S (part 3)

6. Footlight Follies. © 15Jan30; LP1000.

7. A Royal Fourflush. © 1Feb30; LP1049.

8. Arabian Daze. © 19Feb30; LP1092.

9. Seeing Stars. © 21Mar30; LP1171.

10. Chinese Blues. © 5Apr30; LP1200.

10. Chinese Blues. © 12Apr30; LP1225.

11. Halloween. © 12Apr30; LP1226.

12. Schoolmates. © 24Apr30; LP1252.

SPORTLAND ON THE SCREEN. Presented by Persal Productions. 1935. 1 reel, sd.

Credits: Narrator, Arthur Hale.

A SPORTLIGHT COCKTAIL. 1934. 1 reel, sd.

Credits: Narrator, Ted Husing.

SPORTOLOGY. 1925. 1 reel.

SPORTS AND SPLASHES. 1917. 1 reel.

Credits: Graham Baker; director, Lawrence Semon.

SPORTS GREATEST THRILLS. (News World of Sports) 1937. 842 ft., sd.

Credits: Narrative, Jack Kofoed; described by Ford Bond.

SPORTS HEADLINERS OF 1936. (Adventures of the Newsreel Cameraman) 1936. 1 reel, sd.

Credits: Producer, Truman Talley; editor, Lew Lehr.

SPORTS IN THE ALPS. Treasure Chest. Presented by E. W. Hammons. 1936. 819 ft.

Credits: Story and narration, Ed Thorgersen.

SPORTS ON ICE. (A Pete Smith Specialty) 1936. 1 reel, sd., b&w.

THE SPORTSMAN. 1920. 2 reels.

Credits: Directors, Larry Semon, Norman Taurog.

THE SPOT ON THE RUG. (Mack Sennett Comedy Featurettes) Educational Film Exchanges, Inc. 1932. 19 min., sd.

Credits: Director, Babe Stafford; story and dialogue, John A. Waldron, Gene Towne, Felix Adler, Del Lord.

SPOT LIGHT. (Mermaid Comedies) 1925. 2 reels.

Credits: Written and directed by Norman Taurog.

THE SPOTLIGHT. 1927. 4,866 ft. From the story "Footlights" by Rita Weiman.

Credits: Director, Frank Tuttle; adaptation, Hope Loring.

SPOTLIGHT SADIE. Presented by Samuel Goldwyn. 1919. 5 reels.

Credits: Director, Laurence Trimble; story, Lewis Allen Browne.

THE SPOTTED LILY. 1917. 5 reels.

Credits: J. Grubb Alexander, Fred Myton; director, Harry Solter.

THE SPOTTED NAG. 1919. 2 reels.

Credits: Director, Jim Davis.

SPOTTED WINGS. (A Battle for Life Release) Audio Productions, Inc. in cooperation with British Instructional Films, Ltd. Educational Pictures. Presented by E. W. Hammons. 1934. 614 ft., sd.

Credits: Narration, James F. Clemenger; editor, Sam Citron.

THE SPREADING DAWN. 1917. 6 reels.

Credits: Director, Lawrence Trimble; story, Basil King.

Credits: Written and produced by James Keane.

A SPRIG OF SHAMROCK. 1915. 1 reel.

Credits: Millard Johnson.

SPRING ANTICS. (Aesop's Sound Fable) 1932. 1 reel.

Credits: John Foster, Mannie Davis.

A SPRING CHICKEN. 1916. 3 reels.

SPRING CLEANING. SEE The Fast Set.

SPRING DANCE. SEE Spring Madness.

THE SPRING FESTIVAL. (Scrappy) (A Color Rhapsody) Columbia Pictures Corp. 1937. 1 reel, sd., color.

Credits: Producer, Charles Mintz; story, Ben Harrison; animation, Manny Gould; music, Joe de Nat.

SPRING FEVER. 1916. 1 reel.

SPRING FEVER. Century. 1923. 2 reels.

SPRING FEVER. 1923. 2 reels.

Credits: Director, Archie Mayo.

SPRING FEVER. 1927. 7 reels, b&w. From the play by Vincent Lawrence.

Credits: Producer and director, Edward Sedgwick; screenplay, Albert Lewin, Frank Davis; titles, Ralph Spence; film editor, Frank Sullivan.

SPRING FEVER. SEE Love in the Rough.

SPRING HAS CAME. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Jules White.

A SPRING IDYLL. (Paula Blackton's Country Life Stories) 1917. 1 reel.

Credits: Director, J. Stuart Blackton.

SPRING IN THE PARK. (Oswald) Snappy. 1934. 1 reel.

Credits: Bill Nolan.

SPRING IS HERE. First National and Vitaphone. 1930. 70 min., sd. Adapted from the musical play by Owen Davis, Lorenz Hart, and Richard Rodgers.

Credits: Producer, John Francis Dillon; screen version, James A. Starr.

SPRING IS HERE. Trailer. 1930. 1 reel, sd.

SPRING IS HERE. (Paul Terry Toons) 1932. 6 min.

Credits: Frank Moser and Paul Terry.

SPRING IS HERE. Presented by E. W. Hammons. 1936. 1,810 ft., sd.

Credits: Producer, Al Christie; story, Arthur Jarrett, Marcy Klauber.

SPRING IS HERE. SEE Yours Sincerely.

SPRING MADNESS. Presented by Metro-Goldwyn-Mayer. 1938. 7 reels, sd., b&w. Based on the play "Spring Dance" by Philip Barry, which was adapted from an original play by Eleanor Golden and Eloise Barrangon.

Credits: Production and screenplay, Edward Chodorov; director, S. Sylvan Simon; film editor, Conrad Nervig; music score, William Axt.

SPRING NIGHT. Presented by Frank Tuttle. 1935. 1 reel, sd.

Credits: Director, Tatiana Tuttle; music, Joseph Achron; orchestration, Edward Powell.

SPRING, 1964. 1924. 1 reel.

Credits: Written and directed by William H. Watson.

SPRING 3100. SEE Jealousy.

SPRING TONIC. 1935. 5,200 ft., sd. From the play "Man-Eating Tiger" by Ben Hecht and Rose Caylor.

Credits: Director, Clyde Bruckman; screenplay, Patterson McNutt, H. W. Haneman; adaptation, Howard I. Young; comedy sequences, Frank Griffin; musical director, Arthur Lange.

SPRINGBOARD CHAMPIONS. (The Grantland Rice Sportlight) 1934. 1 reel, sd.

SPRINGTIME. 1920. 2 reels.

Credits: Written and directed by Jess Robbins.

SPRINGTIME. (Walt Disney Cartoon) 1930. 1 reel.

SPRINGTIME A LA CARTE. 1918. 2 reels. From the story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Kenneth Webb.

SPRINGTIME FOR HENRY. 1934. 6,695 ft., sd. From the play by Ben W. Levy.

Credits: Director, Frank Tuttle; screenplay, Keene Thompson, Frank Tuttle; music director, Louis de Francesco.

SPRINGTIME IN HOLLAND. 1935. 2 reels, sd., color.

Credits: Director, Ralph Staub; story, Joe Traub.

SPRINGTIME IN THE ROCKIES. 1937. 6 reels, sd.

Credits: Associate producer, Sol C. Siegel; director, Joe Kane; original screenplay, Gilbert Wright, Betty Burbridge; film editor, Lester Orlebeck; music director, Alberto Colombo.

THE SPRINGTIME OF THE SPIRIT. Rex. 1915. 3 reels.

Credits: John B. Clymer; producer, Ben Wilson.

SPRINGTIME SERENADE. Snappy. 1935. 1 reel, sd., color.

Credits: Story and lyrics, Walter Lantz, Victor McLeod; animation, Manuel Moreno, Lester Kline, Fred Kopietz.

SPRUCIN' UP. (Hal Roach Comedy) 1935. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Louis McManus.

SPUDS. 1923. 1 reel.

SPURS. 1930. 6 reels, si., & sd.

Credits: Director, Reaves Eason; story and dialogue, Reaves Eason.

SPURS. SEE Freaks.

SPURS AND SADDLES. (Blue Streak Western) 1927. 5 reels.

Credits: Director, Clifford S. Smith; story, Paul M. Bryan; adaptation and scenario, Harrison Jacobs.

Credits: Director, Travers Vale; story, Louise Winter.

THE SPY. 1917. 7 reels.

Credits: Director, Richard Stanton.

THE SPY. 1929. 2 reels, sd.

Credits: Director, Monte Brice; story, Tom Howard, A. Dorian Otvos.

THE SPY. 1931. 5,255 ft., sd.

Credits: Associate producer, Ralph Block; director, Berthold Viertel; story, Ernest Pascal; dialogue, Ernest Pascal, Robert Presnell; editor, Eddie Robbins.

THE SPY RING. 1938. 7 reels, sd.

Credits: Producer, Trem Carr; director, Joseph H. Lewis; story, Frank Vanwyck Mason; screenplay, George Waggner.

SPY 77. 1934. 8 reels, sd.

Credits: Direction, adaptation, and scenario, Arthur Woods; dialogue, Frank Vosper.

THE SPY'S DAUGHTER. SEE The Waters of Death.

THE SPY'S FATE. 1914. 3 reels.

THE SPY'S SISTER. 1915. 1,000 ft.

SQUABS AND SQUABBLES. 1919. 2 reels.

Credits: Director, Noel Smith; story, Anthony W. Caldeway.

SQUADRON OF HONOR. 1937. 6 reels, sd.

Credits: Director, C. C. Coleman, Jr.; story, Martin Mooney; screenplay, Michael L. Simmons; film editor, Al Clark.

SQUADRONS. SEE Body and Soul.

THE SQUALL. Presented by Richard A. Rowland. 1929. 11 reels. From the play by Jean Bart [pseud. of Marie Antoinette Sarlabous].

Credits: Director, Alexander Korda; screen version, Bradley King.

THE SQUALL. Trailer. 1929. 1 reel.

SQUANDERED LIVES. 1920. 6 reels. Adapted from the story "Duke's Son" by Cosmo Hamilton.

Credits: Director, Franklyn Dyall; scenario, Guy Newall.

SQUARE CROOKS. 1928. 6 reels, b&w. From the play by James P. Judge.

Credits: Director, Lewis Seiler; scenario, Becky Gardiner.

Credits: Director, Harley Knoles; story, Louis V. Jefferson.

SQUARE DEAL SANDERSON. 1919. 5 reels. Based on the novel by Charles Alden Seltzer.

Credits: Director, Lambert Hillyer.

THE SQUARE DECEIVER. Yorke Film Corp. 1917. 5 reels. Based on the novel "Love Me for Myself Alone" by Francis Perry Elliott.

Credits: Director, Fred J. Balshofer; adaptation, Fred J. Balshofer, Richard V. Spencer.

A SQUARE PEG. SEE Denial.

THE SQUARE SHOOTER. 1920. 5 reels.

Credits: Director, Paul Cazeneuve; story and scenario, Denison Clift.

THE SQUARE SHOOTER. Mustang. 1927. 2 reels.

Credits: Director, William Wyler; story, Kenneth B. Langley.

SQUARE SHOOTER. 1934. 6 reels, sd.

Credits: Director, David Selman; story and screenplay, Harold Shumate; film editor, Al Clark.

SQUARE SHOULDERS. 1929. 7 reels.

Credits: Producer, Paul Bern; director, E. Mason Hopper; story, George Dromgold, Houston Branch; adaptation, Peggy Prior; film editor, Barbara Hunter.

SQUARED. (Paramount-Drew Comedy) V. B. K. Film Corp. 1919. 2 reels.

Credits: Supervision, Mr. & Mrs. Sidney Drew; story, Clarence Meily.

A SQUARED ACCOUNT. 1916. 1 reel.

Credits: Director, William Wolbert.

SQUARING IT. Bison. 1917. 3 reels.

Credits: Produced, directed, and written by George E. Marshall.

SQUARING THE TRIANGLE. 1931. 1 reel.

THE SQUASHVILLE SCHOOL. 1914. 1 reel.

THE SQUATTERS. 1914. 1 reel.

Credits: Producer, Fred W. Huntly.

THE SQUAW MAN. Artcraft. Presented by Jesse L. Lasky. 1918. 6 reels. Based on the play by Edwin Milton Royle.

Credits: Producer, Cecil B. De Mille; scenario, Beulah Marie Dix.

THE SQUAW MAN. 1931. 12 reels, sd., b&w. From the story by Edwin Milton Royle.

Credits: Producer and director, Cecil B. De Mille; screenplay, Lucien Hubbard, Lenore Coffee; dialogue, Elsie Janls; film editor, Anne Bauchens; music, Herbert Stothart.

THE SQUAW MAN'S SON. 1917. 5 reels.

Credits: Edwin Milton Royle; director, E. J. Le Saint; scenario, Charles Maigne.

THE SQUEAKER. SEE Murder on Diamond Row.

SQUEAKS AND SQUAWKS. 1920. 2 reels.

Credits: Director, Noel Smith; story, Anthony W. Coldewey.

SQUEAKS AND SQUAWKS. 1936. Filmstrip, sd.

THE SQUEALER. 1930. 7 reels. From the stage play by Mark Linder.

Credits: Director, Harry Joe Brown; screenplay, Dorothy Howell, Casey Robinson.

SQUIRREL FOOD. (Cameo Comedy) 1926. 1 reel.

Credits: Director, Jules White.

SQUIRREL FOOD. SEE

Friends and Enemies, Vacation Land, and Squirrel Food.

Hay Fever, Snake River, and Squirrel Food.

Open the Bars, Squirrel Food, and A Leaf from Nature's Book.

Rocked to Sleep, Utopia, and Squirrel Food.

Shorty's Long Suit, Still Small Voice, and Squirrel Food.

Credits: Producer, Lillian Delger Powers; titles, H. I. Phillips.

STABLE MANNERS. (A Bray Naturgraph) 1932. 7 min.

STABLE MATES. 1934. 2 reels, sd.

Credits: Director, Jules White; story, Arthur Ripley, Jack Cluett; screenplay, Johnnie Grey.

STABLEMATES. Presented by Metro-Goldwyn-Mayer. 1938. 9 reels, sd., sepia.

Credits: Producer, Harry Rapf; director, Sam Wood; story, William Thiele, Reginald Owen; screenplay, Leonard Praskins, Richard Maibaum; film editor, W. Donn Hayes; music score, Edward Ward.

STADIUM. SEE Touchdown.

STAGE COACHED. (Krazy Kat) 1928. 1 reel.

Credits: Ben Harrison, Manny Gould; producer, Charles B. Mintz.

STAGE DOOR. 1937. 10 reels, sd. From the play by Edna Ferber and George S. Kaufman.

Credits: Producer, Pandro S. Berman; director, Gregory LaCava; screenplay, Morrie Ryskind, Anthony Veiller; editor, William Hamilton; music director, Roy Webb.

STAGE DOOR KNIGHTS. 1930. 1 reel, sd.

Credits: Director, Jasper Ewing Brady.

THE STAGE DOOR PEST. 1930. 1 reel.

Credits: Director, Jasper Ewing Brady.

STAGE FRIGHT. 1938. 18 min., sd.

Credits: Producer, Bert Gilroy; director, Charles Roberts; story, Jack Townley; film editor, John Lockert.

STAGE FRIGHTS. (Mermaid Comedies) 1928. 2 reels.

Credits: Producer, Jack White; director, Stephen Roberts.

STAGE FRIGHTS. 1935. 2 reels, sd.

Credits: Director, Al Kay; story and screenplay, Preston Black.

THE STAGE HAND. 1920. 2 reels.

Credits: Story and direction, Larry Semon, Norman Taurog.

THE STAGE HAND. (A Mermaid Comedy) 1933. 22 min., sd.

Credits: Director, Harry Langdon; story, Harry Langdon, Edward Davis.

STAGE KISSES. 1927. 6 reels.

Credits: Producer, Harry Cohn; director, Albert Kelly; adaptation and continuity, Dorothy Howell.

STAGE KRAZY. (Krazy Kat) 1933. 1 reel.

Credits: Producer, Charles Mintz; story, Rudy Zamora, Harry Love; animation, Allen Rose, Preston Blair.

STAGE MADNESS. 1927. 6 reels.

Credits: Director, Victor Schertzinger; story, Polan Banks; scenario, Randall H. Faye.

STAGE MOTHER. 1933. 9 reels, sd., b&w. From the book by Bradford Ropes.

Credits: Associate producer, Hunt Stromberg; director, Charles R. Braban; screenplay, John Meehan, Bradford Ropes; film editor, Frank Hull; music, Nacio Brown, Arthur Freed.

Credits: Scenario, Frank E. Montgomery.

A STAGE ROMANCE. 1922. 7 reels, 6,416 ft. Adapted from the drama "Mad Man or Genius" ["Kean, ou Desordre et Génie"] by Alexandre Dumas.

Credits: Director, Herbert Brenon; screen version, Paul H. Sloane.

STAGE-STRUCK. 1914. 1 reel.

Credits: Director, Ned Finley; story, H. C. Hendricks.

STAGE STRUCK. 1925. 7 reels.

Credits: Producer and director, Allan Dwan; story, Frank R. Adams; screenplay, Forrest Halsey.

STAGE STRUCK. (Aesop Sound Fable) 1929. 1 reel.

Credits: Paul Terry.

STAGE STRUCK. (Checker Comedies) Presented by E. B. Derr. 1931. 2 reels, sd., b&w.

Credits: Producer, Fred Lalley; director, Al Ray; story, Walter Catlett; screenplay, Henry Johnson; film editor, Claude Berkeley; music director, Francis Gromon.

STAGE STRUCK. First National Productions Corp. 1936. 10 reels, sd.

Credits: Director, Busby Berkeley; story, Robert Lord; screenplay, Tom Buckingham, Pat C. Flick; music and lyrics, E. Y. Harburg, Harold Arlen.

STAGE-STRUCK SUSIE. (A Paramount-Christie Comedy) (Confessions of a Chorus Girl Series) 1929. 2 reels.

Credits: Director, Neal Burns; story, Jean Arlette.

STAGE STUNTS. Winkler. 1929. 1 reel.

Credits: Animation, Hugh Harman.

STAGE TO LORDSBURG. SEE Stagecoach.

THE STAGE VILLAIN. Joker. 1916. 1 reel.

Credits: Written and produced by Allen Curtis.

STAGECOACH. A John Ford production. Presented by Walter Wanger. Released through United Artists. 1939. Produced with the cooperation of the Navajo-Apache Indian agencies and the U. S. Department of the Interior. 10 reels, sd. From the story "Stage to Lordsburg" by Ernest Haycox.

Credits: Producer, Walter Wanger; director, John Ford; screenplay, Dudley Nichols; film editors, Otto Lovering, Dorothy Spencer; music director, Boris Morros.

STAGECOACH DAYS. 1938. 6 reels, sd.

Credits: Director, Joseph Levering; original screenplay, Nate Gatzert; film editor, Dwight Caldwell; music, Lee Zahler.

THE STAGE-COACH DRIVER AND THE GIRL. 1915. 1 reel.

Credits: Director, Tom Mix.

THE STAGECOACH GUARD. 1915. 1 reel.

Credits: Written and produced by Tom Mix.

STAGING THE SELLING ACT. 1930. 1 reel.

STAIRS OF SAND. 1929. 5,020 ft. Adapted from the novel by Zane Grey.

Credits: Director, Otto Brower; adaptation, Agnes Brand Leahy, J. Walter Ruben, Sam Mintz.

STAIRS OF SAND. SEE Arizona Mahoney.

STAKING HIS LIFE. 1918. 5 reels.

STAMBOUL. (Paramount-Burton Holmes Travel Picture) 1922. 1 reel.

STAMBOUL QUEST. 1934. 9 reels, sd., b&w.

Credits: Director, Sam Wood; original story, Leo Birinski; screenplay, Herman J. Mankiewicz; film editor, Hugh Wynn.

STAMINA. (Grantland Rice Sound Sportlight) 1929. 1 reel, sd.

Credits: John Foster; producer, Jack Eaton.

THE STAMPEDE. 1912. 3 reels.

THE STAMPEDE. 1916. 3 reels.

STAMPEDE. 1930. For British Instructional Films, Ltd. 7,200 ft.

Credits: Written and directed by C. Court Treatt, Stella Court Treatt, and Errol Hinds.

STAMPEDE. 1936. 6 reels, sd.

Credits: Director, Ford Beebe; story, Peter B. Kyne; scenario, Robert Watson; film editor, William Austin.

THE STAMPEDE IN THE NIGHT. Bison. 1916. 2 reels.

Credits: Story, Harry Carey; scenario and production, Jacques Jaccard.

STAMPEDE THUNDER. 1925. 5 reels.

Credits: Director, Tom Gibson; story and continuity, Victor Roberts.

STAN WILLIS, COWBOY. SEE The Terror of Bar X.

STAND AND DELIVER. De Mille Pictures Corp. 1928. 6 reels.

Credits: Produced and directed by Donald Crisp; screenplay, Sada Cowan; film editor, Barbara Hunter.

STAND-IN. Presented by Walter Wanger. 1937. 10 reels, sd. Based on the novel by Clarence Budington Kelland.

Credits: Director, Tay Garnett; screenplay, Gene Towne, Graham Baker; film editors, Otho Lovering, Dorothy Spencer; music director, Rox Rommell.

THE STAND UP. 1930. 1 reel, sd.

STAND UP AND CHEER. 1934. 7,300 ft., sd.

Credits: Will Rogers, Philip Klein; director, Hamilton MacFadden; dialogue, Ralph Spence; editor, Margaret Clancy; music director, Arthur Lange.

STAND UP AND FIGHT. 1921. 2 reels.

Credits: Producer, Edward Laemmle; story, Burl Armstrong; scenario, George Morgan.

STAND UP AND FIGHT. Mustang. 1925. 2 reels.

Credits: Director, Edward Laemmle; story, Burl Armstrong.

STAND UP AND FIGHT. Presented by Metro-Goldwyn-Mayer. 1939. 10 reels, sd., sepia.

Credits: Producer, Mervyn LeRoy; director, W. S. Van Dyke II; story, Forbes Parkhill; screenplay, James M. Cain, Jane Murfin, Harvey Fergusson; film editor, Frank Sullivan; music score, William Axt.

STANDARD OBSTETRICAL ROUTINE. 1937. 2,400 ft., si., 16 mm.

THE STANDARD PRESENTATION. 1927. 1 reel.

STANDARDIZED PRESENTATION. 1927. 1 reel.

STANDING PAT. 1928. 2 reels.

Credits: Director, Earl T. Montgomery; story, Ray McCarey, Pinto Colvig, St. Elmo Boyce.

STANFIELD MURDER CASE. SEE Lem Hawkins' Confession.

STANLEY AND GINGER—A FEW ABSURD MOMENTS. 1929. 1 reel, sd.

STANLEY, THE LION-KILLER. 1914. 2 reels.

Credits: Director, Sidney Drew; picturized by George H. Plympton.

STANTON'S LAST FLING. 1913. 1 reel. From "The Interlude" by H. B. Marriott Watson.

STAR. Good Night Trailer. 1919.

THE STAR BOARDER. Paramount-Mack Sennett. 1919. 2 reels.

Credits: Supervision, Mack Sennett; director, James Davis.

THE STAR BOARDER. 1919. 2 reels.

Credits: Story and direction, Larry Semon.

STAR BUILDERS. (A Grantland Rice Sportlight) 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

STAR BURLESQUE. 1920. 1 reel.

STAR DUST. Black Cat. 1917. 25 min.

Credits: Director, Fred E. Wright; story, H. Tipton Steck.

STAR DUST. First National. Presented by Hobart Henley Productions. 1921. 6 reels. Suggested by the story by Fannie Hurst.

Credits: Director, Hobart Henley; adaptation, Anthony Paul Kelly.

STARDUST. (Broadway Brevity) 1938. 22 min., sd.

Credits: Director, Roy Mack; continuity, Cyrus D. Wood, Eddie Forman.

THE STAR DUST TRAIL. 1925. 5 reels.

Credits: Director, Edmund Mortimer; story, Frederick and Fannie Hatton; scenario, Dorothy Yost.

STAR FOR A NIGHT. 1936. 6,850 ft., sd. Based on the play "Die Heilige Luege" by Karin Michaelis.

Credits: Director, Lewis Seiler; screenplay, Frances Hyland, Saul Elkins; music, Samuel Kaylin.

STAR GAZERS. Screen Classics, Inc. 1936. 886 ft., sd., color.

Credits: Story and dialogue, Burnet Lamont; narrator, Robert Sherwood.

STAR GAZING. 1935. 2 reels.

Credits: Director, Benny Rubin; story and screenplay, Felix Adler.

A STAR IS BORN. Released through United Artists. 1937. 12 reels, sd., color.

Credits: Producer, David O. Selznick; director, William A. Wellman; story, William A. Wellman, Robert Carson; screenplay, Dorothy Parker, Alan Campbell, Robert Carson; film editors, Hal C. Kern, Anson Stevenson; music, Max Steiner.

A STAR IS HATCHED. (Merrie Melodies) 1937. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, I. Freleng; story, Ted Pierce; animation, Bob McKimson; music score, Carl W. Stalling.

A STAR IS SHORN. 1939. 2 reels, sd.

Credits: Director, Del Lord; original screenplay, Elwood Ullman, Searle Kramer.

THE STAR MAKER. 1939. 10 reels, sd.

Credits: Producer, Charles R. Rogers; director, Roy Del Ruth; story, Arthur Caesar, William A. Pierce; screenplay, Frank Butler, Don Hartman, Arthur Caesar; film editor, Alma Macrorie.

STAR NIGHT AT THE COCOANUT GROVE. (Colortone Musical) 1935. 2 reels, sd., color.

Credits: Producer, Louis Lewyn.

THE STAR OF INDIA. 1913. 4 reels.

STAR OF MIDNIGHT. 1935. 10 reels, sd. From the novel by Arthur Somers Roche.

Credits: Director, Stephen Roberts; screenplay, Howard J. Green, Anthony Veiller, Edward Kaufman; editor, Arthur Roberts; music director, Max Steiner.

A STAR OVER NIGHT. Universal Special. 1919. 2 reels.

Credits: Director, George Terwilliger; story, Ann Irish; scenario, Calder Johnstone.

THE STAR PACKER. Lone Star. 1934. 6 reels, sd.

Credits: Producer, Paul Malvern; story, screenplay, and direction, Robert N. Bradbury.

THE STAR REPORTER. (Paramount Varieties) 1936. 1 reel, sd.

Credits: Narrator, Ted Husing.

THE STAR REPORTER. Presented by Adolph Zukor. 1938. 1 reel each, sd.

Credits: Narrator, Ted Husing.

STAR REPORTER. 1939. 7 reels, sd.

Credits: Producer, E. B. Derr; director, Howard Bretherton; original screenplay, John T. Neville; film editor, Russell Schoengarth; music director, Theodore Joos.

THE STAR REPORTER IN HOLLYWOOD. Presented by Adolph Zukor. 1936. 1 reel, sd.

THE STAR REPORTER IN HOLLYWOOD. Presented by Adolph Zukor. 1937. 1 reel, sd.

Credits: Directors, Herbert Moulton, Leslie Roush.

THE STAR ROVER. C. E. Shurtleff, Inc. 1920. 6 reels. From the novel by Jack London.

Credits: Director, Edward Sloman; adaptation, A. S. Le Vino.

THE STAR-SPANGLED BANNER. 1917. 3 reels. From the story by Mrs. Mary Raymond Shipman Andrews.

Credits: Director, Edward H. Griffith; adaptation, Sumner Williams.

Credits: J. Masse.

THE STAR WITNESS. Laemmle. 1917. 2 reels.

Credits: Director, John McDermott; story, Grant Carpenter; scenario, W. Gibson.

THE STAR WITNESS. 1931. 7 reels, sd.

Credits: Director, William A. Wellman; story and dialogue, Lucien Hubbard.

THE STAR WITNESS. SEE Chic Sale in The Star Witness.

THE STARBRITE DIAMOND. (William J. Burns Detective Mysteries) Educational Film Exchanges, Inc. 1931. 11 min.

Credits: Director, G. C. Reid; story, adaptation and dialogue, Russell Matson.

STARK LOVE. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 6,203 ft.

Credits: Produced, written, and directed by Karl Brown; adaptation, Walter Woods.

STARK MAD. Announcement Trailer. 1928. 1 reel.

STARK MAD. 1929. 7 reels.

Credits: Director, Lloyd Bacon; story, Jerome Kingston; scenario, Harvey Gates.

STARLETS. 1937. 2 reels, sd.

Credits: Director, Joseph Henabery; story, Willi Weil.

STARLIGHT. SEE The Divine Woman.

STARLIGHT OVER TEXAS. 1938. 6 reels, sd.

Credits: Producer, Edward Finney; director, Al Herman; original story, Harry MacPherson; screenplay, John Rathmell.

STARLIGHT'S MESSAGE. Special Big U. 1916. 1 reel.

STARLIT DAYS AT THE LIDO. 1935. 2 reels, sd., color.

Credits: Producer, Louis Lewyn; continuity and dialogue, Alexander Van Dorn.

STARRING IN WESTERN STUFF. 1916. 2 reels.

Credits: Written and directed by Tom Mix.

THE STARRING OF FLORA FINCHURCH. 1915. 1 reel.

Credits: Director, Lee Beggs.

STARS AND STRIPES IN MEXICO; Uncle Sam Goes after the Arch-Fiend Villa. Powers. 1916. 1 reel.

THE STARS CAN'T BE WRONG. 1936. 2 reels, sd.

Credits: Director, Roy Mack; continuity, George Bennett.

STARS IN STRIPES. Mentone. 1938. 18 min., sd.

Credits: Director, Milton Schwarzwald; dialogue, Sands and Wilson.

STARS IN STRIPES. SEE Felix the Cat—Stars in Stripes.

STARS IN THE MAKING. 1934. 2 reels.

Credits: Written and directed by William O'Connor.

STARS OF TOMORROW. 1935-36. 1 reel each, sd. © Columbia Pictures Corp.

Credits: Producer, E. Schwartz; directors, Ben Schwartz, Benny Rubin.

3. © 26Nov35; MP6041.

4. © 8Nov35; MP5958.

5. © 14Jan36; MP6126.

6. © 14Jan36; MP6118.

STARS OF YESTERDAY. 1931. 1 reel.

STARS OVER ARIZONA. 1937. 7 reels, sd.

Credits: Producer and director, R. N. Bradbury; original screenplay, Robert Emmett.

STARS OVER BROADWAY. Presented by Warner Bros. Pictures, Inc., and The Vitaphone Corp. 1935. 10 reels, sd.

Credits: Director, William Keighley; story, Mildred Cram; screenplay, Jerry Wald, Julius J. Epstein; additional dialogue, Patsy Flick; numbers staged and directed by Busby Berkeley, Bobby Connolly; music and lyrics, Harry Warren, Al Dubin.

STARS THEIR COURSES CHANGE. 1915. 3 reels.

START CHEERING. 1937. 8 reels.

Credits: Associate producer, Nat Perrin; director, Albert S. Rogell; story, Corey Ford; screenplay, Eugene Solow, Richard E. Wormser, Philip Rapp; film editor, Gene Havlick; music, Johnny Green; music director, Morris Stoloff.

START SOMETHING. (A Stern Brothers Comedy) (Keeping Up with the Joneses Series) 1927. 2 reels. From the cartoons "Keeping up with the Joneses" by Pop Momand [pseud.]

Credits: Director, Gus Meins; story, Page Wright, William Weber.

Credits: Director, Jean Yarbrough; screenplay, James Prindle, Houston Branch; film editor, James Newcom.

THE STARTER. (James Montgomery Flagg's Girls You Know) 1918. 1 reel.

Credits: Director, Jack Eaton.

Credits: Producer, John L. Hawkinson.

THE STARTLING CLIMAX. Gold Seal. 1917. 3 reels.

Credits: Director, George L. Sargent; scenario, Karl Coolidge.

STARVED OUT. 1913.

Credits: Ashley Miller.

STARVING BEAUTIES. Century. 1924. 2 reels.

Credits: Written and directed by Al Herman.

STATE FAIR. 1933. 8,894 ft., sd. From the novel by Philip Stong.

Credits: Director, Henry King; screenplay, Sonya Levien, Paul Green; editor, R. W. Bischoff.

STATE OF OHIO. DEPARTMENT OF EDUCATION. SEE Ohio. Department of Education.

STATE POLICE. 1938. 7 reels.

Credits: Producer, Trem Carr; director, John Rawlins; original story and screenplay, George Waggner.

STATE STREET SADIE. 1928. 9 reels.

Credits: Director, Archie Mayo; story, Melville Crosman; adaptation, E. T. Lowe, Jr.

STATE STREET SADIE. Trailer Announcement. 1928. 1 reel, sd.

STATE TROOPER. 1933. 7 reels, sd.

Credits: Director, D. Ross Lederman; story, Lambert Hillyer; screenplay, Stuart Anthony.

THE STATE VERSUS ELINOR NORTON. SEE Elinor Norton.

STATEROOM 19. 1931. 1 reel, sd.

Credits: Director, Ray Cozine; story, McLain Gates; dialogue staged by Max E. Hayes.

STATEROOM SECRETS. (Lyons-Moran Star Comedy) 1919. 1 reel.

Credits: Director, Roy S. Clements; story, Will Cressy; scenario, Fred Palmer.

STATE'S ATTORNEY. 1932. 9 reels, sd.

Credits: Producer, David O. Selznick; director, George Archainbaud; story, Louis Stevens; screenplay and dialogue, Gene Fowler, Rowland Brown; film editor, William Hamilton.

STATIA WITH A PAST. 1918. 1 reel.

STATIC. (Fables, no. 379) 1928. 1 reel.

STATIC. (Tom Howard Comedy) 1933. 21 min., sd.

Credits: Director, Al Christie; story, Tom Howard; adaptation, Sig Herzig.

STATIC IN THE ATTIC. 1939. 1,704 ft.

Credits: Director, Charley Chase; story, Elwood Ullman, Searle Kramer.

STATION B.U.N.K. 1929. 1 reel, sd.

Credits: Director, Jasper Ewing Brady.

STATION T-O-T. 1934. 1 reel, sd.

THE STATUE. SEE The Work.

STAY DOWN EAST. (Broadway Comedy) 1921. 2 reels.

Credits: Producer, Morris R. Schlank; director, Ward Hayes.

STAY OUT. (Charlie Murray Comedy) 1931. 2 reels.

Credits: Director, Albert Kelley; story, Francis J. Martin, James Mulhauser.

THE STEADFAST. 1915. 2,000 ft.

Credits: Producer, Joseph W. Smiley.

THE STEADFAST HEART. 1923. 7 reels. From the story in Collier's weekly by Clarence Budington Kelland.

Credits: Director, Sheridan Hall; adaptation, Philip Lonergan.

STEADY ALL-YEAR PROFITS IN STAPLE FRUITS. SEE Credits and Collections.

STEADY COMPANY. Rex. 1915. 1 reel.

Credits: Producer, Jos. De Grasse; story, Julius Grinnel Furthmann; scenario, Ida May Park.

STEADY COMPANY. 1932. 7 reels.

Credits: Director, Edward Ludwig; story, Edward I. Luddy.

THE STEALERS. 1920. 8 reels.

Credits: Story and direction, William Christy Cabanne.

STEALIN' HOME. Century. 1921. 2 reels.

Credits: Written and directed by Alfred Goulding.

STEALIN' HOME. (Rufftown Comedies) 1932. 2 reels, sd., b&w. From the "Rufftown Stories" by Arthur (Bugs) Baer.

Credits: Supervision, Lew Lipton; director, Harry Sweet; screenplay, Ralph Ceder; film editor, Fred Maguire.

STEAM POWER. 1930. 1 reel.

STEAMBOAT BILL, JR. United Artists. Presented by Joseph M. Schenck. 1928. 7 reels.

Credits: Director, Charles F. Reisner; story, Carl Harbaugh.

STEAMBOAT ROUND THE BEND. 1935. 7,350 ft., sd. From the novel by Ben Lucien Burman.

Credits: Director, John Ford; screenplay, Dudley Nichols, Lamar Trotti; music, Samuel Kaylin.

STEAMBOAT WILLIE. (Mickey Mouse Cartoon) 1928. 1 reel, sd.

Credits: U. B. Iwerks.

STEAMED UP. 1927. 2 reels.

Credits: Directors, Charley Bowers and H. L. Muller.

STEAMER DAY. (Robert C. Bruce Scenic Novelties) Presented by E. W. Hammons. 1927. 1 reel.

STEEL AND STONE. (E. M. Newman's Our Own United States) 1936. 1 reel, sd.

Credits: Dialogue, Ira Genet; editor, Bert Frank.

STEEL HEARTS. Bison. 1917. 2 reels.

Credits: Director, Henry McRae; scenario, Wright Roberts.

Credits: Producer and director, Oscar Apfel; story, Giles R. Warren; scenario, Howard Irving Young.

STEEL PREFERRED. Released by Producers Distributing Corp. 1925. 7 reels.

Credits: Director, James P. Hogan; story, Herschell S. Hall; adaptation, Elliott Clawson.

STEEL ROLLING MILLS. 1914. Split reel.

THE STEEL TRAIL. Universal Special. 1923. 2 reels each. © Universal Pictures Corp.

Credits: Director, William Duncan; story and scenario, George Plympton, Karl Coolidge, Paul M. Bryan.

1. Intrigue. © 18Jul23; LP19222.

2. Dynamite. © 18Jul23; LP19223.

3. Wildfire. © 1Aug23; LP19284.

4. Blown from the Cliff. © 1Aug23; LP19285.

5. Head On. © 10Sep23; LP19390.

6. Crushed. © 17Sep23; LP19420.

7. The Gold Rush. © 17Sep23; LP19421.

8. Judith's Peril. © 22Sep23; LP19432.

9. The Dam Bursts. © 10Oct23; LP19489.

10. The Trap. © 17Oct23; LP19507.

11. The Fight on the Cliff. © 26Oct23; LP19544.

12. The Tottering Bridge. © 3Nov23; LP19572.

13. Between Two Fires. © 9Nov23; LP19600.

14. Burning Fumes. © 17Nov23; LP19623.

15. Ten Seconds To Go. © 28Nov23; LP19662.

THE STEEL WORKERS. (Meany, Miny, Moe) Snappy. 1937. 1 reel.

Credits: Story, Walter Lantz, Victor McLeod; artists, Ray Abrams, Leo Salkin, Ed Benedict.

STEELE OF THE ROYAL MOUNTED. Presented by Albert E. Smith. 1925. 6 reels. From the novel by James Oliver Curwood.

Credits: Producer, David Smith; scenario, Jay Pilcher.

STEELHEART. 1921. 6 reels.

Credits: Director, William Duncan; scenario, Bradley J. Smollen.

THE STEEPLECHASE. (Mickey Mouse, no. 17) 1933. 1 reel.

THE STEEPLECHASER. 1926. 2 reels.

Credits: Supervision, George E. Marshall; director, Jess Robbins; story, Henry Johnson, Gene Forde.

THE STEIN SONG. 1930. 1 reel, sd.

Credits: Director, Dave Fleischer.

STELLA DALLAS. Released by United Artists Corp. 1926. 11 reels. From the novel by Olive Higgins Prouty.

Credits: Producer and director, Henry King; adaptation, Frances Marion.

STELLA DALLAS. Released through United Artists. 1937. 12 reels, sd. From the novel by Olive Higgins Prouty.

Credits: Associate producer, Merritt Hulburd; director, King Vidor; dramatization, Harry Wagstaff Gribble, Gertrude Purcell; screenplay, Victor Heerman, Sarah Y. Mason; film editor, Sherman Todd; music director, Alfred Newman.

STELLA MARIS. 1918. 6 reels. From the novel by William J. Locke.

Credits: Director, Marshall Neilan; scenario, Frances Marion.

STELLA MARIS. Jewel. 1925. 7 reels. From the novel by William J. Locke.

Credits: Director, Charles J. Brabin.

STELLA MAYHEW, THE HALLELUJAH LADY. 1929. 1 reel, sd.

THE STENOG. (James Montgomery Flagg's Girls You Know) 1918. 1 reel.

Credits: Director, Jack Eaton.

STEP AHEAD—DRIVE CARS BUILT BY HUDSON. 1936. Filmstrip, sd.

STEP FAST. Educational Pictures. 1925. 2 reels.

Credits: Director, Harold Beaudine.

STEP FORWARD. 1922. 2 reels.

Credits: Director, Gus Meins.

STEP LIGHTLY. (Mermaid Comedies) Educational. 1925. 2 reels.

Credits: Written and directed by Norman Taurog.

STEP LIVELY, JEEVES! 1937. 6,160 ft., sd. Based on the character Jeeves created by P. G. Wodehouse.

Credits: Director, Eugene Forde; original story, Frances Hyland; screenplay, Frank Fenton, Lynn Root; music, Samuel Kaylin.

STEP LIVELY PLEASE. 1922. 2 reels.

Credits: Director, Ed. Kennedy.

STEP ON IT! 1922. 5 reels.

Credits: Director, Jack Conway; story, Courtney Riley Cooper; scenario, Arthur F. Statter.

STEP ON IT. Fleischer Studios. 1931. 1 reel.

STEP RIGHT UP. (Sid Saylor Comedy) 1930. 2 reels.

Credits: Director, Gus Meins; story, T. Page Wright, Bill Weber.

STEP UP AND TAKE IT! 1937. For U. S. Tire Dealers Mutual Corp. Filmstrip, 77 frames, sd.

STEPHEN STEPS OUT. Presented by William Elliott and Jesse L. Lasky. 1923. 6 reels. Adapted from the story "The Grand Cross of the Crescent" by Richard Harding Davis.

Credits: Director, Joseph Henabery; adaptation, Edfrid Bingham.

STEPPIN' ALONG. SEE Sunshine Sammy and His Brothers in Steppin' Along.

STEPPIN' OUT. 1925. 6 reels. From the story "The Lure of Broadway" by Bernard Vorhaus.

Credits: Director, Frank Strayer.

STEPPIN' SOME. Presented by Century Comedies. 1924. 2 reels.

STEPPING ALONG. Presented by C. C. Burr. 1926. 8 reels. From "The Knickerbocker Kid" by Matt A. Taylor.

Credits: Director, Charles Hines.

STEPPING FAST. 1923. 5 reels.

Credits: Director, Joseph J. Franz; story and scenario, Bernard McConville.

STEPPING HIGH. (Horace in Hollywood Comedy) Snappy. 1929. 1 reel.

Credits: Director, Doran Cox.

STEPPING HIGH. SEE Syncopation.

STEPPING LIVELY. Carlos. Released by F. B. O. 1924. 6 reels.

Credits: Director, James W. Horne; story, and scenario, Frank Howard Clark.

STEPPING ON THE GAS IN 1931. 1 reel.

STEPPING OUT. 1919. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Fred Niblo; story, C. Gardner Sullivan.

STEPPING OUT. (Hal Roach Comedy) 1929. 2 reels, sd., b&w.

Credits: Director, Warren Doane; story, Leo McCarey; story editor, H. M. Walker; film editor, Richard Currier.

STEPPING OUT. 1931. 8 reels, sd., b&w.

Credits: Elmer Harris; director, Charles F. Riesner; dialogue, Elmer Harris, Robert E. Hopkins; film editor, William S. Gray.

STEPPING SISTERS. 1931. 5,316 ft., sd.

Credits: Director, Seymour Felix; stage play, Howard Warren Comstock; screenplay, William Conselman; dialogue staged by William Collier, Sr.; editor, Jack Murray.

STEPPING SOME. Star Comedy. 1918. 1 reel.

Credits: Directors, Eddie Lyons, Lee Moran; scenario, C. B. Hoadley.

Credits: C. Gardner Sullivan; producer, Thomas H. Ince.

THE STEPPING STONE. 1916. 5 reels.

STEPPING STONES. (Scrappy) 1932. 1 reel.

Credits: Dick Heumor; producer, Charles Mintz; animation, Sid Marcus, Art Davis; musical score, Joe De Nat.

STEPS TO SOMEWHERE. (Do Children Count?) 1917. 27 min.

Credits: Director, L. C. Windom; story, Charles Mortimer Peck.

THE STEPSONS OF LIGHT. SEE The Mysterious Witness.

STERLING'S RIVAL ROMEO. Presented by Carl Laemmle. 1934. 2 reels, sd.

Credits: Producer, Warren Doane; director, James W. Horne; story, James W. Horne, W. P. Hackney; editor, Lewis Sackin.

Credits: Producer, Ivan Melville Terwilliger.

STEVE FREDA AND JOHNNY PALACE IN BARTCH-A-KALLOOP. 1928. 1 reel, sd.

STEVE O'GRADY'S CHANCE. 1914. 2 reels.

Credits: Director, Ned Finley.

THE STEVEDORES. (Meany, Miny, Moe) Snappy. 1937. 1 reel.

Credits: Producer, Walter Lantz; story, Walter Lantz, Victor McLeod; artists, Manuel Moreno, George Nicholas, Ben Clopton.

Credits: Producer, Bruce Mitchell; scenario, Anthony W. Coldewey.

STEWART BRADY, THE SONG BIRD. 1928. 1 reel, sd.

STEWED, FRIED & BOILED. Presented by William Fox. 1929. 2 reels.

Credits: Director, James Parrott; story and scenario, Robert Benchley; film editor, Albert C. Dripps.

STICK AROUND. 1925. 2 reels.

Credits: Director, Ward Hayes.

STICK TO THE FACTS. Presented by Hudson Motor Car Co. 1937. Filmstrip, 62 frames.

THE STILL ALARM. Jewel. 1926. 7 reels. From the play by Joseph Arthur and A. C. Wheeler.

Credits: Director, Edward Laemmle; adaptation, Harvey O'Higgins.

THE STILL ALARM. 1930. 1 reel.

STILL FACE. SEE Masked Menace.

THE STILL SMALL VOICE. 1915. 2 reels.

Credits: Director, Charles L. Gaskill.

STILL SMALL VOICE. SEE Shorty's Long Suit, Still Small Voice, and Squirrel Food.

THE STILL VOICE. Rex. 1916. 1 reel.

Credits: J. Grubb Alexander; producer, Ben Wilson.

STILL WATERS. (Krazy Kat Cartoon) 1928. 1 reel.

Credits: Producer, Charles B. Mintz; animation, Ben Harrison, Manny Gould.

Credits: Producer, Fred Paul.

Credits: Adaptation, Mrs. Sidney Drew.

STIMULATION. SEE Johnny Arthur in Stimulation.

STING 'EM SWEET. Century. 1922. 2 reels.

THE STING OF CONSCIENCE. Rex. 1916. 3 reels.

Credits: Director, George Cochrane; scenario, F. McGrew Willis.

THE STING OF STINGS. 1927. 2 reels, b&w.

Credits: Director, James Parrott; titles, H. M. Walker; editor, Richard Currier.

THE STING OF THE LASH. 1921. 6 reels.

Credits: Harvey W. Gates; director, Henry King; adaptation, H. Tipton Steck.

THE STING OF THE SCORPION. (Edmund Cobb, no. 1) 1923. 5 reels.

Credits: Director, Richard Hatton; story and scenario, Daniel F. Whitcomb.

THE STING OF VICTORY. 1916. 5 reels.

Credits: Charles Mortimer Peck; director, J. Charles Haydon.

STINGAREE. Presented by Merian C. Cooper. 1934. 8 reels, sd. Based on a series of stories by E. W. Hornung.

Credits: Associate producer, David Lewis; director, William Wellman; screenplay, Becky Gardiner; adaptation, Lynn Riggs, Leonard Spigelgass; music director, Max Steiner.

THE STINGER STUNG. Joker. 1917. 1 reel.

Credits: Director, Allen Curtis; scenario, C. B. Hoadley.

Credits: O. Henry [pseud. of William Sydney Porter].

A STITCH IN TIME. 1919. 5 reels. From the play by Oliver Bailey and Lottie Meaney.

Credits: Director, Ralph Ince; scenario, Edward J. Montagne.

STOCK AT TAPIRAPAM. SEE Roosevelt Brazilian Expedition.

STOCKHOLM, PRIDE OF SWEDEN. (James A. FitzPatrick's Traveltalks) 1937. 1 reel, sd., color.

Credits: Music score, Jack Shilkret; photographer, Winton C. Hoch.

STOCKS AND BLONDES. 1928. 6 reels.

Credits: Supervision, L. A. Sarecky; original story and direction, Dudley Murphy.

STOCKS AND BLONDES. 1938. 2 reels, sd.

Credits: Director, Lloyd French; story, Eddie Forman, Willi Weil.

STOCKS AND BONDS. SEE Wedding Bills.

THE STOLEN ACTRESS. Gold Seal. 1917. 3 reels.

Credits: Director, Ruth Stonehouse; story, Fred Jackson.

THE STOLEN BRIDE. 1927. 8 reels.

Credits: Carey Wilson; director, Alexander Korda.

STOLEN BY GYPSIES; or, BEER AND BICYCLES. 1933. 2 reels, sd.

Credits: Associate producer, Lou Brock; director, Al Kay; story, Walter Weems; film editor, Tom Persons.

Credits: Producer, Oscar Eagle.

STOLEN GOLD. 1923. 2 reels.

Credits: Director, Nat Ross; story and scenario, Arthur H. Gooden.

STOLEN GOVERNMENT PAPERS. SEE Secret Documents of State.

STOLEN HARMONY. Presented by Adolph Zukor. 1935. 8 reels, sd.

Credits: Producer, Albert Lewis; director, Alfred Werker; original story, Leon Gordon; screenplay, Leon Gordon, Harry Ruskin; dialogue, Claude Binyon, Lewis Foster; music, Harry Revel.

STOLEN HEARTS AND NICKELS. 1915. 2 reels.

STOLEN HEAVEN. 1931. 8 reels, sd.

Credits: Adapted and directed by George Abbott; story, Dana Burnet.

STOLEN HEAVEN. Presented by Adolph Zukor. 1938. 10 reels, sd.

Credits: Direction and story, Andrew L. Stone; screenplay, Eve Greene, Frederick Jackson; film editor, Doane Harrison.

STOLEN HOLIDAY. First National. 1937. 10 reels, sd.

Credits: Director, Michael Curtiz; original story, Warren Duff, Virginia Kellogg; screenplay, Casey Robinson.

STOLEN HONOR. 1918. 5 reels.

Credits: Director, Richard Stanton; story, George Scarborough; scenario, Adeline Leitzbach.

STOLEN HONORS. Special Laemmle. 1916. 1 reel.

Credits: Director, Travers Vale.

THE STOLEN KEYHOLE. Nestor. 1918. 1 reel.

Credits: Director, Al Sautell; scenario, Arthur F. Statter.

THE STOLEN KISS. 1920. 5 reels. From the book "Little Miss By-the-Day" by Lucille Van Slyke.

Credits: Director, Kenneth Webb; scenario, Kathryne Stuart.

STOLEN KISSES. 1929. 7 reels.

Credits: Franz Suppe; director, Ray Enright; adaptation, Edward T. Lowe, Jr.

STOLEN KISSES. Trailer Announcement. 1929. 1 reel, sd.

THE STOLEN LADY. SEE Come Across.

STOLEN LIFE. Presented by Orion Productions, Ltd. 1939. 10 reels, sd. From the novel by K. J. Benes.

Credits: Producer and director, Paul Czinner; adaptation, Margaret Kennedy; music, William Walton.

STOLEN LOVE. 1928. 7 reels.

Credits: Director, Lynn Shores; story, Hazel Livingston; continuity, Winifred Kay.

Credits: Producer, Mack Sennett.

THE STOLEN MAGIC. 1915. 2 reels.

Credits: Director, Mack Sennett.

THE STOLEN MASTER. 1916. 3 reels.

Credits: Supervision, Wilbert Melville; written and directed by Jack Byrne.

Credits: Lem B. Parker.

THE STOLEN MELODY. Powers. 1916. 1 reel.

Credits: Producer, Sydney Ayres; scenario, M. R. MacKinstry.

THE STOLEN MELODY. 1934. 1 reel, sd.

Credits: Director, Joseph Henabery.

Credits: Producer, William Duncan.

THE STOLEN MODELS. 1913. 1 reel.

Credits: Mark Swan.

STOLEN MOMENTS. 1920. 6 reels.

Credits: Director, James Vincent; story, H. Thompson Rich; scenario, Richard Hall.

THE STOLEN NECKLACE. SEE The $1,000,000 Pearl Mystery.

Credits: Directors, Harley Knoles, George Kelson; screen adaptation, Charles Whittaker.

Credits: Director, Harley Knoles; story, Frances Marion.

THE STOLEN PEARLS. SEE One Way Out.

THE STOLEN PLANS; a Story of the English Army. 1913. 1 reel.

Credits: Gering Cholsey.

THE STOLEN PLAY. Falcon Features. 1917. 4 reels. From a story by D. F. Whitcomb.

Credits: Supervision, H. M. Harkheimer, E. D. Harkheimer; director, Harry Harvey.

STOLEN PLEASURES. 1927. 6 reels.

Credits: Director, Phil Rosen; story and continuity, Leah Baird.

THE STOLEN RANCH. (Blue Streak Western) 1926. 5 reels.

Credits: Director, William Wyler; story, Robert F. Hill; continuity, George H. Plympton.

STOLEN SECRETS. 1924. 5 reels.

Credits: Director, Irving Cummings; story, Richard Goodall.

STOLEN SWEETIES. 1924. 2 reels.

Credits: Director, Benjamin Stoloff.

STOLEN SWEETS. 1934. 8 reels.

Credits: Director, Richard Thorpe; story and continuity, Karl Brown.

THE STOLEN TREATY. 1917. 5 reels.

Credits: Director, Paul Scardon; story, Thomas Edgelow.

THE STOLEN TRIUMPH. 1916. For Metro program. 5 reels.

Credits: Director, David Thompson; scenario, Julius Steger, Maxwell Karger.

Credits: Picturized by Frank H. Crane.

THE STOLEN YACHT. 1914. 2 reels.

STOLL, FLYNN AND COMPANY IN THE JAZZMANIA QUINTETTE. 1928. 1 reel.

STOMACH TROUBLE. Winkler Pictures, Inc. 1927. 1 reel.

Credits: Producer, Charles E. Ford.

THE STONE AGE. (Oswald Comedy) Snappy. 1931. 1 reel.

Credits: Animated and directed by Walter Lantz, William Nolan.

THE STONE AGE ERROR. (Aesop's Fables) 1932. 595 ft.

Credits: John Foster, Mannie Davis.

A STONE AGE ROMANCE. (Aesop's Sound Fables) Presented by the Van Beuren Corp. 1929. 1 reel.

THE STONE AGE ROOST ROBBER. 1916. 1 reel.

Credits: L. M. Glackens.

STONE AGE STUNTS. 1930. 1 reel.

Credits: John Foster.

THE STONE HEART. 1915. 1 reel.

Credits: John H. Collins.

STONE OF SILVER CREEK. Presented by Carl Laemmle. Released through Universal Film Exchanges. 1935. For Buck Jones Productions. 7 reels, sd.

Credits: Producer, Irving Starr; director, Nick Grinde; original story, R. R. Harris; screenplay, Earl Snell; editor, B. T. Loftus.

Credits: Producer, Edgar Jones.

THE STONING. 1915. 3 reels. Adaptation of the story by James Oppenheim.

Credits: Scenario and production by Charles J. Brabin.

THE STOOL PIGEON. 1915. 1 reel.

THE STOOL PIGEON. Victor. 1915. 2 reels.

Credits: Producer, Lon Chaney; scenario, H. G. Stafford.

STOOL PIGEON. 1928. 6 reels.

Credits: Producer, Jack Cohn; director, Renaud Hoffman; story, Edward Meagher; screenplay, Stuart Anthony; film editor, Arthur Roberts.

THE STOOL PIGEON. 1928. 5 reels.

Credits: Director, Leigh Jason; story and continuity, Basil Dickey.

A STOOL PIGEON'S REVENGE. L-Ko. 1915. 1 reel.

Credits: Director, J. G. Blystone.

STOOPNOCRACY. 1933. 1 reel, sd.

Credits: Director, Dave Fleischer.

STOP AND GO. 1936. 1 reel, sd.

STOP AND GO. SEE Eddie Nelson and Company in Stop and Go.

STOP BARKING. (Stern Brothers Comedy) 1929. 2 reels. From the Buster Brown cartoons by R. F. Outcault.

Credits: Director, Samuel Newfield.

STOP, CEASE, HESITATE! (Star Comedy) 1919. 1 reel.

Credits: Story, Emnel Christie; scenario, Al Santell.

STOP FLIRTING. Presented by Al and Charles Christie. Released by Producers Distributing Corp. 1925. 6 reels. From the play by Fred Jackson.

Credits: Director, Scott Sidney; screen adaptation, Joseph W. Farnham.

STOP KIDDING! (Paramount-Christie Comedy) 1928. 2 reels.

Credits: Director, William Holland; story, Frank R. Conklin.

STOP-LOOK-AND GUESS. (News World of Sport) 1936. 869 ft., sd.

Credits: Narrative by Jack Kofoed; described by Ford Bond.

Credits: Director, Larry Semon.

STOP, LOOK, AND LOVE. 1939. 5,128 ft., sd. Based on the play "The Family Upstairs" by Harry Delf.

Credits: Director, Otto Brower; screenplay, Harold Tarshis, Sada Cowan; music director, Samuel Kaylin.

STOP, LOOK, AND WHISTLE. 1925. 2 reels.

Credits: Director, Al Herman.

STOP! LUKE! LISTEN! SEE Lonesome Luke in Stop! Luke! Listen!

A STOP-OFF IN NEW MEXICO. 1915. Split reel.

STOP SNOOKUMS. (The Newlyweds and Their Baby Series) (Stern Brothers Comedy) Junior Jewel. 1927. 2 reels.

Credits: Director, Gus Meins.

STOP THAT MAN. Universal Jewel. 1928. 6 reels. From the play by George V. Hobart.

Credits: Director, Nat Ross; adaptation, Dick Smith; story supervision, Joseph Franklin Poland; continuity, Harry O. Hoyt.

STOP THAT NOISE. 1930. 2 reels, sd.

Credits: Director, Gus Meins.

STOP THAT NOISE. (Betty Boop Cartoon) 1935. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Edward Nolan.

STOP THAT RUN. 1932. 2 reels, sd., b&w.

Credits: Supervision, Lew Lipton; director, Howard Bretherton; story, Nick Barrows, Charles A. Callahan; film editor, Russell Schoengarth.

STOP THAT SHIMMIE. (Star Comedy) 1920. 1 reel.

Credits: Written and directed by Eddie Lyons, Lee Moran.

STOP THAT WEDDING. (Star Comedy) 1920. 1 reel.

Credits: Written and directed by Eddie Lyons, Lee Moran.

STOP THIEF! 1915. 5 reels.

Credits: Carlyle Moore.

STOP THIEF. 1920. 5 reels. Produced by special arrangement with Cohan and Harris.

Credits: Carlyle Moore; director, Harry Beaumont; scenario, Charles Kenyon.

STOP YOUR SKIDDING. Victor. 1917. 1 reel.

STOPPING THE SHOW. 1932. 2 reel.

Credits: Director, Dave Fleischer.

THE STORK BROUGHT IT. 1926. 1 reel.

Credits: Director, Walter Lantz.

THE STORK EXCHANGE. 1927. 1 reel. From the "Krazy Kat Cartoons."

Credits: Producer, Charles B. Mintz.

THE STORK MARKET. (Krazy Kat Cartoon) Winkler. 1931. 1 reel, sd. Adapted from the cartoon character created by George Herriman.

Credits: Ben Harrison, Manny Gould; musical score, Joe De Nat.

THE STORK TAKES A HOLIDAY. (Scrappy) (A Color Rhapsody) Released by Columbia Pictures Corp. 1937. 697 ft., sd., color.

Credits: Producer, Charles Mintz; story, Ben Harrison; animation, Manny Gould; music, Joe de Nat.

THE STORM. Victor. 1915. 2 reels.

Credits: Written and produced by Jacques Jaccard.

THE STORM. 1916. 5 reels.

Credits: Beatrice C. De Mille, Leighton Osmun; producer, Frank Reicher.

THE STORM. Universal Jewel. 1922. 8 reels. From the play by Langdon McCormick.

Credits: Director, Reginald Barker; scenario, J. G. Hawks.

THE STORM. 1930. 9 reels.

Credits: Director, William Wyler; story, Langdon McCormick; screenplay, Wells Root; adaptation, Charles Logue; dialogue, Tom Reed.

THE STORM. 1938. 8 reels, sd.

Credits: Producer, Ken Goldsmith; director, Harold Young; original story, Daniel Moore, Hugh King; screenplay, Theodore Reeves, Daniel Moore, Hugh King; film editor, Frank Gross.

STORM AT DAYBREAK. 1933. 8 reels, sd., b&w. Based on the play "Black-Stemmed Cherries" by Sandor Hunyady.

Credits: Associate producer, Lucien Hubbard; director, Richard Boleslavsky; screenplay, Bertram Millhauser; film editor, Margaret Booth.

THE STORM BREAKER. Universal-Jewel. 1925. 7 reels. From the novel "Titans" by Charles Guernon.

Credits: Director, Edward Sloman.

THE STORM DAUGHTER. Universal-Jewel. 1924. 6 reels.

Credits: Director, George Archainbaud; story, Leete Renick Brown.

STORM IN A TEACUP. 1937. 9 reels, sd. From the Anglo-Scottish version by James Bridie [pseud. of Osborne Henry Mavor] of the play "Sturm im Wasserglas" by Bruno Frank.

Credits: Producer, Victor Saville; directors, Victor Saville, Ian Dalrymple; screen adaptation, Ian Dalrymple, Donald Bull; editors, W. Hornbeck, Hugh Stewart, Cyril Randell; music score, Frederic Lewis; music director, Muir Mathieson.

STORM KING. Mustang. 1925. 2 reels.

Credits: Director, Ernest Laemmle; story, Tinny Wright; continuity, Carl Krusada.

STORM OVER BENGAL. 1938. 7 reels, sd.

Credits: Associate producer, Armand Schaefer; director, Sidney Salkow; original screenplay, Dudley Waters; film editor, William Morgan; music director, Cy Feuer.

STORM OVER THE ANDES. Presented by Carl Laemmle. 1935. 9 reels, sd.

Credits: Associate producer, Maurice Pivar; director, Christy Cabanne; story, Eliot Gibbons, La Clade Christy; screenplay, Albert DeMond, Frank Wead, Eve Greene; film editor, Maurice E. Wright.

STORMSWEPT. 1923. 5 reels.

Credits: Director, Robert Thornby; story, H. H. Van Loan.

THE STORM WOMAN. Gold Seal. 1917. 3 reels.

Credits: Director, Leo Pierson; written and directed by Ruth Ann Baldwin; story, E. Magnus Ingleton.

STORMING THE TRENCHES. Powers. 1916. 1 reel.

STORMY. Presented by Carl Laemmle. 1935. 7 reels, sd.

Credits: Associate producer, Henry MacRae; director, Louis Friedlander; story, Cherry Wilson; screenplay, George Plympton, Ben Grauman Kohn; film editor, Saul Goodkind.

A STORMY KNIGHT. 1917. 5 reels.

Credits: Director, Elmer Clifton; story, Jack Cunningham; scenario, Waldemar Young.

STORMY SEAS. (Flip the Frog Cartoon) 1932. 1 reel.

Metro-Goldwyn-Mayer Distributing Corp.; 19Apr32; MP3233.

STORMY WATERS. 1928. 6 reels. Suggested by the Jack London story "The Yellow Handkerchief."

Credits: Supervision, Roy Fitz Roy; director, Edgar Lewis; adaptation and continuity, Harry Dittmar; titles, Lesley Mason; editor, Martin Cohen.

THE STORY BOOK PARADE. 1930. 1 reel, sd.

Credits: Directors, Louis McDermott, Mort Blumenstock; story, Louis McDermott.

STORY CONFERENCE. 1934. 2 reels, sd.

Credits: Director, Roy Mack; story, A. Dorian Otvas, Eddie Moran, Cyrus Wood.

A STORY FROM LIFE. Special Rex. 1916. 1 reel.

Credits: Director, George Loane Tucker.

THE STORY OF A BEAR HUNT. 1919. 1 reel.

THE STORY OF A CHEAT (LE ROMAN D'UN TRICHEUR). 1938. 8 reels.

Credits: Story and direction, Sacha Guitry.

THE STORY OF A LEOPARD HUNT. 1919. 1 reel.

STORY OF A LION HUNT. 1919. 1 reel.

THE STORY OF A SOUL. SEE The Little Flower of Jesus.

THE STORY OF ALEXANDER GRAHAM BELL. 1939. 8,820 ft., sd.

Credits: Director, Irving Cummings; original story, Ray Harris; screenplay, Lamar Trotti; music director, Louis Silvers.

THE STORY OF ALFRED NOBEL. (John Nesbitt's Passing Parade) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., b&w.

Credits: Director, Joe Newman; screenplay, Douglas Foster; music score, David Snell.

THE STORY OF COOK VS. CHEF AND HICKS IN NIGHTMARELAND. (Animated Grouch Chaser, no. 15) 1916. 1 reel.

Credits: Raoul Barre.

THE STORY OF CORAL GROWTH. 1920. 1 reel.

A STORY OF CRIME. 1914. 1 reel.

THE STORY OF DOCTOR CARVER. (A Pete Smith Specialty) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd.

Credits: Director, Fred Zinnemann; screenplay, Robert Lees, Fred Rinaldo.

THE STORY OF DR. JENNER. (John Nesbitt's Passing Parade) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., sepia.

Credits: Director, Henry K. Dunn; screenplay, Herman Boxer; research compilations, Dr. Ryland R. Madison; film editor, Mildred Rich; music score, David Snell.

Credits: Music director, Morton Kuder.

THE STORY OF FERDINAND. SEE Ferdinand the Bull.

Credits: Narrator, Harlow Wilcox.

THE STORY OF JEES UCK. SEE The Mohican's Daughter.

THE STORY OF LOUIS PASTEUR. Cosmopolitan. Released by First National Productions Corp. 1936. 10 reels, sd.

Credits: Director, William Dieterle; dialogue director, Gene Lewis; story and screenplay, Sheridan Libney, Pierre Collings; editor, Ralph Dawson.

Credits: Narrator, Harlow Wilcox.

Credits: Narrator, Edwin C. Hill.

THE STORY OF MOTHER WISE. 1925. 1 reel.

THE STORY OF NORTON I, EMPEROR OF THE UNITED STATES. (Strange as It Seems) Screen Classics, Inc. 1936. 1 reel, sd.

Credits: John Hix; producer, Richard C. Kahn; supervision, Leonard Poole; editor, Robert Newman.

THE STORY OF PETROLEUM. 1920. 4 reels.

THE STORY OF PLYMOUTH ROCK. 1917. 1 reel.

THE STORY OF TEMPLE DRAKE. 1933. 8 reels, sd. From a novel by William Faulkner.

Credits: Director, Stephen Roberts; screenplay, Oliver H. P. Garrett.

THE STORY OF THE BELL; an Episode of the Revolution. 1913. 1 reel.

Credits: P. Herbert.

THE STORY OF THE BLOOD RED ROSE. 1914. 3,000 ft.

Credits: Producer, Colin Campbell.

THE STORY OF THE GLOVE. 1915. 1 reel.

Credits: Director, Sidney Drew.

Credits: Director, Sol Rothschild; story, Simon Frucht.

THE STORY OF THE INIMITABLE SARAH SIDDONS. 1938. 6 reels, sd.

Credits: Scenario and dialogue, George A. Cooper.

THE STORY OF THE JAGUAR. 1920. 1 reel.

Credits: Written and directed by Jack Allen.

THE STORY OF THE LITTLE MINISTER. 1912. From the novel, "The Little Minister" by J. M. Barrie. 3 reels.

THE STORY OF THE ROOSEVELT FAMILY IN AMERICA. SEE Man's Best Friend.

THE STORY OF THE SLEEVE VALVE ENGINE, no. 1-3. 1929. 1 reel each.

THE STORY OF THE UNITED STATES COAST GUARD. 1935. Produced in cooperation with the U. S. Coast Guard. 8 reels.

THE STORY OF THE UNITED STATES COAST GUARD. Released by the U. S. Coast Guard. 1939. 5 reels, sd.

Credits: Narrator, Alois Havrilla.

STORY OF THE WILLOW PATTERN. 1914. 1 reel. Based on a legend of "Old China."

Credits: Adaptation, Hettie Gray Baker.

THE STORY OF THE WOLF. 1920. 1 reel.

THE STORY OF VERNON AND IRENE CASTLE. 1939. 93 min., sd. Based on the stories "My Husband" and "My Memories of Vernon Castle" by Irene Castle.

Credits: Producer, George Haight; director, H. C. Potter; screenplay, Richard Sherman; adaptation, Oscar Hammerstein, Dorothy Yost; editor, William Hamilton; music director, Victor Baravalle.

THE STORY THAT COULDN'T BE PRINTED. (John Nesbitt's Passing Parade) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., b&w.

Credits: Director, Joe Newman; screenplay, Samuel H. Chain; film editor, Albert Akst; music score, David Snell.

THE STORY THAT THE KEG TOLD ME. 1917. 3 reels.

Credits: Director, Alan Crosland; story, Adirondack Murray; scenario, Raymond E. Dakin.

THE STORY THE CLOCK TOLD. Imp. 1915. 1 reel.

Credits: Stuart Paton, John B. Clymer.

THE STORY WITHOUT A NAME. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 5,912 ft.

Credits: Producer and director, Irvin Willat; story, Arthur Stringer; screenplay, Victor Irvin.

STOUT HEARTS AND WILLING HANDS. Presented by The Masquers Club of Hollywood. 1931. 2 reels, sd., b&w.

Credits: Director, Bryan Foy; story and dialogue, Al Austin, Walter Weems; film editor, Charles Craft.

STOWAWAY. Presented by Carl Laemmle. 1932. 5 reels.

Credits: Director, Phil Whitman; screenplay, Norman Springer.

STOWAWAY. 1936. 7,811 ft., sd.

Credits: Director, William A. Seiter; story, Samuel G. Engel; screenplay, William Conselman, Arthur Sheekman, Nat Perrin; music director, Louis Silvers.

STOWAWAYS AND STRATEGY. 1917. 1 reel.

Credits: Director, J. A. Howe; story, Earle Montgomery, Joseph Rock.

STRAIGHT AND NARROW. 1930. 1 reel.

STRAIGHT AS AN ARROW. Presented by Adolph Zukor. Fairbanks & Carlisle. 1936. 1 reel, sd.

Credits: Narrative, Gayne Whitman.

STRAIGHT CROOKS. (Lyons-Moran Star Comedy) 1918. 1 reel.

Credits: Story, L. V. Jefferson.

STRAIGHT FROM PARIS. 1921. 6 reels.

Credits: Director, Harry Garson; story, Sada Cowan.

STRAIGHT FROM THE FARM. 1922. 2 reels.

Credits: Director, Gil. Pratt.

STRAIGHT FROM THE HEART. Presented by Carl Laemmle. 1935. 8 reels, sd.

Credits: Producer, B. F. Zeidman; director, Scott R. Beal; original story and screenplay, Doris Anderson; film editor, Ted Kent.

STRAIGHT FROM THE SHOULDER. 1921. 6 reels.

Credits: Director, Bernard Durning; story, Roy Norton; scenario, John Montague.

STRAIGHT FROM THE SHOULDER. Presented by Adolph Zukor. 1936. 7 reels.

Credits: Producer, A. M. Botsford; director, Stuart Heisler; story, Lucian Cary; screenplay, Madeleine Ruthven.

STRAIGHT IS THE WAY. 1921. 6 reels. From the story "The Manifestations of Henry Ort" by Ethel Watts Mumford.

Credits: Director, Robert G. Vignola.

STAIGHT IS THE WAY. 1934. 6 reels, sd., b&w. From a play by Dana Burnet and George Abbott.

Credits: Producer, Lucien Hubbard; director, Paul Sloane; screenplay, Bernard Schubert; film editor, William S. Gray; music score, William Axt.

STRAIGHT LINE STOPS. Presented by Goodrich. 1938. 1 reel, sd.

STRAIGHT, PLACE, AND SHOW. 1938. 6,100 ft., sd. Based on a play by Damon Runyon and Irving Caesar.

Credits: Director, David Butler; screenplay, M. M. Musselman, Allen Rivkin; additional dialogue, Lew Brown; lyrics and music, Lew Brown, Lew Pollack; music director, Louis Silvers.

STRAIGHT SHOOTERS. (Sports-Eye-View) 1933. 1 reel, sd.

STRAIGHT SHOOTIN'. 1924. 2 reels.

Credits: Director, Jack Ford.

STRAIGHT SHOOTIN'. 1927. 5 reels.

Credits: Director, William Wyler; story and continuity, William Lester.

STRAIGHT SHOOTING. Butterfly. 1917. 5 reels.

Credits: Director, Jack Ford; story, George Hively.

STRAIGHT THROUGH. 1925. 5 reels.

Credits: Director, Arthur Rosson; story and continuity by Charles Logue.

THE STRAIGHT WAY. 1916. For Fox Film Corp. 5 reels.

Credits: Produced and written by Will S. Davis.

STRAIGHTAWAY. 1934. 6 reels, sd.

Credits: Director, Otto Brower; story and screenplay, Lambert Hillyer; film editor, Otto Meyer.

A STRAND OF BLOND HAIR. 1914. 1 reel.

Credits: Director, George D. Baker.

STRANDED. Century. 1925. 2 reels.

Credits: Written and directed by William Watson.

STRANDED. 1927. 6 reels.

Credits: Director, Philip Rosen; story, Anita Loos; continuity and adaptation, Frances Guihan.

STRANDED. 1927. 1 reel, sd.

STRANDED. Warner Brothers Productions Corp. Presented by Warner Brothers Pictures, Inc. and the Vitaphone Corp. 1935. 8 reels, sd. Based on the story "Lady with a Badge" by Frank Wead and Ferdinand Reyher.

Credits: Director, Frank Borzage; screenplay, Delmer Daves; additional dialogue, Carl Erickson.

STRANDED IN PARIS. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 7 reels. From the play "Jenny's Escapade" by Hans Bachwitz and Fritz Jakobstetter.

Credits: Associate producer, B. P. Schulberg; director, Arthur Rosson; screenplay, Ethel Doherty, Louise Long; adaptation, Herman J. Mankiewicz, John McDermott.

STRANDED IN PARIS. SEE Codee and Orth in Stranded in Paris.

A STRANGE ADVENTURE. 1917. 1 reel.

Credits: Written and directed by Marshall Neilan.

A STRANGE ADVENTURE. 1932. 7 reels, sd.

Credits: Producer, I. E. Chadwick; supervision, Trem Carr; directors, Phil Whitman, Hampton Del Ruth; story, Arthur Hoerl; dialogue, Hampton Del Ruth; continuity, Lee Chadwick.

STRANGE AS IT SEEMS. Snappy. 1931-34. 1 reel each, sd. © Universal Pictures Corp.

Credits: Directed and produced by Manny Nathan, Hahn, Jerry Fairbanks; story, John Hix; narration, Gayne Whitman.

1. © 22Aug30; LP1535.

2. © 1Oct30; LP1600.

3. © 4Nov30; LP1726.

4. © 1Dec30; LP1801.

5. © 2Jan31; LP1862.

6. © 23Jan31; LP1919.

7. © 3Mar31; LP2038.

8. © 8Apr31; LP2134.

9. © 1May31; LP2218.

10. © 27May31; LP2261.

11. © 6Jul31; LP2322.

12. © 25Aug31; LP2427.

13. © 14Sep31; LP2484.

14. © 9Oct31; LP2547.

15. © 24Nov31; LP2713.

16. © 7Jan32; LP2841.

17. © 3Mar32; LP2924.

18. © 19Apr32; LP2996.

19. © 12May32; LP3040.

20. © 29Jun32; LP3118.

21. © 4Aug31; LP3189.

22. © 13Sep32; LP3247.

23. © 15Oct32; LP3358.

24. © 9Nov32; LP3404.

25. © 21Dec32; LP3510.

26. © 25Jan33; LP3606.

27. © 2Mar33; LP3698.

28. © 14Apr33; LP3803.

29. © 26May33; LP3913.

30. © 6Jul33; LP3999.

31. © 31Jul33; LP4045.

32. © 5Sep33; LP4096.

33. © 6Oct33; LP4158.

34. © 31Oct33; LP4216.

35. © 12Dec33; LP4324.

36. © 20Jan34; LP4426.

37. © 20Feb34; LP4503.

38. © 12Apr34; LP4613.

39. © 5May34; LP4665.

STRANGE BIRDS. 1930. 10 min.

THE STRANGE BOARDER. Presented by Samuel Goldwyn. 1920. 5 reels.

Credits: Director, Clarance G. Badger; story, Will Payne.

STRANGE BOARDERS. 1938. 8 reels, sd. Based on the novel "The Strange Boarders of Palace Crescent" by E. Phillips Oppenheim.

Credits: Director, Herbert Mason; screenplay, Sidney Gilliatt, A. R. Rawlinson; editor, Michael Gordon; music director, Louis Levy.

THE STRANGE BOARDERS OF PALACE CRESCENT. SEE Strange Boarders.

STRANGE CARGO. 1929. 7 reels.

Credits: Director, Arthur Gregor; play, Benjamin Glazer, Melchior Lengyel; screenplay, Horace Jackson.

A STRANGE CASE. 1916. 3 reels.

Credits: Producer and director, Eugene Mullin.

THE STRANGE CASE. 1931. 1 reel.

THE STRANGE CASE OF CAPTAIN RAMPER. Defu. 1928. 8 reels.

Credits: Director, Max Reichman; scenario, Curt J. Braun.

THE STRANGE CASE OF CAVENDISH. SEE Lion Man.

THE STRANGE CASE OF CLARA DEANE. 1932. 8 reels, sd. From the play by Arthur M. Brilant.

Credits: Directors, Louis Gasnier, Max Marcin; screenplay, Max Marcin.

THE STRANGE CASE OF DOCTOR JEKYLL AND MR. HYDE. SEE Dr. Jekyll and Mr. Hyde.

THE STRANGE CASE OF DR. MEADE. 1938. 7 reels, sd.

Credits: Director, Lewis D. Collins; story, Gordon Rigby, Carlton Sand; screenplay, Gordon Rigby; film editor, Dwight Caldwell.

STRANGE CASE OF HENNESSY. 1934. 2 reels, sd.

Credits: Producer, Van Beuren; supervision, Monroe Schaff; director, Ray McCarey; story, Johnny Burke, Harold Spina; editor, Paul Maschke.

THE STRANGE CASE OF MARY PAGE. 1916. 2 reels each. © Essanay Film Mfg. Co.

Credits: Frederick Lewis.

1. The Tragedy. © 11Jan16; LP7407.

2. The Trial. © 18Jan16; LP7485.

3. The Web. © 31Jan16; LP7545.

4. The Mark. © 5Feb16; LP7599.

5. The Alienist. © 14Feb16; LP7644.

6. The Depths. © 21Feb16; LP7693.

7. A Confession. © 1Mar16; LP7760.

8. The Perjury. © 6Mar16; LP7782.

9. The Accusing Eye. © 13Mar16; LP7831.

10. The Clew. © 20Mar16; LP7878.

11. The Raid. © 28Mar16; LP7949.

12. The Slums. © 3Apr16; LP8012.

13. Dawning Hope. © 11Apr16; LP8067.

14. Recrimination. © 18Apr16; LP8108.

15. The Verdict. © 24Apr16; LP8150.

THE STRANGE CASE OF POISON IVY. 1933. 2 reels.

Credits: Director, Lester Neilson; story and dialogue, Al Martin.

THE STRANGE CASE OF PRINCESS KAHN; How Love Conquered Hypnotism. 1914. 2 reels.

Credits: Director, Edw. J. LeSaint.

THE STRANGE CASE OF TALMAI LIND. 1915. 3 reels.

Credits: Director, William Robert Daly.

STRANGE CEREMONIES OF THE WORLD. (World Adventures, no. 12) 1933. 1 reel.

Credits: E. M. Newman.

A STRANGE CONFESSION. Victor. 1916. 1 reel.

Credits: Producer, Jay Hunt; story, L. Hutton; scenario, L. Hutton, Jay Hunt.

A STRANGE DISAPPEARANCE. Imp. 1915. 3 reels. Adapted from the novel by Anna Katherine Green.

Credits: Producer, George A. Letaoey; scenario, Raymond L. Schrock.

STRANGE FACES. 1938. 7 reels, sd.

Credits: Associate producer, Burt Kelly; director, Errol Taggart; original story, Cornelius Reece, Arndt Giusti; screenplay, Charles Grayson; film editor, Charles Maynard.

STRANGE GLORY. (An Historical Mystery) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Jacques Tourneurs; screenplay, Morgan Cox; historical compilations by Charles E. Whittaker; narrator, Carey Wilson; music score, David Snell.

STRANGE IDOLS. 1922. 5 reels.

Credits: Director, Bernard J. Durning; story, Emile Forst; scenario, Jules Furthman.

A STRANGE INHERITANCE. Mustang. 1927. 2 reels.

Credits: Director, Vin Moore; story, W. C. Tuttle.

STRANGE INNERTUBE. Presented by Hal Roach. 1932. 2 reels, b&w.

Credits: Director, Del Lord; editor, Richard Currier.

STRANGE INTERLUDE. 1932. 12 reels, sd., b&w. From the play by Eugene O'Neill.

Credits: Producer, Robert Z. Leonard; dialogue continuity, Bess Meredyth, C. Gardner Sullivan; film editor, Margaret Booth.

THE STRANGE INTERVIEW. 1930. 1 reel, sd.

Credits: Producer, Louis Brock; supervision, Dick Currier; director, Al Boasberg.

STRANGE JUSTICE. Presented by Radio Pictures. 1932. 7 reels, sd.

Credits: Director, Victor Schertzinger; story and screenplay, William A. Drake; film editor, William M. Morgan.

THE STRANGE LOVE OF MOLLY LOUVAIN. 1932. 8 reels, sd.

Credits: Director, Michael Curtiz.

STRANGE MAMMALS AT HOME. 1915.

THE STRANGE MOTHER. Special Laemmle. 1916. 1 reel.

STRANGE PRAYERS. (U. F. A. Oddity) UFA 1928. 1 reel, b&w.

Credits: Edited and titled by John Michael Flick.

STRANGE PRAYERS. (U. F. A. Oddity) UFA. 1929. 1 reel.

Credits: Edited and titled by John Michael Flick.

THE STRANGE RIDER. 1925. 5 reels.

Credits: Percy N. Vekroff; director, Ward Hayes.

THE STRANGE STORY OF SYLVIA GRAY. 1914. 4 reels.

Credits: Director, Charles L. Gaskill.

THE STRANGE UNKNOWN. 1915. 3,000 ft.

Credits: Producer, Wilbert Melville.

THE STRANGE WEDDING SIGN. 1932. 1 reel.

Credits: Director, Frank Melford; story, Abraham Schomer.

STRANGE WIVES. Presented by Carl Laemmle. 1934. 8 reels, sd. From the novel "Bread Upon the Waters" by Edith Wharton.

Credits: Producer, Stanley Bergerman; director, Richard Thorpe; adaptation and screenplay, Gladys Unger; additional dialogue, Barry Trivers, James Mulhauser; film editor, Edward Curtiss.

THE STRANGE WOMAN. 1918. 6 reels. Adapted from the play by William J. Hurlbut and the novel by Sidney McCall [pseud. of Mary (McNeil) Fenollosa].

Credits: Director, E. J. LeSainte; scenario, J. Grubb Alexander; synopsis, Raymond L. Schrock.

THE STRANGER. Powers. 1915. 1 reel.

Credits: C. Frank; producer, Sydney Ayres.

THE STRANGER. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6,660 ft. From the story "The First and the Last" by John Galsworthy.

Credits: Ralph Block; producer and director, Joseph Henabery; adaptation, Edfrid Bingham.

THE STRANGER FROM ARIZONA. Coronet Pictures, Inc. 1938. 6 reels, sd.

Credits: Production and story, Monroe Shaff; director, Elmer Clifton; film editor, Holbrook Todd.

A STRANGER FROM SOMEWHERE. 1916. 5 reels.

Credits: Willis Woods; director, William Worthington.

THE STRANGER FROM TEXAS. 1939. 6 reels, sd.

Credits: Director, Sam Nelson; story, Ford Beebe; screenplay, Paul Franklin; film editor, Mel Thorsen; music and lyrics, Bob Nolan, Tim Spencer.

A STRANGER IN CAMP. Victor. 1915. 1 reel.

A STRANGER IN HIS OWN HOME. Imp. 1916. 1 reel.

Credits: J. Grubb Alexander; producer, Matt Moore.

A STRANGER IN NEW YORK. 1916. 3 reels. From the play by Charles Hoyt.

Credits: Director, T. N. Heffron; scenario, Gilson Willets.

THE STRANGER IN THE VALLEY. 1915. 1 reel.

STRANGER IN TOWN. 1932. 7 reels, sd. Based on the story "Competition" by Carl Erickson.

Credits: Director, Erle C. Kenton; screenplay, Carl Erickson, Harvey Thew.

THE STRANGER RIDES AGAIN. 1938. 1 reel.

Credits: Director, Mannie Davis.

STRANGER THAN FICTION. 1921. 76 min.

Credits: Director, J. A. Barry; story, Charles Richman, Arthur Shelby Le Vino; editor, Ralph Spence.

STRANGER THAN FICTION. 1921. 6 reels.

Credits: Director, J. A. Barry; original story, Charles Richman, Albert Shelby LeVino.

STRANGER THAN FICTION. Snappy. 1934-39. 1 reel each, sd.

Credits: Producers, Joseph O'Brien, Thomas Mead, Allyn Butterfield, Charles E. Ford; direction and story, Charles E. Ford; script, Henry Clay Bate; narrators, Alois Havrilla, James Wallington.

1. © 29Jun34; MP4839.

2. © 1Aug34; MP4908.

3. © 20Aug34; MP4927.

4. © 6Dec34; MP5134.

5. © 10Dec34; MP5154.

6. © 4Feb35; MP5369.

7. © 11Feb35; MP5386.

8. © 20Mar35; MP5475.

9. © 20Mar35; MP5476.

10. © 4Jun35; MP5643.

11. © 6Jun35; MP5644.

12. © 24Jun35; MP5685.

13. © 24Jun35; MP5687.

14. © 11Nov35; MP5959.

15. © 21Nov35; MP5982.

16. © 17Dec35; MP6065.

17. © 17Dec35; MP6066.

18. © 23Mar36; MP6308.

19. © 25Mar36; MP6317.

20. © 25May36; MP6481.

21. © 4Jun36; MP6497.

22. © 17Jun36; MP6557.

23. © 29Jun36; MP6591.

24. © 14Jul36; MP6623.

25. © 30Jul36; MP6650.

26. © 14Aug36; MP6695.

27. © 25Sep36; MP6808.

28. © 6Oct36; MP6831.

29. © 26Oct36; MP6871.

30. © 4Dec36; MP6951.

31. © 22Dec36; MP7001.

32. © 23Dec36; MP7002.

33. © 11Feb37; MP7178.

34. © 10Mar37; MP7259.

35. © 12Apr37; MP7339.

36. © 12May37; MP7415.

37. © 3Jun37; MP7482.

38. © 25Jun37; MP7545.

39. © 29Jul37; MP7647.

40. © 18Aug37; MP7705.

41. © 20Sep37; MP7764.

42. © 19Oct37; MP7869.

43. © 12Nov37; MP7912.

44. © 26Nov37; MP7946.

45. © 6Jan38; MP8050.

46. © 2Feb38; MP8129.

47. © 11Mar38; MP8234.

48. © 17Mar38; MP8250.

49. © 7Apr38; MP8304.

50. © 2May38; MP8380.

51. © 25May38; MP8437.

52. © 13Jun38; MP8520.

53. © 2Sep38; MP8735.

54. © 13Sep38; MP8751.

55. © 13Sep38; MP8759.

56. © 21Nov38; MP8903.

57. © 21Nov38; MP8904.

58. © 21Nov38; MP8905.

59. © 23Feb39; MP9159.

60. © 28Feb39; MP9183.

61. © 28Feb39; MP9184.

62. © 9May39; MP9360.

63. © 10May39; MP9382.

64. © 16Jun39; MP9472.

65. © 16Jun39; MP9474.

66. © 8Sep39; MP9640.

67. © 8Sep39; MP9641.

68. © 26Sep39; MP9667.

69. © 7Dec39; MP9797.

70. © 7Dec39; MP9798.

71. © 7Dec39; MP9799.

STRANGERS ALL. 1935. 8 reels, sd. From the play by Marie M. Bercovici.

Credits: Associate producer. Cliff Reid; director, Charles Vidor; screenplay, Milton Krims; editor, Jack Hively; music director, Roy Webb.

THE STRANGER'S BANQUET. 1922. 9 reels. From the story by Donn Byrne.

STRANGERS IN LOVE. 1932. 6,334 ft. Based on the novel "The Shorn Lamb" by William J. Locke.

Credits: Director, Lothat Mendes; screenplay, Grover Jones, William Slavens McNutt.

STRANGERS MAY KISS. 1931. 10 reels, sd., b&w. From the book by Ursula Parrott.

Credits: Producer, George Fitzmaurice; dialogue continuity, John Meehan; film editor, Hugh Wynn.

STRANGERS OF THE EVENING. Presented by Tiffany Pictures. 1932. 7 reels, sd. Adapted from the book "The Illustrious Corpse" by Tiffany Thayer.

Credits: Producer, Sam Bischoff; director, H. Bruce Humberstone; adaptation and dialogue, Stuart Anthony, Warren B. Duff; film editor, Dave Berg.

STRANGERS OF THE NIGHT. Presented by Louis B. Mayer. 1923. 8 reels, tinted. Adapted from the Sam K. Harris production of "Captain Applejack" by Walter Hackett.

Credits: Production, supervision, and direction, Fred Niblo; scenario, Bess Meredyth; adaptation, G. Gardner Sullivan; film editor, Loyd Nosler.

STRANGERS ON A HONEYMOON. 1936. 7 reels, sd. From the novel "The Northing Tramp" by Edgar Wallace.

Credits: Director, Albert De Courville; adaptation, Julian Houston; screenplay, Sidney Gilliat, Bryan Wallace; editor, C. Randell; music director, Louis Levy.

THE STRANGER'S RETURN. 1933. 9 reels, sd., b&w. From the novel by Phil Stong.

Credits: Producer, King Vidor; screenplay, Brown Holmes, Phil Stong; film editor, Dick Fantl.

THE STRANGEST ARMY IN THE WORLD. Powers. 1917. 1 reel.

THE STRANGLER. (William J. Burns Detective Mysteries) Educational Film Exchanges, Inc. 1931. 12 min.

Credits: Director, G. C. Reid; story, adaptation, and dialogue, Russell Matson.

Credits: Director, James Gordon.

THE STRAPHANGER. Presented by Century Comedies. 1921. 2 reels.

Credits: Story and direction, Fred Hibbard.

THE STRATEGIST. 1915. 1 reel.

Credits: Producer, Norval MacGregor; scenario, Emily Brown Heininger.

STRATHMORE. SEE Flames of Desire.

STRATOS-FEAR. (Willie Whopper Cartoon) 1933. 1 reel.

STRAWBERRY ROAN. (Baskette) 1933. 6 reels.

Credits: Director, Alan James; story, screenplay, and dialogue, Nate Gatzert.

THE STRAY SHOT. 1915. 1 reel.

THE STRAYED LAMBS. SEE A Great Mistake.

STREAM GRADATION. SEE The Work of Rivers.

THE STREAM OF LIFE. 1919. 7 reels.

Credits: Director, Horace G. Plympton; story, James K. Shields.

STREAMLINE EXPRESS. Presented by Nat Levine. 1935. 8 reels, sd.

Credits: Supervision, George Yohalem; director, Leonard Fields; original story, Wellyn Totman; screenplay, Leonard Fields, Dave Silverstein, Olive Cooper; film editor, Joseph Lewis.

STREAMLINED GRETA GREEN. (Merrie Melodies) 1937. 8 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, I. Freleng; animation, Cal Dalton, Ken Harris; musical score, Carl W. Stalling.

STREAMLINED SWING. Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., sepia.

Credits: Producer, Louis Lewyn; director, Buster Keaton; screenplay, Marion Mack; dialogue, John Krafft.

STREET ANGEL. 1928. 10 reels, b&w, lavender sequences. From the play by Monckton Hoffe.

Credits: Director, Frank Borzage; adaptation, Philip Klein, Henry Roberts Symonds; continuity, Marion Orth.

THE STREET CALLED STRAIGHT. 1919. 5 reels.

Credits: Director, Wallace Worsley; story, Basil King; scenario, Edward Lowe.

STREET FAKIRS. 1915. 1 reel.

STREET GIRL. Radio. 1929. 8,200 ft., sd. From the story "The Viennese Charmer" by W. Carey Wonderly.

Credits: Associate producer, Luther Reed; director, Wesley Ruggles; adaptation and dialogue, Jane Murfin.

STREET GIRL. Radio. 1929. 8,200 ft., sd. From the story "The Viennese Charmer" by W. Carey Wonderly.

Credits: Associate producer, Luther Reed; director, Wesley Ruggles; adaptation and dialogue, Jane Murfin.

STREET OF CHANCE. 1930. 7,023 ft.

Credits: Director, John Cromwell; story and dialogue, Oliver H. P. Garrett; scenario, Howard Estabrook.

THE STREET OF FORGOTTEN MEN. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 7 reels. From the Liberty Magazine story by George Kibbe Turner.

Credits: Producer, Herbert Brenon; screenplay, Paul Schofield; adaptation, John Russell.

THE STREET OF ILLUSION. 1928. 7 reels.

Credits: Producer, Harry Cohn; director, Erie C. Kenton; story, Channing Pollock; screenplay, Harvey Thew; continuity, Dorothy Howell; film editor, Frank Atkinson.

STREET OF MISSING MEN. 1939. 7 reels, sd.

Credits: Associate producer, Armand Schaefer; director, Sidney Salkow; original story, Eleanor Griffen, William Rankin; screenplay, Frank Dolan, Leonard Lee; film editor, Ernest Nims; music director, Cy Feuer.

THE STREET OF SIN. 1928. 7 reels.

Credits: Director, Mauritz Stiller; story, Josef von Sternberg, Benjamin Glazer; scenario, Chandler Sprague.

STREET OF WOMEN. 1932. 7 reels, sd. Based on the novel by Polan Banks.

Credits: Director, Archie Mayo; screenplay, Mary McCall, Jr.; adaptation and dialogue, Charles Kenyon, Brown Holmes.

STREET SAFETY FOR ADVANCED GRADES. (Safety Series) 1934. Made in cooperation with the Dept. of Biology and Public Health, Massachusetts Institute of Technology, the National Safety Council, and the American Automobile Association. 954 ft.

STREET SAFETY FOR PRIMARY GRADES, Grades 1-3. (Safety Series) 1934. Made in cooperation with the Dept. of Biology and Public Health, Massachusetts Institute of Technology, the National Safety Council, and the American Automobile Association. 474 ft.

STREET SCENE. United Artists. 1931. 9 reels. Adapted from the play by Elmer Rice.

Credits: Director, King Vidor; adaptation, Elmer Rice.

THE STREET SINGER. 1932. 2 reels.

Credits: Producer, Rowland Brice; director, Monte Brice; story, William Rowland, Monte Brice.

THE STREET SINGERS. 1913. 2 reels.

Credits: Directors, Wilfred North, Wallie Van [pseud. of Wally Van Nostrand].

THE STREETCAR. 1939. 1 reel.

STREET CARS AND CARBUNCLES. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, Dick Smith.

THE STREETS OF CAIRO. (Rambling Reporter) Bray Pictures Corp. 1931. 1 reel.

Credits: Narrative by Malcolm La Prade.

THE STREETS OF MAKE BELIEVE. Imp. 1915. 1 reel.

Credits: Producer, George A. Lessey; scenario, P. Kelly.

STREETS OF MYSTERY. (Vagabond Series, no. 2) 1930. 1 reel, sd.

Credits: Tom Terriss.

THE STREETS OF NEW YORK. State Pictures Corp. 1922. 7 reels. Suggested by the play by Leota Morgan.

Credits: Director, Burton King.

STREETS OF NEW YORK. 1939. 8 reel, sd.

Credits: Supervision, William T. Lackey; director, William Nigh; screenplay and original story, Robert D. Andrews; film editor, Russell Schoengarth.

STREETS OF PARIS. (A Century of Progress) 1933. 100 ft.

STREETS OF PARIS. (A Century of Progress Exposition) New version. 1933. 1 reel.

STREETS OF SHANGHAI. Presented by Tiffany-Stahl. 1928. 6 reels. From the story by John Francis Natteford.

Credits: Director, Louis Gasnier; film editor, Martin G. Cohn.

STRENGTH. 1915. 1 reel.

Credits: Producer, Ulysses Davis.

THE STRENGTH OF A SAMSON. 1915. 1 reel.

Credits: Producer, E. A. Martin.

THE STRENGTH OF DONALD MCKENZIE. Mutual Star. 1916. 5 reels.

Credits: William Russell, John Prescott; dramatization, J. Edward Hungerford; story, Russell E. Smith.

THE STRENGTH OF LOVE. SEE When the Earth Trembled.

STRENGTH OF THE PINES. 1922. 5 reels.

Credits: Director, Edgar Lewis; story, B. Edison Marshall; adaptation, Louise Lewis.

THE STRENGTH OF THE WEAK. 1915. 2 reels.

THE STRENGTH OF THE WEAK. 1916. 5 reels. Adapted from the play by Alice M. Smith and Charlotte Thompson.

Credits: Producer, Lucius Henderson; adaptation, William Addison Lathrop.

STRENGTHENING OUR NATION. 1924. 3 reels.

Credits: Written and directed by M. Gertrude Slaughter.

THE STRENUOUS LIFE. 1914. 1 reel.

Credits: Producer, John L. Hawkinson.

STRETCHING THE TRUTH. 1924. 2 reels.

Credits: Director, Benjamin Stoloff.

STRICTLY BUSINESS. 1917. 2 reels. From a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Thomas R. Mills; adaptation, Will Courtney.

STRICTLY CONFIDENTIAL. 1919. 5 reels. Founded on the play "Fannie and the Servant Problem" by Jerome K. Jerome.

Credits: Director, Clarence G. Badger.

STRICTLY DISHONORABLE. 1931. 10 reels. From the stage play by Preston Sturges.

Credits: Director, John M. Stahl; screenplay, Gladys Lehman.

STRICTLY DYNAMITE. 1934. 8 reels, sd.

Credits: Associate producer, H. N. Swanson; director, Elliott Nugent; story, Robert T. Colwell, Robert A. Simon; screenplay, Maurine Watkins, Ralph Spence; additional dialogue, Milton Raison, Jack Harvey; editor, George Crone; music director, Max Steiner.

STRICTLY FRESH YEGGS. 1934. 2 reels, sd.

Credits: Producer, Lou Brock; director, George Stevens; story, Fred Guiol, Jack Townley; film editor, John Lockert.

STRICTLY MODERN. 1930. 6 reels. Based on "Cousin Kate" a play by Hubert Henry Davies.

Credits: Producer, William A. Seiter; adaptation, Ray Harris, Gene Towne.

STRICTLY MODERN. Trailer. 1930. 1 reel, sd.

STRICTLY NEUTRAL. 1915. 1 reel.

Credits: Director, C. Jay Williams.

STRICTLY PERSONAL. 1933. 8 reels, sd.

Credits: Producer, Charles R. Rogers; director, Ralph Murphy; story, Wilson Mizner, Robert T. Shannon; screenplay, Willard Mack, Beatrice Banyard; additional dialogue, Casey Robinson; film editor, Joseph Kane.

STRICTLY-UNCONVENTIONAL. 1930. 6 reels, sd., b&w. Based on the play "The Circle" by W. Somerset Maugham.

Credits: Director, David Burton; talking version, Sylvia Thalberg, Frank Butler; film editor, Margaret Booth.

STRICTLY UNRELIABLE. (A Hal Roach Subject) Presented by Hal Roach. 1932. 2 reels, sd., b&w.

Credits: Director, George Marshall; dialogue, H. M. Walker; editor, Richard Currier.

THE STRIFE ETERNAL; the Romance of Jane Shore. Barker Motion Photography, Ltd. 1915. 5 reels.

THE STRIFE OF THE PARTY. 1931. 2 reels.

Credits: Director, Mark Sandrich; story and adaptation, Ned Sparks, Mark Sandrich.

STRIKE! (The Grantland Rice Sportlight) 1938. 1 reel, sd.

Credits: Narrator, Ted Husing.

THE STRIKE BREAKERS. (Lyons-Moran Star Comedy) 1919. 1 reel.

Credits: Story, C. B. Hoadley.

STRIKE ME PINK. Released through United Artists. 1936. 11 reels, sd. Adapted from the Saturday Evening Post serial "Dreamland" by Clarence Budington Kelland.

Credits: Director, Norman Taurog; adaptation and screenplay, Frank Butler, Walter DeLeon, Francis Martin; additional dialogue, Philip Rapp; film editor, Sherman Todd; music director, Alfred Newman; music and lyrics, Harold Arlen, Lew Brown.

THE STRIKE OF THE RATTLER. 1923. 2 reels.

Credits: Director, Jay Marchant; story and scenario, Karl Coolidge.

STRIKE ONE. Nestor. 1917. 1 reel.

Credits: Story and direction, Craig Hutchinson; scenario, C. B. Hoadley.

STRIKE UP THE BAND. 1930. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer.

STRIKE! YOU'RE OUT. Presented by E. W. Hammons. 1936. 968 ft., sd.

Credits: Director, Robert Hall; story, Art Jarrett, Marcy Klauber.

STRIKES AND SPARES. (M. G. M. Oddity) 1934. 1 reel.

Credits: Director, Felix E. Feist; explanatory remarks by Pete Smith.

STRING BEAN JACK. (Terry Toons) Presented by Paul Terry. 1938. 1 reel, sd., color.

Credits: Director, John Foster; music, Philip A. Scheib.

STRING BEANS. Presented by Thomas H. Ince. 1918. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Victor Schertzinger; story, Julien Josephson; editor, Duncan Mansfield.

THE STRING CHOIR. 1931. 1 reel.

THE STRING CHOIR. 1938. 1 reel, sd.

STRINGS AND STRAINS. Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Produced and directed by George M. Arthur; music, Lewis E. Gensler.

STRINGS OF STEEL. 1926. 2 reels each.

Credits: Director, Henry Mac Rae; story, Phillip Dutton Hurn, Oscar Lund.

1. The Voice on the Wire. © 15May26; LP22738.

2. The First Central. © 22May26; LP22759.

3. Fighting for Love. © 29May26; LP22786.

4. The Power of Might. © 24Jun26; LP22848.

5. Kings of the Wire. © 26Jun26; LP22849.

6. Voice of the Continent. © 6Jul26; LP22877.

7. Telephone Poles. © 8Jul26; LP22895.

8. War of the Wires. © 15Jul26; LP22913.

9. When Lightning Strikes. © 15Jul26; LP22915.

10. Love and Victory. © 22Jul26; LP22949.

STRIPES AND STARS. 1918. 1 reel.

Credits: Story and direction, Walter Hall.

STRIPES AND STARS. Winkler. 1929. 1 reel.

Credits: Walt Lantz.

STRIPES AND STUMBLES. 1918. 1 reel.

Credits: Written and directed by Lawrence Semon.

STRIVING FOR FORTUNE. 1926. 6 reels.

Credits: Director, Nat Ross; story, Merle Johnson.

THE STROKE OF FATE. 1915. 1,000 ft.

STROKE OF GENIUS. (A Miniature) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Producer and director, Nat Ross; associate producer, Jack White; original story, Edwin Rutt, Vernon McKenzie; screenplay, Walter Wise, Hugo Butler.

THE STROKE OF MIDNIGHT. Swedish Biograph. 1922. 6 reels.

Credits: Selma Lagerlof; adapted and directed by Victor Seastrom.

THE STROKE OF THE PHOEBUS EIGHT. 1913. 1 reel.

Credits: Anne and Bannister Merwin.

STRONG AND WILLING. SEE Trixie Friganza in Strong and Willing.

THE STRONG ARM SQUAD. Rex. 1916. 1 reel.

Credits: Grace Cunard; producer, Francis Ford.

STRONG BOY. 1929. 6 reels, b&w.

Credits: Director, John Ford; story, Frederick Hazlitt Brennan; scenario, James Kevin McGuinness, Andrew Bennison.

STRONG EVIDENCE. 1916. 1 reel.

STRONG FOR LOVE. 1925. 2 reels.

Credits: Director, Louis Seiler.

THE STRONG MAN. Presented by Harry Langdon Corp. 1926. 7 reels.

Credits: Director, Frank Capra; story, Arthur Ripley.

STRONG TO THE FINICH. (A Popeye the Sailor Cartoon) 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneltel, Roland Crandall.

Credits: Director, George Kelson; story, Octavus Roy Cohen.

Credits: Producer, A. Ambrosio.

THE STRONGER LOVE. 1916. 5 reels.

Credits: Director, Frank Lloyd.

THE STRONGER SEX. 1930. 2 reels, sd.

Credits: Director, William Watson; story, Florence Ryerson, Colin Clements.

STRONGER THAN DEATH. Rex. 1915. 2 reels.

Credits: Producer, Joseph Degrass; scenario, Bess Meredyth.

STRONGER THAN DEATH. Presented by Richard A. Rowland and Maxwell Karger. 1920. 7 reels. From the novel "The Hermit Doctor of Gaya" by I. A. R. Wylie.

Credits: Directors, Herbert Blache, Charles Bryant; scenario and adaptation, Charles Bryant.

STRONGER THAN DESIRE. Presented by Metro-Goldwyn-Mayer. 1939. 8 reels, sd., b&w. Based on a novel by W. E. Woodward.

Credits: Producer, John W. Considine, Jr.; director, Leslie Fenton; screenplay, David Hertz, William Ludwig; film editor, W. Donn Hayes; music score, Edward Ward, David Snell.

STRONGER THAN LOVE. 1915. 1 reel.

STRONGER THAN STEEL. Laemmle. 1916. 2 reels. From the story by George Bronson Howard.

Credits: Director, Allen J. Holubar.

STRONGER THAN WOMAN'S WILL. 1916. 3 reels.

THE STRONGER VOW. Presented by Samuel Goldwyn. 1919. 6 reels.

Credits: Director, Reginald Barker; story, Izola Forrester.

THE STRONGER WILL. Presented by Samuel Zierler. 1928. 6,723 ft.

Credits: Director, Bernard McEveety; supervision and story, Harry Chandlee; adaptation, Adrian Johnson.

THE STRONGEST. 1920. 5 reels, b&w, tinted sequences. Based on the story by Georges Clemenceau.

Credits: Direction and scenario, R. A. Walsh.

STRONGHEART. 1914.

STRONGHEART. SEE Braveheart.

Credits: Scenario, Frank E. Montgomery.

THE STRUGGLE. Rex. 1915. 1 reel.

Credits: Producer, Jos. DeGrasse; story, L. V. Jefferson; scenario, Calder Johnstone.

Credits: Director, John Ince; book, Harry Chandlee.

Credits: Story, William E. Wing.

THE STRUGGLE. 1931. 9 reels.

Credits: Director, D. W. Griffith; story, Anita Loos, John Emerson.

THE STRUGGLE EVERLASTING. Presented by Harry Rapf. 1918. 6 reels.

Credits: Edwin Milton Royle; director, James Kirkwood; scenario, Bennet Musson.

THE STRUGGLE FOR EXISTENCE. SEE The Nature Man.

STRUGGLE OF THE ENGLISH AND FRENCH FOR AMERICA. 1920. 1 reel.

THE STRUGGLE UPWARD. 1915. 2,000 ft.

Credits: Harold G. Files; director, James W. Castle.

THE STUBBORN MULE. (Walter Lantz Cartune) (A Walter Lantz Lil Eightball) 1939. 1 reel, sd.

STUCK IN THE STICKS. 1937. 2 reels, sd.

Credits: Director, Preston Black; screenplay, Ewart Adamson.

STUCK STUCK STUCCO. 1933. 1 reel, sd.

Credits: Director, Alf Goulding; story. Glen Lambert, Jack Henley.

THE STUDENT PRINCE IN OLD HEIDELBERG. 1928. 10 reels, b&w. From the book "Karl Heinrich" by Wilhelm Meyer-Förster.

Credits: Director, Ernst Lubitsch; story, Meyer-Förster; continuity, Hans Kraly; titles, Marian Ainslee, Ruth Cummings; film editor, Andrew Marton.

STUDENT TOUR. 1934. 9 reels, sd., b&w.

Credits: Producer, Monta Bell; director, Charles F. Reisner; original story, George Seaton, Arthur Bloch, Samuel Marx; screenplay, Ralph Spence, Philip Dunne; film editor, Frank Hall; music and lyrics, Nacio Herb Brown, Arthur Freed; music director. Jack Virgil.

THE STUDENT'S ROMANCE. Presented by Associated British Picture Corp., Ltd. 1936. 7,066 ft., sd. Adapted from the operetta "I Lost My Heart in Heidelberg;" original lyrics by Beda [pseud. of Fritz Löhner] and Ernst Neubach; English lyrics by Harry S. Pepper; music by Fredy Raymond.

Credits: Director, Otto Kanturek; adaptation and scenario, Clifford Grey, Richard Hutter, Norman Watson.

STUDIES IN CLAY. 1915.

Credits: Drawn by Vincent Whitman.

A STUDIO CINDERELLA. Special Laemmle. 1917. 1 reel.

A STUDIO ESCAPADE. 1915. 2 reels. From the story "The Escape" by Charles Belmont Davis.

Credits: Director, Lloyd B. Carleton.

THE STUDIO GIRL. 1918. 5 reels. Adapted from the comedy "La Gamine" by Pierre Veber and Henri de Gorsse.

Credits: Director, Charles Giblyn; adaptation, Paul West.

THE STUDIO MURDER MYSTERY. 1929. 6,009 ft.

Credits: Production, direction, adaptation and dialogue, Frank Tuttle; story by the Edingtons; screen playright, Ethel Doherty.

STUDIO PESTS. (An Ideal Comedy) 1929. 2 reels.

Credits: Producer, Jack White; director, Stephen Roberts.

THE STUDIO RUBE. 1922. 2 reels.

Credits; Director, Gil Pratt.

STUDIO SAP. (Chester Conklin Comedy) 1931. 1 reel.

Credits: Supervision, Phil L. Ryan; director, Frank C. Griffin; story, Frank C. Griffin, George Cleethorpe.

STUDIO SAP. (Chester Conklin Comedy) 1931. 2 reels, sd.

Credits: Supervision, Phil L. Ryan; director, Frank C. Griffin; story, Frank C. Griffin, George Cleethorpe.

STUDY AND UNDERSTUDY. 1936. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus D. Wood, A. Dorian Otvos.

STUDY IN BOTANY. 1913. 1 reel.

A STUDY IN FEET. 1914. 1 reel.

Credits: Director, Harry Lambart.

A STUDY IN FORD SAFETY. Ford Motion Picture Laboratories. 1923. 2 reels.

A STUDY IN SCARLET. World Wide. Presented by E. W. Hammons. 1933. 62 min., sd. Suggested by the book by Sir Arthur Conan Doyle.

Credits: Director, Edwin L. Marin; screenplay, Robert Florey; continuity and dialog, Reginald Owen.

A STUDY IN TRAMPS. 1915. 1 reel.

Credits: Director, Lee Beggs.

THE STUDY OF A CAVE IN LIMESTONE. 1920. 1 reel.

THE STUDY OF INFANT BEHAVIOR. 1930. 2 reels.

Credits: Arnold Gesell.

A STUDY OF SHORE FEATURES: A BOLD SHORE. 1920. 1 reel.

A STUDY OF SHORE FEATURES: A LOW SHORE. 1920. 1 reel.

Credits: Story and continuity by J. Allman and E. O'Toole.

A STUDY OF THE WORK OF RIVERS. 1920. 1 reel.

STÜRME DER LEIDENSCHAFT (TEMPEST). 1932. 10 reels.

Credits: Director, Robert Siedmak; story, Robert Leibmann, Hans Mueller.

STUFF ON THE BALL. (Sports-Eye View, no. 4) 1932. 1 reel.

Credits: Director, Jack Eaton.

THE STUFF THAT DREAMS ARE MADE OF. 1914. 2 reels. A new version of the Edison comedy.

Credits: Director, Charles H. France.

STUFFED LIONS. Century. 1921. 2 reels.

Credits: Written and directed by Chuck Reisner.

STUFFY'S ERRAND OF MERCY. 1935. 1 reel, sd.

Credits: Editor, Bert Frank.

STUMBLING. Imp. 1916. 2 reels.

Credits: Producer and director, Leon D. Kent; story, Max Genaski; scenario, Harvey Gates.

THE STUMBLING HERD. SEE Rose of the Tenements.

STUNG. 1916. 1 reel.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

STUNG. 1931. 10 min.

Credits: F. R. Buckley; adapted and directed by William Cowen.

STUNG AGAIN. 1933. 2 reels.

Credits: Director, W. P. Hackney; story, B. Vernon Smith, James W. Horne.

THE STUNT MAN. (Educational-Larry Semon Comedy) 1927. 2 reels.

Credits: Written and directed by Larry Semon.

STUNT PILOT. 1939. 7 reels, sd.

Credits: Producer, Paul Malvern; director, George Waggner; original story, Hal Forrest; screenplay, Scott Darling, Joseph West; film editor, Carl Pierson.

Credits: Producer, John L. Hawkinson.

STUPID BUT BRAVE. (Tuxedo Comedies) Educational. 1924. 2 reels.

Credits: Written and directed by Al St. John.

THE STUPOR-VISOR. 1938. 2 reels, sd.

Credits: Producer, Bert Gilroy; story and direction, Charles Roberts; film editor, John Lockert.

STURM IN WASSERGLAS. SEE Storm in a Teacup.

A STUTTERING ROMANCE. 1930. 1 reel.

Credits: Director, Arthur Hurley; story, Stanley Raugh.

STYLES AND SMILES. (Nu-Atlas Musical, no. 2) 1938. 11 min., sd.

Credits: Director, Milton Schwarzwald.

STYLISH STOUTS. (An Educational Coronet Comedy) Presented by E. W. Hammons. 1935. 2 reels, sd.

Credits: Producer, Al Christie; story, Arthur Jarrett, William Watson.

SUBMARINE. 1928. 9 reels.

Credits: Producer, Irvin Willat; director, Frank R. Capra; story, Norman Springer.

SUBMARINE D-l. Cosmopolitan. First National. 1937. 11 reels, sd.

Credits: Director, Lloyd Bacon; story, Frank Wead; screenplay, Frank Wead, Warren Duff, Lawrence Kimble; music, Max Steiner.

THE SUBMARINE EYE. 1917. 8 reels.

SUBMARINE PATROL. 1938. 95 min., sd. From a book by Ray Millholland.

Credits: Associate producer, Gene Markey; director, John Ford; screenplay, Rian James, Darrell Ware, Jack Yellen; film editor, Robert Simpson; music director, Arthur Lange.

A SUBMARINE PIRATE. 1915. 4 reels.

Credits: Supervision, Mack Sennett; directors, Charles Avery, Syd Chaplin.

SUBMARINES AND SIMPS. 1918. 2 reels.

Credits: Director, Roy McGray; story, Earl Montgomery, Joe Rock.

THE SUBSTITUTE. 1915. 1,000 ft.

THE SUBSTITUTE HEIR. 1914. 1 reel.

Credits: Producer, E. A. Martin.

THE SUBSTITUTE STENOGRAPHER. (A Kate Kirby Detective Story) 1913.

THE SUBSTITUTE WIFE. 1925. 6 reels.

Credits: Director, Wilfred May; story, Katherine Smith.

THE SUBURBAN. Imp. 1915. 4 reels.

Credits: Producer, George Lessey; story, C. T. Dazy; scenario, James Dayton.

THE SUBURBAN. SEE The Kentucky Derby.

SUBWAY EXPRESS. 1931. 7 reels, sd. From the play by Eva Kay Flint [pseud. of Eva Finklestein] and Martha Madison [pseud. of Martha O'Dwyer].

Credits: Director, Fred Newmeyer; adaptation and dialogue, Earl Snell; film editor, Arthur Huffsmith.

SUBWAY SADIE. 1926. 7 reels.

Credits: Director, Alfred Santell; story, Mildred Cram; scenario, Adele Comandini, Paul Schofield.

SUCCESS. Presented by Murray W. Garsson. 1923. 7 reels.

Credits: Written and adapted by Adelaide Leitzbach, Theodore A. Liebler, Jr.; producer and director, Ralph Ince.

SUCCESS AT ANY PRICE. Group Theatre, Inc. 1934. 8 reels, sd. From the play "Success Story" by John Howard Lawson.

Credits: Associate producer, H. N. Swanson; director, J. Walter Ruben; screenplay, John Howard Lawson, Howard J. Green; editor, Jack Hively; music director, Max Steiner.

THE SUCCESS OF THE WHIPPET. 1927. 1 reel.

SUCCESS STORY. SEE Success at Any Price.

THE SUCCESSFUL ADVENTURE. 1918. 5 reels.

Credits: Supervisor, Maxwell Karger; director, Harry L. Franklin; story, June Mathis; scenario, June Mathis, Katharine Kavanaugh.

A SUCCESSFUL CALAMITY. Warner Bros, and Vitaphone. 1932. 8 reels. Based on the play by Clare Kummer.

Credits: Director, John G. Adolfi; adaptation and dialogue, Austin Parker, Maude Howell, Julian Josephson.

SUCCESSFUL DEMONSTRATIONS. 1926.

SUCCESSFUL FAILURE. 1934. 7 reels, sd. From the novel by Michael Kane.

Credits: Producer, Trem Carr; supervision, George Yohalem; director, Arthur Lubin; screenplay, Marion Orth; editor, Jack Ogilvie.

SUCCESSFUL SELLING METHODS. 1937. For the Texas Co. 1 reel, sd.

SUCH A HUNTER. 1914. 1 reel.

Credits: Director, George D. Baker.

SUCH A LITTLE PIRATE. Paramount. Presented by Jesse L. Lasky. 1918. 5 reels.

Credits: Director, George Melford; story, James Oliver Curwood; scenario, Monte M. Katterhohn.

SUCH A LITTLE QUEEN. 1921. 5 reels. Adapted from the play by Channing Pollock.

Credits: Director, George Fawcett; scenario, J. Clarkson Miller, Laurence McCloskey.

SUCH A LOVELY COUPLE. SEE People Will Talk.

SUCH A PRINCESS. Rex. 1915. 3 reels.

SUCH IS LIFE. (Century Comedy) 1923. 2 reels.

Credits: Orpheus B. Caravias; supervision and direction, James Vincent.

SUCH IS LIFE IN ALASKA. (Travelaugh) Powers. 1916. 1 reel.

Credits: Hy Mayer.

SUCH IS LIFE IN CHINA. (Universal Travelaugh) Powers. 1916. 1 reel.

Credits: Hy Mayer.

SUCH IS LIFE IN SOUTH ALGERIA. Powers. 1917. 1 reel.

SUCH MEN ARE DANGEROUS. 1930. 7,400 ft., sd. Based on the story by Elinor Glyn.

Credits: Associate producer, Al Rockett; screenplay and dialogue, Ernest Vajda; editor, Harold Schuster.

SUCH THINGS REALLY HAPPEN. 1915. 2,000 ft.

SUCH WOMEN ARE DANGEROUS. 1934. 7,421 ft., sd. From the story "Odd Thursday" by Vera Caspary.

Credits: Director, James Flood; screenplay, Jane Storm, Oscar M. Sheridan; additional dialogue, Lenore Coffee; music director, Louise de Francisco.

SUCKER MONEY. 1933. 8 reels, sd.

Credits: Directors, Dorothy Reid, Melville Shyer.

SUDDEN BILL DORN. 1937. 6 reels, sd.

Credits: Director, Ray Taylor; story, Jackson Gregory; screenplay, Frances Guihan; film editor, Bernard Loftus.

SUDDEN MONEY. 1939. 6 reels, sd. Based on a play by Milton Lazarus.

Credits: Director, Nick Grinde; screenplay, Lewis Foster; film editor, Ellsworth Hoagland.

Credits: Director, Emile Chautard; story, E. Richard Schayer; scenario, Clara S. Beranger.

SUDS. 1920. 5 reels. From the play "'Op o' Me Thumb" by Frederick Fenn and Richard Pryce.

Credits: Director, Jack Dillon; adaptation, Waldemar Young.

SUDS OF LOVE. 1917. For Fox Film Corp. 2 reels.

Credits: Written and directed by Jay A. Howe.

SUE. 1915. 1 reel.

Credits: Victor Eubank.

SUE MY LAWYER. 1938. 2 reels, sd.

Credits: Director, Jules White; story, Harry Langdon; screenplay, Ewart Adamson.

SUE OF THE SOUTH. 1919. 5 reels.

Credits: Director, W. Eugene Moore; story, Maud Reeves White; scenario, Charles J. Wilson, Jr.

SUED FOR LIBEL. 1939. 66 min., sd.

Credits: Producer, Cliff Reid; director, Leslie Goodwins; story, Wolfe Kaufman; screenplay, Jerry Cady; editor, Desmond Marquette; music director, Roy Webb.

SUEZ. 1938. 9,389 ft., sd.

Credits: Director, Allan Dwan; story, Sam Duncan; screenplay, Philip Dunne, Julien Josephson; music director, Louis Silvers.

THE SUFFERIN' BABY. 1915. 700 ft.

Credits: Marie Pavis; director, Will Louis.

THE SUFFERING OF SUSAN. 1914. 1 reel.

A SUFFRAGETTE IN SPITE OF HIMSELF. 1912. 600 ft.

Credits: Bannister Merwin.

SUGAR. (Ford Educational Library. Agriculture) Ford Motion Picture Laboratories. 1925. 1 reel.

THE SUGAR BOWL FOOTBALL GAME AT NEW ORLEANS, SANTA CLARA VS. L. S. U., JANUARY 1, 1938. 1938. 1 reel.

SUGAR DADDIES. 1927. 2 reels.

Credits: Director, Fred L. Guiol.

SUGAR PLUM PAPA. (Educational-Mack Sennett Talking Comedies) 1930. 21 min., sd.

Credits: Director, Mack Sennett.

THE SUICIDE CLUB. SEE Trouble for Two.

SUICIDE FLEET. 1931. 9 reels, sd., b&w. From the story "The Mystery Ship" by Herbert A. Jones.

Credits: Producer, Charles R. Rogers; director, Albert Rogell; screenplay, Lew Lipton; continuity and dialogue, F. McGrew Willis; film editor, Joseph Kane; musical director, Arthur Lange.

THE SUICIDE SHEIK. Snappy. Winkler. 1929. 1 reel.

Credits: Hugh Harman.

SUICIDE SQUAD. 1936. 6 reels, sd.

Credits: Producer, C. C. Burr; director, Raymond K. Johnson; story, C. E. Roberts, Ray Nazzaro; scenario, Homer King Gordon; special dialogue, Edward K. O'Brien; editor, Arthur Brooks; music, Abe Meyer.

SUITABILITY SELLS SUITS. 1937. For Associated Wool Industries. Filmstrip, sd.

SUITE HOMES. 1927. 2 reels, b&w. Based on the story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Zion Myers; scenario, Max Gold.

THE SUITOR. 1920. 2 reels.

Credits: Written and directed by Larry Semon and Norman Taurog.

THE SUITOR. 1929. 1 reel, sd.

Credits: Director, Dick Currier; editor, Arthur F. Ellis.

SUITS TO NUTS. 1933. 2 reels, sd.

Credits: Producer, Lou Brock; director, Harry Sweet; story, Harry Sweet, Hugh Cummings, Walter Weems, Hal Davitt; film editor, Tom Persons.

THE SULTAN AND THE ROLLER SKATES. 1914. 1 reel.

Credits: Epes Winthrop Sargent; director, C. Jay Williams.

THE SULTAN OF ZULON. 1915. 2 reels.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

SULTAN PEPPER. (King Cartoon, no. 7) 1934. 1 reel. Based on "The Little King" cartoon by O. Soglow.

Credits: Director, George Stallings; animation, Jim Tyer.

Credits: Henry Rowland.

A SULTANA OF THE DESERT. 1915. 2 reels.

Credits: Director, Thomas Santschi.

THE SULTAN'S CAMP OF VICTORY. (Around the World with Burton Holmes) 1930. 1 reel, sd.

THE SULTAN'S CAT. (Paul Terry-Toons) 1931. 6 min.

Credits: Frank Moser, Paul Terry.

SUMMER. (Walt Disney Comic) 1930. 1 reel.

SUMMER BACHELORS. Presented by William Fox. 1926. 6 reels, tinted. From the novel by Warner Fabian [pseud.].

Credits: Director, Allan Dwan; scenario, James Shelley Hamilton.

SUMMER BOARDERS. 1917. 1 reel.

Credits: Director General, J. G. Blystone.

SUMMER BOARDING. 1917. 1 reel.

Credits: Director, Chester M. De Vonde; story, Thomas J. Gray.

SUMMER DAZE. 1932. 2 reels, sd.

Credits: Director, Albert Ray; story, H. O. Kusell.

Credits: Director, Edwin August; story, Louis V. Jefferson.

THE SUMMER GIRLS. 1918. 2 reels.

Credits: Director, Edward Cline.

SUMMER IN WINTER. 1921. 1 reel.

Credits: Direction and scenario, E. Dean Parmelee.

SUMMER KNIGHTS. Snappy. 1928. 1 reel.

Credits: Story and direction, Ansel Friedberger; continuity, George H. Plympton.

SUMMER LIGHTNING. SEE I Met My Love Again.

A SUMMER RESORT IDYLL. 1914. 1 reel.

Credits: Dorothy H. Brown.

SUMMER SAPS. (Educational-Lupino Lane Comedy) 1929. 2 reels.

Credits: Director, Henry W. George.

SUMMERS AND HUNT IN SOME PUMPKINS. 1929. 1 reel, sd.

SUMMERTIME. (Aesop Sound Fable) Presented by The Van Buren Corp. 1929. 1 reel, sd.

Credits: John Foster.

SUMMER TIME. (Paul Terry-Toons) Educational Film Exchanges, Inc. 1931. 6 min.

Credits: Frank Moser, Paul Terry.

THE SUMMONING SHOT. 1915. 1 reel.

Credits: Producer, John L. Hawkinson.

SUN-CHASERS. (Sportlight) 1936. 1 reel.

Credits: Narrator, Ted Husing.

THE SUN NEVER SETS. 1939. 10 reels, sd.

Credits: Producer and director, Rowland V. Lee; story, Jerry Horwin, Arthur FitzRichard; screenplay, W. P. Lipscomb; film editor, Ted Kent.

THE SUNBEAM. 1916. 5 reels.

Credits: Shannon Fife; director, Edwin Carewe; scenario, June Mathis.

SUNBEAMS. (Robert C. Bruce Scenic Novelties) Presented by E. W. Hammons. 1926. 1 reel.

A SUNBONNET BLUE. (Merrie Melodies) 1937. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; animation, Sid Sutherland, Virgil Ross; musical score, Carl W. Stalling.

SUNDAE SERENADE. (Broadway Brevity) 1939. 20 min., sd.

Credits: Director, Roy Mack; story, Cyrus D. Wood, Jack Henley.

Credits: Producer, George Lederer; screen version, Herbert Hall Winslow.

A SUNDAY AFTERNOON IN RURAL ENGLAND. 1912.

SUNDAY CLOTHES. (Scrappy) Presented by Columbia Pictures Corp. 1931. 1 reel, sd.

Credits: Dick Heumer; producer, Charles Mintz; animation, Sid Marcus; musical score, Joe De Nat.

SUNDAY GO TO MEETIN' TIME. (Merrie Melodies) 1936. 1 reel. Sd., color.

Credits: Producer, Leon Schlesinger; supervision, I. Freleng; animation, Bob McKimson, Paul Smith; musical score, Norman Spencer.

SUNDAY MORNING. 1929. 2 reels.

Credits: Director, Harry Edwards.

SUNDAY NIGHT AT THE TROCADERO. 1937. 2 reels, sd., b&w.

Credits: Producer, Louis Lewyn; director, George Sidney; dialogue, John Krafft.

SUNDAY ON THE FARM. (Fables, no. 380) 1928. 1 reel.

Credits: Paul Terry, John Foster.

THE SUNDAY ROUND-UP. 1937. 2 reels, sd.

Credits: Director, William Clemens; original story, William Collier, Jr.; screenplay, H. C. Witwer, Jr., Olga Jamison.

SUNDAY SPORTS IN MEXICO. Treasure Chest. Presented by E. W. Hammons. 1935. 917 ft., sd.

Credits: Director, Antonio Samaniego; narration, Norman Brokenshire.

SUNDAYING IN FAIRVIEW. Black Cat. 1917. 2 reels.

Credits: Director, L. C. Windom; story, Charles J. McGuirk.

SUN DOG TRAILS. 1923. 5 reels.

Credits: Director, Lewis King; story, W. C. Tuttle; scenario, Daniel Whitcomb.

SUNDOWN. 1924. 8 reels.

Credits: E. J. Hudson; directors, Laurence Trimble, Harry O. Hoyt.

SUNDOWN ON THE PRAIRIE. 1939. 6 reels, sd.

Credits: Producer, Edward Finney; director, Al Herman; story and screenplay, William Nolte, Edmond Kelso; additional dialogue, Edmond Kelso.

SUNDOWN RIDER. 1932. 7 reels.

Credits: Screenplay and direction, Lambert Hillyer; story, Jack Neville.

SUNDOWN SLIM. 1920. 5 reels. From the story by H. H. Knibbs.

Credits: Director, Val Paul.

SUNDOWN SLIM. SEE The Burning Trail.

THE SUNDOWN TRAIL. 1919. 6 reels.

Credits: Director, Rollin Sturgeon; story, J. G. Hawks; scenario, Waldemar Young.

SUNDOWN TRAIL. 1931. 6 reels, sd., b&w. From the story by Robert F. Hill.

Credits: Supervision, Fred Allen; direction and dialogue, Robert F. Hill; music director, Arthur Lange.

Credits: Producer and director, George B. Seitz; scenario and adaptation, Frank Leon Smith.

SUNKISSED SWEETIES. (Andy Clyde Comedies) 1932. 22 min., sd.

Credits: Director, Harry J. Edwards; story and dialogue, Ernest Pagano, Jack Townley.

SUNKIST STARS AT PALM SPRINGS. (An M-G-M Musical Revue) 1936. 2 reels, sd., color.

Credits: Producer, Louis Lewyn; director, Roy Rowland; dialogue, John Krafft.

SUNLIGHT AND SHADOW. Imp. 1916. 1 reel.

Credits: Written and produced by Brinsley Shaw; scenario, May B. Havey.

SUNLIGHT'S LAST RAID. 1917. 5 reels.

Credits: Director, William Wolbert; story, Cyrus Townsend Brady.

SUNNY. First National & Vitaphone. 1930. 80 min., sd.

Credits: Producer and director, William A. Seiter; book and lyrics, Otto Harbach, Oscar Hammerstein, II.; music, Jerome Kern.

SUNNY CALIFORNIA. SEE May McAvoy in Sunny California.

A SUNNYDAY EVERYDAY. 1937. For Crane Co. Filmstrip, sd.

SUNNY DUCROW. SEE Sunny Side up.

SUNNY GYM. Century. 1923. 2 reels.

Credits: Written and directed by Herman C. Raymaker.

SUNNY ITALY. 1928. 1 reel.

Credits: Paul Terry, Mannie Davis.

Credits: Producer, George Walter Staton.

SUNNY JIM IN SEARCH OF A MOTHER. 1913. 1 reel.

Credits: Director, Tefft Johnson.

SUNNY SANDS AND DRIFTING SNOW. SEE Henpecks and Pecked Hens, Sunny Sands and Drifting Snow, and Memories.

SUNNYSIDE. 1919. 3 reels.

Credits: Written and produced by Charlie Chaplin.

SUNNY SIDE UP. De Mille Pictures Corp. Released by Producers Distributing Corp. 1926. 6 reels. From the novel "Sunny Ducrow" by Henry St. John Cooper.

Credits: Supervision, Elmer Harris; director, Donald Crisp; adaptation, Beulah Marie Dix, Elmer Harris.

SUNNYSIDE UP. 1929. 12,000 ft., sd.

Credits: Continuity directed by David Butler, Ernest Palmer; staged by Seymour Felix; edited by Irene Morra.

SUNNY SKIES. 1930. 8 reels, sd.

Credits: Director, Norman Taurog; story, A. P. Younger; continuity. Earl Snell.

SUNNY SOUTH. (An Oswald Comedy) Snappy. 1931. 1 reel.

THE SUNNY SOUTH. (Paul Terry Toons) Educational Pictures. Presented by E. W. Hammons. 1933. 518 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

SUNNY, THE CATTLE THIEF. 1913. 1 reel.

Credits: Director, W. J. Bauman.

SUNRISE. 1927. 10 reels.

Credits: Hermann Sudermann; director, F. W. Murnau; scenario, Carl Mayer.

THE SUNRISE TRAIL. 1931. 6 reels, sd.

Credits: Director, J. P. McCarthy; story and adaptation, Wellyn Totman.

THE SUNSET DERBY. 1927. 6 reels.

Credits: Producer, Charles R. Rogers; director, Albert Rogell; story, William Dudley Pelley; scenario, Curtis Benton.

THE SUNSET HUNTER. 1930. 1 reel.

Credits: Director, Robert C. Bruce; story, Richard Cameron.

SUNSET JONES. 1921. 5 reels.

Credits: Director, George L. Cox; adaptation, Daniel F. Whitcomb.

THE SUNSET LEGION. 1928. 7 reels.

Credits: Director, Lloyd Ingraham, Alfred L. Werker; story, Frank M. Clifton.

SUNSET OF POWER. Presented by Carl Laemmle. 1935. 7 reels, sd.

Credits: Producer, Buck Jones; director, Ray Taylor; original story, J. E. Grinsted; screenplay, Earl Snell; film editor, Bernard Loftus.

SUNSET PASS. 1929. 5,862 ft. Based on the story by Zane Grey.

Credits: Director, Otto Brower; adaptation, J. Walter Ruben, Ray Harris.

SUNSET PASS. 1933. 7 reels, sd. From the novel by Zane Grey.

Credits: Director, Henry Hathaway; screenplay, Jack Cunningham, Gerald Geraghty.

SUNSET RANGE. 1935. 6 reels, sd.

Credits: Director, Ray McCarey; story and continuity, Paul Schofield.

SUNSET SPRAGUE. 1920. 5 reels.

Credits: Director, Thomas Heffron, Paul Cazeneuve; story and scenario, Clyde C. Westover.

THE SUNSET STRIP CASE. 1938. 7 reels, sd. From the original story "Murder on Sunset Boulevard" by Harold Joyce.

Credits: Producer, George Hirliman; director, Louis Gasnier; screenplay, Arthur Hoerl, Paul Franklin; film editor, Martin G. Cohn; music supervision, Hugo Riesenfeld; music director, Sam Coslow.

THE SUNSET TRAIL. 1917. 5 reels. From the story by Alice McIver.

Credits: Director, George H. Melford; adaptation, Beulah Marie Dix.

THE SUNSET TRAIL. 1924. 5 reels.

Credits: Director, Ernst Laemmle; adaptation, Isadore Bernstein; continuity, Wyndham Gittens.

SUNSET TRAIL. Presented by Adolph Zukor. 1939. 7 reels, sd. Based on characters created by Clarence E. Mulford.

Credits: Producer, Harry Sherman; director, Lesley Selander; screenplay, Norman Houston.

SUNSHINE ALLEY. 1917. 6 reels.

Credits: Director, John Noble; story, Mary Rider.

SUNSHINE AND SHADOWS. 1914. 2 reels.

Credits: Director, Van Dyke Brooke.

SUNSHINE AND SHADOWS. (Paramount-Post Nature Pictures) Post Pictures Corp. 1919. 1 reel.

Credits: Verse, H. C. Ruth.

THE SUNSHINE BOYS, DAVE RINGLE, EDDIE ROTH [AND] BILLY SHARKEY [IN] A TRIPLE ALLIANCE OF SONG, MUSIC [AND] FUN. 1927. 1 reel each.

SUNSHINE DAD. 1916. 5 reels.

Credits: Scenario, Chester Withey, F. M. Pierson.

THE SUNSHINE MAKERS. Released by RKO Radio. 1935. 1 reel, color.

Credits: Directors, Burt Gillett, Ted Eshbaugh.

SUNSHINE NAN. 1918. Adapted from "Calvary Alley" by Alice Hegan Rice. 5 reels.

Credits: Director, Charles Giblyn; scenario, Eve Unsell.

SUNSHINE SAMMY AND HIS BROTHERS IN STEPPIN' ALONG. (Movietone Act) 1929. 1 reel, sd.

SUNSHINE SUSIE. SEE The Office Girl.

THE SUNSHINE TRAIL. 1923. 5 reels.

Credits: William Wallace Cook; adaptation, Bradley King.

SUNSHINE'S DARK MOMENT. (Barney Google Series, no. 7) 1929. 2 reels.

Credits: Director, St. Elmo Boyce; story, E. V. Durling, George Gray.

SUN UP. 1925. 7 reels, b&w, tinted sequences. From the play by Lulu S. Vollmer.

Credits: Production, direction, scenario, and adaptation, Edmund Goulding; story, Lulu S. Vollmer; film editor, Harold Young.

SUPER OF THE GAIETY. SEE His Tiger Lady.

SUPER-ATHLETES. (The Grantland Rice Sportlight) 1938. 1 reel, sd.

Credits: Narrator, Ted Husing.

THE SUPERIOR CLAIM. Bison. 1915. 3 reels.

Credits: Ben Cohn; producer, Jos. Franz.

THE SUPERIOR WHIPPET'S DOLLAR FOR DOLLAR VALUE. 1929. 1 reel.

SUPERNATURAL. 1933. 7 reels, sd.

Credits: Producers, Victor and Edward Halperin; director, Victor Halperin; dialogue director, Sidney Salkow; story and adaptation, Garnett Weston; screenplay, Harvey Thew, Brian Marlow.

THE SUPER-SEX. 1922. 5,749 ft. Adapted from the story "Miles Brewster and the Super-Sex" by Frank R. Adams.

Credits: Producer, Frank R. Adams; direction, adaptation, and scenario, Lambert Hillyer.

SUPER-SLEUTH. 1937. 7 reels, sd. From the play by Harry Segall.

Credits: Producer, Edward Small; director, Ben Stoloff; screenplay, Gertrude Purcell, Ernest Pagano; editor, William Hamilton.

THE SUPER SNOOPER. Presented by E. W. Hammons. 1934. 2 reels, sd.

Credits: Producer, E. H. Allen; director, Harry J. Edwards; story and dialogue, Ernest Pagano, Ewart Adamson, C. Edward Roberts, Beatrice Van.

THE SUPER SNOOPER. 1937. 2 reels.

Credits: Director, Preston Black; story and screenplay, Ewart Adamson.

SUPER-SOLVENIZED PRIZE CONTEST, APRIL 1 TO MAY 31, 1936. 1936. 1 reel. Sd.

SUPERSPEED. 1935. 6 reels, sd.

Credits: Director, Lambert Hillyer; story and screenplay, Harold Shumate; film editor, Otto Meyer.

SUPERSTITION. 1920. 2 reels.

Credits: Director, Edward Laemmle; story, A. H. Gooden; scenario, Ford Beebe.

THE SUPERSTITION OF THE BLACK CAT. (Paramount Varieties) Presented by Adolphe Zukor. 1934. 1 reel, sd.

Credits: Director, Ray Nazarro; story, Amille Milane.

THE SUPERSTITION OF THE RABBIT'S FOOT. Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Director, Ray Nazarro; story, Amille Milane.

THE SUPERSTITION OF THREE ON A MATCH. (Paramount Varieties) Presented by Adolph Zukor. 1934. 1 reel, sd.

Credits: Director, Ray Nazarro; story, Amille Milane.

THE SUPERSTITION OF WALKING UNDER A LADDER. (Paramount Varieties) Presented by Adolph Zukor. 1934. 1 reel, sd.

Credits: Director, Ray Nazarro; story, Amille Milane.

SUPERSTITIONS OF SPORTS CHAMPIONS. SEE The Fortune Telling Racket, Superstitions of Sports Champions, and a Visit to West Point.

SUPERSTITIOUS CEYLON. 1916. 1/2 reel.

SUPERSTITIOUS CHINA. Powers. 1917. 1/2 reel.

THE SUPERSTITIOUS GIRL. (James Montgomery Flagg's Girls You Know) 1918. 1 reel.

Credits: Director, Jack Eaton; story, James Montgomery Flagg.

SUPERSTITIOUS JOE. 1913. 1 reel.

SUPER-STUPID. (Coronet Comedies) Presented by E. W. Hammons. 1934. 1,705 ft., sd.

Credits: Director, Leigh Jason; story and adaptation, Mauri Grashin, Leigh Jason, Billy Gilbert.

SUPPER AT SIX. Mentone. 1933. 2 reels.

Credits: Director, Lynn Shores; story and dialogue, Ballard MacDonald.

THE SUPPLE SEX. (A Grantland Rice Sportlight) 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

SUPPORTING ADVERTISING AT THE COUNTER. SEE

Credits and Collections.

How Inventory Shortages Develop.

THE SUPPRESSED CRIME. (William J. Burns Detective Mysteries) 1931. 11 min.

SUPPRESSED EVIDENCE. 1915. 2 reels.

THE SUPREME IMPULSE. Imp. 1915. 1 reel.

Credits: John B. Clymer; director, Lucius Henderson.

Credits: Directors, Harley Knoles, Lionel Belmore.

THE SUPREME TEMPTATION. 1916. 5 reels.

Credits: Director, Harry Davenport.

THE SUPREME TEST. Broadway U. 1915. 5 reels.

Credits: Producer, E. J. Le Saint; story, L. V. Jefferson; adaptation, Harvey Gates.

THE SURE CURE. National Film Corp. of America. Presented by Smiling Bill Parsons. 1920. 2 reels.

Credits: Director, William A. Seiter; story, Bob McGowan.

SURE CURE. (Mermaid Comedies) 1927. 2 reels.

Credits: Supervision, Jack White; director, Stephen Roberts.

A SURE CURE. 1930. 1 reel, sd.

Credits: Director, Ray Cozine; dialogue staged, Max Hayes.

SURE FIRE. 1921. 5 reels.

Credits: Producer, Jack Ford; story, Eugene Manlove Rhodes; scenario, George Hull.

SURE FIRE. (Bobby Vernon Comedies) Educational Film Exchanges, Inc. 1926. 2 reels.

Credits: Director, Earl Rodney; story, Hal Conklin.

SURE FIRE FLINT. 1922. 7 reels.

Credits: Director, Dell Henderson; story and scenario, Gerald C. Duffy.

SURE-LOCKED HOMES. SEE Felix the Cat.

SURE SHOT MORGAN. Universal Special. 1922. 2 reels.

Credits: Story, T. Shelley Sutton; scenario, C. J. Wilson, Jr.

SURE—WE CAN SELL MORE MILK! For International Association of Milk Dealers. 1937. 1 reel, sd.

SURE WE LUBRICATE HYPOIDS. Presented by The Texas Co. 1937. Filmstrip, 72 frames, sd.

SURF AND SAIL. (A Grantland Rice Sportlight) Presented by the Van Beuren Corp. 1929. 1 reel.

Credits: Jack Eaton.

SURF HEROES. (A Pete Smith Specialty) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Written and directed by Charles T. Trego.

SURF SCANDAL. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, Noel Smith.

SURGEON WARREN'S WARD. 1914. 2 reels.

A SURGEON'S REVENGE. 1916. 2 reels.

SURPRISE. 1930. 1 reel.

SURPRISE. 1935. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood.

SURPRISE. 1939. 1 reel, sd.

THE SURPRISE OF MY LIFE. 1915. 1 reel. Adapted from the Munsey Magazine.

Credits: H. K. Ward.

A SURPRISE PARTY. 1914.

Credits: Producer, Norval MacGregor.

SURPRISED HONEY. Bluebird. 1927. 1 reel.

Credits: Director, Richard Smith.

THE SURPRISES OF AN EMPTY HOTEL. 1915. 4 reels. Based on the book by Archibald Clavering Gunter.

Credits: Director, Theodore Marston.

SURPRISING HUSBAND. 1918. 1 reel.

Credits: Director, Graham Baker.

THE SURRENDER. Bison. 1915. 3 reels.

Credits: Producer, Harold Entwhistle; scenario, L. V. Jefferson.

SURRENDER. Jewel. 1927. 8 reels. From the stage play "Lea Lyon" by Alexander Brady.

Credits: Director, Edward Sloman.

SURRENDER. 1931. 6,600 ft., sd. From the novel "Axelle" by Pierre Benoit.

Credits: Director, William K. Howard; screenplay and dialogue, S. N. Behrman, Sonya Levien; editor, Paul Weatherwax.

THE SURVEY. Presented by Willard. 1938. 1 reel, sd.

SUSAN LENOX. 1931. 8 reels, sd., b&w. From the book by David Graham Phillips.

Credits: Producer, Robert Z. Leonard; adaptation and continuity, Wanda Tuchock; dialogue, Zelda Sears, Leon Gordon; film editor, Margaret Booth.

SUSANNAH, A LITTLE GIRL OF THE MOUNTIES. SEE Susannah of the Mounties.

SUSANNAH OF THE MOUNTIES. 1939. 7,105 ft., sd. Based on the book "Susannah, a Little Girl of the Mounties" by Muriel Denison.

Credits: Director, William A. Seiter; story, Fidel la Barba, Walter Ferris; screenplay, Robert Ellis, Helen Logan; music director, Louis Silvers.

SUSAN'S GENTLEMAN. 1917. 5 reels.

Credits: Director, Edwin Stevens; scenario, John C. Brownell.

SUSIE THE SLEUTH. 1916. 1 reel.

Credits: Director, George D. Baker.

SUSIE'S AFFAIRS. 1934. 2 reels, sd.

Credits: Story and direction, Archie Gottler; film editor, James Sweeney.

SUSIE'S SUITORS. 1915. Split reel.

THE SUSPECT. 1916. 6 reels. From the story "The Silver Shell" by H. J. W. Dam.

SUSPENSE. 1919. 6 reels. From the story by Isabel Ostrander.

Credits: Director, Frank Reicher; adaptation, Eve Unsell.

SUSPENSE. 1930. 8 reels, sd. From the play by Patrick MacGill.

Credits: Adaptation and direction, Walter Summers; film edited by Walter Stokvis under the supervision of Emile de Ruelle.

SUSPICIOUS CHARACTERS. 1915. 1 reel.

Credits: Henry Beldon.

SUTTER'S GOLD. 1936. 10 reels, sd. Based on the story by Blaise Cendrars, by arrangement with Bruno Frank.

Credits: Director, James Cruze; screenplay, Jack Kirkland, Walter Woods, George O'Neil.

Credits: Producer, Hardee Kirkland.

SUZANNA. Released by Allied Producers and Distributors Corp. 1923. 8 reels. From the novel by Linton Wells.

Credits: Supervision, Mack Sennett; director, F. Richard Jones; film editor, Allen McNeil.

SUZANNE. SEE A Naked Soul.

SUZY. 1936. 9 reels, sd., b&w. From the novel by Herbert Gorman.

Credits: Producer, Maurice Revnes; director, George Fitzmaurice; screenplay, Dorothy Parker, Alan Campbell, Horace Jackson, Lenore Coffee; film editor, George Boemler; musical score, William Axt.

SVENGALI. 1931. 9 reels, sd. Based on the novel by George Louis DuMaurier.

Credits: Director, Archie Mayo; screenplay and dialogue, J. Grubb Alexander.

SVENGARLIC. (A Krazy Kat) Presented by Columbia Pictures. Winkler. 1931. 1 reel, sd. Adapted from the cartoon character by George Herriman.

Credits: Ben Harrison, Manny Gould; musical score, Joe De Nat.

THE SWAMI. SEE Vengeance.

THE SWAMP. 1921. 5,560 ft.

Credits: Director, Colin Campbell; story, Sessue Hayakawa; adaptation, J. Grubb Alexander.

THE SWAMP ANGEL. SEE Painted People.

SWAMP LAND. (Struggle to Live, no. 1) 1936. 1 reel, sd.

Credits: Narrator, Gayne Whitman.

THE SWAN. Paramount. 1925. 6 reels. From the play by Ferenc Molnar.

Credits: Screenplay and direction, Dimitri Buchowetzki.

THE SWAN. SEE One Romantic Night.

THE SWAN GIRL. 1913. 1 reel.

Credits: Director, Ralph Ince.

SWAN LIFE. 1915. Split reel.

SWANEE CRUISE. 1937. 1 reel, sd.

Credits: Director, Joseph Henabery.

SWANEE RIVER. Presented by George W. Weeks. 1931. 52 min., sd.

Credits: Supervision, Harry S. Webb; director, Raymond Cannon; story, screenplay, continuity, and dialogue, Barbara Chambers; adaptation, Arthur Hoerl; music, Harry Woods.

SWANEE RIVER. SEE Anna Case in Swanee River.

SWANS. (A Paramount Paragraphic) 1939. 1 reel, sd.

Credits: Commentary, Justin Herman; narrator, Frank Gallop.

SWAT THE FLIRT. (Lyons-Moran Star Comedy) 1918. 1 reel.

SWAT THE FLY. 1935. 1 reel, sd.

Credits; Director, Dave Fleischer.

SWAT THE SPY. 1918. 5 reels.

Credits: Director, Arvid E. Gillstrom; story, Hamilton Thompson, Arvid E. Gillstrom; scenario, Raymond L. Schrock.

SWEARING OFF. Victor. 1917. 1 reel.

Credits: Director, Allen Curtis; scenario, W. Warren Schoene.

SWEDE-HEARTS. Victor. 1917. 2 reels.

Credits: Story and direction, George E. Marshall; scenario, C. J. Wilson, Jr.

SWEDEN. 1934. 982 ft.

SWEDEY THE JANITOR. Nestor. 1916. 1 reel.

Credits; Written and produced by Wallace Beery.

SWEEDIE IN VAUDEVILLE. 1915. 1 reel.

SWEEDIE LEARNS TO RIDE. 1915. 1 reel.

SWEEDIE'S FINISH. 1915. 1 reel.

SWEEDIE'S HERO. 1915. 1 reel.

SWEEDIE'S HOPELESS LOVE. 1915. 1 reel.

Credits: Producer, Charles H. France.

SWEENEY'S CHRISTMAS BIRD. 1914. 1 reel.

Credits: Director, George D. Baker.

Credits: Producer, Charles H. France.

SWEEPINGS. 1933. 9 reels, sd. From the novel by Lester Cohen.

Credits: Executive producer, David O. Selznick; director, John Cromwell; screenplay, Lester Cohen; editor, George Nichols; music director, Max Steiner.

SWEEPINGS. SEE Three Sons.

SWEEPSTAKE ANNIE. Presented by M. H. Hoffman. 1935. 8 reels, sd. Suggested by Evelyn Law.

Credits: Associate producer, M. H. Hoffman, Jr.; director, William Nigh; story, continuity, and dialogue, W. Scott Darling; songs and lyrics, J. Walter Leopold; film editor, Mildred Johnston.

SWEEPSTAKES. 1931. 8 reels, sd.

Credits: Director, Albert Rogell; story, Lew Lipton; dialogue, Ralph Murphy.

SWEEPSTAKES. 1935. 1 reel, sd.

SWEEPSTAKES WINNER. First National. 1939. 7 reels, sd.

Credits: Director, William McGann; original story, Albert DeMond, Hugh Cummings; screenplay, John Krafft, Albert DeMond.

SWEET ADELINE. 1925. 7 reels.

Credits: Director, Jerome Storm; story and continuity, Charles E. Banks.

SWEET ADELINE. (Fable, no. 400) 1929. 1 reel.

Credits: Paul Terry, Frank Moser.

SWEET ADELINE. Presented by Warner Bros. Productions Corp. and The Vitaphone Corp. 1935. 10 reels, sd. Based on the play by Oscar Hammerstein II and Jerome Kern.

Credits: Director, Mervyn LeRoy; screenplay, Edwin S. Gelsey.

SWEET ALYSSUM. 1915. 5 reels.

Credits: Director, Colin Campbell.

SWEET AND LOWDOWN. SEE The Chumps.

SWEET AND PRETTY. Century. 1923. 2 reels.

Credits: Written and directed by James Davis.

SWEET AND PRETTY. (Cameo Comedy) 1925. 1 reel.

Credits: Director, Jess Robbins.

SWEET BABY. (Cameo Comedy) 1926. 1 reel.

Credits: Director, Hugh Fay.

SWEET CHARITY. Metro-Drew. 1916. 1 reel.

Credits: Producer, Sidney Drew.

SWEET COOKIE. (Broadway Comedy) 1921. 2 reels.

Credits: Producer, Morris R. Schlank.

SWEET COOKIE. 1933. 2 reels, sd.

Credits: Director, George Marshall.

SWEET DADDIES. 1926. 7 reels.

Credits: Producer and director, Alfred Santell; adaptation, W. C. Clifford.

SWEET DREAMS. Century. 1924. 2 reels.

Credits: Written and directed by Edward I. Luddy.

THE SWEET DRY AND DRY. (Star Comedy) 1919. 1 reel.

Credits: Written and directed by Lyons-Moran.

SWEET DYNAMITE, THE LAND OF INCENSE, and MEMORIES. 1920. 2 reels.

Credits: Producer, Ward Lascelle; director, M. Moranti.

SWEET JENNY LEE. 1932. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

SWEET KITTY BELLAIRS. Released by Paramount Pictures Corp. 1916. 5 reels. From the play by David Belasco and Egerton Castle.

SWEET KITTY BELLAIRS. 1930. 9 reels, sd., color. A musical version of the stage play by David Belasco and the novel by Agnes and Egerton Castle.

Credits: Director, Alfred E. Green; screenplay and dialogue, J. Grubb Alexander.

Credits: Producer, Cecil Hepworth.

SWEET LAVENDER. 1920. 5 reels. From the play by Sir Arthur Wing Pinero.

Credits: Director, Paul Powell.

THE SWEET LONG AGO. SEE Willman and Russell in The Sweet Long Ago.

SWEET MAMA. (Speed Comedy, no. 3) The Reggie Morris Productions, Inc. 1921. 2 reels.

SWEET MAMA. Presented by First National and Vitaphone. 1930. 7 reels.

Credits: Director, Edward Cline; screen version and dialogue, Earl Baldwin.

SWEET MAMA. Trailer. First National. 1930. 1 reel, sd.

SWEET MARIE. 1925. 2 reels.

Credits: Director, Ben Stoloff.

SWEET MOMENTS. 1939. 1 reel, sd.

Credits: Director, Leslie Roush; continuity, Justin Herman.

SWEET MUSIC. Presented by Warner Bros. Productions Corp. and the Vitaphone Corp. 1935. 10 reels, sd.

Credits: Director, Alfred E. Green; original story, Jerry Wald; screenplay, Jerry Wald, Carl Erickson, Warren Duff.

SWEET MYSTERY OF LIFE. SEE Gold Diggers of 1937.

SWEET PAPA. 1924. 2 reels.

Credits: Director, Albert Fay.

SWEET PATOOTIE. (Star Comedy) 1919. 1 reel.

Credits: Written and directed by Lyons-Moran.

SWEET REVENGE. 1921. 2 reels.

Credits: Producer, Edward Laemmle; story and scenario, Ford Beebe.

SWEET ROSIE O'GRADY. 1926. 6 reels. From the song by Maude Nugent.

Credits: Director, Frank R. Strayer; story, Harry O'Hoyt.

SWEET SHOE. (Nu-Atlas Musical, no. 3) Presented by RKO Radio Pictures, Inc. 1937. 1 reel, sd.

Credits: Director, Milton Schwarzwald; orchestrations, Jack Schaindlin.

SWEET SIOUX. (Merrie Melodies) 1937. 8 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, I. Freleng; animation, Bob McKimson, A. C. Gamer; musical score, Carl W. Stalling.

SWEET SURRENDER. Presented by Carl Laemmle. 1935. 9 reels, sd.

Credits: Director, Monte Brice; story, Herbert Fields; screenplay, John V. A. Weaver; adaptation, Charles Beahan; editor, Leo Zochling; music director, Rosario Bourdon.

SWEETER THAN REVENGE. 1915. 1,000 ft.

Credits: Producer, Percy Winter.

THE SWEETEST STORY EVER TOLD. 1933. 1 reel, sd.

SWEETHEART DAYS. 1921. 2 reels.

Credits: Director, Mal St. Clair.

SWEETHEART DAZE. Bluebird. 1926. 1 reel.

Credits: Director, Jay Belasco.

THE SWEETHEART OF SIGMA CHI. 1933. 8 reels, sd. Suggested by the song by Byron D. Stokes and F. Dudleigh Vernor.

Credits: Producer, W. L. Lackey; director, Edwin L. Marin; story, George Waggner; screenplay and dialogue, Luther Reed, Albert E. DeMond.

SWEETHEART OF THE NAVY. Presented by Edward L. Alperson. 1937. 7 reels, sd.

Credits: Producer, B. F. Zeidman; director, Duncan Mansfield; story, Garrett Graham, Jay Strauss; screenplay, Carroll Graham; film editor, Edward Schroeder.

SWEETHEARTS. Snappy. 1929. 1 reel.

Credits: Director, Ben Holmes; story, Edgar Allen Woolf.

SWEETHEARTS. Presented by Metro-Goldwyn-Mayer. 1938. 12 reels, sd., color. Based on the operetta by Victor Herbert; book and lyrics by Fred De Gresac, Harry B. Smith, and Robert B. Smith.

Credits: Producer, Hunt Stromberg; director, W. S. Van Dyke II; screenplay, Dorothy Parker, Alan Campbell; film editor, Robert J. Kern; music adaptation, Herbert Stothart.

SWEETHEARTS AND FLOWERS. 1936. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood, A. Dorian Otvos.

SWEETHEARTS AND WIVES. 1930. 9 reels. Based on the play "Other Men's Wives" by Walter Hackett.

Credits: Director, Clarence Badger.

SWEETHEARTS AND WIVES. Trailer. 1930. 1 reel.

SWEETHEARTS ON PARADE. 1930. 7 reels.

Credits: Director, Marshall Nellan; story, Al Cohn, Jimmie Starr.

SWEETIE. Century. 1923. 2 reels.

Credits: Written and directed by Alf T. Goulding.

SWEETIE. 1929. Si. 8,969 ft., sd.

Credits: Director, Frank Tuttle; story, George Marion, Jr., Lloyd Corrigan; music, Richard A. Whiting; lyrics, George Marion, Jr.

SWEETIE PEACH. SEE The House That Jazz Built.

SWEETIES. (Paramount-Christie Comedy) 1928. 2 reels.

Credits: Director, Arvid Gillstrom; story, Sig Herzig.

SWEETIES. Presented by E. W. Hammons. 1937. 1,376 ft., sd.

Credits: Director, Robert Hall; story, Marcy Klauber, Arthur Jarrett.

SWEETS TO THE SOUR. 1918. 1 reel.

Credits: Epes Winthrop Sargent; director, Graham Baker.

A SWELL AFFAIR. Bluebird. 1926. 1 reel.

Credits: Director, George Summerville.

SWELL CLOTHES. (Drug Store Cowboy series) Snappy. 1927. 1 reel.

Credits: Story and direction, Max Kimmich; continuity, George H. Plympton.

THE SWELL HEAD. 1927. 6 reels. From the story "The Sidewalks of New York."

Credits: Director, Ralph Graves; screenplay, Robert Lord.

SWELLHEAD. 1930. 7 reels.

Credits: Director, James Flood; story, A. P. Younger.

SWELL-HEAD. 1935. 7 reels, sd.

Credits: Director, Ben Stoloff; story, Gerald Beaumont; screenplay, William Jacobs; film editor, Arthur Hilton.

SWELL PEOPLE. 1930. 2 reels.

Credits: Director, Wallace Fox; continuity, Hugh Cummings.

THE SWELLED HEAD. SEE Eddie Foy, Jr., with Bessie Love ...

Credits: Producer, John L. Hawkinson.

SWIFT JUSTICE. (True Detective Stories of Celebrated Cases) 1931. 2 reels, sd. From the records of Nick Harris.

Credits: Producer and director, Spencer Gordon Bennet; adaptation, George R. Rogan.

SWIFT LIGHTNING. SEE Call of the Yukon.

THE SWIFT SHADOW. 1927. 5 reels.

Credits: Director, Jerome Storm; story and continuity, Ethel Hill.

SWIM GIRL SWIM. 1927. 7 reels.

Credits: Producer and director, Clarence Badger; story and screenplay, Lloyd Corrigan.

SWIM OR SINK. The Van Beuren Corp. 1931. 1 reel.

SWIM OR SINK. 1932. 1 reel.

Credits: Director, David Fleischer; animation, Seymour Kneitel, Bernard Wolf.

THE SWIM PRINCESS. Presented by Mack Sennett. 1928. 2 reels, color.

Credits: Supervision, John Waldron; director, Alf Goulding; story, James J. Tynan, Frank Capra; film editor, William Hornbeck.

SWIM WITH THE STREAM. 1937. For Hiram Walker, Inc. Filmstrip, sd.

THE SWIMMING INSTRUCTOR. 1926. 2 reels.

Credits: Supervision, George E. Marshall; director, Albert Austin; story, Richard Harding Davis; scenario, Sydney Lanfield, J. Walter Ruben.

SWING BANDITRY. (A Tabloid Musical) 1936. 1 reel, sd.

Credits: Written and directed by Reginald LeBorg; music, Georgie Stoll.

SWING CAT'S JAMBOREE. 1938. 1 reel, sd.

Credits: Director, Roy Mack.

SWING FEVER. 1937. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Jean W. Yarbrough; story, Venee Russell; screenplay, Charles Roberts, Gay Stevens; film editor, Les Millbrook; music director, Roy Webb.

SWING FOR SALE. 1937. 2 reels, sd.

Credits: Director, Joseph Henabery; story, Willi Weil, Cyrus Wood.

SWING HIGH. Pathe Studios, Inc. 1930. 10 reels, sd.

Credits: Producer, E. B. Derr; director, Joseph Santley; story, Joseph Santley, James Seymour; continuity, Ray B. McCarey; adaptation and dialogue, James Seymour.

SWING HIGH. (A Sports Champion Picture) 1932. 1 reel, sd., b&w.

Credits: Director, Jack Cummings; explanatory remarks, Pete Smith.

SWING HIGH, SWING LOW. Presented by Adolph Zukor. 1937. 10 reels, sd. Based on a play by George Manker Watters and Arthur Hopkins.

Credits: Producer, Arthur Hornblow; director, Mitchell Leisen; screenplay, Virginia Van Upp, Oscar Hammerstein, II; editor, Eda Warren; music director, Boris Morros.

SWING HOTEL. 1939. 2 reels, sd.

Credits: Director, Ralph Staub; dialogue, Larry Rhine; film editor, Frank Gross; music director, Charles Previn.

SWING, HUTTON, SWING. Presented by Adolph Zukor. 1937. 1 reel, sd.

Credits: Director, Fred Waller; editor, Leslie M. Roush.

SWING IT. 1936. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Leslie Goodwins; story, Leslie Goodwins, Charles Roberts; film editor, Edward Mann.

SWING IT PROFESSOR. 1937. 6 reels.

Credits: Director, Marshall Neilan; story, Connie Lee; adaptation and screenplay, Nicholas H. Barrows, Robert St. Clair.

SWING IT SAILOR! Presented by Edward L. Alperson. 1937. 7 reels, sd.

Credits: Producer, David Diamond; director, Raymond Cannon; original screenplay, Clarence Marks, David Diamond.

SWING, MONKEY, SWING! (Scrappy) (A Color Rhapsody) Released by Columbia Pictures Corp. 1937. 695 ft., sd., color.

Credits: Producer, Charles Mintz; story, Ben Harrison; animation, Manny Gould; music, Joe de Nat.

A SWING OPERA. (Broadway Brevity) 1939. 20 min., sd. Based on the opera "The Bohemian Girl" by Michael Balfe.

Credits: Director, Roy Mack; adaptation, Cyrus D. Wood, Jack Henley, Eddie Forman.

SWING SANITARIUM. Mentone. 1939. 2 reels, sd.

Credits: Director, Milton Schwarzwald; dialogue, Alan Wilson.

SWING SCHOOL. (A Betty Boop Cartoon) 1938. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Thomas Johnson, Frank Endres.

SWING SISTER SWING. 1938. 8 reels, sd.

Credits: Associate producer, Burt Kelly; director, Joseph Santley; original story, Burt Kelly; screenplay, Charles Grayson; film editor, Frank Gross; music and lyrics, Frank Skinner, Charles Henderson.

SWING STARS. (The Grantland Rice Sportlight) 1937. 1 reel, sd.

Credits: Narrator, Ted Husing.

SWING STYLES. (Melody Master) 1939. 10 min., sd.

Credits: Director, Lloyd French.

SWING THAT CHEER. 1938. 7 reels, sd.

Credits: Producer, Max H. Golden; director, Harold Schuster; original story, Thomas Ahearn, F. Maury Grossman; screenplay, Charles Grayson, Lee Loeb; film editor, Edward Curtiss.

SWING TIME. 1936. 12 reels, sd.

Credits: Producer, Pandro S. Berman; director, George Stevens; story, Erwin Gelsey; screenplay, Howard Lindsay, Allan Scott; editor, Henry Berman; music director, Nathaniel Shilkret.

SWING VACATION. (Headliner, no. 3) 1939. 19 min., sd.

Credits: Producer, Bert Gilroy; director, Jean W. Yarbrough; story, Jack Townley, Charles Roberts; film editor, John Lockert; music and lyrics, Stan T. Smith, C. Bill Smith.

SWING WEDDING. 1937. 731 ft., sd.

Credits: Hugh Harman, Rudolf Ising.

SWING, YOU SINNER. 1930. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer.

SWING YOU SWINGERS! 1939. 2 reels, sd.

Credits: Director, Jules White; story and screenplay, Ewart Adamson.

SWING YOUR LADY. 1937. 9 reels. Adapted from the play by Kenyon Nicholson and Charles Robinson.

Credits: Director, Ray Enright; screenplay, Joseph Schrank, Maurice Leo.

THE SWINGING DOORS. Big U. 1915. 2 reels.

Credits: Producer, Murdock MacQuarrie; story, Virginia Whitmore; scenario, H. G. Stafford.

SWINGTIME IN THE MOVIES. 1938. 20 min., sd., color.

Credits: Original screenplay and direction, Crane Wilbur.

SWISS CHEESE. (Terrytoons) 1930. 1 reel.

Credits: Frank Moser, Paul Terry.

THE SWISS FAMILY ROBINSON. SEE Perils of the Wild.

SWISS MISS. Presented by Hal Roach. 1938. 8 reels, sd., b&w.

Credits: Director, John G. Blystone; original story, Jean Negulesco, Charles Rogers; screenplay, James Parrott, Felix Adler, Charles Melson; film editor, Bert Jordan; music director, Marvin Hatley.

SWISS MOVEMENTS. (A Paramount-Christie Comedy) 1927. 2 reels.

Credits: Director, Robert Kerr; story, Sig Herzig.

SWISS MOVEMENTS. (A Winkler Krazy Kat Cartoon) 1931. 1 reel. Adapted from the cartoon character by George Merriman.

Credits: Ben Harrison, Manny Gould; musical score, Joe De Nat.

A SWISS TRICK. (Tom and Jerry Cartoon) 1931. 1 reel.

Credits: John Foster, George Stallings.

SWITCHES AND SWEETIES. 1919. 2 reels.

Credits: Director, Noel Smith; story, Anthony W. Coldewey.

SWITCHING SLEEPERS. Bluebird. 1926. 1 reel.

Credits: Director, George Summerville.

SWITZERLAND. 1932. 1 reel, sd.

Credits: Directors, Frank Cambria, Ray Cozine.

SWITZERLAND THE BEAUTIFUL. (FitzPatrick M. G. M. Traveltalk) 1934. 1 reel, sd., color.

Credits: Director, Ruth FitzPatrick; compiled by James A. FitzPatrick; photographer, Ray Fernstrom.

THE SWOONERS. Metro-Drew. 1916. 1 reel.

Credits: Sidney Drew.

SWORD FISHING. (Vitaphone Variety) 1939. 10 min., sd.

Credits: Narrator, Ronald Reagan.

SWORD OF THE ARAB. Presented by Elmer Clifton. 1934. 3 reels.

Credits: Director, Alfred E. Smalley; story, Jack Natteford; editor, Anthony Martinelli.

SWORD POINTS. (Lupino Lane Comedies) 1928. 2 reels.

Credits: Director, Mark Sandrich.

SWORDS AND THE WOMAN. Released by F. B. O. 1924. 7 reels. From the novel by Baroness Orczy.

Credits: Director, Henry Kolker; scenario, Kinchea Wood, Isabel Johnston.

SWORN ENEMY. 1936. 8 reels, sd., b&w.

Credits: Producer, Lucien Hubbard; director, Edwin L. Marin; story, Richard Wormser; screenplay, Wells Root; film editor, Frank Hull; music score, Edward Ward.

SYBIL. SEE The Duchess of Buffalo.

Credits: Scenario, Sydney De Gray.

SYDNEY, PRIDE OF AUSTRALIA. (James A. FitzPatrick's Traveltalks) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., color.

Credits: Photographer, Hone M. Glendining; music score, Nathaniel Shilkret.

Credits: Scenario, Harry Wulz.

SYLVIA CLARK IN SEEING SARAH OFF. 1930. 1 reel.

SYLVIA FROOS IN THE LITTLE PRINCESS OF SONGS, SINGING TOMORROW MORNING [and others]. 1927. 1 reel, sd.

SYLVIA FROOS IN THE LITTLE PRINCESS OF SONGS, SINGING WHERE DID YOU GET THOSE EYES [and others]. 1927. 1 reel.

SYLVIA ON A SPREE. 1918. 5 reels.

Credits: Director, Harry L. Franklin; story, E. Forst; scenario, June Mathis.

SYLVIA SCARLETT. 1936. 10 reels, sd. From the novel by Compton MacKenzie.

Credits: Producer, Pandro S. Berman; director, George Cukor; screenplay, Gladys Unger, John Collier, Mortimer Offner; music director, Roy Hunt.

SYMPATHY. 1929. 1 reel.

SYMPHONY IN BLACK. Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky, Fred Rath; music, Duke Ellington.

A SYMPHONY IN COAL. Metro-Drew. 1916. 1 reel.

Credits: Mary Stewart Cutting; producer, Sidney Drew.

SYMPHONY IN SNOW. Treasure Chest. Presented by E. W. Hammons. 1936. 833 ft.

Credits: Story and narration, A. L. Alexander.

A SYMPHONY IN TWO FLATS. Gainsborough, Ltd. 1931. 6 reels, sd. From the play by Ivor Novello.

Credits: Scenario and direction, V. Gareth Gundrey.

SYMPHONY OF LIVING. 1935. 8 reels, sd.

Credits: Director, Frank R. Strayer; story and adaptation, Charles Spencer Belden.

SYMPHONY OF SIX MILLION. 1932. 10 reels, sd. From the story by Fannie Hurst.

Credits: Executive producer, David O. Selznick; director, Gregory La Cava; screenplay and dialogue, Bernard Schubert, J. Walter Ruben; additional dialogue, James Seymour; film editor, Archie F. Marshek; music, Max Steiner.

THE SYMPHONY ORCHESTRA. 1938. 1 reel, sd.

SYNCOPATED BREEZES. SEE Bobby Gillette with Doris Walker—Syncopated Breezes.

SYNCOPATED CITY. 1934. 2 reels, sd.

Credits: Director, Roy Mack; story, Eddie Moran, A. Dorian Otvos.

SYNCOPATED TRIAL. 1929. 2 reels.

Credits: Harry Delmar, Lester Lee; director, Harry Delmar.

SYNCOPATING SUE. 1926. 7 reels.

Credits: Director, Richard Wallace; original story, Adelaide Heilbron; screenplay, Adelaide Heilbron, Jack Wagner.

SYNCOPATING SWEETIES. SEE The Ingénues, Syncopating Sweeties.

SYNCOPATION. 1929. 8 reels. From the novel "Stepping High" by Gene Markey.

Credits: Supervision, Robert Kane; director, Bert Glennon; adaptation, Frances Agnew.

SYNDOFLODEN. SEE The Sin Flood.

SYNTHETIC SIN. Presented by John McCormick. 1928. 7 reels. From the play by Frederic and Fanny Hatton.

Credits: Director, William A. Seiter; continuity, Tom J. Geraghty.

SYSTEM. 1930. 1 reel, sd.

SYSTEM IS EVERYTHING. Metro-Drew. 1916. 1 reel.

Credits: Charlotte Wharton Ayers.

SYSTEMATIZING YOUR BUSINESS. (Educational Film Service, v. 19) 1930. 1 reel.