M (part 2)

MIDNIGHT INTRUDER. 1938. 7 reels. Based on a novel by Channing Pollock.

Credits: Associate producer, Trem Carr; director, Arthur Lubin; screenplay, George Waggner, Lester Cole; film editor, Bernard Burton.

THE MIDNIGHT KISS. 1926. 5 reels, b&w, tinted sequences. From the play "Pigs" by Anne Morrison and Patterson McNut.

Credits: Director, Irving Cummings; adaptation and scenario, Alfred A. Cohn.

MIDNIGHT LIFE. Presented by Sam Sax. 1928. 6 reels. From the novel "The Spider's Web" by Reginald Wright Kauffman.

Credits: Director, Scott R. Dunlap.

THE MIDNIGHT LODGE. SEE Miller and Lyles in The Midnight Lodge.

MIDNIGHT LOVERS. 1926. 7 reels. From the play "Collusion" by J.E. Harold Terry.

Credits: Producer, John Francis Dillon; scenario, Carey Wilson.

MIDNIGHT MADNESS. 1918. 5 reels.

Credits: Elliott J. Clawson; director, Rupert Julian.

MIDNIGHT MADNESS. De Mille Studio. 1928. 6 reels. From the play "The Lion Trap" by Daniel Nathan Rubin.

Credits: Producer, Hector Turnbull; director, F. Harmon Weight; adaptation and continuity, Robert N. Lee; film editor, Harold McLernon.

MIDNIGHT MADONNA. Presented by Adolph Zukor. 1937. 7 reels, sd.

Credits: Producer, Emanuel Cohen; director, James Flood; story, David Boehm; screenplay, Doris Malloy, Gladys Lehman; film editor, Ray Curtiss; music director, Boris Morros.

THE MIDNIGHT MAN. Butterfly. 1917. 5 reels.

Credits: Bess Meredyth; director, Elmer Clifton; scenario, Tom Gibson.

THE MIDNIGHT MAN. 1919. 2 reels each. © Universal Film Mfg. Co., Inc.

Credits: Director, James W. Horne; story, James W. Horne, Frank Howard Clarke; scenario, Harvey Gates.

1. Cast Adrift. © 11Jun19; LP13816.

2. Deadly Enemies. © 11Jun19; LP13828.

3. Ten Thousand Dollars Reward. © 11Jun19; LP13827.

4. At Bay. © 28Jul19; LP14002.

5. Unmasked. © 30Jul19; LP14015.

6. The Elevator Mystery. © 4Sep19; LP14151.

7. The Electric Foe. © 23Sep19; LP14221.

8. Shadow of Fear. © 3Oct19; LP14257.

9. The Society Hold-up. © 16Oct19; LP14301.

10. The Blazing Torch. © 18Oct19; LP14313.

11. The Death Ride. © 25Oct19; LP14339.

12. The Tunnel of Terror. © 3Nov19; LP14376.

13. A Fight to a Finish. © 13Nov19; LP14440.

14. The Jaws of Death. © 17Nov19; LP14451.

15. The Wheel of Terror. © 28Nov19; LP14485.

16. Hurled from the Heights. © 3Dec19; LP14511.

17. The Cave of Destruction. © 10Dec19; LP14526.

18. A Wild Finish. © 17Dec19; LP14550.

MIDNIGHT MARY. 1933. 8 reels, sd., b&w.

Credits: Associate producer, Lucien Hubbard; director, William Wellman; original story, Anita Loos; screenplay, Gene Markey, Kathryn Scola; film editor, William S. Gray; music, William Axt.

MIDNIGHT MELODIES. Presented by Adolph Zukor. 1936. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky, Fred Rath.

MIDNIGHT MOLLY. Gothic. Released by F. B. O. 1925. 6 reels.

Credits: Director, Lloyd Ingraham; story and scenario, Frederick Kennedy Myton.

MIDNIGHT MORALS. Presented by George W. Weeks. 1932. 6 reels, sd.

Credits: Producer, Ralph M. Like; supervision, Cliff Broughton; director, E. Mason Hopper; story and continuity, Norman Houston; editor, Byron Robinson.

A MIDNIGHT MYSTERY. Imp. 1917. 2 reels.

Credits: Director, William V. Mong; story, Clarissa Mackie; scenario, Anthony W. Coldewey.

MIDNIGHT MYSTERY. 1930. 7 reels, sd. From the play "Hawk Island" by Howard Irving Young.

Credits: Director, George B. Seitz; screenplay, Beulah Marie Dix.

THE MIDNIGHT PATROL. 1918. 5 reels.

Credits: Director, Irvin T. Willat; story, Julian Josephson, Denison Clift.

THE MIDNIGHT PATROL. (A Laurel-Hardy Comedy) Presented by Hal Roach. 1933. 863 ft., sd., b&w.

Credits: Director, Lloyd French; film editor, Bert Jordan.

THE MIDNIGHT RAIDERS. 1921. 2 reels.

Credits: Producer, Edward Laemmle; story, James Edward Hungerford; scenario, Robert A. Dillon.

THE MIDNIGHT RIDE OF PAUL REVERE. 1914. 2 reels. Based on the poem by Henry W. Longfellow.

Credits: Director, Charles J. Brabin.

THE MIDNIGHT RIDE OF PAUL REVERE. 1917. 1 reel. Based on the poem by Henry Wadsworth Longfellow.

MIDNIGHT ROSE. Jewel. 1927. 6 reels.

Credits: Director, James Young; story and continuity, J. Grubb Alexander; adaptation, Frank Beresford.

MIDNIGHT SHADOWS. 1924. 5 reels.

Credits: Written and directed by Francis Ford.

THE MIDNIGHT SUN. Jewel. 1926. 9 reels.

Credits: Director, Dimitri Buchowetzki; story and scenario, A. P. Younger.

THE MIDNIGHT TAXI. 1928. 7 reels.

Credits: Director, John Adolfi; story, Gregory Rogers; scenario, Freddie Foy.

MIDNIGHT TAXI. 1937. 6,610 ft., sd.

Credits: Director, Eugene Forde; story, Borden Chase; screenplay, Lou Breslow, John Patrick; music director, Samuel Kaylin.

THE MIDNIGHT TOLL. Special Laemmle. 1916.

MIDNIGHT WARNING. 1932. 7 reels.

Credits: Director, Spencer Gordon Bennett; story, Norman Battle; adaptation and dialogue, John Thomas Neville.

THE MIDNIGHT WATCH. 1924. 2 reels.

Credits: Director, Charles Lamont.

MIDSEAL. SEE Recaptured Love.

THE MIDSHIPMAN. Produced under the supervision of the U. S. Navy Department. 1925. 8 reels.

Credits: Director, Christy Cabanne; story, Carey Wilson; scenario, F. McGrew Willis.

MIDSHIPMAN JACK. 1933. 8 reels, sd.

Credits: Associate producer, Glendon Allvine; director, Christy Cabanne; screenplay, Frank Wead, F. McGrew Willis; editor, Basil Wrangell; music director, Max Steiner.

MIDST PEACEFUL SCENES. (Paramount-Post Nature Pictures) Post Pictures Corp. 1919. 1 reel.

'MIDST WOODLAND SHADOWS. 1914. 1 reel.

Credits: Director, Ralph W. Ince.

MIDSTREAM. 1929. 8 reels, si., sd.

Credits: Director, James Flood; story, Bernice Boone; continuity, Frances Guihan; music score, Hugo Riesenfeld.

MIDSUMMER IN SWEDEN. 1938. 10 min., sd.

Credits: Narration, John Martin.

MIDSUMMER MADNESS. 1920. 6 reels. Adapted from "His Friend and His Wife" by Cosmo Hamilton.

Credits: Director, William De Mille; scenario, Olga Printzlau.

MIDSUMMER MUSH. (Hal Roach Comedy) (A Charley Chase Comedy) Presented by Hal Roach. 1933. 2 reels, sd., b&w.

Credits: Director, Charles Parrott; film editor, William Terhune.

A MIDSUMMER NIGHT'S DREAM. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1935. 17 reels, sd. From the drama by William Shakespeare.

Credits: Director, Max Reinhardt, William Dieterle; arranged for the screen by Charles Kenyon, Mary C. McCall, Jr.

A MIDSUMMER NIGHT'S STEAM. Presented by William Fox. 1927. 2 reels.

Credits: Supervision, George E. Marshall; director, Mark Sandrich; story, Henry Johnson.

MIDSUMMER'S DAY. 1929. 1 reel.

Credits: John Foster.

MIDWINTER IN SWEDISH NORRLAND. 1915. 1 reel.

MIDWINTER MADNESS. Bison. 1916. 2 reels.

Credits: Written and produced by Winthrop Kelley.

THE MIGHTY. 1929. 6,802 ft., si. & sd.

Credits: Director, John Cromwell; story, Robert N. Lee; adaptation and dialogue, William Slavens McNutt, Grover Jones.

THE MIGHTY BARNUM. Presented by Joseph M. Schenck. Released through United Artists. 1935. 10 reels, sd. Based on the play by Gene Fowler and Bess Meredyth.

Credits: Producer, Darryl F. Zanuck; director, Walter Lang; film editors, Allen McNeil, Bobbie McLean; music score, Alfred Newman.

Credits: Director, William Bertram.

MIGHTY LAK' A ROSE. First National. Presented by Edwin Carewe. 1923. 8 reels.

Credits: Curtis Benton; producer and director, Edwin Carewe.

THE MIGHTY SMITHY. (A Life Cartoon Comedy) 1926. 1 reel.

THE MIGHTY TREVE. 1937. 7 reels, sd.

Credits: Associate producer, Val Paul; director, Lewis D. Collins; story, Albert Payson Terhune; screenplay, Albert R. Perkins, Marcus Goodrich, Charles Grayson.

MIGNON. 1915. 5 reels.

Credits: Scenario, Charles Kenyon.

MIGNONETTE. Imp. 1916. 2 reels.

Credits: Harry Ditmar; producer, Winthrop Kelly.

THE MIKADO. 1939. 11 reels, sd., color. Based on the opera by W. S. Gilbert and Arthur Sullivan.

Credits: Director, Victor Schertzinger; adapted, conducted, and produced by Geoffrey Toye.

THE MIKADO. SEE Fan Fan.

MIKE. Presented by Louis B. Mayer. 1926. 7 reels.

Credits: Story, Marshall Neilan; scenario, Marian Jackson.

MIKE. SEE Torch Singer.

MIKE AMES IN THE VARSITY VAMP. 1930. 1 reel, sd.

MIKE FRIGHT. (Hal Roach Comedy) (Our Gang Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Louis McManus.

MIKE RILEY AND BAND. 1938. 1 reel, sd.

Credits: Director, Lloyd French.

MIKE WINS A MEDAL. (A Life Cartoon Comedy) 1927. 1 reel.

MILADY. 1923. 6 reels. From a novel by Alexandre Dumas.

Credits: Producer and director, Henri Diamant-Berger.

MILADY. 1923. 7 reels. From a novel by Alexandre Dumas.

Credits: Producer and director, Henri Diamant-Berger.

MILADY'S BOUDOIR. 1915. 1 reel.

MILADY'S ESCAPADE. Released by Educational Film Exchanges, Inc. 1932. 21 min. Suggested by the opera "Martha" by Von Flotow.

Credits: Supervision, Antoine De Vally; director, Howard Higgin.

MILD CARGO. (Aesop's Fables) (Cubby Bear) 1934. 1 reel.

Credits: Director, George Stallings; animation, Steve Muffati.

MILD OATS. SEE Pardon My Pups.

MILD OR MIGHTY. (A Grantland Rice Sportlight) Presented by Amédée J. Van Beuren. 1929. 1 reel.

Credits: Producer, John L. Hawkinson.

THE MILD WEST. 1934. 2 reels, sd.

Credits: Director, Joseph Henabery; story, Cyrus Wood, A. Dorian Otvas.

MILDEWED MELODRAMAS. (A Paramount Paragraphic) Presented by Adolph Zukor. 1938. 1 reel, sd.

MILE-A-MINUTE KENDALL. Oliver Morosco Photoplay Co. 1918. 5 reels. From the play by Owen Davis.

Credits: Director, William D. Taylor; scenario, Gardner Hunting.

THE MILE A MINUTE MAN. Presented by Camera Pictures, Inc. 1926. 5 reels.

Credits: Director, Jack Nelson; story and continuity, Edward J. Meagher.

MILE-A-MINUTE MONTY. 1915.

MILE-A-MINUTE-MONTY [and] SCENES IN THE CANADIAN ROCKIES. 1915. 1 reel.

Credits: Leon A. Searle.

MILE-A-MINUTE ROMEO. 1923. 6 reels. Adapted from "The Gun Gentleman" by Max Brand [pseud. of Frederick Faust].

Credits: Director, Lambert Hillyer; scenario, Robert N. Lee.

MILES BREWSTER AND THE SUPER-SEX. SEE The Super-Sex.

MILES CALTHROPE. SEE Thou Art the Man.

MILES OF SMILES. Century. 1923. 2 reels.

MILES PER HOUR. (The Grantland Rice Sportlight) 1934. 1 reel, sd.

MILESTONES. 1920. 6 reels. From the play by Arnold Bennett and Edward Knoblock.

Credits: Director, Paul Scardon; scenario, Louis Sherwin.

A MILITANT SCHOOLMA'AM. 1914. 1 reel.

Credits: Screenplay, Edwin Ray Coffin.

MILITARY DRILL OF KIKUYU TRIBES AND OTHER NATIVE CEREMONIES. 1914.

MILITARY TACTICS. (Football Thrills Series) 1932. 1 reel.

Credits: Producer, Clyde E. Elliott; editor, Leonard Mitchell.

MILIZIA TERRITORIALE (TERRITORIAL MILITIA). 1936. 10 reels.

Credits: A. De Benedetti; director, Mario Bonnard.

MILK AND MONEY. (Looney Tunes) 1936. 7 min., sd.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; animation, Charles Jones, Virgil Ross; music, Carl W. Stalling.

MILK AND YEGGS. (Star Comedy) 1921. 1 reel.

Credits: Written and directed by Chuck Reisner.

MILK AS FOOD. (Ford Educational Library, Agriculture) Ford Motion Picture Laboratories. 1922. 1 reel.

THE MILK BANDITS. 1924. 2 reels.

Credits: Director, Harry Sweet.

A MILD FED VAMP. 1917. For Fox Film Corp. 2 reels.

Credits: Written and supervised by Henry Lehrman; director, David Kirkland.

MILK FOR BABY. (Terry Toons) Presented by E. W. Hammons. 1938. 1 reel, sd.

Credits: Paul Terry, Mannie Davis; music, Philip A. Scheib.

MILK MADE. 1927. 1 reel. From Krazy Kat Cartoons.

Credits: Producer, Charles B. Mintz.

A MILK WHITE FLAG. 1916. 3 reels. From the play by Charles Hoyt.

Credits: Director, T. N. Heffron.

THE MILKMAN. (Toby the Pup) 1931. 1 reel.

Credits: Dick Huemor, Sid Marcus.

THE MILKMAN. (Flip the Frog Cartoon) 1932. 1 reel.

THE MILKY WAY. (Bull's Eye Comedy) 1925. 1 reel.

Credits: Director, Richard Smith.

THE MILKY WAY. Presented by Adolph Zukor. 1936. 10 reels, sd. From a play by Lynn Root and Harry Clork.

Credits: Producer, E. Lloyd Sheldon; director, Leo McCarey; screenplay, Grover Jones, Frank Butler, Richard Connell; editor, LeRoy Stone.

THE MILL OF LIFE. 1914. 1 reel.

THE MILL POND. (Aesop Sound Fable) Presented by The Van Beuren Corp. 1929. 1 reel, sd.

Credits: John Foster.

MILLER AND FARRELL IN A SONG SPECIALTY. (Movietone Number) 1928. 1 reel, sd.

Credits: Director, George W. Lane.

MILLER AND LYLES IN HARLEM KNIGHTS. 1929. 1 reel, sd.

MILLER AND LYLES IN JIMTOWN CABARET. 1929. 1 reel, sd.

MILLER AND LYLES IN JIMTOWN SPEAKEASY. (Movietone Act) 1928. 1 reel, sd.

MILLER AND LYLES IN THE MIDNIGHT LODGE. 1930. 1 reel, sd.

MILLER AND LYLES IN THEY KNOW THEIR GROCERIES. 1929. 1 reel.

MILLER AND LYLES, THE MAYOR OF JIMTOWN. (Movietone Act) 1928. 1 reel.

THE MILLER'S DAUGHTER. (Merrie Melodies) 1934. 1 reel, sd.

Credits: Producer, Leon Schlesinger; supervision, Isadore Freleng; animation, Rollin Hamilton, Charles M. Jones; musical score, Norman Spencer.

MILLIE. 1931. 9 reels. From the novel by Donald Henderson Clarke.

Credits: Producer, Charles R. Rogers; director, John Francis Dillon; adaptation and continuity, Charles Kenyon; dialogue, Charles Kenyon, Ralph Murphy.

THE MILLINERY MAN. 1915. 1,000 ft.

A MILLINERY MIX-UP. 1914. 1 reel.

Credits: J. Edward Hungerford; director, Charles H. Seay.

A MILLION A MINUTE. 1916. 5 reels. From the story by Hudson Douglas [pseud. of Robert Aitken].

A MILLION AMERICANS GO HOME. 1937. 1 reel.

A MILLION BID. 1913. 5 reels. From the play, "Agnes" by George Cameron.

Credits: Producer, Ralph Ince.

A MILLION BID. 1927. 7 reels.

Credits: Director, Michael Curtiz; story, George Cameron; screenplay, Robert A. Dillon.

MILLION DOLLAR BABY. 1934. 8 reels, sd.

Credits: Producer, Ben Verschleiser; director, Joseph Santley; original story and screenplay, Joseph Santley, John W. Krafft; editor, Carl Pierson.

THE MILLION DOLLAR COLLAR. 1929. 6 reels.

Credits: Director, D. Ross Lederman; story and scenario, Robert Lord.

THE MILLION DOLLAR COLLAR. Announcement Trailer. 1928. 1 reel, sd.

THE MILLION DOLLAR DOLLIES. Emerald Pictures Co. Presented by Screen Classics, Inc. 1918. 5 reels.

Credits: Directed and written by Leonce Perret.

THE MILLION DOLLAR HANDICAP. Presented by John C. Flinn. Released by Producers Distributing Corp. 1926. 6 reels. From the novel "Thoroughbreds" by W. A. Fraser.

Credits: Director, Scott Sidney; adaptation, F. McGrew Willis.

MILLION DOLLAR LEGS. 1932. 7 reels, sd.

Credits: Joseph L. Mankiewicz, Henry Myers; director, Edward Cline.

MILLION DOLLAR LEGS. 1939. 7 reels, sd.

Credits: Director, Nick Grinde; story, Lewis R. Foster; screenplay, Lewis R. Foster, Richard English; film editor, Stuart Gilmore.

MILLION DOLLAR MELODY. Presented by E. W. Hammons. 1933. 1,890 ft., sd.

Credits: Producer, Jack White; story, Sig Herzig, Burnet Hershey; music director, Al Colombo; film editor, Barney Rogan.

1. The Airship in the Night. © title, descr. & 70 prints, 8May14; LU2654.

2. The False Friend. © title & descr., 20Jun14; 21 prints, 9Jun14; LU2908.

3. A Leap in the Dark. © title & descr., 20Jun14; 27 prints, 9Jun14; LU2909.

4. The Top Floor Flat. © title & descr., 20Jun14; 32 prints, 9Jun14; LU2910.

SEE ALSO "Zudora" and "The Twenty Million Dollar Mystery."

MILLION DOLLAR NOTES. Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky, Fred Rath.

MILLION DOLLAR RANSOM. 1934. 7 reels, sd. Based on the story "Ransom, One Million Dollars" by Damon Runyon.

Credits: Director, Murray Roth.

THE MILLION DOLLAR ROBBERY. 1914. 4 reels.

A MILLION DOLLAR SMASH. 1916. 2 reels.

A MILLION FOR A BABY. 1916. 3 reels.

Credits: Charles Michelson; director, Henry Beaumont.

A MILLION FOR LOVE. Presented by Sterling Productions, Inc. 1928. 6 reels.

Credits: Director, Robert Hill; story, Peggy Gaddis; continuity, Frances Guihan.

A MILLION IN SIGHT. Nestor. 1917. 1 reel.

Credits: Director, Louis William Chaudet; story, Virginia Kirtley; scenario, Bess Meredyth.

A MILLION ME'S. Presented by Adolph Zukor and Jesse L. Lasky. 1930. 1 reel, sd.

Credits: Director, Monte Brice.

THE MILLION POUND DAY. SEE The Saint in London.

A MILLION TO BURN. 1923. 5 reels.

Credits: Director, William Parke; story, Mary Whitside; adaptation, Raymond Schrock.

THE MILLIONAIRE. 1921. 5 reels.

Credits: Producer, Jack Conway; story, Hulbert Footner; scenario, Wallace Clifton.

Credits: Written, directed, and produced by Oscar Micheaux.

THE MILLIONAIRE. 1931. 9 reels, sd. Based on "Idle Hands" by Earl Derr Biggers.

Credits: Director, John G. Adolfi; screenplay, Julian Josephson, Maude T. Howell; dialogue, Booth Tarkington.

THE MILLIONAIRE BABY. Red Seal. 1915. 6 reels.

MILLIONAIRE BILLIE. 1916. 1 reel.

Credits: Written and produced by Clay M. Greene.

THE MILLIONAIRE CABBY. 1915. 1 reel.

Credits: Director, E. A. Martin.

THE MILLIONAIRE CAT. 1932. 2 reels, sd.

Credits: Supervision, Louis Brock; director, Mark Sandrich; story, Ben Holmes, Tom Lennon; adaptation and dialogue, Bobby Clark, Mark Sandrich; film editor, Sam White.

THE MILLIONAIRE COWBOY. Released by F. B. O. 1924. 5 reels.

Credits: Director, Harry Garson; story, Darryl Francis Zanuck; scenario, Frank S. Beresford.

Credits: Paul Sarauw.

A MILLIONAIRE FOR A MINUTE. Joker. 1915. 1 reel.

Credits: Producer, Allen Curtis; scenario, James Dayton.

THE MILLIONAIRE HOBO. (A Phantasy Cartoon) Presented by Columbia Pictures Corp. 1939. 635 ft., sd.

Credits: Story, Art Davis; animation, Sid Marcus; music, Joe De Nat.

THE MILLIONAIRE PAUPERS. Rex. 1915. 3 reels.

Credits: Producer, Jos. De Grasse; scenario, Ida May Park.

THE MILLIONAIRE PIRATE. 1919. 5 reels.

Credits: Director, Rupert Julian; story, Herbert Hall Winslow, Emil Nyitray; scenario, Waldemar Young.

THE MILLIONAIRE POLICEMAN. Royal. 1926. 5 reels. From the novel by Samuel J. Briskin.

Credits: Director, Edward Le Saint; adaptation and continuity, Dorothy Yost.

Credits: Alexander Girardi.

MILLIONAIRES. 1926. 7 reels. Suggested by the book "The Inevitable Millionaires" by E. Phillips Oppenheim.

Credits: Director, Herman C. Raymaker; screenplay, Raymond L. Schrock; adaptation, Edward Clark, Graham Baker.

THE MILLIONAIRE'S DOUBLE. Rolfe Photoplays, Inc. Presented by B. A. Rolfe. 1917. 5 reels.

Credits: Director, Harry Davenport; story, June Mathis.

THE MILLIONAIRE'S HUNDRED DOLLAR BILL. 1915. 2 reels.

Credits: Director, William Humphrey.

THE MILLIONAIRE'S TRUST. SEE The Black Pierrot.

MILLIONS FOR DEFENSE. 1914. 1 reel.

Credits: Director, Ulysses Davis; story, Marc E. Jones.

MILLIONS IN THE AIR. Presented by Adolph Zukor. 1935. 8 reels, sd.

Credits: Sid Herzig, Jane Storm; producer, Harold Hurley; director, Ray McCarey; editor, Ellsworth Hoagland; music and lyrics, Ralph Rainger, Frederick Hollander, Leo Robin, Arthur Johnston, Sam Coslow.

MILLS BLUE RHYTHM BAND. 1934. 1 reel, sd.

Credits: Director, Roy Mack; continuity, Cyrus Wood.

MILLS OF THE GODS. 1930. 2 reels, sd.

MILLS OF THE GODS. 1934. 7 reels, sd.

Credits: Director, Roy William Neill; story, Melville Baker, John S. Kirkland; screenplay, Garrett Ford; film editor, Jack Rawlins.

THE MILLS OF THE GODS. SEE The Man Who Found Himself.

MILLSTONES. 1916. 2 reels.

Credits: H. Tipton Steck.

MILT BRITTON AND HIS WORLD FAMOUS ORCHESTRA. 1937. 1 reel.

Credits: Director, Lloyd French.

MILTON C. WORK. 1930. 1 reel, sd.

MIMI. Alliance Films. 1934. 8 reels, sd. Freely adapted from "La Vie de Bohème" by Henri Murger.

Credits: Director, Paul L. Stein; adaptation, Paul Merzbach; scenario and dialogue, Clifford Grey, Jack Davies, Denis Waldrock; film editor, Leslie Norman; music and lyrics, Gianamo Pucini, G. H. Clutsam.

MIN AND BILL. 1930. 7 reels, sd., b&w. From the book "Dark Star" by Lorna Moon.

Credits: Producer and director, George Hill; scenario and dialogue, Frances Marion, Marion Jackson; film editor, Basil Wrangell.

MINCK. SEE No Place to Go.

MIND DOESN'T MATTER. 1932. 2 reels.

Credits: Director, Bryan Foy; story, Al Martin.

THE MIND NEEDER. 1938. 2 reels, sd.

Credits: Director, Del Lord; story and screenplay, Elwood Ullman, Al Giebler.

MIND OVER MOTOR. 1915. 2 reels.

Credits: Mary Roberts Rinehart.

MIND OVER MOTOR. 1923. 5 reels.

Credits: Producer and director, Ward Lascelle; story, Mary Roberts Rinehart.

THE MIND READER. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1933. 8 reels, sd.

Credits: Director, Roy Del Ruth.

MIND THE BABY. Century. 1924. 2 reels.

Credits: Written and directed by Al Herman.

THE MIND THE PAINT GIRL. 1920. 6 reels. From the stage play by Sir Arthur Wing Pinero.

Credits: Director, Wilfrid North.

MIND YOUR BUSINESS. 1928. 2 reels, b&w.

Credits: Director, Ben Stoloff; story and scenario, Hugh Herbert, Sidney Lanfield.

MIND YOUR BUSINESS. Produced by John C. Flinn. 1930. 2 reels, sd., b&w.

Credits: Supervision, Bill Wollfenden; story and direction, Monte Carter; film editor, John Link; music director, Josiah Zuro.

MIND YOUR DOCTOR. 1924. 1 reel.

Credits: Director, Richard H. Smith.

MIND YOUR OWN BUSINESS. Presented by Adolph Zukor. 1937. 8 reels, sd.

Credits: Producer, Emanuel Cohen; director, Norman Z. McLeod; story, John Francis Larkin; screenplay, Dore Schary; film editor, George McGuire.

MINDING THE BABY. Nestor. 1917. 1 reel.

Credits: Frederick A. Palmer; director, Roy Clements.

MINDING THE BABY. 1931. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer; animation, Jimmie Culhane, Berney Wolf.

MINDING THE BABY. (A Scrappy Cartoon) Presented by Columbia Pictures Corp. 1932. 1 reel.

Credits: Dick Heumor; producer, Charles Mintz; animation, Sid Marcus, Art Davis; musical score, Joe De Nat.

MINE TO KEEP. Presented by Samuel V. Grand. 1923. 6 reels.

Credits: Producer and director, Ben Wilson; story, Evelyn Campbell; scenario, Arthur Statter.

THE MINE WITH THE IRON DOOR. 1936. 7 reels, sd. From the novel by Harold Bell Wright.

Credits: Director, David Howard; screenplay, Don Swift, Dan Jarrett; film editor, Arthur Hilton.

THE MINER. (Toby the Pup) 1930. 1 reel.

Credits: Dick Huemor, Sid Marcus.

MINERS OVER TWENTY-ONE. 1924. 1 reel.

Credits: Director, Slim Summerville.

MINES AND MATRIMONY. Joker. 1916. 1 reel.

Credits: Director, W. W. Beaudine; story, Irene Blake; scenario, Paul Coolidge.

MINGLING SPIRITS. Nestor. 1916. 1 reel.

Credits: Production and scenario, Al. E. Christie; story, Robert McGowan.

THE MINIATURE CIRCUS. 1915. Split reel.

THE MINING AND SMELTING OF COPPER. 1930. 1 reel.

MINING ANTHRACITE COAL. (Ford Educational Library, Industrial Geography) Ford Motion Picture Laboratories. 1922. 1 reel.

THE MINISTER'S TEMPTATION. 1913. 1 reel.

Credits: Sydney Booth.

MINNIE. 1922. 7 reels.

Credits: Directors, Marshall Neilan, Frank Urson; scenario, Marshall Neilan.

MINNIE THE MOOCHER. 1932. 1 reel.

Credits: Director, Dave Fleischer.

MINSTREL DAYS. 1930. 1 reel, sd.

THE MINSTREL SHOW. (Krazy Kat) Presented by Columbia Pictures Corp. 1932. 1 reel, sd. Adapted from George Herriman's cartoon character.

Credits: Ben Harrison, Manny Gould; producer, Charles Mintz; animation, Al Eugster, Preston Blair; music score, Joe De Nat.

A MINUTE FROM DEATH. (Your True Adventures) 1939. 1 reel, sd.

Credits: Director, Joseph Henabery; screenplay, Burnet Hershey.

THE MINUTE MAN. (Star Comedy) 1922. 1 reel.

Credits: Written and directed by William Watson.

MINUTE MYSTERIES. SEE

Death Attends a Party.

Fast Fingers.

Credits: Producer, A. D'Aguiar; director, Léonide Moguy; scenario, Jean Guitton; adaptation, Daniel Maya, Léonide Moguy, André Cerf; music, Michel Levine.

MIRACLE. SEE A Woman's Faith.

THE MIRACLE BABY. 1923. 6 reels.

Credits: Director, Val Paul; story, Frank Pierce; adaptation, Isadore Bernstein.

THE MIRACLE MAN. 1919. 8 reels. Based on the story by Frank Lucius Packard and the dramatization by George M. Cohan.

Credits: Scenario and direction, George Loane Tucker; story, George M. Cohan.

THE MIRACLE MAN. 1932. 9 reels, sd. Adapted from the story by Frank L. Packard and Robert H. Davis, and the play by George M. Cohan.

Credits: Director, Norman McLeod; adaptation, Waldemar Young; dialogue, Waldemar Young, Samuel Hoffenstein.

MIRACLE MONEY. (A Crime Does Not Pay Subject) Presented by Metro-Goldwyn-Mayer. 1938. 2 reels, sd., b&w.

Credits: Director, Leslie Fenton; original story and screenplay, Karl Kamb.

THE MIRACLE OF LOVE. Cosmopolitan. Paramount-Artcraft. 1919. 7 reels.

Credits: Director, Robert Z. Leonard; story, Cosmo Hamilton; scenario, Adrian Johnson, Leon d'Usseau.

THE MIRACLE OF MANHATTAN. Presented by Lewis J. Selznick. 1921. 5 reels.

Credits: Bradley King; director, George Archainbaud; scenario, Edward J. Montagne.

THE MIRACLE OF MILK. Industrial Film Division of Paramount Pictures, Inc. Presented by the State of New York, Department of Agriculture and Markets. 1939. 996 ft., sd.

Credits: Director, Leslie Roush; script, Paul Gangelin, Justin Herman; narrator, Frank Gallop.

THE MIRACLE OF SALT LAKE. (A Miniature) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., sepia.

Credits: Director, Basil Wrangel; screenplay, Carl Dudley; historical compilations, Milton Gunzburg; narrator, Carey Wilson; music score, David Snell.

THE MIRACLE OF SISTER BEATRICE. Park Lane. Presented by Rico Brothers. 1939. 8 reels, sd. Adapted from a legend of Sister Beatrice concerning a miracle of the thirteenth century.

Credits: Director, Harry T. Dixon; music score, Alfredo Antonini.

MIRACLE ON MAIN STREET. 1939. 9 reels, sd.

Credits: Producer, Jack H. Skirball; director, Steve Sekely; original story, Samuel Ornitz, Boris Ingster; screenplay, Frederick Jackson; editor, Barney Rogan; music director, Hans J. Salter; music, Walter Jurmann.

THE MIRACLE RIDER. Presented by Nat Levine. 1935. 2 reels each, except no. 1 which is 5 reels, sd.

Credits: Producer, Victor Zobel; directors, Armand Schaefer, B. Reeves Eason; original story, Barney Sarecky, Wellyn Totman, Gerald Geraghty; screenplay, John Rathmell; film editor, Joseph Lewis.

THE MIRACLE WOMAN. A Frank Capra production. 1931. 9 reels, sd. Based on the play "Bless You Sister" by John Meehan and Robert Riskin.

Credits: Producer, Harry Cohn; director, Frank R. Capra; screenplay and dialogue, Jo Swerling; continuity, Dorothy Howell; film editor, Maurice Wright.

THE MIRACLE WOMAN. SEE Fannie Ward in The Miracle Woman.

MIRACLES FOR SALE. Presented by Metro-Goldwyn-Mayer. 1939. 8 reels, sd., b&w. From a book by Clayton Rawson.

Credits: Director, Tod Browning; screenplay, Harry Ruskin, Marion Parsonnet, James Edward Grant; film editor, Frederick Y. Smith.

MIRACLES OF SPORT. SEE Robert Edgren's Miracles of Sport.

MIRACLES OF THE JUNGLE. 1921. 2 reels each, except no. 1 which is 3 reels.

Credits: Written and directed by E. A. Martin, James Conway.

1. The City of Lions. © 24May21; LP16575.

2. The Passage of Death. © 24May21; LP16576.

3. The Jungle Attack. © 24May21; LP16577.

4. The Leopard's Revenge. © 24May21; LP16578.

5. The Storm in the Desert. © 27May21; LP16585.

6. To the Rescue. © 27May21; LP16586.

7. The Leopard's Lair. © 27May21; LP16587.

8. Doomed to Death. © 2Jun21; LP16599.

9. In the Hands of the Apes. © 6Jun21; LP16636.

10. Midst Raging Tigers. © 14Jun21; LP16670.

11. Twelve Against One. © 20Jun21; LP16693.

12. Cheating Death. © 5Jul21; LP16737.

13. The Heart of an Elephant. © 25Jul21; LP16791.

14. The Lion's Leap. © 21Jul21; LP16904.

15. All's Well That Ends Well. © 2Aug21; LP16834.

THE MIRAGE. Released by Producers Distributing Corp. 1924. 6 reels. From the play by Edgar Selwyn.

Credits: Director, George Archainbaud; adaptation, C. Gardner Sullivan.

THE MIRAGE. Released by Producers Distributing Corp. 1925. 6 reels. From the play by Edgar Selwyn.

Credits: Director, George Archainbaud; adaptation, C. Gardner Sullivan.

THE MIRAGE. SEE Possessed.

MIRANDY SMILES. 1918. 5 reels.

Credits: Director, William C. De Mille.

Credits: Adaptation, Ernest Servaes.

THE MIRROR. 1915. 1,000 ft.

Credits: Producer, Joseph Kaufman.

THE MIRROR OF JUSTICE. Powers. 1915. 1 reel.

Credits: Producer, Lynn Reynolds; scenario, F. McGrew Willis.

MIRRORS. 1934. 1 reel, sd.

MIRTH AND MELODY. SEE Dorothy and Rosetta Ryan in Mirth and Melody.

MISADVENTURES OF A MIGHTY MONARCH. 1913. 1 reel.

Credits: Director, George D. Baker.

MISBEHAVING LADIES. Trailer. 1930. 1 reel, sd.

MISBEHAVING LADIES. 1931. 8 reels. From the story "Once There Was a Princess" by Juliet Wilbur Tompkins.

Credits: Director, William Beaudine; screen version, Julien Josephson.

MISCARRIED PLANS. 1924. 2 reels.

Credits: Director, Nat Ross; story, Ewart Adamson.

MISCAST. 1931. 1 reel, sd.

Credits: Director, Mort Blumenstock; story, Paul Gerard Smith; adaptation, E. K. Nadel; dialogue and staging, Max E. Hayes.

MISCHA ELMAN, CONCERT VIOLINIST, PLAYING HUMORESQUE BY DVORAK AND GAVOTTE BY GOSSEC. 1927. 1 reel, sd.

MISCHA LEVITZKI PLAYING LISZT'S 6TH HUNGARIAN RHAPSODY. 1928. 1 reel.

Credits: Director, George W. Lane.

THE MISCHIEF MAKER. 1914. 2 reels.

Credits: Director, Frederick Thomsen.

THE MISCHIEF MAKER. 1916. For Fox Film Corp. 5 reels.

Credits: Scenario and direction, John G. Adolfi; story, Alfred Solman.

MISDEAL. SEE Recaptured Love.

MISER MURRAY'S WEDDING PRESENT. 1914. 1 reel.

Credits: Director, Van Dyke Brooke.

LES MISERABLES. 1918. For Fox Film Corp. 10 reels. Based on the novel by Victor Hugo.

Credits: Director, Frank Lloyd; adaptation, Frank Lloyd, Marc Robbins.

LES MISERABLES. 1925. 32 reels. From the novel by Victor Hugo.

Credits: Director, Louis Nalpas; adaptation, Henri Fescourt.

LES MISERABLES. Presented by Joseph M. Schenck. Released through United Artists. 1935. 12 reels, sd. From the novel by Victor Hugo.

Credits: Producer, Darryl Zanuck; director, Richard Boleslawski; screenplay, W. P. Lipscomb.

LES MISERABLES. SEE The Bishop's Candlesticks.

THE MISER'S LEGACY. 1915. 1 reel.

A MISFIT EARL. 1919. 5 reels.

Credits: Director, Ira M. Lowrey; story, Wilson Bayley.

THE MISFIT PAIR. Star Comedy. 1921. 1 reel.

A MISFIT SAILOR. (Educational-Christie Comedies) 1926. 2 reels.

Credits: Director, William Watson; story, Frank Roland Conklin.

THE MISFIT WIFE. 1920. 6 reels. Based on the play by Julie Herne.

Credits: Director, Edwin Mortimer; adaptation, Lois Zellner, A. P. Younger.

MISFITS & MATRIMONY. 1918. 2 reels.

Credits: Director, J. A. Howe; story, Earl Montgomery, Joseph Rock.

THE MISHAPS OF E. Z. SMITHERS. SEE Follies of a Day and Night.

1915/16.

1. Cruel and Unusual. © title, descr. & 28 prints, 20Dec15; LU7251.

2. Keep Moving. © title, descr. & 10 prints, 16Dec15; LU7218.

3. Hold Fast. © title, descr. & 15 prints, 20Dec15; LU7253.

4. Going Up. © title, descr. & 35 prints, 31Dec15; LU7325.

5. Look Out Below. © title, descr. & 35 prints, 31Dec15; LU7326.

6. The Lightning Bell-Hop. © title, descr. & 28 prints, 22Jan16; LU7476.

7. Bells and Belles. © title, descr. & 31 prints, 22Jan16; LU7477.

8. Just Imagination. © title, descr. & 31 prints, 2Mar16; LU7745.

9. Out of Order. © title, descr. & 25 prints, 14Mar16; LU7822.

10. Coming Down. © title, descr. & 26 prints, 22Mar16; LU7872.

1916.

1. Blow Your Horn. © title, descr. & 42 prints, 16Jun16; LU8521.

2. Showing Some Speed. © title, descr. & 29 prints, 23Jun16; LU8567.

3. While You Wait. © title, descr. & 24 prints, 24Jun16; LU8568.

4. Local Showers. © title, descr. & 28 prints, 7Jul16; LU8653.

1916.

5. A Pirate Bold. © title, descr. & 39 prints, 15Jul16; LU8704.

7. Strictly Private. © title, descr. & 43 prints, 21Jul16; LU8760.

8. Active Service. © title, descr. & 46 prints, 3Aug16; LU8862.

9. Partly Cloudy. © title, descr. & 19 prints, 8Aug16; LU8889.

10. Fore and Aft. © title, descr. & 75 prints, 18Aug16; LU8962.

11 [i.e. 6]. Outs and Ins. © title, descr. & 13 prints, 5Jun16; LU8427.

THE MISHAPS OF MUSTY SUFFER. 1915-1917. 1 reel each.

Credits: Director, Louis Myll (no. 1-10, 1916).

1915/16.

1. Cruel and Unusual. © 30Dec15; LP7959.

2. Keep Moving. © 26Dec15; LP7960.

3. Hold Fast. © 30Dec15; LP7961.

4. Going Up. © 31Dec15; LP7962.

5. Look Out Below. © 31Dec15; LP7963.

6. The Lightning Bell-Hop. © 31Jan16; LP7964.

7. Bells and Belles. © 31Jan16; LP7965.

8. Just Imagination. © 12Mar16; LP7966.

9. Out of Order. © 24Mar16; LP7967.

10. Coming Down. © 28Nov16; LP7968.

1916.

1. Blow Your Horn. © 21Jun16; LP9274.

2. Showing Some Speed. © 28Jun16; LP9392.

3. While You Wait. © 5Jul16; LP9391.

4. Local Showers. © 12Jul16; LP9507.

5. A Pirate Bold. © 19Jul16; LP9562.

6. Outs and Ins. © 26Jul16; LP9614.

7. Strictly Private. © 2Aug16; LP9648.

8. Active Service. © 9Aug16; LP9687.

9. Partly Cloudy. © 16Aug16; LP9761.

10. Fore and Aft. © 23Aug16; LP9812.

1917, 3rd series.

1. The Fried Egg Hero. © 21Mar17; LP10449.

2. The Soda Jerker. © 27Mar17; LP10478.

3. Wet and Dry. © 31Mar17; LP10506.

4. Truly Rural. © 11Apr17; LP10576.

5. Ladder of Fame. © 24Apr17; LP10677.

6. Pure and Simple. © 28Apr17; LP10695.

7. Spliced and Iced. © 9May17; LP10749.

8. Starlight Sleep. © 12May17; LP10771.

9. Musty B. Young. © 23May17; LP10831.

10. Musty's Vacation. © 29May17; LP10872.

MISJUDGED. 1915. 3 reels.

Credits: Producer, William Worthington; scenario, Harvey Gates.

THE MISJUDGED MR. HARTLEY. 1915. 1 reel.

THE MISLEADING LADY. 1916. 5 reels.

Credits: Charles W. Goddard, Paul Dickey; adaptation, H. S. Sheldon.

THE MISLEADING LADY. 1921. 6 reels. From the play by Charles Goddard and Paul Dickey.

Credits: Supervision, Maxwell Karger; director, George Irving; scenario, Lois Zellner.

THE MISLEADING LADY. 1932. 6,279 ft. Based upon the play by Charles W. Goddard and Paul Dickey.

Credits: Director, Steuart Walker; screenplay, Adelaide Heilbron, Caroline Francke.

THE MISLEADING WIDOW. Paramount-Artcraft. Presented by Adolph Zukor. 1919. 5 reels. Adapted from "Billeted" by F. Tennyson Jesse and H. M. Harwood.

Credits: Director, J. S. Robertson; scenario, Frances Marion.

MISMANAGED. 1935. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Alf Goulding; story, Eddie Moran; film editor, John Lockert; music director, Roy Webb.

MISMATED. Imp. 1915. 1 reel.

Credits: Producer, George A. Lessey; scenario, Raymond L. Schrock.

MISMATES. 1926. 8 reels. Adapted from the play by Myron C. Fagan.

Credits: Supervision, Earl Hudson; director, Charles Brabin; scenario, Sada Cowan.

MISPLACED HUSBANDS. 1928. 2 reels.

Credits: Producer, Jack White; director, Charles Lamont.

MISS ADVENTURE. 1916. 3 reels.

Credits: Written and directed by William Wilbert.

MISS ADVENTURE. 1919. 5 reels.

Credits: Director, Lynn F. Reynolds; story and scenario, J. Anthony Roach.

MISS AMBITION. 1918. 5 reels.

Credits: Rex Taylor; director, Henry Houry; picturized by George A. Plympton.

MISS ANN GREY AND HER BOY FRIENDS. 1928. 1 reel, sd.

Credits: Producer, Oscar Eagle.

MISS BLOSSOM. Laemmle. 1916. 2 reels.

Credits: Written and produced by Lynn Reynolds.

MISS BLUEBEARD. 1925. 7 reels. From "Little Miss Bluebeard," Avery Hopwood's adaptation of the play "Der Gatte des Fräuleins" by Gabriel Dregely.

Credits: Director, Frank Tuttle; screenplay, Townsend Martin.

MISS BOBBY FOLSOM IN TYPICAL TYPES. 1929. 1 reel.

MISS BREWSTER'S MILLIONS. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 7 reels. Based on the novel "Brewster's Millions" by George Barr McCutcheon.

Credits: Director, Clarence Badger; screenplay, Harold Shumate, Lloyd Corrigan; adaptation, Monty Brice.

Credits: Director, Frank Crane; scenario, J. Clarkson Miller.

MISS DULCIE FROM DIXIE. 1919. 5 reels.

Credits: Director, Joseph Gleason; story, Lulah Ragsdale.

MISS ELLA SHIELDS [IN] SONGS: JUST ONE KISS [AND] IF YOU KNEW SUSIE. (Movietone Act) 1928. 1 reel.

MISS FANE'S BABY IS STOLEN. 1934. 7 reels, sd.

Credits: Producer, Bayard Veiller; director, Alexander Hall; story, Rupert Hughes; screenplay, Adela Rogers St. Johns; continuity, Jane Storm.

MISS FATTY'S SEASIDE LOVERS. 1915.

Credits: Producer, Mack Sennett.

MISS FRECKLES. 1915. 2 reels.

Credits: H. Tipton Steck; director, Charles E. Ashley.

MISS GEORGE WASHINGTON. Released by Paramount Pictures Corp. 1916. 5 reels.

Credits: Lewis Allen; director, J. Searle Dawley.

MISS GLORY. (Merrie Melodies) 1936. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; modern art conceived and designed by Leadora Congdon.

MISS HOBBS. 1920. 6 reels. From the play by Jerome K. Jerome.

Credits: Director, Donald Crisp; scenario, Elmer Harris.

MISS INFORMATION. SEE Lois Wilson and Edward Everett Horton in Miss Information.

MISS INNOCENCE. 1918. 5 reels.

Credits: Director, H. Millarde; story, H. Corker; scenario, Thomas Fallon.

MISS JEKYLL AND MADAME HYDE. 1915. 3 reels.

Credits: Director, Charles L. Gaskill.

MISS KITTY DONER IN A BIT OF SCOTCH. 1928. 1 reel, sd.

MISS LONELY HEARTS. Educational Films Corp. of America. Presented by E. W. Hammons. 1937. 952 ft., sd.

Credits: Director, Robert Hall; story, Arthur Jarrett, Marcy Klauber.

MISS LULU BETT. Paramount. 1921. 7 reels. From the novel and play by Zona Gale.

Credits: Producer and director, William De Mille; editor, Clara Beranger.

MISS MARCELLE SINGING SOUTHERN SYNCOPATED SONGS. 1929. 1 reel, sd.

MISS NOBODY. 1920. 5 reels.

Credits: Director, Francis J. Grandon; story, E. Magnus Ingleton.

MISS NOBODY. 1926. 7 reels. Adapted from the story "Shebo" by Tiffany Wells.

Credits: Director, Lambert Hillyer.

MISS PACIFIC FLEET. 1935. 8 reels, sd.

Credits: Director, Ray Enright; story, Frederick Hazlitt Brennan; screenplay, Lucille Newmark, Peter Milne, Patsy Flick; film editor, Clarence Kolster; music and lyrics, M. K. Jerome, Herb Brennan; music director, Leo F. Forbstein.

Credits: Supervision, William A. Brady; direction, scenario, and adaptation, Harley Knoles.

MISS PINKERTON. 1932. 7 reels. From the novel by Mary Roberts Rinehart.

Credits: Director, Lloyd Bacon; adaptation, Niven Busch, Lillie Hayward; additional dialogue, Robert Tasker.

MISS RAFFLES. 1914. 1 reel.

MISS ROBINSON CRUSOE. 1917. 5 reels.

Credits: Producer, B. A. Rolfe; director, William Christy Cabanne; story, June Mathis, William Christy Cabanne.

MISS STICKY-MOUFIE-KISS. 1915. 1 reel.

Credits: Director, Sydney Drew.

THE MISS THEY MISSED. Presented by E. W. Hammons. 1938. 2 reels, sd.

Credits: Producer, Al Christie; story, Billy K. Wells.

MISS THOMPSON. SEE

Rain.

Sadie Thompson.

MISS 318 AND MR. 37. SEE Out of the Ruins.

MISS TOMBOY AND FRECKLES. 1914. 1 reel.

Credits: Director, Wilfred North.

MISS U. S. A. 1917. 5 reels.

Credits: Director, Harry Millarde; story, Randolph Lewis.

MISS WARREN'S BROTHER. 1916. 3 reels.

Credits: Director, Theodore Marston.

THE MISSES STOOGE. (Hal Roach Comedy) (Thelma Todd and Patsy Kelly Comedy) 1935. 2 reels, sd., b&w.

Credits: Director, James Parrott; film editor, William Terhune.

MISSING. 1917. 2 reels. From the story by Victoria Norton.

Credits: Director, Brinsley Shaw; adaptation, Helmer W. Bergman.

MISSING. Paramount. 1918. 5 reels. Based on the novel by Mrs. Humphry Ward.

Credits: Producer, J. Stuart Blackton; director, James Young; scenario, J. Stuart Blackton, James Young.

THE MISSING BULLET. Universal Special. 1919. 2 reels.

Credits: Director, J. P. MacGowan; story, Alvin J. Neitz; scenario, George Hively.

THE MISSING CLUE. 1915. 1 reel.

Credits: Director, Lee Beggs.

THE MISSING CLUE. (Minute Mysteries) 1934. 1 reel, sd.

Credits: H. A. Ripley; director, Louis De Rochemont; adaptation, William Francis.

MISSING DAUGHTERS. 1924. 7 reels.

Credits: Story, William H. Clifford.

MISSING DAUGHTERS. 1939. 6 reels, sd.

Credits: Director, C. C. Coleman, Jr.; screenplay, Michael L. Simmons, George Bricker; film editor, Gene Havlick.

MISSING EVIDENCE. 1939. 7 reels, sd.

Credits: Producer and director, Phil Rosen; original story, Dorrell McGowan, Stuart E. McGowan; screenplay, Arthur T. Horman; film editor, Ted Kent.

MISSING GIRLS. 1936. 7 reels, sd.

Credits: Director, Phil Rosen; original story, Martin Mooney; screenplay, Martin Mooney, John W. Krafft.

THE MISSING GUEST. 1938. 7 reels, sd.

Credits: Producer, Barney Sarecky; director, John Rawlins; story, Erich Philippi; screenplay, Charles Martin, Paul Perez; film editor, Frank Gross.

MISSING HUSBAND. (Star Comedy) 1919. 1 reel.

Credits: Written and directed by Lyons and Moran.

MISSING HUSBANDS. 1922. 7 reels. From the novel "L'Atlantide" by Pierre Benoit.

Credits: Adaptation and direction, Jacques Feyder.

THE MISSING LINK. 1927. 7 reels.

Credits: Director, Charles F. Reisner; story and scenario, Darryl Francis Zanuck.

THE MISSING LINKS. 1916. 5 reels. Adapted from the novel by Granville Warwick.

Credits: Scenario, Bernard McConville.

MISSING LINKS. (A Life Cartoon Comedy) 1926. 1 reel.

THE MISSING LOCKET. Rex. 1916. 1 reel.

MISSING MEN. SEE Bureau of Missing Persons.

MISSING MILLIONS. Paramount. Presented by Adolph Zukor. 1922. 6 reels. Adapted from the stories "A Problem in Grand Larceny" and "An Answer in Grand Larceny" by Jack Boyle.

Credits: Director, Joseph Henabery; scenario, Albert Shelby Le Vino.

THE MISSING ONE. (Krazy Kat Cartoon) 1916. Split reel.

Credits: George W. Herriman; animation, Leon A. Searle.

THE MISSING PAGE. 1914. 1,000 ft.

Credits: Producer, E. A. Martin.

THE MISSING RUBY. 1915. 1 reel.

Credits: Director, Thomas Santschi.

THE MISSING TWENTY-FIVE DOLLARS. 1914. 1 reel.

Credits: Charles M. Seay.

THE MISSING WALLET. Special Laemmle. 1917. 1 reel.

THE MISSING WITNESS. Special Imp. 1916. 1 reel.

Credits: Producer, Herbert Brenon.

MISSING WITNESSES. First National. 1937. 6 reels, sd.

Credits: Director, William Clemens; original screenplay, Kenneth Gamet, Don Ryan.

THE MISSION OF MR. FOO. 1915. 1 reel.

Credits: Helen Chandler.

Credits: Story and direction, Theodore W. Wharton.

Credits: Producer, Lem B. Parker.

THE MISSISSIPPI. 1934. 1 reel, sd. From the suite by Ferde Grofé.

Credits: Director, Roy Mack; compiled by Bert Frank.

MISSISSIPPI. Presented by Adolph Zukor. 1935. 8 reels, sd.

Credits: Producer, Arthur Hornblow, Jr.; director, A. Edward Sutherland; story, Booth Tarkington; adaptation, Herbert Fields, Claude Binyon; screenplay, Francis Martin, Jack Cunningham; music and lyrics, Richard Rogers, Lorenz Hart.

MISSISSIPPI. SEE Heaven on Earth.

THE MISSISSIPPI GAMBLER. 1929. 7 reels.

Credits: Director, Reginald Barker; story, Karl Brown, Leonard Fields.

MISSISSIPPI MOODS. (Radio Musical, no. 4) 1937. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Leslie Goodwins; story, Gay Stevens, Jester Hairston; film editor, John Lockert; music, Hall Johnson.

MISSISSIPPI MUD. (An Oswald Cartoon) 1928. 1 reel.

THE MISSISSIPPI RIVER FLOOD. 1927. 2 reels.

Credits: Director, George H. Hoskyn.

MISSY. Laemmle. 1915. 2 reels.

Credits: Written and produced by Lynn Reynolds.

A MISTAKE IN JUDGMENT. 1913. 1 reel.

Credits: M. B. Havey.

A MISTAKE IN RUSTLERS. 1916. 1 reel.

Credits: Produced and written by Tom Mix.

A MISTAKE IN TYPESETTING. 1915. 1 reel.

Credits: Director, Lee Beggs.

MISTAKES WILL HAPPEN. 1916. 1 reel.

Credits: Written and produced by Tom Mix.

MISTAKES WILL HAPPEN. Snappy. 1928. 1 reel.

Credits: Director, Doran Cox; story, James Madison; continuity, George H. Plympton.

MR. ADAM. (Star Comedy Special) 1933. 1,733 ft., sd.

Credits: Producer, Al Christie; story, William Watson, Art Jarrett; editor, Barney Rogan.

MR. ALLAN PRIOR, AUSTRALIAN TENOR, DIRECTED BY BRYAN FOY AND ACCOMPANIED BY THE VITAPHONE ORCHESTRA SINGS: A. A DREAM [AND] B. LA DONNA E MOBILE. 1927. 1 reel.

MR. AND MRS. HADDOCK ABROAD. SEE Finn and Hattie.

MR. & MRS. IS THE NAME. (Merrie Melodies, no. 3) Vitaphone. 1935. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Isadore Freleng; animation, Ben Clopton, Cal Dalton; music score, Bernard Brown.

MR. & MRS. JACK NORWORTH IN ODDS AND ENDS. 1929. 1 reel, sd.

MR. AND MRS. JACK NORWORTH IN THE NAGGER. 1930. 1 reel.

MR. AND MRS. JACK NORWORTH IN THE NAGGERS' DAY OF REST. 1931. 1 reel.

MR. AND MRS. JACK NORWORTH IN THE NAGGERS GO ROOTING. 1931. 1 reel.

MR. AND MRS. JESSE CRAWFORD. 1934. 1 reel, sd.

Credits: Director, Joseph Henabery.

MR. AND MRS. JESSE CRAWFORD. 1938. 1 reel, sd.

MR. AND MRS. JESSE CRAWFORD AT HOME. (Vitaphone Variety) 1939. 10 min., sd.

Credits: Director, Lloyd French.

MR. AND MRS. JESSE CRAWFORD, THE POETS OF THE ORGAN. 1937. 10 min., sd.

Credits: Director, Joseph Henabery.

MR. & MRS. MELODY. 1935. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood.

MISTER ANTONIO. 1929. 8 reels, sd. Adapted from the play by Booth Tarkington.

MR. BARNES OF NEW YORK. 1914. 6 reels.

MR. BARNES OF NEW YORK. 1922. 5 reels.

Credits: Director, Victor L. Schertzinger; story, Archibald Clavering Gunter; scenario, J. E. Nash.

MR. BILLINGS SPENDS HIS DIME. Paramount. Presented by Jesse L. Lasky. 1923. 6 reels. From the story in Red Book Magazine by Dana Burnet.

Credits: Director, Wesley H. Ruggles; scenario, Albert Shelby Le Vino.

MR. BINGLES' MELODRAMA. 1914. 3 reels.

Credits: Director, George D. Baker.

MR. BISBEE'S PRINCESS. SEE So's Your Old Man.

MR. BLINK OF BOHEMIA. 1915. 1 reel.

Credits: Director, Sidney Drew.

MR. BOGGS STEPS OUT. Presented by Edward L. Alperson. 1937. 7 reels, sd. From the story "Face the Facts" by Clarence Budington Kelland.

Credits: Producer, Ben Pivar; director, Gordon Wiles; screenplay, Richard English; film editor, Gene Milford.

MR. BONES. SEE Mammy.

MR. BRIDE. Presented by Hal Roach. 1932. 2 reels, sd., b&w.

Credits: Director, James Parrott; editor, Richard Currier.

MR. BUDDY BRIGG'S BURGLAR. 1916. 1 reel.

MR. BUNNY IN DISGUISE. 1914. 1 reel.

Credits: Director, George D. Baker.

MR. BUTTLES. 1915. 3 reels.

Credits: Frederic Arnold Kummer.

MR. CARLSON OF ARIZONA. 1915. 2,000 ft.

MISTER CHUMP. (Cameo Comedy) 1926. 1 reel.

Credits: Director, Clem Beauchamp.

MR. CHUMP. 1938. 6 reels.

Credits: Director, William Clemens; original screenplay, George Bricker.

MR. CINDERELLA. (Tuxedo Comedies) 1926. 2 reels.

Credits: Written and directed by Norman Taurog.

MISTER CINDERELLA. Presented by Hal Roach Studios. 1936. 8 reels, sd., b&w.

Credits: Director, Edward Sedgwick; original story, Jack Jevne; screenplay, Richard Flournoy, Arthur Vernon Jones; film editor, Jack Ogilvie; music director, Marvin Hatley.

MR. DALY'S WEDDING DAY. 1915. 1 reel.

Credits: Director, Langdon West.

MR. DAYTON, DARLING. SEE Many Happy Returns.

MR. DEEDS GOES TO TOWN. 1936. 12 reels, sd. From the story by Clarence Budington Kelland.

Credits: Director, Frank Capra; screenplay, Robert Riskin; film editor, Gene Havlick; music director, Howard Jackson.

MR. DODD TAKES THE AIR. First National. 1937. 10 reels, sd.

Credits: Producer, Mervyn LeRoy; director, Alfred E. Green; story, Clarence Budington Kelland; screenplay, William Wister Haines, Elaine Ryan; music and lyrics, Harry Warren, Al Dubin.

MR. DOLAN OF NEW YORK. Red Feather. 1917. 5 reels.

Credits: Story and direction, Raymond Wells; scenario, Fred Myton.

MR. DOODLE KICKS OFF. 1938. 77 min., sd.

Credits: Producer, Robert Sisk; director, Leslie Goodwins; story, Mark Kelly; screenplay, Bert Granet; editor, Ted Cheesman; music director, Roy Webb.

MISTER DYNAMITE. 1935. 7 reels, sd. From the story "On the Make" by Dashiell Hammett.

Credits: Director, Alan Crosland; screenplay, Doris Malloy, Harry Clork.

MR. FIXIT. 1918. 5 reels.

Credits: Direction and scenario, Allan Dwan; story, Ernest Butterworth.

MR. FLIRT IN WRONG. L-Ko. 1915. 2 reels.

MISTER 44. 1916. For the Metro Program. 5 reels.

Credits: Directed and adapted by Henry Otto; story, E. J. Rath; scenario, Charles A. Taylor.

MR. FRANK GABY, THE TOUT. 1927. 1 reel, sd.

MR. FULLER PEP, AN OLD BIRD PAYS HIM A VISIT. Powers. 1917. 1/2 reel.

Credits: F. M. Follett.

MR. FULLER PEP, HE BREAKS FOR THE BEACH. Powers. 1916. 1/2 reel.

Credits: F. M. Follett.

MR. FULLER PEP, HE CELEBRATES HIS WEDDING ANNIVERSARY. Powers. 1916. 1/2 reel.

MR. FULLER PEP, HE DABBLES IN THE POND. Powers. 1916. 1/2 reel.

Credits: F. M. Follett.

MR. FULLER PEP, HE DOES SOME QUICK MOVING. Powers. 1917. 1/2 reel.

Credits: F. M. Follett.

MR. FULLER PEP, HE GOES TO THE COUNTRY. Powers. 1917. 1/2 reel.

Credits: F. M. Follett.

MR. FULLER PEP, HE TRIES MESMERISM. Powers. 1916. 1/2 reel.

Credits: F. M. Follett.

MR. FULLER PEP, HIS DAY OF REST. 1917. 1/2 reel.

MR. FULLER PEP, HIS WIFE GOES FOR A REST. Powers. 1917. 1/2 reel.

Credits: F. M. Follett.

MR. GALLAGHER AND MR. SHEAN. (Screen Songs) 1931. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer.

MISTER HOBO. 1935. 8 reels, sd.

Credits: Paul Laffitte; director, Milton Rosmer; scenario, Guy Bolton; adaptation, Maude Howell; editor, Charles Saunders; music director, Louis Levy; music, Arthur Benjamin.

MR. HOUSEKEEPER. 1916. 1 reel.

Credits: Director, Earl Metcalfe.

MR. ISAACS. SEE Son of India.

MR. JACK, A DOCTOR BY PROXY. 1916. 1 reel.

Credits: Director, C. Jay Williams.

MR. JACK, A HALL ROOM HERO. 1916. 1 reel.

Credits: Director, C. Jay Williams.

MR. JACK DUCKS THE ALIMONY. 1916. 1 reel.

Credits: Director, C. J. Williams.

MR. JACK GOES INTO BUSINESS. 1916. 1 reel.

Credits: Director, C. Jay Williams.

MR. JACK HIRES A STENOGRAPHER. 1916. 1 reel.

Credits: Director, C. Jay Williams.

MR. JACK INSPECTS PARIS. 1916. 1 reel.

Credits: Director, C. Jay Williams.

MR. JACK, THE HASH MAGNATE. 1916. 1 reel.

Credits: Director, C. Jay Williams.

MR. JACK TRIFLES. 1916. 1 reel.

Credits: Director, C. Jay Williams.

MR. JACK WINS A DOUBLE CROSS. 1916. 1 reel.

Credits: Director, C. J. Williams.

MR. JACK'S ARTISTIC SENSE. 1916. 1 reel.

Credits: Director, C. Jay Williams.

MR. JACK'S HAT AND THE CAT. 1916. 1 reel.

Credits: Director, C. Jay Williams.

MR. JARR AND CIRCUMSTANTIAL EVIDENCE. 1915. 1 reel.

Credits: Director, Harry Davenport.

MR. JARR AND GERTRUDE'S BEAUX. 1915. 1 reel.

Credits: Director, Harry Davenport.

MR. JARR AND LOVE'S YOUNG DREAM. 1915. 1 reel.

Credits: Director, Harry Davenport.

MR. JARR AND THE CAPTIVE MAIDEN. 1915. 1 reel.

Credits: Director, Harry Davenport.

MR. JARR AND THE DACHSHUND. 1915. 1 reel.

Credits: Director, Harry Davenport.

MR. JARR AND THE LADIES' CUP. 1915. 1 reel.

Credits: Director, Harry Davenport.

MR. JARR AND THE LADY REFORMER. 1915. 1 reel.

Credits: Director, Harry Davenport.

MR. JARR AND THE VISITING FIREMEN. 1915. 1 reel.

Credits: Director, Harry Davenport.

MR. JARR BRINGS HOME A TURKEY. 1915. 1 reel.

Credits: Director, Harry Davenport.

MR. JARR TAKES A NIGHT OFF. 1915. 1 reel.

Credits: Director, Harry Davenport.

MR. JARR VISITS HIS HOME TOWN. 1915. 1 reel.

Credits: Director, Harry Davenport.

MR. JARR'S BIG VACATION. 1915. 1 reel.

Credits: Director, Harry Davenport.

MR. JARR'S MAGNETIC FRIEND. 1915. 1 reel.

Credits: Director, Harry Davenport.

MR. LEMON OF ORANGE. 1931. 6,331 ft., sd.

Credits: Director, John Blystone; story, Jack Hays; dialogue, Eddie Cantor, Edwin Burke; editor, Ralph Dixon.

MR. LOGAN, U. S. A. 1918. 5 reels.

Credits: Scenario and direction, Lynn F. Reynolds.

MR. MCIDIOT'S ASSASSINATION. 1916. 2 reels.

MR. MEESON'S WILL. SEE The Grasp of Greed.

Credits: G. Bodmer, Conrald Tallroth.

MR. MOTO. SEE Danger Island.

MR. MOTO TAKES A CHANCE. 1938. 7 reels, sd. Based on the character Mr. Moto created by J. P. Marquand.

Credits: Executive producer, Sol M. Wurtzel; director, Norman Foster; original story, Willis Cooper, Norman Foster; screenplay, Lou Breslow, John Patrick; film editor, Nick De Maggio; music director, Samuel Kaylin.

MR. MOTO TAKES A VACATION. 1939. 5,632 ft., sd. Based on the character Mr. Moto created by J. P. Marquand.

Credits: Director, Norman Foster; original screenplay, Philip McDonald, Norman Foster; music director, Samuel Kaylin.

MR. MOTO'S GAMBLE. 1938. 6,565 ft., sd. Based on the character Mr. Moto created by John P. Marquand.

Credits: Director, James Tinling; original screenplay, Charles Belden, Jerry Cady; music director, Samuel Kaylin.

MISTER MUGG. (A Warren Doane Comedy) 1933. 2 reels.

Credits: Producer, Warren Doane; director, James W. Horne; story, Jay A. Howe, James W. Horne.

MR. NOUN AND MISS PRONOUN OF GRAMMAR ROW. 1919. 2 reels.

MR. OPP. 1917. 5 reels. From the story by Alice Hegan Rice.

Credits: Scenario and direction, Lynn F. Reynolds.

MISTER PAGANINI. 1915. 2 reels.

MR. PARKER—HERO. Metro-Drew. 1917. 1 reel.

Credits: Written and produced by Mr. and Mrs. Sidney Drew.

MR. PICKWICK. 1913. 1 reel.

Credits: Director, Larry Trimble.

MR. POOH. (A McDougall Alley Comedy) 1927. 2 reels.

Credits: Director, Robert B. Wilcox.

MR. PRINGLE AND SUCCESS. Black Cat. 1917. 29 min.

Credits: Director, Harry Beaumont; story, Charles J. McGuire.

MR. ROBINSON CRUSOE. 1932. 8 reels, sd.

Credits: Director, Edward Sutherland; story, Elton Thomas; adaptation, Tom Geraghty.

MISTER ROMEO. SEE Chicken a la King.

MR. SANTA CLAUS. 1914. 2 reels.

Credits: Director, George Ridgewell.

MR. SKITCH. 1933. 6,200 ft., sd. Based on the story "Green Dice" by Anne Cameron.

Credits: Director, James Cruze; screenplay, Sonya Levien, Ralph Spence.

MISTER SMARTY. 1936. 2 reels, sd.

Credits: Director, Preston Black; story, George Crone; screenplay, John Grey.

MR. SMITH GOES TO WASHINGTON. 1939. 13 reels, sd.

Credits: Director, Frank Capra; story, Lewis R. Foster; screenplay, Sidney Buchman; film editors, Gene Havlick, Al Clark; music director, M. W. Stoloff; music, Dimitri Tiomkin.

MR. SNIFFKINS' WIDOW. 1914. 1 reel.

Credits: Elizabeth Miller; director, Charles M. Seay.

MR. STUBB'S PEN. 1915. Split reel.

Credits: Screenplay, J. A. Murphy.

MR. TOOT'S TOOTH. 1913. 1 reel.

Credits: Arthur Housman.

MR. VAMPIRE. Rex. 1916. 2 reels.

Credits: Grace Cunard; director, Francis Ford.

MR. WIDGET. (An Educational Star Personality Comedy) Presented by E. W. Hammons. 1935. 1,845 ft., sd.

Credits: Producer, Al Christie; story, Joe Cook.

MISTER WIFE. (Educational-Christie Comedies) 1926. 2 reels.

Credits: Director, Harold Beaudine; story, Kingsley Benedict.

MR. WONG, DETECTIVE. 1938. 8 reels, sd. Based on the James Lee Wong series in Collier's Magazine, written by Hugh Wiley.

Credits: Associate producer, W. T. Lackey; director, William Nigh; screenplay, Houston Branch; film editor, Russell Schoengarth.

MR. WONG IN CHINATOWN. 1939. 8 reels, sd. Based on the James Lee Wong stories by Hugh Wiley.

Credits: Producer, William T. Lackey; director, William Nigh; screenplay, Scott Darling; film editor, Russell Schoengarth.

MR. WOOD B. WEDD'S SENTIMENTAL EXPERIENCES. 1913-14. 1 reel each. © Thomas A. Edison, Inc.

Credits: Mark Swan; director, C. Jay Williams.

1. Her Face Was Her Fortune. © 13Dec13; LP1800.

2. The Lovely Senorita. © 10Jan14; LP1950.

3. The Beautiful Leading Lady. © 6Feb14; LP2112.

4. The Vision in the Window. © 14Mar14; LP2331.

5. High Life. © 13Apr14; LP2502.

6. A Lady of Spirits. © 9May14; LP2670.

The Revengeful Servant Girl. © 13Jun14; LP2856.

A Canine Rival. © 10Jul14; LP3002.

The Buxom Country Lass. © 15Aug14; LP3210.

Love by the Pound. © 14Sep14; LP3367.

Wood B. Wedd and the Microbes. © 10Oct14; LP3515.

Wood B. Wedd Goes Snipe Hunting. © 14Nov14; LP3766.

A Superfluous Baby. © 31Dec14; LP4083.

MR. WRIGHT IN WRONG. 1917. 15 min.

MR. W'S LITTLE GAME. 1934. 1 reel, sd.

Credits: Director, Lynn Shores.

MR. WU. 1920. 5 reels. From the play by H. M. Vernon and Harold Owen.

Credits: Director, Maurice Elvey; scenario, Frederick Blatchford.

MR. WU. 1927. 8 reels. From the play by Harry Maurice Vernon and Harold Owen.

Credits: Producer and director, William Nigh; adaptation and continuity, Lorna Moon; film editor, Ben Lewis.

MRS. BALFAME. Frank Powell Producing Corp. 1917. 6 reels. From the novel by Gertrude Atherton.

Credits: Director and dramatization, Frank Powell.

MRS. BARNACLE BILL. (Hal Roach Comedy) (All Star Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, Lloyd French; film editor, Bert Jordan.

MRS. BILLIE. SEE The Lily and the Rose.

MRS. DANE'S CONFESSION. 1922. 5 reels.

Credits: Director, Michael Kertes; story, William Mors; editor, Don Bartlett.

MRS. DANE'S DANGER. 1916. 4 reels.

Credits: Director, Wilifrid North.

MRS. DANE'S DEFENSE. 1917. 5 reels.

Credits: Director, Hugh Ford; story, Henry Arthur Jones; scenario, Margaret Turnbull.

MRS. DORAY STORIES. SEE Young America.

MRS. GREEN'S MISTAKE. Joker. 1916. 1 reel.

Credits: Written and produced by Allen Curtis.

Credits: Producer, E. A. Martin.

MRS. JARR AND THE BEAUTY TREATMENT. 1915. 1 reel.

Credits: Director, Harry Davenport.

MRS. JARR AND THE SOCIETY CIRCUS. 1915. 1 reel.

Credits: Director, Harry Davenport.

MRS. JARR'S AUCTION BRIDGE. 1915. 1 reel.

Credits: Director, Harry Davenport.

MRS. LEFFINGWELL'S BOOTS. 1918. 5 reels. From the play by Augustus Thomas.

Credits: Director, Walter Edwards.

MRS. MADAM MANAGER. Joker. 1917. 1 reel.

Credits: Director, Allen Curtis; scenario, Tom Gibson.

MRS. MALONEY'S FORTUNE. 1914. 1 reel.

Credits: Director, Theodore Marsten; story, W. A. Tremayne.

MRS. MURPHY'S COOKS. 1915. 1 reel.

Credits: Written and produced by Tom Mix.

MISTRESS NELL GWYN. SEE Nell Gwyn.

THE MISTRESS OF SHENSTONE. 1921. 6 reels. Adapted from the novel by Florence L. Barclay.

Credits: Director, Henry King.

THE MISTRESS OF THE WORLD. 1922. 6 reels each, except no. 4 which is 5 reels. From the novel by Carl Figdon. © Famous Players-Lasky Corp.

Credits: Director, Joe May.

1. The Dragon's Claw. © 5Mar22; LP17625.

2. The Race for Life. © 5Mar22; LP17626.

3. The City of Gold. © 5Mar22; LP17627.

4. Saved by Wireless. © 5Mar22; LP17628.

MRS. O'LEARY'S COW. (Terry Toons) Presented by E. W. Hammons. 1938. 580 ft., sd.

Credits: Paul Terry, Ed Donnelly; music, Philip A. Scheib.

MRS. PLUM'S PUDDING. 1915. 5 reels.

Credits: James Dayton & Eddie Lyons; production and scenario, Al E. Christie.

MRS. PRUNE'S BOARDING HOUSE. Joker. 1915. 1 reel.

Credits: James Dayton; producer, Allen Curtis.

MRS. RANDOLPH'S NEW SECRETARY. 1915. 1 reel.

MRS. ROMANA'S SCENARIO. 1914.

Credits: Edward J. Montagne.

Credits: Director, Hobart Henley; play, Agnes C. Johnston.

MRS. TEMPLE'S TELEGRAM. Paramount Artcraft. Presented by Jesse L. Lasky. 1920. 5 reels. From the play by Frank Wyatt and William Morris.

Credits: Director, James Cruze; scenario, Elmer Harris.

MRS. UPTON'S DEVICE. 1913. 1 reel.

Credits: Director, James W. Castle.

MRS. VAN ALDEN'S JEWELS. 1915. 2 reels.

Credits: Director, Travers Vale.

MRS. WIGGS OF THE CABBAGE PATCH. Paramount. Presented by Adolph Zukor. 1919. 5 reels. Founded on the novel by Alice Hegan Rice and the dramatization by Anne Crawford Flexner.

Credits: Director, Hugh Ford; scenario, Eve Unsell.

MRS. WIGGS OF THE CABBAGE PATCH. Presented by Adolph Zukor. 1934. 9 reels, sd. From the play by Alice Hegan Rice and Anne Crawford Flexner.

Credits: Producer, Douglas MacLean; director, Norman Taurog; screenplay, William Slavens McNutt, Jane Storm.

MITCHELL LEWIS IN THE DEATH SHIP. 1928. 1 reel, sd.

THE MITE OF LOVE. 1919. 2 reels.

Credits: Director, George W. Terwilliger; story, Rachel Crothers; scenario, Calder Johnstone.

MITSI. SEE The Rose of Paris.

MITSI-ADAZI, NATURE'S WORKSHOP. 1937. 1 reel, sd.

THE MIX-UP AT MAXIMS. Nestor. 1915. 1 reel.

Credits: Producer, Eddie Lyons; scenario, Al. E. Christie.

A MIX-UP IN BLACK. 1916. 1,000 ft.

Credits: Florence Bolles; director, Will Louis.

A MIX-UP IN DRESS SUIT CASES. 1915. 2 reels.

Credits: Director, Lee Beggs; screenplay, Edward J. Montagne.

A MIX-UP IN MOVIES. 1916. 1 reel.

Credits: Written and produced by Tom Mix.

Credits: Screenplay, Ruth M. Elmer.

MIXED BLOOD. Red Feather. 1916. 5 reels.

Credits: Director, Charles Swickard; story, Willard Mack; adaptation, J. Grubb Alexander.

MIXED BRIDES. (Stern Bros. Comedy) Century. 1926. 2 reels.

Credits: Director, Jess Robbins; story, Page Wright.

MIXED DOUBLES. Bluebird. 1926. 1 reel.

Credits: Director, Richard Smith.

MIXED FACES. 1922. 5 reels.

Credits: Director, Rowland V. Lee; story, Roy Norton; scenario, Paul Schofield.

MIXED FLATS. 1915. 1,000 ft.

MIXED KIDS. Nestor. 1916. 1 reel.

Credits: Al E. Christie; producer, Horace Davey.

MIXED MAGIC. Presented by E. W. Hammons. 1936. 2 reels, sd.

Credits: Director, Raymond Kane; story, Arthur Jarrett, Marcy Klauber.

MIXED MATRIMONY. Nestor. 1917. 1 reel.

Credits: Director, Louis William Chaudet; story, Frederick A. Palmer.

MIXED NUTS. Nestor. 1919. 1 reel.

Credits: Director, Roy Clements; scenario, C. B. Hoadley.

MIXED NUTS. (Hal Roach Comedy) (All Star Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, James Parrott; film editor, William Terhune.

MIXED POLICIES. (An Educational Coronet Comedy) Presented by E. W. Hammons. 1936. 2 reels, sd.

Credits: Producer, Al Christie; story, David Freedman.

MIXED TALES. (Lyons-Moran Star Comedy) 1919. 1 reel.

Credits: Director, Lyons-Moran; story, Tom J. Geraghty, J. Grubb Alexander.

A MIXED UP ELOPEMENT. Nestor. 1915. Split reel.

Credits: Written and produced by A. E. Christie.

Credits: Director, Henry Otto.

MIXED WIVES. Nestor. 1919. 1 reel.

Credits: Arthur F. Statter; director, W. W. Beaudine.

M'LADY. 1931. 1 reel, sd.

Credits: Director, Mort Blumenstock; story, Rube Welch.

M'LISS. Pickford Film Corp. 1918. 5 reels. Based on the story by Bret Harte.

Credits: Director, Marshall Neilan; scenario, Frances Marion.

M'LISS. 1936. 7 reels, sd. From the story by Bret Harte.

Credits: Associate producer, Robert Sisk; director, George Nicholls, Jr.; screenplay, Dorothy Yost; editor, William Morgan; music director, Alberto Colombo.

M'LISS. SEE The Girl Who Ran Wild.

MOAN AND GROAN, INC. (Our Gang Comedies) Presented by Hal Roach. 1929. 2 reels, sd., b&w.

Credits: Production, story, and direction, Robert F. McGowan; story editor, H. M. Walker; film editor, Richard Currier.

MOANA. 1926. 7 reels.

Credits: Producer, Robert Flaherty.

MOANIN'. Trailer. 1936. 1 reel, sd.

MOANS AND GROANS. (Paul Terry-Toons) Educational Pictures. Presented by E. W. Hammons. 1935. 542 ft., sd.

Credits: Frank Moser, Paul Terry.

THE MOB. SEE Homicide Squad.

THE MOBILIZING OF JOHANNA. SEE Johanna Enlists.

MOBY DICK. 1930. 9 reels, sd. From the novel by Herman Melville.

Credits: Director, Lloyd Bacon; screenplay and dialogue, J. Grubb Alexander; adaptation, Oliver H. P. Garrett.

MOBY DICK. SEE The Sea Beast.

MOCCASINS. Presented by Jesse J. Goldburg. 1925. 5 reels.

Credits: Director, Robert North Bradbury; story and continuity, George W. Pyper.

MOCKERY. 1927. 7 reels.

Credits: Production, story, and direction, Benjamin Christensen; continuity, Bradley King; film editor, John W. English.

Credits: William A. Brady.

THE MODEL COOK. Metro-Drew. 1916. 1 reel.

Credits: Ellis Parker Butler; producer, Sidney Drew.

MODEL 46. Nestor. 1916. 1 reel.

Credits: Director, Louis William Chaudet; story, Tom Gibson; scenario, Charles J. Wilson, Jr.

THE MODEL FROM MONTMARTRE. 1928. 6 reels. From the play "La Femme Nue" by Henry Bataille.

Credits: Producer and director, Leonce Perret.

MODEL GEORGE. (Let George Do It Series) (Stern Brothers Comedy) 1927. 2 reels. From the cartoons by George McManus.

Credits: Director, Gus Meins.

THE MODEL HUSBAND. Victor. 1916. 2 reels.

Credits: Samuel Greiner; producer, Harry Myers.

THE MODEL HUSBAND. (Lyons-Moran-Star Comedy) 1919. 1 reel.

Credits: Written and directed by Lyons-Moran.

A MODEL MADE. (Star Comedy) 1921. 1 reel.

Credits: Director, Vin Moore.

A MODEL MESSENGER. (Star Comedy) 1922. 1 reel.

A MODEL WIFE. 1915. 2 reels.

Credits: Director, Wilfrid North.

MODEL WOMEN. 1930. 1 reel, sd.

Credits: Director, Howard Bretherton; dialogue staged by Max E. Hayes.

A MODEL YOUNG MAN. 1914. 1 reel.

Credits: Director, James Young.

MODELING FOR MONEY. Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd.; sepia. Based on the book by Carol Lynn [pseud.]

Credits: Director, David Miller; screenplay, Mauri Grashin, Mary Oakes.

MODELS AND ARTISTS. 1924. 2 reels.

Credits: Director, Eugene De Rue.

MODELS AND WIVES. 1931. 2 reels.

Credits: Director, Charles Lamont; story, Henry Johnson, Sidney Levee.

THE MODEL'S CONFESSION. 1918. 6 reels. Suggested by the story of Ruby M. Ayers.

Credits: Direction and scenario, Ida May Park.

MODELS IN MOTION FOR FREE HAND DRAWING. 1930. Under the direction of the Woodbury Training School in Applied Observation. 397 ft., 16 mm.

MODELS OF THE SURF. 1920. 1 reel.

MODERN ASPECTS OF JAPAN. (A Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

MODERN BASKETBALL FUNDAMENTALS. (Eastman Classroom Films) 1935. 2 reels.

MODERN BUSINESS. 1930. 1 reel, sd.

A MODERN CINDERELLA. 1917. For the Fox Film Corp. 5 reels.

Credits: Director, John G. Adolfe; story and scenario, Florence Auer.

A MODERN CINDERELLA. 1932. 2 reels.

Credits: Director, Roy Mack; story, A. Dorian Otvos, Burnet Hershey.

MODERN DANCES. 1914. 1 reel.

A MODERN DIAGNOSIS AND TREATMENT OF SYPHILIS. 1920.

A MODERN ENOCH ARDEN. Big U. 1915. 3 reels.

Credits: Producer, Burton King; scenario, W. M. Caldwell.

A MODERN ENOCH ARDEN. 1916. 4 reels.

Credits: Supervision, Mack Sennett; directors, Clarence G. Badger, Charles Avery.

MODERN FAIRYTALES. 1930. 1 reel.

MODERN FOOTBALL FUNDAMENTALS. 1934. 2 reels. Contents:—pt. 1. Drills for Individuals and Small Groups.—pt. 2. Group and Team Drill.

Credits: Director, Harry G. Kipke.

A MODERN GIRL. SEE The Man Hunt.

A MODERN HERCULES. Rolma Films, Inc. 1916. 1 reel.

Credits: Frank Jackson.

A MODERN HERO. Presented by Warner Bros. Pictures, Inc. and the Vitaphone Corp. 1934. 7 reels. Based on the novel by Louis Bromfield.

Credits: Director, G. W. Pabst; screenplay, Gene Markey, Kathryn Scola.

MODERN HOME. Presented by E. W. Hammons. 1936. 2 reels, sd.

Credits: Director, William Watson; story, David Freedman.

A MODERN HORSE. 1913. 1 reel.

MODERN INVENTIONS. 1937. 1 reel.

MODERN JERUSALEM. (A Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

MODERN LOVE. 1918. 6 reels.

Credits: Director, Robert Leonard; story, Mae Murray, Robert Leonard.

MODERN LOVE. Jewel. 1929. 6 reels.

Credits: Director, Arch Heath; story and continuity, Beatrice Van.

A MODERN MADONNA. SEE The Forgotten Law.

MODERN MADRID. (Around the World with Burton Holmes) 1930. 1 reel, sd.

Credits: Burton Holmes.

MODERN MARINERS. (Sport Pictorial, no. 13) 1921. 1 reel.

MODERN MARRIAGE. 1923. 6,331 ft. Adapted from the novel "Lady Varley" by Derek Vane.

Credits: Director, Lawrence Windom; adaptation, Dorothy Farnum.

MODERN MATRIMONY. 1923. 5 reels.

Credits: Written and directed by Victor Heerman.

MODERN METHODS. (The Color Parade) 1939. 10 min., sd., color.

Credits: Director, Ira Genet; commentator, Dwight Weist.

MODERN MOTHERHOOD. 1934. 6 reels.

Credits: Director, Dwain Esper; story, Gardner Bradford.

MODERN MOTHERS. 1928. 6 reels.

Credits: Producer, Harry Cohn; director, Philip Rosen; story, Peter Milne; film editor, Ben Pivar.

A MODERN MUSKETEER. 1917. 5 reels. Based upon "D'Artagnan of Kansas" by F. R. Lyle, Jr.

Credits: Director, Allan Dwan.

MODERN OIL REFINING. (Ford Educational Library. Technical) Ford Motion Picture Laboratories. 1925. 1 reel.

A MODERN PAUL. 1916. 3 reels.

Credits: Producer, Melvin Mayo.

A MODERN PRISCILLA. SEE Bobby Folsom, A Modern Priscilla.

A MODERN RED RIDING HOOD. (Paul Terry Toons) Educational Pictures. Presented by E. W. Hammons. 1935. 539 ft., sd.

Credits: Frank Moser, Paul Terry; music, Philip A. Scheib.

MODERN RHYTHM. (Sound Sportlight) 1929. 1 reel, sd.

Credits: Jack Eaton.

MODERN ROMANCE. Rolma Photo Plays, Inc. 1917. 1 reel.

Credits: Harry Mainhall; scenario, Lowell R. Stark.

A MODERN SALOME. 1920. 6 reels. Suggested by the poem "Salome" by Oscar Wilde.

Credits: Written and directed by Leonce Perret.

A MODERN SAMSON. 1914. 1 reel.

Credits: J. Edward Hungerford.

A MODERN THELMA. 1916. 5 reels.

Credits: Adapted and produced by John G. Adolfi.

MODERN TIMES. Released through United Artists. 1936. 10 reels, sd.

Credits: Written and directed by Charles Chaplin; music director, Alfred Newman; music, Charles Chaplin.

MODERN TOKYO. (A James A. FitzPatrick Traveltalk) 1936. 838 ft., sd., color.

Credits: Compiled by James A. FitzPatrick.

THE MOHAWK VALLEY. 1927. 1,008 ft.

THE MOHICAN'S DAUGHTER. 1922. 5 reels. Adapted from the novel "The Story of Jess Uck" by Jack London.

Credits: Producer and director, S. E. V. Taylor.

THE MOJAVE KID. 1927. 5 reels.

Credits: Director, Robert North Bradbury; story and continuity, Oliver Drake.

MOLD AND YEAST. 1930. 1 reel.

MOLECULAR THEORY OF MATTER. 1932. 1 reel.

Credits: Narrative, Hermann I. Schlesinger, Harvey B. Lemon.

MOLINOFF. SEE Along Came Youth.

MOLLY AND I. 1920. 5 reels.

Credits: Director, Howard M. Mitchell; story, Frank R. Adams; scenario, Isabel Johnston.

MOLLY AND I. SEE My Unmarried Wife.

MOLLY AND ME. 1929. 8 reels.

Credits: Director, Albert Ray; story, H. R. Durant; adaptation, Lois Lesson.

MOLLY ENTANGLED. Pallas. 1917. 5 reels.

Credits: Director, Robert Thornby; scenario, Edith Kennedy.

MOLLY MOO-COW AND RIP VAN WINKLE. (Rainbow Parade Cartoon, no. 3) RKO Radio release. 1935. 1 reel.

Credits: Directors, Burt Gillett, Tom Palmer.

MOLLY MOO-COW AND ROBINSON CRUSOE. (Rainbow Parade) 1936. 1 reel.

Credits: Directors, Burt Gillett, Tom Palmer.

MOLLY MOO-COW AND THE BUTTERFLIES. (Burt Gillett's Rainbow Parade) 1935. 1 reel, sd.

Credits: Directors, Burt Gillett, Tom Palmer.

MOLLY MOO-COW AND THE INDIANS. (Rainbow Parade) Distributed by RKO Radio Pictures. 1935. 8 min.

Credits: Supervision, Burt Gillett; directors, Burt Gillett, Tom Palmer.

MOLLY O'. 1921. 8 reels.

Credits: Director, F. Richard Jones; story, Mack Sennett; scenario, Mary Hunt, Fred Stowers; film editor, Allen McNeil.

MOLLY O' PIGTAIL ALLEY. SEE Sally in Our Alley.

MOLLY OF THE FOLLIES. 1919. 5 reels.

Credits: Director, Edward Sloman; story, Peter Clark McFarlane.

MOLLY PICON, THE CELEBRATED CHARACTER COMEDIENNE. 1929. 1 reel, sd.

MOLLY THE DRUMMER BOY. 1914. 1 reel. An adaptation of the novel by Harriet T. Comstock.

Credits: Director, George A. Lessay.

THE MOLLYCODDLE. 1920. 6 reels.

Credits: Director, Victor Fleming; story, Harold McGrath; scenario, Tom J. Geraghty.

MOLLY'S MALADY. Nestor. 1915. 1 reel.

Credits: Producer, Horace Davey; scenario, Al E. Christie.

THE MOMENT BEFORE DEATH. 1915. 1,000 ft.

Credits: Producer, Wilbert Melville.

A MOMENT OF MADNESS. 1914. 1 reel.

Credits: John Hardin; director, Langdon West.

THE MOMENT OF VICTORY. 1918. 2 reels. Based on a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, David Smith; adaptation, George H. Plympton.

MOMENTS OF CHARM. Presented by Adolph Zukor. 1938. 1 reel, sd., color.

Credits: Director, Leslie Roush; continuity, Justin Herman; editor, Robert Blauvelt.

MOMENTS OF CHARM OF 1940. (A Paramount Headliner) 1939. 1 reel, sd., color.

Credits: Producer and director, Leslie Roush; continuity, Justin Herman; film editor, Robert Blauvelt.

MOMENTS OF MIMICRY. SEE Roger Williams in Moments of Mimicry.

MON HOMME. SEE Shadows of Paris.

Credits: Scenario and production, René Plaissety.

THE MONA LISA. Educational Film Exchanges, Inc. Presented by Eugene H. Roth. 1926. 2 reels, color.

Credits: Written and directed by Arthur Maude.

MONA LISA. SEE Veiled Picture.

THE MONARCH OF THE GLEN. U. F. A. 1927. 1 reel.

Credits: Editor, Edward Bowes.

MONARCHS OF THE FIELD. (Grantland Rice Sportlight) 1930. 1 reel, sd.

Credits: Jack Eaton.

Credits: Narrative by Herbert Williams; narrator, Jules Labert.

Credits: Producer and scenario, James Keane.

MONEY. 1914. 2 reels.

MONEY AND MYSTERY. Bison. 1917. 2 reels.

Credits: Director, Henry McRae; story, Robert von Saxmar; scenario, Jack Cunningham.

MONEY AT WORK. Presented by Banking's Living Magazine. 1939. 2-1/4 reels, sd.

Credits: Producer, William O. Hurst; editor, William R. Kuhns; narrator, Basil Ruysdael.

MONEY BALKS. (Barney Google Series, no. 4) 1928. 2 reels.

Credits: Director, Charles Diltz; story, E. V. Durling, B. Ross.

THE MONEY BOX. SEE Our Relations.

THE MONEY CORRAL. 1919. 5 reels.

Credits: Director, Lambert Hillyer; story, William S. Hart, Lambert Hillyer.

Credits: Producer, Maurice Elvey.

MONEY ISN'T EVERYTHING. 1918. 5 reels. Based on the magazine story "Beauty To Let" by Fred Jackson.

Credits: Director, Edward Sloman.

THE MONEY LENDERS. Bison. 1916. 2 reels.

Credits: Producer, Henry McRae; story, Wright Roberts; scenario, F. M. Wiltermood, Henry McRae.

MONEY MAD. 1918. 5 reels.

Credits: Lois Zellner; director, Hobart Henley.

MONEY MADNESS. Butterfly. 1917. 5 reels.

Credits: Director, Henry McRae; story, Frank H. Spearman; scenario, William Parker.

MONEY MAGIC. 1917. 5 reels. From the novel by Hamlin Garland.

Credits: Director, William Holbert; adaptation, A. Van Buren Powell.

THE MONEY MASTER. 1915. 5 reels. Founded on the play "The Battle" by Cleveland Moffett.

THE MONEY MASTER. SEE A Wise Fool.

MONEY MEANS NOTHING. 1934. 7 reels, sd. Suggested by the play "The Cost of Living" by William Anthony McGuire.

Credits: Producer, Ben Verschleiser; director, Christy Cabanne; story and screenplay, Frances Hyland.

THE MONEY MILL. 1917. 5 reels.

Credits: Roy L. McCardell; director, John Robertson; adaptation, A. Van Buren Powell.

A MONEY MIX-UP. National Film Corp. of America. Released through Goldwyn Distributing Corp. 1920. 2 reels.

Credits: Director, Mark Goldaine.

MONEY! MONEY! MONEY! 1915. 1,000 ft.

MONEY! MONEY! MONEY! Presented by B. P. Schulberg. 1922. 5 reels.

Credits: Director, Tom Forman; story, Larry Evans; adaptation, Hope Loring.

MONEY! MONEY! MONEY! Snappy. 1928. 1 reel.

Credits: Director, Doran Cox; story and continuity, George H. Plympton.

MONEY, MONEY, MONEY WITH HOMER MASON AND MARGUERITE KEELER. 1930. 1 reel.

MONEY ON YOUR LIFE. Presented by E. W. Hammons. 1938. 1,664 ft., sd.

Credits: Director, William Watson; story, M. Lewis, T. McKnight.

MONEY TALKS. 1919. 2 reels.

Credits: Director, Fred Fishback.

MONEY TALKS. 1926. 6 reels. From the story by Rupert Hughes.

Credits: Director, Archie Mayo; adaptation, Jessie Burns, Bernard Vorhaus; film editor, Ben Lewis.

MONEY TO BURN. 1916. 2 reels.

Credits: Director, E. H. Calvert; story, Delos Avery.

MONEY TO BURN. 1922. 5 reels. From the story "Cherub Devine" by Sewell Ford.

Credits: Director, Roland V. Lee; scenario, Jack Strumwasser.

MONEY TO BURN. Gotham. Presented by Sam Sax. 1926. 6 reels. From the novel by Reginald Wright Kauffman.

Credits: Supervision, Renaud Hoffman; director, Walter Lang; adaptation and continuity, James Bell Smith.

MONEY TO LOAN. (A Crime Does Not Pay Subject) Presented by Metro-Goldwyn-Mayer. 1939. 2 reels, sd., b&w.

Credits: Director, Joe Newman; original story and screenplay, John C. Higgins; film editor, Harry Komer.

MONEY'S MERCILESS MIGHT. 1913. 3 reels.

MONEY'S MOCKERY. Laemmle. 1917. 2 reels.

Credits: E. M. Ingleton; director, Douglas Gerrard.

THE MONGOLS OF CENTRAL ASIA. 1929. 1 reel.

Credits: Edited by Dept. of Anthropology, Harvard University.

MONGRELS. 1918. 2 reels.

Credits: Supervision, Henry Lehrman; director, Jack White.

A MONKEY BELLHOP. Universal Jewel. 1921. 2 reels.

Credits: Written and directed by Harry Burns.

MONKEY BUSINESS. 1915. 1,000 ft.

MONKEY BUSINESS. (Sunshine Comedy) 1920. 2 reels.

Credits: Supervision, Hampton Del Ruth; director, Edward F. Cline.

MONKEY BUSINESS. (Earl Hurd Comedy) (Pen and Ink Vaudeville) Educational. 1925. 1 reel.

MONKEY BUSINESS. 1931. 6,947 ft., sd.

Credits: Director, Norman McLeod; story, S. J. Perelman, Will B. Johnstone; additional dialogue, Arthur Sheekman.

MONKEY BUSINESS IN AFRICA. 1931. 22 min., sd.

Credits: Director, Max Sennett; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy.

MONKEY DOODLES. Presented by Foy Productions, Ltd. 1931. 1 reel, sd.

Credits: Director, Gus Meins; editor, William Austin.

THE MONKEY FARM. 1923. 2 reels.

Credits: Directors, Louis Seiler, Clyde Carruth.

A MONKEY HERO. Universal Jewel. 1921. 2 reels.

Credits: Written and directed by Harry Burns.

MONKEY-HULA. (A Sunkist Comedy) 1927. 2 reels.

Credits: Producer, Al Nathan.

MONKEY LOVE. Powers. 1917. 1/2 reel.

Credits: Pat Sullivan; animation, Ernest Smythe.

MONKEY LOVE. (Fables, no. 385) 1928. 1 reel.

Credits: Paul Terry, Mannie Davis.

MONKEY LOVE. (Color Rhapsody) Presented by Columbia Pictures Corp. 1935. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Art Davis; animation, Sid Marcus; music, Joe de Nat.

MONKEY MEAT. (Paul Terry-Toons) 1930. 1 reel.

Credits: Frank Moser, Paul Terry.

MONKEY MELODIES. (A Walt Disney Comic) Presented by Columbia Pictures Corp. 1930. 1 reel, sd.

A MONKEY MIXUP. 1923. 2 reels.

Credits: Directors, Louis Seller, Clyde Carruth.

A MONKEY MOVIE STAR. Universal Jewel. 1921. 2 reels.

Credits: Written and directed by Harry Burns.

THE MONKEY ROMEO. 1924. 2 reels.

Credits: Director, Louis Seiler.

THE MONKEY SCHOOLMASTER. Universal Jewel. 1921. 2 reels.

Credits: Written and directed by Harry Burns.

MONKEY SHINES. (Harold Highbrow Series) Snappy. 1927. 1 reel.

Credits: Director, Doran Cox; story, James Madison; continuity, George H. Plympton.

MONKEY SHINES. (A Daphne Pollard Comedy) 1932. 2 reels.

Credits: Director, Philip Whitman; story, Francis J. Martin, Vernon Smith.

MONKEY SHINES. (Paramount Varieties) 1934. 1 reel, sd.

Credits: Story, John A. Haesaler.

MONKEY STUFF. Universal Special. 1919. 2 reels.

Credits: Written and directed by W. S. Campbell.

THE MONKEY TALKS. 1927. 6 reels. From the stage play by René Fauchois.

Credits: Director, Raoul Walsh; scenario, L. G. Rigby.

MONKEY WRETCHES. (An Oswald Cartoon) Snappy. 1935. 1 reel.

Credits: Director, Walter Lantz; story and lyrics, Walter Lantz, Victor McLeod; animation, Manuel Moreno, Lester Kline, Fred Kopietz, Bill Mason.

MONKEYS AND APES. 1933. 1 reel.

THE MONKEY'S PAW. 1923. 5 reels. Based on the story by W. W. Jacobs.

Credits: Director, Manning Haynes; adaptation, Lydia Hayward.

THE MONKEY'S PAW. 1932. 6 reels, sd. From the story by William Wymark Jacobs and the play by Louis N. Parker.

Credits: Producer, David O. Selznick; director, Wesley Ruggles; screenplay, Graham John; film editor, Charles L. Kimball; music director, Max Steiner.

MONKEYS PREFER BLONDES. (Sunkist Comedy) 1926. 2 reels.

Credits: Director, Edward I. Luddy.

MONKS A LA MODE. 1923. 2 reels.

Credits: Directors, Louis Seller, Clyde Carruth.

MONNA VANNA. Bison. 1916. 3 reels. From the drama by Maurice Maeterlinck.

MONNA VANNA. 1923. 9 reels, b&w, tinted sequences. Based on the drama by Maurice Maeterlinck.

Credits: Director, Richard Eichberg.

MONOMANIA. 1917. 1 reel.

Credits: Story and script, W. M. Hannon.

THE MONROE DOCTRINE. Warner Bros. 1939. 16 min., color.

Credits: Director, Crane Wilbur; original screenplay, Charles L. Tedford.

MONSIEUR BEAUCAIRE. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 10 reels. From the novel by Booth Tarkington and the play by Booth Tarkington and Evelyn Greenleaf Sutherland.

Credits: Producer and director, Sidney Olcott; screenplay, Forrest Halsey.

MONSIEUR BEAUCAIRE. SEE Monte Carlo.

MONSIEUR DON'T CARE. 1924. 2 reels.

Credits: Producer, Joe Rock; story, Monte Brice, Lou Lipton.

MONSIEUR SANS GENE. SEE One Rainy Afternoon.

THE MONSTER. 1925. 7 reels. Based on the play by Crane Wilbur.

Credits: Producer, Roland West; scenario, Willard Mack, Albert G. Kenyon; titles, C. Gardner Sullivan; film editor, A. Carle Palm.

THE MONSTER AND THE GIRL. 1914.

Credits: Director, Alice Blaché.

MONTAGUE LOVE IN CHARACTER STUDIES. 1928. 1 reel.

MONTAGUE THE MAGNIFICENT. 1937. 1,641 ft., sd.

Credits: Producer, Al Christie; story, Arthur Jarrett, Marcy Klauber.

MONTANA MOON. 1930. 10 reels, sd., b&w.

Credits: Producer and director, Malcolm St. Clair; original story and continuity, Sylvia Thalberg, Frank Butler; dialogue, Joe Farnham; film editor, Carl L. Pierson; music and lyrics, Nacio Herb Brown, Arthur Freed.

MONTANA OF THE RANGES. Mustang. 1925. 2 reels.

Credits: Director, John O'Brien; story and continuity, William Lester.

THE MONTANA STATE FAIR. 1913. 1 reel.

MONTE CARLO. (A Paramount-Burton Holmes Travel-Picture) 1921. 1 reel.

MONTE CARLO. 1926. 7 reels.

Credits: Director, Christy Cabanne; story, Carey Wilson; adaptation and scenario, Alice D. G. Miller; film editor, William Levanway.

MONTE CARLO. 1930. 8,077 ft., sd. From "Die Blaue Küste" by Hans Mueller and an episode of "Monsieur Beaucaire" by Booth Tarkington and E. G. Sutherland.

Credits: Producer and director, Ernst Lubitsch; screen story, Ernest Vajda; additional dialogue, Vincent Lawrence; lyrics and music, Leo Robin, Richard A. Whiting, W. Franke Harling.

MONTE CARLO MADNESS. 1931. 7 reels.

Credits: Director, Hanns Schwarz; story, Hans Muller, Franz Schulz; dialogue, Rowland Leigh.

MONTE CARLO NIGHTS. 1934. 7 reels, sd. Suggested by the story "Numbers of Death" by E. Phillips Oppenheim.

Credits: Producer, Paul Malvern; director, William Nigh; screenplay, Norman Houston.

MONTE CRISTO. 1922. 10 reels, b&w, tinted sequences. From the story "The Count of Monte Cristo" by Alexandre Dumas.

Credits: Director, Emmett J. Flynn; scenario, Bernard McConville.

MONTMARTRE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 7 reels. Adapted from the play "The Flame" by Hans Müller.

Credits: Director, Ernest Lubitsch; edited and titled by Hector Turnbull.

MONTMARTRE MADNESS. Released by Music Hall Vanities. 1939. 1 reel, sd.

Credits: Producer and director, Arthur Dreifuss; music, Nathaniel Shilkret.

MONTMARTRE ROSE. 1929. 6 reels. Adapted from the story by Adeline Hendricks.

Credits: Director, Bernard F. McEveety; adaptation, Isadore Bernstein; screenplay, Jacques Jaccard, Sylvia Bernstein.

MONTY AND THE MISSIONARY. 1915.

MONTY OF THE MOUNTED. (Lupino Lane Comedies) 1927. 2 reels.

Credits: Director, Charles Lamont.

MOOCHING THROUGH GEORGIA. 1939. 2 reels, sd.

Credits: Director, Jules White; original screenplay, Clyde Bruckman.

THE MOON. 1936. 908 ft.

THE MOON BRIDE'S WEDDING. Presented by Adolph Zukor and Jesse L. Lasky. 1930. 1 reel.

Credits: Director, Monte Brice.

MOON OF ISRAEL. Sascha. 1927. 6,680 ft. Based on the novel by Sir Henry Rider Haggard.

Credits: Director, Michael Courtice; adaptation, Ladislaus Vajda; titles, Henry Rider Haggard.

MOON OVER HARLEM. 1939. 8 reels, sd.

Credits: Director, Edgar G. Ulmer; original story and dialogue, Mathew Mathews; screenplay, Sherle Castle.

MOON OVER MANHATTAN. (A Young Romance Comedy) Presented by E. W. Hammons. 1935. 1,544 ft., sd.

Credits: Producer, Al Christie; story, music, and lyrics, Charlie Williams, Marcy Klauber.

THE MOON RIDERS. 1920. 2 reels each.

Credits: Director, Reaves Eason, Albert Russell; story, William Pigott, Karl Coolidge, Albert Russell, George Hively, Theodore Wharton; scenario, George Hively, Albert Russell, Theodore Wharton.

1. Over the Precipice. © 1Apr20; LP14952.

2. The Masked Marauders. © 1Apr20; LP14953.

3. The Red Rage of Jealousy. © 1Apr20; LP14954.

4. Vultures of the Hills. © 28Apr20; LP15064.

5. The Death Trap. © 6May20; LP15098.

6. Caves of Mystery. © 13May20; LP15126.

7. The Menacing Monster. © 21May20; LP15150.

8. At the Rope's End. © 24May20; LP15168.

9. The Triple Menace. © 4Jun20; LP15212.

10. The Moon Rider's Bride. © 18Jun20; LP15271.

11. Death's Door. © 29Jun20; LP15324.

12. The Pit of Fire. © 6Jul20; LP15345.

13. The House of Doom. © 9Jul20; LP15344.

14. Unmasked. © 15Jul20; LP15356.

15. His Hour of Torture. © 21Jul20; LP15378.

16. The Flaming Peril. © 3Aug20; LP15444.

17. Rushing Waters. © 9Aug20; LP15424.

18. Clearing Skies. © 18Aug20; LP15483.

MOONFLOWER. SEE Eve's Secret.

MOONGOLD. 1921. 3 reels.

Credits: Produced and directed by Will Bradley.

MOONLIGHT AND CACTUS. (Ideal Comedies) 1932. 2 reels.

Credits: Director, William Goodrich; story and dialogue, Ernest Pagano, Jack Townley.

MOONLIGHT AND HONEYSUCKLE. 1921. 5 reels. From the play by George Scarborough.

Credits: Director, Joseph Henabery; scenario, Barbara Kent.

MOONLIGHT AND MELODY. Presented by E. W. Hammons. 1935. 2 reels, sd.

Credits: Story, William Watson, Arthur Jarrett.

MOONLIGHT AND MONKEY BUSINESS. 1930. 2 reels, sd.

Credits: Producer, Lou Brock; direction, Mark Sandrich; continuity and dialogue, Mark Sandrich and Johnnie Grey; film editor, Ted Cheesman.

MOONLIGHT AND PRETZELS. 1933. 9 reels, sd.

Credits: Director, Karl Freund; story, Monte Brice, Arthur Jarrett; screenplay, Monte Brice, Sig Herzig.

MOONLIGHT AND ROMANCE. 1931. 1 reel, sd.

Credits: Director, Victor Heerman.

MOONLIGHT FANTASY. 1933. 1 reel.

MOONLIGHT FOLLIES. 1921. 5 reels.

Credits: Producer, King Baggott; story, Percival Wilde; scenario, A. P. Younger.

MOONLIGHT MURDER. 1936. 7 reels, sd., b&w. Suggested by the original story by Albert J. Cohen and Robert T. Shannon.

Credits: Producers, Lucien Hubbard, Ned Marin; director, Edwin L. Marin; screenplay; Florence Ryerson, Edgar Allan Woolf; film editor, Ben Lewis; music score, Herbert Stothart, Edward Ward.

MOONLIGHT ON THE PRAIRIE. 1935. 7 reels, sd.

Credits: Director, D. Ross Lederman; story and screenplay, William Jacobs.

MOONLIGHT SILHOUETTES. (Organlogue, no. 9) 1931. 1 reel, sd.

Credits: Announcements, Norman Brokenshire.

THE MOON'S OUR HOME. Presented by Adolph Zukor. 1936. 9 reels, sd. Adapted from the serial by Faith Baldwin.

Credits: Producer, Walter Wanger; director, William A. Seiter; screenplay, Isabel Dawn, Boyce DeGaw; additional dialogue, Dorothy Parker, Alan Campbell.

MOONSHINE. Paramount-Arbuckle. 1918. 2 reels.

Credits: Director, Fatty Arbuckle.

MOONSHINE. 1929. 2 reels.

Credits: Director, S. Jay Kaufman; story, Arthur Hopkins.

MOONSHINE BLOOD. Special Big U. 1916. 1 reel.

Credits: Director, Allan Dwan; scenario, Jeanie MacPherson.

THE MOONSHINE MAID AND THE MAN. 1914. 1 reel.

Credits: Written and directed by Charles L. Gaskill.

THE MOONSHINE MENACE. 1921. 5 reels. From the novel "Judith of the Cumberlands" by Alice MacGowan.

Credits: Director, J. P. McGowan.

MOONSHINE VALLEY. 1922. 6 reels.

Credits: Director, Herbert Brenon; story, Mary Murillo; scenario, Mary Murillo, Herbert Brenon.

THE MOONSHINER'S DAUGHTER; or, ABROAD IN OLD KENTUCKY. (A Masquers Presentation) 1933. 2 reels, sd.

Credits: Supervision, Lou Brock; director, A. Ray; story, Walter Weems; film editor, John Lockert.

MOONSHINES AND JAILBIRDS. Rainbow. 1920. 2 reels.

Credits: Director, J. A. Howe.

MOONSTONE. 1934. 7 reels, sd. From the novel by Wilkie Collins.

Credits: Producer, Paul Malvern; director, Reginald Barker; adaptation, Adele Buffington; editor, Carl Pierson.

THE MOONSTONE OF FEZ. 1914. 2 reels.

Credits: Directors, Maurice Costello, Robert Gaillard.

A MOONY MARINER. (A Paramount-Christie Comedy) 1927. 2 reels.

Credits: Director, William Watson; story and scenario, Hal K. Wells; titles, Al Martin.

THE MOOR. Presented by David P. Howells. 1922. 7 reels. Adapted from "Othello, the Moor of Venice" by Shakespeare.

MOORE POWER IN CALIFORNIA. 1920. 2 reels.

MOORISH SPAIN. (Vagabond Adventure Series) 1934. 1 reel, sd.

Credits: Text, Russell Spaulding; narrator, Alois Havrilla.

THE MOOSE HUNT. (Mickey Mouse, no. 13) 1931. 1 reel.

MOOSE HUNTERS. (Walt Disney Mickey Mouse) 1937. 1 reel, sd.

MOOSE ON ISLE ROYALE, A MICHIGAN GAME PRESERVE. 1926. 1 reel.

THE MORAL CODE. 1917. 5 reels.

Credits: Story and direction, Ashley Miller.

Credits: Director, Romaine Fielding; story, Stanley Dark.

Credits: Director, Travers Vale; story, Earle Mitchell; scenario, Lucien Hubbard.

Credits: C. Gardner Sullivan.

THE MORAL FABRIC. 1916. 5 reels.

MORAL FIBRE. 1921. 6 reels.

Credits: Director, Webster Campbell; story, William Harrison Goadby; scenario, William B. Courtney.

THE MORAL LAW. 1918. 5 reels.

Credits: Director, Bertram Bracken; story, E. Lloyd Sheldon; scenario, Franklin Hall.

THE MORAL RIGHT. Imp. 1916. 2 reels.

Credits: Director, Douglas Gerrard; story, Harry Mann; scenario, Fred Myton.

THE MORAL SINNER. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6 reels. From the play "Leah Kleschna" by C. M. S. McLellan.

Credits: Director, Ralph Ince; scenario, J. Clarkson Miller.

Credits: Written and directed by Ivan Abramson.

MORALS. 1921. 5 reels. Adapted from the novel "The Morals of Marcus Ordeyne" by William J. Locke.

Credits: Director, William D. Taylor; adaptation, Julia Crawford Ivers.

MORALS FOR MEN. 1925. 8 reels. Suggested by the story "The Luck Serum" by Gouverneur Morris.

Credits: Director, Bernard Hyman; adapted and supervised by A. P. Younger; film editor, James C. McKay.

MORALS FOR WOMEN. 1931. 8 reels, sd.

Credits: Producer, Phil Goldstone; director, Mort Blumenstock; story, Frances Hyland; dialogue, Gene Lewis; editor, Martin G. Cohn.

THE MORALS OF HILDA. Red Feather. 1916. 5 reels.

Credits: Director, Lloyd B. Carleton; story H. C. Warnack; scenario, A. W. Coleway.

MORALS OF MARCUS. 1935. 7 reels. From the play by W. J. Locke.

Credits: Director, Miles Mander; adaptation, Guy Bolton, Miles Mander.

THE MORALS OF MARCUS ORDEYNE. SEE Morals.

MORAN. SEE Shake It Up.

MORAN OF THE LADY LETTY. 1922. 7 reels. Adapted from the novel by Frank Norris.

Credits: Director, George Melford; adaptation, Monte M. Katterjohn.

MORAN OF THE MARINES. 1928. 5,444 ft.

Credits: Director, Frank Strayer; story, Linton Wells; adaptation, Sam Mintz, Ray Harris; continuity, Agnes Brand Leahy.

MORE CONTACTS BUILD MORE SALES. 1930. 1 reel.

MORE DEADLY THAN THE MALE. Paramount-Artcraft. Presented by Jesse L. Lasky. 1919. 5 reels.

Credits: Director, Robert G. Vignola; story, Joseph Gollomb; scenario, Julia Crawford Ivers.

THE MORE EXCELLENT WAY. 1917. 5 reels. From the novel by Cyrus Townsend Brady.

Credits: Director, P. N. Vekroff; adaptation, Garfield Thompson.

THE MORE EXCELLENT WAY. 1920. 5 reels. From the novel by Cyrus Townsend Brady.

Credits: Director, Perry N. Vekroff; scenario, Garfield Thompson.

MORE GAS. 1931. 1 reel, sd.

Credits: Director, Ray Cozine; story, Seymour L. Bloom, Solly Ward; dialogue staged by Max E. Hayes.

MORE KITTENS. (A Walt Disney Silly Symphony) 1936. 1 reel, sd.

MORE MONEY THAN MANNERS. 1916. 1 reel.

Credits: Director, Lawrence Semon.

MORE PAY—LESS WORK. 1926. 6 reels, b&w, light amber sequences.

Credits: Director, Albert Ray; story, Peter B. Kyne; scenario, Rex Taylor.

MORE PEP. 1936. 1 reel.

Credits: Director, Dave Fleischer; animation, Thomas Johnson and Dave Hoffman.

Credits: Narrator, Lowell Thomas.

MORE QUALITY AT LOWER PRICES AND HOW. 1928. 1 reel.

MORE SALES—MORE PROFITS IN 1937. 1936. For Ice Refrigeration Bureau. Filmstrip, sd.

MORE SINNED AGAINST THAN USUAL. 1930. 2 reels.

MORE STATELY MANSIONS. SEE Twin Beds.

MORE THAN A SECRETARY. 1936. 8 reels, sd. "From Safari in Manhattan" by Matt Taylor.

Credits: Associate producer, Everett Riskin; director, Alfred E. Green; story, Ethel Hill, Aben Kandel; screenplay, Dale Van Every, Lynn Starling; film editor, Al Clark; music director, Morris Stoloff.

MORE THAN FRIENDS. 1915. 1 reel.

MORE TO BE PITIED THAN SCORNED. 1922. 6 reels. From the play by Charles E. Blaney.

Credits: Director, Edward LeSaint.

Credits: Director, Ernest C. Warde; story, Edgar Franklin; picturized by Ouida Bergere.

MORE TRUTH THAN POETRY. 1917. 5 reels.

Credits: Mme. Petrova; director, Burton L. King; scenario, Mrs. W. C. Clifton.

Credits: Producer, John L. Hawkinson.

MORGAN'S LAST RAID. 1929. 6 reels, b&w.

Credits: Director, Nick Grindé; story, Madeleine Ruthven, Ross B. Wills; continuity, Bradley King; film editor, William Le Vanway.

MORGAN'S RAIDERS. 1918. 5 reels.

Credits: Written and directed by Wilfred Lucas, Bess Meredyth.

MORGANSON'S FINISH. 1926. 7 reels. From the story by Jack London.

Credits: Director, Fred Windermere.

A MORMON MAID. 1917. 5 reels. From the story by Paul West.

Credits: Charles Sarver; producer, Robert Leonard.

THE MORMON TRAIL. (E. M. Newman's See America First Series, no. 8) 1935. 1 reel, sd.

Credits: Narrative, John B. Kennedy; editor, Bert Frank.

THE MORNING AFTER. Presented by Willard. 1938. 1 reel, sd.

MORNING GLORY. 1933. 8 reels, sd.

Credits: Producer, Pandro S. Berman; director, Lowell Sherman; play, Zoe Akins; screenplay, Howard J. Green; editor, William Hamilton; music, Max Steiner.

MORNING JUDGE. 1937. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Leslie Goodwins; story, Harry D'Arcy; film editor, Les Millbrook.

MORNING, NOON, AND NIGHT. (A Betty Boop Cartoon) 1933. 1 reel.

Credits: Director, Dave Fleischer.

MORNING, NOON, AND NIGHT CLUB. 1937. 1 reel.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, George Germanetti.

MORNING, NOON, AND NIGHT IN VIENNA, OVERTURE PLAYED BY THE VITAPHONE SYMPHONY ORCHESTRA, HERMAN HELLER CONDUCTING. 1927. 1 reel, sd.

MOROCCO. 1930. 8,237 ft., sd. From the play "Amy Jolly" by Benno Vigny.

Credits: Director, Joseph von Sternberg; adaptation, Jules Furthman; film editor, Sam Winston.

MOROCCO. (World on Parade, no. 4) 1936. 1 reel.

Credits: Russell Spalding.

MOROCCO MIRAGE. (Along the Royal Road to Romance on the Magic Carpet of Movietone) 1935. 1 reel, sd.

Credits: Editor, Lew Lehr.

MOROCCO NIGHTS. 1934. 2 reels, sd.

Credits: Director, Eddie Cline; screenplay, Walter Weems, Jack Townling.

Adapted from the novel "The Wandering Jew" by Eugene Sue.

THE MORRISSEY AND MILLER NIGHT CLUB REVUE. 1928. 1 reel, sd.

Credits: Director, Bryan Foy.

LA MORT DU CYGNE. SEE Ballerina.

THE MORTAL SIN. 1917. 5 reels.

Credits: Written and directed by John T. Collins.

A MORTGAGE ON HIS DAUGHTER. L-Ko. 1915. 1 reel.

MORTGAGED AGAIN. Bluebird. 1926. 1 reel.

Credits: Director, W. Scott Darling.

THE MORTGAGED WIFE. 1918. 6 reels.

Credits: Frank H. Clark; director, Allen Holubar.

MORTMAIN. 1915. 1 reel.

Credits: Director, Theodore Marston.

MORTON DOWNEY IN AMERICA'S GREATEST COMPOSERS SERIES, FEATURING DAVE DREYER AND VINCENT LOPEZ AND ORCHESTRA. 1932. 2 reels.

Credits: Director, Monte Brice; story, William Rowland and Sig Herzig.

MORTON DOWNEY [IN] AMERICA'S GREATEST COMPOSERS SERIES, FEATURING LEW BROWN AND RAY HENDERSON. 1932. 2 reels.

Credits: Director, Monte Brice; story, William Rowland, Sig Herzig.

THE MOSCOW ART ENSEMBLE OF NEW YORK OFFER A RUSSIAN WEDDING CELEBRATION. 1927. 1 reel, sd.

MOSCOW, HEART OF SOVIET RUSSIA. (A FitzPatrick M. G. M. Traveltalk) 1932. 1 reel.

Credits: Compiler, James A. FitzPatrick; photographer, Frank A. Goodliffe.

MOSCOW MOODS. 1936. Presented by Adolph Zukor. 1 reel, sd.

Credits: Director, Fred Waller; editor, Leslie Roush; music arrangements, Yasha Bunchuk.

MOSCOW NIGHTS. SEE I Stand Condemned.

THE MOSQUE IN THE DESERT. SEE The Guerillas of Algiers.

MOSQUITO. (Out of the Inkwell) 1922. 1 reel.

Credits: Director, Dave Fleischer.

THE MOST DANGEROUS GAME. Presented by Radio Pictures. 1932. 7 reels, sd. From the story by Richard Connell.

Credits: Produced and directed by Ernest B. Schoedsack, Irving Pichel; screenplay, James Ashmore Creelman.

THE MOST FOR YOUR MONEY. 1937. For the Hudson Motor Car Co. Filmstrip, sd.

A MOST IMMORAL LADY. Vitaphone. 1929. 8 reels, sd. Based on the play by Townsend Martin.

Credits: Director, John Griffith Wray.

A MOST IMMORAL LADY. Trailer. 1929. 1 reel.

THE MOST POPULAR GIRL IN THE WORLD. 1924. 1 reel.

MOST PRECIOUS THING IN LIFE. 1934. 7 reels, sd.

Credits: Director, Lambert Hillyer; story, Travis Ingham; screenplay, Ethel Hill, Dore Schary; film editor, Robert Carlisle.

THE MOTH. 1917. 6 reels. From the novel by William Dana Orcutt.

Credits: Director, Edward Jose; scenario, John B. Clymer, Harry A. Hoyt.

THE MOTH. 1934. 7 reels, sd.

Credits: Supervision, Al Alt; director, Fred Newmeyer, Jr.; original story, Joseph O'Donnell.

MOTH AND THE FLAME. (A Walt Disney Silly Symphony) 1938. 1 reel, sd.

THE MOTH AND THE SPIDER. (Paul Terry Toons) Educational. Presented by E. W. Hammons. 1935. 542 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

Credits: Director, Maurice Tourneur.

MOTHER. Released by F. B. O. 1927. 7 reels. Suggested by the novel by Kathleen Norris.

Credits: Director, J. Leo Meehan; adaptation and continuity, Dorothy Yost.

THE MOTHER. SEE The Poverty of Riches.

MOTHER AND WIFE. 1914. 1 reel.

Credits: Ben Wilson.

THE MOTHER CALL. Big U Thanksgiving Special. 1916. 1 reel.

Credits: Director, Ruth Ann Baldwin; story, Lynn Reynolds.

MOTHER CAREY'S CHICKENS. 1938. 8 reels, sd. From the novel by Kate Douglas Wiggin and the play by Kate Douglas Wiggin and Rachel Crothers.

Credits: Producer, Pandro S. Berman; director, Rowland V. Lee; screenplay, S. K. Lauren, Gertrude Purcell; editor, George Hively; music director, Frank Tours.

Credits: Written and directed by Ivan Abramson.

MOTHER GOOSE GOES HOLLYWOOD. (A Walt Disney Silly Symphony) 1938. 1 reel, sd.

MOTHER GOOSE IN A 16TH CENTURY THEATRE. 1912. 1 reel.

MOTHER GOOSE IN SWINGTIME. (A Color Rhapsody) Presented by Columbia Pictures Corp. 1939. 1 reel, sd., color.

Credits: Director, Manny Gould; animation, Ben Harrison; music, Joe De Nat.

MOTHER GOOSE LAND. 1933. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Roland Crandall, Seymour Kneitel.

MOTHER GOOSE MELODIES. (Silly Symphony Cartoon, no. 17) 1931. 1 reel.

THE MOTHER HEART. 1914. 2 reels.

Credits: Producer, Colin Campbell.

THE MOTHER HEART. 1921. 5 reels.

Credits: Director, Howard M. Mitchell; scenario, Frank Howard Clark.

MOTHER HEN'S HOLIDAY. (Scrappy) (A Color Rhapsody) Released by Columbia Pictures Corp. 1937. 640 ft., sd., color.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; music, Joe de Nat.

MOTHER-IN-LAW'S DAY. 1932. 2 reels, sd., b&w.

Credits: Supervision, Lew Lipton; story and direction, Harry Sweet; film editor, John Link.

THE MOTHER INSTINCT. 101 Bison. 1915. 3 reels.

Credits: Producer, Wilfred Lucas; story, Mrs. Haines W. Reed; scenario, Bess Meredyth.

Credits: Producer, A. Ambrosio.

MOTHER KNOWS BEST. 1928. 9 reels, lavender. From the book by Edna Ferber.

Credits: Director, J. G. Blystone; scenario, Marion Orth.

MOTHER LODE. SEE Yellow Dust.

Credits: Producer, Maurice Elvey; scenario, Kenelm Foss.

MOTHER LOVE AND THE LAW. 1917. 7 reels.

Credits: Director, George A. Siegmann.

MOTHER MACHREE. Presented by William Fox. 1927. 7 reels, tinted sequences.

Credits: Director, John Ford; story, Rida Johnson Young; scenario, Gertrude Orr.

MOTHER O' MINE. Released by Associated Producers, Inc. 1921. 7 reels. Adapted from "The Octopus" by Charles Belmont Davis.

Credits: Supervision, Thomas H. Ince; director, Fred Niblo; adaptation, C. Gardner Sullivan.

MOTHER O'DAY. SEE The City That Never Sleeps.

Credits: Adapted and produced by George Loane Tucker.

A MOTHER OF DARTMOOR. SEE The Mother's Influence.

THE MOTHER OF HIS CHILDREN. 1920. 5 reels.

Credits: Director, E. Le Sainte; story, Barbara LaMarr Deely; scenario, Charles Wilson.

MOTHER OF MINE. 1917. 5 reels.

Credits: Written and directed by Rupert Julian; scenario, E. J. Clawson.

MOTHER OF PEARL. 1915. 1,000 ft.

THE MOTHER OF SEVEN. 1914. 1 reel.

Credits: Producer, Norval MacGregor.

MOTHER PIN A ROSE ON ME. 1929. 1 reel, sd.

Credits: Director, Dave Fleischer; story, Max Fleischer.

MOTHER PLUTO. (Walt Disney Silly Symphony) 1936. 1 reel.

MOTHERHOOD. 1915. 3 reels.

Credits: Director, Lloyd B. Carleton.

MOTHERHOOD. 1917. 5 reels. Picturization of a play by Frederic Arnold Kummer.

Credits: Producer and director, Frank Powell.

Credits: Adaptation, Lita Lawrence.

Credits: Director, Leonard Fischer; scenario, Frederic L. Wheeler.

MOTHER'S ANGEL, IN QUEST OF A MINNIE, AND MEMORIES. 1920. 2 reels.

Credits: Written and directed by Ward Lascelle.

A MOTHER'S ATONEMENT. Rex. 1915. 3 reels.

Credits: Producer, Joseph De Grasse; scenario, Ida May Parke.

MOTHER'S BABY BOY. 1914. 400 ft.

MOTHER'S BIRTHDAY. 1915. 1 reel.

Credits: Producer, Burton L. King; scenario, Marie W. Felner.

MOTHER'S BOY. 1929. 8 reels.

Credits: Producer, Robert T. Kane; director, Bradley Barker; story and dialogue, Gene Markey.

MOTHERS CRY. First National and Vitaphone. 1930. 8 reels, sd. From the novel by Helen Grace Carlisle.

Credits: Director, Hobart Henley; adaptation and additional dialogue, Lenore J. Coffee.

MOTHER'S GUIDING HAND. Special Laemmle. 1916. 1 reel.

MOTHER'S HOLIDAY. (Cameo Comedies) 1932. 1 reel.

Credits: Director, William Goodrich; story, Walter Catlett.

MOTHERS-IN-LAW. Presented by B. P. Schulberg. 1923. 90 min.

Credits: Producer and director, Louis T. Gasnier; story, Frank Dazey, Agnes Christine Johnston; adaptation, Olga Printzlau.

Credits: Adapted and produced by George Loane Tucker.

MOTHER'S LAZY BOY. 1913. 1 reel.

Credits: Mark Swan.

MOTHER'S MILLIONS. 1931. 9 reels. Based on the stage play by Howard McKent Barnes.

Credits: Director, James Flood; adaptation and screenplay, Winifred Dunn.

MOTHER'S MILLIONS. 1931. 9 reels. Based on the stage play by Howard McKent Barnes.

Credits: Director, James Flood; adaptation and screenplay, Winifred Dunn.

Credits: Produced and directed by Louis Marcanton, Rene Hervil.

Credits: Directors, Dallas M. Fitzgerald, William S. Davis.

Credits: Director, Edward José.

MOTHER'S ROSES. 1915. 3 reels.

Credits: Director, Theodore Marston.

A MOTHER'S SECRET. 1918. 5 reels.

Credits: Director, Douglas Gerrard; story, Lois Zelnor; scenario, Doris Schroeder.

A MOTHER'S SIN. 1918. 5 reels.

Credits: Director, Thomas R. Mills; story, Hilda M. Sharp; scenario, Edward J. Montagne.

A MOTHER'S WAY. 1914. 1 reel.

MOTHS. 1931. 1 reel, sd.

Credits: Narrative, Clyde Fisher.

MOTHS. SEE Her Greatest Love.

A MOTION TO ADJOURN. 1921. 6 reels. From the Saturday Evening Post story by Peter B. Kyne.

Credits: Producer, Ben Wilson; scenario, and direction, Roy Clements.

MOTIVE FOR REVENGE. 1935. 7 reels, sd.

Credits: Supervision, Larry Darmour; director, Burt Lynwood; screenplay, Stuart Anthony; editor, Dwight Caldwell; music, Lee Zahler.

MOTOR MAD. (Mermaid Comedies) Educational. 1925. 2 reels.

Credits: Producer, Jack White; written and directed by Norman Taurog.

MOTOR MADNESS. 1937. 7 reels.

Credits: Director, D. Ross Lederman; screenplay, Fred Niblo, Jr., Grace Neville; film editor, Byrd Robinson.

MOTOR MANIACS. (Adventures of the Newsreel Cameraman) 1937. 1 reel, sd.

Credits: Producer, Truman Talley; editor, Lew Lehr.

MOTOR MAT AND HIS FLIV. (A Sullivan Cartoon) Powers. 1916. 3/4 reel.

Credits: Drawings by Otz Messmer.

MOTOR TROUBLE. (Stern Bros. Comedy) Century. 1926. 2 reels.

Credits: Director, Percy Pembroke.

THE MOTOR BOAT DEMON. Presented by William Fox. 1926. 2 reels.

Credits: Supervision, George E. Marshall; director, Jess Robbins; story, Richard Harding Davis; scenario, Henry Johnson.

MOTOR BOAT MAMAS. Presented by Mack Sennett. 1928. 2 reels.

Credits: Producer, Mack Sennett; supervision, John A. Waldron; director, Harry Edwards; story, Earle Rodney, Jefferson Moffitt.

MOTORBOATING. 1917. 1 reel.

Credits: Thomas J. Gray; director, Chester M. DeVonde.

MOTORCYCLE COSSACKS. (An Oddity) 1934. 802 ft., sd., b&w.

Credits: Director, Antonio Samaniego; explanatory remarks, Pete Smith.

A MOTOR CYCLE ELOPEMENT. 1915. 1 reel.

Credits: Director, C. Jay Williams.

MOTORCYCLE MANIA. (A Sports Champion Picture) 1933. 1 reel, sd., b&w.

Credits: Director, Jack Cummings; explanatory remarks, Pete Smith.

MOTORING. SEE Harry Tate in Motoring.

MOTORING MAMAS. (Tired Business Man Series, no. 6) Mack Sennett, Inc. 1929. 2 reels.

Credits: Supervision, John A. Waldron; director, Phil Whitman; story, Jefferson Moffitt, Phil Whitman; film editor, William Hornbeck.

MOULDERS OF MEN. Released by F. B. O. 1927. 7 reels.

Credits: Director, Ralph Ince; story, John Chapman Hilder; adaptation, J. G. Hawks; continuity, Dorothy Yost.

MOULIN ROUGE. 1929. 9 reels.

Credits: Director, E. A. Dupont.

MOULIN ROUGE. Presented by Joseph M. Schenck. 1934. 8 reels, sd.

Credits: Producer, Darryl F. Zanuck; director, Sidney Lanfield; story and screenplay, Nunnally Johnson, Henry Lehrman; film editor, Lloyd Nosier; music director, Alfred Newman.

MOUNT CARMEL. (Pilgrimage to Palestine) Presented by The Holy Land Film Company. 1929. 1 reel.

THE MOUNT MARUNGA MYSTERY. SEE The Blue Mountains Mystery.

MT. RAINIER. (Ford Educational Library, Regional Geography, v. 5) Ford Motion Picture Laboratories. 1921. 1 reel.

MOUNT RAINIER. (Ford Educational Library, Regional Geography of United States) Ford Motion Picture Laboratories. 1922. 1 reel.

Credits: Produced and directed by Piero Antonio Gariazzo, Armando Vay.

MOUNT VERNON. (World on Parade, no. 8) 1937. 1 reel.

Credits: Text, Harold McCracken; narrator, Alois Havrilla.

MOUNTAIN BLOOD. Big U. 1916. 1 reel.

Credits: Fred Burns; director, George Cochrane.

MOUNTAIN BUILDING. Produced by Erpi Picture Consultants, Inc., in cooperation with the University of Chicago and the National Park Service. 1935. 1 reel, sd.

Credits: Carey Croneis.

MOUNTAIN EARS. (A Color Rhapsody) Presented by Columbia Pictures Corp. 1939. 1 reel, sd., color.

Credits: Director, Manny Gould; animation, Ben Harrison; music, Joe DeNat.

A MOUNTAIN EUROPA. SEE A Cumberland Romance.

MOUNTAIN JUSTICE. Rex. 1915. 2 reels.

Credits: Producer, Jos. De Grasse; story, Julius G. Furthmann; scenario, Ida May Park.

MOUNTAIN JUSTICE. 1930. 6 reels, sd.

Credits: Director, Harry J. Brown; story, Bennett Cohen.

MOUNTAIN JUSTICE. 1936. 10 reels.

Credits: Director, Michael Curtiz; original screenplay, Norman Reilly Raine, Luci Ward.

THE MOUNTAIN LAW. 1914. 2,000 ft.

MOUNTAIN LION. SEE The Cougar.

MOUNTAIN MADNESS. 1920. 5 reels.

Credits: Director, Lloyd Carleton; story, Anna Alice Chapin.

Credits: Director, Reaves Eason.

MOUNTAIN MELODIES. 1930. 1 reel, sd.

Credits: Director, Robert C. Bruce; story, Richard Cameron.

A MOUNTAIN MELODY. Rex. 1915. 1 reel.

Credits: Producer, Joseph De Grasse; scenario, Maude Thomas.

MOUNTAIN MELODY. (A Song Hit Story) Educational Films Corp. of America. Presented by E. W. Hammons. 1934. 920 ft., sd.

Credits: Supervision, Al Christie; director, William Watson; story, Bert Granet; editor, Sam Citron; musical supervision, Ferde Grofé.

MOUNTAIN MOLLY O. Mustang. 1926. 2 reels.

Credits: Director, John O'Brien; story, Joseph Lorne Kelly; continuity, William Lester.

MOUNTAIN MUSIC. 1933. 2 reels.

Credits: Producer, Warren Doane; director, W. P. Hackney; story, B. Vernon Smith; editor, Walter Waddell.

MOUNTAIN MUSIC. Presented by Adolph Zukor. 1937. 8 reels, sd.

Credits: Producer, Benjamin Glazer; director, Robert Florey; story, McKinlay Kantor; screenplay, John C. Moffitt, Duke Atteberry, Russel Crouse, Charles Lederer; editor, Eda Warren; music director, Boris Morros; music and lyrics, Sam Coslow.

MOUNTAIN RHYTHM. 1939. 6 reels, sd.

Credits: Associate producer, Harry Grey; director, B. Reeves Eason; original story, Connie Lee; screenplay, Gerald Geraghty; film editor, Lester Orlebeck; music supervision, Raoul Kraushaar.

A MOUNTAIN ROMANCE. (Terry Toons) Presented by E. W. Hammons. 1938. 591 ft., sd.

Credits: Paul Terry, Mannie Davis; music, Philip A. Scheib.

A MOUNTAIN TRAGEDY. Bison. 1916. 2 reels.

Credits: Calder Johnstone; producer, George Cochrane.

THE MOUNTAIN WOMAN. 1921. 6 reels. From the novel "A Pagan of the Hills" by Charles Neville Buck.

Credits: Director, Charles Giblyn; scenario, Ashley T. Locke.

THE MOUNTAINEERS. 1913. 1 reel.

Credits: Bannister Merwin.

MOUNTAINS OF MANHATTAN. Gotham. Presented by Sam Sax. 1927. 6 reels.

Credits: Production manager, Glenn Belt; director, James P. Hogan; story and continuity, Herbert C. Clark; film editor, Edith Wakeling.

THE MOUNTEBANK. SEE The Side Show of Life.

MOUNTED FURY. Presented by George W. Weeks. 1931. 5,876 ft.

Credits: Supervision, Roy Davidge; director, Stuart Paton; story and continuity, Betty Burbridge.

MOUNTED POLICE QUINTETTE IN THE NORTHERN PATROL. 1928. 1 reel.

THE MOUNTED STRANGER. 1930. 6 reels. From the story "The Ridin' Kid from Powder River" by Henry H. Knibbs.

Credits: Director, Arthur Rosson.

THE MOUSE EXTERMINATOR. (A Phantasy Cartoon) Presented by Columbia Pictures Corp. 1939. 589 ft., sd.

Credits: Story, Allen Rose; animation, Harry Love; music, Joe De Nat.

THE MOUSE TRAPPER. (Tom Howard Comedies) 1932. 12 min.

Credits: Director, Aubrey Scotto; story, Warren Murray; dialogue staged by Max E. Hayes.

THE MOUSE'S BRIDE. 1928. 1 reel.

Credits: Paul Terry, John Foster.

THE MOUTH OF THE DRAGON. SEE The Perfect Flapper.

THE MOUTHPIECE. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1932. 9 reels. From the play by Frank Collins.

Credits: Directors, James Flood, Elliott Nugent; screenplay, Joseph Jackson; adaptation and dialogue, Earl Baldwin.

MOVE ALONG. (Hamilton Comedies) 1926. 2 reels.

Credits: Written and directed by Norman Taurog.

MOVE OVER. 1917. Nestor. 1 reel.

Credits: Produced and directed by Roy Clements; story, Frederick A. Palmer.

A MOVIE BUG. 1920. 1 reel.

Credits: Director, Vin Moore; story, Maynard Laswell.

MOVIE CRAZY. 1932. 10 reels.

Credits: Director, Clyde Bruckman; story, Agnes Christine Johnston, John Grey, Felix Adler; screenplay and dialogue, Vincent Lawrence.

MOVIE DAZE. (Hal Roach All Star Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, William Terhune.

MOVIE FANS. 1920. 2 reels.

Credits: Supervision and photoplay, Mack Sennett; director, Earl Kenton.

MOVIE FANS. 1923. 2 reels.

A MOVIE FANTASY. 1923. 1 reel.

A MOVIE HERO. Century. 1920. 2 reels.

Credits: Written and directed by Fred C. Fishback.

THE MOVIE HOUND. (Cameo Comedy) 1927. 1 reel.

Credits: Director, Mark Sandrich.

MOVIE MAD. (A Flip the Frog Cartoon) 1931. 1 reel.

A MOVIE MAD MAID. 1924. 2 reels.

Credits: Director, Al Herman.

MOVIE MADNESS. Century. 1926. 2 reels.

Credits: Director, Francis Corby; story, Tad Ross.

THE MOVIE MAN. SEE Charles Rogers in The Movie Man.

MOVIE—MANIA. 1937. 2 reels, sd.

Credits: Director, Joseph Henabery.

MOVIE MANIACS. 1936. 2 reels, sd.

Credits: Producer, Jules White; director, Del Lord; story and screenplay, Felix Adler; film editor, William Lyon.

MOVIE MELODIES ON PARADE. 1936. Presented by Adolph Zukor. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky and Fred Rath.

MOVIE MEMORIES. The Vitaphone Corp. 1934. 1 reel, sd.

Credits: Dialogue, Jack Henley, Glen Lambert; editor, Bert Frank.

MOVIE MEMORIES. (Pepper Pot Novelty) 1935. 1 reel.

Credits: Walter Anthony; dialogue, Ralph Staub.

MOVIE MILESTONES. (Paramount Varieties) Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Commentary, Bert Enis; narrator, Norman Brokenshire.

MOVIE MILESTONES; no. 2. (Paramount Varieties) 1936. 1 reel.

Credits: Commentary, H. A. Woodmansee; narrator, Alois Havrilla.

A MOVIE MIX-UP. (Star Comedy) 1922. 1 reel.

Credits: Story, scenario, and direction, Craig Hutchinson.

A MOVIE MUSIC COURSE ON THE HAWAIIAN GUITAR. 1929. 1 reel.

A MOVIE MUSIC COURSE ON THE HAWAIIAN VIOLIN. 1929. 1 reel.

MOVIE NIGHT. (Hal Roach Comedy) 1929. 2 reels, b&w.

Credits: Director, Lew Foster; story, Leo McCarey; titles, H. M. Walker; editor, Richard Currier.

MOVIE PHONEY NEWS. (Oswald the Rabbit) 1938. 1 reel, sd.

Credits: Producer, Walter Lantz; director, Alex Lovy; story, Victor McLeod, Win Smith; animation, LaVerne Harding, George Dane.

THE MOVIE QUEEN. Nestor. 1919. 1 reel.

Credits: Story, Harry Wulze.

A MOVIE RIOT. 1919. 2 reels.

Credits: Director, C. Hutchinson.

A MOVIE ROMANCE. SEE A Girl's Folly.

MOVIE SIDESHOW. (Paramount Varieties) Presented by Adolph Zukor. 1935. 1 reel, sd.

A MOVIE STAR. 1916. 2 reels.

MOVIE STRUCK. (Star Comedy) 1921. 1 reel.

Credits: Director, Ward Hayes.

MOVIE STRUCK. (A Scrappy Cartoon) Presented by Columbia Pictures Corp. 1933. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; musical score, Joe de Nat.

MOVIE-TOWN. 1931. 17 min., sd.

Credits: Director, Mack Sennett; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy.

THE MOVIE TRAIL. 1921. 2 reels.

Credits: Producer, Charles Thompson; story and scenario, George Morgan.

A MOVIE TRIP THROUGH FILM LAND. 1921. 2 reels.

MOVIELAND. (Lupino Lane Comedies) 1926. 2 reels.

Credits: Written and directed by Norman Taurog.

THE MOVIES. (Hamilton Comedies) 1925. 2 reels.

Credits: Director, William Goodrich.

MOVIES AS THEY SHOULDN'T BE. SEE Goodness Gracious.

MOVIETONE FOLLIES OF 1929. SEE William Fox Movietone Follies of 1929.

MOVIETONE FOLLIES OF 1930. 1930. 7,522 ft., sd.

Credits: Associate producer, A.L. Rockett; director, Benjamin Stoloff; story and dialogue, William K. Wells; editor, Clyde Carruth.

MOVIETONE NEWS. 1937-39. 1 reel each, unless otherwise indicated, sd. For preceding issues SEE Fox Movietone News.

Volume 19, 1936/37.

46. © 18Feb37; MP7304.

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Volume 20, 1937/38.

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Volume 21, 1938/39.

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Volume 22, 1939/40.

MOVING. 1917. 1 reel.

Credits: Producer, Harry Jackson; story, Thomas J. Gray.

MOVING DAY. Nestor. 1917. 1 reel.

Credits: Director, Louis William Chaudet; story, Eddie Lyons, Lee Moran; scenario, Frederick A. Palmer.

MOVING DAY. 1926. 2 reels.

Credits: Supervision, George E. Marshall; director, Albert Ray; story, Mabel Herbert Urner; adaptation, Catherine Carr.

MOVING DAY. (Walt Disney Mickey Mouse) 1936. 1 reel.

MOVING DAY. SEE Frank Hunter and Company in Moving Day.

THE MOVING FINGER. Rex. 1916. 1 reel.

Credits: Constance Crawley and Arthur Maude; director, Donald MacDonald.

MOVING MELODIES. 1935. 1 reel, sd.

Credits: Director, Joseph Henabery; story, A. Dorian Otvos.

MOVING MELODIES. (A Pepper Pot) 1935. 10 min., sd.

Credits: Director, Joseph Henabery; story, A. Dorian Otvos.

THE MOVING PICTURE COWBOY. 1914. 2,000 ft.

Credits: Written and produced by Tom Mix.

MOVING VANITIES. 1939. 17 min., sd.

Credits: Producer, Bert Gilroy; director, Louis Brock; story, Berne Giler; film editor, Les Millbrook.

MUCH MYSTERY. (Mermaid Comedies) 1926. 2 reels.

Credits: Producer, Jack White; director, Stephen Roberts.

A MUCH NEEDED LESSON. 1915. 1 reel.

A MUCH NEEDED REST. National Film Corp. of America. Presented by Capitol Comedies. 1920. 2 reels.

Credits: Written and directed by Mark Goldaine.

MUCH OBLIGED. Black Cat. 1917. 29 min.

Credits: Director, Fred E. Wright; story, Edward T. Lowe, Jr.

MUCHLY MARRIED. Joker. 1916. 1 reel.

Credits: Producer, Allen Curtis; scenario, Aaron E. Bishop.

MUD AND MATRIMONY. 1915. Split reel.

MUD AND SAND. 1923. 3 reels.

Credits: Director, Gil Pratt.

THE MUD LARK. SEE The Purchase Price.

THE MUD TURTLE. SEE City Girl.

MUDDLED UP. Bluebird. 1925. 1 reel.

Credits: Director, Richard Smith.

A MUDDY BRIDE. 1921. 2 reels.

MUDDY WATERS. SEE Headline Shooter.

MUFF. 1914. 1 reel.

Credits: Producer, Norval MacGregor.

MUGGINS. Victor. 1916. 1 reel.

Credits: Producer, Clifford S. Elfelt; story, Harvey Gates; scenario, Fred Myton.

MULE MATES. Joker. 1917. 1 reel.

Credits: Director, William Beaudine; story and scenario by Jack Cunningham.

MULES AND MORTGAGES. 1919. 2 reels.

Credits: Direction and story, Jay A. Howe.

THE MULE'S DISPOSITION. (Unnatural History Comedy) 1926. 1 reel.

Credits: Director, Walt Lantz.

MULHALL'S GREAT CATCH. Released by F. B. O. 1926. 5 reels.

Credits: Director, Harry Garson; story, Gerald Beaumont; screen adaptation, Rex Taylor; continuity, Jefferson Moffitt.

THE MUMMY. 1923. 2 reels.

Credits: Director, Norman Taurog.

THE MUMMY. 1932. 8 reels.

Credits: Director, Karl Freund; story, Nina Wilcox Putnam, Richard Schayer; screenplay, John L. Balderston.

MUMMY LOVE. (Blue Ribbon Comedy) 1926. 2 reels.

Credits: Producer, Joe Rock.

MUMMY'S BOYS. 1936. 68 min., sd.

Credits: Producer, Lee Marcus; director, Fred Guiol; story, Jack Townley, Lew Lipton; screenplay, Jack Townley, Philip G. Epstein, Charles Roberts; editor, John Lockert; music director, Roy Webb.

MUMPS. Victor. 1915. 1 reel.

MUM'S THE WORD. Star Comedy. 1918. 1 reel.

Credits: Producers and directors, Eddie Lyons, Lee Moran; story, Leslie T. Peacocke.

MUM'S THE WORD. National Film Corp. of America. Released through Goldwyn Distributing Corp. 1920. 2 reels.

Credits: Director, Mark Goldaine; story, Harry Wulze.

MUM'S THE WORD. 1927. 2 reels, b&w.

Credits: Director, Eugene J. Forde; story, Louis Breslow, Arthur Greenlaw.

THE MUNICIPAL BAND WAGON. 1932. 1 reel, sd.

Credits: Director, Roy Mack.

A MUNICIPAL REPORT. SEE I Will Repay.

A MUNITIONS WORKER'S CURSE. Nestor. 1917. 1 reel.

Credits: Craig Hutchinson; scenario, C. B. Hoadley.

MURDER. (U. F. A. Oddity) U. F. A. 1928. 1 reel.

Credits: Edited and titled by Edward Bowes.

MURDER. (U. F. A. Oddity) UFA. 1929. 1 reel.

Credits: Edited and titled by Edward Bowes.

MURDER. 1930. 10 reels, sd. From the story "Enter Sir John" by Clarence Dane [pseud. of Winifred Ashton] and Helen Simpson.

Credits: Director, Alfred Hitchcock; scenario, Alma Reville; film edited by Rene Harrison under the supervision of Emile de Ruelle.

MURDER AT DAWN. 1932. 6 reels, sd.

Credits: Director, Richard Thorpe; story, continuity, and dialogue, Barry Barringer.

MURDER AT GLEN ATHOL. 1935. 7 reels. From the story by Norman Lippincott.

Credits: Director, Frank R. Strayer; adaptation and screenplay, John W. Kraft.

MURDER AT MIDNIGHT. 1931. 7 reels, sd.

Credits: Producer, Phil Goldstone; director, Frank Strayer; story, W. Scott Darling, Frank Strayer; dialogue, W. S. Darling; editor, John Rawlins.

MURDER AT THE BRIDGE TABLE. (Ely Culbertson in My Bridge Experiences) 1933. 2 reels, sd.

Credits: Supervision, Lou Brock; director, Sam White.

MURDER AT THE VANITIES. 1934. 10 reels, sd. Based on the play by Earl Carroll and Rufus King.

Credits: Producer, E. Lloyd Sheldon; director, Mitchell Leisen; screenplay, Carey Wilson, Joseph Gollomb; dialogue, Sam Hellman; music, Arthur Johnston.

MURDER BY AN ARISTOCRAT. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1936. 7 reels.

Credits: Director, Frank McDonald; story, Mignon G. Eberhart; screenplay, Luci Ward, Roy Chanslor.

MURDER BY THE CLOCK. 1931. 6,684 ft., sd. From the story by Rufus King and the play by Charles Beahan.

Credits: Director, Edward Sloman; adaptation, Henry Myers.

MURDER GOES TO COLLEGE. Presented by Adolph Zukor. 1937. 8 reels, sd. Based on the novel by Kurt Steel [pseud. of Rudolph Kagey].

Credits: Director, Charles Riesner; screenplay, Brian Marlow, Robert Wyler, Eddie Welch; film editor, Edward Dmytryk.

MURDER IN A CHINESE THEATRE. SEE Mad Holiday.

MURDER IN GREENWICH VILLAGE. 1937. 7 reels, sd.

Credits: Director, Albert S. Rogell; story, Robert T. Shannon; screenplay, Michael L. Simmons; film editor, Dick Fantl; music director, Morris Stoloff.

MURDER IN SWINGTIME. 1937. 1 reel, sd.

Credits: Director, Arthur Dreifuss; story, dialogue, and dialogue direction, Edna Edson; music score, Rose Di Maggio.

MURDER IN THE CLOUDS. Presented by First National Productions Corp. and The Vitaphone Corp. 1934. 7 reels, sd.

Credits: Director, D. Ross Lederman; story and screenplay, Roy Chanslor, Dore Schary.

MURDER IN THE FLEET. 1935. 7 reels, sd.

Credits: Producer, Lucien Hubbard; director and original story, Edward Sedgwick; screenplay, Frank Wead, Joe Sherman; film editor, Conrad Nervig.

MURDER IN THE GILDED CAGE. SEE The Secret Witness.

MURDER IN THE PRIVATE CAR. 1934. 7 reels, sd., b&w. From the play "The Rear Car" by Edward E. Rose.

Credits: Producer, Lucien Hubbard; director, Harry Beaumont; screenplay, Ralph Spence, Edgar Allan Woolf, Al Boasberg; adaptation, Harvey Thew; film editor, William S. Gray.

MURDER IN THE SURGERY. SEE Mystery of the White Room.

MURDER IN TRINIDAD. 1934. 6,800 ft., sd. From the novel by John W. Vandercook.

Credits: Director, Louis King; screenplay, Seton I. Miller; music director, Samuel Kaylin; editor, Al DeGaetano.

MURDER IN YOUR EYES. 1934. 2 reels, sd.

Credits: Director, Roy Mack; story, A. Dorian Otvas, Eddie Moran.

MURDER IS NEWS. 1939. 6 reels, sd.

Credits: Director, Leon Barsha; story, Theodore A. Tinsley; screenplay, Edgar Edwards.

THE MURDER MAN. 1935. 7 reels, sd., b&w.

Credits: Producer, Harry Raph; director, Tim Whelan; story, Tim Whelan, Guy Bolton; screenplay, Tim Whelan, John C. Higgins; film editor, James E. Newcom.

THE MURDER OF DR. HARRIGAN. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1935. 7 reels, sd.

Credits: Director, Frank MacDonald; story, Mignon G. Eberhart; screenplay, Peter Milne, Sy Bartlett; dialogue, Charles Belden.

THE MURDER OF STEVEN KESTER. SEE Green Eyes.

MURDER ON A BRIDLE PATH. 1936. 66 min., sd. From the novel by Stuart Palmer.

Credits: Associate producer, William Sistrom; directors, Edward Killy, William Hamilton; screenplay, Dorothy Yost, Thomas Lennon, Edmund North, James Gow; editor, Jack Hively; music director, Roy Webb.

MURDER ON A HONEYMOON. 1935. 8 reels, sd. From the novel "The Puzzle of the Pepper Tree" by Stuart Palmer.

Credits: Producer, Kenneth MacGowan; director, Lloyd Corrigan; screenplay, Seton I. Miller, Robert Benchley; music director, Albert Colombo; editor, William Morgan.

MURDER ON DIAMOND ROW. Presented by Alexander Korda. Released through United Artists. 1937. 8 reels, sd. From "The Squeaker" by Edgar Wallace.

Credits: Director, William K. Howard; screenplay, Edward O. Berkman; scenario, Bryan Wallace; editors, Jack Dennis, Russell Lloyd; music score, Miklos Rozsa; music director, Muir Mathieson.

MURDER ON SUNSET BOULEVARD. SEE The Sunset Strip Case.

MURDER ON THE BLACKBOARD. 1934. 7 reels, sd. From the Mystery Magazine serial by Stuart Palmer.

Credits: Associate producer, Kenneth MacGowan; director, George Archainbaud; screenplay, Willis Goldbeck; editor, Archie F. Marshek; music director, Max Steiner.

MURDER ON THE CAMPUS. 1934. 7 reels, sd. Adapted from the novel "The Campanile Murders" by Whitman Chambers.

Credits: Director, Richard Thorpe; continuity, Andrew Moses.

THE MURDER ON THE ROOF. 1930. 6 reels. From the story by Edward Doherty.

Credits: Producer, Harry Cohn; director, George B. Seitz; adaptation and dialogue, F. Hugh Herbert.

MURDER WILL OUT. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Jules White.

MURDER WILL OUT. First National and Vitaphone. 1930. 7 reels, sd. Adapted from the story "The Purple Hieroglyph" by Murray Leinster [pseud. of William Fitzgerald Jenkins].

Credits: Director, Clarence Badger; adaptation, J. Grubb Alexander.

MURDER WILL OUT. Trailer. 1930. 1 reel, sd.

MURDER WITH PICTURES. Presented by Adolph Zukor. 1936. 7 reels, sd.

Credits: Producer, A. M. Botsford; director, Charles Barton; story, George Harmon Coxe; screenplay, John C. Moffitt, Sidney Salkow.

MURDER WITH RESERVATIONS. (Broadway Brevity) 1938. 20 min., sd.

Credits: Director, Roy Mack; story, Cyrus Wood, Jack Henley.

MURDERED BY MISTAKE. 1916. 2 reels.

Credits: Supervision, J. G. Blystone; director, Craig Hutchinson.

Credits: Adaptation, Sol. A. Rosenberg.

MURDERS IN THE RUE MORGUE. 1932. 6 reels. Based on the story by Edgar Allan Poe.

Credits: Director, Robert Florey.

MURDERS IN THE ZOO. 1933. 7 reels, sd.

Credits: Philip Wylie, Seton I. Miller; director, Edward Sutherland.

MURPHY AND THE MERMAIDS. 1914. 1 reel.

MUSCLE MARVELS. (A Grantland Rice Sportlight) Presented by Amédée J. Van Beuren. 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

MUSCLES. (Eastman Classroom Films. Health Series. Physiology) Made in Cooperation with the Dept. of Biology and Public Health, Massachusetts Institute of Technology. 1931. 981 ft.

MUSCLES AND MERRIMENT. 1915. 1/2 reel.

THE MUSEUM. 1930. 1 reel.

MUSH AGAIN. (Sunny Jim Talkie) 1929. 2 reels, sd.

Credits: Director, Harold Beaudine.

MUSH AND MILK. (A Hal Roach Our Gang Comedy) 1933. 2 reels, sd., b&w.

Credits: Producer and director, Robert McGowan; editor, Louis McManus.

MUSHROOMS. 1934. 2 reels, sd.

Credits: Director, Ralph Staub; story, Dolph Singer, Jack Henley.

MUSIC AND FLOWERS. Mentone. 1938. 2 reels, sd.

Credits: Supervision, Harold Godsoe; director, Milton Schwarzwald; dialogue, Sands & Wilson; orchestrations, Jack Schaindlin.

MUSIC & MODELS. Mentone. 1938. 2 reels, sd.

Credits: Director, Milton Schwarzwald.

THE MUSIC BOX. (A Hal Roach Subject) Presented by Hal Roach. 1932. 3 reels, sd., b&w.

Credits: Director, James Parrott; dialogue, H. M. Walker; editor, Richard Currier.

MUSIC BY MORGAN. Presented by Adolph Zukor. 1937. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky.

MUSIC FIENDS. Presented by William Fox. 1929. 3 reels.

Credits: Director, Harry Sweet; story and scenario by Clark & McCullough; film editor, Albert C. Dripps.

MUSIC FOR MADAME. 1937. 8 reels, sd.

Credits: Producer, Jesse L. Lasky; director, John Blystone; original story, Robert Harari; screenplay, Gertrude Purcell, Robert Harari; music director, Nathaniel Shilkret.

MUSIC FROM THE STARS. Educational Films Corp. of America. Treasure Chest. Presented by E. W. Hammons. 1938. 1 reel, sd.

Credits: Producer, B. E. Norrish; director, Gordon Sparling.

MUSIC-GLORIFIED, CLASSIFIED, AND MORTIFIED. SEE Coscia and Verdi in Music-Glorified, Classified, and Mortified.

THE MUSIC GOES 'ROUND. 1936. 9 reels, sd.

Credits: Director, Victor Schertzinger; story, Sidney Buchman; screenplay, Jo Swerling; film editor, Gene Milford; music director, Howard Jackson.

MUSIC HATH CHARMS. Metro-Drew. 1917. 1 reel.

Credits: Ruth Lloyd Kinney; written and produced by Mr. and Mrs. Drew.

MUSIC HATH CHARMS. (Oswald Rabbit) 1936. 1 reel, sd.

Credits: Producer, Walter Lantz; story, Walter Lantz, Victor McLeod.

MUSIC HATH CHARMS. SEE Ann Codee and Frank Orth in Music Hath Charms.

MUSIC HATH CHARMS—NOT. 1914. 1 reel.

Credits: Producer, Harry Jackson.

MUSIC HATH HARMS. (A Paramount-Christie Talking Play) 1929. 2 reels.

Credits: Director, Walter Graham; story, Octavus Roy Cohen; screen adaptation, Alfred A. Cohn.

MUSIC IN FLATS. 1915. 1 reel.

Credits: Howard Lester; director, Charles Ranson.

MUSIC IN THE AIR. 1934. 7,474 ft., sd.

Credits: Director, Joe May; screenplay, Howard I. Young, Billie Wilder; continuity, Robert Liebmann; music director, Louis de Francesco.

MUSIC IN YOUR HAIR. (Hal Roach Musical Comedy) 1934. 2 reels, sd.

Credits: Director, Charles Parrott; film editor, Louis McManus.

MUSIC IS MAGIC. Presented by Fox Film. 1935. 6,000 ft., sd. Based on play by Gladys Unger and Jesse Lasky, Jr.

Credits: Director, George Marshall; screenplay, Edward Eliscu, Lou Breslow; music director, Samuel Kaylin.

MUSIC LAND. (Walt Disney Silly Symphony) 1935. 1 reel.

THE MUSIC LESSON. (A Flip the Frog Cartoon) 1932. 1 reel, sd.

MUSIC MADE SIMPLE. Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Roy Rowland.

THE MUSIC MAKERS. SEE Willie and Eugene Howard in The Music Makers.

THE MUSIC MASTER. Presented by William Fox. 1927. 8 reels. From the David Belasco play written for the stage by Charles Klein.

Credits: Director, Allan Dwan; adaptation, Philip Klein.

MUSIC, MUSIC EVERYWHERE. Presented by Adolph Zukor. 1936. 1 reel, sd.

Credits: Director, Fred Waller; script, Milton Hocky, Fred Rath; music, Clyde Lucas.

MUSIC OVER BROADWAY. Presented by Adolph Zukor. 1936. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky, Fred Rath; music, George Hall.

THE MUSIC RACKET. SEE Lee Morse in The Music Racket.

THE MUSIC SHOP. SEE Dick Henderson in The Music Shop.

MUSIC THROUGH THE YEARS. 1939. 1 reel, sd.

Credits: Director, Leslie Roush; continuity, Justin Herman.

MUSIC TO MY EARS. 1932. 1 reel, sd.

Credits: Director, Roy Mack.

MUSIC WILL TELL. 1938. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Jean W. Yarbrough; story, Jean W. Yarbrough, Richard English; film editor, Les Millbrook.

MUSIC WITH A SMILE IN THE HAPPY FELTON STYLE. (Melody Master) 1938. 10 min., sd.

Credits: Director, Lloyd French.

MUSICAL AIRWAYS. Mentone. 1936. 1 reel, sd.

Credits: Director, Milton Schwarzwald.

THE MUSICAL BARBER. 1916. 1 reel.

Credits: Producer, Edmond Stratton.

MUSICAL CHARMERS. Presented by Adolph Zukor. 1936. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky, Fred Rath.

MUSICAL COCKTAIL. Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Director, George M. Arthur.

THE MUSICAL DOCTOR. 1932. 1 reel, sd.

Credits: Director, Ray Cozine; story and music, Samuel Timberg, Samuel Lerner.

MUSICAL FARMER. (Mickey Mouse, no. 27) 1932. 1 reel.

MUSICAL FASHIONS. Presented by Adolph Zukor. 1936. 1 reel, sd.

Credits: Director, Fred Waller; script, Milton Hocky, Fred Rath; music, Ina Ray Hutton.

A MUSICAL JOURNEY TO SOUTH AMERICA. 1937. 1 reel, sd.

Credits: Director, Joseph Henabery.

MUSICAL JUSTICE. 1931. 1 reel, sd.

Credits: Director, Aubrey Scott; story and music, Samuel Lerner, Samuel Timberg.

MUSICAL MADNESS. Joker. 1916. 1 reel.

Credits: Harry Wulze; director, William Beaudine.

MUSICAL MEMORIES. 1935. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Roland Crandall.

MUSICAL MOMENTS. SEE The Four Synco-Pets in Musical Moments.

MUSICAL MOODS. SEE Horace Heidt and His Californians in Musical Moods.

MUSICAL MOUNTAINEERS. 1939. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Thomas Johnson, Harold Walker.

A MUSICAL OPERATION. 1937. 2 reels, sd.

Credits: Director, Roy Mack.

THE MUSICALE. SEE Al Trahan in The Musicale.

A MUSICALE MELANGE. SEE The Kjerulf's Mayfair Quintette in A Musicale Melange.

MUSS 'EM UP. 1936. 8 reels, sd. From the novel by James Edward Grant.

Credits: Producer, Pandro S. Berman; director, Charles Vidor; screenplay, Erwin Gelsey; editor, Jack Hively; music director, Roy Webb.

MUSSOLINI SPEAKS. 1933. 7 reels.

Credits: Described and interpreted by Lowell Thomas; edited and compiled by Jack Cohn.

MUSTACHES AND BOMBS. 1915. 1 reel.

MUSTANG PETE'S PRESSING ENGAGEMENT. 1915. 1 reel.

MUTINY. Imp. 1916. 1 reel.

Credits: Ben Cohn; producer, Jay Hunt.

MUTINY. 1917. 5 reels.

Credits: Written and directed by Lynn F. Reynolds.

THE MUTINY. C. E. Shurtleff, Inc. 1920. 6 reels. From the story "The Mutiny of the Elsinore" by Jack London.

Credits: Director, Edward Sloman; adaptation, Albert Shelby Le Vino.

MUTINY AHEAD. 1935. 7 reels, sd.

Credits: Producer, Larry Darmour; director, Tommy Atkins; original story, Stuart Anthony.

MUTINY AIN'T NICE. 1938. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, David Tendlar, William Sturm.

MUTINY IN THE BIG HOUSE. 1939. 9 reels, sd.

Credits: Associate producer, Grant Withers; director, William Nigh; original story, Martin Mooney; screenplay, Robert D. Andrews; film editor, Russell Schoengarth.

MUTINY IN THE JUNGLE. 1915. 1 reel.

Credits: Producer, Frank Beal.

THE MUTINY OF THE ELSINORE. SEE The Mutiny.

MUTINY ON THE BLACKHAWK. 1939. 8 reels, sd.

Credits: Associate producer, Ben Pivar; director, Christy Cabanne; original story, Ben Pivar; screenplay, Michael L. Simmons; film editor, Maurice Wright.

MUTINY ON THE BODY! 1939. 2 reels, sd.

Credits: Director, Charley Chase; original screenplay, Elwood Ullman, Searle Cramer.

MUTINY ON THE BOUNTY. 1935. 13 reels, sd., b&w. From the novel by Charles Nordhoff and James Norman Hall.

Credits: Producer and director, Frank Lloyd; screenplay, Talbot Jennings, Jules Furthman, Carey Wilson; film editor, Margaret Booth; musical score, Herbert Stothart.

MUTTS. Presented by Century Comedies. 1922. 2 reels.

Credits: Director, Fred Hibbard.

MUTTS AND MOTORS. 1918. 1 reel.

Credits: Scenario and direction, Lawrence Semon.

MUTTS TO YOU. 1938. 2 reels, sd.

Credits: Director, Charley Chase; story and screenplay, Elwood Ullman, Al Giebler.

THE MUTUAL MAN. 1933. 2 reels.

Credits: Directors, Hal Skelly, Barney Rogan; story, W. Carey Duncan, Hal Skelly.

A MUTUAL UNDERSTANDING. 1913. 1 reel.

Credits: J. H. Landau.

MY AMERICAN WIFE. Presented by Jesse L. Lasky. 1923. 6 reels. Based on the story by Hector Turnbull.

Credits: Monte M. Katterjohn; producer and director, Sam Wood.

MY AMERICAN WIFE. Presented by Adolph Zukor. 1936. 8 reels, sd. Based on the story "The Old Timer" by Elmer Davis.

Credits: Producer, Albert Lewis; director, Harold Young; screenplay, Virginia Van Upp.

MY ARTISTICAL TEMPERATURE. 1937. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Abner Matthews.

MY BABY DOLL. Century. 1924. 2 reels.

Credits: Written and directed by Edward I. Luddy.

MY BABY JUST CARES FOR ME. 1931. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer.

MY BAG O' TRIX. SEE Trixie Friganza in My Bag o' Trix.

MY BAREFOOT BOY. (Post Nature Pictures) 1921. 1 reel.

MY BEST GIRL. 1915. 5 reels. From the play by Channing Pollock and Rennold Wolf.

MY BEST GIRL. 1927. 9 reels. From the story by Kathleen Norris.

Credits: Director, Sam Taylor; screenplay, Allen McNeil, Tim Whelan; adaptation, Hope Loring.

MY BILL. First National. 1938. 7 reels. From the play "Courage" by Tom Barry.

Credits: Director, John Farrow; screenplay, Vincent Sherman, Robertson White.

MY BOY. First National. 1921. 5 reels.

Credits: Directors, Victor Heerman, Albert Austin; editor, Irene Morra.

MY CHILD. SEE Mon P'tit.

MY COUNTRY 'TIS OF THEE. 1916. 2 reels.

Credits: Charles Mortimer Peck; director, E. H. Calvert.

MY COUSIN. Artcraft. Presented by Adolph Zukor. 1918. 5 reels.

Credits: Director, Edward José; story and scenario, Margaret Turnbull.

MY DAD. 1922. 6 reels.

Credits: Director, Cliff Smith; story, Walter Richard Hall; scenario, E. Richard Schayer.

MY DEAR MISS ALDRICH. 1937. 8 reels, sd., b&w.

Credits: Director, George B. Seitz; original story and screenplay, Herman J. Mankiewicz; film editor, William S. Gray; music score, David Snell.

MY DOG PAL. Century. 1920. 2 reels.

Credits: Written and directed by Fred C. Fishback.

MY ERROR! (Mirthquake, no. 28) 1924. 2 reels.

Credits: Director, Eugene De Rue.

MY FOUR YEARS IN GERMANY. 1918. 9 reels. Based on the book by James W. Gerard.

Credits: Director, William Nigh; adaptation, Charles A. Logue.

MY FRIEND FROM INDIA. 1914. 3 reels.

MY FRIEND FROM INDIA. De Mille Pictures Corp. 1927. 6 reels. From the play by H. A. de Souchet.

Credits: Supervision, F. McGrew Willis; director, E. Mason Hopper; adaptation and continuity, Rex Taylor; film editor, James Morley.

MY FRIEND, THE DEVIL. 1922. 8 reels.

Credits: Director, Harry Millarde; story, George Ohnet; scenario, Paul H. Sloane.

MY FRIEND THE MONKEY. 1939. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Thomas Johnson, Frank Endres.

MY GAL SAL. (Screen Song Series) 1930. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Max Fleischer.

MY GIRL SALLY. (A Van Ronkel Comedy) 1935. 2 reels, sd.

Credits: Director, Alf Goulding; story, Raymond Cannon, Al Rondell.

MY GOODNESS. 1920. 2 reels.

Credits: Supervision and photoplay, Mack Sennett; director, Noel Smith.

MY GRANDFATHER'S CLOCK. (A Colortone Musical Comedy) 1934. 2 reels, sd., color.

Credits: Direction, screenplay, and lyrical continuity, Felix E. Feist; original story, Richard Goldstone.

MY GREEN FEDORA. (Merrie Melodie, no. 7) Released by Vitaphone. 1935. 1 reel, sd., b&w.

Credits: Producer, Leon Schlesinger; supervision, Isadore Freleng; animation, Robert Clampett, Charles Jones; music, Bernard Brown.

MY HAREM. (Ideal Talking Comedies) 1930. 20 min., sd.

Credits: Director, Stephen Roberts.

MY HEART IS CALLING. Gaumont British Picture Corp., Ltd., London. Released by Gaumont-British Distributors, Ltd. 1934. 7 reels. Adapted from a Cine-Alliance production.

Credits: Associate producer, Ivor Montagu; director, Carmine Gallone; original story, Ernst Marischka; scenario, Richard Benson; adaptation and dialogue, Sidney Gilliat; editor, Herbert Kemplen; musical director, Louis Levy.

MY HERO. 1922. 2 reels.

Credits: Directors, Eddie Lyons, Eugene De Rue; scenario, Bob McGowan.

MY HERO. 1922. 2 reels.

Credits: Director, Jack Blystone.

MY HERO. 1930. 1 reel.

MY HUSBAND. SEE The Story of Vernon and Irene Castle.

Credits: Director, J. Stuart Blackton.

MY HUSBAND'S WIFE. 1918. For Fox Film Corp. 2 reels.

Credits: Story, scenario, and direction, Harry Lehrman.

MY HUSBAND'S WIVES. 1924. 5 reels, b&w, tinted sequences.

Credits: Director, Maurice Elvey; story, Barbara La Marr; scenario, Dorothy Yost.

MY KID. (Juvenile Comedies) 1926. 2 reels.

Credits: Supervision, Jack White; director, Charles Lamont.

MY KINGDOM FOR A HEARSE. (Karnival Komedies, no. 7) 1928. 2 reels.

Credits: Producer, Larry Darmour; director, Albert Herman; story, E. V. Durling, W. H. Woodmansee.

MY LADY FRIENDS. 1921. 6 reels. From the stage play by Emile Nyitray and Frank Mandel.

Credits: Director, Lloyd Ingraham; adaptation, Rex Taylor.

MY LADY OF WHIMS. 1925. 7 reels. From the story "Protecting Prue" by Edgar Franklin [pseud. of Edgar Franklin Stearns].

Credits: Director, Dallas M. Fitzgerald; scenario, Doris Schroeder.

MY LADY'S ANKLE. (Star Comedy) 1920. 1 reel.

Credits: Director, Robert Anderson; story, Bernard McConville; scenario, Doris Schroeder.

MY LADY'S DRESS. SEE Blind Wives.

MY LADY'S GARDEN. (Paul Terry-Toons) Educational Pictures. Presented by E. W. Hammons. 1934. 562 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

MY LADY'S GARTER. Paramount-Artcraft. 1920. 5 reels. From the novel by Jacques Futrelle.

Credits: Director, Maurice Tourneur; scenario, Lloyd Lonergan.

MY LADY'S LATCHKEY. First National. 1921. 5 reels. From the novel "The Second Latchkey" by C. N. and A. M. Williamson.

Credits: Director, Edwin Carewe; scenario, Finis Fox.

MY LADY'S MILLIONS. Laemmle. 1916. 2 reels.

Credits: John C. Brownell; producer, Hobart Henley.

MY LADY'S PAST. 1929. 9 reels, si. & sd.

Credits: Director, Albert Ray; story and continuity, Frances Hyland; dialogue, Frederic and Fanny Hatton; music score, Hugo Riesenfeld.

MY LADY'S SLIPPER. 1916. 5 reels.

Credits: Director, Ralph Ince.

MY LIPS BETRAY. 1933. 7,177 ft., sd. From the play "Der Komet" by Attila Orbok.

Credits: Director, John Blystone; screenplay, Hans Kraly, Jane Storm; dialogue, S. N. Behrman; editor, Alex Troffey.

MY LITTLE BOY. 1917. 5 reels.

Credits: Director, Elsie Jane Wilson; story, Rupert Julian; scenario, Elliott J. Clawson.

MY LITTLE BROTHER. 1924. 1 reel.

Credits: Director, William Watson.

MY LITTLE BUCKAROO. (Merrie Melodies) 1937. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, I. Freleng; story, Ted Pierce; animation, Bob McKimson; music score, Carl W. Stalling.

MY LITTLE FELLER. 1937. 2 reels, sd.

Credits: Director, Charles Lamont; screenplay, Ewart Adamson.

MY LITTLE SISTER. 1919. 5 reels.

Credits: Scenario and direction, K. Buel; story, Elizabeth Robins.

MY LORD OF THE DOUBLE B. SEE The Lady From Hell.

MY LOST ONE. 1915. 3 reels.

Credits: Director, Harry Handsworth.

MY LUCKY STAR. 1938. 7,574 ft., sd.

Credits: Associate producer, Harry Joe Brown; director, Roy Del Ruth; story, Karl Tunberg, Don Ettlinger; screenplay, Harry Tugend, Jack Yellen; film editor, Allen McNeil; music director, Louis Silvers.

MY MADONNA. 1915. 5 reels. From "The Spell of the Yukon, and Other Verses" by Robert W. Service.

MY MAN. 1924. 7 reels. Adapted from the story "A Tale of Red Roses" by George Randolph Chester.

Credits: Director, David Smith; scenario, Donald Buchanan.

MY MAN. 1928. 12 reels.

Credits: Director, Archie L. Mayo; story, Mark Canfield; adaptation, Robert Lord.

MY MAN GODFREY. 1936. 10 reels, sd. Based on the novel by Eric Hatch.

Credits: Producer and director, Gregory La Cava; screenplay, Eric Hatch, Morrie Ryskind; film editor, Ted Kent.

MY MARRIAGE. 1936. 6,213 ft., sd.

Credits: Director, George Archainbaud; original screenplay, Frances Hyland; music director, Samuel Kaylin.

MY MEMORIES OF VERNON CASTLE. SEE The Story of Vernon and Irene Castle.

MY MISTAKE. 1922. 2 reels.

Credits: Directors, Eddie Lyons, Eugene DeRue; scenario, Bob McGowan.

MY MISTAKE. (The Excuse Maker Series) (Stern Brothers Comedy) 1927. 2 reels.

Credits: Director, Sam Newfield; story, William Anthony.

MY MUMMY'S ARMS. 1934. 2 reels, sd.

Credits: Director, Ralph Straub; story, Jack Henley, Justin Herman.

MY NEIGHBOR'S WIFE. 1926. 6 reels.

Credits: Director, Clarence Geldert; story, James Oliver Curwood.

MY OFFICIAL WIFE. 1914. 5 reels.

Credits: Director, James Young; picturized by Marguerite Bertsch.

MY OFFICIAL WIFE. 1926. 8 reels. From the play by A. C. Gunter.

Credits: Director, Paul L. Stein; adaptation, Graham C. Baker.

MY OLD DUTCH. Broadway Universal. 1915. 5 reels.

Credits: Arthur Shirley, Albert Chevalier; producer, Larry Trimble.

MY OLD DUTCH. Universal Jewel. 1926. 8 reels. From the play by Arthur Shirley and Albert Chevalier.

Credits: Director, Laurence Trimble.

MY OLD KENTUCKY HOME. Released by American Releasing Corp. 1922. 7 reels.

Credits: Producer and director, Ray C. Smallwood; original story, Anthony Paul Kelly.

MY OLD KENTUCKY HOME. Released through Monogram Pictures Corp. 1938. 8 reels, sd.

Credits: Producer, E. B. Derr; director, Lambert Hillyer; original story and screenplay, John T. Neville; film editor, Finn Ulback; music director, Abe Meyer.

MY OWN PAL. 1926. 6 reels, tinted.

Credits: Director, J. G. Blystone; story, Gerald Beaumont; scenario, Lillie Hayward.

MY OWN UNITED STATES. Frohman Amusement Corp. Presented by William L. Sherrill, Screen Classics, Inc. 1918. 8 reels.

Credits: Director, John W. Noble; story, Anthony Paul Kelly.

MY PAL. Century. 1923. 2 reels.

Credits: Written and directed by Al Herman.

MY PAL. 1925. 5 reels.

Credits: Director, Ward Hayes; story, Robert Walker, Ward Hayes.

MY PAL PAUL. (Walter Lantz Cartoon) 1930. 1 reel, sd.

MY PAL THE KING. 1932. 6 reels.

Credits: Director, Kurt Neumann; story, Richard Schayer; screenplay, Jack Natteford, Tom J. Crizer.

MY PAL THE PRINCE. (Greatest Composer Series) 1933. 2 reels, sd.

Credits: Director, Monte Price; story, Sig Herzig.

MY PAST. Warner Bros. & Vitaphone. 1931. 8 reels. Based on the novel "Ex-mistress" by Dora Macy [pseud. of Grace (Perkins) Oursler].

Credits: Director, Roy Del Ruth; screen adaptation and dialogue, Charles Kenyon.

MY PEOPLE. SEE Willie and Eugene Howard in My People.

MY PONY BOY. 1929. 1 reel.

Credits: Director, Dave Fleischer.

MY POP. 1938. 2 reels, sd.

Credits: Director, Lloyd French; story, Jack Henley, Eddie Forman.

MY SALOMY LIONS. Century. 1920. 2 reels.

Credits: Written and directed by Fred C. Fishback.

MY SECOND WIFE. SEE The Lady Escapes.

MY SIN. 1931. 8 reels, sd. Based on a play by Fred Jackson.

Credits: Direction and adaptation, George Abbott; screenplay, Owen Davis, Adelaide Heilbron.

MY SON. Presented by Edwin Carewe. 1925. 7 reels. An adaptation of the play by Martha Stanley.

Credits: Adaptation, Finis Fox.

MY SON IS A CRIMINAL. 1939. 6 reels, sd.

Credits: Director, C. C. Coleman, Jr.; original screenplay, Arthur T. Horman; film editor, Gene Havlick.

MY SONG FOR YOU. 1934. 7 reels, sd.

Credits: Associate producer, Jerome Jackson; director, Maurice Elvey; scenario, Richard Benson; dialogue, Austin Melford; editor, Charles Freud; music director, Louis Levy.

MY STARS. (Tuxedo Comedies) 1926. 2 reels.

Credits: Written and directed by William Goodrich.

MY SWEDIE. (Educational-Christie Comedies) 1926. 2 reels.

Credits: Director, Harry Beaudine; story, Sig Hersig.

MY TIME IS YOUR TIME. 1936. 1 reel.

MY TOMBOY GIRL. Victor. 1915. 2 reels.

Credits: Written and produced by Harry C. Myers.

MY UNMARRIED WIFE. 1917. 5 reels. Adapted from the book "Molly and I" by Frank R. Adams.

Credits: Director, George A. Siegmann; adaptation, Doris Schroeder.

Credits: Producer, Mack Sennett.

MY VALET. 1916. 3 reels.

MY WEAKNESS. 1933. 6,737 ft., sd.

Credits: Direction and continuity, David Butler; story and dialogue, B. G. De Sylva; editor, Irene Morra.

MY WEST. 1931. 1 reel.

Credits: Director, Robert C. Bruce.

MY WIFE. (Columbia-Victor Gems) 1929. 1 reel, sd.

Credits: Director, Basil Smith.

MY WIFE AND I. 1925. 7 reels. From the story by Harriet Beecher Stowe.

Credits: Director, Millard Webb; adaptation, Millard Webb, Julien Josephson.

MY WIFE, THE ADVENTURESS. SEE Meine Frau die Hochstaplerin.

MY WIFE'S GONE TO THE COUNTRY. 1931. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer.

MY WIFE'S JEWELRY. 1931. 1 reel, sd.

Credits: Director, Ray Cozine; story, Eddie Cantor; dialogue staged by Edward D. Dowling.

MY WIFE'S RELATIONS. Presented by Joseph M. Schenck. 1922. 2 reels.

Credits: Written and directed by Buster Keaton and Eddie Cline.

MY WIFE'S RELATIVES. 1939. 7 reels, sd.

Credits: Associate producer, Sol C. Siegel; director, Gus Meins; original story, Dorrell and Stuart McGowan; screenplay, Jack Townley; film editor, Ernest Nims; music director, Cy Feuer.

MY WILD IRISH ROSE. 1922. 7 reels. From the play "The Shaughraun" by Dion Boucicault.

Credits: Director, David Smith; adaptation, C. Graham Baker, Harry Dittmar.

MY WOMAN. 1933. 8 reels, sd.

Credits: Director, Victor Schertzinger; story and screenplay, Brian Marlow; music, Victor Schertzinger.

MYRA MEETS HIS FAMILY. SEE The Husband Hunter.

MYRT AND MARGE. 1933. 7 reels, sd.

Credits: Director, Al Boasberg; screenplay, Beatrice Banyard.

MYRTLE, THE MANICURIST. 1916. 3 reels.

Credits: Director, Harry Davenport.

LES MYSTÈRES DE PARIS. SEE The Mysteries of Paris.

MYSTERIES OF MAH JONG. 1924. 2 reels.

THE MYSTERIES OF MYRA. Wharton, Inc. 1916. 2 reels each, except no. 1 which is 3 reels. © International Film Service, Inc.

Credits: Story, Hereward Carrington, Charles W. Goddard.

THE MYSTERIES OF PARIS. SEE The Secrets of Paris.

THE MYSTERIOUS AVENGER. 1936. 6 reels, sd.

Credits: Director, David Selman; story, Peter B. Kyne; screenplay, Ford Beebe; film editor, Richard Cahoon.

THE MYSTERIOUS BEAUTY. 1914. 1,000 ft.

Credits: Producer, Norval MacGregor.

THE MYSTERIOUS BLACK BOX. 1914. 1,000 ft.

Credits: Producer, Norval MacGregor.

MYSTERIOUS CEYLON. SEE E. M. Newman's Mysterious Ceylon.

THE MYSTERIOUS CITY. (Dorsey Educational) Powers. 1917. 1/2 reel.

Credits: Director, Fred Wright; story, Charles Davey; scenario, Roy Somerville.

MYSTERIOUS CONTRAGRAV. Gold Seal. 1915. 2 reels.

Credits: Written and produced by Henry McRae.

MYSTERIOUS CROSSING. 1936. 6 reels, sd.

Credits: Associate producer, Val Paul; director, Arthur Lubin; story, Fred MacIsaacs; screenplay, Jefferson Parker, John Grey; film editor, Bernard W. Burton; music director, Charles Previn.

THE MYSTERIOUS DANCER. SEE Folly of Ambition.

THE MYSTERIOUS DR. FU MANCHU. 1929. 8 reels, si., 7,663 ft., sd.

Credits: George Marion, Jr.; director, Rowland V. Lee; story, Sax Rohmer [pseud. of Arthur Sarsfield Ward]; screenplay, Florence Ryerson, Lloyd Corrigan; film editor, George Nicholls, Jr.

THE MYSTERIOUS IRON RING. Gold Seal. 1917. 3 reels.

Credits: Director, Jack Wells; story, Jeanette Benedict.

THE MYSTERIOUS ISLAND. 1929. 10 reels, sd., color. From the book by Jules Verne.

Credits: Direction and screenplay, Lucien Hubbard; film editor, Carl L. Pierson; music, Martin Broones, Arthur Lange.

THE MYSTERIOUS JUG. (An Oswald Cartoon) 1937. 1 reel, sd.

Credits: Producer, Walter Lantz; story, Victor McLeod, James Miele.

THE MYSTERIOUS KISS. 1934. 2 reels, sd.

Credits: Director, Roy Mack; story, Eddie Moran, Cyrus Wood, A. Dorian Otvos.

THE MYSTERIOUS LADY. 1928. 9 reels, b&w. Based on the novel "War in the Dark" by Ludwig Wolff.

Credits: Director, Fred Niblo; continuity, Bess Meredyth; film editor, Margaret Booth.

THE MYSTERIOUS LADY BAFFLES AND DETECTIVE DUCK. SEE Lady Baffles and Detective Duck.

THE MYSTERIOUS LODGER. 1914.

Credits: Directors, Maurice Costello, Robert Gaillard.

THE MYSTERIOUS MISS TERRY. Paramount Pictures Corp. Presented by Adolph Zukor. 1917. 5 reels.

Credits: Director, J. Searle Dawley; story, Gelett Burgess.

THE MYSTERIOUS MISS X. 1939. 7 reels, sd.

Credits: Associate producer, Herman Schlom; director, Gus Meins; original story, George W. Yates; screenplay, Olive Cooper; film editor, Lester Orlebeck; music director, Cy Feuer.

MYSTERIOUS MR. DAVEY. 1914. 1 reel.

Credits: Director, William Drew.

MYSTERIOUS MR. MOTO. 1938. 5,672 ft., sd. Based on the character "Mr. Moto" created by John P. Marquand.

Credits: Director, Norman Foster; original screenplay, Philip McDonald, Norman Foster; music director, Samuel Kaylin.

THE MYSTERIOUS MR. TILLER. 1917. 5 reels.

Credits: Elliott J. Clawson; director, Rupert Julian.

THE MYSTERIOUS MR. WONG. 1935. 7 reels, sd. Suggested by the story "The Twelve Coins of Confucius" by Harry Stephen Keeler.

Credits: Supervision, George Yohalem; director, William Nigh; screenplay, Nina Howatt; adaptation. Lew Levinson; editor, Jack Ogilvie.

THE MYSTERIOUS MRS. M. 1917. 5 reels. From the story by Thomas Edgelow in Love Stories Magazine.

Credits: Director, Lois Weber.

MYSTERIOUS MOSE. 1930. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, Ted Sears.

THE MYSTERIOUS MYSTERY. 1932. 2 reels, sd.

Credits: Director, Eddie Cline; story, H.O. Kusell.

A MYSTERIOUS NIGHT. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Zion Myers.

THE MYSTERIOUS OUTLAW. Big U. 1917. 1 reel.

Credits: Direction and story, Fred A. Kelsey; scenario, Karl R. Coolidge.

THE MYSTERIOUS PACKAGE. 1914. 1 reel.

Credits: Ethel Browning; director, Charles M. Seay.

THE MYSTERIOUS PILOT. 1937-38. 2 reels each, except no. 1 which is 3 reels, sd. From the novel "The Silver Hawk" by William Byron Mowery. © Columbia Pictures Corp. of California, Ltd.

Credits: Director, Spencer Gordon Bennet; continuity, George Rosener, George M. Merrick.

THE MYSTERIOUS RIDER. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 6 reels. From the story by Zane Grey.

Credits: Director, John Waters; continuity, Fred Myton, Paul Gangelin.

THE MYSTERIOUS RIDER. 1933. 6 reels. From the story by Zane Grey.

Credits: Director, Fred Allen; screenplay, Harvey Gates, Robert N. Lee.

THE MYSTERIOUS RIDER. Presented by Adolph Zukor. 1938. 8 reels, sd. From the novel by Zane Grey.

Credits: Producer, Harry Sherman; director, Lesley Selander; screenplay, Maurice Geraghty.

THE MYSTERIOUS STRANGER. 1920. 2 reels.

Credits: Written and directed by Jess Robbins.

THE MYSTERIOUS STRANGER. 1925. 2 reels.

Credits: Director, Roy Del Ruth.

THE MYSTERIOUS WITNESS. 1923. 4,850 ft. From the story "The Stepsons of Light" by Eugene Manlove Rhodes.

Credits: Director, Seymour Zeliff.

THE MYSTERY BOX. 1922. 1 reel.

Credits: Written and directed by J. A. Norling.

Credits: Written and directed by Alvin J. Neitz.

THE MYSTERY CLUB. Universal Jewel. 1926. From the novel by Arthur Somers Roche.

Credits: Director, Herbert Blache.

THE MYSTERY GIRL. Paramount. Presented by Jesse L. Lasky. 1918. 5 reels. From the story "Green Fancy" by George Barr McCutcheon.

Credits: Director, William C. De Mille; adaptation, Marion Fairfax.

MYSTERY HOUSE. 1937. 6 reels. From a novel by Mignon G. Eberhart.

Credits: Director, Noel Smith; screenplay, Sherman L. Lowe, Robertson White.

THE MYSTERY IN THE NORTH CASE. 1917. 2 reels.

Credits: Victoria Norton; director, Brinsley Shaw; adaptation, Halmar Walton Bergman.

MYSTERY LINER. 1934. 7 reels, sd. From the story "The Ghost of John Holling" by Edgar Wallace.

Credits: Supervision, Paul Malvern; director, William Nigh; screenplay, Wellyn Totman.

THE MYSTERY MAN. 1935. 67 min., sd.

Credits: Director, Raymond McCarey; original story, Tate Finn; screenplay, John Krafft, Rollo Lloyd; adaptation, William A. Johnston; editor, Carl Pierson.

THE MYSTERY MANSION. 1928. 2 reels, b&w, blue sequences.

Credits: Written and directed by Harry Delf.

Credits: Directors, F. W. Sittenham, W. S. Davis; story and scenario, Arthur B. Reeve, John W. Grey.

Prologue, The Road to Yesterday.

1. The Hypnotic Clue.

2. The Fires of Fury.

3. The War of Wills.

4. The Fumes of Fear.

5. Thought Waves.

6. A Halo of Help.

7. The Nether World.

8. The Mystery Mind.

9. Dual Personality.

10. Hounds of Hate.

11. The Sleepwalker.

12. The Temple of the Occult.

13. The Binding Ray.

14. The Water Cure.

15. The Gold of the Gods.

MYSTERY MOUNTAIN. Presented by Nat Levine. 1934. 2 reels each, except no. 1 which is 3 reels, sd.

Credits: Supervision, Victor Zobel; directors, Otto Brower, B. Reeves Eason; original story, Sherman Lowe, Barney Sarecky, B. Reeves Eason; continuity, Ben Cohen, Armand Schaefer; film editors, Earl Turner, Walter Thompson.

1. The Battler.

2. The Man Nobody Knows.

3. The Eye That Never Sleeps.

4. The Human Target.

5. Phantom Outlaws.

6. The Perfect Crime.

7. Tarzan the Cunning.

8. The Enemy's Stronghold.

9. The Fatal Warning.

10. The Secret of the Mountain.

11. Behind the Mask.

12. The Judgement of Tarzan.

THE MYSTERY OF BRAYTON COURT. 1914. 1 reel.

Credits: Director, Maurice Costello, Robert Gaillard.

MYSTERY OF COMPARTMENT C. (True Detective Stories of Celebrated Cases) 1931. 2 reels, sd. From the records of Nick Harris.

Credits: Producer and director, Spencer Gordon Bennet; adaptation, George R. Rogan.

THE MYSTERY OF DEAD MAN'S ISLE. 1915. 1 reel.

Credits: Producer, Giles R. Warren; scenario, James Oliver Curwood.

MYSTERY OF EDWIN DROOD. Presented by Carl Laemmle. 1935. 9 reels, sd. From the story by Charles Dickens.

Credits: Producer, Carl Laemmle, Jr; director, Stuart Walker; screenplay, John L. Balderston, Gladys Unger; adaptation, Leopold Atlas, Bradley King; film editor, Edward Curtiss.

THE MYSTERY OF HENRI VILLARD. 1915. 2 reels.

THE MYSTERY OF LAKE LETHE. 1917. 1 reel.

Credits; Frank Lawrence, Tom Bret; director, Rollin S. Sturgeon.

MYSTERY OF LIFE; a Drama of Evolution As Told by Clarence Darrow. 1931. 8 reels, sd.

Credits: Director, George Cochrane; scenario, H. M. Parshley.

THE MYSTERY OF LOST RANCH. 1925. 5 reels.

Credits: Directors, Harry S. Webb, Tom Gibson; story, Bar Cross; continuity, George Hull.

THE MYSTERY OF MARRIAGE. 1931. 2 reels.

Credits: Scenario and direction, Mary Field.

THE MYSTERY OF MARY. 1915. 3 reels.

Credits: Director, Harry Lambart.

THE MYSTERY OF MR. WONG. 1939. 8 reels, sd. Based on the James Lee Wong stories by Hugh Wiley.

Credits: Associate producer, William T. Lackey; director, William Nigh; screenplay, Scott Darling; film editor, Russell Schoengarth.

THE MYSTERY OF MR. X. 1934. 9 reels, sd. From the novel by Philip MacDonald.

Credits: Producer, Lawrence Weingarten; director, Edgar Selwyn; adaptation, Philip MacDonald; screenplay, Howard Emmet Rogers; additional dialogue, Monckton Hoffe; film editor, Hugh Wynn.

MYSTERY OF MOTHERHOOD. 1938. 3 reels.

Credits: Technical narrator, M. Greewald.

THE MYSTERY OF MY LADY'S BOUDOIR. Gold Seal. 1916. 3 reels.

Credits: Director, Francis J. Grandon; scenario, Harry Dittmar.

THE MYSTERY OF NUMBER 47. Red Seal. 1917. 5 reels. From the novel by J. Storer Clouston.

Credits: Director, Otis B. Thayer.

THE MYSTERY OF ORCIVAL. 1916. 3 reels.

THE MYSTERY OF ROOM 13. 1915. 4,000 ft.

Credits: Lee Arthur; director, George Ridgwell.

THE MYSTERY OF THE BOULE CABINET. SEE In the Next Room.

THE MYSTERY OF THE EMPTY ROOM. 1915. 2 reels.

Credits; Director, Courtland Van Deusen.

THE MYSTERY OF THE HIDDEN HOUSE. 1914. 2 reels.

Credits: Director, Ulysses Davis.

THE MYSTERY OF THE HOODED HORSEMEN. Presented by Edward L. Alperson. 1937. 6 reels, sd.

Credits: Producer, Edward F. Finney; supervision, Lindsley Parsons; director, Ray Taylor; story and screenplay, Edmond Kelso.

THE MYSTERY OF THE JEWEL. SEE Il Mistero di Osiris.

THE MYSTERY OF THE LOCKED ROOM. Rex. 1915. 3 reels.

Credits: William Addison Lathrop; producer, Ben Wilson.

A MYSTERY OF THE MOUNTAINS. 1915. 2 reels.

THE MYSTERY OF THE RED BARN. SEE Maria Marten.

THE MYSTERY OF THE SEVEN CHESTS. Released through General Film Co. 1914. 2 reels.

Credits: Director, E. A. Martin.

THE MYSTERY OF THE SEVENTH SIN. (The Seven Deadly Sins, no. 7) 1917. 7 reels.

THE MYSTERY OF THE SILENT DEATH. 1915. 1 reel.

Credits: Edward T. Lowe, Jr.

THE MYSTERY OF THE SILVER SKULL. 1913. 2 reels.

Credits: Directors, Wilfrid North, Maurice Costello.

THE MYSTERY OF THE TAPESTRY ROOM. Big U. 1915. 3 reels.

Credits: Producer, Murdock MacQuarrie; story, George E. Hall; scenario, H. G. Stafford.

THE MYSTERY OF THE WAX MUSEUM. Presented by Warner Brothers Pictures, Inc. and the Vitaphone Corp. 1933. 78 min., sd., color. From the play by Charles S. Belden.

Credits: Director, Michael Curtiz; screenplay, Don Mullaly, Carl Erickson; film editor, George Amy.

MYSTERY OF THE WHITE ROOM. Crime Club. 1939. 6 reels, sd. From the novel "Murder in the Surgery" by James G. Edwards [pseud. of James William MacQueen].

Credits: Producer, Irving Starr; director, Otis Garrett; screenplay, Alex Gottlieb; film editor, Harry Keller.

THE MYSTERY OF THE WHITE ROSE. SEE Oda.

Credits: Produced, adapted, and directed by Emile Chautard.

THE MYSTERY OF THE YELLOW ROOM. 1919. 6,200 ft. Adapted from the story by Gaston Leroux.

Credits: Producer and director, Emile Chautard.

Credits: Director, Frances Ford; story, Elsie Van Name; scenario, John B. Clymer.

1. Bitter Bondage.

2. Lights Out.

3. Submarine Gardens.

4. The Lone Rider.

5. Blown to Atoms.

6. Single Handed.

7. Fire and Water.

8. Pirate Loot.

9. The Phantom House.

10. The Raid.

11. Bare Handed.

12. The Death Ride.

13. Brother Against Brother.

14. The Man Hunt.

15. The Thirteenth Card.

THE MYSTERY OF WEST SEDGWICK. 1913. Based on "The Gold Bag" by Carolyn Wells.

MYSTERY PLANE. 1939. 6 reels, sd.

Credits: Supervision, Paul Malvern; director, George Waggner; original story, Hal Forrest; screenplay, Paul Schofield, Joseph West.

MYSTERY RANCH. 1932. 4,900 ft., sd. From the novel "The Killer" by Stewart Edward White.

Credits: Director, David Howard; screenplay, Al Cohn; editor, Paul Weatherwax.

MYSTERY RANCH. 1934. 6 reels, sd.

Credits: Director, B. B. Ray; story, J. K. Henry; continuity, Rose Gordon; dialogue, Carl Krusada; editor, Fred Bain.

Credits: Director, Jack Nelson.

THE MYSTERY ROAD. 1921. 5 reels. From the novel by E. Phillips Oppenheim.

Credits: Director, Paul Powell; adaptation, Mary Hamilton O'Connor, Margaret Turnbull.

Credits: Directors, Harry Harvey, Francis Ford; story, Elsie Van Name; scenario, William Parker, Blaine Pearson.

THE MYSTERY SHIP. SEE Suicide Fleet.

THE MYSTERY SQUADRON. Mascot Master. Presented by Nat Levine. 1933. 2 reels each, except no. 1 which is 3 reels, sd.

Credits: Directors, Colbert Clark, David Howard; story, Sherman Lowe, Al Martin; screenplay, Barney Sarecky, Colbert Clark, David Howard, Wyndham Gittens; film editor, Earl Turner.

1. The Black Ace.

2. The Fatal Warning.

3. The Black Ace Strikes.

4. Men of Steel.

5. The Death Swoop.

6. Doomed.

7. Enemy Signals.

8. The Canyon of Calamity.

9. The Secret of the Mine.

10. Clipped Wings.

11. The Beast at Bay.

12. The Ace of Aces.

THE MYSTERY WOMAN. 1935. 6,550 ft., sd.

Credits: Director, Eugene Forde; story, Dudley Nichols, E. E. Paramore, Jr.; screenplay, Philip MacDonald; music, Samuel Kaylin.

THE MYSTIC. 1925. 7 reels.

Credits: Story, Tod Browning; scenario, Waldemar Young.

THE MYSTIC BALL. 1915. 2 reels.

Credits: Director, William Robert Daly.

Credits: Director, Richard Ridgely; story and play, Agnes Fletcher Bain.

MYSTIC INDIA. 1927. 1 reel.

THE MYSTIC ISLES. (Vagabond Adventure Series, no. 16) 1930. 1 reel, sd.

Credits: Elmer Clifton, Alfred Mannon.

MYSTIC SIAM. (Lowell Thomas' Magic Carpet of Movietone) 1939. 1 reel, sd.

Credits: Producer, Truman Talley; editor, Lew Lehr; narrator, Lowell Thomas.