer, Mack Sennett.

A LOVER'S LOST CONTROL. 1923. 2 reels.

THE LOVER'S LUCKY PREDICAMENT. Joker. 1915. 1 reel.

Credits: Producer, Allen Curtis; scenario, Clarence G. Badger.

LOVERS' PARADISE. 1936. 1 reel, sd.

LOVERS' POST-OFFICE. 1914. 1 reel.

Credits: Producer, Mack Sennett.

LOVE'S ACID TEST. 1914.

LOVE'S BARGAIN. Released by F. B. O. 1925. 6 reels.

Credits: Producer, Archibald Nettleford; director, Burton George.

LOVE'S BLINDNESS. 1926. 7 reels. From the novel by Elinor Glyn.

Credits: Supervision and scenario, Elinor Glyn; director, John Francis Dillon; film editor, Frank Sullivan.

LOVE'S BOOMERANG. Nestor. 1916. 1 reel.

Credits: Harry Wulze; director, P. C. Hartigan.

LOVE'S BOOMERANG. 1922. 6 reels. From the novel "Perpetua" by Dion Clayton Calthrop.

Credits: Director, Tom J. Geraghty; scenario, Josephine Lovett.

LOVE'S CONQUEST. Paramount. 1918. 5 reels. Based on the drama "Gismonda" by Victorien Sardou.

Credits: Director, Edward Jose; scenario, Charles F. Whittaker.

LOVE'S ENDURING FLAME. 1915. 2 reels.

LOVE'S FALSE FACES. 1919. 2 reels.

Credits: Director, Richard Jones.

LOVE'S GREATEST MISTAKE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 6 reels. From the Liberty story by Frederic Arnold Kummer.

Credits: Producer and director, Edward Sutherland; scenario, Becky Gardiner.

LOVE'S HARVEST. 1920. 5 reels.

Credits: Director, Howard M. Mitchell; story, Pearl Doles Bell.

LOVE'S HURDLE. (Stern Brothers Comedy) (The Excuse Maker Series) 1926. 2 reels.

Credits: Director, Francis Corby; story, William Anthony.

LOVE'S LABOR FOUND. (H. C. Witwer Record Breaker Series, no. 3) 1929. 2 reels.

Credits: Director, Ralph Ceder; story, E. V. Durling, Hal Davitt.

LOVE'S LABOR LOST. Bluebird. 1926. 1 reel.

Credits: Director, Richard Smith.

LOVE'S LABOR WON. (Aesop's Sound Fables) The Van Beuren Corp. 1933. 620 ft.

Credits: John Foster, Mannie Davis.

LOVE'S LARIAT. 1916. 5 reels.

Credits: Producer, George E. Marshall, Harry Carey; scenario, George E. Marshall, W. B. Pearson.

LOVE'S LAW. 1916. 3 reels.

Credits: Written and directed by Melvin Mayo; supervision, Wilbert Melville.

LOVE'S LAW. For Fox Film Corp. 1917. 5 reels.

Credits: Director, Tefft Johnson.

LOVE'S LAW. 1918. 5 reels.

Credits: Director, Francis J. Grandon; story, Joseph F. Poland; scenario, J. Clarkson Miller.

Credits: Director, Allen Curtis.

LOVE'S MASQUERADE. Gold Seal. 1916. 2 reels.

Credits, Emmett Campbell Hall; director, Lucius Henderson; picturized by Catherine Carr.

LOVE'S MASQUERADE. Presented by Lewis J. Selznick. 1922. 5 reels.

Credits: Director, William P. S. Earle; story, Edward J. Montagne.

LOVE'S MELODY. 1915. 1 reel.

LOVE'S MEMORIAL, AGRA, INDIA. (Port o' Call Series) Presented by William M. Pizor. 1933. 1 reel, sd.

LOVE'S MEMORIES. (Song Sketch, no. 4) 1930. 1 reel.

Credits: Story and direction by Oscar Lund.

LOVES OF A DICTATOR. Toeplitz Productions, Ltd., London. 1935. 9 reels, sd.

Credits: Producer, Ludovico Toeplitz; director, Victor Saville; original story, H. G. Lustig, M. Logan in collaboration with Hans Wilhelm; scenario, Benn Levy; editor, Paul Weatherwax; music, Karol Rathaus.

LOVES OF AN ACTRESS. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 8 reels.

Credits: Directed and adapted by Rowland V. Lee; story, Ernest Vajda.

LOVES OF CARMEN. 1927. 9 reels, lavender. Based on the story by Prosper Mérimée.

Credits: Adapted and directed by Raoul Walsh.

LOVES OF CASANOVA. 1929. 7 reels.

Credits: Supervision, Louis Nalpas; direction and play, Alexandre Volkoff; scenario, Norbert Falk, Ivan Mosjoukine.

LOVES OF LETTY. 1919. 5 reels. Founded on the play, "Letty" by Arthur Wing Pinero.

Credits: Director, Frank Lloyd.

THE LOVES OF PHARAOH. 1922. 8 reels.

Credits: Producer and director, Ernst Lubitsch; story, Norbert Falk, Hans Kraely.

THE LOVES OF RICARDO. 1928. 6 reels.

Credits: Written and directed by George Beban; scenario, G. Marian Burton.

LOVE'S OLD DREAM. 1913. 1 reel.

Credits: Director, George D. Baker.

LOVE'S OLD SWEET SONG. 1913. 1 reel.

Credits: Mark Swan.

LOVE'S OLD SWEET SONG. 1922. 7 reels.

Credits: Director, Oscar Lund; story, Augustus Bertilla; scenario, Jacques Byrne.

LOVE'S OLD SWEET SONG. (Screen Hits of Yesteryear) 1934. 1 reel, sd.

LOVE'S OLD SWEET SONG. 1936. 1 reel.

LOVE'S OUTCAST. 1921. 2 reels.

Credits: Director, J. A. Waldron.

LOVE'S PENALTY. Presented by Hope Hampton Productions, Inc. 1921. 5 reels.

Credits: Story and direction, John Gilbert.

LOVE'S PENALTY. 1921. 5 reels.

Credits: Directed and picturized by John Gilbert.

LOVE'S PILGRIMAGE TO AMERICA. Broadway Universal. 1915. 5 reels. From the book by Leslie T. Peacocke.

Credits: Adaptation, M. B. Harvey.

LOVE'S REDEMPTION. First National. 1921. 6 reels. Adapted from the novel "On Principle" by Andrew Soutar. Title changed from "Regeneration Isle."

Credits: Director, Albert Parker; adaptation, Anthony Paul Kelly.

LOVE'S RESCUE. 1915. 1 reel.

LOVE'S SACRIFICE. SEE The Light That Failed.

LOVE'S SAVAGE HATE. 1914. 1 reel.

LOVE'S SUNSET. 1913. 2 reels.

Credits: Director, Frederick Thomson.

LOVE'S TOLL. Released thru V. L. S. E. Program. 1916. 5 reels.

Credits: Director, Jack Pratt.

LOVE'S TRIUMPH. SEE Coals of Fire.

LOVE'S TURMOIL. Special Big U. 1917. 1 reel.

Credits: Scenario, Jack Byrnes.

LOVE'S WAY. 1915. 1 reel.

Credits: Director, S. Rankin Drew.

LOVES WHIRLPOOL. 1924. 6 reels.

Credits: Director, Bruce Mitchell; story, Martha Lord; adaptation, Elliott Clawson and Bruce Mitchell.

LOVE'S WILDERNESS. First National. 1924. 7 reels.

Credits: Director, Robert Z. Leonard; story, Evelyn Campbell.

LOVE'S YOUNG DREAM. 1914. 1 reel.

Credits: Director, Charles H. France.

LOVE'S YOUNG SCREAM. (A Paramount-Christie Comedy) 1928. 2 reels.

Credits: Director, William Watson; story, Sig Herzig; titles, Al Martin.

LOVESICK. (Oswald Cartoon) Snappy. 1937. 1 reel.

Credits: Producer, Walter Lantz; story, Victor McLeod, Win Smith.

LOVEY MARY. 1926. 7 reels. From the story by Alice Hegan Rice.

Credits: Director, King Baggot; adaptation, Agnes Christine Johnston, Charles Maigne; film editor, Frank Davis.

LOVIN' THE LADIES. Radio. 1930. 7 reels, sd. Based on the play "I Love You" by William Le Baron.

Credits: Director, Melville Brown; adaption, J. Walter Ruben.

LOVING LIES. Presented by Associated Authors, Inc., Frank Woods, Thompson Buchanan, Elmer Harris, and Clark W. Thomas. Released by Allied Producers and Distributors Corp. 1924. 7 reels. Adapted from the story "The Harbor Bar" by Peter B. Kyne.

Credits: Producer, Thompson Buchanan; director, W. S. Van Dyke.

LOW BRIDGE. Century. 1924. 2 reels.

LOW CASTE BURMESE. 1913. 1 reel.

LOW COST COMFORT. 1938. 1 reel, sd.

THE LOW DOWN. (Bray Nature Special) Released by The Bray Studios. 1927. 1 reel.

LOW DOWN—A BIRD'S-EYE VIEW OF HARLEM. 1929. 1 reel, sd.

A LOW FINANCIER. 1914. 1,000 ft.

Credits: Producer, Norval MacGregor.

A LOW NECKER. Presented by William Fox. 1927. 2 reels.

Credits: Director, Wallace MacDonald; story, William Kernell, Sidney Levee.

A LOW SHORE. SEE A Study of Shore Features.

LOW TIDE. (Mermaid Comedies) Educational. 1925. 2 reels.

Credits: Supervision, Jack White; director, Arvid Gillstrom.

LOYAL LIVES. 1923. 6 reels.

Credits: Director, Charles Giblyn; story, Charles G. Rich, Dorothy Farnum.

THE LOYALTY OF JUMBO. 1914. 1,000 ft.

Credits: Producer, E. A. Martin.

LUBRICATION AS IT SHOULD BE DONE. (Socony Screen Talks, no. 5) Presented by Standard Oil Company of New York. 1930. Filmstrip, 113 frames.

LUCILLE, THE WAITRESS. Special Laemmle. 1916. 1 reel. From the N. Y. Evening World's Waitress Series.

Credits: Bide Dudley; director, William Bailey.

LUCILLE, THE WAITRESS. SEE Signs of Trouble.

LUCK. Presented by C. C. Burr. 1923. 6 reels. Adapted from the story in People's Magazine by Jackson Gregory.

Credits: Director, Flesmik Senik; scenario, Doty Hobart.

LUCK AND PLUCK. 1919. 5 reels.

Credits: Director, E. Dillon; story, George Scarborough; scenario, Raymond Schrock.

LUCK IN PAWN. 1919. 5 reels. From the play by Marvin Taylor.

Credits: Director, Walter Edwards; scenario, Alice Eyton.

THE LUCK OF JANE. 1916. 1 reel.

Credits: Producer, David Smith.

THE LUCK OF ROARING CAMP. 1917. 2 reels. From the story by Bret Harte.

Credits: Director, Floyd France; adaptation, E. H. Griffith.

THE LUCK OF ROARING CAMP. 1937. 7 reels, sd. From the story by Bret Harte.

Credits: Director, Irvin Willat; adaptation, Harvey Gates.

THE LUCK OF THE IRISH. 1919. 7 reels.

Credits: Director, Allan Dwan; story, Harold MacGrath.

THE LUCK SERUM. SEE Morals for Men.

THE LUCK THAT JEALOUSY BROUGHT. 1917. 1 reel.

Credits: Cornelius Shea; producer, Tom Mix.

THE LUCKIEST GIRL IN THE WORLD. 1936. 8 reels, sd. From the story "Kitchen Privileges" by Anne Jordan.

Credits: Director, Edward Buzzell; screenplay, Herbert Fields, Henry Myers; film editor, Dorothy Spencer; music director, Herman Heller.

A LUCKY ACCIDENT. (Bull's Eye Comedy) 1925. 1 reel.

Credits: Director, Z. Myers.

LUCKY ANGLERS. (The Grantland Rice Sportlight) 1934. 1 reel, sd.

LUCKY BEGINNERS. (Hal Roach Comedy) 1935. 2 reels, sd., b&w.

Credits: Director, Gordon Douglas; film editor, Leo Zochling.

LUCKY BOY. 1929. 10 reels, sd.

Credits: Directors, Norman Taurog and Charles C. Wilson; story, Viola Brothers Shore; dialogue, George Jessel; musical score, Hugo Riesenfeld.

LUCKY BREAKS. (Cameo Comedy) 1929. 1 reel.

Credits: Director, Francis J. Martin.

LUCKY CARSON. 1921. 5 reels.

Credits: Director, Wilfrid North; story, Aquila Kempster; scenario, Bradley J. Smollen.

Credits: Producer, Ralph B. Staub.

THE LUCKY CORNER. (Hal Roach Comedy) 1936. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Louis McManus.

LUCKY DAMAGE. SEE Skin Deep.

A LUCKY DEAL. 1915. 1 reel.

Credits: Written and produced by Tom Mix.

THE LUCKY DEVIL. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 7 reels.

Credits: Producer and director, Frank Tuttle; story, Byron Morgan; screenplay, Townsend Martin.

LUCKY DEVILS. 1933. 63 min., sd.

Credits: Associate producer, Merian C. Cooper; director, Ralph Ince; story, Casey Robinson, Bob Rose; screenplay and dialogue Agnes Christine Johnston, Ben Markson; film editor, Jack Kitchin; music director, Max Steiner.

LUCKY DOG. (Cameo Comedy) 1927. 1 reel.

Credits: Director, Jules White.

LUCKY DOG. 1933. 7 reels, sd.

Credits: Written and directed by Zion Myers.

A LUCKY DOG'S DAY. 1919. 2 reels.

Credits: Written and directed by Bill Watson.

THE LUCKY DUCK. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Francis J. Martin.

THE LUCKY ELOPEMENT. 1913. 1 reel.

Credits: Director, Ralph Ince.

THE LUCKY GOLD PIECE. Imp. 1916. 1 reel.

Credits: Jessie McAllister; producer, Ben Wilson.

THE LUCKY HORSESHOE. 1925. 5 reels, tinted.

Credits: Producer and director, J. G. Blystone; story, Robert Lord; scenario, John Stone.

LUCKY IN LOVE. 1929. 8 reels, sd.

Credits: Supervision, Robert Kane; director, Kenneth Webb; story and dialogue, Gene Markey; dialogue supervision, James Seymour; film editor, E. Pfitzenmeier; original songs, Bud Green, Sam H. Stept; musical director, Sacho Bunchuk.

LUCKY IN LOVE. SEE Clyde Cook in Lucky in Love.

THE LUCKY LADY. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 6 reels.

Credits: Producer and director, Raoul Walsh; story, Robert Sherwood, Bertram Block; screenplay, James T. O'Donohoe.

LUCKY LARKIN. (Ken Maynard Western) 1929. 8 reels.

Credits: Director, Harry J. Brown; story, Marion Jackson.

LUCKY LARRIGAN. 1933. 6 reels, sd.

Credits: Producer, Trem Carr; director, John P. McCarthy; story and adaptation, John P. McCarthy, Wellyn Totman.

A LUCKY LEAP. 1915.

Credits: Producer, Nick Cogley.

A LUCKY LEAP. Victor. 1916. 1 reel.

Credits: Harry Wulze; producer and director, Roy Clements.

A LUCKY LOSER. 1915. 1 reel.

Credits: J. E. Hungerford; director, Will Louis.

A LUCKY LOSER. 1924. 2 reels.

Credits: Producer, Eddie Lyons.

Credits: Producer, Lorimer Johnstone.

LUCKY NIGHT. Presented by Metro-Goldwyn-Mayer. 1939. 8 reels, sd., b&w.

Credits: Producer, Louis D. Lighton; director, Norman Taurog; story, Oliver Claxton; screenplay, Vincent Lawrence, Grover Jones; film editor, Elmo Veron; music director, Franz Waxman.

THE LUCKY ONE. 1917. 15 min.

LUCKY PIGS. (Scrappy) (A Color Rhapsody) Released by Columbia Pictures Corp. 1939. 1 reel, sd., color.

Credits: Producer, Charles Mintz; director, Ben Harrison; animation, Manny Gould; music, Joe de Nat.

THE LUCKY RUBE. 1923. 2,000 ft.

Credits: Written and directed by Hugh Fay.

LUCKY SAM MCCARVER. SEE We're All Gamblers.

LUCKY SPILLS. (Sportlight) 1936. 1 reel, sd.

Credits: Narrator, Ted Husing.

LUCKY STAR. 1929. 10 reels.

Credits: Director, Frank Borzage; story, Tristram Tupper; scenario, Sonya Levien.

LUCKY STARLETS. 1936. Presented by Adolph Zukor. 1 reel, sd.

Credits: Producer, Herbert Moulton; narration, Gayne Whitman; continuity, Herman Hoffman; editor, Phil Pemberton.

LUCKY STARS. (Paramount Varieties) Presented by Adolph Zukor. 1936. 1 reel, sd.

Credits: Producer, Herbert Moulton; dialogue, Herman Hoffman.

THE LUCKY STRIKE. 1915. 1,000 ft.

THE LUCKY SWEDE. 1936. 2 reels, sd.

Credits: Director, Ralph Staub; story and screenplay, Joe Traub.

THE LUCKY TEXAN. (Lone Star Western) 1934. 6 reels.

Credits: Producer, Paul Malvern; story, screenplay, and direction, Robert N. Bradbury.

A LUCKY TUMBLE. 1916. 1 reel.

Credits: Director, Frank Currier.

THE LUCKY VEST. 1914. 1 reel.

Credits: Sydney S. Booth; director, Charles H. France.

LUCRÈCE BORGIA. 1935. 9 reels, sd.

Credits: Director, Abel Gance.

LUCRETIA BORGIA. SEE The Eternal Sin.

LUCRETIA LOMBARD. 1923. 7 reels. From the novel by Kathleen Norris.

Credits: Director, Jack Conway; dramatization, Sadie Cowan, Bertram Milhauser; scenario, Bertram Milhauser.

LUELLA'S LOVE STORY. 1913. 1 reel.

Credits: Directors, L. Rogers Lytton, James Young.

DAS LUFT-TORPEDO. SEE The Air Torpedo.

LUISE. SEE Louise, Queen of Prussia.

LUISE, KÖNIGIN VON PREUSSEN. SEE Louise, Queen of Prussia.

LUKE WARM DAZE. (A McDougall Alley Comedy) 1926. 2 reels.

Credits: Producer, Joe Hoffman.

THE LULLABY. Released by Film Booking Offices. 1924. 7 reels.

Credits: Director, Chester Bennett; story, Lillian Ducey; adaptation, Hope Loring, Louis D. Lighton.

THE LULLABY. SEE The Sin of Madelon Claudet.

LULLABY LAND. (Silly Symphony, no. 12) 1933. 1 reel, sd.

LULU'S LOVE. Presented by Adolph Zukor. 1936. 1 reel, sd.

Credits: Producer, L. Starevitch; music score, George Steiner.

THE LUMBER CAMP. (Meany, Miny, Moe) 1937. 1 reel.

Credits: Story, Walter Lantz, Victor McLeod; artists, Manuel Moreno, Lester Kline, Fred Kopietz.

THE LUMBER CHAMP. (Pooch the Pup Cartoon) Snappy. 1933. 1 reel.

Credits: Animation and direction, Walter Lantz.

LUMBER INDUSTRY. (Ford Educational Library, Industrial Geography, v. 1) Ford Motion Picture Laboratories. Released by Fitzpatrick & McElroy. 1921. 1 reel.

LUMBERING IN THE NORTH WOODS. (Ford Educational Library, Industrial Geography) Ford Motion Picture Laboratories. 1922. 1 reel.

LUMBERING IN THE PACIFIC NORTHWEST. 1930. 1 reel.

THE LUMBERJACK. (An Oswald Cartoon) 1929. 1 reel.

Credits: Animation, Ben Clopton.

LUMMOX. Presented by Joseph M. Schenck. United Artists. 1930. 9 reels. Adapted from the novel by Fannie Hurst.

Credits: Producer, Herbert Brenon; adaptation, Elizabeth Meehan.

THE LUNATIC AT LARGE. 1926. 6 reels. Adapted from the stories by J. Storer Clouston.

Credits: Supervision, Earl Hudson; director, Fred Newmeyer.

LUNCH. Released through General Film. 1917. 15 min.

Credits: Arranged and directed by Arthur D. Hotaling.

THE LUNCH HOUND. (Hot Dog Cartoons) 1927. 1 reel.

Credits: Directors, Walt Lantz, Clyde Geronimi.

LUNCHEON AT TWELVE. (Hal Roach-Charley Chase Comedy) 1933. 2 reels, sd., b&w.

Credits: Director, Charles Parrott; film editor, William Terhune.

LUNETTE OF THE CARNIVAL. SEE A Circus Romance.

THE LUNKHEAD. 1929. 20 min., sd.

Credits: Director, Mack Sennett.

THE LURE O' THE WINDIGO. Released through General Film Co. 1914. 2 reels.

Credits: Director, F. J. Grandon.

THE LURE OF A WIDOW. 1915. 1 reel.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

LURE OF AMBITION. 1919. 5 reels.

Credits: Director, Edmund Lawrence; story, Julia Burnham, Edmund Lawrence.

THE LURE OF BROADWAY. SEE Steppin' Out.

THE LURE OF CROONING WATER. 1921. 6 reels. From the novel by Marion Hill.

Credits: Director, Arthur H. Rooke; scenario, Guy Newall.

Credits: Story, screen adaptation and direction, Neal Hart.

THE LURE OF HEART'S DESIRE. Popular Plays & Players. 1916. 5 reels. Based on the poem "The Spell of the Yukon" by Robert W. Service.

Credits: Director, Francis J. Grandon; original story, Aaron Hoffman.

THE LURE OF HOLLYWOOD. (Ideal Comedies) 1931. 20 min., sd.

Credits: Director, William Goodrich; story, and dialogue, Ernest Pagano, Jack Townley.

THE LURE OF JADE. 1921. 6 reels. Adapted from the play "The House of Glass" by Max Marcin and George M. Cohan.

Credits: Director, Colin Campbell; story, Marion Orth.

THE LURE OF LOVE. SEE Eastern Passions.

THE LURE OF LUXURY. 1918. 5 reels.

Credits: Director, Elsie Jane Wilson; story, Nalbro Bartley; scenario, Fred Myton.

THE LURE OF THE ANDES. 1934. 2 reels. Presented by the National Federation of Coffee Growers of Colombia.

THE LURE OF THE CIRCUS. Bison. 1917. 2 reels.

Credits: Written and directed by W. B. Pearson.

Credits: Producer and director, J. P. MacGowan; story, William Wing; scenario, Hope Loring.

THE LURE OF THE CIRCUS. SEE Cirkusteufel.

LURE OF THE GREEN TABLE. 1914. 1 reel.

THE LURE OF THE LADIES. 1814. 1 reel.

Credits: Producer, Oscar Eagle.

THE LURE OF THE NIGHT CLUB. 1927. 6 reels.

Credits: Burke Jenkins; director, Thomas Buckingham; continuity, Buckleigh Fritz Oxford.

THE LURE OF THE WILD. 1925. 5,570 ft.

Credits: Producer, Harry Cohn; director, Frank R. Strayer; story and continuity, Tom J. Hopkins; editor, Charles J. Hunt.

LURE OF YOUTH. 1921. 6 reels.

Credits: Producer, Bayard Veiller; director, Philip E. Rosen; original story and scenario, Luther Reed.

Credits: Written and directed by Charles Parrott.

LURED BUT CURED. 1916. 2 reels.

LURING LIPS. 1921. 5 reels.

Credits: Producer, King Baggot; story, John A. Moroso; scenario, George Hively.

LURING SHADOWS. 1920. 7 reels.

Credits: Director, Joseph Levering; story and scenario, O. E. Goebel, Condé B. Pallen.

LUTHER BURBANK. (Ford Educational Library, Nature Study) Ford Motion Picture Laboratories. 1922. 1 reel.

LUTHER BURBANK. 1930. 1 reel.

LA LUTTE POUR LA VIE. SEE A Struggle for Life.

LUXURIOUS LOU. 1915. 1 reel.

Credits: Written and directed by Marcel Perez.

LUXURY LINER. 1933. 7 reels, sd. Based on the novel by Gina Kaus.

Credits: Producer, B. P. Schulberg; director, Lothar Mendes; screenplay, Gene Markey, Kathryn Scola.

THE LUXURY TAX. SEE Other Women's Clothes.

THE LYIN' HUNTER. (Krazy Kat) 1937. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Allen Rose; animation, Harry Love; music, Joe de Nat.

THE LYIN' MOUSE. (Merrie Melodies) 1937. 1 reel, sd.

Credits: Producer, Leon Schlesinger; supervision, I. Freleng; story, Ted Pierce; animation, K. R. Harris; music score, Carl W. Stalling.

A LYIN' TAMER. Century. 1920. 2 reels.

Credits: Written and directed by Chuck Reisner.

THE LYIN' TAMER. 1926. 2 reels.

Credits: Directors, Max Gold, Al Davis; story, Henry Johnson, Gene Forde.

LYING LIPS. 1921. 7 reels.

Credits: Supervision, Thomas H. Ince; director, John Griffith Wray; story, May Edington; screen adaptation, Bradley King.

THE LYING TRUTH. 1922. 5 reels.

Credits: Written and directed by Marion Fairfax.

Credits: Story and direction, Ivan Abramson.

LYMAN H. HOWE'S FAMOUS RIDE ON A RUNAWAY TRAIN. 1921. 1 reel.

Credits: Producer and director, Lyman H. Howe; supervision, Robert Gillaum; narrative, James F. Clemenger.

LYNN COWAN IN ORIGINAL SONGS. 1927. 1 reel.

Credits: Producer, Fred Paul; scenario, Benedict James.

LYRICS OF LIFE. SEE May Usher, Comedienne, in Lyrics of Life.