Æsthetic as science of expression and general linguistic Papyras Classics

Æsthetic as science of expression and general linguistic

by Benedetto Croce

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Contents

  1. Extract from Introduction to the First English Edition, 1909
  2. Note by the Translator
  3. Author's Preface
  4. Intuition and Expression
  5. Intuition and Art
  6. Art and Philosophy
  7. Historicism and Intellectualism in Æsthetic
  8. Analogous Errors in the Theory of History and in Logic
  9. The Theoretic Activity and the Practical Activity
  10. Analogy Between the Theoretic and the Practical
  11. Exclusion of Other Spiritual Forms
  12. Indivisibility of Expression Into Modes or Degrees and Criticism of Rhetoric
  13. Æsthetic Feelings and the Distinction Between the Beautiful and the Ugly
  14. Criticism of Æsthetic Hedonism
  15. The Æsthetic of the Sympathetic and Pseudo-Æsthetic Concepts
  16. The "Physically Beautiful" in Nature and in Art
  17. Errors Arising from the Confusion Between Physics and Æsthetic
  18. The Activity of Externalization. Technique and the Theory of the Arts
  19. Taste and the Reproduction of Art
  20. The History of Literature and Art
  21. Identity of Linguistic and Æsthetic
  22. Æsthetic Ideas in Græco-Roman Antiquity
  23. Æsthetic Ideas in the Middle Ages and Renaissance
  24. Ferments of Thought in the Seventeenth Century
  25. Æsthetic Ideas in the Cartesian and Leibnitian Schools, and the "Æsthetic" of Baumgarten
  26. Giambattista Vico
  27. Minor Æsthetic Doctrines of the Eighteenth Century
  28. Other Æsthetic Doctrines of the Same Period
  29. Immanuel Kant
  30. The Æsthetic of Idealism: Schiller, Schelling, Solger, Hegel
  31. Schopenhauer and Herbart
  32. Friedrich Schleiermacher
  33. The Philosophy of Language: Humboldt and Steinthal
  34. Minor German Æstheticians
  35. Æsthetic in France, England and Italy During the First Half of the Nineteenth Century
  36. Francesco De Sanctis
  37. Æsthetic of the Epigoni
  38. Æsthetic Positivism and Naturalism
  39. Æsthetic Psychologism and Other Recent Tendencies
  40. Historical Sketches of Some Particular Doctrines
  41. I. Rhetoric: Or the Theory of Ornate Form
  42. II. History of the Artistic and Literary Kinds
  43. III. The Theory of the Limits of the Arts
  44. IV. Other Particular Doctrines
  45. Bibliographical Appendix

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