The Psychology of Singing / A Rational Method of Voice Culture Based on a Scientific Analysis of All Systems, Ancient and Modern

by David C. Taylor

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Contents

1. Preface
2. Chapter I. Tone-Production and Voice Culture
3. Chapter II. Breathing and Breath-Control
4. Chapter III. Registers and Laryngeal Action
5. Chapter IV. Resonance
6. Chapter V. Empirical Materials of Modern Methods
7. Chapter VI. A General View of Modern Voice Culture
8. Chapter I. Mechanical Vocal Management as the Basis of Voice Culture
9. Chapter II. The Fallacy of the Doctrine of Breath-Control
10. Chapter III. The Fallacies of Forward Emission, Chest Resonance, and Nasal Resonance
11. Chapter IV. The Futility of the Materials of Modern Methods
12. Chapter V. The Error of the Theory of Mechanical Vocal Management
13. Chapter I. The Means of Empirical Observation of the Voice
14. Chapter II. Sympathetic Sensations of Vocal Tone
15. Chapter III. Empirical Knowledge of the Voice
16. Chapter IV. The Traditional Precepts of the Old Italian School
17. Chapter V. Empirical Knowledge in Modern Voice Culture
18. Chapter VI. Scientific Knowledge of the Voice
19. Chapter I. The Correct Vocal Action
20. Chapter II. The Causes of Throat Stiffness and of Incorrect Vocal Action
21. Chapter III. Throat Stiffness and Incorrect Singing
22. Chapter IV. The True Meaning of Vocal Training
23. Chapter V. Imitation the Rational Basis of Voice Culture
24. Chapter VI. The Old Italian Method
25. Chapter VII. The Disappearance of the Old Italian Method and the Development of Mechanical Instruction
26. Chapter VIII. The Materials of Rational Instruction in Singing
27. Chapter IX. Outlines of a Practical Method of Voice Culture
28. Bibliography

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