T (part 1)

T-BONE FOR TWO. Presented by William Fox. 1928. 2 reels. Adapted from "The Adventures of Van Bibber" by Richard Harding Davis.

Credits: Director, Orville Dull; scenario, Sidney Levee, James J. Tynan.

T-BONE HANDICAP. (Barney Google and Spark Plug, no. 3) 1928. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, J. Basil.

T. HAVILAND HICKS—FRESHMAN. 1917. 3 reels.

Credits: Director, Ben Turbett; story, J. Raymond Elderdice; scenario, Raymond E. Dakin.

T. N. T. (THE NAKED TRUTH). 1924. 7 reels.

Credits: Original story, George D. Walters.

T. R. HIMSELF. (The Roosevelt Series of History and Biography, no. 1) 1926. 1 reel.

THE TABASCO KID. Presented by Hal Roach. 1932. 2 reels, sd., b&w.

Credits: Director, James W. Horne; dialogue, H. M. Walker; editor, Richard Currier.

TABLE MANNERS. (Bray Nature) Bray Studios. 1926. 1 reel.

Credits: Editor, Don Carlos Ellis.

TABLE MANNERS. 1938. 1 reel.

Credits: Director, Lloyd French.

TABLE STEAKS. Presented by Century Comedies. 1922. 2 reels.

Credits: Story and direction, Fred Hibbard.

TABLE TENNIS. (Sports Parade Subject) 1936. 1 reel, sd., b&w, color sequences.

Credits: Director, David Miller; explanatory remarks by Pete Smith.

TABLEWARE. (Eastman Classroom Films) 1929. 1 reel.

A TABORNOK. SEE The Virtuous Sin.

TABU. 1931. 7,383 ft., sd.

Credits: Director, F. W. Murnau; story, F. W. Murnau, R. J. Flaherty; musical setting, Hugo Riesenfeld.

Credits: Producer, John L. Hawkinson.

TACKY SUE'S ROMANCE. Rex. 1917. 2 reels.

Credits: Tom Gibson; director, Ruth Stonehouse.

TAIL END. (Oswald the Rabbit) 1938. 1 reel.

Credits: Producer, Walter Lantz; director, Lester Kline; story, Victor McLeod, Win Smith; animation, Fred Kopietz, Ralph Somerville.

THE TAIL OF A CAT. (Star Comedy) 1918. 1 reel.

Credits: Lyons, Moran.

THE TAIL OF A COAT. Released through General Film Co. 1914. 1 reel.

Credits: Director, Norval MacGregor.

Credits: Written and directed by Robert Reese.

THE TAIL OF THE MONKEY. (An Unnatural History Cartoon) Presented by Bray Studios. 1926. 1 reel.

Credits: Directors, Walt Lantz, David Hand.

THE TAIL OF THOMAS KAT. Powers. 1917. 1/2 reel.

Credits: Pat Sullivan.

TAIL SPIN. 1939. 9 reels, sd.

Credits: Director, Roy Del Ruth; original screenplay, Frank Wead; music director, Louis Silvers.

TAIL WAGGERS. (Grantland Rice Sportlight) 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

THE TAILOR. 1923. 2 reels.

Credits: Director, Al St. John.

A TAILOR-MADE MAN. Presented by Arthur S. Kane. Released by United Artists Corp. 1922. 8,649 ft. Adapted from the Cohan and Harris stage play by James Henry Smith.

Credits: Director, Joseph de Grasse; adaptation, Albert Ray; film editor, Harry L. Decker.

A TAILOR-MADE MAN. 1931. 9 reels, sd., b&w. Based on the Cohan and Harris stage play by Harry James Smith, taken from the play "Der Gutsitzende Frack" by Gabriel Dregeley.

Credits: Producer, Sam Wood; dialogue continuity, Edgar Allan Woolf; film editor, George Hively.

A TAILOR-MADE ROMANCE. 1919. 152 ft.

TAILOR MAID. Okeh. 1919. 1 reel.

TAILORING. SEE A Ton of Fun in Tailoring.

THE TAILOR'S BILL. 1915. Split reel.

Credits: Elizabeth Miller.

TAILS WIN. Century. 1920. 2 reels.

Credits: Director, William H. Watson.

TAILSPIN TOMMY. 1934-35. 2 reels each except no. 1 which is 3 reels, sd. Based on the cartoon strip by Hal Forrest. © Universal Pictures Corp.

Credits: Director, Louis Friedlander; screenplay, Norman S. Hall, Vin Moore, Basil Dickey, Ella O'Neill.

1. Death Flies the Mail. © 8Oct34; LP5009.

2. The Mail Goes Through. © 11Oct34; LP5025.

3. Sky Bandits. © 24Oct34; LP5058.

4. The Copper Room. © 7Nov34; LP5087.

5. The Night Flight. © 12Nov34; LP5096.

6. The Baited Trap. © 26Nov34; LP5122.

7. Tommy to the Rescue. © 3Dec34; LP5138.

8. The Thrill of Death. © 7Dec34; LP5159.

9. The Earth Gods Roar. © 13Dec34; LP5171.

10. Death at the Controls. © 19Dec34; LP5189.

11. Rushing Waters. © 24Dec34; LP5211.

12. Littleville's Big Day. © 7Jan35; LP5226.

TAILSPIN TOMMY IN THE GREAT AIR MYSTERY. 1935. 2 reels each. Based on the cartoon strip by Hal Forrest. © Universal Pictures Corp.

Credits: Director, Ray Taylor; screenplay, Raymond Cannon, George Plympton, Basil Dickey, Robert Hershon, Ella O'Neill.

1. Wreck of the Dirigible. © 9Oct35; LP5840.

2. The Roaring Fire God. © 15Oct35; LP5861.

3. Hurled from the Skies. © 24Oct35; LP5886.

4. A Bolt from the Blue. © 31Oct35; LP5905.

5. The Torrent. © 8Nov35; LP5920

6. Flying Death. © 13Nov35; LP5928.

7. The Crash in the Clouds. © 21Nov35; LP5944

8. Wings of Disaster. © 27Nov35; LP5953.

9. Crossed and Double Crossed. © 4Dec35; LP5977.

10. The Dungeon of Doom. © 12Dec35; LP5990.

11. Desperate Changes. © 20Dec35; LP6013.

12. The Last Stand. © 26Dec35; LP6019.

THE TAINT. 1915. 3 reels.

Credits: Producer, Sidney Olcott.

THE TAINT OF FEAR. Bison. 1916. 2 reels.

Credits: Written and directed by Allan J. Holubar.

THE TAINT OF MADNESS. 1914. 1 reel.

Credits: Producer, N. MacGregor.

TAINTED MONEY. 1914. 2 reels.

Credits: Director, Burton King.

TAINTED MONEY. 1925. 5 reels.

Credits: Director, Henry McRae; story, Stuart Payton.

TAJADO'S TIPICA ORCHESTRA. 1929. 1 reel, sd.

TAKE A CHANCE. 1933. 9 reels, sd. From the musical comedy by B. G. DeSylva, Sid Silvers, Nacio Brown, Laurence Schwab, Richard Whiting, and Vincent Youmans.

Credits: Producers, Laurence Schwab, William Rowland, Monte Brice; supervision, William Rowland; directors, Laurence Schwab, Buddy De Sylva, Monte Brice; music, Jay Gorney, Lou Alter, Herman Hupfeld.

TAKE A CUE. (A Pete Smith Specialty) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., sepia.

Credits: Director, Felix E. Feist; screenplay, Julian Hochfelder; film editor, Philip Anderson.

TAKE BACK YOUR WIFE. Joker. 1917. 1 reel.

Credits: Charles J. Wilson, Jr.; director, William W. Beaudine.

TAKE 'EM AND SHAKE 'EM. (Gay Girls Comedies) 1931. 2 reels, sd., b&w.

Credits: Supervision, Lew Lipton; director, William Goodrich; story, Beatrice Van; film editor, John Link.

TAKE IT EASY. 1921. 2 reels.

Credits: Kingsley Benedict; director, Mark Goldaine.

TAKE IT FROM ME. Jewel. 1926. 7 reels. From the play by W. B. Johnstone and W. R. Anderson.

Credits: Director, William A. Seiter.

TAKE ME HOME. 1928. 5,614 ft.

Credits: Producer and director, Marshall Neilan; story, Harlan Thompson, Grover Jones; screenplay, Ethel Doherty.

TAKE THE HEIR. Presented by John R. Freuler and C. A. Stimson. 1930. 6 reels, sd.

Credits: Director, Lloyd Ingraham; story and continuity, Beatrice Van; musical score and synchronization, J. M. Coopersmith.

TAKE THE STAND. Presented by M. H. Hoffman. 1934. 9 reels, sd. Suggested by "The Deuce of Hearts" by Earl Derr Biggers.

Credits: Director, Phil Rosen; story, continuity, and dialogue, Albert DeMond; music supervision, Abe Meyer; film editor, Mildred Johnston.

TAKE YOUR MEDICINE. 1930. 11 min., sd.

Credits: Director, Eddie Cline; story and dialogue, John A. Waldron, Earle Rodney, Walter Weems, Jack Jevne, William Dugan.

TAKE YOUR PICK. (Stern Brothers Comedy) 1928. 2 reels. From cartoons by Rube Goldberg.

TAKE YOUR PICK. (A Grantland Rice Sportlight) 1932. 1 reel.

TAKEN BY STORM. 1914. 1 reel.

Credits: Director, James Young.

TAKEN FOR A RIDE. (Winkler Krazy Kat Cartoon) 1931. 1 reel. Adapted from cartoon character by George Herriman.

Credits: Ben Harrison, Manny Gould; musical score, Joe De Nat.

TAKING A CHANCE. 1916. 1 reel.

Credits: Written and produced by Tom Mix.

TAKING A CHANCE. 1928. 5 reels, b&w. Adapted from the story "The Saint of Calamity Gulch" by Richard Bret Harte.

Credits: Director, Norman Z. McLeod; scenario, A. A. Halprin.

TAKING A REST. Metro-Drew. 1916. 1 reel.

Credits: Mary S. Cutting; producer, Sidney Drew.

TAKING AN EMPTY CANOE THROUGH RAPIDS. SEE Roosevelt Brazilian Expedition.

TAKING CARE OF BABY. (An Oddity) 1934 831 ft., sd., b&w.

Credits: Director, Jack Cummings; explanatory remarks by Pete Smith.

TAKING CARE OF SYLVIA. SEE The Page Mystery.

TAKING CHANCES. Mustang. 1925. 2 reels.

Credits: Director, William Crinley; story, George Hull.

TAKING CHANCES. 1931. 1 reel.

THE TAKING OF MUSTANG PETE. 1915. 1 reel.

Credits: Producer, Tom Mix; scenario, Emma Bell.

TAKING ORDERS. Century. 1923. 2 reels.

Credits: Producer, John L. Hawkinson.

TAKING THE AIR. 1929. 1 reel, sd., b&w.

TAKING THE BLAME. (Betty Boop Cartoon) 1935. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Hicks Lokey.

TAKING THE COUNT. 1916. 18 min.

TAKING THE COUNT. (Mike and Ike Series) (Stern Brothers Comedy) 1927. 2 reels. From the Rube Goldberg Cartoons.

Credits: Director, Francis Corby.

TAKING THE COUNT. 1937. 2 reels, sd. Based on characters created by Ham Fisher.

Credits: Director, Lloyd French; story, Jack Henley, Eddie Forman.

TAKING THE HEIR. Bluebird. 1926. 1 reel.

Credits: Director, George (Slim) Summerville.

TAKING THE HONEY OUT OF HONEYMOON. 1916. 1 reel.

Credits: C. Graham Baker, George Plympton; director, David Smith.

TAKING THEIR MEDICINE. Nestor. 1917. 1 reel.

Credits: Director, Roy Clements; story, Eddie Lyons, Lee Moran; scenario, Frederick A. Palmer.

TAKING THINGS EASY. (Lyons-Moran Comedy) (Star Comedy) 1919. 1 reel.

Credits: Director, Harry Edwards.

TAKING THINGS EASY. (Star Comedy) 1922. 1 reel.

Credits: Written and directed by William Watson.

TAKING WAYS. SEE Ann Codee and Frank Orth in Taking Ways.

TAL HENRY AND HIS NORTH CAROLINIANS. 1929. 1 reel.

A TALE FROM THE DECAMERON. Black Cat. 1916. 30 min.

Credits: Charles Michelson; director, L. C. Windom.

THE TALE OF A CAT. 1924. 1 reel.

THE TALE OF A COAT. 1914.

THE TALE OF A DOG. Century. 1920. 2 reels.

Credits: Written and directed by Thomas Buckingham.

THE TALE OF A SHIRT. Bluebird. 1927. 1 reel.

Credits: Original story, continuity, and direction, Max Kimmich.

THE TALE OF A SHIRT. (Paul Terry-Toons) 1933. 6 min.

Credits: Frank Moser, Paul Terry.

THE TALE OF A TELEGRAM. Joker. 1916. 1 reel.

Credits: Written and produced by Glen Curtis.

TALE OF A TIRE. 1915. 1 reel.

THE TALE OF A TURK. Joker. 1916. 1 reel.

Credits: Producer, Wm. Beaudine; story, Karl R. Coolidge, William Beaudine; scenario, Karl R. Coolidge.

THE TALE OF HIS PANTS. Nestor. 1915. 1 reel.

Credits: Producer, Horace Davey; scenario, Homer Croy.

A TALE OF OLD TUCSON. 1914. 1 reel.

Credits: Eugene Clancy; director, Richard R. Ridgely.

A TALE OF RED ROSES. SEE My Man.

A TALE OF THE ALHAMBRA. (Around the World with Burton Holmes) 1930. 1 reel, sd.

Credits: Narrator, Burton Holmes.

THE TALE OF THE C. Victor. 1915. 3 reels.

Credits: Elaine Sterne; producer, Lucius Henderson.

Credits: Scenario, Anthony W. Coldewey.

TALE OF THE VIENNA WOODS. (Happy Harmonies) 1934. 759 ft., sd., color.

Credits: Producers, Hugh Harman, Rudolf Ising.

THE TALE OF TRIONA. SEE A Fool's Awakening.

A TALE OF TUTUILA. (Vagabond Adventure Series, no. 20) 1931. 1 reel, sd.

Credits: Elmer Clifton, Alfred Mannon.

A TALE OF TWENTY STORIES. L-Ko. 1915. 2 reels.

A TALE OF TWO CITIES. 1917. For Fox Film Corp. 7 reels. From the novel by Charles Dickens.

Credits: Adapted and directed by Frank Lloyd.

A TALE OF TWO CITIES. 1935. 13 reels, sd., b&w. Based on the novel by Charles Dickens.

Credits: Producer, David O. Selznick; director, Jack Conway; screenplay, W. P. Lipscomb, S. N. Behrman; film editor, Conrad A. Nervig; music score, Herbert Stothart; revolutionary sequences arranged by Val Lewton, Jacques Tourneur.

A TALE OF TWO CITIES. SEE The Only Way.

A TALE OF TWO KITTIES. SEE Felix the Cat in A Tale of Two Kitties.

A TALE OF TWO WORLDS. Goldwyn Studios. Presented by eminent authors. 1921. 6 reels.

Credits: Director, Frank Lloyd; story, Gouverneur Morris.

A TALE THAT IS KNOT. SEE Krazy Kat and Ignatz Mouse in A Tale That Is Knot.

TALENT AUCTION. Nu-Atlas. Presented by RKO Radio Pictures, Inc. 1938. 10 min., sd.

Credits: Director, Milton Schwarzwald.

TALENT SCOUT. First National. 1937. 62 min., sd.

Credits: Director, William Clemens; original story, George R. Bilson; screenplay, George R. Bilson, William Jacobs; film editor, Terry Morse; music and lyrics, M. K. Jerome, Jack Scholl.

THE TALES OF A THOUSAND AND ONE NIGHTS. 1925. 7 reels.

Credits: Director, M. Toujansky.

TALES OF THE FISH PATROL. SEE Jack London's Tales of the Fish Patrol. (Serial)

THE TALISMAN. SEE Richard the Lion-Hearted.

TALISMANS. SEE Fools for Luck.

THE TALK OF HOLLYWOOD. Presented by Samuel Zierler and Harry H. Thomas. 1930. 70 min., sd.

Credits: Producer and director, Mark Sandrich; story, Nat Carr, Mark Sandrich; dialogue, Darby Aaronson.

TALK OF THE DEVIL. British & Dominions. 1937. 8 reels, sd.

Credits: Director, Carol Reed; story, Carol Reed, Anthony Kimmins; scenario, Anthony Kimmins; additional dialogue, George Barraud; editors, Helen Lewis, John Morris, Merrill White; music director, Percival Mackey.

THE TALK OF THE TOWN. 1918. 6 reels. From the story "Discipline & Genevra" by Harry Vickers.

Credits: Scenario and direction, Allen Holubar.

TALK TIRES, BRUNSWICK. 1937. For Brunswick Tires. Filmstrip, 75 frames, sd.

TALK TIRES—DIAMOND VERSION. 1936. For Goodrich Associated Lines. 1 reel, sd.

TALK TIRES—HOOD VERSION. 1936. For Goodrich Associated Lines. 1 reel, sd.

TALK TIRES—MILLER VERSION. 1936. For Goodrich Associated Lines. 1 reel, sd.

THE TALKER. Presented by Sam E. Rork, Inc. 1925. 8 reels. From the stage play by Marion Fairfax.

Credits: Producer, Alfred E. Green; adaptation, Marion Fairfax.

THE TALKIES. (Mermaid Talking Comedies) 1929. 17 min., sd.

Credits: Supervision, Jack White; director, Stephen Roberts.

TALKING THROUGH MY HEART. 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Thomas Johnson, Harold Walker.

TALKING TURKEY. 1930. 2 reels, sd.

Credits: Producer, Lou Brock; director, Mark Sandrich; story and dialogue, Benny Rubin, Mark Sandrich, Charles Lamont, Addison Burkhart; film editor, Ted Cheesman.

TALKY JONES. 1918. 2 reels.

Credits: Alfred Henry Lewis; director, Allen Matt.

TALL TIMBER. (Oswald the Lucky Rabbit) Snappy. 1928. 1 reel.

Credits: Walt Disney.

TAM O'SHANTER. Big U. 1915. 3 reels.

Credits: Producer, Murdock MacQuarrie; scenario, H. G. Stafford; arranger, C. M. Bachman.

THE TAMALE VENDOR. (Ideal Comedies) 1931. 20 min., sd.

Credits: Director, William Goodrich; story and dialogue, Ernest Pagano, Jack Townley.

Credits: Producer, William Duncan.

THE TAMING OF GROUCHY BILL. 1916. 1 reel.

Credits: Produced and written by Tom Mix.

THE TAMING OF LUCY. Gold Seal. 1917. 3 reels.

Credits: Director, Richard Charles Swickard; story, Edna Rowell Schley; scenario, Giles R. Warren.

THE TAMING OF MARY. Victor. 1915. 1 reel.

Credits: Robert F. Hill; producer, Lucius Henderson.

THE TAMING OF RITA. 1915. 1 reel.

Credits: Director, Ulysses Davis.

Credits: Producer, William Duncan.

THE TAMING OF THE SHREW. 1929. 8 reels. Based on the comedy by Shakespeare.

Credits: Adaptation and direction, Sam Taylor.

THE TAMING OF THE WEST. 1925. 6 reels. From the novel "The Range Dwellers" by B. M. Bower [pseud. of Bertha (Muzzy) Sinclair].

Credits: Continuity, Raymond L. Schrock.

THE TAMING OF THE WEST. (A Wild Bill Saunders Adventure) 1939. 6 reels, sd.

Credits: Producer, Leon Barsha; director, Norman Deming; story, Robert Lee Johnson; screenplay, Charles Frances Royal, Robert Lee Johnson; film editor, Otto Meyer.

THE TAMING OF ZENAS HENRY. SEE Captain Hurricane.

TAMING THE EAST. Century. 1924. 2 reels.

Credits: Written and directed by Edward I. Luddy.

TAMING THE WILD. Treasure Chest. Educational Films Corp. Presented by E. W. Hammons. 1935. 776 ft., sd.

Credits: Written and narrated by A. L. Alexander.

TAMING THE WILD. Presented by Sam Katzman. 1936. 6 reels. Adapted from the story "Shipmates" by Peter B. Kyne.

Credits: Supervision and production, Sam Katzman; director, Bob Hill; screenplay, Al Martin; film editor, Earl Turner.

TAMING THE WILDCAT. (Camera Adventures) 1933. 8 min.

Credits: Producer, Harold Austin; narration, Ernest Pagano.

TAMMANY'S TIGER. Bison. 1916. 2 reels.

Credits: Wright Roberts; producer, Henry McRae.

TAMPICO. SEE The Woman I Stole.

Credits: Supervised and directed by Oliver L. Brown.

THE TANGLE. 1914. 4 reels.

Credits: Director, Harry Lambart.

THE TANGLE. SEE Thirty Years Later.

Credits: Director, Travers Vale; story, William Anthony McGuire; scenario, Frances Marion.

TANGLED HEARTS. 1916. 5 reels.

Credits: Ida May Park.

TANGLED LIVES. 1917. For Fox Film Corp. 5 reels. Adapted from the novel "The Woman in White" by Wilkie Collins.

Credits: Director, J. Gordon Edwards; scenario, Mary Murillo.

TANGLED LIVES. 1918. 5 reels.

Credits: Directed and picturized by Paul Scardon; story, James Oliver Curwood.

THE TANGLED TANGOISTS. 1914. 1 reel.

Credits: Director, George D. Baker.

TANGLED THREADS. 1913. 1 reel.

Credits: Director, Robert T. Thornby.

TANGLED THREADS. Imp. 1917. 2 reels.

Credits: Director, Alan Forrest; scenario, William Seiter.

Credits: Story and direction, Charles E. Bartlett.

TANGO. 1936. 7 reels, sd. From the novel by Vida Hurst.

Credits: Director, Phil Rosen; screenplay, Arthur T. Horman.

TANGO-BAR. 1935. 7 reels, sd.

Credits: Director, John Reinhardt; story, Alfredo Le Pera; music director, Terig Tucci; music, Carlos Gardel.

EL TANGO EN BROADWAY. Paramount. 1934. 9 reels, sd.

Credits: Director, Louis Gasnier; story, adaptation, and dialogue, Alfredo Le Pera; music director, Alberto Castellanos; music, Carlos Gardel.

TANGO FIEBER. SEE Tango Craze.

THE TANGO IN TUCKERVILLE. 1914. 1 reel.

Credits: Charles M. Seay.

A TANGO SPREE. 1914. 1 reel.

Credits: Cyrus B. Smith; director, Charles M. Seay.

THE TANK. SEE Happy Hooligan. The Tank.

A TANKLESS JOB. (Jerry on the Job) 1917. 1/2 reel.

Credits: W. C. Hoban; animation, Will Powers.

TANKS OF THE WABASH. (A Standard Fat Man Comedy) Released by F. B. O. Pictures Corp. 1927. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, E. T. Montgomery, Joseph Basil.

TANNED LEGS. Radio. 1929. 7 reels, sd.

Credits: Supervision, Louis Sarecky; director, Marshall Neilan; adaptation, Tom Geraghty; music, Oscar Levant, Sidney Clare.

TANNHAUESER. (A Paramount Paragraphic) Symphonic Films, Inc. Presented by Adolph Zukor. 1938. 1 reel, sd. From the opera by Richard Wagner.

Credits: Music director, Frederick Feher.

TAP! TAP! TAP! 1915. 2,000 ft.

TAPERING FINGERS. 1919. 2 reels.

Credits: Director, Jack Dillon; scenario, Alvin J. Neitz.

TAPPING THE MAPLES. 1924. 1 reel.

THE TARANTULA. 1916. 6 reels.

Credits: Written and produced by George D. Baker.

A TARDY RECOGNITION. 1913. 1 reel.

Credits: Charles M. Seay.

THE TARGET. Bluebird. 1916. 5 reels.

Credits: Supervision, H. M. Horkheimer, E. D. Horkheimer.

TARGETS. (A Grantland Rice Sportlight) Presented by Amedee J. Van Beuren. 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

TARNISH. 1924. 7 reels. From the play by Gilbert Emery [pseud. of Emery Bemsley Pottle].

Credits: Producer, George Fitzmaurice; adaptation, Frances Marion.

TARNISHED ANGEL. 1938. 68 min., sd.

Credits: Producer, B. P. Fineman; director, Leslie Goodwins; story and adaptation, Saul Elkins; screenplay, Jo Pagano; editor, Desmond Marquette; music director, Frank Tours.

TARNISHED LADY. 1931. 9 reels, sd. From the story "New York Lady" by Donald Ogden Stewart.

Credits: Director, George Cukor; screen adaptation, Donald Ogden Stewart.

TARPON FISHING. 1928. 200 ft., 16 mm.

TARS AND STRIPES. (An Educational Star Comedy Special) Educational Films Corp. of America. Presented by E. W. Hammons. Distributed by Fox Film Corp. 1935. 1,830 ft., sd.

Credits: Direction and story, Charles Lamont; adaptation, Ewart Adamson.

TARZAN AND HIS MATE. 1934. 11 reels. Based on characters created by Edgar Rice Burroughs.

Credits: Producer, Bernard H. Hyman; director, Cedric Gibbons; screenplay, James Kevin McGuinness; adaptation, Howard Emmett Rogers; film editor, Tom Held.

TARZAN AND THE GOLDEN LION. Released by F. B. O. 1927. 6 reels. From the story by Edgar Rice Burroughs.

Credits: Director, J. P. MacGowan; adaptation and continuity, William E. Wing.

TARZAN AND THE JEWELS OF OPAR. SEE Tarzan the Tiger.

TARZAN ESCAPES. 1936. 10 reels, sd., b&w. Based on characters created by Edgar Rice Burroughs.

Credits: Associate producer, Sam Zimbalist; director, Richard Thorpe; screenplay, Cyril Hume; film editor, W. Donn Hayes.

TARZAN FINDS A SON! Presented by Metro-Goldwyn-Mayer. 1939. 8 reels, sd., tinted. Based on characters created by Edgar Rice Burroughs.

Credits: Producer, Sam Zimbalist; director, Richard Thorpe; screenplay, Cyril Hume; film editors, Frank Sullivan, Gene Ruggiero.

TARZAN, THE APE MAN. 1932. 10 reels, sd., b&w. Based on the characters created by Edgar Rice Burroughs.

Credits: Director, W. S. Van Dyke; adaptation, Cyril Hume; dialogue, Ivor Novello; film editors, Ben Lewis, Tom Held.

TARZAN THE MIGHTY. 1928. 2 reels each. © Universal Pictures Corp.

Credits: Directors, Ray Taylor, Jack Nelson; story, Edgar Rice Burroughs.

1. The Terror of Tarzan. © 5Jul28; LP25419.

2. The Love Cry. © 5Jul28; LP25420.

3. The Call of the Jungle. © 10Jul28; LP25454.

4. The Lion's Leap. © 7Aug28; LP25522.

5. Flames of Hate. © 9Aug28; LP25523.

6. The Fiery Pit. © 22Aug28; LP25556.

7. The Leopard's Lair. © 22Aug28; LP25557.

8. The Jungle Traitor. © 30Aug28; LP25592.

9. Lost in the Jungle. © 19Sep28; LP25634.

10. Jaws of Death. © 19Sep28; LP25635.

11. A Thief in the Night. © 27Sep28; LP25661.

12. The Enemy of Tarzan. © 28Sep28; LP25680.

13. Perilous Paths. © 17Oct28; LP25749.

14. Facing Death. © 1Nov28; LP25783.

15. The Reckoning. © 2Nov28; LP25810.

TARZAN THE TIGER. 1929-30. 2 reels each. Based on "Tarzan and the Jewels of Opar" by Edgar Rice Burroughs. © Universal Pictures Corp.

Credits: Director, Henry McRae; continuity, Ian McClosky Heath.

1. Call of the Jungle. © 5Oct29; LP830.

2. The Road to Opar. © 5Nov29; LP831.

3. The Altar of the Flaming God. © 4Dec29; LP885.

4. The Vengeance of La. © 9Dec29; LP906.

5. Condemned to Death. © 16Dec29; LP925.

6. Tantor, the Terror. © 19Dec29; LP927.

7. In Deadly Peril. © 27Dec29; LP965.

8. Loop of Death. © 11Jan30; LP997.

9. Flight of Werper. © 15Jan30; LP998.

10. Prisoner of the Apes. © 21Jan30; LP1023.

11. The Jaws of Death. © 29Jan30; LP1036.

12. The Jewels of Opar. © 10Feb30; LP1072.

13. A Human Sacrifice. © 17Feb30; LP1079.

14. Tarzan's Rage. © 25Feb30; LP1111.

15. Tarzan's Triumph! © 6Mar30; LP1127.

TARZAN'S REVENGE. 1938. 7 reels. Based on a novel by Edgar Rice Burroughs.

Credits: Producer, Sol Lesser; director, D. Ross Lederman; screenplay, Robert Lee Johnson, Jay Vann; film editor, Eugene Milford; music supervision, Abe Meyer.

TASSELS IN THE AIR. 1938. 2 reels.

Credits: Director, Charley Chase; story and screenplay, Al Giebler, Elwood Ullman.

THE TASTE IS THE TEST. 1936. 1 reel.

A TASTE OF HIS OWN MEDICINE. 1913. 1 reel.

Credits: Mabel Grace Warner.

A TASTE OF LIFE. 1919. 5 reels.

Credits: Director, Jack Dillon; story, Paul West, Maximillian Foster; scenario, Fred Myton, Waldemar Young.

TATTERLY. SEE Off the Highway.

Credits: Producer, Lem B. Parker.

THE TATTLE TAIL. Century. 1922. 2 reels.

Credits: Written and directed by Arvid E. Gillstrom.

TATTLE-TALE ALICE. 1916. 1 reel.

THE TATTLERS. 1920. 5 reels.

Credits: Director, Howard M. Mitchell; story, Henry Clifford Colwell; scenario, Denison Clift.

THE TATTOO MARK. 1914. 3 reels.

Credits: Director, Ned Finley.

THE TAUNT. 1915. 1 reel.

THE TAVERN KNIGHT. 1921. 6 reels. From the story by Rafael Sabatini.

Credits: Director, Maurice Elvey; scenario, Sinclair Hill.

TAX TROUBLE. (Vitaphone Variety) 1939. 10 min., sd.

Credits: Director, Lloyd French.

TAXI. (Chester Conklin Comedy) Phil L. Ryan Productions, Ltd. 1931. 2 reels, sd.

Credits: Director, Frank C. Griffin; story, H. Del Ruth, Frank Griffin.

TAXI. 1932. 8 reels, sd.

Credits: Director, Roy Del Ruth; adaptation and dialogue, Kubec Glasmon, John Bright.

TAXI BARONS. (Hal Roach Taxi Boys Comedy) 1933. 2 reels, sd., b&w.

Credits: Director, Del Lord; editor, Louis McManus.

TAXI BEAUTIES. (Taxi Driver Series, no. 4) 1928. 2 reels.

Credits: Supervision, John A. Waldron; director, Del Lord; story, Del Lord, Clarence Hennecke; titles, Alfred M. Loewenthal; film editor, William Hornbeck.

THE TAXI DANCER. 1927. 7 reels. From the story by Robert Terry Shannon.

Credits: Producer and director, Harry Millarde; screenplay, A. P. Younger; film editor, George Hively.

TAXI DOLLS. (Taxi Driver Series, no. 5) 1929. 2 reels.

Credits: Supervision, John A. Waldron; director, Del Lord; story, Robert Eddy, Harry McCoy; film editor, William Hornbeck.

TAXI FOR TWO. (Taxi Driver Series, no. 2) 1928. 2 reels.

Credits: Supervision, John A. Waldron; director, Del Lord; story, Del Lord, Ewart Adamson; film editor, William Hornbeck.

TAXI FOR TWO. 1932. 2 reels.

Credits: Director, Del Lord; editor, Richard Currler.

THE TAXI MYSTERY. Royal. 1926. 6 reels.

Credits: Director, Fred Windermere; continuity, Tom J. Hopkins.

TAXI, PLEASE. (Monty Banks Comedy) 1923. 2 reels.

Credits: Director, Harry Edwards.

A TAXI SCANDAL. (Taxi Driver Series, no. 1) 1928. 2 reels.

Credits: Supervision, John A. Waldron; director, Del Lord; story, Del Lord, Ewart Adamson; film editor, William Hornbeck.

TAXI SPOOKS. (Taxi Cab Series, no. 3) 1929.

Credits: Supervision, John A. Waldron; director, Del Lord; story, Del Lord, Ewart Adamson; film editor, William Hornbeck.

TAXI TALKS. 1930. 2 reels, sd.

TAXI TANGLE. 1931. 1 reel, sd.

Credits: Director, Aubrey Scotto; story, Clyde North; dialogue staged by Max E. Hayes.

TAXI! TAXI! Century. 1924. 2 reels.

TAXI! TAXI! Jewel. 1926. 7 reels.

Credits: Director, Melville W. Brown; story, George Weston; scenario, Raymond Cannon.

TAXI 13. 1928. 7 reels.

Credits: Director, Marshall Neilan; original story and continuity, W. Scott Darling.

TAXI TROUBLES. 1931. 18 min., sd.

Credits: Director, Del Lord; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy, Lew Foster.

A TAXI WAR. Century. 1925. 2 reels.

Credits: Written and directed by Noel Smith.

TE QUIERO CON LOCURA (I LOVE YOU MADLY). 1935. 7 reels. Based on the comedy "La Cura de Reposo" by Enrique Garcia Velloso.

Credits: Director, John J. Boland; adaptation and screenplay, José López Rubio, Paul Perez; dialogue, José López Rubio; music director, Samuel Kilenyi; music, Raúl Roulien.

TEA AND TOAST. 1913. 1 reel. From the novel "The Postmaster" by Joseph C. Lincoln.

TEA FOR THREE. 1927. 7 reels. From the play "An Teetisch" by Carl Sloboda.

Credits: Produced and directed by Robert Z. Leonard; adaptation, Roi Cooper Megrue; screen adaptation and continuity, F. Hugh Herbert; film editor, William Le Vanway.

THE TEA HOUND. 1919. 1 reel.

Credits: Director, Jack Dillon; story and scenario, Robert S. Hill.

TEACHER, TEACHER. (Hamilton Comedies) 1926. 2 reels.

Credits: Written and directed by Norman Taurog.

TEACHER'S BEAU. (Hal Roach Comedy) 1935. 1,718 ft., sd.

Credits: Director, Gus Meins; film editor, Robert Crandall.

TEACHER'S PEST. (Buster Brown Comedy) 1928. 2 reels. From the cartoons of R. F. Outcault.

TEACHER'S PEST. 1931. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

TEACHER'S PEST. 1939. 1,476 ft.

Credits: Director, Del Lord; story, Elwood Ullman, Searle Kramer.

THE TEACHER'S PESTS. (Oswald Cartoon) 1932. 1 reel.

Credits: Animation and direction, Walter Lantz, William Nolan.

TEACHER'S PET. Presented by Hal Roach. 1930. 2 reels, sd., b&w.

Credits: Story and direction, Robert McGowan; dialogue, H. M. Walker; editor, Richard Currier.

TEACHING BASKET BALL. 1927. 1 reel.

TEACHING BEGINNERS HOW TO TYPEWRITE. School of Business Administration of the State College of Washington. 1934. 500 ft., 16 mm.

Credits: Directors, Eleanor Skimin, Ethel Wood, Verlie Nolan.

TEACHING FATHER A LESSON. 1914. 1 reel.

Credits: Producer, N. MacGregor.

TEACHING HIM A LESSON. SEE Bunco Bill's Visit.

TEACHING HIS WIFE A LESSON. 1913. 1 reel.

Credits: Robert Wells Ritchie.

THE TEACHING OF READING. 1931. 2 reels.

Credits: Arthur I. Gates.

TEAM WORK ALWAYS PAYS. 1928. 1 reel.

THE TEAR ON THE PAGE. 1915. 1 reel.

TEARING THROUGH. Presented by A. Carlos. 1925. 5 reels.

Credits: Producer, Richard Talmadge; director, Arthur Rosson; continuity, Frederick Stowers.

TEARS AND SUNSHINE. L-Ko. 1915. 1 reel.

THE TEARS OF AN ONION. 1938. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, David Tendlar, Joseph Oriolo.

THE TEASER. Jewel. 1925. 7 reels. From the play by Adelaide Matthews and Martha N. Stanley.

Credits: Director, William A. Seiter.

TEASING A TORNADO. 1915. 1,000 ft.

Credits: Written and produced by Romaine Fielding.

TEASING THE SOIL. Paramount-Carter DeHaven. 1920. 2 reels.

Credits: Director, Charles Parrott; story, Keene Thompson; scenario, Bob McGowan.

TECHNIC. SEE The Marriage Clause.

TECHNIQUE OF BLOOD TRANSFUSION. 1929. 2 reels.

TECHNIQUE OF TENNIS. (News World of Sports) 1939. 1 reel, sd.

Credits: Narrator, Jack Kofoed; described by Dan Seymour; editor, Harry Foster.

TECHNO-CRACKED. (A Flip the Frog Cartoon) 1933. 1 reel.

TECHNO-CRAZY. (Vanity Comedies) Educational. 1933. 19 min., sd.

Credits: Producer, Al Christie; director, Charles Lamont; story, Ernest Pagano, Ewart Adamson.

TECHNORACKET. (A Scrappy Cartoon) Presented by Columbia Pictures Corp. 1933. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; music core, Joe de Nat.

TED DONER AND HIS SUNKIST BEAUTIES. 1928. 1 reel.

TEDDY BERGMAN'S BAR-B-Q. Mentone. 1937. 2 reels, sd.

Credits: Director, Milton Schwarzwald; dialogue, Sands and Marko.

TEDDY BERGMAN'S INTERNATIONAL BROADCAST. Mentone. 1936. 2 reels, sd.

Credits: Story and direction, Milton Schwarzwald.

TEDDY'S GOAT. Century. 1921. 2 reels.

TEE FOR TWO. 1932. 2 reels, color.

Credits: Director, Roy Mack; story, Sig Herzig.

TEE TIME. Century. 1921. 2 reels.

Credits: Director, Jim Davis.

TEETH. 1924. 7 reels, b&w, tinted sequences.

Credits: Director, Jack Blystone; story, Clinton H. Stagg; scenario, Donald W. Lee.

THE TEETH OF THE TIGER. Paramount-Artcraft. Presented by Adolph Zukor. 1919. 6 reels. Based on the story by Maurice Leblanc.

Credits: Director, Chet Withey; scenario, Roy Sommerville.

TELEFILM. 1928. 1 reel.

THE TELEGRAPH TRAIL. 1933. 59 min., sd.

Credits: Producer, Leon Schlesinger; director, Tenny Wright; screenplay and dialogue, Kurt Kempler; editor, William Clemens.

THE TELEGRAPHER'S PERIL. 1915. 2 reels.

Credits: Written and produced by George W. Terwilliger.

A TELEGRAPHIC TANGLE. 1916. 1 reel.

Credits: Director, Sidney Drew.

TELEMACHUS, FRIEND. 1920. 2 reels. From a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, David Smith; scenario, Robert A. Sanborn.

TELEPHONE BLUES. Mentone. 1935. 2 reels, sd.

Credits: Director, Milton Schwarzwald.

THE TELEPHONE GIRL. Released by Film Booking Offices of America. 1924. 2 reels each. From the Cosmopolitan Magazine stories by H. C. Witwer. © R-C Pictures Corp.

Credits: Directors, Mal St. Clair, Percy Pembroke; adaptation, H. C. Witwer; scenario, Darryl Francis Zanuck, George Marion, Jr.

1. Julius Sees Her. © 12Feb24; LP19908.

2. When Knighthood Was in Tower. © 5Mar24; LP19969.

3. Money to Burns. © 30Mar24; LP20291.

4. Sherlock's Home. © 3Apr24; LP20058.

5. King Leary. © 17Apr24; LP20080.

6. William Tells. © 24Apr24; LP20121.

7. For the Love of Mike. © 5May24; LP20148.

8. The Square Sex. © 27May24; LP20231.

9. Bee's Knees. © 19Jun24; LP20324.

10. Love and Learn. © 2Jul24; LP20367.

11. Faster Foster. © 16Jul24; LP20400.

12. Hello and Good-Bye. © 30Jul24; LP20447.

THE TELEPHONE GIRL. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 5,455 ft. From the play "The Woman" by William C. De Mille.

Credits: Producer and director, Herbert Brenon; screenplay, Elizabeth Meehan.

TELEPHONE OPERATOR. 1938. 7 reels, sd.

Credits: Producer, Lou Young; director, Scott Pembroke; story, John Krafft; screenplay, Scott Darling.

TELEPHONES AND TROUBLES. 1918. 1 reel.

Credits: Director, J. A. Howe; story, Earle Montgomery, Joseph Rock.

TELEVISION. 1934. 2 reels, sd.

Credits: Director, Otis Garrett; story, Howard Christie.

TELEVISION GEORGE. (Let George Do It) (Stern Brothers Comedy) 1929. 2 reels. From the cartoons by George McManus.

Credits: Director, Francis Corby.

TELEVISION HIGHLIGHTS. 1936. 1 reel, sd.

Credits: Director, Milton Schwarzwald.

TELEVISION SPY. 1939. 6 reels, sd.

Credits: Director, Edward Dmytryk; story, Endre Bohem; screenplay, Horace McCoy, William R. Lipman, Lillie Hayward; film editor, Anne Bauchens.

TELL 'EM AND SELL 'EM. 1928. 1 reel.

Credits: Supervision, F. Richard Jones; director, Leo McCarey; titles, H. M. Walker; editor, Richard Currier.

TELL 'EM THE STORY OF WHIPPET'S ENGINEERING LEADERSHIP. 1928. 1 reel.

TELL IT TO SWEENEY. 1927. 6 reels.

Credits: Producer and director, Gregory La Cava; story and screenplay, Percy Heath, Monte Brice, Kerry Clarke.

TELL IT TO THE JUDGE. Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Supervision and story, Leo McCarey; directors, Fred L. Guiol, Hal Yates; titles, H. M. Walker; editor, Richard Currier.

TELL IT TO THE MARINES. 1918. 5 reels.

Credits: Director, Arvid E. Gillstrom; scenario, Adrian Johnson, Arvid E. Gillstrom.

TELL IT TO THE MARINES. 1926. 10 reels.

Credits: Director, George Hill; story, E. Richard Schayer; scenario, Richard Schayer; titles, Joe Farnham; film editor, Blanche Sewell.

TELL MORGAN'S GIRL. Nestor. 1917. 1 reel.

Credits: Director, Louis W. Chaudet; story, Eddie Lyons, Lee Moran; scenario, Frederick A. Palmer.

TELL NO TALES. Presented by Metro-Goldwyn-Mayer. 1939. 7 reels, sd., b&w.

Credits: Producer, Edward Chodorov; director, Leslie Fenton; story, Pauline London, Alfred Taylor; screenplay, Lionel Houser; film editor, W. Donn Hayes; music score, William Axt.

TELL THAT TO THE MARINES. (Paramount-Flagg Comedy) Town and Country Films, Inc. 1918. 2 reels.

Credits: Director, Saul E. Harrison; story, James Montgomery Flagg.

TELLING TALES. SEE The Torrent.

TELLING THE WORLD. 1928. 8 reels, sd., b&w.

Credits: Producer and director, Sam Wood; story, Dale VanEvery; scenario, Raymond L. Schrock; titles, Joe Farnham; film editor, Margaret Booth.

THE TELLTALE CLUE. Bison. 1917. 2 reels.

Credits: Helen Jonas; director, George Cochrane; scenario, Calder Johnstone.

THE TELLTALE KNIFE. 1914. 1,000 ft.

Credits: Written and produced by Tom Mix.

THE TELL-TALE STEP. 1917. 5 reels.

Credits: William Addison Lathrop.

THE TELL TALE WIRE. 1919. 2 reels.

Credits: Director, Reaves Eason; story, Lillian Valentine; scenario, Phillips Hubbard.

TEMPER. 1915. 3 reels.

Credits: Director, David Kirkland; written and supervised by John Emerson, Anita Loos.

A TEMPERAMENTAL WIFE. Presented by Joseph M. Schenck. 1919. 6 reels. Adapted from the play "Information Please" by John Emerson and Anita Loos.

A TEMPERANCE TOWN. 1916. 3 reels. From the play by Charles Hoyt.

Credits: Director, T. N. Heffron; scenario, Gilson Willets.

TEMPERED STEEL. 1918. 5 reels.

Credits: Director, Ralph W. Ince; story, George Middleton; scenario, Mrs. L. Case Russel.

TEMPEST. United Artists. Presented by Joseph M. Schenck. 1927. 10 reels.

Credits: Producer and director, Sam Taylor; supervision, John W. Considine, Jr.; adaptation, C. Gardner Sullivan.

TEMPEST. SEE Stürme der Leidenschaft.

TEMPEST AND SUNSHINE. 1916. 5 reels. Adapted from the novel by Mary J. Holmes.

TEMPEST CODY BUCKS THE TRUST. (Spur and Saddle Series, no. 8) 1919. 2 reels.

Credits: Director, George Holt; story and scenario, George Hively.

TEMPEST CODY FLIRTS WITH DEATH. (Spur and Saddle Series, no. 2) 1919. 2 reels.

Credits: Director, Jacques Jaccard; story, Jacques Jaccard, George Hively; scenario, George Hively.

TEMPEST CODY GETS HER MAN. (Spur and Saddle Series, no. 6) 1919. 2 reels.

Credits: Director, George Holt; story, Dorothy Rockfort; scenario, Anthony W. Coldeway.

TEMPEST CODY GETS HER MAN. 1924. 2 reels.

TEMPEST CODY HITS THE TRAIL. (Spur and Saddle Series, no. 1) 1919. 2 reels.

Credits: Director, Jacques Jaccard; story, Jacques Jaccard, George Hively; scenario, George Hively.

TEMPEST CODY, KIDNAPPER. (Spur and Saddle Series, no. 9) 1919. 2 reels.

Credits: Director, Henry McRae; story, Dorothy Rochfort; scenario, Wycliffe A. Hill.

TEMPEST CODY KIDNAPPER. 1924. 2 reels.

Credits: Director, Henry McRae; story, Dorothy Rochfort; scenario, Wycliffe A. Hill.

TEMPEST CODY PLAYS DETECTIVE. (Spur and Saddle Series, no. 5) 1919. 2 reels.

Credits: Director, George Holt; story, Jacques Jaccard; scenario, George Hively.

TEMPEST CODY RIDES WILD. (Spur and Saddle Series, no. 3) 1919. 2 reels.

Credits: Director, Jacques Jaccard; story, Jacques Jaccard, George Hively; scenario, George Hively.

TEMPEST CODY RIDES WILD. 1923. 2 reels.

Credits: Director, Jacques Jaccard; story, Jacques Jaccard, George Hively.

TEMPEST CODY TURNS THE TABLES. (Spur and Saddle Series, no. 7) 1919. 2 reels.

Credits: Director, George Holt; story, Karl R. Coolidge, George Hively; scenario, George Hively.

TEMPEST CODY TURNS THE TABLES. 1924. 2 reels.

Credits: Director, George Holt; story, Karl R. Coolidge, George Hively; scenario, George Hively.

TEMPEST CODY'S MAN HUNT. (Spur and Saddle Series, no. 4) 1919.

Credits: Director, Jacques Jaccard; story, Jacques Jaccard, George Hively; scenario, George Hively.

TEMPEST CODY'S MAN HUNT. 1925. 2 reels.

Credits: Story, Jacques Jaccard; scenario, George Hively.

TEMPEST OVER TUNIS. (Lowell Thomas' Magic Carpet of Movietone) 1939. 1 reel, sd.

Credits: Producer, Truman Talley; editor, Lew Lehr; described by Lowell Thomas.

TEMPLE DUSK. SEE Without Limit.

THE TEMPLE OF DAWN. SEE The Price of Redemption.

THE TEMPLE OF MOLOCH. 1914. 1 reel.

Credits: Mary Mechtold Rider.

THE TEMPLE OF TERROR. Bison. 1917. 2 reels.

Credits: Written and directed by W. B. Pearson.

THE TEMPLE OF THE GIANTS. SEE Not for Publication.

THE TEMPLE OF THE SUN, BAALBEK. 1928. 1 reel.

Credits: Elizabeth R. Dessiz.

THE TEMPLE OF VENUS. 1923. 7 reels.

Credits: Director, Henry Otto; story, Catherine Carr; scenario, Catherine Carr, Henry Otto.

TEMPLE TOWER. 1930. 5,200 ft., sd.

Credits: Director, Donald Gallaher; story, H. C. McNeile; adaptation and dialogue, Llewellyn Hughes; editor, Clyde Carruth.

TEMPLE TOWER. SEE Bulldog Drummond's Secret Police.

TEMPLES AND STATUES OF ROME. 1913. 1 reel.

TEMPLES OF KARNAK, EGYPT. 1913. 1 reel.

TEMPLES OF SILENCE. (Vagabond Adventure Series, no. 6) 1930. 1 reel.

Credits: Tom Terriss.

TEMPO OF TOMORROW. 1939. 1 reel, sd.

Credits: Director, Leslie Roush; continuity, Justin Herman.

TEMPORARY ALIMONY. (Star Comedy) 1919. 1 reel.

Credits: Director, Jack Dillon; story, Harvey Gates; scenario, Karl Coolidge.

A TEMPORARY HUSBAND. 1916. 1 reel.

Credits: Director, Earl Metcalfe.

TEMPORARY MARRIAGE. 1923. 7 reels.

Credits: Director, Lambert Hillyer; adaptation, Gilbert Patten.

Credits: Producer, Cecil B. De Mille.

TEMPTATION. 1923. 7 reels.

Credits: Story, Lenore Coffee; scenario and direction, Edward J. Le Saint.

TEMPTATION. 1930. 7 reels, sd.

Credits: Producer, Harry Cohn; director, E. Mason Hopper; story, adaptation, continuity, and dialogue, Leonard Praskins; film editor, Dave Berg.

TEMPTATION AND THE MAN. Red Feather. 1916. 5 reels.

Credits: Catherine Carr; producer, Robert F. Hill.

THE TEMPTATION OF ADAM. 1916. 3 reels.

Credits: Director, Al. Green.

THE TEMPTRESS. Cosmopolitan. 1926. 9 reels. From the novel by Vicente Blasco Ibanez.

Credits: Director, Fred Niblo; scenario, Dorothy Farnum; titles, Marian Ainslee; film editor, Lloyd Nosler.

TEN BABY FINGERS. 1934. 2 reels.

Credits: Director, Jules White; story, Charles Saxton, Roland Asher; screenplay, John Grey.

THE TEN CENT LADY. SEE Like Wildfire.

TEN CENTS A DANCE. 1931. 8 reels, sd. Based on the song by Lorenz Hart and Richard Rodgers.

Credits: Producer, Harry Cohn; director, Lionel Barrymore; story and dialogue, Jo Swerling; continuity, Dorothy Howell; film editor, Arth Huffsmith.

THE TEN COMMANDMENTS. 1923. 2 reels.

Credits: Story, Jeanie Macpherson.

THE TEN COMMANDMENTS. Paramount. 1923. 14 reels, b&w, color sequences.

Credits: Director, Cecil B. De Mille; story, Jeanie MacPherson.

THE TEN COMMANDMENTS. SEE Forgotten Commandments.

THE TEN DOLLAR RAISE. Released by Associated Producers, Inc. 1921. 6 reels. From the Saturday Evening Post story by Peter B. Kyne.

Credits: Director, Edward Sloman; screen version, A. S. Le Vino.

$10 RAISE. 1935. 6,482 ft., sd.

Credits: Director, George Marshall; story, Peter B. Kyne; screenplay, Henry Johnson, Louis Breslow; additional dialogue, Lamar Trotti; music director, Samuel Kaylin.

TEN DOLLARS OR TEN DAYS. 1932. 1 reel, sd.

Credits: Director, Aubrey Scotto; story, H. O. Kusell.

Credits: Screenplay, Edward Acker.

TEN MINUTES. SEE Robert T. Haines in Ten Minutes.

TEN MINUTES IN INDIA WITH HOMER CROY. 1915. Split reel.

TEN MODERN COMMANDMENTS. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 6,497 ft.

Credits: Director, Dorothy Arzner; story, Jack Lait; screenplay, Doris Anderson, Paul Gangelin; continuity, Ethel Doherty.

TEN NIGHTS IN A BARROOM. 1921. 9 reels. From the novel by T. S. Arthur and the play by William W. Pratt.

Credits: Director, Oscar Apfel.

TEN NIGHTS IN A BARROOM. 1930. 10 reels.

Credits: Producer, Willis Kent; director, William O'Connor.

TEN NIGHTS IN A TEA ROOM. (Star Comedy) 1919. 1 reel.

Credits: Written and directed by Lyons and Moran.

TEN NIGHTS WITHOUT A BARROOM. (Sunshine Comedy) 1920. 2 reels.

Credits: Supervision, Hampton Del Ruth; director, Edward F. Cline.

Credits: Story, Philip Barry.

1. Two Girls and a Man. © title, descr. & 40 prints, 25Sep24; LU20609.

TEN SCARS MAKE A MAN. 1924. 2 reels each. © Pathe Exchange, Inc.

Credits: Story, Philip Barry.

1. Two Girls and a Man. © 24Nov24; LP20790.

2. Cowboy Chivalry. © 24Nov24; LP20791.

3. Westward Bound. © 24Nov24; LP20792.

4. The Cattle Raid. © 24Nov24; LP20793.

5. Through the Hills. © 1Dec24; LP20814.

6. Midnight Marauders. © 1Dec24; LP20815.

7. Unmasked. © 1Dec24; LP20816.

8. Liquid Gold. © 1Dec24; LP20817.

9. The Valley of the Legend. © 9Dec24; LP20858.

10. The End of the Quest. © 18Dec24; LP20930.

TEN SECONDS. Presented by Century Comedies. 1922. 2 reels.

Credits: Story and direction by Fred Hibbard.

Credits: Producer, Hardee Kirkland.

THE TENANTS OF MARBLE CANYON. (Robert C. Bruce Scenic Novelties) Presented by E. W. Hammons. 1927. 1 reel.

TENDER FEET. (Walter Hiers Comedies) Educational. 1925. 2 reels.

Credits: Raymond Ross; director, Archie Mayo.

THE TENDER HOUR. Presented by John McCormick. 1927. 8 reels.

Credits: Carey Wilson; producer and director, George Fitzmaurice; scenario, Winifred Dunn.

THE TENDERFOOT. 1917. 5 reels.

Credits: Director, William Duncan; story, Alfred Henry Lewis.

THE TENDERFOOT. 1932. 8 reels, sd. Based on the story by Richard Carle and the play "The Butler and Egg Man" by George S. Kaufman.

Credits: Director, Ray Enright; adaptation, Earl Baldwin, Monty Banks, Arthur Caesar.

THE TENDERFOOT. SEE A Roaring Adventure.

TENDERFOOT COURAGE. Mustang. 1927. 2 reels.

Credits: Director, William Wyler; story, F. V. Lautzenhiser.

A TENDERFOOT HERO. 1928. 2 reels.

Credits: Director, Walter Fabian; story, Basil Dickey.

TENDERFOOT LUCK. 1922. 2 reels.

Credits: Written and directed by John Pilcher Smith, Mort Peebles.

A TENDERFOOT TERROR. 1929. 2 reels.

Credits: Director, Walter Fabian; story, Neville Reay; continuity, George Plympton.

THE TENDERFOOT'S TRIUMPH. 1915. 1 reel.

Credits: Producer, Tom Mix; scenario, Cornelius Shea.

TENDERLOIN. 1928. 9 reels.

Credits: Director, Michael Curtiz; story, Melville Crosman; adaptation, Edward T. Lowe, Jr.

A TENEMENT TANGLE. SEE Ryan and Lee in A Tenement Tangle.

TENNESSEE'S PARDNER. SEE The Flaming Forties.

TENNIS TACTICS. (A Pete Smith Specialty) 1937. 958 ft., sd.

Credits: Director, Davis Miller.

TENNIS TECHNIQUE. (Sport Champions) 1931. 1 reel, sd.

Credits: Eric Hatch; director, Ray McCarey.

TENNIS TOPNOTCHERS. (Grantland Rice Sportlight) The Van Beuren Corp. 1931. 1 reel.

THE TENNIS WIZARD. 1926. 2 reels. Based on a Van Bibber story by Richard Harding Davis.

Credits: Supervision, George E. Marshall; director, Orville Dull; adaptation, Edward P. Moran, Henry Johnson.

THE TENOR. Gold Seal. 1915. 3 reels.

Credits: Producer, Leon Kent; story, Hobart Henley, Leon Kent; scenario, F. McGrew Willis.

TENSE MOMENTS. (News World of Sports) 1935. 1 reel, sd.

Credits: Narrative, Jack Kofoed; described by Ford Bond.

TENTH AVENUE. 1928. 7 reels. From the stage play by John McGowan and Lloyd Griscom.

Credits: Producer and director, William C. De Mille; screenplay, Douglas Z. Doty; film editor, Adelaide Cannon.

TENTH AVENUE KID. 1938. 7 reels, sd.

Credits: Associate producer, Harry Grey; director, Bernard Vorhaus; original story, Gordon Kahn, Adele Buffington; screenplay, Gordon Kahn; film editor, William Morgan.

Credits: Director, George Kelson; story, Budd [pseud. of Robert Hull].

THE TENTH COMMANDMENT. 1923. 1 reel.

Credits: Anne Bauchens, Alfred Hustwick.

THE TENTH MAN. Alliance. 1937. 7 reels, sd. From the play by W. Somerset Maugham.

Credits: Director, Brian Desmond Hurst; adaptation, Marjorie Deans, Dudley Leslie; editor, J. Corbett; music director, Harry Acres.

Xth OLYMPIAD. SEE Champions of the Xth Olympiad, Aquatic Events.

Xth OLYMPIAD, LOS ANGELES, CALIFORNIA, JULY 30th-AUG. 14, 1932. 1932. 4 reels.

Xth OLYMPIAD TRACK EVENTS, JULY 31 THRU AUGUST 7, 1932. 1932. 2 reels.

THE TENTH WOMAN. 1924. 6 reels.

Credits: Director, James Flood; story, Harriet T. Comstock.

TENTING OUT. (Bull's Eye Comedy) 1925. 1 reel.

Credits: Director, Richard Smith.

TERMITES. 1930. 1 reel.

TERMITES OF 1938. 1937. 2 reels, sd.

Credits: Director, Del Lord; story and screenplay, Elwood Ullman.

TERRAPLANE TAKES THE LEAD. 1937. For Hudson Production. Filmstrip, sd.

TERRE INHUMAINE. SEE This Mad World.

THE TERRIBLE ONE. 1915. 3,000 ft.

THE TERRIBLE PEOPLE. 1928. 2 reels, each. From the story by Edgar Wallace. © Pathe Exchange, Inc.

Credits: Director, Spencer Gordon Bennet; screen version, George Arthur Gray.

1. The Penalty. © 8Jul28; LP25441.

2. Disaster. © 7Jul28; LP25459.

3. The Claws of Death. © 24Jul28; LP25495.

4. Hidden Enemies. © 27Jul28; LP25496.

5. The Disastrous Rescue. © 31Jul28; LP25504.

6. The House of Peril. © 14Aug28; LP25531.

7. In the Enemy's Hands. © 16Aug28; LP25535.

8. The Dread Professor. © 3Sep28; LP25607.

9. The Death Trap. © 6Sep28; LP25608.

10. The Capture. © 17Sep28; LP25624.

EL TERRIBLE TOREADOR. (Walter Disney Cartoon) 1930. 1 reel.

A TERRIBLE TRAGEDY. 1916. 1/2 reel.

Credits: Director, Jerold T. Hevener.

THE TERRIBLE TROUBADOUR. (Pooch the Pup Cartoon) Snappy. 1933. 1 reel.

Credits: Animated and directed by Walter Lantz and William Nolan.

THE TERRIBLE TRUNK. 1915. Split reel.

Credits: J. Edward Hungerford; director, James W. Castle.

THE TERRIBLE TRUTH. Rex. 1915. 1 reel.

Credits: Harvey Gates; scenario and production, Lynn Reynolds.

THE TERRIBLE TURK. Nestor. 1916. 1 reel.

Credits: Director, Louis William Chaudet; story, Harry Wulze.

LA TERRIBULA. SEE Lost Souls.

TERRITORIAL EXPANSION OF THE UNITED STATES FROM 1783-1853. 1938. 2 reels, sd.

Credits: Script, Richard Montague; narration, John S. Martin.

TERRITORIAL MILITIA. SEE Milizia Territoriale.

THE TERROR. Red Feather. 1917. 5 reels.

Credits: Director, Raymond Wells; story, Raymond Wells, Fred Myton.

THE TERROR. 1920. 5 reels.

Credits: Story, Tom Mix; scenario and direction, Jacques Jaccard.

THE TERROR. (Blue Streak Western) 1926. 5 reels.

Credits: Director, Clifford S. Smith; story and scenario, Richard E. Schauer.

THE TERROR. 1928. 9 reels, sd. From the play by Edgar Wallace.

Credits: Director, Roy Del Ruth; scenario, Harvey Gates.

Credits: Written and directed by Frank J. Buehlman.

THE TERROR. SEE Return of the Terror.

TERROR ABOARD. 1933. 7 reels, sd.

Credits: Director, Paul Sloane; story, Robert Presnell; screenplay, Harvey Thew, Manuel Seff.

TERROR ISLAND. 1920. 7 reels.

Credits: Director, James Cruze; story, Arthur B. Reeve, John W. Grey; scenario, Walter Woods.

TERROR MOUNTAIN. 1928. 5 reels.

Credits: Director, Louis King; original story, Wyndham Gittens; continuity, Frank Howard Clark.

THE TERROR OF BAR X. 1927. 5 reels. From the story "Stan Willis, Cowboy" by George M. Johnson.

Credits: Director, Scott Pembroke; continuity, George M. Merrick.

1. Prowlers of Night. © title, descr. & 34 prints, 23Jan19; LU13301.

2. The Hidden Chart. © title, descr. & 36 prints, 23Jan19; LU13302.

3. The Chasm of Fear. © title, descr. & 36 prints, 23Jan19; LU13303.

4. The Midnight Raid. © title, descr. & 51 prints, 23Jan19; LU13304.

5. A Threat from the Past. © title, descr. & 31 prints, 23Jan19; LU13305.

6. Tangled Tales. © title, descr. & 26 prints, 23Jan19; LU13306.

7. Run to Earth. © title, descr. & 38 prints, 23Jan19; LU13307.

THE TERROR OF TINY TOWN. 1938. 7 reels.

Credits: Director, Sam Newfield; original screenplay, Fred Myton.

TERROR TRAIL. Universal Special. 1921. 2 reels each. © Universal Film Mfg. Co., Inc.

Credits: Producer, Edward Kull; story and scenario, Edward Kull, John W. Grey, George H. Plympton.

1. The Mystery Girl. © 8Jul21; LP16752.

2. False Clues. © 16Jul21; LP16770.

3. The Mine of Menace. © 21Jul21; LP16795.

4. The Door of Doom. © 29Jul21; LP16824.

5. The Bridge of Disaster. © 3Aug21; LP16843.

6. The Ship of Surprise. © 12Aug21; LP16857.

7. The Palace of Fear. © 19Aug21; LP16881.

8. The Peril of the Palace. © 24Aug21; LP16902.

9. The Desert of Despair. © 2Sep21; LP16932.

10. Sands of Fate. © 9Sep21; LP16956.

11. The Menace of the Sea. © 16Sep21; LP16970.

12. The Isle of Eternity. © 23Sep21; LP17013.

13. The Forest of Fear. © 28Sep21; LP17027.

14. The Lure of the Jungle. © 7Oct21; LP17071.

15. The Jaws of Death. © 15Oct21; LP17102.

16. The Storm of Despair. © 22Oct21; LP17125.

17. The Arm of the Law. © 27Oct21; LP17146.

18. The Final Reckoning. © 5Nov21; LP17169.

TERROR TRAIL. 1933. 6 reels. Based on "Riders of Terror Trail" by Grant Taylor.

Credits: Director, Armand Schaefer; screenplay, Jack Cunningham.

THE TERRORS OF A TURKISH BATH. 1916. 2 reels.

THE TERRORS OF WAR. Big U. 1917. 2 reels.

TERRY AND JERRY. SEE Field and Johnston in Terry and Jerry.

TERRY OF THE TIMES. 1930. 2 reels each. From the story by Hal Hodes. © Universal Pictures Corp.

Credits: Director, Henry MacRae.

1. The Mystic Mendicants. © 17Jul30; LP1425

2. The Fatal 30! © 17Jul30; LP1426.

3. Death's Highway. © 17Jul30; LP1427.

4. Eyes of Evil. © 18Aug30; LP1495.

5. Prowlers of the Night. © 21Aug30; LP1514.

6. The Stolen Bride. © 29Aug30; LP1523.

7. A Doorway of Death. © 9Sep30; LP1550.

8. A Trail of Trickery. © 12Sep30; LP1566.

9. Caught in the Net. © 18Sep30; LP1579.

10. A Race for Love. © 26Sep30; MP1946.

TERRY'S TEA PARTY. 1916. 1 reel.

Credits: Director, Lawrence Semon.

TESHA. SEE A Woman in the Night.

TESS OF THE D'URBERVILLES. 1924. 8 reels. From the novel by Thomas Hardy.

Credits: Scenario, Dorothy Farnum.

TESS OF THE HILLS. 1915. 1 reel.

TESS OF THE STORM COUNTRY. 1922. 10 reels. From the novel by Grace Miller White.

TESS OF THE STORM COUNTRY. 1932. 8 reels. From the novel by Grace Miller White and the dramatization by Rupert Hughes.

Credits: Director, Alfred Santell; screenplay, S. N. Behrman, Sonya Levien.

TESSIE. 1925. 7 reels. From the story "Tessie and the Little Shop" by Sewell Ford.

Credits: Director, Dallas M. Fitzgerald.

TESSIE AND THE LITTLE SHOP. SEE Tessie.

THE TEST. 1913. 2 reels.

Credits: Director, Captain Lambart.

THE TEST. Released through General Film Co. 1914. 1 reel.

Credits: Director, Thomas Santschi.

THE TEST. 1915. 3,000 ft.

Credits: Lee Arthur; director, James W. Castle.

THE TEST OF A MAN. Bison. 1915. 2 reels.

Credits: Producer, Henry McRae; scenario, Hugh Weir.

THE TEST OF CHIVALRY. 1916. 3 reels.

Credits: Director, William Robert Daly.

THE TEST OF DONALD NORTON. 1926. 8 reels. Adapted from the novel by Robert E. Pinkerton.

Credits: Director, B. Reaves Eason.

THE TEST OF HONOR. Paramount. Presented by Adolph Zukor. 1919. 5 reels. Founded on the story "The Malefactor" by E. Phillips Oppenheim.

Credits: Director, John S. Robertson; scenario, Eve Unsell.

THE TEST OF SINCERITY. 1915. 1 reel.

Credits: Adaptation, C. Lang Cobb, Jr.

TEST PILOT. Presented by Metro-Goldwyn-Mayer. 1938. 12 reels, sd., b&w.

Credits: Producer, Louis D. Lighton; director, Victor Fleming; original story, Frank Wead; screenplay, Vincent Lawrence, Waldemar Young; film editor, Tom Held; music score, Franz Waxman.

TESTIMONY. 1921. 6 reels.

Credits: Alice and Claude Asken.

THE TESTING BLOCK. 1920. 6 reels.

Credits: William S. Hart; director, Lambert Hillyer.

THE TESTING OF MILDRED VANE. 1918. 5 reels.

Credits: Director, Wilfred Lucas; story, Charles T. Dazey; scenario, George D. Baker.

TETCHED IN THE HEAD. (Barney Google) (Scrappy) Released by Columbia Pictures Corp. 1935. 1 reel, sd., color. From the King Feature comic page by Billy de Beck.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; music, Joe de Nat.

A TÊTE-A-TÊTE IN SONGS. SEE Burke and Durkin in A Tête-a-tête in Songs.

TEX. SEE Texas Trail.

TEX MCCLEOD IN A ROPE AND A STORY. 1928. 1 reel, sd.

TEX RIDES WITH THE BOY SCOUTS. 1937. 7 reels, sd.

Credits: Supervision, Lindsley Parsons; director, Ray Taylor; story, Lindsley Parsons, Edmond Kelso; screenplay, Edmond Kelso; film editor, Frederick Bain; music director, Frank Sanucci.

THE TEXAN. 1920. 5 reels. From the story by James B. Hendryx.

Credits: Director, Lynn F. Reynolds; scenario, Lynn F. Reynolds, Julius Furthman.

THE TEXAN. 1930. 7,142 ft., sd. From the story "The Double-Dyed Deceiver" by O. Henry [pseud. of William Sydney Porter].

Credits: Director, John Cromwell; screenplay, Daniel N. Rubin; adaptation, Oliver H. P. Garrett; film editor, Verna Willis.

THE TEXANS. Presented by Adolph Zukor. 1938. 10 reels, sd.

Credits: Producer, Lucien Hubbard; director, James Hogan; story, Emerson Hough; screenplay, Bertrand Millhauser, Paul Sloane, William Wister Haines.

THE TEXAS BAD MAN. 1932. 7 reels.

Credits: Director, Edward Laemmle; story and screenplay, Jack Cunningham.

THE TEXAS BEARCAT. Presented by Jesse Goldburg. Released by F. B. O. 1925. 5 reels.

Credits: Written and directed by Reaves Eason; story, F. J. Rhetore; continuity, George H. Plympton.

TEXAS BUDDIES. 1932. 6 reels.

Credits: Direction, story, and adaptation, Robert N. Bradbury.

TEXAS CENTENNIAL HIGHLIGHTS. 1936. 1 reel, sd.

Credits: Director, Frank Morang; narration, Roy Cowan.

TEXAS CYCLONE. 1932. 6 reels.

Credits: Director, D. Ross Lederman; story, William Colt MacDonald; adaptation and dialogue, Randall Faye; film editor, Otto Meyer.

TEXAS GUN FIGHTER. 1932. 7 reels, sd.

Credits: Director, Phil Rosen; story and continuity, Ben Cohen; film editor, Jerry Webb.

THE TEXAS KID. 1920. 2 reels.

Credits: Direction and scenario, Reaves Eason; story, Henry Murray.

THE TEXAS RANGER. 1931. 6 reels, sd.

Credits: Director, Ross Lederman; story and dialogue, Forrest Sheldon; film editor, Gene Milford.

A TEXAS RANGER. SEE Pure Grit.

THE TEXAS RANGERS. Presented by Adolph Zukor. 1936. 11 reels, sd. Based upon data furnished from the book by Walter Prescott Webb.

Credits: Director, King Vidor; story, King Vidor, Elizabeth Hill; screenplay, Louis Stevens.

THE TEXAS SPHINX. Bison. 1917. 2 reels.

Credits: Director, Fred C Kelsey; story, T. Shelley Sutton; scenario, George Hively.

THE TEXAS SPHINX. 1922. 2 reels.

Credits: Director, Fred C. Kelsey; story, T. Shelly Sutton; scenario, George Hively.

TEXAS STAMPEDE. 1939. 6 reels, sd.

Credits: Director, Sam Nelson; original screenplay, Charles Francis Royal.

A TEXAS STEER. Red Seal. 1915. 5 reels.

Credits: Director, Giles R. Warren.

A TEXAS STEER. Presented by Sam E. Rork. 1927. 8 reels. From the play by Charles H. Hoyt.

Credits: Produced and directed by Richard Wallace; screenplay, Bernard McConville.

THE TEXAS STREAK. Jewel. 1926. 7 reels.

Credits: Story and direction, Lynn Reynolds.

TEXAS TERROR. Lone Star. 1935. 6 reels.

Credits: Producer, Paul Malvern; story and direction, R. N. Bradbury.

THE TEXAS TORNADO. 1928. 5 reels.

Credits: Story and direction, Frank Howard Clark.

TEXAS TRAIL. Presented by Adolph Zukor. 1937. 6 reels, sd. Based on the story "Tex" by Clarence Edward Mulford.

Credits: Producer, Harry Sherman; director, Dave Selman; screenplay, Jack O'Donnell; additional dialogue, Harrison Jacobs.

THAÏS. 1917. 6 reels. From the novel by Anatole France.

Credits: Director, Frank Crane; picturized by Edfrid Bingham.

THANK YOU. 1925. 7 reels, b&w, tinted sequences. From the play by Winchell Smith and Tom Cushing.

Credits: Director, John Ford; scenario, Frances Marion.

THANK YOU, DOCTOR. 1930. 1 reel.

THANK YOU, JEEVES! 1936. 6 reels, sd. Based on the novel by P. G. Wodehouse.

Credits: Director, Arthur Greville Collins; screenplay, Joseph Hoffman, Stephen Gross; music director, Samuel Kaylin.

THANK YOU, MR. MOTO. 1937. 6,100 ft., sd. Based on a story by John P. Marquand.

Credits: Director, Norman Foster; screenplay, Willis Cooper, Norman Foster; music director, Samuel Kaylin.

THANKS A MILLION. 1935. 7,906 ft., sd.

Credits: Director, Roy Del Ruth; screenplay, Nunnally Johnson; music director, Arthur Lange.

THANKS AGAIN. (Mr. Average Man Comedies) 1931. 2 reels, sd., b&w.

Credits: Supervision, Lew Lipton; story, adaptation and direction, Harry Sweet; film editor, Fred Maguire.

THANKS FOR EVERYTHING. 1938. 6,604 ft., sd.

Credits: Director, William A. Seiter; story, Gilbert Wright; screenplay, Harry Tugend; adaptation, Curtis Kenyon, Art Arthur; music director, Louis Silvers.

THANKS FOR THE BOAT RIDE. (Stern Brothers Comedy) (What Happened to Jane) 1926. 2 reels.

Credits: Director, Charles Lamont; story, Roy Evans.

THANKS FOR THE BUGGY RIDE. Universal-Jewel. 1927. 6 reels.

Credits: Director, William A. Seiter; story and continuity, Beatrice Van.

THANKS FOR THE LOBSTER. 1914. 1 reel.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

THANKS FOR THE MEMORY. 1938. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Roland Crandall.

THANKS FOR THE MEMORY. Presented by Adolph Zukor. 1938. 8 reels, sd. Based on a play by Albert Hackett and Frances Goodrich.

Credits: Director, George Archainbaud; screenplay, Lynn Starling; film editor, Alma Macrorie.

THANKS, MR. CUPID. Presented by E. W. Hammons. 1936. 2 reels, sd.

Credits: Producer, Al Christie; story, music, and lyrics, Charlie Williams, Marcy Klauber.

THANKSGIVING DAY. 1928. 1 reel, sd.

THARON OF LOST VALLEY. SEE The Crimson Challenge.

THAT BRUTE. 1915. Split reel.

Credits: Producer, J. A. Murphy.

THAT CERTAIN AGE. 1938. 11 reels, sd.

Credits: Producer, Joe Pasternak; director, Edward Ludwig; original story, F. Hugh Herbert; screenplay, Bruce Manning, Charles Hackett, Billy Wilder; film editor, Brunton Burton.

THAT CERTAIN THING. 1928. 7 reels.

Credits: Producer, Harry Cohn; director, Frank R. Capra; story and adaptation, Elmer Harris; film editor, Arthur Roberts.

THAT CERTAIN WOMAN. First National. 1937. 10 reels, sd.

Credits: Written and directed by Edmund Goulding; music, Max Steiner.

THAT DAWGONE DOG. 1917. 2 reels.

Credits: Director, Richard Smith.

THAT DEVIL BATEESE. 1918. 5 reels.

Credits: Director, William Wolbert; story and scenario, Bess Meredith.

THAT DEVIL QUEMADO. Released by F. B. O. 1925. 5 reels.

Credits: Director, Del Andrews; story, Marvin Wilhite.

THAT FRENCH LADY. 1924. 6 reels. Adapted from the play by William J. Hurlburt.

Credits: Director, Edmund Mortimer; scenario, Charles Kenyon.

THAT GIRL FROM PARIS. 1936. 12 reels, sd. Suggested by a story by J. Carey Wonderly.

Credits: Producer, Pandro S. Berman; director, Leigh Jason; story, Jane Murfin; screenplay, P. J. Wolfson, Dorothy Yost; adaptation, Joseph A. Fields; editor, William Morgan; music director, Nathaniel Shilkret.

THAT GOES DOUBLE. 1933. 2 reels, sd.

Credits: Director, Joseph Henabery; story, Burnet Hershey, A. Dorian Otvos.

THAT HEAVENLY COOK. 1915. 1 reel.

Credits: J. E. Hungerford.

THAT I MAY LIVE. 1937. 6,300 ft., sd.

Credits: Director, Allan Dwan; screenplay, Ben Markson, William Conselman; music director, Samuel Kaylin.

THAT INFERIOR FEELING. Presented by Metro-Goldwyn-Mayer. 1939. 837 ft., sd., b&w.

Credits: Director, Basil Wrangell; film editor, Albert Akst.

THAT LITTLE BAND OF GOLD. 1915.

Credits: Producer, Mack Sennett.

THAT LITTLE BIT OF HEAVEN. (Around the World with Burton Holmes) 1930. 1 reel, sd.

Credits: Narrator, Burton Holmes.

THAT MAKES US EVEN. SEE The Main Event.

THAT MAN JACK! Presented by Jesse Goldburg Productions. Released by F. B. O. 1925. 5 reels.

Credits: Director, William J. Craft; story, George Paul Bauer; continuity, Adele S. Buffington.

THAT MAN SAMSON. 1937. 2 reels, sd.

Credits: Producer, Lee Marcus; direction and screenplay, Leslie Goodwins; story, George Randol; film editor, Edward Mann; music director, Hall Johnson.

THAT MAN'S HERE AGAIN. First National. 1937. 6 reels.

Credits: Director, Louis King; story, Ida A. R. Wylie; screenplay, Lillie Hayward.

THAT MODEL FROM PARIS. 1926. 7 reels. From the story "The Right To Live" by Gouverneur Morris.

Credits: Director, Louis J. Gasnier; scenario, Frederica Sagor.

THAT MOTHERS MIGHT LIVE. (A Miniature) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Fred Zinnemann; screenplay, Herman Boxer; narrator, John Nesbitt; research compilations, Ryland R. Madison; music score, David Snell.

THAT NIGHT. Presented by Hal Roach. 1928. 2 reels, b&w, tinted sequences.

Credits: Director, Arch Heath; supervision and story, Leo McCarey; editor, Richard Currier.

THAT OLD GANG OF MINE. 1931. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer.

THAT ORIENTAL GAME. Century. 1924. 2 reels.

THAT PARTY IN PERSON. Presented by Adolph Zukor and Jesse L. Lasky. 1929. 1 reel, sd.

Credits: Producer, James R. Cowan; director, Joseph Santley.

THAT RASCAL. (Educational-Vanity Comedies) 1932. 21 min., sd.

Credits: Producer and director, Al Christie; story and dialogue, Frank Roland Conklin, Robert Vernon.

THAT RED-HEADED HUSSY. 1929. 2 reels, sd.

Credits: Director, Alf Goulding; story, Raymond Leslie Goldman; adaptation, Charley Grapewin.

THAT ROYLE GIRL. Paramount. 1925. 10,253 ft. From the serial and novel by Edwin Balmer.

Credits: Producer and director, D. W. Griffith; screenplay, Paul Schofield.

THAT SORT. 1916. 5 reels. From the stage play by Basil McDonald Hastings.

Credits: Arrangement and direction by Charles J. Brabin.

THAT SPRINGTIME FEELING. 1915.

Credits: Producer, Mack Sennett.

THAT SUIT AT TEN. 1913. 1 reel.

Credits: Director, Bert Angeles.

THAT'S A GOOD GIRL. 1934. 7 reels, sd. Based on the play by Douglas Furber.

Credits: Director, Jack Buchanan; music director, Philip Braham.

THAT'S AFRICA. 1939. 1 reel, sd.

Credits: Commentary, Justin Herman; film editor, Elise Grau; narrator, David Ross.

THAT'S GOOD. 1919. 5 reels. Adapted from the Saturday Evening Post story by Richard Washburn Child.

Credits: Director, Harry L. Franklin; scenario, A. G. Kenyon.

THAT'S GRATITUDE. 1934. 7 reels, sd.

Credits: Direction, story, and screenplay, Frank Craven; film editor, Arthur Hilton.

THAT'S IT! (Eddie Lyons Comedy) 1922. 2 reels.

Credits: Director, Eddie Lyons; scenario, Ralph Ceder.

THAT'S JUST COMMON SENSE. 1937. For Cook Laboratories, Inc. and The Antidolor Mfg. Co. Filmstrip, 75 frames, sd.

THAT'S MY BABY. Paramount. 1926. 7 reels.

Credits: Director, William Beaudine; story, George J. Crone, Wade Boteler; adaptation, Joseph Franklin Poland.

THAT'S MY BOY. 1932. 7 reels. From the novel by Francis Wallace.

Credits: Director, Roy William Neill; screenplay, Norman Krasna; film editor, Jack Dennis.

THAT'S MY DADDY. Jewel. 1927. 6 reels.

Credits: Director, Fred Newmeyer; story, Reginald Denny; continuity, Earl Snell; adaptation, Faith Thomas, Pierre Couderc.

THAT'S MY LINE. (Traveling Man Comedies) 1931. 2 reels, sd., b&w.

Credits: Supervision, Lew Lipton; story, adaptation, and direction, William Goodrich; film editor, Fred Maguire.

THAT'S MY MEAT. (Cameo Comedies) 1931. 11 min., sd.

Credits: Director, William Goodrich; story and dialogue, Ernest Pagano, Jack Townley, Johnnie Grey.

THAT'S MY MUMMY. (A Sunkist Comedy) Released by The Bray Studios. 1927. 2 reels.

Credits: Supervision, Al Nathan; written and directed by Edward I. Luddy.

THAT'S MY STORY. 1937. 7 reels, sd. Based on the story "Scoop" by Vee Terrys Perlman.

Credits: Associate producer, Robert Presnell; director, Sidney Salkow; screenplay, Barry Trivers; film editor, Maurice Wright.

THAT'S MY WIFE. (Hal Roach Comedy) Presented by Hal Roach. 1929. 2 reels.

Credits: Supervision and story, Leo McCarey; director, Lloyd French; editor, Richard Currier.

THAT'S NEWS TO ME. 1931. 2 reels, sd., b&w.

Credits: Director, Arvid Gilstrom; story and adaptation by the Staff; film editor, Walter Thompson.

THAT'S NO EXCUSE. (Excuse Maker Series) (Stern Brothers Comedy) 1927. 2 reels.

Credits: Director, Scott Pembroke; story, William Anthony.

THAT'S PICTURES. (Broadway Brevity) 1936. 21 min., sd.

Credits: Written and directed by Roy Mack.

THAT'S RICH. Century. 1924. 2 reels.

THAT'S THAT. 1924. 2 reels.

Credits: Written and directed by Richard Thorpe.

THAT'S THAT. (A Stern Brothers Comedy) 1928. 2 reels. From the cartoons by R. F. Outcault.

Credits: Director, Francis Corby.

THAT'S THE SPIRIT. 1924. 1 reel.

Credits: Director, William H. Watson.

THAT'S THE SPIRIT. 1933. 1 reel, sd.

Credits: Director, Roy Mack.

THAT'S THE SPIRIT. Presented by E. W. Hammons. 1937. 2 reels, sd.

Credits: Director, Raymond Kane; story, Marcy Klauber, Arthur Jarrett.

THAT'S THEIR BUSINESS. Fairbanks & Carlisle. 1936. 1 reel, sd.

Credits: Written and narrated by Gayne Whitman.

THAT'S WHAT YOU THINK! 1936. For Consolidated Edison Co. of New York, Inc. Filmstrip, 123 frames, sd.

THAT'S WHAT YOU THINK! 1937. For Brooklyn Union Gas Co. Filmstrip, 122 frames, sd.

THAT'S WHAT YOU THINK! 1937. For Consolidated Edison Co. of New York, Inc. Filmstrip, 123 frames, sd.

THAT'S WHERE MY MONEY GOES. 1937. For United Autographic Register Co. Filmstrip, 99 frames, sd.

THE THAYER TRIAL. (William J. Burns Detective Mysteries) 1931. 11 min.

Credits: Director, G. C. Reid; story, adaptation, and dialogue; Russell Matson.

A THEATRICAL MANAGER'S OFFICE. SEE Willie and Eugene Howard in A Theatrical Manager's Office.

A THEFT IN THE DARK. 1915. 3 reels.

THE THEFT OF THE MONA LISA. Superfilm G.m.b.H., Berlin. Presented by Radio Pictures. 1932. 9 reels, sd.

Credits: Director, Geza Von Bolvary; adaptation, C. Hooper Trask.

THEIR ACT. Victor. 1916. 1 reel.

Credits: Scenario and production, Edward Ferguson; story, Laura Oakley.

THEIR ANNIVERSARY. Rex. 1916. 1 reel.

Credits: Producer, Ben Wilson; story adaptation, Samuel Greiner.

THEIR ANNIVERSARY FEAST. 1918. 1 reel.

Credits: Edward Earle, Graham Baker; director, Graham Baker.

THEIR AWFUL PREDICAMENT. Nestor. 1916. 1 reel.

Credits: Story, William and M. Frost; scenario, Al. E. Christie.

THEIR BEWITCHED ELOPEMENT. Joker. 1915. 1 reel.

Credits: Producer, Allen Curtis; scenario, Clarence G. Badger.

THEIR BIG MOMENT. 1934. 7 reels, sd. From the play "Afterwards" by Walter Hackett.

Credits: Associate producer, Cliff Reid; director, James Cruze; screenplay, Arthur Caesar, Marion Dix; editor, William Hamilton; music director, Max Steiner.

THEIR BURGLAR. Metro-Drew. 1917. 1 reel.

Credits: Written and produced by Mr. and Mrs. Sidney Drew.

THEIR COMPACT. 1917. 7 reels.

Credits: Maxwell Karger; director, Edwin Carewe; original story, Charles A. Logue; adaptation, Albert Shelby LeVino.

Credits: Written and worked out by James O. Walsh, Rex Taylor, Joseph A. Richmond.

THEIR DARK SECRET. Joker. 1916. 1 reel.

Credits: Director, William W. Beaudine; story, Sheeba Canne; scenario, Harry Wulze.

THEIR DIVORCE. Metro-Drew. 1916. 1 reel.

Credits: Stella R. Cowen; producer, Sidney Drew.

THEIR DIVORCE FUND. 1915. 1 reel.

THEIR FIRST. Metro-Drew. 1916. 1 reel.

Credits: Charlotte Wharton Ayres; producer, Sidney Drew.

THEIR FIRST ARREST. Joker. 1916. 1 reel.

Credits: Director, William W. Beaudine; story, Smythe Addison.

THEIR FIRST MISTAKE. Presented by Hal Roach. 1932. 2 reels, sd., b&w.

Credits: Director, George Marshall; editor, Richard Currier.

THEIR FIRST QUARREL. 1915. 1 reel.

Credits: Director, Sidney Drew.

THEIR FIRST TINTYPE. Century. 1920. 2 reels.

Credits: Written and directed by Bud Jamison.

THEIR FIRST VACATION. Released by Film Booking Offices of America. 1922. 2 reels.

Credits: Director, Malcolm St. Clair; story, Carter DeHaven; scenario, Beatrice Van.

THEIR FRIEND, THE BURGLAR. Nestor. 1915. 1 reel.

Credits: Scenario and production, Al. E. Christie.

THEIR GODSON. 1918. 1 reel.

Credits: Kenneth Webb; director, Graham Baker.

THEIR GOLDEN WEDDING. Laemmle. 1915. 1 reel.

Credits: Producer, Frank Lloyd; story, John Fleming Wilson.

THEIR HAPPY HONEYMOON. Nestor. 1915. 1 reel.

Credits: Scenario and production, Al. E. Christie.

THEIR HAPPY LITTLE HOME. 1915. Split reel.

Credits: Mark Swan.

THEIR HOUR. 1928. 6 reels.

Credits: Director, Alfred Raboch; story, Albert Shelby LeVino; editor, Martin G. Kohn.

THEIR INTEREST IN COMMON. 1913. 1 reel.

Credits: Director, Rollin S. Sturgeon.

THEIR LAST BEAN. (A Terry-Toon) Presented by Paul Terry. 1939. 1 reel, sd.

Credits: Director, Eddie Donnelly; story, John Foster; music, Philip A. Scheib.

THEIR LITTLE DRUDGE. 1914. 1 reel.

THEIR MAD MOMENT. 1931. 5,161 ft., sd. From the novel "Basquerie" by Eleanor Mercein.

Credits: Associate producer, A. L. Rockett; continuity and dialogue, Leon Gordon; editor, Alex Troffey.

THEIR MOTHER. 1916. 2 reels.

Credits: Director, Leon D. Kent.

THEIR MUTUAL CHILD. 1920. 6 reels. From the story by Pelham Grenville Wodehouse.

Credits: Director, George L. Cox; scenario, Daniel F. Whitcomb.

THEIR MUTUAL FRIEND. 1913. 1 reel.

Credits: Director, Frederick Thomson.

THEIR MUTUAL MOTOR. 1918. 1 reel.

Credits: Written and produced by Mr. and Mrs. Sidney Drew.

THEIR NIGHT OUT. 1915. 1 reel.

Credits: Director, Sidney Drew.

THEIR ONLY SON. Nestor. 1916. 1 reel.

THEIR OWN DESIRE. 1930. 7 reels, sd., b&w. From the novel by Sarita Fuller, pseud.

Credits: Director, E. Mason Hopper; screenplay, Frances Marion; dialogue, adaptation, and stage direction, James Forbes; film editor, Harry Reynolds.

THEIR OWN WAYS. 1915. 1,000 ft.

Credits: Elizabeth Miller; director, Charles M. Seay.

Credits: Producer, George L. Tucker.

THEIR PURPLE MOMENT. Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Supervising director, Leo McCarey; director, James Parrott; titles, H. M. Walker; editor, Richard Currier.

THEIR QUIET HONEYMOON. Nestor. 1915. 1 reel.

Credits: Written and produced by Al. E. Christie.

THEIR QUIET LITTLE HONEYMOON. Metro-Drew. 1916. 1 reel.

Credits: C. Doty Hobart.

THEIR SECRET. Big U. 1915. 2 reels.

Credits: Producer, William C. Dowlan; scenario, Leonora Dowlan.

THEIR SINFUL INFLUENCE. 1915. 3 reels.

Credits: Director, Lloyd B. Carleton.

THEIR SOCIAL SMASH. Powers. 1916. 1 reel.

Credits: Written and produced by Harry Wulze.

THEIR SOCIAL SPLASH. 1915.

Credits: Producer, Mack Sennett.

THEIR SOLDIER BOY. 1914. 1 reel.

THEIR SPORTING BLOOD. Nestor. 1918. 1 reel.

Credits: Producer, R. A. Dillon; scenario, Harry Wulze.

THEIR STEADY JOB. 1922. 1 reel.

Credits: Producer, E. A. Martin.

THEIR VILLAGE FRIEND. 1915. 1 reel.

Credits: James O. Walsh, Rex A. Taylor, Joseph A. Richmond.

THEIR WIVES' VACATION. (Mermaid Talking Comedies) 1930. 21 min., sd.

Credits: Written and directed by Stephen Roberts; continuity and adaptation, John Lockert, George Coogan.

THELMA. 1922. 6 reels. From the story by Marie Corelli.

Credits: Producer and director, Chester Bennett; adaptation, Thomas Dixon, Jr.

THEM EYES. Nestor. 1919. 1 reel.

Credits: Director, Ben Wilson; story, Frank R. Adams; scenario, Fred Myton, Waldemar Young.

THEM THAR HILLS. (Hal Roach Comedy) (Laurel and Hardy Comedy) 1934. 2 reels, sd.

Credits: Director, Charles Rogers; film editor, Bert Jordan.

THEM WAS THE GOOD OLD DAYS. 1915. 1 reel.

Credits: Director, C. J. Williams.

THEM WERE THE HAPPY DAYS. Powers. 1917. 1/2 reel.

Credits: Pat Sullivan; animation, Otz Messmer.

THEME SONGS OF YESTERDAY. (Organlogue, no. 8) 1931. 1 reel, sd.

Credits: Announcements, Norman Brokenshire.

Credits: Producer, John L. Hawkinson.

THEN AND NOW. SEE Billy and Elsa Newell in Then and Now.

THEN CAME THE PAWN. 1930. 1 reel, sd.

Credits: Written and directed by Eddie Buzzell.

THEN CAME THE WOMAN. Released through Moeller Theatre Service, Inc. 1926. 7 reels.

Credits: Written and directed by David Hartford.

THEN CAME THE YAWN. 1932. 2 reels.

Credits: Director, Joseph Henabery; story, Glen Lambert, Jack Henley.

THEN CAME THE YAWN. Educational. Treasure Chest. Presented by E. W. Hammons. 1934. 694 ft., sd.

Credits: Directors, Ben Blake, Max Hayes.

THEN HELL BROKE LOOSE. SEE Shanghaied Love.

Credits: Director, George Irving.

THEODORA. 1921. 10 reels. From the drama by Victorien Sardou.

Credits: Director, Cavaliere Leopold Carlucci.

THEODORA GOES WILD. 1936. 10 reels, sd.

Credits: Director, Richard Boleslawski; original story, Mary McCarthy; screenplay, Sidney Buchman; film editor, Otto Meyer; music director, Morris Stoloff.

THEODORE ROOSEVELT, FRIEND OF THE BIRDS. (The Roosevelt Series of History and Biography) 1928. 1 reel.

THEODORE ROOSEVELT, GREAT SCOUT. 1925. 2 reels.

THERE AIN'T NO JUSTICE. Presented by Carl Laemmle. 1934. 2 reels.

Credits: Producer, Warren Doane; director, James W. Horne; story, Albert Austin, James W. Horne; editor, Harry Marker.

THERE AND BACK. 1916. 1 reel.

Credits: Producer, Lawrence Semon.

THERE AND BACK. Nestor. 1918. 1 reel.

THERE ARE NO VILLAINS. 1922. 5 reels.

Credits: Producer and director, Bayard Veiller; story, Frank R. Adams; scenario, Mary O'Hara.

THERE GOES MY GIRL. 1937. 8 reels, sd.

Credits: Producer, William Sistrom; director, Ben Holmes; story, George Beck; screenplay, Harry Segall; editor, Desmond Marquette.

THERE GOES MY HEART. Released through United Artists. Presented by Hal Roach. 1938. 9 reels, sd.

Credits: Producer, Milton H. Bren; director, Norman Z. McLeod; original story, Ed Sullivan; screenplay, Eddie Moran, Jack Jevne; film editor, William Terhune; music director, Marvin Hatley.

THERE GOES RUSTY. (News World of Sports) 1939. 1 reel, sd.

Credits: Narrative by Jack Kofoed; described by Don Seymour; editor, Harry Foster.

THERE GOES THE BRIDE. (Star Comedy) 1918. 1 reel.

Credits: Lyons, Moran, King W. Vidor; director, Roy S. Clements.

THERE GOES THE BRIDE. 1938. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood, Jack Henley.

THERE GOES THE GROOM. 1937. 7 reels, sd.

Credits: Producer, Albert Lewis; director, Joseph Santley; story, David Garth; screenplay, S. K. Lauren, Dorothy Yost, Harold Kusell; editor, Jack Hively.

THERE IS A REASON FOR RICHFIELD. 1936. For Richfield Oil Corporation of New York. 1 reel, sd.

THERE IT IS. (Educational-Bowers Comedy) 1928. 2 reels.

Credits: Director, H. L. Muller.

THERE SHE GOES. (Stern Brothers Comedy) Century. 1926. 2 reels.

Credits: Director, Jess Robbins; story, Page Wright.

THERE YOU ARE. 1926. 6 reels. Based on the novel by F. Hugh Herbert.

Credits: Producer and director, Edward Sedgwick; adaptation and continuity, F. Hugh Herbert; film editor, Arthur Johns.

THERE'S A WILL. (Stern Brothers Comedy) (Mike and Ike) 1927. 2 reels. From the cartoons by Rube Goldberg.

Credits: Director, Francis Corby.

THERE'S ALWAYS A WOMAN. 1938. 8 reels, sd.

Credits: Producer, William Perlberg; director, Alexander Hall; story, Wilson Collison; screenplay, Gladys Lehman, film editor, Viola Lawrence; music director, Morris Stoloff.

THERE'S ALWAYS TOMORROW. 1934. 9 reels, sd.

Credits: Director, Edward Sloman; story, Ursula Parrott.

THERE'S MANY A FOOL. 1917. For Fox Film Corp. 3 reels.

Credits: Written and directed by Charles Parrott.

THERE'S MANY A SLIP. Nestor. 1915. 1 reel.

Credits: Producer, Horace Davey; scenario, Ben Cohn.

THERE'S MILLIONS IN IT. Released by Film Booking Offices. 1924. 6 reels. Adapted from the story "Men of Affairs" by Roland Pertwee.

Credits: Scenario and direction, Dennison Clift.

THERE'S MONEY IN WHIPPET AND WILLYS-6 TRUCKS. 1930. 1 reel.

THERE'S NO PLACE LIKE HOME. Rex. 1916. 1 reel.

Credits: Written and produced by Lois Weber.

THERE'S RHYTHM IN THE RIVER. SEE Rhythm in the River.

THERE'S SOMETHING ABOUT A SOLDIER. (Betty Boop Cartoon) 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Hicks Lokey.

THERE'S THAT WOMAN AGAIN. 1938. 8 reels, sd. Based on a work by Wilson Collison.

Credits: Associate producer, B. B. Kahane; director, Alexander Hall; story, Gladys Lehman; screenplay, Philip G. Epstein, James Edward Grant, Ken Englund; film editor, Viola Lawrence; music director, M. W. Stoloff.

Credits: E. V. Juhlström;, director, Victor Sjöström.

THERMODYNAMICS. 1938. 1 reel, sd.

THERMOID MEANS BUSINESS. 1936. For Thermoid Rubber Co. 1 reel, sd.

THESE DRY DAYS. SEE Fred Ardath in These Dry Days.

THESE GLAMOUR GIRLS. Presented by Metro-Goldwyn-Mayer. 1939. 8 reels, sd., b&w. From the Cosmopolitan Magazine story by Jane Hall.

Credits: Producer, Sam Zimbalist; director, S. Sylvan Simon; screenplay, Jane Hall, Marion Parsonnet; film editor, Harold Kress; music score, Edward Ward, David Snell.

THESE THREE. 1936. 90 min., sd. Based on a play by Lillian Hellman.

Credits: Director, William Wyler; screenplay, Lillian Hellman; film editor, Daniel Mandell; music director, Alfred Newman.

THEY ALL COME OUT. Presented by Metro-Goldwyn-Mayer. 1939. 7 reels, sd., b&w.

Credits: Producer, Jack Chertok; director, Jacques Tourneur; original story and screenplay, John C. Higgins; film editor, Ralph E. Goldstein.

THEY ALL FALL. 1925. 2 reels.

Credits: Written and directed by Ralph Ceder.

THEY ALWAYS OPEN THE DOOR FIRST. Presented by Fisher Body Division. 1937. For L. C. Chase Co. Filmstrip, 91 frames, sd.

THEY ASKED FOR IT. 1939. 7 reels, sd.

Credits: Associate producer, Max Golden; director, Frank McDonald; original story, Lester Fuller; screenplay, Arthur T. Horman; film editor, Phil Cahn.

THEY CALL IT LOVE. Bluebird. 1927. 1 reel.

THEY CALL IT SIN. 1932. 7 reels. Based on the novel by Alberta Stedman Eagan.

Credits: Director, Thornton Freeland; screenplay, Lillie Hayward, Howard J. Green.

THEY CALLED IT BABY. 1914. 1 reel.

THEY CAN'T HANG ME. SEE The Witness Vanishes.

THEY GAVE HIM A GUN. 1937. 10 reels, sd, b&w. From the novel by William Joyce Cowen.

Credits: Producer, Harry Rapf; director, W. S. Van Dyke, II; screenplay, Cyril Hume, Richard Maibaum, Maurice Rapf; film editor, Ben Lewis.

THEY GO BOOM. (A Hal Roach Comedy) Presented by Hal Roach. 1929. 2 reels.

Credits: Director, James Parrott; story, Leo McCarey; film editor, Richard Currier; story editor, H. M. Walker.

THEY HAD TO SEE PARIS. 1929. 8,620 ft.

Credits: Director, Frank Borzage; editor, Margaret Clancy.

THEY JUST HAD TO GET MARRIED. 1932. 7 reels. From a play by Cyril Harcourt.

Credits: Director, Edward Ludwig; screenplay, Gladys Lehman, H. M. Walker.

THEY KNOW THEIR GROCERIES. SEE Miller and Lyles in They Know Their Groceries.

THEY LEARNED ABOUT WOMEN. 1930. 11 reels, sd.

Credits: Directors, Jack Conway, Sam Wood; story, A. P. Younger; scenario, Sarah Y. Mason; dialogue, Arthur "Bugs" Baer; words and music, Jack Yellen, Milton Ager; film editor, James McKay.

THEY LIKE 'EM ROUGH. 1922. 5 reels.

Credits: Producer, Harry Beaumont; story and scenario by Rex and Irma Whepley Taylor.

THEY LIVE AGAIN. (A Miniature) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., sepia.

Credits: Director, Fred Zinnemann; screenplay, Herman Boxer; research compilations, Ryland R. Madison; narrator, John Nesbitt; music score, David Snell.

THEY LOOKED ALIKE. 1914. Split reel.

THEY LOVED HIM SO. 1915. 1 reel.

Credits: Director, C. J. Williams.

THEY MADE HER A SPY. 1939. 69 min., sd.

Credits: Producer, Robert Sisk; director, Jack Hively; story, George Bricker; screenplay, Michael Kanin, Jo Pagano; editor, Harry Marker; music director, Roy Webb.

THEY MADE ME A CRIMINAL. 1939. 11 reels, sd. From a novel by Bertram Millhauser and Beulah Marie Dix.

Credits: Director, Busby Berkeley; screenplay, Sig Herzig; music, Max Steiner.

THEY MET IN A TAXI. 1936. 7 reels, sd.

Credits: Production and screenplay, Howard J. Green; director, Alfred E. Green; story, Octavus Roy Cohen; music director, Morris Stoloff; film editor, Gene Milford.

THEY SHALL HAVE MUSIC. Released through United Artists. 1939. 10 reels, sd.

Credits: Producer, Samuel Goldwyn; director, Archie Mayo; screenplay, Irmgard von Cube, John Howard Lawson; film editor, Sherman Todd; music director, Alfred Newman.

THEY SHALL NOT PASS OUT. 1929. 2 reels.

Credits: Director, Ralph Ceder; story, E. V. Durling, Hal Davitt.

THEY WANTED TO MARRY. 1937. 6 reels, sd.

Credits: Associate producer, Zion Myers; director, Lew Landers; story, Larry Bachmann, Darwin L. Teilhet; screenplay, Paul Yawitz, Ethel Borden; editor, Desmond Marquette.

THEY WERE COLLEGE BOYS. 1914. 1 reel.

THEY WERE FOUR. Victor. 1917. 1 reel.

Credits: Story and direction, George Marshall; scenario, Karl R. Coolidge.

THEY WERE HEROES. Nestor. 1915. 1 reel.

Credits: Scenario and production, Al. E. Christie.

Credits: Producer, Charles France.

THEY WERE ON THEIR HONEYMOON. Nestor. 1915. 1 reel.

Credits: Producer, Eddie Lyons; scenario, A. E. Christie.

THEY WON'T FORGET. 1937. 10 reels, sd. From the novel "Death in the Deep South" by Ward Greene.

Credits: Producer, Mervyn LeRoy; screenplay, Robert Rossen, Aben Kandel; film editor, Thomas Richards; music director, Leo F. Forbstein.

THEY WOULDN'T TAKE HIM SERIOUSLY. Gold Seal. 1916. 2 reels.

Credits: Ben Conn; producer, William Worthington.

THEY'RE ALWAYS CAUGHT. (A Crime Does Not Pay Subject) Presented by Metro-Goldwyn-Mayer. 1938. 2 reels, sd., b&w.

Credits: Director, Harold S. Bucquet; original story and screenplay, John C. Higgins.

THEY'RE COMING TO GET ME. SEE Charles (Chic) Sale in They're Coming to Get Me.

THEY'RE OFF. 1936. 2 reels, sd.

Credits: Director, Lloyd French; story, Jack Henley, Burnet Hershey.

THEY'RE OFF. SEE The Speed Classic.

THICKER THAN WATER. (Hal Roach Comedy) Presented by Hal Roach. 1935. 2 reels, sd., b&w.

Credits: Director, James W. Horne; film editor, Ray Snyder.

THE THIEF. 1914. 5 reels. Adapted from the play by Henri Bernstein.

Credits: Direction and adaptation, Edgar Lewis.

THE THIEF. 1920. 6 reels. From the play by Henri Bernstein.

Credits: Director, Charles Giblyn; scenario, Max Marcin, Paul H. Sloane.

A THIEF IN PARADISE. First National. 1924. 8 reels. From the novel "The Worldlings" by Leonard Merrick.

Credits: Producer, George Fitzmaurice; adaptation, Frances Marion.

A THIEF IN THE DARK. 1928. 6 reels, b&w, lavender sequences.

Credits: Director, Albert Ray; story, Andrew Bennison, Albert Ray; scenario, Graham Baker.

THE THIEF IN THE NIGHT. 1915. 1,000 ft.

THIEF IN THE NIGHT. 1915. 2,000 ft. From the story by Albert Payson Terhune.

Credits: Adapted and produced by George Terwilliger.

THE THIEF MAKER. Imp. 1917. 2 reels.

Credits: Director, George Cochrane; story, George Surprenant; scenario, Harvey Gates.

THE THIEF OF BAGDAD. 1924. 14 reels.

Credits: Story, Elton Thomas.

THE THIEF OF PROFITS. 1930. 1 reel.

THE THIEF OF THE DESERT. Laemmle. 1916. 1 reel.

Credits: Written and produced by Lynn Reynolds.

THIEVES. 1913. 1 reel.

Credits: Director, W. J. Bauman.

THIEVES. 1919. 5 reels.

Credits: Director, Frank Beal; story, Will C. Beale; scenario, Douglas Bronston.

THIEVES' CLOTHES. 1920. 2 reels.

Credits: Director, Mack V. Wright; story, Arthur Henry Gooden; scenario, Hope Loring.

THIEVES' GOLD. Special Feature. 1918. 5 reels. Based on the story "Back to the Right Trail" by Frederick R. Bechdolt.

Credits: Director, Jack Ford; scenario, George Hively.

THIMBLE, THIMBLE. 1920. 2 reels. From the story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Edward H. Griffith; scenario, Paul M. Bryan.

THIN ICE. 1919. 5 reels.

Credits: Director, Thomas R. Mills; story, Shannon Fife; scenario, G. Marion Burton.

THIN ICE. 1937. 7,041 ft., sd. From the play "Der Komet" by Attila Orbok.

Credits: Director, Sidney Lanfield; screenplay, Boris Ingster, Milton Sperling; music director, Samuel Kaylin.

THE THIN MAN. 1934. 10 reels, sd., b&w. From the novel by Dashiell Hammett.

Credits: Producer, Hunt Stromberg; director, W. S. Van Dyke; screenplay, Albert Hackett, Frances Goodrich; film editor, Robert J. Kern; music score, William Axt.

THIN TWINS. (Hal Roach Comedy) Presented by Hal Roach. 1929. 2 reels.

Credits: Director, James W. Horne; story, Leo McCarey; editor, Richard Currier.

THE THINGS IN THE BOTTOM DRAWER. Laemmle. 1915. 1 reel.

Credits: Producer, Alan Forest; scenario, James Dayton.

THE THING'S THE PLAY. 1918. 2 reels. From the story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, George Ridgwell; adaptation, Charles Risse.

THINGS TO COME. Released through United Artists. 1936. 10 reels, sd. Based on the book by H. G. Wells.

Credits: Producer, Alexander Korda; director, William Cameron Menzies; music, Arthur Bliss.

THE THINGS WE LOVE. 1918. 5 reels.

Credits: Director, Lou Tellegen; story, H. B. and M. G. Daniel; scenario, Harvey Thew.

THINGS WIVES TELL. 1926. 7 reels.

Credits: Director, Hugh Dierker; adaptation, Lewis Allen Browne.

THINK FAST, MR. MOTO. 1937. 5,961 ft., sd. Based on the story by J. P. Marquand.

Credits: Director, Norman Foster; screenplay, Howard Ellis Smith, Norman Foster; music director, Samuel Kaylin.

THINK FIRST. (A Crime Does Not Pay Subject) Presented by Metro-Goldwyn-Mayer. 1939. 1,893 ft., sd., b&w.

Credits: Director, Roy Rowland; original story and screenplay, Douglas Foster, Alan Friedman; film editor, Harry Komer.

THINK IT OVER. (A Crime Does Not Pay Subject) Presented by Metro-Goldwyn-Mayer. 1938. 2 reels, sd., b&w.

Credits: Director, Jacques Tourneur; original story and screenplay, Winston Miller.

THINK MOTHERS. 1915. 1 reel.

Credits: Producer, Joseph Kaufman.

THINK OF THE MONEY. 1915. 1 reel.

Credits: Producer, Arthur D. Hotaling.

THE THINKING COCKATOOS. 1915. 1/2 reel.

THE THIRD ACT. 1915. 2 reels.

THE THIRD ALARM. Released thru Film Booking Offices of America. 1922. 6 reels.

Credits: Producer and director, Emory Johnson; story, Emilie Johnson.

THE THIRD ALARM. 1930. 7 reels, sd.

Credits: Director, Emory Johnson; story, Emilie Johnson; continuity and dialogue, Frances Hyland, John Francis Natteford.

THIRD CLASS MALE. Century. 1921. 2 reels.

Credits: Written and directed by William H. Watson.

THE THIRD DEGREE. 1919. 7 reels. From the play by Charles Klein.

Credits: Director, Tom Terriss; scenario, Phil Lang.

THE THIRD DEGREE. 1926. 8 reels. From the play by Charles Klein.

Credits: Director, Michael Curtiz; adaptation, Graham Baker.

Credits: Director, Horne; story, H. H. Van Loan.

1. The Poisoned Dagger. © title, descr. & 60 prints, 3Jun20; LU15183.

2. The Pendulum of Death. © title, descr. & 40 prints, 3Jun20; LU15184.

3. In Destruction's Path. © title, descr. & 40 prints, 3Jun20; LU15185.

4. Daggers of Death. © title, descr. & 40 prints, 3Jun20; LU15186.

5. The Black Hand Bag. © title, descr. & 49 prints, 3Jun20; LU15187.

6. The Death Spark. © title, descr. & 40 prints, 3Jun20; LU15188.

7. Crook's Ranch. © title, descr. & 40 prints, 3Jun20; LU15189.

8. Trails of Danger. © title, descr. & 40 prints, 3Jun20; LU15190.

9. The Race for Life. © title, descr. & 40 prints, 3Jun20; LU15191.

10. The House of Terrors. © title, descr. & 40 prints, 3Jun20; LU15192.

11. The Long Arm of Vengeance. © title, descr. & 40 prints, 3Jun20; LU15193.

12. Man Against Man. © title, descr. & 40 prints, 3Jun20; LU15194.

13. The Blind Trails of Justice. © title, descr. & 40 prints, 3Jun20; LU15195.

14. At Bay. © title, descr. & 40 prints, 3Jun20; LU15196.

15. The Triumph of Justice. © title, descr. & 40 prints, 3Jun20; LU15197.

THIRD HAND HIGH. 1915. 2 reels.

THE THIRD INGREDIENT. 1917. 2 reels. Based on a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Thomas R. Mills; adaptation, Helmer Walton Bergman.

THE THIRD KISS. 1919. 5 reels.

Credits: Director, Robert G. Vignolo; story, Heliodore Tenno; scenario, Edith Kennedy.

THE THIRD PARTNER. Powers. 1915. 1 reel.

Credits: Harvey Gates; producer, Lynn Reynolds.

THE THIRD PARTY. 1915. 1 reel.

Credits: Director, Theodore Marston.

THE THIRD ROUND. SEE Bulldog Drummond's Peril.

THE THIRD THANKSGIVING. 1912. 1 reel.

Credits: James Oppenheim.

THIRST. 1924. 2 reels.

Credits: Director, Fred Fishback.

THIRST AID. (Broadway Brevity) 1937. 19 min., sd.

Credits: Director, Lloyd French; story, Jack Henley, Eddie Forman.

THIRTEEN DOWN. 1915. 2 reels.

13 HOURS BY AIR. Presented by Adolph Zukor. 1936. 8 reels, sd.

Credits: Producer, E. Lloyd Sheldon; director, Mitchell Leisen; story, Bogart Rogers, Frank Mitchell Dazey; screenplay, Bogart Rogers; adaptation, Kenyon Nicholson; film editor, Doane Harrison.

13 WASHINGTON SQUARE. Universal Jewel. 1928. 6 reels.

Credits: Director, Melville Brown; story, Leroy Scott; adaptation and continuity, Harry O. Hoyt.

THIRTEEN WOMEN. Presented by Radio Pictures. 1932. 7 reels, sd. From the novel by Tiffany Thayer.

Credits: Executive producer, David O. Selznick; director, George Archainbaud; screenplay, Bartlett Cormack, Samuel Ornitz; film editor, Charles L. Kimball.

THE 13th ALARM. (Chester Conklin Comedy, no. 6) 1931. 2 reels, sd.

Credits: Supervision, Phil L. Ryan; director, Del Lord; story, Clarence Hennecke; film editor, Earl Neville.

Credits: Adapted and directed by Leonce Perret.

THE THIRTEENTH CHAIR. 1929. 8 reels, sd., b&w. From the play by Bayard Veiller.

Credits: Producer and director, Tod Browning; dialogue continuity, Elliott Clawson; film editor, Harry Reynolds.

THE THIRTEENTH CHAIR. 1937. 7 reels, sd., b&w. From the play by Bayard Veiller.

Credits: Director, George B. Seitz; screenplay, Marion Parsonnet; film editor, W. Donn Hayes; music score, David Snell.

THE THIRTEENTH COMMANDMENT. Paramount-Artcraft. 1919. 5 reels. Based on the novel by Rupert Hughes.

Credits: Director, Robert G. Vignola; scenario, Alice Eyton.

THE THIRTEENTH GIRL. 1915. 3 reels.

Credits: Director, Theodore Marston.

THE THIRTEENTH GUEST. 1932. 7 reels.

Credits: Producer, M. H. Hoffman; director, Albert Ray; story, Armitage Trail; scenario, Francis Hyland, Arthur Hoerl.

THE THIRTEENTH HOUR. 1927. 6 reels.

Credits: Director, Chester M. Franklin; story and screenplay, Douglas Furber, Chester M. Franklin; continuity, Edward T. Lowe, Jr.; film editor, Dan Sharits.

THE THIRTEENTH JUROR. Universal Jewel. 1927. 6 reels.

Credits: Director, Edward Laemmle; story, Henry Irving Dodge; screenplay, Charles A. Logue.

THE THIRTEENTH MAN. (Bulls Eye Comedy) Bluebird. 1926. 1 reel.

Credits: Director, Richard Smith.

THE 13th MAN. 1937. 8 reels, sd.

Credits: Producer, Lon Young; director, William Nigh; original screenplay, John Krafft; film editor, Russ Schoengarth.

THE THIRTIETH PIECE OF SILVER. 1920. 6 reels. From the story by Albert Payson Terhune.

Credits: Director, George L. Cox.

THIRTY. 1915. 2 reels.

Credits: Victor Eubank.

THIRTY A WEEK. 1918. 5 reels. Based on the play by Thompson Buchanan.

Credits: Director, Harry Beaumont.

30 BELOW ZERO. 1926. 5 reels, b&w, tinted sequences.

Credits: Directors, Robert P. Kerr, Lambert Hillyer; story and scenario, John Stone.

THIRTY DAY PRINCESS. 1934. 8 reels. From a novel by Clarence Budington Kelland.

Credits: Producer, B. P. Schulberg; director, Marion Gering; screenplay, Preston Sturges, Frank Partos; adaptation, Sam Hellman, Edwin Justus Mayer.

THIRTY DAYS. 1922. 5 reels. From the play by A. E. Thomas and Clayton Hamilton.

Credits: Director, James Cruze; adaptation, Walter Woods.

THIRTY DAYS. SEE The Silver Lining.

39 EAST. 1920. 5 reels. From the play by Rachel Crothers.

Credits: Director, John S. Robertson; scenario, Kathryne Stuart.

THE THIRTY-NINE STEPS. 1935. 8 reels, sd. Adapted from the novel by John Buchan.

Credits: Director, Alfred Hitchcock; adaptation, Charles Bennett; dialogue, Ian Hay; continuity, Alma Reville; editor, D. N. Twist; music director, Louis Levy.

36 HOURS TO KILL. 1936. 5,700 ft., sd.

Credits: Director, Eugene Forde; original story, W. R. Burnett; screenplay, Lou Breslow, John Patrick; music, Samuel Kaylin.

A THIRTY-SIX WEEKS BEHAVIOR DAY. (Yale Films of Child Development) 1935. 1 reel.

33 RUNS WILD. SEE A Tragedy of the Rails.

Credits: Scenario, continuity, and direction, Oscar Micheaux.

THIS AND THAT FROM HERE AND THERE. 1933. 626 ft., sd.

THIS BAND AGE. 1934. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Sam White; story, Ewart Adamson, Jack Cluett; film editor, Edward Mann.

THIS DAY AND AGE. 1933. 9 reels.

Credits: Director, Cecil B. De Mille; story, Bartlett Cormack.

THIS FREEDOM. 1923. 7 reels, b&w, tinted sequences.

Credits: Director, Denison Clift; story, A. S. M. Hutchinson.

THIS HERO STUFF. 1919. 5 reels.

Credits: Director, Henry King; story, Stephen Fox.

Credits: Producer, Frederic Ullman, Jr.; editor, Gilbert Seldes.

THIS IS HEAVEN. 1929. 8 reels.

Credits: Arthur Mantell; produced and directed by Alfred Santell; screenplay, Hope Loring.

THIS IS MY AFFAIR. 1937. 8,800 ft., sd.

Credits: Director, William A. Seiter; story and screenplay, Allen Rivkin, Lamar Trotti; music director, Arthur Lange.

THIS IS NEW YORK. SEE Two Kinds of Women.

THIS IS THE LIFE. 1917. For Fox Film Corp. 5 reels.

Credits: Director, Raoul Walsh; story and scenario, Ralph Spence, George Walsh.

THIS IS THE LIFE. Presented by Fox Film Corp. 1935. 5,985 ft., sd.

Credits: Director, Marshall Neilan; story, Gene Towne, Graham Baker; screenplay, Lamar Trotti, Arthur Horman; music director, David Buttolf.

THIS IS THE NIGHT. 1932. 9 reels, sd. From a play by Avery Hopwood based upon "Pouche" by Rene Peter and Henri Falk.

Credits: Director, Frank Tuttle; screenplay and lyrics, George Marion, Jr., Benjamin Glazer; music, Ralph Rainger.

THIS ISN'T THE LIFE. 1915. 1 reel.

Credits: Producer, Edwin McKim.

THIS LITTLE PIGGIE WENT TO MARKET. 1934. 1 reel.

Credits: Director, Dave Fleischer; animation, Hicks Lokey, Paul Fennell.

THIS MAD WORLD. 1930. 8 reels, sd., b&w. Adapted from the French play "Terre Inhumaine" by François de Curel.

Credits: Producer, William De Mille; screenplay, Clara Beranger; dialogue, Clara Beranger, Arthur Caesar; film editor, Anne Bauchens.

THIS MAN IS MINE. 1934. 8 reels, sd. From the play "Love Flies in the Window" by Anne Morrison Chapin.

Credits: Producer, Pandro S. Berman; director, John Cromwell; screenplay, Jane Murfin; music director, Max Steiner; editor, William Morgan.

THIS MAN IS NEWS. Presented by Pinebrook, Ltd. 1939. 8 reels, sd.

Credits: Producer, Anthony Havelock-Allan; director, David MacDonald; original story, Roger MacDougall, Allan MacKinnon; screenplay, Roger MacDougall, Allan MacKinnon, Basil Dearden; film editor, Reginald Beck; music director, Percival Mackey.

THIS MARRIAGE BUSINESS. 1938. 7 reels, sd.

Credits: Producer, Cliff Reid; director, Christy Cabanne; story, Mel Riddle, Alex Ruben; screenplay, Gladys Atwater, J. Robert Bren; editor, Harry Marker.

THIS MODERN AGE. 1931. 8 reels, sd., b&w.

Credits: Director, Nicholas Grindé; story, Mildred Cram; dialogue continuity, Sylvia Thalberg, Frank Butler; additional dialogue, John Meehan; film editor, William Le Vanway.

THIS RECKLESS AGE. 1932. 8 reels, sd. From a play by Lewis Beach.

Credits: Adaptation and direction, Frank Tuttle; screenplay, Joseph L. Mankiewicz.

THIS SIDE OF HEAVEN. 1934. 8 reels, sd., b&w. From the novel by Marjorie Bartholomew Paradis.

Credits: Producer, John W. Considine, Jr.; director, William K. Howard; adaptation, Zelda Sears, Eve Greene; screenplay, Edgar Allan Woolf, Florence Ryerson; film editor, Frank Hull; music score, William Axt.

THIS SPORTING AGE. 1932. 7 reels, sd.

Credits: Directors, A. F. Erickson, Andrew W. Bennison; story, James Kevin McGuinness; screenplay, adaptation and dialogue, Dudley Nichols; film editor, Maurice Wright.

THIS THING CALLED LOVE. 1929. 8 reels, sd. From the play by Edwin Burke.

Credits: Associate producer, Ralph Block; director, Paul L. Stein; adaptation and dialogue, Horace Jackson.

THIS WAY OUT. (Mirthquake) 1923. 2 reels.

Credits: Director, Eugene DeRue; story, Edward I. Luddy.

THIS WAY PLEASE. (Mike and Ike Comedy) 1929. 2 reels. From the cartoons by Rube Goldberg.

Credits: Director, Samuel Newfield.

THIS WAY PLEASE. Presented by Adolph Zukor. 1937. 8 reels, sd.

Credits: Producer, Mel Shauer; director, Robert Florey; story, Maxwell Shane, Bill Thomas; screenplay, Grant Garrett, Seena Owen, Howard J. Green.

THIS WIFE BUSINESS. (American Home Life Series, no. 1) 1923. 2 reels. Suggested by the story "What Is Your Value, Madame?" by Alice Ames Winter.

Credits: Director, Arthur J. Zelner.

THIS WOMAN. 1924. 7 reels. From the novel by Howard Rockey.

Credits: Director, Phil Rosen; story, Howard Rockey; screenplay, Hope Loring, Louis Durea Leighton.

THIS WOMAN IS MINE. 1935. 8 reels.

Credits: Director, Monty Banks; story, Gregory Ratoff; screenplay, Fred Thompson, Tom J. Geraghty, Ossip Dymow.

THIS WOMAN—THIS MAN. SEE Guilty of Love.

THIS'LL MAKE YOU WHISTLE. 1938. 8 reels, sd. From the book by Guy Bolton and Fred Thompson.

Credits: Producer and director, Herbert Wilcox; editors, Frederick Wilson, Richard Watton; music director, George Windeatt.

THOM, THE UNKNOWN. (Vagabond Adventure Series, no. 24) The Van Beuren Corp. 1931. 1 reel.

A THORN AMONG ROSES. 1915.

Credits: William Herbert.

THE THORN AND THE ROSE. 1916. 3 reels.

Credits: Producer, Ralph W. Ince.

THORNS AND ORANGE BLOSSOMS. Presented by B. P. Schulberg. 1922. 82 min. From the novel by Bertha M. Clay [pseud.]

Credits: Producer and director, Louis J. Gasnier; adaptation, Hope Loring; editor, Eve Unsell.

THE THOROUGHBRED. 1916. 5 reels.

Credits: Director, Reginald Barker; supervision, Thomas H. Ince.

THE THOROUGHBRED. 1930. 7 reels, sd.

Credits: Director, Richard Thorp; screenplay, John Francis Natteford; editor, Clarence Kolster.

THOROUGHBREDS. SEE The Million Dollar Handicap.

THOROUGHBREDS DON'T CRY. 1937. 8 reels, sd.

Credits: Producer, Harry Rapf; director, Alfred E. Green; original story, Eleanore Griffin, J. Walter Ruben; screenplay, Lawrence Hazard; film editor, Elmo Vernon; music director, William Axt; music and lyrics, Nacio Herb Brown, Arthur Freed.

THOSE ATHLETIC GIRLS. (Paramount-Mack Sennett Comedy) 1918. 2 reels.

Credits: Director, Edward Cline; story, Mack Sennett.

THOSE BEAUTIFUL DAMES. (Merrie Melodies) Vitaphone, 1935. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Isadore Freleng; animation, Paul Smith, Charles Jones; music score, Bernard Brown.

THOSE BITTER SWEETS. 1915.

Credits: Producer, Mack Sennett.

THOSE BLUES, FEATURING VINCENT LOPEZ AND HIS ORCHESTRA. 1932. 1 reel.

THOSE COLLEGE GIRLS. 1915.

Credits: Producer, Mack Sennett.

THOSE COLLEGE GIRLS. 1923. 2 reels.

THOSE DISTANT COUSINS. Paramount-Briggs. 1919. 1 reel. Based on "The Days of Real Sport" by Briggs.

Credits: Doty Hobart; director, John William Kellette.

THOSE DOG-GONE KIDS. (Star Comedy) 1921. 1 reel.

Credits: Director, Allen Curtis; story and scenario, Victor Gibson.

THOSE FEMALE HATERS. Joker. 1915. 1 reel.

Credits: Written and produced by Allen Curtis.

THOSE HIGH GREY WALLS. 1939. 7 reels, sd.

Credits: Producer, B. B. Kahane; director, Charles Vidor; story, William A. Ullman, Jr.; screenplay, Lewis Meltzer, Gladys Lehman; film editor, Gene Milford; music director, M. W. Stoloff.

THOSE KIDS AND CUPID. Nestor. 1915. 1 reel.

Credits: Story, Thomas Delmar; scenario, Al. E. Christie.

THOSE PULLMAN PORTERS, FEATURING THE KINGS OF HARMONY. 1927. 1 reel.

Credits: Director, Bryan Foy.

THOSE THREE FRENCH GIRLS. Cosmopolitan. 1930. 8 reels, sd., b&w.

Credits: Director, Harry Beaumont; original story, Dale Van Every, Arthur Freed; adaptation and continuity, Sylvia Thalberg, Frank Butler; dialogue, P. G. Wodehouse; film editor, George Hively; music, Joseph Meyer.

THOSE TROUBLESOME TRESSES. 1913.

Credits: Director, George D. Baker.

THOSE TWO BOYS. (Educational-Mermaid Comedy) 1929. 2 reels.

Credits: Producer, Jack White; director, Stephen Roberts.

THOSE WE LOVE. 1932. 8 reels. From the play by S. K. Lauren and George Abbott.

Credits: Producers, John Golden, Philip Dunning; director, Robert Florey.

THOSE WERE THE DAYS. 1929. 1 reel, sd.

THOSE WERE THE DAYS. 1934. 1 reel, sd.

Credits: Director, Roy Mack.

THOSE WERE WONDERFUL DAYS. (Merrie Melodies) 1934. 1 reel, sd.

Credits: Producer, Leon Schlesinger; animation, Paul Smith, Don Williams; musical score, Norman Spencer.

THOSE WHO DANCE. 1924. 8 reels.

Credits: Director, Lambert Hillyer; story, George Kibbe Turner; adaptation, Lambert Hillyer, Arthur Statler.

THOSE WHO DANCE. 1930. 9 reels.

Credits: George Kibbe Turner; director, William Beaudine; adaptation and dialogue, Joseph Jackson.

THOSE WHO DANCE. Trailer. 1930. 1 reel.

THOSE WHO JUDGE. 1924. 6 reels. From the novel by Margery Land May.

Credits: Director, Burton King; adaptation, Harry Chandlee.

THOSE WHO TOIL. 1916. 5 reels.

Credits: Director, Edgar Lewis.

THOSE WITHOUT SIN. 1917. 5 reels.

Credits: Producer, Marshall Neilan; director general, Cecil B. De Mille; story, Harvey F. Thew; adaptation, George DuBois Proctor, Tom J. Geraghty.

THOU ART THE MAN. 1915. 6 reels.

Credits: Director, S. Rankin Drew.

THOU ART THE MAN. 1920. 5 reels. From the story "Miles Calthrope" by F. E. Mills Young.

Credits: Director, Thomas N. Heffron; scenario, Margaret Turnbull.

THOU SHALT NOT. 1919. 6 reels.

Credits: Story, scenario, and direction, C. J. Brabin.

THOU SHALT NOT. 1931. 2 reels, sd.

Credits: Director, Howard Bretherton; story, Billy House; dialogue staged by Max E. Hayes.

THOU SHALT NOT COVET. 1916. 5 reels.

Credits: Director, Colin Campbell.

THOU SHALT NOT LIE. Imp. 1915. 2 reels.

Credits: Dwight Cleveland; producer, C. Easton.

THOU SHALT NOT STEAL. 1917. For Fox Film Corp. 6 reels. Adapted from the story "File no. 113" by Emil Gaboriau.

Credits: Director, William Nigh; scenario, Adrian Johnson.

Credits: Story, Eric Ergenbright; adaptation, Philip Hubbard.

A THOUGHT FOR YOU. Presented by Willard. 1938. 1 reel, sd.

A THOUGHT OF EQUITY. (Rothapfel Unit Programme, reel 2) 1919. Split reel.

THOUGHTS WHILE FISHING. (Outdoor Sketches) Presented by E. W. Hammons. 1928. 1 reel, sd.

Credits: Robert C. Bruce.

A THOUSAND A WEEK. (Star Comedy) 1921. 1 reel.

THE THOUSAND DOLLAR BILL. SEE Small Town Boy.

A THOUSAND DOLLAR DROP. Victor. 1917. 1 reel.

Credits: Director, Allen Curtis; scenario, Tom Gibson.

THE THOUSAND DOLLAR HUSBAND. Released by Paramount Pictures Corp. 1916. 5 reels. From the story by Margaret Turnbull.

Credits: James Young.

A THOUSAND TO ONE. 1920. 7 reels. From the novel "Fate's Honeymoon" by Max Brand [pseud. of Frederick Faust].

Credits: Director, Rowland V. Lee; adaptation, Joseph Franklin Poland.

THE THRALL OF LEIF THE LUCKY. SEE The Viking.

THE THREAD OF LIFE. Special Imp. 1916. 2 reels.

Credits: Joseph Gollomb; director, Ben Wilson.

Credits: Producer, Joseph W. Smiley.

THREADS OF FATE. 1917. 5 reels. From the story by Richard Barry.

Credits: Director, Eugene Nowland; scenario, June Mathis.

THREE ACES. (Grantland Rice Sportlight) 1929. 1 reel.

Credits: John Eaton.

THREE AGES. 1923. 6 reels.

Credits: Directors, Buster Keaton, Eddie Cline; story, Clyde Bruckman, Joseph Mitchell, Jean Havez.

THREE BAD MEN. 1926. 9 reels, b&w, tinted sequences. Suggested by the novel "Over the Border" by Herman Whittaker.

Credits: Director, John Ford; adaptation and scenario, John Stone.

THE THREE BEARS. (Dinkey Doodle Cartoons, no. 11) Bray. 1925. 1 reel.

THE THREE BEARS. (Paul Terry Toons) Educational Pictures. Presented by E. W. Hammons. 1934. 513 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

THE THREE BEARS. (A Terry-Toon) Presented by Paul Terry. 1939. 1 reel, sd., color.

Credits: Director, Mannie Davis; story, John Foster; music, Philip A. Scheib.

THE THREE BEARS. SEE Three Men and a Girl.

THREE BLIND MICE. 1938. 6,736 ft., sd. Based on the play by Stephen Powys.

Credits: Director, William A. Seiter; screenplay, Brown Holmes, Lynn Starling; music director, Arthur Lange.

THREE BLIND MOUSEKETEERS. (Walt Disney Silly Symphony) 1936. 1 reel.

THE THREE BRAVE HUNTERS. Big U. 1916. 1 reel.

THE THREE BROX SISTERS. (A Laemmle Novelty) Snappy. 1928. 1 reel, sd.

THE THREE BROX SISTERS IN DOWN SOUTH. 1928. 1 reel, sd.

THE THREE BROX SISTERS IN GLORIFYING THE AMERICAN SONG. 1928. 1 reel, sd.

THREE BROX SISTERS IN HEADIN' SOUTH. 1929. 1 reel.

THREE CHEERS FOR LOVE. (A Young Romance Comedy) Presented by E. W. Hammons. 1934. 1,667 ft., sd.

Credits: Producer, Al Christie; story, Arthur Jarrett, William Watson; music and lyrics, James Hanley, Benny Davis, Betty Laidlaw, Bob Lively.

THREE CHEERS FOR LOVE. Presented by Adolph Zukor. 1936. 7 reels, sd.

Credits: Director, Ray McCarey; original story, George Marion, Jr.; screenplay, Barry Trivers; music, Ralph Rainger, Leo Robin.

THREE CHUMPS AHEAD. (Hal Roach Comedy) (Thelma Todd and Patsy Kelly Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Louis McManus.

THE THREE COLONIAL GIRLS. 1927. 1 reel, sd.

Credits: Director, Bryan Foy.

THREE COMRADES. Presented by Metro-Goldwyn-Mayer. 1938. 10 reels, sd., b&w. From the book by Erich Maria Remarque.

Credits: Producer, Joseph L. Mankiewicz; director, Frank Borzage; screenplay, F. Scott Fitzgerald, Edward E. Paramore; film editor, Frank Sullivan; music, Franz Waxman.

THE THREE CORNERED KINGDOM. SEE If I Were Queen.

THREE CORNERED MOON. 1933. 8 reels. From the play by Gertrude Tonkonogy.

Credits: Producer, B. P. Schulberg; director, Elliott Nugent; screenplay, S. K. Lauren, Ray Harris.

THE THREE DIAMONDS. 1929. 2 reels.

Credits: Edgar Allen Woolf; director, Ben Holmes.

3 DUMB CLUCKS. 1937. 2 reels, sd.

Credits: Director, Del Lord; screenplay, Clyde Bruckman.

THREE FACES EAST. Presented by Cecil B. De Mille. Released by Producers Distributing Corp. 1925. 7 reels. From the play by Anthony Paul Kelly.

Credits: Producer and director, Rupert Julian; adaptation, C. Gardner Sullivan, Monte Katterjohn.

THREE FACES EAST. Warner Brothers Vitaphone. 1930. 9 reels. Based on the stage play by Anthony Paul Kelly.

Credits: Director, Roy Del Ruth; screenplay and dialogue, Oliver H. P. Garrett, Arthur Caesar.

THREE FLIGHTS UP. SEE Dancing Sweeties.

THREE GAME GUYS. 1929. 1 reel.

Credits: John Foster.

THREE GIRLS LOST. 1931. 6,438 ft., sd.

Credits: Director, Sidney Lanfield; story, Robert D. Andrews; screenplay and dialogue, Bradley King; editor, Ralph Dietrich.

THREE GLAD MEN. 1927. 2 reels.

Credits: Director, Gil Pratt.

THE THREE GODFATHERS. 1916. 6 reels. From the story by Peter B. Kyne.

Credits: Scenario, Edward J. LeSaint, Harvey Gates.

THREE GODFATHERS. 1936. 8 reels, sd., b&w. From the novel by Peter B. Kyne.

Credits: Producer, Joseph L. Mankiewicz; director, Richard Boleslawski; screenplay, Edward E. Paramore, Jr., Manuel Seff; film editor, Frank Sullivan; music director, William Axt.

THREE GODFATHERS. SEE

Hell's Heroes.

Marked Men.

THREE GOLD COINS. 1920. 5 reels.

Credits: Story, H. H. Van Loan.

THREE GOOD PALS. 1921. 2 reels.

Credits: Director, Nate Watt; story, Lou Seiler.

Credits: Director, Dell Henderson; adaptation, Wallace C. Clifton.

THE THREE GUN MAN. 1923. 2 reels.

Credits: Director, Erie Kenton.

THREE HATS. 1915. 2 reels.

THREE HOLLYWOOD GIRLS. (Educational's Comedies) (Ideal Comedies) 1931. 21 min., sd.

Credits: Director, William Goodrich; story, Katharine Scola, Sherman L. Lowe; continuity and dialogue, James Gleason, Ernest Pagano, Jack Townley.

THREE HOURS. Presented by Asher, Small and Rogers. 1927. 7 reels. From the story "Purple and Fine Linen" by May Edginton.

Credits; Producer, E. M. Asher; director, James Flood; screenplay, Paul Bern.

365 DAYS IN HOLLYWOOD. 1934. 6,871 ft., sd.

Credits: Director, George Marshall; story, James Starr; screenplay, William Conselman, Henry Johnson; music director, Samuel Kaylin.

THREE IN A CLOSET. (Star Comedy) 1919. 1 reel.

Credits: Directors, Lyons, Moran; story, C. A. Bruckman.

THREE IN EXILE. 1925. 5 reels.

Credits: Director, Fred Windemere; story, George Hively.

THREE JACKS AND A QUEEN. SEE Die Drei von der Tankstelle.

THE THREE JEANETTES. 1915. 1/2 reel.

THE THREE JOHNS. 1916. 1 reel.

Credits: Director, Dave Smith.

THREE JUMPS AHEAD. 1923. 5 reels.

Credits: Written and directed by Jack Ford.

THREE JUNGLE GIANTS. 1933. 1 reel.

THREE KEYS. 1924. 6 reels. From the novel by Frederic V. R. Dey.

Credits: Producer, Ben Verschleiser; director, Edward J. LeSaint.

THREE KIDS AND A QUEEN. Presented by Carl Laemmle. 1935. 10 reels, sd.

Credits: Associate producer, Ben Verschleiser; director, Edward Ludwig; story suggested by Harry H. Poppe, Chester Beecroft, Mary Marlind; screenplay, Barry Trivers, Samuel Ornitz; film editor, Byron Robinson.

THREE KINGS AND A QUEEN. 1939. 1 reel, sd.

Credits: Director, Leslie Roush; continuity, Justin Herman.

THREE KNAVES AND A HEATHEN CHINEE. 1914. 1 reel.

Credits: Henry Warwick.

THREE KNAVES AND A QUEEN. (Ely Culbertson in My Bridge Experiences) 1933. 2 reels, sd.

Credits: Supervision, Lou Brock; director, Sam White; film editor, Edward Mann.

THREE LAZY MICE. (Cartune Classics) Snappy. 1935. 1 reel, sd., color.

Credits: Story and lyrics, Walter Lantz, Victor McLeod.

THREE LITTLE BEERS. 1935. 2 reels, sd.

Credits: Director, Del Lord; story and screenplay, Clyde Bruckman.

THE THREE LITTLE PIGS. (Silly Symphony, no. U. A. 10) 1933. 1 reel.

THREE LITTLE PIGSKINS. 1934. 2 reels, sd.

Credits: Director, Raymond McCarey; story and screenplay, Felix Adler, Griffin Jay; film editor, James Sweeney.

THREE LITTLE SEW AND SEWS. 1938. 2 reels, sd.

Credits: Director, Del Lord; story and screenplay, Ewart Adamson.

3 LITTLE SWIGS. 1933. 2 reels, sd.

Credits: Producer and director, Arvid E. Gillstrom; story, Dean Ward, Vernon Pent; film editor, Jack English.

THREE LITTLE WOLVES. (Silly Symphony) 1936. 1 reel.

THREE LIVE GHOSTS. 1922. 6 reels. From the novel by Frederic S. Isham.

Credits: Scenario, Ouida Bergere.

THREE LIVE GHOSTS. United Artists. Presented by Joseph M. Schenck. 1929. 9 reels, sd. Based on the play by Frederic S. Isham and Max Marcin.

Credits: Production, adaptation, and dialogue, Max Marcin; director, Thornton Freeland; scenario, Helen Hallett.

THREE LIVE GHOSTS. 1936. 7 reels, sd., b&w. From the play by Frederic S. Isham and Max Marcin which was based on the novel by Frederic S. Isham.

Credits; Producer, John W. Considine, Jr.; director, H. Bruce Humberstone; screenplay, C. Gardner Sullivan; film editor, Tom Held; music score, William Axt.

THREE LOVES HAS NANCY. Presented by Metro-Goldwyn-Mayer. 1938. 7 reels, sd., b&w.

Credits: Producer, Norman Krasna; director, Richard Thorpe; story, Lee Loeb, Mort Braus; screenplay, Bella and Samuel Spewack, George Oppenheimer, David Hertz; film editor, Frederick Y. Smith; music score, William Axt.

THREE MARRIED MEN. Presented by Adolph Zukor. 1936. 6 reels.

Credits: Producer, Arthur Hornblow, Jr.; director, Edward Buzzell; story, Owen Davis, Sr.; screenplay, Dorothy Parker, Alan Campbell.

THE THREE MAXIMS. SEE The Show Goes On.

THREE MEN AND A GIRL. Paramount. Presented by Adolph Zukor. 1919. 5 reels. Adapted from the play "The Three Bears" by Edward Childs Carpenter.

Credits: Director, Marshall Neilan; scenario, Eve Unsell.

THREE MEN IN A TUB. (A Hal Roach Our Gang Comedy) 1938. 1 reel, sd., b&w.

Credits: Director, Nate Watt; film editor, William Ziegler.

THREE MEN ON A HORSE. First National. 1936. 9 reels, sd. From the play by John Cecil Holm and George Abbott.

Credits: Producer, Mervyn Leroy; screenplay, Laird Doyle.

THE THREE MESQUITEERS. 1936. 6 reels. Based on the book by William Colt MacDonald.

Credits: Producer, Nat Levine; supervision, Mack V. Wright; director, Ray Taylor; original story, Charles Condon; screenplay, Jack Natteford.

THE THREE MESQUITEERS. SEE The Trigger Trio.

THREE MILES UP. (Thrill Feature) 1927. 5 reels.

Credits: Director, Bruce Mitchell; story and continuity, Carl Krusada.

THREE MINUTE FUSE. (Your True Adventures) 1939. 11 min., sd.

Credits: Director, Joseph Henabery; screenplay, Burnet Hershey.

THREE MINUTES TO GO. SEE The Kick Off.

THREE MISSING LINKS. (A Standard Fat Man Comedy) Released by F. B. O. Pictures Corp. 1927. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, E. T. Montgomery, Joseph Basil.

THREE MISSING LINKS. 1938. 2 reels.

Credits: Director, Jules White; story and screenplay, Searle Kramer.

Credits: Scenario, Vera Maxwell, Wallace McCutcheon.

THREE MOUNTED MEN. 1918. 6 reels.

Credits: E. B. Lewis; producer, Jack Ford.

THE THREE MUSKETEERS. 1921. 11,700 ft. Adapted from the novel by Alexandre Dumas.

Credits: Director, Fred Niblo; adaptation, Edward Knoblock.

THE THREE MUSKETEERS. Presented by Nat Levine. 1933. 2 reels each, except no. 1 which is 3 reels, sd. Based on the novel by Alexandre Dumas.

Credits: Directors, Armand Schaeffer, Colbert Clark; story, Norman Hall, Colbert Clark, Wyndham Gittens, Ben Conn; dialogue, Ella Arnold.

1. The Fiery Circle.

2. One for All and All for One.

3. The Master Spy.

4. Pirates of the Desert.

5. Rebels' Rifles.

6. Death's Marathon.

7. Naked Steel.

8. The Master Strikes.

9. The Fatal Cave.

10. Trapped.

11. The Measure of a Man.

12. The Glory of Comrades.

THE THREE MUSKETEERS. 1935. 11 reels, sd. From the novel by Alexandre Dumas.

Credits: Associate producer, Cliff Reid; director, Rowland V. Lee; screenplay, Dudley Nichols, Rowland V. Lee; editor, George Hively; music, Max Steiner.

THE THREE MUSKETEERS. 1939. 6,519 ft., sd. Based on the novel by Alexandre Dumas.

Credits: Director, Allan Dwan; screenplay, M. M. Musselman, William A. Drake, Sam Hellman; music director, David Buttolph.

THE THREE MUSKETEERS. SEE

D'Artagnan.

The Iron Mask.

THE THREE MUST-GET-THERES. Presented by Allied Producers and Distributors Corp. 1922. 5 reels.

Credits: Written and directed by Max Linder.

THREE O'CLOCK IN THE MORNING. 1923. 2 reels.

Credits: Director, Richard Thorpe.

THREE O'CLOCK IN THE MORNING. 1923. 7 reels.

Credits: Director, Kenneth Webb; story, Gerald C. Duffy, Mann Page.

THREE O'CLOCK IN THE MORNING. SEE George Broadhurst & Co. in Three O'Clock in the Morning.

THREE OF A KIND. 1926. 2 reels.

Credits: Director, Harry Sweet.

THREE OF A KIND. 1936. 8 reels, sd.

Credits: Director, Phil Rosen; story and screenplay, Arthur T. Horman.

THREE ON A HONEYMOON (VOYAGE DE NOCES). 1933. 10 reels, sd.

Credits: Supervision, Joe May, E. Schmidt; director, Pierre O'Connell; dialogue, Jean Boyer; music, Walter Jurman, E. Kaper.

THREE ON A HONEYMOON. 1934. 5,850 ft., sd. From the novel "Promenade Deck" by Ishbel Ross.

Credits: Director, James Tinling; screenplay, Edward T. Lowe, Raymond van Sickle; adaptation, Douglas Doty; music director, Samuel Kaylin.

THREE ON A LIMB. (An Educational Star Comedy) Presented by E. W. Hammons. 1936. 2 reels, sd.

Credits: Director, Charles Lamont; story, Vernon Smith.

THREE ON A MATCH. 1932. 7 reels.

Credits: Director, Mervyn LeRoy; story, Kubec Glasmon, John Bright; screenplay, Lucien Hubbard.

THREE ON A MIKE. SEE Every Night at Eight.

THREE ON A ROPE. (A Pete Smith Specialty) 1938. 1 reel, sd., b&w.

Credits: Written and directed by Willard Vander Veer.

THREE ON A WEEK-END. 1938. 8 reels, sd. Released in England under the title "Bank Holiday."

Credits: Director, Carol Reed; original story, Hans Wilhelm, Rodney Ackland; scenario, Rodney Ackland, Roger Burford; editor, R. E. Dearing; music director, Louis Levy.

THREE ON THE TRAIL. Presented by Adolph Zukor. 1936. 7 reels, sd. Based on "Bar 20 Three" by Clarence E. Mulford.

Credits: Producer, Harry Sherman; director, Howard Bretherton; adaptation, Doris Schroeder; screenplay, Doris Schroeder, Vernon Smith.

THREE ORPHAN KITTENS. (Silly Symphony) 1935. 1 reel.

THREE PAIR OF SHOES. SEE The Price of Happiness.

THREE PAIRS OF STOCKINGS. (Star Comedy) 1920. 1 reel.

Credits: Written and directed by Allen Curtis.

THREE PALS. 1926. 5 reels.

THE THREE PASSIONS. Presented by Alastair Mackintosh. 1929. 8 reels. From the novel by Cosmo Hamilton.

Credits: Produced, adapted to the screen, and directed by Rex Ingram.

THREE-RING MARRIAGE. 1928. 6 reels. From the story "Help Yourself to Hay" by Dixie Willson.

Credits: Producer, Henry Hobart; adaptation and continuity, Harvey Thew; film editor, Stewart Heisler.

THREE RUSSIAN GYPSIES. SEE Renée Tumanova and Company.

THREE SAPPY PEOPLE. 1939. 1,583 ft.

Credits: Assistant producer and director, Jules White; original screenplay, Clyde Bruckman.

THE THREE SCRATCH CLUE. 1916. 2 reels. Reissue.

THREE SEVENS. 1921. 5 reels.

Credits: Director, Chester Bennett; story, Perley Poore Sheehan; scenario, E. Magnus Ingleton.

THREE SINNERS. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 8 reels. From the play "The Second Life" by Bernauer and Osterreicher.

Credits: Producer and director, Rowland V. Lee; screenplay, Jean de Limur; adaptation, Doris Anderson.

3 SISTERS. 1930. 5,721 ft., sd.

Credits: Director, Paul Sloane; story, Marion Orth, George Brooks; screenplay, James Kevin McGuinness, George Brooks.

THREE SMART BOYS. (Hal Roach Our Gang Comedy) 1937. 965 ft., sd., b&w.

Credits: Director, Gordon Douglas; film editor, William Ziegler.

THREE SMART GIRLS. 1936. 9 reels, sd.

Credits: Associate producer, Joseph Pasternak; director, Henry Koster; original story and screenplay, Adele Comandini; film editor, Ted Kent; music director, Charles Previn.

THREE SMART GIRLS GROW UP. 1939. 10 reels, sd.

Credits: Producer, Joe Pasternak; director, Henry Koster; original screenplay, Bruce Manning, Felix Jackson; film editor, Bernard Burton; music director, Charles Previn.

THREE SONS. 1939. 72 min., sd. From the novel "Sweepings" by Lester Cohen.

Credits: Producer, Robert Sisk; director, Jack Hively; screenplay, John Twist; editor, Theron Warth; music, Roy Webb.

THREE TEXAS STEERS. 1939. 6 reels, sd. Based on characters created by William Colt MacDonald.

Credits: Associate producer, William Berke; director, George Sherman; original screenplay, Betty Burbridge, Stanley Roberts; film editor, Tony Martinelli; music score, William Lava.

THE THREE THIEVES. 1933. 2 reels.

THE THREE THINGS. SEE The Unbeliever.

THREE TOUGH ONIONS. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Jules White.

THREE WAYS OUT. Black Cat. 1917. 2 reels.

Credits: Edward T. Lowe, Jr.; director, Richard Foster Baker.

THREE WEEK-ENDS. 1928. 6 reels.

Credits: Director, Clarence Badger.

Credits: Director and adapter, Perry N. Vekroff.

THREE WEEKS. 1924. 8 reels. From the novel by Elinor Glyn.

Credits: Director, Alan Crosland; scenario, Elinor Glyn; continuity, Carey Wilson; editorial director, June Mathis.

THREE WEEKS IN PARIS. 1925. 6 reels.

Credits: Director, Roy Del Ruth; story, Gregory Rogers; scenario, Darryl Francis Zanuck.

THREE WEEKS OFF. Presented by Century Comedies. 1922. 2 reels.

Credits: Written and directed by Alfred T. Goulding.

THREE WHO LOVED. 1931. 7 reels, sd.

Credits: Associate producer, Bertram Millhauser; director, George Archainbaud; story, Martin Flavin; adaptation and dialogue, Beulah Marie Dix.

THREE WHO PAID. 1923. 5 reels.

Credits: Director, Colin Campbell; story, George Owen Baxter; scenario, Joseph Franklin Poland.

THREE WISE CLUCKS. (Rainbow Comedies) 1931. 2 reels, sd., b&w.

Credits: Producer, Fred Lalley; director, Wallace Fox; story, L. V. Jefferson; film editor, Charles Craft; music director, Francis Gromon.

THREE WISE CROOKS. Released by F. B. O. 1925. 6 reels.

Credits: Director, Harmon Weight; story, John Brownell, Fred Kennedy Myton.

THREE WISE FOOLS. 1923. 7 reels. From the play by Austin Strong and Winchell Smith.

Credits: Adaptation and direction, King Vidor.

THREE WISE GIRLS. 1931. 7 reels, sd. Adapted from the story "Blonde Baby" by Wilson Collison.

Credits: Director, William Beaudine; adaptation, Agnes Christine Johnston; dialogue, Robert Riskin; film editor, Jack Dennis.

THREE WISE GOOFS. 1925. 2 reels.

THE THREE WISE GUYS. 1936. 8 reels, sd., b&w. From the story by Damon Runyon.

Credits: Producer, Harry Rapf; director, George B. Seitz; screenplay, Elmer Harris; film editor, Frank E. Hull; music score, William Axt.

THE THREE WISE MEN. 1916. 3 reels.

Credits: Director, Colin Campbell.

THE THREE WISHES. Victor. 1916. 1 reel.

Credits: Samuel Greiner; producer, Lucius Henderson.

THREE WOMEN. 1924. 8 reels.

Credits: Producer and director, Ernst Lubitsch.

THREE WOMEN OF FRANCE. Rex. 1917. 2 reels.

Credits: Director, Ruth Ann Baldwin; story and scenario, Bess Meredyth.

THREE WORD BRAND. 1921. 7 reels.

Credits: Screenplay and direction, Lambert Hillyer; story, Will Reynolds.

THREE'S A CROWD. Harry Langdon Corp. 1927. 6 reels.

Credits: Director, Harry Langdon; story, Arthur Ripley; adaptation, James Langdon, Robert Eddy.

THREE'S A CROWD. 1933. 1 reel, sd.

Credits: Drawn by Rollin Hamilton, Larry Martin.

THRIFT CANVASS. 1931. Filmstrip.

THE THRIFTY JANITOR. 1913. 1 reel.

Credits: Milton Nobles.

THE THRILL CHASER. 1923. 6 reels.

Credits: Director, Edward Sedgwick; story, Edward Sedgwick, Raymond Schrock.

THRILL FLASHES. 1934. 1 reel.

A THRILL FOR THELMA. (Crime Does Not Pay Series, no. 4) 1936. 2 reels, sd., b&w.

Credits: Director, Edward Cahn; story, Marty Brooks; screenplay, Richard Goldstone.

THE THRILL HUNTER. 1926. 6 reels.

Credits: Director, Eugene DeRue; story, Douglas Bronston; adaptation, Janet Crothers.

THE THRILL HUNTER. 1929. 2 reels.

Credits: Director, Walter Fabian; story and continuity, Basil Dickey.

THE THRILL HUNTER. 1933. 6 reels.

Credits: Director, George B. Seitz; screenplay, Harry O. Hoyt.

THE THRILL OF A LIFETIME. Presented by Goodrich. 1938. 1 reel, sd.

THRILL OF A LIFETIME. Presented by Adolph Zukor. 1938. 8 reels, sd.

Credits: Producer, Fanchon; director, George Archainbaud; story, Seena Owen, Grant Garrett; screenplay, Seena Owen, Grant Garrett, Paul Gerard Smith; music director, Boris Morros.

THE THRILL OF YOUTH. 1932. 7 reels.

Credits: Director, Richard Thorpe; story and dialogue, Edward T. Lowe.

THRILLING MOMENTS. (News World of Sports) 1938. 903 ft., sd.

Credits: Narrator, Jack Kofoed; described by Ford Bond.

A THRILLING RESCUE BY UNCLE MUN. 1912. 1,000 ft.

A THRILLING ROMANCE. Century. 1926. 2 reels.

Credits: Director, Jess Robbins; story, Page Wright.

THRILLS AND CHILLS. SEE Pudgy in Thrills and Chills.

THRILLS OF THE SEA. (Our World Today) 1928. 1 reel.

THRILLS WITH DAREDEVILS. 1936. 869 ft., sd.

Credits: Narrative by Jack Kofoed; described by Ford Bond.

THRO' LIFE'S WINDOW. 1914. 1 reel.

Credits: Directors, Maurice Costello, Robert Gaillard.

THROBS AND THRILLS. 1919. 2 reels.

Credits: Director, Gilbert Pratt; story, Montgomery, Rock.

THE THRONE OF THE GODS. 1933. 6 reels, sd.

Credits: Editor, Nathan Cy Braunstein; narrator, Lowell Thomas.

THROTTLE PUSHERS. (A Sports Champion Picture) 1933. 819 ft.

Credits: Director, Jules White; explanatory remarks by Pete Smith.

THROUGH A GLASS WINDOW. 1922. 5 reels.

Credits: Director, Maurice Campbell; story and adaptation, Olga Printzlau.

Credits: Producer, Hardee Kirkland.

THROUGH BABY'S VOICE. Laemmle. 1916. 2 reels.

Credits: Producer, George Cochrane; scenario, Calder Johnstone.

THROUGH CANADA FROM COAST TO COAST. 1917. 1 reel.

Credits: Screenplay, Dell Henderson.

Credits: Producer, L. B. Carleton.

THROUGH FLAMES TO LOVE. Imp. 1916. 2 reels.

Credits: Raymond L. Schrock; producer, Harry McRae Webster.

THROUGH HELL AND BACK AGAIN WITH THE ALLIES. SEE Over There.

THROUGH LIFE'S WINDOWS; the Tale of a Ray of Light. 1919.

THROUGH NORMANDY TO MONT ST. MICHEL. Released by Harold Auten. 1936. 1 reel, sd.

Credits: Music arranged and played by Lew White.

Credits: Producer, Carl Stearns Clancy.

THROUGH THE BACK DOOR. 1921. 7 reels.

Credits: Directors, Jack Pickford, Alfred E. Green; scenario, Marion Fairfax.

THROUGH THE BREAKERS. Gotham. Presented by Sam Sax. 1928. 6 reels. Based on the stage play by Owen Davis.

Credits: Supervision and screenplay, Harold Shumate; director, Joseph C. Boyle.

THROUGH THE DARK. Goldwyn-Cosmopolitan. 1924. 8 reels, tinted. Based on the story "The Daughter of Mother McGinn" by Jack Boyle.

Credits: Director, George Hill; scenario, Frances Marion.

THROUGH THE KEYHOLE. 1920. 2 reels.

Credits: Supervision, Hampton Del Ruth; director, Roy Del Ruth.

THROUGH THE PYRENEES TO LOURDES. Released by Compagnie Générale Transatlantique. 1937. 1 reel, sd.

Credits: Script collaborator, Paul P. Devlin.

THROUGH THE SOLID WALL. Imp. 1916. 2 reels.

Credits: Director, Walter Morton; story, Farleton Winchester; scenario, E. J. Clawson.

Credits: Director, Harry O. Hoyt.

Credits: R. Abreau.

THROUGH THE VALLEY OF SHADOWS. 1914. 4 reels.

THROUGH THE WALL. 1916. 6 reels. Based on the story by Cleveland Moffett.

Credits: Producer, Roland S. Sturgeon.

THROUGH THE WRONG DOOR. Presented by Samuel Goldwyn. 1919. 5 reels. Based on the novel "The Wrong Door" by Jesse Lynch Williams.

Credits: Director, Clarence G. Badger.

THROUGH THE YANGTZE GORGES. (Around the World with Burton Holmes) 1930. 1 reel, sd., color, b&w.

THROUGH THICK AND THIN. Presented by Camera Pictures, Inc. 1926. 5 reels.

Credits: Production manager, Glenn Belt; director, Reeves "Breezy" Eason; story and continuity, Edward J. Meagher; film editor, Fred Burnworth.

THROUGH TROUBLED WATERS. 1915. 3 reels.

Credits: Director, Ulysses Davis.

THROUGH TURBULENT WATERS. 1915. 4,000 ft.

Credits: Gertrude Lyon; director, Duncan McRae.

THE THROWBACK. Buck Jones Productions. Presented by Carl Laemmle. 1935. 6 reels, sd.

Credits: Director, Ray Taylor; original story, Cherry Wilson; screenplay, Frances Guihan; film editor, Bernard Loftus.

Credits: H. E. Hancock.

THROWING THE BULL. (World of Sports) 1933. 1 reel, sd.

THROWN OFF THE THRONE. 1914. Split reel.

THROWN OUT OF JOINT. 1933. 2 reels, sd.

Credits: Supervision, Louis Brock; directors, Harry Sweet, Leslie Goodwins; story, Harry Sweet, Hugh Cummings; film editor, John Lockert.

THROWN TO THE LIONS. Red Feather. 1916. 5 reels. From a story by Wallace Irwin.

Credits: Adapted by Norbert Lusk.

THRU DIFFERENT EYES. Presented by William Fox. 1929. 6 reels.

Credits: Produced and directed by John Blystone; story, Milton E. Gropper, Edna Sherry; scenario, Toy Barry, Milton E. Gropper.

THRU THE AGES. (Vagabond Adventure Series) The Van Beuren Corp. 1931. 1 reel.

Credits: Supervision, Elmer Clifton.

THRU THE KEYHOLE. (Star Comedy) 1920. 1 reel.

Credits: Director, Horace Davey; story and scenario, Ben Cohen.

THRU THE MIRROR. (Walt Disney Mickey Mouse) 1936. 1 reel, sd.

THRU THIN AND THICKET; or, WHO'S ZOO IN AFRICA. Masquers. 1933. 2 reels, sd.

Credits: Supervision, Louis Brock; director, Mark Sandrich; story, Ben Holmes, Walter Weems; film editor, Sam White.

THRUSHES AND RELATIVES. 1938. 1 reel, sd.

THUGS WITH DIRTY MUGS. (Merrie Melodies) 1939. 1 reel, sd.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; story, Jack Miller; animation, Sid Sutherland; music director, Carl W. Stalling.

THUMB PRINTS AND DIAMONDS. 1914. 1,000 ft.

THUMBS DOWN. Presented by Banner Productions, Inc. 1927. 5 reels.

Credits: Director, Philip Rosen; story, Gladys E. Johnson; continuity, Frances Guihan.

THUNDER. 1929. 9 reels, sd.

Credits: Produced and directed by William Nigh; story, Byron Morgan; continuity, Byron Morgan, Ann Price; film editor, Ben Lewis; music score, William Axt.

THUNDER AFLOAT. Presented by Metro-Goldwyn-Mayer. 1939. 10 reels, sd., b&w.

Credits: Producer, J. Walter Ruben; director, George B. Seitz; story, Ralph Wheelwright, Harvey Haislip; screenplay, Wells Root, Harvey Haislip; film editor, Frank E. Hull; music, Edward Ward, David Snell.

THUNDER BELOW. 1932. 7 reels, sd. From the novel by Thomas Rourke [pseud. of Daniel Joseph Clinton].

Credits: Director, Richard Wallace; screenplay, Josephine Lovett, Sidney Buchman.

THUNDER IN THE CITY. Atlantic Film. 1937. 9 reels.

Credits: Producer, Alexander Esway; director, Marion Gering; screenplay, Robert E. Sherwood, Aben Kandel, Akos Tolnay; editor, Arthur Hilton.

THUNDER IN THE DESERT. 1938. 6 reels, sd.

Credits: Producer, A. W. Hackel; director, Sam Newfield; original story and screenplay, George H. Plympton; film editor, S. Roy Luby.

THUNDER IN THE EAST. 1935. 9 reels, sd. Adapted from "La Bataille" by Claude Farrère.

Credits: Director, Nicolas Farkas; scenario, Nicolas Farkas, Bernard Zimmer; dialogue, Robert Stevenson.

THUNDER IN THE NIGHT. 1935. 6,092 ft., sd. Based on the play "A Woman Lies" by Ladislaus Fodor.

Credits: Director, George Archainbaud; screenplay, Frances Hyland, Eugene Solow; music, Samuel Kaylin.

THUNDER ISLAND. 1921. 5 reels.

Credits: Written and produced by Norman Dawn; scenario, Wallace Clifton.

THUNDER MOUNTAIN. 1925. 8 reels, tinted. From the play "Howdy Folks" by Pearl Franklin.

Credits: Director, Victor Schertzinger; scenario, Eve Unsell.

THUNDER MOUNTAIN. 1935. 7 reels, sd. From the novel by Zane Grey.

Credits: Producer, Sol Lessor; director, David Howard; screenplay, Dan Jarrett, Don Swift.

THUNDER OVER MEXICO. 1933. 8 reels, sd.

Credits: Director, Sergei M. Eisenstein; scenario, G. Alexandrov.

THUNDER RIDERS. 1927. 5 reels.

Credits: Director, William Wyler; story and continuity, Basil Dickey, Karl Krusada.

THUNDER TRAIL. Presented by Adolph Zukor. 1937. 6 reels, sd. Based on the novel "Arizona Ames" by Zane Grey.

Credits: Director, Charles Barton; screenplay, Robert Yost, Stuart Anthony.

THE THUNDERBOLT. First National. 1919. 5 reels.

THUNDERBOLT. 1929. 8 reels.

Credits: Director, Josef von Sternberg; story and screenplay, Jules Furthman, Charles Furthmann; dialogue, Herman J. Mankiewicz; film editor, Helen Lewis.

Credits: Director, Murdock MacQuarrie.

THUNDERCLAP. Fox Film Corp. 1921. 7 reels.

Credits: Director, Richard Stanton; story, Paul H. Sloane.

THUNDERGATE. 1923. 6,565 ft.

Credits: Director, Joseph De Grasse; story, Sydney Herschel Small; scenario, Perry N. Vehroff.

THUNDERING DAWN. All Star Universal-Jewel. 1923. 7 reels.

Credits: Director, Harry Garson; story, Leonore Coffee, John Goodrich.

THE THUNDERING HERD. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 7 reels. Based on the novel by Zane Grey.

Credits: Director, William Howard; screenplay, Lucien Hubbard.

THE THUNDERING HERD. 1933. 6 reels. From the novel by Zane Grey.

Credits: Producer, Harold Hurley; director, Henry Hathaway; screenplay, Jack Cunningham; continuity, Mary Flannery.

THUNDERING HOOFS. Released by F. B. O. 1924. 5 reels.

Credits: Director, Albert Rogell; story and continuity, Marion Jackson.

Credits: Director, Richard Thorpe; story, Ned Nye.

THUNDERING TAXIS. (A Hal Roach Taxi Boys Comedy) 1933. 2 reels, sd., b&w.

Credits: Director, Del Lord; editor, Louis McManus.

THUNDERING TENORS. Presented by Hal Roach. 1930. 2 reels, sd., b&w.

Credits: Director, James W. Horne; dialogue, H. M. Walker; editor, Richard Currier.

THUNDERING TOUPEES. (Hal Roach Comedy) Presented by Hal Roach. 1929. 2 reels.

Credits: Story, Leo McCarey; editor, Richard Currier.

THE THUNDERING WEST. 1939. 6 reels, sd.

Credits: Director, Sam Nelson; original screenplay, Bennett R. Cohen; film editor, William Lyon; music and lyrics, Bob Nolan; music director, M. W. Stoloff.

THY NAME IS WOMAN. 1924. 9 reels. Based on T. Glazer's American version of the play by Karl Schoenherr.

Credits: Director, Fred Niblo; scenario, Bess Meredyth.

TIBET, LAND OF ISOLATION. (A FitzPatrick Traveltalk) 1934. 1 reel, sd.

Credits: Compiler, James A. FitzPatrick.

THE TICK TICK MAN. (Star Comedy) 1919. 1 reel.

Credits: Written and directed by Lyons, Moran.

THE TICKET-OF-LEAVE MAN. 1914. Based on the melodrama by Tom Taylor.

TICKET OR LEAVE IT. Presented by Radio Pictures. 1935. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Alf Goulding; story, Stanley Rauh; film editor, Roy Webb; music director, Edward Mann.

A TICKET TO HAPPINESS. 1914. 1 reel.

Credits: Producer, Marshall Farnum.

TICKET TO PARADISE. 1936. 7 reels.

Credits: Producer, Nat Levine; supervision, Victor Zobel; director, Aubrey Scotto; original story, David Silverstein; screenplay, Jack Natteford, Nathanael West.

TICKETS, PLEASE. 1935. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood.

TICKLE BILL, TRAINED FLY. 1927. 1 reel.

TICKLISH BUSINESS. (Mermaid Talking Comedies) 1929. 20 min, sd.

Credits: Supervision, Jack White; director, Stephen Roberts.

TICONIUM TECHNIC. 1937. 2 reels.

TID-BITS. (A Warren Doane Brevity) 1934. 2 reels, sd.

Credits: Director, Warren Doane.

THE TIDAL WAVE. 1921. 5 reels. From the novel by Ethel M. Dell.

Credits: Adaptation and production, Sinclair Hill.

TIDDLY-WINKS. Bluebird. 1926. 1 reel.

Credits: Director, George Summerville.

TIDE OF EMPIRE. 1929. 8 reels, sd., b&w. Based on the novel by Peter B. Kyne.

Credits: Director, Allan Dwan; continuity, Waldemar Young; film editor, Blanche Sewell.

THE TIDE RISES. 1930. 1 reel, sd.

Credits: Director, Robert C. Bruce; story, Richard Cameron.

THE TIDES OF BARNEGAT. 1917. 5 reels. From the story by F. Hopkinson Smith.

Credits: Producer, Marshall Neilan; scenario, Eve Unsell.

Credits: Director, Marshall Farnum.

TIDES OF PASSION. 1925. 7 reels. Adapted from "In the Garden of Charity" by Basil King.

Credits: Director, J. Stuart Blackton; adaptation, Marian Constance.

THE TIDES OF RETRIBUTION. 1915. 3 reels.

Credits: Director, J. Farrell MacDonald.

THE TIDES OF SORROW. 1914. 1 reel.

TIDES THAT MEET. 1915. 3 reels.

Credits: Clinton Dangerfield.

TIDY TOREADOR. SEE Galloping Fury.

Credits: Producer, Lem B. Parker.

THE TIE THAT BINDS. 1915. 1 reel.

THE TIE THAT BINDS. SEE

Flaming Frontiers.

Heroes of the West.

TIE THAT BULL. Educational Film Exchanges, Inc. 1927. 2 reels.

Credits: Director, Robert Kerr; story, Sig Herzig.

TIE UP—AND CASH IN. Presented by the American Gas Assn. 1936. Filmstrip, sd., color.

TIED FOR LIFE. (Mermaid Comedies) 1933. 18 min., sd.

Credits: Producer and director, Arvid E. Gillstrom; story, Dean Ward, Vernon Dent.

TIED UP. Mustang. 1927. 2 reels.

Credits: Director, Vin Moore; story, W. C. Tuttle.

THE TIGER. 1913. 1 reel.

Credits: Director, Frederick Thomson.

TIGER. SEE Tiger True.

TIGER BAIT. 1915. 1 reel.

Credits: Producer, L. W. Chaudet; story, Wallace C. Clifton.

THE TIGER CUB. 1915. 1 reel.

Credits: Producer, L. W. Chaudet; story, Emma Bell.

TIGER ISLAND. SEE East of Java.

TIGER LAND. 1920. 1 reel.

Credits: Written and directed by Jack Allen.

THE TIGER-LILY. 1919. 5 reels.

Credits: Director, George L. Cox; story, Joseph Franklin Poland.

TIGER LOVE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6 reels. From "El Gato Montes" by Manuel Penella.

Credits: Director, George Melford; screenplay, Howard Hawks; adaptation, Julie Herne.

THE TIGER MAN. Presented by Thomas H. Ince. 1918. 5 reels.

Credits: Director, William S. Hart; supervision, Thomas H. Ince; story, J. G. Hawks.

TIGER ROSE. 1923. 8 reels.

Credits: Producer and director, Sidney Franklin; story, Willard Mack, David Belasco; adaptation, Edmund Goulding.

TIGER ROSE. Vitaphone. 1929. 6 reels. From the play by Willard Mack.

Credits: Director, George Fitzmaurice; screenplay, titles, and dialogue, Harvey Thew, Gordon Rigby.

TIGER ROSE. Trailer. 1929. 1 reel, sd.

TIGER SHARK. First National and Vitaphone. 1932. 8 reels. Based on the story "Tuna" by Houston Branch.

Credits: Director, Howard Hawks; screenplay, Wells Root.

THE TIGER SLAYER. 1915. 1 reel.

Credits: Producer, William Robert Daly; scenario, Emma Bell.

TIGER THOMPSON. 1924. 6 reels.

Credits: Supervision, Hunt Stromberg; director, E. Reeves Eason; story, Buckleigh Fritz Oxford; editor, Harry Marker.

TIGER TRUE. 1921. 5 reels. From the novel "Tiger" by Max Brand [pseud. of Frederick Faust].

Credits: Producer, J. P. McGowan; adaptation, George C. Hull; editors, Frank Lawrence, Ed. Schroeder.

TIGER VALLEY. SEE The Girl from Mandalay.

THE TIGER WOMAN. 1917. For Fox Film Corp. 6 reels.

Credits: Director, J. Gordon Edwards; story, James W. Adams; scenario, Adrian Johnson.

THE TIGER'S CLAW. Paramount. Presented by Jesse L. Lasky. 1923. 6 reels.

Credits: Director, Joseph Henabery; story, and scenario, Jack Cunningham.

THE TIGER'S CUB. 1920. 6 reels, b&w, tinted sequences.

Credits: Director, Charles Giblyn; story, George Goodchild; scenario, Paul H. Sloane.

TIGERS OF THE DEEP. (Sportlight) 1931. 1 reel.

Credits: Producer, Jack Eaton.

TIGERS OF THE PLAINS. Special Big U. 1916. 2 reels.

Credits: Director, Spencer Gordon Bennet; story and continuity, George Gray.

TIGE'S GIRL FRIEND. (A Buster Brown Comedy) (Stern Bros. Comedy) 1929. 2 reels. From the cartoons of R. F. Outcault.

TIGHT CARGO. Bluebird. 1926. 1 reel.

Credits: Director, Richard Wallace.

A TIGHT FIX. Rainbow. 1919. 2 reels.

Credits: Written and directed by A. Goulding.

TIGHT PLACES. (A Paramount-Christie Comedy) 1929. 2 reels.

Credits: Director, William Holland; story, Jean Arlette.

TIGHT ROPE TRICKS. (Tom and Jerry, no. 6) 1933. 7 min.

Credits: John Foster, George Rufle.

A TIGHT SQUEEZE. 1918. 2 reels.

Credits: Directors, Jack White, William H. Watson.

A TIGHT SQUEEZE. (George LeMaire Comedies) 1930. 2 reels, sd.

Credits: Producer and director, George LeMaire; story, Daniel Kusell; film editor, E. Pfitzenmeier.

THE TIGHTWAD. Joker. 1917. 1 reel.

Credits: Producer and director, Allen Curtis; scenario, Tom Gibson.

THE TIGRESS. 1927. 6 reels.

Credits: Producer, Harry Cohn; director, George B. Seitz; story and scenario, Harold Shumate; film editor, Ben Pivar.

TILL DEATH US DO PART. Released through General Film Co. 1914. 2 reels.

Credits: Written and directed by Colin Campbell.

TILL I COME BACK TO YOU. Artcraft. Presented by Jesse L. Lasky. 1918. 6 reels.

Credits: Jeanie McPherson; producer, Cecil B. De Mille.

TILL WE EAT AGAIN. (Bobbie Vernon Comedies) Educational. 1926. 2 reels.

Credits: Sig. Herzig; director, Earl Rodney.

TILL WE MEET AGAIN. Presented by Adolph Zukor. 1936. 8 reels, sd. Based on a play by Alfred Davis.

Credits: Producer, Albert Lewis; director, Robert Florey; adaptation, Morton Barteaux; screenplay, Edwin Justus Mayer, Brian Marlow, Franklin Coen.

TILLIE, A MENNONITE MAID. 1922. 5 reels. Founded on the novel by Helen R. Martin, and the play by Frank Howe, Jr.

Credits: Director, Frank Urson; screen version, Alice Eyton.

TILLIE AND GUS. 1933. 6 reels.

Credits: Producer, Douglas MacLean; director, Francis Martin; story, Rupert Hughes; screenplay, Walter DeLeon, Francis Martin.

TILLIE, THE TOILER. 1927. 7 reels. Based on the cartoon by Russ Westover.

Credits: Director, Hobart Henley; story, Agnes Christine Johnston, Edward T. Lowe, Jr.; screenplay, A. P. Younger.

Credits: Director, Harry Davenport; story, Mark Swan; scenario, Frances Marion.

TILLIE'S NIGHT OUT. SEE Tillie Wakes Up.

TILLIE'S PUNCTURED ROMANCE. 1915. 6 reels.

TILLIE'S PUNCTURED ROMANCE. Presented by Al Christie. 1928. 6 reels.

Credits: Producer and director, Edward Sutherland; story, Monte Brice; screenplay, Keene Thompson.

TILLIE'S TERRIBLE TUMBLE. 1916. 3 reels.

TILLY'S TOMATO SURPRISE. 1915. 6 reels.

Credits: Producer, Howell Hansel.

TIM. 1912. 1 reel.

Credits: James Oppenheim.

TIM TYLER'S LUCK. 1937-38. 2 reels each, sd. Based on the newspaper feature of the same title. © Universal Pictures Co., Inc.

Credits: Directors, Ford Beebe, Wyndham Gittens; original story and screenplay, Wyndham Gittens, Norman S. Hall, Ray Trampe.

TIMBER. SEE Hearts Aflame.

TIMBER GIANTS. (Pepper Pot Novelty) 1936. 11 min., sd.

Credits: Written and compiled by Deleon Anthony; commentator, Eddie Acuff.

TIMBER STAMPEDE. 1939. 59 min., sd. From stories by Bernard McConville and Paul Franklin.

Credits: Producer, Bert Gilroy; director, David Howard; screenplay, Morton Grant; editor, Frederic Knudtson; music director, Roy Webb.

TIMBER TALES. (Lumberjack Series) 1922-23. 2 reels each.

TIMBER TOPPERS. (Sport Champions) 1932. 791 ft.

Credits: Director, Ray McCarey; explanatory remarks by Pete Smith.

TIMBER TOPPERS. (Sports Review) 1938. 1 reel, sd.

Credits: Producer, Truman Talley; described by Ed. Thorgersen; arranged by Tom Cummiskey.

TIMBER WAR. 1936. 6 reels, sd. Suggested by the story "Hell's Gulch" by James Oliver Curwood.

Credits: Producers, Sig Neufeld, Maurice Conn; director, Sam Newfield; screen adaptation, Joseph O'Donnell, Barry Barringer; film editor, Richard Wray.

THE TIMBER WOLF. Big U. 1916. 1 reel.

Credits: Director, George Cochrane; story, Arthur F. Statter; scenario, Calder Johnstone.

TIMBER WOLF. 1925. 5 reels, b&w, tinted sequences. From the story by Jackson Gregory.

Credits: Director, William S. Van Dyke; scenario, John Stone.

TIMBERESQUE. 1938. 8 reels.

Credits: Director, King Guidice; original story, William Berke; adaptation, Robert St. Clair.

TIMBERLAND REVELS. 1937. 924 ft., sd.

Credits: Director, B. K. Blake; film editor, Harry Foster; music director, Milton Schwarzwald.

TIMBLIN AND RAYMOND [IN] TWO BLACK ACES. 1928. 1 reel, sd.

TIME AND MOTION ANALYSIS. (Eastman Classroom Films) 1929. 3 reels.

TIME FLIES. (Lupino Lane Comedies) 1926. 2 reels.

Credits: Director, Jesse Robbins.

TIME FLIES AND COMES BACK. SEE The Adventures of a Watch.

TIME FOR LOVE. 1935. 1 reel.

Credits: Director, Dave Fleischer.

TIME ON MY HANDS. 1932. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, Thomas Goodson.

TIME ON THEIR HANDS. Educational Films Corp. of America. Presented by E. W. Hammons. 1934. 1,029 ft., sd.

Credits: Producer, Al Christie; director, William Watson; story, Arthur Jarrett; editor, Sam Citron.

TIME OUT. (An Educational Mirthquake Comedy) Presented by E. W. Hammons. 1935. 1,768 ft., sd.

Credits: Story, Arthur Jarrett, William Watson.

TIME OUT FOR MURDER. 1938. 5,367 ft., sd.

Credits: Director, H. Bruce Humberstone; original story, Irving Reis; screenplay, Jerry Cady; music director, Samuel Kaylin.

TIME OUT FOR ROMANCE. 1937. 7 reels, sd.

Credits: Director, Malcolm St. Clair; original story, Eleanore Griffin, William Rankin; screenplay, Lou Breslow, John Patrick; music, Samuel Kaylin.

TIME OUT FOR TROUBLE. 1938. 2 reels.

Credits: Director, Del Lord; story and screenplay, Searle Kramer, Victor Travers.

THE TIME, PRICE AND WHY. 1936. Filmstrip, sd.

TIME, THE COMEDIAN. 1925. 5 reels.

Credits: Director, Robert Z. Leonard; story, Kate Jordon; adaptation, Frederic and Fanny Hatton.

THE TIME, THE PLACE AND THE GIRL. Trailer. 1929. 1 reel.

THE TIME, THE PLACE, AND THE GIRL. 1929. 7 reels. From the stage play by Frank R. Adams and Will Hough.

Credits: Joseph E. Howard; director, Howard Bretherton; screenplay, Robert Lord.

TIME TO EXPIRE. (Cameo Comedy) 1929. 1 reel.

Credits: Director, Francis J. Martin.

TIME TO LOVE. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 6 reels.

Credits: Alfred Savoir; associate producer, B. P. Schulberg; director, Frank Tuttle; screenplay, Pierre Collings.

TIMES HAVE CHANGED. 1923. 5 reels, b&w, tinted sequences. Based on the play by Elmer Davis.

Credits: Director, James Flood; scenario, Robert N. Lee.

TIMES HAVE CHANGED. 1936. For Imperial Paper and Color Corp. 1 reel, sd.

TIMES SQUARE. Gotham. Presented by Sam Sax. 1928. 6 reels.

Credits: Supervision, Harold Shumate; director, Joseph C. Boyle; story, Norman Houston; adaptation, Adele Buffington.

TIMES SQUARE LADY. 1935. 7 reels, sd., b&w.

Credits: Producer, Lucien Hubbard; director, George B. Seitz; screenplay, Albert Cohen, Robert Shannon; film editor, Hugh Wynn; synchronized score, Edward Ward.

TIMES SQUARE PLAYBOY. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1936. 7 reels, sd. From the play "Home Towners" by George M. Cohan.

Credits: Director, William McGann; screenplay, Roy Chanslor.

THE TIMID GHOST. Presented by E. W. Hammons. 1937. 2 reels, sd.

Credits: Director, William Watson; story, Earl Gilbert.

THE TIMID MR. TOOTLES. 1915. 2 reels.

Credits: Director, Sidney Drew.

THE TIMID RABBIT. Presented by E. W. Hammons. 1937. 600 ft., sd.

Credits: Paul Terry, Mannie Davis; scored and conducted by Philip A. Scheib.

THE TIMID TERROR. Released by F. B. O. 1926. 5 reels. From the story "Hi, Taxi" by Walter A. Sinclair.

Credits: Director, Del Andrews; screenplay, Gerald C. Duffy.

THE TIMID YOUNG MAN. Presented by E. W. Hammons. 1935. 1,786 ft., sd.

Credits: Producer and director, Mack Sennett.

TIMING. (A Grantland Rice Sportlight) The Van Beuren Corp. 1931. 1 reel.

TIMING CUPID. 1913. 1 reel.

Credits: Director, Harry Lambert.

Credits: Producer and director, Wallace Beery; story, Bess Meredyth.

TIMOTHY'S QUEST. 1922. 7 reels. From the novel by Kate Douglas Wiggin.

Credits: Production manager, Charles M. Seay; director, Sidney Olcott; scenario, Katherine Stuart.

TIMOTHY'S QUEST. Presented by Adolph Zukor. 1936. 7 reels, sd. From the novel by Kate Douglas Wiggin.

Credits: Producer, Harold Hurley; director, Charles Barton; screenplay, Virginia Van Upp, Dore Schary, Gilbert W. Pratt; film editor, Jack Dennis.

TIN. 1930. 1 reel.

THE TIN BRONC. Mustang. 1926. 2 reels.

Credits: Director, Ernst Laemmle; story and scenario, Basil Dickey.

THE TIN BRONCO. 1922. 2 reels.

Credits: Director, John McDermott.

TIN CAN ALLEY. 1924. 2 reels.

Credits: Director, Charles Lamont.

THE TIN CAN TOURIST. SEE Farmer Al Falfa in The Tin Can Tourist.

TIN CANS. 1921. 2 reels.

THE TIN GHOST. (Mermaid Comedies) 1926. 2 reels.

Credits: Supervision, Jack White; director, Stephen Roberts.

TIN GODS. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 9 reels. From the play by William Anthony McGuire.

Credits: Director, Allan Dwan; adaptation, Paul Dickey, Howard Emmett Rogers; screenplay, James Shelley Hamilton.

TIN HAT HARMONY. 1934. 1 reel, sd.

Credits: Director, Joseph Henabery.

TIN HATS. 1926. 7 reels.

Credits: Production, story and direction, Edward Sedgwick; adaptation, Lew Lipton, Donald Lee; continuity, Albert Lewin; film editor, Frank Davis.

THE TIN HOSS. (Hey Fellas) 1925. 2 reels.

Credits: Director, Mark Goldaine; story, King Benedict, C. S. Morehouse.

THE TIN MAN. (Hal Roach Comedy) (Todd-Kelly Comedy) Presented by Hal Roach. 1935. 2 reels, sd., b&w.

Credits: Director, James Parrott; film editor, Louis McManus.

TIN PAN ALLEY. 1919. 5 reels.

Credits: Director, Frank Beal; story, William Charles Lengel; scenario, J. Anthony Roach.

TIN PAN ALLEY. SEE

Dave Drey with Nora Schiller, Tin Pan Alley.

New York Nights.

A TIN SOLDIER; or, AN ACHING TOOTH IS NO EXCUSE. 1916. 32 min.

Credits: Charles Hoyt; director, Richard Foster Baker.

THE TINKER OF STUBBINVILLE. Big U. 1915. 1 reel.

Credits: Producer, Murdock MacQuarrie; story, Calder Johnstone; scenario, H. G. Stafford.

Credits: Director, Oscar Apfel; story, Fred Jackson; scenario, Wallace C. Clifton.

TINY HANDS. Powers. 1915. 1 reel.

Credits: Scenario and production, Sydney Ayers.

TINY HOUSEKEEPERS. (U. F. A. Oddity) 1929. 1 reel.

Credits: Edited and titled by John Michael Flick.

TINY, SLIM, AND FAT. 1917. 15 min.

TINY TROUBLES. Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., b&w.

Credits: Director, George Sidney; screenplay, Hal Law, Robert McGowan; music, Dave Snell.

TINY WATER ANIMALS. 1931. 1 reel.

Credits: Narrative by Roy Waldo Miner.

TIP OF THE DARK CONTINENT; Capetown, South Africa and Its Vicinity. 1914. 1 reel.

THE TIP OFF. 1929. 5 reels.

Credits: Director, Leigh Jason; story and continuity, Basil Dickey.

THE TIP-OFF. 1931. 8 reels, sd., b&w.

Credits: Producers, Charles R. Rogers, Harry Joe Brown; director, Albert Rogell; story, George Kibbe Turner; screenplay and dialogue, Earl Baldwin; film editor, Charles Craft; music director, Arthur Lange.

TIP-OFF GIRLS. Presented by Adolph Zukor. 1938. 7 reels, sd.

Credits: Director, Louis King; original screenplay, Maxwell Shane, Robert Yost, Stuart Anthony; film editor, Ellsworth Hoagland.

TIP TAP TOE. 1932. 2 reels.

Credits: Director, Alf Goulding; story, Jack Henley, Glen Lambert.

A TIP TO PARIS. 1930. 1 reel.

TIP TOES. Paramount. Presented by British National Pictures, Ltd. 1927. 7 reels. From the play by Fred Thompson and Guy Bolton.

Credits: Director, Herbert Wilcox.

TIPPED OFF. 1920. 2 reels.

Credits: Producer, Alfred Russell; story and scenario, Ford Beebe.

TIPS. Century. 1923. 2 reels.

A TIRE THAT SAVES LIVES. Presented by Goodrich. 1938. 1 reel, sd.

THE TIRED BUSINESS MAN. 1927. 6 reels.

Credits: Director, Allan Dale; story, John Francis Natteford.

TIRED BUSINESS MEN. Century. 1924. 2 reels.

TIRED FEET. 1933. 22 min., sd.

Credits: Producer and director, Arvid E. Gillstrom; story, Robert Vernon, Frank Griffin.

TIRED WHEELS. 1927. 1 reel. From the Krazy Kat cartoons.

'TIS SPRING. 1933. 2 reels, sd.

Credits: Director, John Francis Dillon; story, Edmund Joseph, Barry Trivers.

TISH'S SPY. 1915. 2 reels.

TIT FOR TAT. Victor. 1917. 1 reel.

TIT FOR TAT. (Hal Roach Comedy) (Laurel-Hardy Comedy) Presented by Hal Roach. 1935. 2 reels, sd., b&w.

Credits: Director, Charles Rogers; film editor, Bert Jordan.

TITANIA ARIA. SEE Mignon.

TITANS. SEE The Storm Breaker.

TITANS OF THE DEEP. Presented by E. W. Hammons. 1938. 5 reels, sd.

Credits: Story and narration, Lowell Thomas; editor, Sam Citron.

THE TITLE CURE. 1912. 1 reel.

Credits: George A. Imlach.

TITO SCHIPA. 1929. 1 reel.

Credits: Director, Joseph Santley.

TITO SCHIPA; CONCERT NO. 2. Paramount Lasky Corp. Presented by Adolph Zukor and Jesse L. Lasky. 1930. 1 reel, sd.

Credits: Director, Joseph Stanley.

TITTA RUFFO AS NELUSKO, THE SLAVE, IN MEYERBEER'S L'AFRICAINE. (Metro Movietone Act) 1930. 1 reel, sd.

TITTA RUFFO [SINGING] FIGARO. 1929. 485 ft., sd., amber.

TITTA RUFFO SINGING IAGO'S CREDO FROM VERDI'S OPERA OTHELLO. (Metro Movietone Act) 1930. 1 reel, sd.

TO A FINISH. 1921. 5 reels.

Credits: Director, Bernard J. Durning; story and scenario, Jack Strumwasser.

TO ABBEVILLE COURT-HOUSE. 1913. 1 reel.

Credits: Charles M. Seay.

TO AND FRO. 1923. 1 reel.

TO ANOTHER WOMAN. Rex. 1916. 2 reels.

Credits: Harvey Gates; producers, Cleo Madison, William V. Mong.

TO BE CALLED FOR. 1914. 1,000 ft.

Credits: Producer, F. J. Grandon.

TO BE OR NOT TO BE—MARRIED. Nestor. 1917. 1 reel.

Credits: Director, Louis William Chaudet; story, Virginia Kirtley; scenario, Fred A. Palmer.

TO BEAT THE BAND. 1935. 7 reels, sd.

Credits: Associate producer, Zion Myers; director, Ben Stoloff; story, George Marion, Jr.; screenplay, Rian James; editor, George Crone; music director, Alberto Colombo; music, Matt Malneck; lyrics, Johnny Mercer.

TO CHERISH AND PROTECT. 1915. 3 reels.

Credits: Director, William Humphrey.

TO 'FRISCO VIA THE CARTOON ROUTE. Imp. 1915. 1 reel.

Credits: Producer and scenario, Hy. Mayer.

TO HAVE AND TO HOLD. Paramount. Presented by Adolph Zukor. 1922. 8 reels. From the novel by Mary Johnston.

Credits: Director, George Fitzmaurice; adaptation, Ouida Bergere.

TO HAVE AND TO LOSE. 1915. 1 reel.

TO HELL WITH THE KAISER. Presented by Screen Classics, Inc. 1918. 7 reels.

Credits: Supervision, Maxwell Karger; director, George Irving; scenario, June Mathis.

Credits: Director, Oscar Apfel; scenario, Wallace C. Clifton.

TO HIM THAT HATH. SEE The Supreme Sacrifice.

TO HONOR AND OBEY. 1917. For Fox Film Corp. 6 reels.

Credits: Director, Otis Turner; story, Olga Printzlau; scenario, F. McGrew Willis.

TO MAKE THE NATION PROSPER. 1915. 1 reel.

Credits: Director, Charles M. Seay.

TO MARY—WITH LOVE. 1936. 8,250 ft., sd. From the novel by Richard Sherman.

Credits: Director, John Cromwell; screenplay, Richard Sherman, Howard Ellis Smith; music director, Louis Silvers.

Credits: Director, Reaves Eason.

TO OBLIGE A VAMPIRE. Nestor. 1917. 1 reel.

Credits: Director, Louis William Chaudet; story, Eddie Lyons, Lee Moran; scenario, C. B. Hoadley, Frederick A. Palmer.

TO PLEASE ONE WOMAN. 1920. 6 reels.

Credits: Written and directed by Lois Weber.

TO REDEEM AN OATH. Laemmle. 1915. 2 reels.

Credits: Producer, Frank Lloyd; scenario, Frank Lloyd, James Dayton.

TO SAVE HIM FOR HIS WIFE. 1915. 1 reel.

Credits: Producer, Wilfred North.

TO SPRING. (Happy Harmonies) 1936. 1 reel, sd., color.

Credits: Hugh Harman, Rudolph Ising.

TO THE DEATH. 1915. 1 reel.

Credits: Director, Ulysses Davis.

TO THE DEATH. 1917. 5 reels.

Credits: L. Case Russell; director, Burton L. King.

TO THE HIGHEST BIDDER. (Star Featurette) 1917. 2 reels.

Credits: Director, Lucius Henderson; story, Emmett Campbell Hall; scenario, Catherine Carr.

TO THE HIGHEST BIDDER. 1918. 5 reels.

Credits: Florence Morse Kingsley; director, Tom Terriss.

TO THE LADIES. Presented by Jesse L. Lasky. 1923. 6 reels. From the play by Marc Connelly and George S. Kaufman.

Credits: Producer and director, James Cruze; screenplay, Walter Woods.

TO THE LAST MAN. Paramount. Presented by Jesse L. Lasky. 1923. 7 reels. Based on the story by Zane Grey.

Credits: Director, Victor Fleming; adaptation, Doris Schroeder.

TO THE LAST MAN. 1933. 8 reels.

Credits: Director, Henry Hathaway; story, Zane Grey; screenplay, Jack Cunningham.

TO THE TUNE OF BULLETS. 1919. 2 reels.

TO THE VICTOR. 1938. 78 min., sd. From a story by Alfred Ollivant. Released in England under the title "Owd Bob."

Credits: Director, Robert Stevenson; screenplay, J. B. Williams; editor, R. E. Deering; music director, Louis Levy.

TO WHOM IT MAY CONCERN. SEE The Social Code.

TOAD ALLEN'S ELOPEMENT. 1919. 2 reels. Based on the Wolfville stories by Alfred Henry Lewis.

Credits: Director, Albert W. Hale; scenario, E. Steutevant.

THE TOAST OF NEW YORK. 1937. 12 reels, sd. Based on "The Book of Daniel Drew" by Bouck White and "The Robber Barons" by Matthew Josephson.

Credits: Producer, Edward Small; director, Rowland V. Lee; screenplay, Dudley Nichols, John Twist, Joel Sayre; editors, George Hively, Samuel Beetley; music director, Nathaniel Shilkret.

Credits: Producer, Oscar Eagle.

TOBIN'S PALM. 1918. 2 reels. From a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Kenneth Webb.

TOBY TORTOISE RETURNS. (A Walt Disney Silly Symphony) 1936. 1 reel, sd., color.

TOBY TYLER. SEE Circus Days.

TOBY'S BOW. 1919. 5 reels. Founded on the play by John Taintor Foote.

Credits: Director, Harry Beaumont; scenario, Edward T. Lowe.

DER TOD IN SEVILLA. SEE The Death in Sevilla.

TODAY. Presented by Harry Sherman and J. D. Trop. 1930. 8 reels, sd. From the Broadway play by Abraham Schomer and George Broadhurst.

Credits: Production and supervision, Harry Sherman; production manager, Walter Ford Tilford; scenario, Seton I. Miller.

TODAY WE LIVE. 1933. 11 reels, sd., b&w.

Credits: Producer and director, Howard Hawks; story and dialogue, William Faulkner; screenplay, Edith Fitzgerald, Dwight Taylor; film editor, Edward Curtiss.

THE TODD-PARKER TUCKING OPERATION. 1931. 1 reel.

TODDLES. Presented by Winkler Pictures, Inc. 1927. 2 reels.

Credits: Producer, Charles B. Mintz; written and directed by Hal Sintzenich.

TOGETHER. 1918. 5 reels.

Credits: Director, O. A. C. Lund; story, Lewis Wolheim.

TOGETHER WE LIVE. 1935. 7 reels, sd.

Credits: Direction and screenplay, Willard Mack; film editor, Arthur Hilton.

THE TOILERS. 1928. 9 reels.

Credits: Producer and director, Reginald Barker; story, and continuity, L. G. Rigby; editor, Robert J. Kern.

TOILERS OF THE SEA. 1923. 6 reels. From the story by Victor Hugo.

Credits: Director, R. William Neil.

Credits: Producer, Oscar Eagle.

TOILS OF THE LAW. (Your True Adventures) 1938. 11 min., sd.

Credits: Director, Joseph Henabery; screenplay, Ira Genet.

TOKENS OF MANHOOD. (U. F. A. Oddity) U. F. A. 1928. 1 reel, b&w.

Credits: Edited and titled by Edward Bowes.

A TOKIO SIREN. 1920. 5 reels.

Credits: Director, Norman Down; story, Gwendolyn Logan; scenario, Doris Schroeder.

TOL'ABLE DAVID. First National. 1921. 7 reels. Adapted from the Saturday Evening Post story by Joseph Hergesheimer.

Credits: Director, Henry King.

TOL'ABLE DAVID. 1930. 8 reels, sd. Based on the story by Joseph Hergesheimer.

Credits: Producer, Harry Cohn; director, John Blystone; screenplay, Benjamin Glazer; film editor, Glen Wheeler.

TOLD IN THE HILLS. 1919. 6 reels. From the novel by Marah Ellis Ryan.

Credits: Director, George Melford; scenario, Will M. Ritchey.

TOLEDO AND SEGOVIA. (Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

THE TOLL. 1914. 2 reels.

Credits: Director, Theodore Marston.

THE TOLL GATE. Paramount-Artcraft. 1920. 6 reels.

Credits: Producer, William S. Hart; director, Lambert Hillyer; story, Lambert Hillyer, William S. Hart.

Credits: Written and directed by Harry Handworth.

THE TOLL OF THE JUNGLE. 1916. 1 reel.

Credits: Producer, Thomas Santschi.

THE TOLL OF THE LAW. Imp. 1916. 1 reel.

Credits: Produced and written by Francis J. Powers.

THE TOLL OF THE SEA. Bison. 1915. 2 reels.

Credits: Henry McRae, Don Meaney; producer, Henry McRae.

THE TOLL OF THE SEA. 1922. 5 reels.

Credits: Director, Chester M. Franklin; story, Frances Marion.

THE TOLL OF YOUTH. Laemmle. 1915. 1 reel.

Credits: Producer, Frank Lloyd; story, Don Meaney; scenario, Earl R. Hewitt.

TOM AND HIS PALS. Released by F. B. O. 1926. 5 reels.

Credits: Director, Robert DeLacy; story, Frederick Arthur Mindlen; continuity, F. A. E. Pine.

TOM AND JERRY MIX. 1917. For Fox Film Corp. 2 reels.

Credits: Written and directed by Tom Mix.

TOM BROWN OF CULVER. 1932. 8 reels.

Credits: Director, William Wyler; screenplay, George Green, Tom Buckingham; added dialogue, Clarence Marks.

Credits: Adapted and produced by Rex Wilson.

TOM MARTIN—A MAN. 1916. 3 reels.

Credits: Director, George Nicholls.

TOM SAWYER. 1917. 5 reels. From the story by Mark Twain [pseud. of Samuel Langhorne Clemens].

Credits: Director, William D. Taylor; scenario, Julia Crawford Ivers.

TOM SAWYER, 1930. 7,648 ft., sd. Based on the story "The Adventures of Tom Sawyer" by Mark Twain [pseud. of Samuel Langhorne Clemens].

Credits: Director, John Cromwell; screenplay, Sam Mintz, Grover Jones, William Slavens McNutt.

TOM SAWYER, DETECTIVE. Presented by Adolph Zukor. 1938. 7 reels, sd. Based on the novel by Mark Twain [pseud. of Samuel Langhorne Clemens].

Credits: Director, Lewis King; screenplay, Lewis Foster, Robert Yost, Stuart Anthony; film editor, Ellsworth Hoagland.

TOM THUMB. (A Krazy Kat Cartoon) Presented by Columbia Pictures Corp. 1934. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Harry Love; animation, Allen Rose, Preston Blair; musical score, Joe De Nat.

TOM THUMBS DOWN. 1930. 1 reel.

TOM, TOM, THE PIPER'S SON. (Paul Terry-Toons) Educational. Presented by E. W. Hammons. 1934. 566 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

TOM WARING. (Metro Movietone Act) 1930. 1 reel, sd.

TOMALE O'. (Broadway Comedy, no. 4) 1921. 2 reels.

Credits: Director, Ward Hayes.

TOMALIO. 1934. 2 reels, sd.

Credits: Director, Roy McCarey; story, Glen Lambert, Jack Henley.

TOMATO OMELETTE. 1929. 2 reels.

Credits: Director, Harry Edwards; scenario, Clarence Hennecke, Milton Carruth.

THE TOMB OF FLAME. 1913. 3 reels.

THE TOMBOY. 1921. 5 reels.

Credits: Written and directed by Carl Harbaugh.

TOMBSTONE CANYON. World Wide. Presented by E. W. Hammons. 1932. 62 min., sd.

Credits: Director, Alan James; story, Claude Rister; continuity, Earle Snell.

TOMMY. SEE She's My Weakness.

TOMMY AND GRIZEL. SEE Sentimental Tommy.

TOMMY ATKINS. 1929. Produced with the cooperation of the Army Council. 7 reels, sd. Adapted from the play by Ben Landeck and Arthur Shirley.

Credits: Director, Norman Walker; adaptation, Ian Hay, Eliot Stannard.

Credits: Producer, Hardee Kirkland.

TOMMY'S STRATAGEM. 1913. 1 reel.

Credits: Ashley Miller.

TOMMY'S TRAMP. 1914. 1 reel.

Credits: Director, Robert T. Thornby.

TOMORROW AND TOMORROW. 1932. 8 reels. From the play by Philip Barry.

Credits: Director, Richard Wallace; screenplay, Josephine Lovett.

TOMORROW AT SEVEN. 1933. 7 reels, sd.

Credits: Producers, Joseph I. Schnitzer, Samuel Zieler; director, Ray Enright; screenplay and dialogue, Ralph Spence; film editor, R. E. Loewinger.

TOMORROW'S CHAMPIONS. (News World of Sports) 1935. 1 reel, sd.

Credits: Narrative by Jack Kofoed; described by Ford Bond.

TOMORROW'S HALFBACK. (Sports with Bill Corum, no. 4) 1936. 1 reel.

TOMORROW'S LOVE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 5,842 ft. From the story "Interlocutory" by Charles Brackett.

Credits: Director, Paul Bern; screenplay, Howard Higgin.

TOMORROW'S YOUTH. 1934. 7 reels, sd.

Credits: Producer, Trem Carr; supervision, Ben Verschleiser; director, Charles LaMont; story, Harry Sauber; screenplay, Earl Snell.

TOM'S GANG. Released by F. B. O. 1927. 5 reels.

Credits: Director, Robert DeLacy; story and continuity, Frank Howard Clark.

TOM'S LITTLE STAR. 1919. 2 reels.

Credits: Director, George W. Terwilliger; story, Mrs. Otis Skinner; scenario, Calder Johnstone.

TOM'S SACRIFICE. 1916. 1 reel.

Credits: Written and produced by Tom Mix.

TOM'S STRATEGY. 1916. 1 reel.

Credits: Produced and written by Tom Mix.

TOM'S TRAMPING TROUPE. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, J. A. Howe.

A TON OF FUN IN TAILORING; or, TAILORING. Presented by Joe Rock. 1925. 2 reels.

TONG TIED. (Krazy Kat Cartoon) 1928. 1 reel. From Herriman's famous cartoons.

Credits: Ben Harrison, Manny Gould.

TONG WAR. SEE Chinatown Nights.

TONGUE TIED. 1930. 1 reel, sd.

Credits: Director, Mort Blumenstock; dialogue staged by Max E. Hayes.

TONGUES OF FLAME. 1918. 5 reels. Adapted from the book "In the Carquinez Woods" by Bret Harte.

Credits: Scenario, Lanier Bartlett.

TONGUES OF FLAME. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 7 reels.

Credits: Producer and director, Joseph Henabery; story, Peter Clark MacFarlane; screenplay, Townsend Martin.

THE TONGUES OF MEN. 1915. 5 reels.

TONGUES OF SCANDAL. Presented by Sterling Productions, Inc. 1927. 6 reels.

Credits: Producer and director, Roy Clements; story, Adele De Vore; adaptation, George L. Sargent; editor, D. E. Rothchild.

TONIGHT AT TWELVE. 1929. 7 reels.

Credits: Director, Harry A. Poland; story, Owen Davis.

TONIGHT IS OURS. 1933. 8 reels, sd. Adapted from "The Queen Was in the Parlor" by Noel Coward.

Credits: Director, Stuart Walker; screenplay, Edwin Justus Mayer.

TONIGHT OR NEVER. United Artists. Presented by Samuel Goldwyn. 1931. 9 reels, sd. Based on David Belasco's stage success by Lili Hatvany.

Credits: Director, Mervyn Leroy; screenplay, Ernest Vajda; adaptation, Frederick Hatton, Fanny Hatton; film editor, Grant Whytock; music director, Alfred Newman.

TONIGHT'S THE NIGHT. (Cameo Comedy) 1926. 1 reel.

Credits: Director, Jules White.

TONI'S LAMENTO. SEE Il Paggliacci.

TONS OF TROUBLE. 1925. 2 reels.

Credits: Director, Glenn Lambert.

TONS OF TROUBLE. 1931. 1 reel, sd.

Credits: Written and directed by Walton Butterfield.

A TONSORIAL LEOPARD TAMER. 1914. 1 reel.

Credits: Producer, Norval MacGregor.

TONY. Imp. 1915. 1 reel.

Credits: Producer, George A. Lassey.

TONY AND MARIE. 1915. 1,000 ft.

Credits: Producer, John E. Ince.

Credits: Supervision, Jack Rieger; photographers, Bergi Contner, Joe Seiden.

TONY RUNS WILD. 1926. 6 reels, b&w, tinted sequences.

Credits: Director, Thomas Buckingham; story, Henry H. Knibbs; scenario, Edfrid Bingham, Robert Lord.

TONY THE GREASER. 1914.

Credits: Director, Rollin S. Sturgeon.

TONY. THE WOP. Nestor. 1915. 1 reel.

Credits: Written and produced by Al. E. Christie.

TOO BUSY TO WORK. 1932. 6,900 ft.

Credits: Director, J. G. Blystone; editor, Alex Troffey.

TOO CLEVER BY HALF. 1916. 1 reel.

Credits: Director, Sidney Drew.

TOO FAT TO FIGHT. 1918. 6 reels. From the book by Rex Beach.

Credits: Director, Hobart Henley.

TOO HOT TO HANDLE. (Louise Fazenda Series, no. 3) 1930. 2 reels.

Credits: Director, Lewis R. Foster; story and dialogue, E. V. Durling.

TOO HOT TO HANDLE. Presented by Metro-Goldwyn-Mayer. 1938. 11 reels, sd., b&w.

Credits: Producer, Lawrence Weingarten; director, Jack Conway; story, Len Hammond; screenplay, Laurence Stallings, John Lee Mahin; film editor, Frank Sullivan; music score, Franz Waxman.

TOO MANY BABIES. Century. 1925. 2 reels.

Credits: Director, Percy Pembroke.

TOO MANY BACHELORS. L-Ko. 1915. 1 reel.

TOO MANY BUCKS. Mustang. 1925. 2 reels.

Credits: Director, Vin Moore; story, W. C. Tuttle.

TOO MANY BURGLERS. (Star Comedy) 1920. 1 reel.

Credits: Written and directed by Eddie Lyons, Lee Moran.

TOO MANY CHEFS. 1916. 1 reel.

Credits: Written and produced by Tom Mix.

TOO MANY COOKIES. 1928. 2 reels, b&w. Adapted from the "Adventures of Van Bibber" by Richard Harding Davis.

Credits: Director, Orville Dull; scenario, Lou Breslow; Sidney Levee.

TOO MANY COOKS. 1931. 8 reels, sd.

Credits: Frank Craven; associate producer, Douglas MacLean; director, William A. Seiter; screenplay, Jane Murfin.

TOO MANY CROOKS. Nestor. 1915. 1 reel.

Credits: Scenario and production by A. E. Christie.

TOO MANY CROOKS. 1919. 5 reels. Based on the novel by E. J. Rath [pseud.]

Credits: Director, Ralph Ince; scenario, Edward J. Montagne.

TOO MANY CROOKS. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 5,399 ft. From the story by E. J. Rath [pseud.]

Credits: Director, Fred Newmeyer; screenplay, Rex Taylor.

TOO MANY HANDS. 1920. 1 reel.

TOO MANY HIGHBALLS. 1933. 2 reels, sd.

Credits: Director, Clyde Bruckman.

TOO MANY HISSES. 1928. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, Joseph Basil, W. H. Woodmansee.

TOO MANY HUSBANDS. 1914. 2 reels.

TOO MANY HUSBANDS. 1931. 21 min., sd.

Credits: Director, Leslie Pearce; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy, Del Lord.

TOO MANY KISSES. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 5,759 ft. From the story "A Maker of Gestures" by John Monk Saunders.

Credits: Director, Paul Sloane; screenplay, Gerald Duffy.

TOO MANY MILLIONS. Paramount. Presented by Jesse L. Lasky. 1918. 5 reels. From the story "Someone and Somebody" by Porter Emerson Browne.

Credits: Director, James Cruze; adaptation, Gardner Hunting.

TOO MANY PARENTS. Presented by Adolph Zukor. 1936. 8 reels, sd. From stories by George Templeton and Jesse Lynch Williams.

Credits: Producer, A. M. Botsford; director, Robert F. McGowan; screenplay, Virginia Van Upp, Doris Malloy; film editor, Edward Dmytryk.

TOO MANY RELATIONS. 1926. 2 reels. From the story by Mabel Herbert Urner.

Credits: Director, Albert Ray; adaptation, Andrew Bennison.

TOO MANY SMITHS. Nestor. 1915. 1 reel.

Credits: Scenario and production, Al. E. Christie.

TOO MANY SURPRISES. 1935. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Fred Guiol; story, Leslie Goodwin, Harry Edwards; film editor, Tholen Gladden.

TOO MANY WIVES. 1937. 7 reels, sd. From the story "Satisfaction Guaranteed" by Richard English.

Credits: Producer, William Sistrom; director, Ben Holmes; screenplay, Dorothy Yost, Lois Eby, John Grey.

TOO MANY WOMEN. (Sid Saylor Comedy) 1929. 2 reels.

Credits: Director, Sam Newfield; story, T. Page Wright, Bill Weber.

TOO MANY WOMEN. (Hal Roach Comedy) Presented by Hal Roach. 1932. 2 reels, sd.

Credits: Directors, Anthony Mack, Lloyd French; dialogue, H. M. Walker; editor, Richard Currier.

TOO MUCH ACTING. Presented by William Fox. 1929. 1 reel.

Credits: Director, Marcel Silver; story and scenario, Paul Gerard Smith; film editor, Ralph Dietrich.

TOO MUCH BURGLAR. 1914. 1 reel.

Credits: Directors, Maurice Costello, Robert Gaillord.

TOO MUCH BUSINESS. 1922. 7 reels. Suggested by the story "John Henry and the Restless Sex" by Earl Derr Biggers.

Credits: Director, Jess Robbins; adaptation, Ford L. Beebe.

TOO MUCH HARMONY. 1933. 8 reels, sd.

Credits: Producer, William LeBaron; director, Edward Sutherland; original story, Joseph L. Mankiewicz; dialogue, Harry Ruskin; music and lyrics, Arthur Johnston, Sam Coslow.

TOO MUCH HENRY. Metro-Drew. 1917. 1 reel.

Credits: Written and produced by Mr. and Mrs. Sidney Drew.

TOO MUCH JOHNSON. Paramount-Artcraft. 1919. 5 reels. From the play by William Gillette.

Credits: Director, Donald Crisp; scenario, Tom J. Geraghty.

TOO MUCH MONEY. 1926. 8 reels. Adapted from the play by Israel Zangwill.

Credits: Supervision, Earl Hudson; director, John Francis Dillon.

TOO MUCH MOTHER-IN-LAW. Century. 1925. 2 reels.

Credits: Written and directed by Noel Smith.

TOO MUCH PEP. SEE Judge Rummy in Too Much Pep.

TOO MUCH PROGRESS FOR PIPEROCK. Mustang. 1926. 2 reels.

Credits: Director, Vin Moore; story, W. C. Tuttle; adaptation, Robert McKenzie.

TOO MUCH SLEEP. Bluebird. 1926. 1 reel.

Credits: Director, George Summerville.

TOO MUCH SPEED. 1921. 5 reels. From the Saturday Evening Post story by Byron Morgan.

Credits: Director, Frank Urson.

TOO MUCH TURKEY. 1915. 1 reel.

TOO MUCH WIFE. 1922. 5 reels.

Credits: Supervision, Elmer Harris; director, Thomas N. Heffron; original story, Lorna Moon; scenario, Percy Heath.

TOO TOUGH TO KILL. 1935. 6 reels, sd.

Credits: Director, D. Ross Lederman; story, Robert D. Speers; screenplay, Lester Cole, J. Griffin Jay; film editor, Gene Milford.

TOO WISE WIVES. 1921. 6 reels.

Credits: Story, Lois Weber, Marion Orth.

TOO YOUNG TO MARRY. Trailer. 1930. 1 reel.

TOO YOUNG TO MARRY. 1931. 8 reels, sd. Adapted from "Broken dishes" by Martin Flavin.

Credits: Director, Mervyn LeRoy.

TOOMAI OF THE ELEPHANTS. SEE Elephant Boy.

THE TOONERVILLE FOLLIES. 1921. 2 reels. Based on cartoon characters created by Fontaine Fox.

Credits: Director, Ira M. Lowry; story, Fontaine Fox.

TOONERVILLE PICNIC. (Rainbow Parade Cartoon, no. 13) Released by RKO Radio. 1936. 1 reel.

Credits: Director, Burt Gillett.

TOONERVILLE TACTICS. (Toonerville Trolley Series) 1921. 2 reels.

Credits: Director, Ira M. Lowry; story, Fontaine Fox.

TOONERVILLE TANGLE. 1921. 2 reels.

Credits: Director, Ira M. Lowry; story, Fontaine Fox.

TOONERVILLE TROLLEY. (Rainbow Parade) 1936. 1 reel.

Credits: Directors, Burt Gillett, Tom Palmer.

THE TOONERVILLE TROLLEY THAT MEETS ALL TRAINS. Presented by Betzwood Film Co. 1921. 25 min. Based on cartoon characters created by Fontaine Fox.

Credits: Director, Ira M. Lowry; story, Fontaine Fox.

TOONERVILLE'S FIRE BRIGADE. 1921. 2 reels.

Credits: Director, Ira M. Lowry; story, Fontaine Fox.

TOOT SWEET. (Lloyd Hamilton Talking Comedies) 1929. 20 min., sd.

Credits: Producer, H. D. Edwards; director, Alf Goulding; story and dialogue, Vernon Smith.

TOOT SWEET. 1938. 2 reels, sd.

Credits: Written by Cyrus Wood, Jack Henley; director, Roy Mack.

TOOTHACHE. Motionscope Co. 1912. For and under the auspices of the National Mouth Hygiene Association. 1 reel.

TOOTHACHES AND HEARTACHES. 1917. 1 reel.

Credits: Thomas J. Gray; director, Chester M. De Vonde.

TOOTS' BIG IDEA. (Toots and Casper Series, no. 8) 1929. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, Victor Potel.

TOOTSIE. Metro-Drew. 1917. 1 reel.

Credits: Hal Forrest; written and produced by Mr. and Mrs. Drew.

TOOTSIES AND TAMALES. 1919. 2 reels.

Credits: Director, Neal Smith; story, Budd Ross, Babe Hardy.

TOP FLAT. (Hal Roach Comedy) Presented by Hal Roach. 1935. 2 reels, sd., b&w.

Credits: Director, William Terhune, Jack Jevne; film editor, Louis McManus.

TOP FORM. (Sportlight) 1935. 1 reel, sd.

Credits: Narrator, Ted Husing.

THE TOP HAND. Mustang. 1925. 2 reels.

Credits: Director, Ernst Laemmle; story, F. E. Paget.

TOP HAT. 1935. 11 reels, sd.