Plate II (part 1)

Byzantine Art

Plate I.

CAPITALS OF COLUMNS.

BYZANTINE ART. By "Byzantine art" is meant the art of Constantinople (sometimes called Byzantium in the middle ages as in antiquity), and of the Byzantine empire; it represents the form of art which followed the classical, after the transitional interval of the early Christian period. It reached maturity under Justinian (527-565), declined and revived with the fortunes of the empire, and attained a second culmination from the 10th to the 12th centuries. Continuing in existence throughout the later middle ages, it is hardly yet extinct in the lands of the Greek Church. It had enormous influence over the art of Europe and the East during the early middle ages, not only through the distribution of minor works from Constantinople but by the reputation of its architecture and painting. Several buildings in Italy are truly Byzantine. It is difficult to set a time for the origin of the style. When Constantine founded new Rome the art was still classical, although it had even then gathered up many of the elements which were to transform its aspect. Just two hundred years later some of the most characteristic works of this style of art were being produced, such as the churches of St Sergius, the Holy Wisdom (St Sophia), and the Holy Apostles at Constantinople, and San Vitale at Ravenna. We may best set an arbitrary point for the demarcation of the new style midway between these two dates, with the practical separation of the eastern and western empires.

The style may be said to have arisen from the orientalization of Roman art, and itself largely contributed to the formation of the Saracenic or Mahommedan styles. As Choisy well says, "The history of art in the Roman epoch presents two currents, one with its source in Rome, the other in Hellenic Asia. When Rome fell the Orient returned to itself and to the freedom of exploring new ways. There was now a new form of society, the Christian civilization, and, in art, an original type of architecture, the Byzantine." It has hardly been sufficiently emphasized how closely the art was identified with the outward expression of the Christian church; in fact, the Christian element in late classical art is the chief root of the new style, and it was the moral and intellectual criticism that was brought to bear on the old material, which really marked off Byzantine art from being merely a late form of classic.

Hardly any distinction can be set up in the material contents of the art; it was at least for a period only simplified and sweetened, and it is this freshening which prepared the way for future development. It must be confessed, however, that certain influences darkened the style even before it had reached maturity; chief among these was a gloomy hierarchical splendour, and a ritual rigidity, which to-day we yet refer to, quite properly, as Byzantinism. Choisy sees a distinction in the constructive types of Roman and Byzantine architecture, in that the former covered spaces by concreted vaults built on centres, which approximated to a sort of "monolithic" formation, whereas in the Byzantine style the vaults were built of brick and drawn forward in space without the help of preparatory support. Building in this way, it became of the greatest importance that the vaults should be so arranged as to bring about an equilibrium of thrusts. The distinction holds as between Rome in the 4th century and Constantinople in the 6th, but we are not sufficiently sure that the concreted construction did not depend on merely local circumstances, and it is possible, in other centres of the empire where strong cement was not so readily obtainable, and wood was scarce, that the Byzantine constructive method was already known in classical times. Choisy, following Dieulafoy, would derive the Byzantine system of construction from Persia, but this proposition seems to depend on a mistaken chronology of the monuments as shown by Perrot and Chipiez in their History of Art in Persia. It seems probable that the erection of brick vaulting was indigenous in Egypt as a building method. Strzygowski, in his recent elaborate examination of the art-types found at the palace of Mashita (Mschatta), a remarkable ruin discovered by Canon Tristram in Moab, of which the most important parts have now been brought to the new Kaiser Friedrich Museum in Berlin, shows that there are Persian ideas intermixed with Byzantine in its decoration, and there are also brick arches of high elliptical form in the structure. He seems disposed to date this work rather in the 5th than in the 6th century, and to see in it an intermediate step between the Byzantine work of the west and a Mesopotamian style, which he postulates as probably having its centre at Seleucia-Ctesiphon. From the examples brought forward by the learned author himself, it is safer as yet to look on the work as in the main Byzantine, with many Egyptian and Syrian elements, and an admixture, as has been said, of Persian ideas in the ornamentation. Egypt was certainly an important centre in the development of the Byzantine style.

The course of the transition to Byzantine, the first mature Christian style, cannot be satisfactorily traced while, guided by Roman archaeologists, we continue to regard Rome as a source of Christian art apart from the rest of the world. Christianity itself was not of Rome, it was an eastern leaven in Roman society. Christian art even in that capital was, we may say, an eastern leaven in Roman art. If we set the year 450 for the beginning of Byzantine art, counting all that went before as early Christian, we get one thousand years to the Moslem conquest of Constantinople (1453). This millennium is broken into three well-marked periods by the great iconoclastic schism (726-842) and the taking of Constantinople by the Crusaders in 1204. The first we may call the classical epoch of Byzantine art; it includes the mature period under Justinian (the central year of which we may put as 550), from which it declined until the settlement of the quarrel about images, 400 years in all, to, say, 850. The second period, to which we may assign the limits 850-1200, is, in the main, one of orientalizing influences, especially in architecture, although in MSS. and paintings there was, at one time, a distinct and successful classical revival. The interregnum had caused almost complete isolation from the West, and inspiration was only to be found either by casting back on its own course, or by borrowing from the East. This period is best represented by the splendid works undertaken by Basil the Macedonian (867-886) and his immediate successors, in the imperial palace, Constantinople. The third period is marked by the return of western influence, of which the chief agency was probably the establishment of Cistercian monasteries. This western influence, although it may be traced here and there, was not sufficient, however, to change the essentially oriental character of the art, which from first to last may be described as Oriental-Christian.

Architecture.—The architecture of our period is treated in some detail in the article Architecture; here we can only glance at some broad aspects of its development. As early as the building of Constantine's churches in Palestine there were two chief types of plan in use—the basilican, or axial, type, represented by the basilica at the Holy Sepulchre, and the circular, or central, type, represented by the great octagonal church once at Antioch. Those of the latter type we must suppose were nearly always vaulted, for a central dome would seem to furnish their very raison d'être. The central space was sometimes surrounded by a very thick wall, in which deep recesses, to the interior, were formed, as at the noble church of St George, Salonica (5th century?), or by a vaulted aisle, as at Sta Costanza, Rome (4th century); or annexes were thrown out from the central space in such a way as to form a cross, in which these additions helped to counterpoise the central vault, as at the mausoleum of Galla Placidia, Ravenna (5th century). The most famous church of this type was that of the Holy Apostles, Constantinople. Vaults appear to have been early applied to the basilican type of plan; for instance, at St Irene, Constantinople (6th century), the long body of the church is covered by two domes.

At St Sergius, Constantinople, and San Vitale, Ravenna, churches of the central type, the space under the dome was enlarged by having apsidal additions made to the octagon. Finally, at St Sophia (6th century) a combination was made which is perhaps the most remarkable piece of planning ever contrived. A central space of 100 ft. square is increased to 200 ft. in length by adding two hemicycles to it to the east and the west; these are again extended by pushing out three minor apses eastward, and two others, one on either side of a straight extension, to the west. This unbroken area, about 260 ft. long, the larger part of which is over 100 ft. wide, is entirely covered by a system of domical surfaces. Above the conchs of the small apses rise the two great semi-domes which cover the hemicycles, and between these bursts out the vast dome over the central square. On the two sides, to the north and south of the dome, it is supported by vaulted aisles in two storeys which bring the exterior form to a general square. At the Holy Apostles (6th century) five domes were applied to a cruciform plan, that in the midst being the highest. After the 6th century there were no churches built which in any way competed in scale with these great works of Justinian, and the plans more or less tended to approximate to one type. The central area covered by the dome was included in a considerably larger square, of which the four divisions, to the east, west, north and south, were carried up higher in the vaulting and roof system than the four corners, forming in this way a sort of nave and transepts. Sometimes the central space was square, sometimes octagonal, or at least there were eight piers supporting the dome instead of four, and the "nave" and "transepts" were narrower in proportion. If we draw a square and divide each side into three so that the middle parts are greater than the others, and then divide the area into nine from these points, we approximate to the typical setting out of a plan of this time. Now add three apses on the east side opening from the three divisions, and opposite to the west put a narrow entrance porch running right across the front. Still in front put a square court. The court is the atrium and usually has a fountain in the middle under a canopy resting on pillars. The entrance porch is the narthex. The central area covered by the dome is the solea, the place for the choir of singers. Here also stood the ambo. Across the eastern side of the central square was a screen which divided off the bema, where the altar was situated, from the body of the church; this screen, bearing images, is the iconastasis. The altar was protected by a canopy or ciborium resting on pillars. Rows of rising seats around the curve of the apse with the patriarch's throne at the middle eastern point formed the synthronon. The two smaller compartments and apses at the sides of the bema were sacristies, the diaconicon and prothesis. The continuous influence from the East is strangely shown in the fashion of decorating external brick walls of churches built about the 12th century, in which bricks roughly carved into form are set up so as to make bands of ornamentation which it is quite clear are imitated from Cufic writing. This fashion was associated with the disposition of the exterior brick and stone work generally into many varieties of pattern, zig-zags, key-patterns, &c.; and, as similar decoration is found in many Persian buildings, it is probable that this custom also was derived from the East. The domes and vaults to the exterior were covered with lead or with tiling of the Roman variety. The window and door frames were of marble. The interior surfaces were adorned all over by mosaics or paintings in the higher parts of the edifice, and below with incrustations of marble slabs, which were frequently of very beautiful varieties, and disposed so that, although in one surface, the colouring formed a series of large panels. The choicer marbles were opened out so that the two surfaces produced by the division formed a symmetrical pattern resembling somewhat the marking of skins of beasts.

Mosaics and Paintings.—The method of depicting designs by bringing together morsels of variously colored materials is of high antiquity. We are apt to think of a line of distinction between classical and Christian mosaics in that the former were generally of marble and the latter mostly of colored and gilt glass. But glass mosaics were already in use in the Augustan age, and the use of gilt tesserae goes back to the 1st or 2nd century. The first application of glass to this purpose seems to have been made in Egypt, the great glass-working centre of antiquity, and the gilding of tesserae may with probability be traced to the same source, whence, it is generally agreed, most of the gilt glass vessels, of which so many have been found in the catacombs, were derived. The earliest existing mosaics of a typically Christian character are some to be found at Santa Costanza, Rome (4th century). Other mosaics on the vaults of the same church are of marble and follow a classical tradition. It is probable that we have here the meeting-point of two art-currents, the indigenous and the eastern. In Rome, the great apse-mosaic of S. Pudenziana dates from about A.D. 400. The mausoleum of Galla Placidia, Ravenna, is incrusted within by mosaic work of the 5th century, and most probably the dome mosaics of the church of St George, Salonica, are also of this period. Of the 6th century are many of the magnificent examples still remaining at Ravenna, portions of the original incrustation of St Sophia, Constantinople, those of the basilica at Parenzo, on the Gulf of Istria, and of St Catherines, Sinai. An interesting mosaic which is probably of this period, and has only recently been described, is at the small church of Keti in Cyprus. This, which may be the only Byzantine mosaic in the British dominions, fills the conch of a tiny apse, but is none the less of great dignity. In the centre is a figure of the Virgin with the Holy Child in her arms standing between two angels who hold disks marked with the sign Χ. They are named Michael and Gabriel. Another mosaic of this period brought from Ravenna to Germany two generations ago has been recently almost rediscovered, and set up in the new Museum of Decorative Art in Berlin. In this, a somewhat similar composition fills the conch of the apse, but here it is the Risen Christ who stands between the two archangels. Above, in a broad strip, a frieze of angels blowing trumpets stand on the celestial sea on either hand of the Enthroned Majesty.

Such mosaics flowed out widely over the Christian world trom its art centres, as far east as Sanâ, the capital of Yemen, as far north as Kiev in Russia, and Aachen in Germany, and as far west as Paris, and continued in time for a thousand years without break in the tradition save by the iconoclastic dispute. The finest late example is the well-known "mosaic-church" (the Convent of the Saviour) at Constantinople, a work of the 14th century.

The single figures were from the first, and for the most part, treated with an axial symmetry. Almost all are full front; only occasionally will one, like the announcing angel, be drawn with a three-quarter face. The features are thus kept together on the general map of the face. In the same way the details of a tree will be collected on a simple including form which makes a sort of mat for them. Groups, similarly, are closely gathered up into masses of balanced form, and such masses are arranged with strict regard for general symmetry. "The art," as Bayet says, "in losing something of life and liberty became so much the better fitted for the decoration of great edifices." The technical means were just as much simplified, and only a few frank colours were made sufficient, by skilful juxtaposition, to do all that was required of them. The fine pure blue, or bright gold, backgrounds on which the figures were spaced, as well as the broken surface incidental to the process, created an atmosphere which harmonized all together. At St Sophia there were literally acres of such mosaics, and they seem to have been applied with similar profusion in the imperial palace.

Mosaic was only a more magnificent kind of painting, and painted design followed exactly the same laws; the difference is in the splendour of effect and in the solidity and depth of colour. Paintings, from the first, must have been of more grey and pearly hues. A large side chapel at the mosaic church at Constantinople is painted, and it is difficult to say which is really the more beautiful, the deep splendour of the one, or the tender yet gay colour of the other. The greatest thing in Byzantine art was this picturing of the interiors of entire buildings with a series of mosaics or paintings, filling the wall space, vaults and domes with a connected story. The typical character of the personages and scenes, the elimination of non-essentials, and the continuity of the tradition, brought about an intensity of expression such as may nowhere else be found. It is part of the limited greatness of this side of Byzantine art that there was no room in it for the gaiety and humour of the later medieval schools; all was solemn, epical, cosmic. When such stories are displayed on the golden ground of arches and domes, and related in a connected cycle, the result produces, as it was intended to produce, a sense of the universal and eternal. Beside this great power of co-ordination possessed by Byzantine artists, they created imaginative types of the highest perfection. They clothed Christian ideas with forms so worthy, which have become so diffused, and so intimately one with the history, that we are apt to take them for granted, and not to see in them the superb results of Greek intuition and power of expression. Such a type is the Pantocrator,—the Creator-Redeemer, the Judge inflexible and yet compassionate,—who is depicted at the zenith of all greater domes; such the Virgin with the Holy Child, enthroned or standing in the conchs of apses, all tenderness and dignity, or with arms extended, all solicitude; of her image the Painter's Guide directs that it is to be painted with the "complexion the colour of wheat, hair and eyes brown, grand eyebrows, and beautiful eyes, clad in beautiful clothing, humble, beautiful and faultless"; such are the angels with their mighty wings, splendid impersonations of beneficent power; such are the prophets, doctors, martyrs, saints,—all have been fixed into final types.

We are apt to speak of the rigidity and fixity of Byzantine work, but the method is germane in the strictest sense to the result desired, and we should ask ourselves how far it is possible to represent such a serious and moving drama except by dealing with more or less unchangeable types. It could be no otherwise. This art was not a matter of taste, it was a growth of thought, cast into an historical mould. Again, the artists had an extraordinary power of concentrating and abstracting the great things of a story into a few elements or symbols. For example, the seven days of creation are each figured by some simple detail, such as a tree, or a flight of birds, or symbolically, as seven spirits; the flood by an ark on the waters. What the capabilities of such a method are, where invention is not allowed to wander into variety, but may only add intensity, may, for instance, be seen in representations of the Agony in the Garden. This subject is usually divided into three sections, each consecutive one showing, with the same general scene, greater darkness, an advance up the hill, and the figure of Christ more bowed. Another composition, the "Sleep (death) of the Virgin," is all sweetness and peace, but no less powerful. A remarkable invention is the etomasia, a splendid empty throne prepared for the Second Advent. The stories of the Old Testament are put into relation with the Gospel by way of type and anti-type. There are allegories: the anchorite life contrasted with the mad life of the world, the celestial ladder, &c., and fine impersonations, such as night and dawn, mercy and truth, cities and rivers, are frequently found, especially in MS. pictures.

A few general schemes may be briefly summarized. St Sophia has the Pantocrator in the middle of the dome, and four cherubim of colossal size at the four corners; on the walls below were angels, prophets, saints and doctors. On the circle of the apse was enthroned the Virgin. To the right and left, high above the altar, were two archangels holding banners inscribed "Holy, Holy, Holy." These last are also found at Nicaea, and at the monastery of St Luke. The church of the Holy Apostles had the Ascension in the central dome, and below, the Life of Christ. St Sophia, Salonica, also has the Ascension, a composition which is repeated on the central dome of St Mark's, Venice. In the eastern dome of the Venetian church is Christ surrounded by prophets, and, in the western dome, the Descent of the Holy Spirit upon the Apostles. A Pentecost similar to the last occupies the dome over the Bema of St Luke's monastery in Phocis; in the central dome of this church is the Pantocrator, while in a zone below stand, the Virgin to the east, St John Baptist to the west, and the four archangels, Michael, Gabriel, Raphael and Uriel, to the north and south. A better example of grandeur of treatment can hardly be cited than the paintings of the now destroyed dome of the little church of Megale Panagia at Athens, a dome which was only about 12 ft. across. At the centre was Christ enthroned, next came a series of nine semicircles containing the orders of the angels, seraphim, cherubim, thrones, dominations, virtues, powers, principalities, archangels and angels. Below these came a wide blue belt set with stars and the signs of the zodiac; to the east the sun, to the west the moon. Still below these were the winds, hail and snow; and still lower mountains and trees and the life on the earth, with all of which were interwoven passages from the last three Psalms, forming a Benedicite. After St Mark's, Venice, the completest existing scheme of mosaics is that of the church of St Luke; those of Daphne, Athens, are the most beautiful. A complete series of paintings exists in one of the monastic churches on Mount Athos. The Pantocrator is at the centre of the dome, then comes a zone with the Virgin, St John Baptist and the orders of the angels. Then the prophets between the windows of the dome and the four evangelists in the pendentives. On the rest of the vaults is the life of Christ, ending at the Bema with the Ascension; in the apse is the Virgin above, the Divine Liturgy lower, and the four doctors of the church below. All the walls are painted as well as the vaults. The mosaics overflowed from the interiors on to the external walls of buildings even in Roman days, and the same practice was continued on churches. The remains of an external mosaic of the 6th century exist on the west façade of the basilica at Parenzo. Christ is there seated amongst the seven candlesticks, and adored by saints. At the basilica at Bethlehem the gable end was appropriately covered with a mosaic of the Nativity, also a work of the age of Justinian. In Rome, St Peter's and other churches had mosaics on the façades; a tradition represented, in a small way, at San Miniato, Florence. At Constantinople, according to Clavigo, the Spanish ambassador who visited that city about 1400, the church of St Mary of the Fountain had its exterior richly worked in gold, azure and other colours; and it seems almost necessary to believe that the bare front of the narthex of St Sophia was intended to be decorated in a similar manner. In Damascus the courtyard of the Great Mosque seems to have been adorned with mosaics; photographs taken before the fire in 1893 show patches on the central gable in some of the spandrels of the side colonnade and on the walls of the isolated octagonal treasury. The mosaics here were of Byzantine workmanship, and their effect, used in such abundance, must have been of great splendour. In Jerusalem the mosque of Omar also had portions of the exterior covered with mosaics. We may imagine that such external decorations of the churches, where a few solemn figures told almost as shadows on the golden background brightly reflecting the sun, must have been even more glorious than the imagery of their interiors.

Painted books were hardly different in their style from the paintings on the walls. Of the MSS. the Cottonian Genesis, now only a collection of charred fragments, was an early example. The great Natural History of Dioscorides of Vienna (c. 500) and the Joshua Roll of the Vatican, which have both been lately published in perfect facsimile, are magnificent works. In the former the plants are drawn with an accuracy of observation which was to disappear for a thousand years. The latter shows a series of drawings delicately tinted in pinks and blues. Many of the compositions contain classical survivals, like personified rivers.

In some of the miniatures of the later school of the art the classical revival of the 10th century was especially marked. Still later others show a very definite Persian influence in their ornamentation, where intricate arabesques almost of the style of eastern rugs are found.

The Plastic Art.—If painting under the new conditions entered on a fresh course of power and conquest, if it set itself successfully to provide an imagery for new and intense thought, sculpture, on the other hand, seems to have withered away as it became removed from the classic stock. Already in the pre-Constantinian epoch of classical art sculpture had become strangely dry and powerless, and as time went on the traditions of modelling appear to have been forgotten. Two points of recent criticism may be mentioned here. It has been shown that the porphyry images of warriors at the southwest angle of St Mark's, Venice, are of Egyptian origin and are of late classical tradition. The celebrated bronze St Peter at Rome is now assigned to the 13th century. Not only did statue-making become nearly a lost art, but architectural carvings ceased to be seen as modelled form, and a new system of relief came into use. Ornament, instead of being gathered up into forcible projections relieved against retiring planes, and instead of having its surfaces modulated all over with delicate gradations of shade, was spread over a given space in an even fretwork. Such a highly developed member as the capital, for instance, was thought of first as a simple, solid form, usually more or less the shape of a bowl, and the carving was spread out over the general surface, the background being sunk into sharply defined spaces of shadow, all about the same size. Often the background was so deeply excavated that it ceased to be a plane supporting the relieved parts, but passed wholly into darkness. Strzygowski has given to this process the name of the "deep-dark" ground. A further step was to relieve the upper fretwork of carving from the ground altogether in certain places by cutting away the sustaining portions.

The simplicity, the definition and crisp sharpness of some of the results are entirely delightful. The bluntness and weariness of many of the later modelled Roman forms disappear in the new energy of workmanship which was engaged in exploring a fresh field of beauty. These brightly illuminated lattices of carved ornament seem to hold within them masses of cold shadow. Beautiful as was this method of architectural adornment, it must be allowed that it was, in essence, much more elementary than the school of modelled form. All such carvings were usually brightly coloured and gilt, and it seems probable that the whole was considered rather as a colour arrangement than as sculpture proper.

Plaster work, again, an art on which wonderful skill was lavished in Rome, became under the Byzantines extremely rude. Many good examples of this work exist at San Vitale and Sant' Apollinare in Classe at Ravenna, also at Parenzo, and at St Sophia, Constantinople. Later examples of plaster work of Byzantine tradition are to be found at Cividale, and at Sant' Ambrogio, Milan, where the tympana of the well-known baldachin are of this material, and contain modelled figures.

Coins and medallions of even the best period of Byzantine art prove what a deep abyss separates them from the power over modelled relief shown in classical examples. The sculptural art is best displayed by ivory carvings, although this is more to be attributed to their pictorial quality than to a feeling for modelling.

Metal Work, Ivories and Textiles.—One of the greatest of Byzantine arts is the goldsmith's. This absorbed so much from Persian and Oriental schools as to become semi-barbaric. Under Justinian the transformation from Classical art was almost complete. Some few examples, like a silver dish from Cyprus in the British Museum, show refined restraint; on the other hand, the mosaic portraits of the emperor and Theodora show crowns and jewels of full Oriental style, and the description of the splendid fittings of St Sophia read like an eastern tale. Goldsmith's work was executed on such a scale for the great church as to form parts of the architecture of the interior. The altar was wholly of gold, and its ciborium and the iconastasis were of silver. In the later palace-church, built by Basil the Macedonian, the previous metals were used to such an extent that it is clear, from the description, that the interior was intended to be, as far as possible, like a great jewelled shrine. Gold and silver, we are told, were spread over all the church, not only in the mosaics, but in plating and other applications. The enclosure of the bema, with its columns and entablatures, was of silver gilt, and set with gems and pearls.

The most splendid existing example of goldsmith's work on a large scale is the Paid d'Oro of St Mark's, Venice; an assemblage of many panels on which saints and angels are enamelled. The monastic church of St Catherine, Sinai, is entered through a pair of enamelled doors, and several doors inlaid with silver still exist. In these doors the ground was of gilt-bronze; but there is also record of silver doors in the imperial palace at Constantinople. The inlaid doors of St Paul Outside the Walls at Rome were executed in Constantinople by Stauricios, in 1070, and have Greek inscriptions. There are others at Salerno (c. 1080), but the best known are those at St Mark's, Venice. In all these the imagery was delineated in silver on the gilt-bronze ground. The earliest works of this sort are still to be found in Constantinople. The panels of a door at St Sophia bear the monograms of Theophilus and Michael (840). Two other doors in the narthex of the same church, having simpler ornamentation of inlaid silver, are probably as early as the time of Justinian.

The process of enamelling dates from late classical times and Venturi supposes that it was invented in Alexandria. The cloisonné process, characteristic of Byzantine enamels, is thought by Kondakov to be derived from Persia, and to its study he has devoted a splendid volume. One of the finest examples of this cloisonné is the reliquary at Limburg on which the enthroned Christ appears between St Mary and St John in the midst of the twelve apostles. An inscription tells that it was executed for the emperors Constantine and Romanus (948-959).

A reliquary lately added to the J. Pierpont Morgan collection at South Kensington is of the greatest beauty in regard to the colour and clearness of the enamel. The cover, which is only about 4½ by 3 ins., has in the centre a crucifixion with St Mary and St John to the right and left, while around are busts of the apostles. Christ is vested in a tunic. The ground colour is the green of emerald, the rest mostly blue and white. The cloisons are of gold. Two other Byzantine enamels are in the permanent collection at the Victoria and Albert Museum: one is a cross with the crucifixion on a background of the same emerald enamel; the other is a small head of St Paul of remarkably fine workmanship.

Ivory-working was another characteristic Byzantine art, although, like so many others it had its origin in antiquity. One of the earliest ivories of the Byzantine type is the diptych at Monza, showing a princess and a boy, supposed to be Galla Placidia and Valentinian III. This already shows the broad, flattened treatment which seems to mark the ivory work of the East. The majestic archangel of the British Museum, one of the largest panels known, is probably of the 5th century, and almost certainly, as Strzygowski has shown, of Syrian origin. Design and execution are equally fine. The drawing of the body, and the modelling of the drapery, are accomplished and classical. Only the full front pose, the balanced disposition of the large wings, and the intense outlook of the face, give it the Byzantine type.

Ivory, like gold-work and enamel, was pressed into the adornment of architectural works. The ambo erected by Justinian at St Sophia was in part covered by ivory panels set into the marble. The best existing specimen of this kind of work is the celebrated ivory throne at Ravenna. This masterpiece, which resembles a large, high-backed chair, is entirely covered with sculptured ivory, delicate carvings of scriptural subjects and ornament. It is of the 6th century and bears the monogram of Bishop Maximian. It is probably of Egyptian or Syrian origin.

So many fragments of ivories have been discovered in recent explorations in Egypt that it is most likely that Alexandria, a fit centre for receiving the material, was also its centre of distribution. The weaving of patterned silks was known in Europe in the classical age, and they reached great development in the Byzantine era. A fragment, long ago figured by Semper, showing a classical design of a nereid on a sea-horse, is so like the designs found on many ivories discovered in Egypt that we may probably assign it to Alexandria. Such fabrics going back to the 3rd century have been found in Egypt which must have been one of the chief centres for the production of silk as for linen textiles. The Victoria and Albert Museum is particularly rich in early silks. One fine example, having rose-coloured stripes and repeated figures of Samson and the lion, must be of the great period of the 6th century. The description of St Sophia written at that time tells of the altar curtains that they bore woven images of Christ, St Peter and St Paul standing under tabernacles upon a crimson ground, their garments being enriched with gold embroidery. Later the patterns became more barbaric and of great scale, lions trampled across the stuff, and in large circles were displayed eagles, griffins and the like in a fine heraldic style. From the origin of the raw material in China and India and the ease of transport, such figured stuffs gathered up and distributed patterns over both Europe and Asia. The Persian influence is marked. There is, for example, a pattern of a curious dragon having front feet and a peacock's tail. It appears on a silver Persian dish in the Hermitage Museum, it is found on the mixed Byzantine and Persian carvings of the palace of Mashita, and it occurs on several silks of which there are two varieties at the Victoria and Albert Museum, both of which are classed as Byzantine; it is difficult to say of many of these patterns whether they are Sassanian originals or Byzantine adaptations from them.

Authorities.—A very complete bibliography is given by H. Leclercq, Manuel d'archéologie chrétienne (Paris, 1907). The current authorities for all that concerns Byzantine history or art are:—Byzantinische Zeitschrift ... (Leipzig, 1892 seq.); Oriens Christianus (Rome, 1900 seq.). See also Dom R.P. Cabrol, Dictionnaire d'archéologie chrétienne, &c. (Paris, 1902 seq.). The best general introduction is:—C. Bayet, L'Art byzantin (Paris, 1883, new edition, 1904). See J. Strzygowski, Orient oder Rom (Leipzig, 1901) and other works; Kondakov, Les Émaux byz. (1892), and other works; C. Diehl, Justinien et la civilis. byz. (Paris, 1901), and other works; G. Millet, Le Monastère de Daphne, &c. (Paris, 1899), and other works; L.G. Schlumberger, L'Epopée byz. &c. (1896 seq.); A. Michel, Histoire de l'art, vol. i. (Paris, 1905); H. Brockhaus, Die Kunst in den Athos-Klostern (Leipzig, 1891); E. Molinier, Histoire générale des arts, &c. i., Ivoires (Paris, 1896); O. Dalton, Catalogue of Early Christian Antiquities...of the British Museum (1901); A. van Millingen, Byzantine Constantinople (1899); Salzenberg, Altchristliche Baudenkmaler &c. (Berlin, 1854); A. Choisy, L'Art de bâtir chez les Byzantins (Paris, 1875); Couchand, Églises byzantines en Grèce; Ongania, Basilica di S. Marco; Texier and Pullan, L'Architecture b. 73 (1864); Lethaby and Swainson, Sancta Sophia, Constantinople (1894); Schultz and Barnsley, The Monastery of St Luke, &c. (1890); L. de Beylié, L'Habitation byz. (Paris, 1903). For Syria: M. de Vogüé, L'Architecture...dans la Syrie centrale (Paris, 1866-1877); H.C. Butler, Architecture and other Arts, &c. (New York, 1904). For Egypt: W.E. Crum, Coptic Monuments (Cairo, 1902); A. Gayet, L'Art Copte (Paris, 1902); A.J. Butler, Ancient Coptic Churches. For North Africa: S. Csell, Les Monuments antiques de l'Algérie (Paris, 1901). For Italy: A. Venturi, Storia dell' arte Italiana (Milan, 1901); G. Rivoira, Le Origini della architettura Lombarda (Rome, 1901); C. Errard and A. Gayet, L'Art byzantin, &c. (Paris,1903).

(W. R. L.)

For Byzantine literature see Greek Literature: Byzantine.

BYZANTIUM, an ancient Greek city on the shores of the Bosporus, occupying the most easterly of the seven hills on which modern Constantinople stands. It was said to have been founded by Megarians and Argives under Byzas about 657 B.C., but the original settlement having been destroyed in the reign of Darius Hystaspes by the satrap Otanes, it was recolonized by the Spartan Pausanias, who wrested it from the Medes after the battle of Plataea (479 B.C.)—a circumstance which led several ancient chroniclers to ascribe its foundation to him. Its situation, said to have been fixed by the Delphic oracle, was remarkable for beauty and security. It had complete control over the Euxine grain-trade; the absence of tides and the depth of its harbour rendered its quays accessible to vessels of large burden; while the tunny and other fisheries were so lucrative that the curved inlet near which it stood became known as the Golden Horn. The greatest hindrance to its prosperity was the miscellaneous character of the population, partly Lacedaemonian and partly Athenian, who flocked to it under Pausanias. It was thus a subject of dispute between these states, and was alternately in the possession of each, till it fell into the hands of the Macedonians. From the same cause arose the violent intestine contests which ended in the establishment of a rude and turbulent democracy. About seven years after its second colonization, the Athenian Cimon wrested it from the Lacedaemonians; but in 440 B.C. it returned to its former allegiance. Alcibiades, after a severe blockade (408 B.C.), gained possession of the city through the treachery of the Athenian party; in 405 B.C. it was retaken by Lysander and placed under a Spartan harmost. It was under the Lacedaemonian power when the Ten Thousand, exasperated by the conduct of the governor, made themselves masters of the city, and would have pillaged it had they not been dissuaded by the eloquence of Xenophon. In 390 B.C. Thrasybulus, with the assistance of Heracleides and Archebius, expelled the Lacedaemonian oligarchy, and restored democracy and the Athenian influence.

After having withstood an attempt under Epaminondas to restore it to the Lacedaemonians, Byzantium joined with Rhodes, Chios, Cos, and Mausolus, King of Caria, in throwing off the yoke of Athens, but soon after sought Athenian assistance when Philip of Macedon, having overrun Thrace, advanced against it. The Athenians under Chares suffered a severe defeat from Amyntas, the Macedonian admiral, but in the following year gained a decisive victory under Phocion and compelled Philip to raise the siege. The deliverance of the besieged from a surprise, by means of a flash of light which revealed the advancing masses of the Macedonian army, has rendered this siege memorable. As a memorial of the miraculous interference, the Byzantines erected an altar to Torch-bearing Hecate, and stamped a crescent on their coins, a device which is retained by the Turks to this day. They also granted the Athenians extraordinary privileges, and erected a monument in honour of the event in a public part of the city.

During the reign of Alexander Byzantium was compelled to acknowledge the Macedonian supremacy; after the decay of the Macedonian power it regained its independence, but suffered from the repeated incursions of the Scythians. The losses which they sustained by land roused the Byzantines to indemnify themselves on the vessels which still crowded the harbour, and the merchantmen which cleared the straits; but this had the effect of provoking a war with the neighbouring naval powers. The exchequer being drained by the payment of 10,000 pieces of gold to buy off the Gauls who had invaded their territories about 279 B.C., and by the imposition of an annual tribute which was ultimately raised to 80 talents, they were compelled to exact a toll on all the ships which passed the Bosporus—a measure which the Rhodians resented and avenged by a war, wherein the Byzantines were defeated. After the retreat of the Gauls Byzantium rendered considerable services to Rome in the contests with Philip II., Antiochus and Mithradates.

During the first years of its alliance with Rome it held the rank of a free confederate city; but, having sought arbitration on some of its domestic disputes, it was subjected to the imperial jurisdiction, and gradually stripped of its privileges, until reduced to the status of an ordinary Roman colony. In recollection of its former services, the emperor Claudius remitted the heavy tribute which had been imposed on it; but the last remnant of its independence was taken away by Vespasian, who, in answer to a remonstrance from Apollonius of Tyana, taunted the inhabitants with having "forgotten to be free." During the civil wars it espoused the party of Pescennius Niger; and though skilfully defended by the engineer Periscus, it was besieged and taken (A.D. 196) by Severus, who destroyed the city, demolished the famous wall, which was built of massive stones so closely riveted together as to appear one block, put the principal inhabitants to the sword and subjected the remainder to the Perinthians. This overthrow of Byzantium was a great loss to the empire, since it might have served as a protection against the Goths, who afterwards sailed past it into the Mediterranean. Severus afterwards relented, and, rebuilding a large portion of the town, gave it the name of Augusta Antonina. He ornamented the city with baths, and surrounded the hippodrome with porticos; but it was not till the time of Caracalla that it was restored to its former political privileges. It had scarcely begun to recover its former position when, through the capricious resentment of Gallienus, the inhabitants were once more put to the sword and the town was pillaged. From this disaster the inhabitants recovered so far as to be able to give an effectual check to an invasion of the Goths in the reign of Claudius II., and the fortifications were greatly strengthened during the civil wars which followed the abdication of Diocletian. Licinius, after his defeat before Adrianople, retired to Byzantium, where he was besieged by Constantine, and compelled to surrender (A.D. 323-324). To check the inroads of the barbarians on the north of the Black Sea, Diocletian had resolved to transfer his capital to Nicomedia; but Constantine, struck with the advantages which the situation of Byzantium presented, resolved to build a new city there on the site of the old and transfer the seat of government to it. The new capital was inaugurated with special ceremonies, A.D. 330. (See Constantinople.)

The ancient historians invariably note the profligacy of the inhabitants of Byzantium. They are described as an idle, depraved people, spending their time for the most part in loitering about the harbour, or carousing over the fine wine of Maronea. In war they trembled at the sound of a trumpet, in peace they quaked before the shouting of their own demagogues; and during the assault of Philip II. they could only be prevailed on to man the walls by the savour of extempore cook-shops distributed along the ramparts. The modern Greeks attribute the introduction of Christianity into Byzantium to St Andrew; it certainly had some hold there in the time of Severus.

C The third letter in the Latin alphabet and its descendants corresponds in position and in origin to the Greek Gamma (Γ, γ), which in its turn is borrowed from the third symbol of the Phoenician alphabet (Heb. Gimel). The earliest Semitic records give its form as or more frequently or . The form is found in the earliest inscriptions of Crete, Attica, Naxos and some other of the Ionic islands. In Argolis and Euboea especially a form with legs of unequal length is found . From this it is easy to pass to the most widely spread Greek form, the ordinary . In Corinth, however, and its colony Corcyra, in Ozolian Locris and Elis, a form inclined at a different angle is found. From this form the transition is simple to the rounded , which is generally found in the same localities as the pointed form, but is more widely spread, occurring in Arcadia and on Chalcidian vases of the 6th century B.C., in Rhodes and Megara with their colonies in Sicily. In all these cases the sound represented was a hard G (as in gig). The rounded form was probably that taken over by the Romans and with the value of G. This is shown by the permanent abbreviation of the proper names Gaius and Gnaeus by C. and Cn. respectively. On the early inscription discovered in the Roman Forum in 1899 the letter occurs but once, in the form written from right to left. The broad lower end of the symbol is rather an accidental pit in the stone than an attempt at a diacritic mark—the word is regei, in all probability the early dative form of rex, "king." It is hard to decide why Latin adopted the g-symbol with the value of k, a letter which it possessed originally but dropped, except in such stereotyped abbreviations as K. for the proper name Kaeso and Kal. for Calendae. There are at least two possibilities: (1) that in Latium g and k were pronounced almost identically, as, e.g., in the German of Württemberg or in the Celtic dialects, the difference consisting only in the greater energy with which the k-sound is produced; (2) that the confusion is graphic, K being sometimes written , which was then regarded as two separate symbols. A further peculiarity of the use of C in Latin is in the abbreviation for the district Subura in Roma and its adjective Suburanus, which appears as SVC. Here C no doubt represents G, but there is no interchange between g and b in Latin. In other dialects of Italy b is found representing an original voiced guttural (gw), which, however, is regularly replaced by v in Latin. As the district was full of traders, Subura may very well be an imported word, but the form with C must either go back to a period before the disappearance of g before v or must come from some other Italic dialect. The symbol G was a new coinage in the 3rd century B.C. The pronunciation of C throughout the period of classical Latin was that of an unvoiced guttural stop (k). In other dialects, however, it had been palatalized to a sibilant before i-sounds some time before the Christian era; e.g. in the Umbrian façia = Latin facial. In Latin there is no evidence for the interchange of c with a sibilant earlier than the 6th century A.D. in south Italy and the 7th century A.D. in Gaul (Lindsay, Latin Language, p. 88). This change has, however, taken place in all Romance languages except Sardinian. In Anglo-Saxon c was adopted to represent the hard stop. After the Norman conquest many English words were re-spelt under Norman influence. Thus Norman-French spelt its palatalized c-sound (=tsh) with ch as in cher and the English palatalized cild, &c. became child, &c. In Provençal from the 10th century, and in the northern dialects of France from the 13th century, this palatalized c (in different districts ts and tsh) became a simple s. English also adopted the value of s for c in the 13th century before e, i and y. In some foreign words like cicala the ch- (tsh) value is given to c. In the transliteration of foreign languages also it receives different values, having that of tsh in the transliteration of Sanskrit and of ts in various Slavonic dialects.

As a numeral C denotes 100. This use is borrowed from Latin, in which the symbol was originally , a form of the Greek θ. This, like the numeral symbols later identified with L and M, was thus utilized since it was not required as a letter, there being no sound in Latin corresponding to the Greek θ. Popular etymology identified the symbol with the initial letter of centum, "hundred."

(P. Gi.)

CAB (shortened about 1825 from the Fr. cabriolet, derived from cabriole, implying a bounding motion), a form of horsed vehicle for passengers either with two ("hansom") or four wheels ("four-wheeler" or "growler"), introduced into London as the cabriolet de place, from Paris in 1820 (see Carriage). Other vehicles plying for hire and driven by mechanical means are included in the definition of the word "cab" in the London Cab and Stage Carriage Act 1007. The term "cab" is also applied to the driver's or stoker's shelter on a locomotive-engine.

Cabs, or hackney carriages, as they are called in English acts of parliament, are regulated in the United Kingdom by a variety of statutes. In London the principal acts are the Hackney Carriage Acts of 1831-1853, the Metropolitan Public Carriages Act 1869, the London Cab Act 1896 and the London Cab and Stage Carriage Act 1907. In other large British towns cabs are usually regulated by private acts which incorporate the Town Police Clauses Act 1847, an act which contains provisions more or less similar to the London acts. The act of 1869 defined a hackney carriage as any carriage for the conveyance of passengers which plies for hire within the metropolitan police district and is not a stage coach, i.e. a conveyance in which the passengers are charged separate and distinct fares for their seats. Every cab must be licensed by a licence renewable every year by the home secretary, the licence being issued by the commissioner of police. Every cab before being licensed must be inspected at the police station of the district by the inspector of public carriages, and certified by him to be in a fit condition for public use. The licence costs £2. The number of persons which the cab is licensed to carry must be painted at the back on the outside. It must carry a lighted lamp during the period between one hour after sunset and one hour before sunrise. The cab must be under the charge of a driver having a licence from the home secretary. A driver before obtaining a licence, which costs five shillings per annum, must pass an examination as to his ability to drive and as to his knowledge of the topography of London.

General regulations with regard to fares and hiring may be made from time to time by the home secretary under the London Cab and Stage Carriage Act 1907. The hiring is by distance or by time as the hirer may decide at the beginning of the hiring; if not otherwise expressed the fare is paid according to distance. If a driver is hired by distance he is not compelled to drive more than six miles, and if hired by time he is not compelled to drive for more than one hour. When a cab is hired in London by distance, and discharged within a circle the radius of which is four miles (the centre being taken at Charing Cross), the fare is one shilling for any distance not exceeding two miles, and sixpence for every additional mile or part of a mile. Outside the circle the fare for each mile, or part of a mile, is one shilling. When a cab is hired by time, the fare (inside or outside the circle) is two shillings and sixpence for the first hour, and eightpence for every quarter of an hour afterwards. Extra payment has to be made for luggage (twopence per piece outside), for extra passengers (sixpence each for more than two), and for waiting (eightpence each completed quarter of an hour). If a horse cab is fitted with a taximeter (vide infra) the fare for a journey wholly within or partly without and partly within the four-mile radius, and not exceeding one mile or a period of ten minutes, is sixpence. For each half mile or six minutes an additional threepence is paid. If the journey is wholly without the four-mile radius the fare for the first mile is one shilling, and for each additional quarter of a mile or period of three minutes, threepence is paid. If the cab is one propelled by mechanical means the fare for a journey not exceeding one mile or a period of ten minutes is eightpence, and for every additional quarter mile or period of 2½ minutes twopence is paid. A driver required to wait may demand a reasonable sum as a deposit and also payment of the sum which he has already earned. The London Cab Act 1896 (by which for the first time legal sanction was given to the word "cab") made an important change in the law in the interest of cab drivers. It renders liable to a penalty on summary conviction any person who (a) hires a cab knowing or having reason to believe that he cannot pay the lawful fare, or with intent to avoid payment; (b) fraudulently endeavours to avoid payment; (c) refuses to pay or refuses to give his address, or gives a false address with intent to deceive. The offences mentioned (generally known as "bilking") may be punished by imprisonment without the option of a fine, and the whole or any part of the fine imposed may be applied in compensation to the driver.

Strictly speaking, it is an offence for a cab to ply for hire when not waiting on an authorized "standing," but cabs passing in the street for this purpose are not deemed to be "plying for hire." These stands for cabs are appointed by the commissioner of police or the home secretary. "Privileged cabs" is the designation given to those cabs which by virtue of a contract between a railway company and a number of cab-owners are alone admitted to ply for hire within a company's station, until they are all engaged, on condition (1) of paying a certain weekly or annual sum, and (2) of guaranteeing to have cabs in attendance at all hours. This system was abolished by the act of 1907, but the home secretary was empowered to suspend or modify the abolition if it should interfere with the proper accommodation of the public.

At one time there was much discussion in England as to the desirability of legalizing on cabs the use of a mechanical fare-recorder such as, under the name of taximeter or taxameter, is in general use on the continent of Europe. It is now universal on hackney carriages propelled by mechanical means, and it has also extended largely to those drawn by animal power. A taximeter consists of a securely closed and sealed metal box containing a mechanism actuated by a flexible shaft connected with the wheel of the vehicle, in the same manner as the speedometer on a motor car. It has, within plain view of the passenger, a number of apertures in which appear figures showing the amount payable at any time. A small lever, with a metal flag, bearing the words "for hire" stands upright upon it when the cab is disengaged. As soon as a passenger enters the cab the lever is depressed by the driver and the recording mechanism starts. At the end of the journey the figures upon the dials show exactly the sum payable for hire; this sum is based on a combination of time and distance.

CABAL (through the Fr. cabale from the Cabbala or Kabbalah, the theosophical interpretation of the Hebrew scriptures), a private organization or party engaged in secret intrigues, and applied also to the intrigues themselves. The word came into common usage in English during the reign of Charles II. to describe the committee of the privy council known as the "Committee for Foreign Affairs," which developed into the cabinet. The invidious meaning attached to the term was stereotyped by the coincidence that the initial letters of the names of the five ministers, Clifford, Arlington, Buckingham, Ashley and Lauderdale, who signed the treaty of alliance with France in 1673, spelled cabal.

CABALLERO, FERNÁN (1796-1877), the pseudonym adopted from the name of a village in the province of Ciudad Real by the Spanish novelist Cecilia Francisca Josefa Böhl de Faber y Larrea. Born at Morges in Switzerland on the 24th of December 1796, she was the daughter of Johan Nikolas Böhl von Faber, a Hamburg merchant, who lived long in Spain, married a native of Cadiz, and is creditably known to students of Spanish literature as the editor of the Floresta de rimas antiguas castellanas (1821-1825), and the Teatro español anterior á Lope de Vega (1832). Educated principally at Hamburg, she visited Spain in 1815, and, unfortunately for herself, in 1816 married Antonio Planells y Bardaxi, an infantry captain of bad character. In the following year Planells was killed in action, and in 1822 the young widow married Francisco Ruiz del Arco, marqués de Arco Hermoso, an officer in one of the Spanish household regiments. Upon the death of Arco Hermoso in 1835, the marquesa found herself in straitened circumstances, and in less than two years she married Antonio Arrón de Ayala, a man considerably her junior. Arrón was appointed consul in Australia, engaged in business enterprises and made money; but unfortunate speculations drove him to commit suicide in 1859. Ten years earlier the name of Fernán Caballero became famous in Spain as the author of La Gaviola. The writer had already published in German an anonymous romance, Sola (1840), and curiously enough the original draft of La Gaviota was written in French. This novel, translated into Spanish by José Joaquín de Mora, appeared as the feuilleton of El Heraldo (1849), and was received with marked favour. Ochoa, a prominent critic of the day, ratified the popular judgment, and hopefully proclaimed the writer to be a rival of Scott. No other Spanish book of the 19th century has obtained such instant and universal recognition. It was translated into most European languages, and, though it scarcely seems to deserve the intense enthusiasm which it excited, it is the best of its author's works, with the possible exception of La Familia de Alvareda (which was written, first of all, in German). Less successful attempts are Lady Virginia and Clemencia; but the short stories entitled Cuadros de Costumbres are interesting in matter and form, and Una en otra and Elia ó la España treinta años ha are excellent specimens of picturesque narration. It would be difficult to maintain that Fernán Caballero was a great literary artist, but it is certain that she was a born teller of stories and that she has a graceful style very suitable to her purpose. She came into Spain at a most happy moment, before the new order had perceptibly disturbed the old, and she brought to bear not alone a fine natural gift of observation, but a freshness of vision, undulled by long familiarity. She combined the advantages of being both a foreigner and a native. In later publications she insisted too emphatically upon the moral lesson, and lost much of her primitive simplicity and charm; but we may believe her statement that, though she occasionally idealized circumstances, she was conscientious in choosing for her themes subjects which had occurred in her own experience. Hence she may be regarded as a pioneer in the realistic field, and this historical fact adds to her positive importance. For many years she was the most popular of Spanish writers, and the sensation caused by her death at Seville on the 7th of April 1877 proved that her naïve truthfulness still attracted readers who were interested in records of national customs and manners.

Her Obras completas are included in the Colección de escritores castellanos: a useful biography by Fernando de Gabriel Ruiz de Apodaca precedes the Últimas producciones de Fernán Caballero (Seville, 1878).

(J. F.-K.)

CABANEL, ALEXANDRE (1823-1889), French painter, was born at Montpellier, and studied in Paris, gaining the Prix de Rome in 1845. His pictures soon attracted attention, and by his "Birth of Venus" (1863), now in the Luxembourg, he became famous, being elected that year to the Institute. He became the most popular portrait painter of the day, and his pupils included a number of famous artists.

CABANIS, PIERRE JEAN GEORGE (1757-1808), French physiologist, was born at Cosnac (Corrèze) on the 5th of June 1757, and was the son of Jean Baptiste Cabanis (1723-1786), a lawyer and agronomist. Sent at the age of ten to the college of Brives, he showed great aptitude for study, but his independence of spirit was so excessive that he was almost constantly in a state of rebellion against his teachers, and was finally dismissed from the school. He was then taken to Paris by his father and left to carry on his studies at his own discretion for two years. From 1773 to 1775 he travelled in Poland and Germany, and on his return to Paris he devoted himself mainly to poetry. About this time he ventured to send in to the Academy a translation of the passage from Homer proposed for their prize, and, though his attempt passed without notice, he received so much encouragement from his friends that he contemplated translating the whole of the Iliad. But at the desire of his father he relinquished these pleasant literary employments, and resolving to engage in some settled profession selected that of medicine. In 1789 his Observations sur les hôpitaux procured him an appointment as administrator of hospitals in Paris, and in 1795 he became professor of hygiene at the medical school of Paris, a post which he exchanged for the chair of legal medicine and the history of medicine in 1799. From inclination and from weak health he never engaged much in practice as a physician, his interests lying in the deeper problems of medical and physiological science. During the last two years of Mirabeau's life he was intimately connected with that extraordinary man, and wrote the four papers on public education which were found among the papers of Mirabeau at his death, and were edited by the real author soon afterwards in 1791. During the illness which terminated his life Mirabeau confided himself entirely to the professional skill of Cabanis. Of the progress of the malady, and the circumstances attending the death of Mirabeau, Cabanis drew up a detailed narrative, intended as a justification of his treatment of the case. Cabanis espoused with enthusiasm the cause of the Revolution. He was a member of the Council of Five Hundred and then of the Conservative senate, and the dissolution of the Directory was the result of a motion which he made to that effect. But his political career was not of long continuance. A foe to tyranny in every shape, he was decidedly hostile to the policy of Bonaparte, and constantly rejected every solicitation to accept a place under his government. He died at Meulan on the 5th of May 1808.

A complete edition of Cabanis's works was begun in 1825, and five volumes were published. His principal work, Rapports du physique et du moral de l'homme, consists in part of memoirs, read in 1796 and 1797 to the Institute, and is a sketch of physiological psychology. Psychology is with Cabanis directly linked on to biology, for sensibility, the fundamental fact, is the highest grade of life and the lowest of intelligence. All the intellectual processes are evolved from sensibility, and sensibility itself is a property of the nervous system. The soul is not an entity, but a faculty; thought is the function of the brain. Just as the stomach and intestines receive food and digest it, so the brain receives impressions, digests them, and has as its organic secretion, thought. Alongside of this harsh materialism Cabanis held another principle. He belonged in biology to the vitalistic school of G.E. Stahl, and in the posthumous work, Lettre sur les causes premières (1824), the consequences of this opinion became clear. Life is something added to the organism; over and above the universally diffused sensibility there is some living and productive power to which we give the name of Nature. But it is impossible to avoid ascribing to this power both intelligence and will. In us this living power constitutes the ego, which is truly immaterial and immortal. These results Cabanis did not think out of harmony with his earlier theory.

CABARRUS, FRANÇOIS (1752-1810), French adventurer and Spanish financier, was born at Bayonne, where his father was a merchant. Being sent into Spain on business he fell in love with a Spanish lady, and marrying her, settled in Madrid. Here his private business was the manufacture of soap; but he soon began to interest himself in the public questions which were ventilated even at the court of Spain. The enlightenment of the 18th century had penetrated as far as Madrid; the king, Charles III., was favourable to reform; and a circle of men animated by the new spirit were trying to infuse fresh vigour into an enfeebled state. Among these Cabarrus became conspicuous, especially in finance. He originated a bank, and a company to trade with the Philippine Islands; and as one of the council of finance he had planned many reforms in that department of the administration, when Charles III. died (1788), and the reactionary government of Charles IV. arrested every kind of enlightened progress. The men who had taken an active part in reform were suspected and prosecuted. Cabarrus himself was accused of embezzlement and thrown into prison. After a confinement of two years he was released, created a count and employed in many honourable missions; he would even have been sent to Paris as Spanish ambassador, had not the Directory objected to him as being of French birth. Cabarrus took no part in the transactions by which Charles IV. was obliged to abdicate and make way for Joseph, brother of Napoleon, but his French birth and intimate knowledge of Spanish affairs recommended him to the emperor as the fittest person for the difficult post of minister of finance, which he held at his death. His beautiful daughter Thérèse, under the name of Madame Tallien (afterwards princess of Chimay), played an interesting part in the later stages of the French Revolution.

CABASILAS, NICOLAUS (d. 1371), Byzantine mystic and theological writer. He was on intimate terms with the emperor John VI. Cantacuzene, whom he accompanied in his retirement to a monastery. In 1355 he succeeded his uncle Nilus Cabasilas, like himself a determined opponent of the union of the Greek and Latin churches, as archbishop of Thessalonica. In the Hesychast controversy he took the side of the monks of Athos, but refused to agree to the theory of the uncreated light. His chief work is his Περὶ τῆς ἐν Χριστῷ ζωῆς (ed. pr. of the Greek text, with copious introduction, by W. Gass, 1849; new ed. by M. Heinze, 1899), in which he lays down the principle that union with Christ is effected by the three great mysteries of baptism, confirmation and the eucharist. He also wrote homilies on various subjects, and a speech against usurers, printed with other works in Migne, Patrologia Graeca, c. i. A large number of his works is still extant in MS.

See C. Krumbacher, Geschichte der byzantinischen Litteratur (1897), and article in Herzog-Hauck, Realencyklopädie für protestantische Theologie (1901).

CABATÚAN, a town of the province of Ilóilo, Panay, Philippine Islands, on a branch of the Suague river, 15 m. N.W. of Ilóilo, the capital. Pop. (1903) 16,497. In 1903, after the census had been taken, the neighbouring town of Maasin, with a population of 8401, was annexed to Cabatúan. Its climate is healthful. The surrounding country is very fertile and produces large quantities of rice, as well as Indian corn, tobacco, sugar, coffee and a great variety of fruits. The language is Visayan. Cabatúan was founded in 1732.

CABBAGE. The parent form of the variety of culinary and fodder vegetables included under this head is generally supposed to be the wild or sea cabbage (Brassica oleracea), a plant found near the sea coast of various parts of England and continental Europe, although Alphonse de Candolle considered it to be really descended from the two or three allied species which are yet found growing wild on the Mediterranean coast. In any case the cultivated varieties have departed very widely from the original type, and they present very marked and striking dissimilarities among themselves. The wild cabbage is a comparatively insignificant plant, growing from 1 to 2 ft. high, in appearance very similar to the corn mustard or charlock (Sinapis arvensis), but differing from it in having smooth leaves. The wild plant has fleshy, shining, waved and lobed leaves (the uppermost being undivided but toothed), large yellow flowers, elongated seed-pod, and seeds with conduplicate cotyledons. Notwithstanding the fact that the cultivated forms differ in habit so widely, it is remarkable that the flower, seed-pods and seeds of the varieties present no appreciable difference.

John Lindley proposed the following classification for the various forms, which includes all yet cultivated: (1) All the leaf-buds active and open, as in wild cabbage and kale or greens; (2) All the leaf-buds active, but forming heads, as in Brussels sprouts; (3) Terminal leaf-bud alone active, forming a head, as in common cabbage, savoys, &c.; (4) Terminal leaf-bud alone active and open, with most of the flowers abortive and succulent, as in cauliflower and broccoli; (5) All the leaf-buds active and open, with most of the flowers abortive and succulent, as in sprouting broccoli. The last variety bears the same relation to common broccoli as Brussels sprouts do to the common cabbage. Of all these forms there are numerous gardeners' varieties, all of which reproduce faithfully enough their parent form by proper and separate cultivation.

Under Lindley's first class, common or Scotch kale or borecole (Brassica oleracea var. acephala or var. fimbriata) includes several varieties which are amongst the hardiest of our esculents, and seldom fail to yield a good supply of winter greens. They require well-enriched soil, and sufficient space for full exposure to air; and they should also be sown early, so as to be well established and hardened before winter. The main crops should be sown about the first week of April, or, in the north, in the third week of March, and a succession a month later. The Buda kale is sown in May, and planted out in September, but a sowing for late spring use may be made in the last week of August and transplanted towards the end of September. To prevent overcrowding, the plants should be transplanted as soon as they are of sufficient size, but if the ground is not ready to receive them a sufficient number should be pricked out in some open spot. In general the more vigorous sorts should be planted in rows 3 ft. and the smaller growers 2 ft. apart, and 18 in. from plant to plant. In these the heads should be first used, only so much of the heart as is fresh and tender being cut out for boiling; side shoots or sprouts are afterwards produced for a long time in succession, and may be used so long as they are tender enough to admit of being gathered by snapping their stalks asunder.

The plant sends up a stout central stem, growing upright to a height of about 2 ft., with close-set, large thick, plain leaves of a light red or purplish hue. The lower leaves are stripped off for use as the plants grow up, and used for the preparation of broth or "Scotch kail," a dish at one time in great repute in the north-eastern districts of Scotland. A very remarkable variety of open-leaved cabbage is cultivated in the Channel Islands under the name of the Jersey or branching cabbage. It grows to a height of 8 ft, but has been known to attain double that altitude. It throws out branches from the central stem, which is sufficiently firm and woody to be fashioned into walking-sticks; and the stems are even used by the islanders as rafters for bearing the thatch on their cottage-roofs. Several varieties are cultivated as ornamental plants on account of their beautifully coloured, frizzled and laciniated leaves.

Brussels sprouts (Brassica oleracea var. bullata gemmifera) are miniature cabbage-heads, about an inch in diameter, which form in the axils of the leaves. There appears to be no information as to the plant's origin, but, according to Van Mons (1765-1842), physician and chemist, it is mentioned in the year 1213, in the regulations for holding the markets of Belgium, under the name of spruyten (sprouts). It is very hardy and productive, and is much esteemed for the table on account of its flavour and its sightly appearance. The seed should be sown about the middle of March, and again in the first or second week in April for succession. Any good garden soil is suitable. For an early crop it may be sown in a warm pit in February, pricked out and hardened in frames, and planted out in a warm situation in April. The main crop may be planted in rows 2 ft. asunder, the plants 18 in. apart. They should be got out early, so as to be well established and come into use before winter. The head may be cut and used after the best of the little rosettes which feather the stem have been gathered; but, if cut too early, it exposes these rosettes, which are the most delicate portion of the produce, to injury, if the weather be severe. The earliest sprouts become fit for use in November, and they continue good, or even improve in quality, till the month of March following; by successive sowings the sprouts are obtained for the greater part of the year.

The third class is chiefly represented by the common or drumhead cabbage, Brassica oleracea var. capitata, the varieties of which are distinguished by difference in size, form and colour. In Germany it is converted into a popular article of diet under the name of Sauerkraut by placing in a tub alternate layers of salt and cabbage. An acid fermentation sets in, which after a few days is complete, when the vessel is tightly covered over and the product kept for use with animal food.

The savoy is a hardy green variety, characterized by its very wrinkled leaves. The Portugal cabbage, or Couve Tronchuda, is a variety, the tops of which form an excellent cabbage, while the midribs of the large leaves are cooked like sea-kale.

Cabbages contain a very small percentage of nitrogenous compounds as compared with most other articles of food. Their percentage composition, when cooked, is—water, 97.4; fat, 0.1; carbohydrate, 0.4; mineral matter, 0.1; cellulose, 1.3; nitrogenous matter (only about half being proteid), 0.6. Their food-value, apart from their anti-scorbutic properties, is therefore practically nil.

The cabbage requires a well-manured and well-wrought loamy soil. It should have abundant water in summer, liquid manure being specially beneficial. Round London where it is grown in perfection, the ground for it is dug to the depth of two spades or spits, the lower portion being brought up to the action of the weather, and rendered available as food for the plants; while the top-soil, containing the eggs and larvae of many insects, being deeply buried, the plants are less liable to be attacked by the club disease. Farm-yard manure is that most suitable for the cabbage, but artificial manures such as guano, superphosphate of lime or gypsum, together with lime-rubbish, wood-ashes and marl, may, if required, be applied with advantage.

The first sowing of cabbage should be made about the beginning of March; this will be ready for use in July and August, following the autumn-sown crops. Another sowing should be made in the last week of March or first week of April, and will afford a supply from August till November; and a further crop may be made in May to supply young-hearted cabbages in the early part of winter. The autumn sowing, which is the most important, and affords the supply for spring and early summer use, should be made about the last week in August, in warm localities in the south, and about a fortnight earlier in the north; or, to meet fluctuations of climate, it is as well in both cases to anticipate this sowing by another two or three weeks earlier, planting out a portion from each, but the larger number from that sowing which promises best to stand without running to seed.

The cabbages grown late in autumn and in the beginning of winter are denominated coleworts (vulg. collards), from a kindred vegetable no longer cultivated. Two sowings are made, in the middle of June and in July, and the seedlings are planted a foot or 15 in. asunder, the rows being 8 or 10 in. apart. The sorts employed are the Rosette and the Hardy Green.

About London the large sorts, as Enfield Market, are planted for spring cabbages 2 ft. apart each way; but a plant from an earlier sowing is dibbled in between every two in the rows, and an intermediate row a foot apart is put in between the permanent rows, these extra plants being drawn as coleworts in the course of the winter. The smaller sorts of cabbage may be planted 12 in. apart, with 12 or 15 in. between the rows. The large sorts should be planted 2 ft. apart, with 2½ ft. between the rows. The only culture required is to stir the surface with the hoe to destroy the weeds, and to draw up the soil round the stems.

The red cabbage, Brassica oleracea var. capitata rubra, of which the Red Dutch is the most commonly grown, is much used for pickling. It is sown about the end of July, and again in March or April. The Dwarf Red and Utrecht Red are smaller sorts. The culture is in every respect the same as in the other sorts, but the plants have to stand until they form hard close hearts.

Cauliflower, which is the chief representative of class 4, consists of the inflorescence of the plant modified so as to form a compact succulent white mass or head. The cauliflower (Brassica oleracea var. botrytis cauliflora) is said by our old authors to have been introduced from Cyprus, where, as well as on the Mediterranean coasts, it appears to have been cultivated for ages. It is one of the most delicately flavoured of vegetables, the dense cluster formed by its incipient succulent flower-buds being the edible portion.

The sowing for the first or spring crop, to be in use in May and June, should be made from the 15th to the 25th of August for England, and from the 1st to the 15th of August for Scotland. In the neighbourhood of London the growers adhere as nearly as possible to the 21st day. A sowing to produce heads in July and August takes place in February on a slight hotbed. A late spring sowing to produce cauliflowers in September or October or later, should be made early in April and another about the 20th of May.

The cauliflower succeeds best in a rich soil and sheltered position; but, to protect the young plants in winter, they are sometimes pricked out in a warm situation at the foot of a south wall, and in severe weather covered with hoops and mats. A better method is to plant them thickly under a garden frame, securing them from cold by coverings and giving air in mild weather. For a very early supply, a few scores of plants may be potted and kept under glass during winter and planted out in spring, defended with a hand-glass. Sometimes patches of three or four plants on a south border are sheltered by hand-glasses throughout the winter. It is advantageous to prick out the spring-sown plants into some sheltered place before they are finally transplanted in May. The later crop, the transplanting of which may take place at various times, is treated like early cabbages. After planting, all that is necessary is to hoe the ground and draw up the soil about the stems.

It is found that cauliflowers ready for use in October may be kept in perfection over winter. For this purpose they are lifted carefully with the spade, keeping a ball of earth attached to the roots. Some of the large outside leaves are removed, and any points of leaves that immediately overhang the flower are cut off. They are then placed either in pots or in garden frames, the plants being arranged close together, but without touching. In mild dry weather the glass frames are drawn off, but they are kept on during rainstorms, ventilation being afforded by slightly tilting the frames, and in severe frost they are thickly covered with mats.

Broccoli is merely a variety of cauliflower, differing from the other in the form and colour of its inflorescence and its hardiness. The broccoli (Brassica oleracea var. botrytis asparagoides) succeeds best in loamy soil, somewhat firm in texture. For the autumn broccolis the ground can scarcely be too rich, but the winter and spring sorts on ground of this character are apt to become so succulent and tender that the plants suffer from frost even in sheltered situations, while plants less stimulated by manure and growing in the open field may be nearly all saved, even in severe winters. The main crops of the early sorts for use in autumn should be sown early in May, and planted out while young to prevent them coming too early into flower; in the north they may be sown a fortnight earlier. The later sorts for use during winter and spring should be sown about the middle or end of May, or about ten days earlier in the north. The seed-beds should be made in fresh light soil; and if the season be dry the ground should be well watered before sowing. If the young plants are crowding each other they should be thinned. The ground should not be dug before planting them out, as the firmer it is the better; but a shallow drill may be drawn to mark the lines. The larger-growing sorts may be put in rows 3 ft. apart, and the plants about 2½ ft. apart in the rows, and the smaller-growing ones at from 2 to 2½ ft. between, and 1½ to 2 ft. in the rows. If the ground is not prepared when young plants are ready for removal, they should be transferred to nursery beds and planted at 3 to 4 in. apart, but the earlier they can be got into their permanent places the better.

It is of course the young flower-heads of the plant which are eaten. When these form, they should be shielded from the light by bending or breaking down an inner leaf or two. In some of the sorts the leaves naturally curve over the heads. To prevent injury to the heads by frost in severe winters, the plants should be laid in with their heads sloping towards the north, the soil being thrown back so as to cover their stems; or they may be taken up and laid in closely in deep trenches, so that none of the lower bare portion of the stem may be exposed. Some dry fern may also be laid over the tops. The spring varieties are extremely valuable, as they come at a season when the finer vegetables are scarce. They afford a supply from December to May inclusive.

Broccoli sprouts, the representative of the fifth class, are a form of recent introduction, and consist of flowering sprouts springing from the axils of the leaves. The purple-leaved variety is a very hardy and much-esteemed vegetable.

Kohl-rabi (Brassica oleracea var. caulo-rapa) is a peculiar variety of cabbage in which the stem, just above ground, swells into a fleshy turnip-like mass. It is much cultivated in certain districts as a food for stock, for which purpose the drumhead cabbage and the thousand-headed kale are also largely used. Kohl-rabi is exceedingly hardy, withstanding both severe frosts and drought. It is not much grown in English gardens, though when used young it forms a good substitute for turnips. The seeds should be sown in May and June, and the seedlings should be planted shallowly in well-manured ground, 8 or 10 in. apart, in rows 15 in. asunder; and they should be well watered, so as to induce quick growth.

The varieties of cabbage, like other fresh vegetables, are possessed of anti-scorbutic properties; but unless eaten when very fresh and tender they are difficult of digestion, and have a very decided tendency to produce flatulence.

Although the varieties reproduce by seed with remarkable constancy, occasional departures from the types occur, more especially among the varieties of spring cabbages, cauliflowers and broccoli. The departures, known technically as "rogues," are not as a rule sufficiently numerous to materially affect crops grown for domestic purposes. Rogues appearing among the stocks of seed-growers, however, if allowed to remain, very materially affect the character of particular stocks by the dissemination of strange pollen and by the admixture of their seed. Great care is exercised by seed-growers, with reputations to maintain, to eliminate these from among their stock-plants before the flowering period is reached.

Several species of palm, from the fact of yielding large sapid central buds which are cooked as vegetables, are known as cabbage-palms. The principal of these is Areca oleracea, but other species, such as the coco-palm, the royal palm (Oreodoxa regia), Arenga saccharifera and others yield similar edible leaf-buds.

CABEIRI, in Greek mythology, a group of minor deities, of whose character and worship nothing certain is known. Their chief seats of worship were the islands of Lemnos, Imbros and Samothrace, the coast of Troas, Thessalia and Boeotia. The name appears to be of Phoenician origin, signifying the "great" gods, and the Cabeiri seem to have been deities of the sea who protected sailors and navigation, as such often identified with the Dioscuri, the symbol of their presence being St Elmo's fire. Originally the Cabeiri were two in number, an older identified with Hephaestus (or Dionysus), and a younger identified with Hermes, who in the Samothracian mysteries was called Cadmilus or Casmilus. Their cult at an early date was united with that of Demeter and Kore, with the result that two pairs of Cabeiri appeared, Hephaestus and Demeter, and Cadmilus and Kore. According to Mnaseas (quoted by the scholiast on Apollonius Rhodius i. 917) they were four in number:—Axieros, Axiokersa, Axiokersos, Casmilus. It is there stated that Axieros is Demeter; Axiokersa, Persephone; Axiokersos, Hades; and Casmilus, Hermes. The substitution of Hades for Hephaestus is due to the fact that Hades was regarded as the husband of Persephone. Cabeiro, who is mentioned in the logographers Acusilaus and Pherecydes as the wife of Hephaestus, is identical with Demeter, who indeed is expressly called Καβειρία in Thebes. Roman antiquarians identified the Cabeiri with the three Capitoline deities or with the Penates. In Lemnos an annual festival of the Cabeiri was held, lasting nine days, during which all the fires were extinguished and fire brought from Delos. From this fact and from the statement of Strabo x. p. 473, that the father of the Cabeiri was Camillus, a son of Hephaestus, the Cabeiri have been thought to be, like the Corybantes, Curetes and Dactyli, demons of volcanic fire. But this view is not now generally held. In Lemnos they fostered the vine and fruits of the field, and from their connexion with Hermes in Samothrace it would also seem that they promoted the fruitfulness of cattle.

By far the most important seat of their worship was Samothrace. Here, as early as the 5th century B.C., their mysteries, possibly under Athenian influence, attracted great attention, and initiation was looked upon as a general safeguard against all misfortune. But it was in the period after the death of Alexander the Great that their cult reached its height. Demetrius Poliorcetes, Lysimachus and Arsinoë regarded the Cabeiri with especial favour, and initiation was sought, not only by large numbers of pilgrims, but by persons of distinction. Initiation included also an asylum or refuge within the strong walls of Samothrace, for which purpose it was used among others by Arsinoë, who, to show her gratitude, afterwards caused a monument to be erected there, the ruins of which were explored in 1874 by an Austrian archaeological expedition. In 1888 interesting details as to the Boeotian cult of the Cabeiri were obtained by the excavations of their temple in the neighbourhood of Thebes, conducted by the German archaeological institute. The two male deities worshipped were Cabeiros and a boy: the Cabeiros resembles Dionysus, being represented on vases as lying on a couch, his head surrounded with a garland of ivy, a drinking cup in his right hand; and accompanied by maenads and satyrs. The boy is probably his cup-bearer. The Cabeiri were held in even greater esteem by the Romans, who regarded themselves as descendants of the Trojans, whose ancestor Dardanus (himself identified in heroic legend with one of the Cabeiri) came from Samothrace. The identification of the three Capitoline deities with the Penates, and of these with the Cabeiri, tended to increase this feeling.

See C.A. Lobeck, Aglaophamus (1829); F.G. Welcker, Die Aeschylische Trilogie und die Kabirenweihe zu Lemnos (1824); J.P. Rossignol, Les Métaux dans l'antiquité (1863), discussing the gods of Samothrace (the Dactyli, the Cabeiri, the Corybantes, the Curetes, and the Telchines) as workers in metal, and the religious origin of metallurgy; O. Rubensohn, Die Mysterienheiligtümer in Eleusis und Samothrake (1892); W.H. Roscher, Lexikon der Mythologie (s.v. "Megaloi Theoi"); L. Preller, Griechische Mythologie (4th ed., appendix); and the article by F. Lenormant in Daremberg and Saglio, Dictionnaire des Antiquités.

A grammarian of Patrae in Achaea (or Patara in Lycia), pupil of Eratosthenes (275-195 B.C.), and author of a periplus and a collection of Delphic oracles.

CABER TOSSING (Gaelic cabar, a pole or beam), a Scottish athletic exercise which consists in throwing a section of a trunk of a tree, called the "caber," in such a manner that it shall turn over in the air and fall on the ground with its small end pointing in the direction directly opposite to the "tosser." Tossing the caber is usually considered to be a distinctly Scottish sport, although "casting the bar," an exercise evidently similar in character, was popular in England in the 16th century but afterwards died out. The caber is the heavy trunk of a tree from 16 to 20 ft. long. It is often brought upon the field heavier than can be thrown and then cut to suit the contestants, although sometimes cabers of different sizes are kept, each contestant taking his choice. The toss is made after a run, the caber being set up perpendicularly with the heavy end up by assistants on the spot indicated by the tosser, who sets one foot against it, grasps it with both hands, and, as soon as he feels it properly balanced, gives the word to the assistants to let go their hold. He then raises the caber and gets both hands underneath the lower end. "A practised hand, having freed the caber from the ground, and got his hands underneath the end, raises it till the lower end is nearly on a level with his elbows, then advances for several yards, gradually increasing his speed till he is sometimes at a smart run before he gives the toss. Just before doing this he allows the caber to leave his shoulder, and as the heavy top end begins to fall forward, he throws the end he has in his hands upwards with all his strength, and, if successful, after the heavy end strikes the ground the small end continues its upward motion till perpendicular, when it falls forward, and the caber lies in a straight line with the tosser" (W.M. Smith). The winner is he who tosses with the best and easiest style, according to old Highland traditions, and whose caber falls straightest in a direct line from him. In America a style called the Scottish-American prevails at Caledonian games. In this the object is distance alone, the same caber being used by all contestants and the toss being measured from the tosser's foot to the spot where the small end strikes the ground. This style is repudiated in Scotland. Donald Dinnie, born in 1837 and still a champion in 1890, was the best tosser of modern times.

See W.M. Smith, Athletics and Athletic Sports in Scotland (Edinburgh, 1891).

CABET, ÉTIENNE (1788-1856), French communist, was born at Dijon in 1788, the son of a cooper. He chose the profession of advocate, without succeeding in it, but ere long became notable as the persevering apostle of republicanism and communism. He assisted in a secondary way in the revolution of 1830, and obtained the appointment of procureur-général in Corsica under the government of Louis Philippe; but was dismissed for his attack upon the conservatism of the government, in his Histoire de la révolution de 1830. Elected, notwithstanding, to the chamber of deputies, he was prosecuted for his bitter criticism of the government, and obliged to go into exile in England in 1834, where he became an ardent disciple of Robert Owen. On the amnesty of 1839 he returned to France, and attracted some notice by the publication of a badly written and fiercely democratic history of the Revolution of 1789 (4 vols., 1840), and of a social romance, Voyage en Icarie, in which he set forth his peculiar views. These works met with some success among the radical working-men of Paris. Like Owen, he sought to realize his ideas in practice, and, pressed as well by his friends, he made arrangements for an experiment in communism on American soil. By negotiations in England favoured by Owen, he purchased a considerable tract of land on the Red river, Texas, and drew up an elaborate scheme for the intending colony, community of property being the distinctive principle of the society. Accordingly in 1848 an expedition of 1500 "Icarians" sailed to America; but unexpected difficulties arose and the complaints of the disenchanted settlers soon reached Europe. Cabet, who had remained in France, had more than one judicial investigation to undergo in consequence, but was honourably acquitted. In 1849 he went out in person to America, but on his arrival, finding that the Mormons had been expelled from their city Nauvoo (q.v.), in Illinois, he transferred his settlement thither. There, with the exception of a journey to France, where he returned to defend himself successfully before the tribunals, he remained, the dictator of his little society. In 1856, however, he withdrew and died the same year at St Louis.

See Communism. Also Félix Bonnaud, Cabet et son œuvre, appel à tous les socialistes (Paris, 1900); J. Prudhommeaux, Icaria and its Founder, Étienne Cabet (Nîmes, 1907).

CABIN, a small, roughly built hut or shelter; the term is particularly applied to the thatched mud cottages of the negro slaves of the southern states of the Unites States of America, or of the poverty-stricken peasantry of Ireland or the crofter districts of Scotland. In a special sense it is used of the small rooms or compartments on board a vessel used for sleeping, eating or other accommodation. The word in its earlier English forms was cabane or caban, and thus seems to be an adaptation of the French cabane; the French have taken cabine, for the room on board a ship, from the English. In French and other Romanic languages, in which the word occurs, e.g. Spanish cabaña, Portuguese cabana, the origin is usually found in the Medieval Latin capanna. Isidore of Seville (Origines, lib. xiv. 12) says:—Tugurium (hut) parva casula est, quam faciunt sibi custodes vinearum, ad tegimen seu quasi tegurium. Hoc rustici Capannam vocant, quod unum tantum capiat (see Du Cange, Glossarium, s.v. Capanna). Others derive from Greek κάπη, crib, manger. Skeat considers the English word was taken from the Welsh caban, rather than from the French, and that the original source for all the forms was Celtic.

CABINET, a word with various applications which may be traced to two principal meanings, (1) a small private chamber, and (2) an article of furniture containing compartments formed of drawers, shelves, &c. The word is a diminutive of "cabin" and therefore properly means a small hut or shelter. This meaning is now obsolete; the New English Dictionary quotes from Leonard Digges's Stratioticos (published with additions by his son Thomas in 1579), "the Lance Knights encamp always in the field very strongly, two or three to a Cabbonet." From the use both of the article of furniture and of a small chamber for the safe-keeping of a collection of valuable prints, pictures, medals or other objects, the word is frequently applied to such a collection or to objects fit for such safe-keeping. The name of Cabinet du Roi was given to the collection of prints prepared by the best artists of the 17th century by order of Louis XIV. These were intended to commemorate the chief events of his reign, and also to reproduce the paintings and sculptures and other art treasures contained in the royal palaces. It was begun in 1667 and was placed under the superintendence of Nicholas Clement (1647 or 1651-1712), the royal librarian. The collection was published in 1727. The plates are now in the Louvre. A "cabinet" edition of a literary work is one of somewhat small size, and bound in such a way as would suit a tasteful collection. The term is applied also to a size of photograph of a larger size than the carte de visite but smaller than the "panel." The political use of the term is derived from the private chamber of the sovereign or head of a state in which his advisers met.

Cabinet in Furniture.—The artificer who constructs furniture is still called a "cabinet-maker," although the manufacture of cabinets, properly so called, is now a very occasional part of his work. Cabinets can be divided into a very large number of classes according to their shape, style, period and country of origin; but their usual characteristic is that they are supported upon a stand, and that they contain a series of drawers and pigeon-holes. The name is, however, now given to many pieces of furniture for the safe-keeping or exhibition of valuable objects, which really answer very little to the old conception of a cabinet. The cabinet represented an evolution brought about by the necessities of convenience, and it appealed to so many tastes and needs that it rapidly became universal in the houses of the gentle classes, and in great measure took the impress of the peoples who adopted it. It would appear to have originated in Italy, probably at the very beginning of the 16th century. In its rudimentary form it was little more than an oblong box, with or without feet, small enough to stand upon a table or chair, filled with drawers and closed with doors. In this early form its restricted dimensions permitted of its use only for the safeguard of jewels, precious stones and sometimes money. One of the earliest cabinets of which we have mention belonged to Francis I. of France, and is described as covered with gilt leather, tooled with mauresque work. As the Renaissance became general these early forms gave place to larger, more elaborate and more architectural efforts, until the cabinet became one of the most sumptuous of household adornments. It was natural that the countries which were earliest and most deeply touched by the Renaissance should excel in the designing of these noble and costly pieces of furniture. The cabinets of Italy, France and the Netherlands were especially rich and monumental. Those of Italy and Flanders are often of great magnificence and of real artistic skill, though like all other furniture their style was often grievously debased, and their details incongruous and bizarre. Flanders and Burgundy were, indeed, their lands of adoption, and Antwerp added to its renown as a metropolis of art by developing consummate skill in their manufacture and adornment. The cost and importance of the finer types have ensured the preservation of innumerable examples of all but the very earliest periods; and the student never ceases to be impressed by the extraordinary variety of the work of the 16th and 17th centuries, and very often of the 18th also. The basis of the cabinet has always been wood, carved, polished or inlaid; but lavish use has been made of ivory, tortoise-shell, and those cut and polished precious stones which the Italians call pietra dura. In the great Flemish period of the 17th century the doors and drawers of cabinets were often painted with classical or mythological scenes. Many French and Florentine cabinets were also painted. In many classes the drawers and pigeon-holes are enclosed by folding doors, carved or inlaid, and often painted on the inner sides. Perhaps the most favourite type during a great part of the 16th and 17th centuries—a type which grew so common that it became cosmopolitan—was characterized by a conceit which acquired astonishing popularity. When the folding doors are opened there is disclosed in the centre of the cabinet a tiny but palatial interior. Floored with alternate squares of ebony and ivory to imitate a black and white marble pavement, adorned with Corinthian columns or pilasters, and surrounded by mirrors, the effect, if occasionally affected and artificial, is quite as often exquisite. Although cabinets have been produced in England in considerable variety, and sometimes of very elegant and graceful form, the foreign makers on the whole produced the most elaborate and monumental examples. As we have said, Italy and the Netherlands acquired especial distinction in this kind of work. In France, which has always enjoyed a peculiar genius for assimilating modes in furniture, Flemish cabinets were so greatly in demand that Henry IV. determined to establish the industry in his own dominions. He therefore sent French workmen to the Low Countries to acquire the art of making cabinets, and especially those which were largely constructed of ebony and ivory. Among these workmen were Jean Macé and Pierre Boulle, a member of a family which was destined to acquire something approaching immortality. Many of the Flemish cabinets so called, which were in such high favour in France and also in England, were really armoires consisting of two bodies superimposed, whereas the cabinet proper does not reach to the floor. Pillared and fluted, with panelled sides, and front elaborately carved with masks and human figures, these pieces which were most often in oak were exceedingly harmonious and balanced. Long before this, however, France had its own school of makers of cabinets, and some of their carved work was of the most admirable character. At a somewhat later date André Charles Boulle made many pieces to which the name of cabinet has been more or less loosely given. They were usually of massive proportions and of extreme elaboration of marquetry. The North Italian cabinets, and especially those which were made or influenced by the Florentine school, were grandiose and often gloomy. Conceived on a palatial scale, painted or carved, or incrusted with marble and pietra dura, they were intended for the adornment of galleries and lofty bare apartments where they were not felt to be overpowering. These North Italian cabinets were often covered with intarsia or marquetry, which by its subdued gaiety retrieved somewhat their heavy stateliness of form. It is, however, often difficult to ascribe a particular fashion of shape or of workmanship to a given country, since the interchange of ideas and the imports of actual pieces caused a rapid assimilation which destroyed frontiers. The close connexion of centuries between Spain and the Netherlands, for instance, led to the production north and south of work that was not definitely characteristic of either. Spain, however, was more closely influenced than the Low Countries, and contains to this day numbers of cabinets which are not easily to be distinguished from the characteristic ebony, ivory and tortoise-shell work of the craftsmen whose skill was so rapidly acquired by the emissaries of Henry IV. The cabinets of southern Germany were much influenced by the models of northern Italy, but retained to a late date some of the characteristics of domestic Gothic work such as elaborately fashioned wrought-iron handles and polished steel hinges. Often, indeed, 17th-century South Germany work is a curious blend of Flemish and Italian ideas executed in oak and Hungarian ash. Such work, however interesting, necessarily lacks simplicity and repose. A curious little detail of Flemish and Italian, and sometimes of French later 17th-century cabinets, is that the interiors of the drawers are often lined with stamped gold or silver paper, or marbled ones somewhat similar to the "end papers" of old books. The great English cabinet-makers of the 18th century were very various in their cabinets, which did not always answer strictly to their name; but as a rule they will not bear comparison with the native work of the preceding century, which was most commonly executed in richly marked walnut, frequently enriched with excellent marquetry of woods. Mahogany was the dominating timber in English furniture from the accession of George II. almost to the time of the Napoleonic wars; but many cabinets were made in lacquer or in the bright-hued foreign woods which did so much to give lightness and grace to the British style. The glass-fronted cabinet for China or glass was in high favour in the Georgian period, and for pieces of that type, for which massiveness would have been inappropriate, satin and tulip woods, and other timbers with a handsome grain taking a high polish were much used.

(J. P.-B.)

The Political Cabinet.—Among English political institutions, the "Cabinet" is a conventional but not a legal term employed to describe those members of the privy council who fill the highest executive offices in the state, and by their concerted policy direct the government, and are responsible for all the acts of the crown. The cabinet now always includes the persons filling the following offices, who are therefore called "cabinet ministers," viz.:—the first lord of the treasury, the lord chancellor of England, the lord president of the council, the lord privy seal, the five secretaries of state, the chancellor of the exchequer and the first lord of the admiralty. The chancellor of the duchy of Lancaster, the postmaster-general, the first commissioner of works, the president of the board of trade, the chief secretary for Ireland, the lord chancellor of Ireland, the president of the local government board, the president of the board of agriculture, and the president of the board of education, are usually members of the cabinet, but not necessarily so. A modern cabinet contains from sixteen to twenty members. It used to be said that a large cabinet is an evil; and the increase in its numbers in recent years has often been criticized. But the modern widening of the franchise has tended to give the cabinet the character of an executive committee for the party in power, no less than that of the prime-minister's consultative committee, and to make such a committee representative it is necessary to include the holders of all the more important offices in the administration, who are generally selected as the influential politicians of the party rather than for special aptitude in the work of the departments.

The word "cabinet," or "cabinet council," was originally employed as a term of reproach. Thus Lord Bacon says, in his essay Of Counsel (xx.), "The doctrine of Italy and practice of France, in some kings' times, hath introduced cabinet councils—a remedy worse than the disease"; and, again, "As for cabinet councils, it may be their motto Plenus rimarum sum." Lord Clarendon—after stating that, in 1640, when the great Council of Peers was convened by the king at York, the burden of affairs rested principally on Laud, Strafford and Cottington, with five or six others added to them on account of their official position and ability—adds, "These persons made up the committee of state, which was reproachfully after called the Juncto, and enviously then in court the Cabinet Council." And in the Second Remonstrance in January 1642, parliament complained "of the managing of the great affairs of the realm in Cabinet Councils by men unknown and not publicly trusted." But this use of the term, though historically curious, has in truth nothing in common with the modern application of it. It meant, at that time, the employment of a select body of favourites by the king, who were supposed to possess a larger share of his confidence than the privy council at large. Under the Tudors, at least from the later years of Henry VIII. and under the Stuarts, the privy council was the council of state or government. During the Commonwealth it assumed that name.

The Cabinet Council, properly so called, dates from the reign of William III. and from the year 1693, for it was not until some years after the Revolution that the king discovered and adopted the two fundamental principles of a constitutional executive government, namely, that a ministry should consist of statesmen holding the same political principles and identified with each other; and, secondly, that the ministry should stand upon a parliamentary basis, that is, that it must command and retain the majority of votes in the legislature. It was long before these principles were thoroughly worked out and understood, and the perfection to which they have been brought in modern times is the result of time, experience and in part of accident. But the result is that the cabinet council for the time being is the government of Great Britain; that all the powers vested in the sovereign (with one or two exceptions) are practically exercised by the members of this body; that all the members of the cabinet are jointly and severally responsible for all its measures, for if differences of opinion arise their existence is unknown as long as the cabinet lasts—when publicly manifested the cabinet is at an end; and lastly, that the cabinet, being responsible to the sovereign for the conduct of executive business, is also collectively responsible to parliament both for its executive conduct and for its legislative measures, the same men being as members of the cabinet the servants of the crown, and as members of parliament and leaders of the majority responsible to those who support them by their votes and may challenge in debate every one of their actions. In this latter sense the cabinet has sometimes been described as a standing committee of both Houses of Parliament.

One of the consequences of the close connexion of the cabinet with the legislature is that it is desirable to divide the strength of the ministry between the two Houses of Parliament. Pitt's cabinet of 1783 consisted of himself in the House of Commons and seven peers. But so aristocratic a government would now be impracticable. In Gladstone's cabinet of 1868, eight, and afterwards nine, ministers were in the House of Commons and six in the House of Lords. Great efforts were made to strengthen the ministerial bench in the Commons, and a new principle was introduced, that the representatives of what are called the spending departments—that is, the secretary of state for war and the first lord of the admiralty—should, if possible, be members of the House which votes the supplies. Disraeli followed this precedent but it has since been disregarded. In Sir H. Campbell-Bannerman's cabinet formed in 1905, six ministers were in the House of Lords and thirteen in the House of Commons.

Cabinets are usually convoked by a summons addressed to "His Majesty's confidential servants" by the prime minister; and the ordinary place of meeting is either at the official residence of the first lord of the treasury in Downing Street or at the foreign office, but they may be held anywhere. No secretary or other officer is present at the deliberations of this council. No official record is kept of its proceedings, and it is even considered a breach of ministerial confidence to keep a private record of what passed in the cabinet, inasmuch as such memoranda may fall into other hands. But on some important occasions, as is known from the Memoirs of Lord Sidmouth, the Correspondence of Earl Grey with King William IV., and from Sir Robert Peel's Memoirs, published by permission of Queen Victoria, cabinet minutes are drawn up and submitted to the sovereign, as the most formal manner in which the advice of the ministry can be tendered to the crown and placed upon record. (See also Sir Algernon West's Recollections, 1899.) More commonly, it is the duty of the prime minister to lay the collective opinion of his colleagues before the sovereign, and take his pleasure on public measures and appointments. The sovereign never presides at a cabinet; and at the meetings of the privy council, where the sovereign does preside, the business is purely formal. It has been laid down by some writers as a principle of the British constitution that the sovereign is never present at a discussion between the advisers of the crown; and this is, no doubt, an established fact and practice. But like many other political usages of Great Britain it originated in a happy accident.

King William and Queen Anne always presided at weekly cabinet councils. But when the Hanoverian princes ascended the throne, they knew no English, and were barely able to converse at all with their ministers; for George I. or George II. to take part in, or even to listen to, a debate in council was impossible. When George III. mounted the throne the practice of the independent deliberations of the cabinet was well established, and it has never been departed from.

Upon the resignation or dissolution of a ministry, the sovereign exercises the undoubted prerogative of selecting the person who may be thought by him most fit to form a new cabinet. In several instances the statesmen selected by the crown have found themselves unable to accomplish the task confided to them. But in more favourable cases the minister chosen for this supreme office by the crown has the power of distributing all the political offices of the government as may seem best to himself, subject only to the ultimate approval of the sovereign. The prime minister is therefore in reality the author and constructor of the cabinet; he holds it together; and in the event of his retirement, from whatever cause, the cabinet is really dissolved, even though its members are again united under another head.

Authorities.—Sir W. Anson, Law and Custom of the Constitution (1896); W. Bagehot, The English Constitution; M.T. Blauvelt, The Development of Cabinet Government in England (New York, 1902); E. Boutmy, The English Constitution (trans. I.M. Eaden, 1891); A. Lawrence Lowell, The Government of England (1908), part I.; A.V. Dicey, Law of the Constitution (1902); Sir T. Erskine May, Constitutional History of England (1863-1865); H. Hallam, Constitutional History of England; W.E. Hearn, The Government of England (1867); S. Low, The Governance of England (1904); W. Stubbs, Constitutional History of England; Hannis Taylor, Origin and Growth of the English Constitution (Boston, 1889-1900); A. Todd, Parliamentary Government in England (1867-1869); much valuable information will also be found in such works as W.E. Gladstone's Gleanings; the third earl of Malmesbury's Memoirs of an ex-Minister (1884-1885); Greville's Memoirs; Sir A. West's Recollections, 1832-1886 (1889), &c.

CABINET NOIR, the name given in France to the office where the letters of suspected persons were opened and read by public officials before being forwarded to their destination. This practice had been in vogue since the establishment of posts, and was frequently used by the ministers of Louis XIII. and Louis XIV.; but it was not until the reign of Louis XV. that a separate office for this purpose was created. This was called the cabinet du secret des postes, or more popularly the cabinet noir. Although declaimed against at the time of the Revolution, it was used both by the revolutionary leaders and by Napoleon. The cabinet noir has now disappeared, but the right to open letters in cases of emergency appears still to be retained by the French government; and a similar right is occasionally exercised in England under the direction of a secretary of state, and, indeed, in all civilized countries. In England this power was frequently employed during the 18th century and was confirmed by the Post Office Act of 1837; its most notorious use being, perhaps, the opening of Mazzini's letters in 1844.

CABLE, GEORGE WASHINGTON (1844- ) American author, was born in New Orleans, Louisiana, on the 12th of October 1844. At the age of fourteen he entered a mercantile establishment as a clerk; joined the Confederate army (4th Mississippi Cavalry) at the age of nineteen; at the close of the war engaged in civil engineering, and in newspaper work in New Orleans; and first became known in literature by sketches and stories of old French-American life in that city. These were first published in Scribner's Monthly, and were collected in book form in 1879, under the title of Old Creole Days. The characteristics of the series—of which the novelette Madame Delphine (1881) is virtually a part—are neatness of touch, sympathetic accuracy of description of people and places, and a constant combination of gentle pathos with quiet humour. These shorter tales were followed by the novels The Grandissimes (1880), Dr Sevier (1883) and Bonaventure (1888), of which the first dealt with Creole life in Louisiana a hundred years ago, while the second was related to the period of the Civil War of 1861-65. Dr Sevier, on the whole, is to be accounted Cable's masterpiece, its character of Narcisse combining nearly all the qualities which have given him his place in American literature as an artist and a social chronicler. In this, as in nearly all of his stories, he makes much use of the soft French-English dialect of Louisiana. He does not confine himself to New Orleans, laying many of his scenes, as in the short story Belles Demoiselles Plantation, in the marshy lowlands towards the mouth of the Mississippi. Cable was the leader in the noteworthy literary movement which has influenced nearly all southern writers since the war of 1861—a movement of which the chief importance lay in the determination to portray local scenes, characters and historical episodes with accuracy instead of merely imaginative romanticism, and to interest readers by fidelity and sympathy in the portrayal of things well known to the authors. Other writings by Cable have dealt with various problems of race and politics in the southern states during and after the "reconstruction period" following the Civil War; while in The Creoles of Louisiana (1884) he presented a history of that folk from the time of its appearance as a social and military factor. His dispassionate treatment of his theme in this volume and its predecessors gave increasing offence to sensitive Creoles and their sympathizers, and in 1886 Cable removed to Northampton, Massachusetts. At one time he edited a magazine in Northampton, and afterwards conducted the monthly Current Literature, published in New York. His Collected Works were published in a uniform issue in 5 vols. (New York, 1898). Among his later volumes are The Cavalier (1901), Bylow Hill (1902), and Kincaid's Battery (1908).

CABLE (from Late Lat. capulum, a halter, from capere, to take hold of), a large rope or chain, used generally with ships, but often employed for other purposes; the term "cable" is also used by analogy in minor varieties of similar engineering or other attachments, and in the case of "electric cables" for the submarine wires (see Telegraph) by which telegraphic messages are transmitted.

The cable by which a ship rides at her anchor is now made of iron; prior to 1811 only hempen cables were supplied to ships of the British navy, a first-rate's complement on the East Indian station being eleven; the largest was 25 in. (equal to 2¼ in. iron cable) and weighed 6 tons. In 1811, iron cables were supplied to stationary ships; their superiority over hempen ones was manifest, as they were less liable to foul or to be cut by rocks, or to be injured by enemy's shot. Iron cables are also handier and cleaner, an offensive odour being exhaled from dirty hempen cables, when unbent and stowed inboard. The first patent for iron cables was by Phillip White in 1634; twisted links were suggested in 1813 by Captain Brown (who afterwards, in conjunction with Brown, Lenox & Co., planned the Brighton chain pier in 1823); and studs were introduced in 1816. Hempen cables are not now supplied to ships, having been superseded by steel wire hawsers. The length of a hempen cable is 101 fathoms, and a cable's length, as a standard of measurement, usually placed on charts, is assumed to be 100 fathoms or 600 ft. The sizes, number and lengths of cables supplied to ships of the British navy are given in the official publication, the Ship's Establishment; cables for merchant ships are regulated by Lloyds, and are tested according to the Anchors and Chain Cables Act 1899.

In manufacturing chain cables, the bars are cut to the required length of link, at an angle for forming the welds and, after heating, are bent by machinery to the form of a link and welded by smiths, each link being inserted in the previous one before welding. Cables of less than 1¼ in. are welded at the crown, there not being sufficient room for a side weld; experience has shown that the latter method is preferable and it is employed in making larger sized cables. In 1898 steel studs were introduced instead of cast iron ones, the latter having a tendency to work loose, but the practice is not universal. After testing, the licensed tester must place on every five fathoms of cable a distinctive mark which also indicates the testing establishments; the stamp or die employed must be approved by the Board of Trade. The iron used in the construction, also the testing, of mooring chains and cables for the London Trinity House Corporation are subject to more stringent regulations.

Cables for the British navy and mercantile marine are supplied in 12½ fathom and 15 fathom lengths respectively, connected together by "joining shackles", D (fig. 1). Each length is "marked" by pieces of iron wire being twisted round the studs of the links; the wire is placed on the first studs on each side of the first shackle, on the second studs on each side of the second shackle, and so on; thus the number of lengths of cable out is clearly indicated. For instance, if the wire is on the sixth studs on each side of the shackle, it indicates that six lengths or 75 fathoms of cable are out. In joining the lengths together, the round end of the shackle is placed towards the anchor. The end links of each length (C.C.) are made without studs, in order to take the shackle; but as studs increase the strength of a link, in a studless or open link the iron is of greater diameter. The next links (B.B.) have to be enlarged, in order to take the increased size of the links C.C. In the joining shackle (D), the pin is oval, its greater diameter being in the direction of the strain. The pin of a shackle, which attaches the cable to the anchor (called an "anchor shackle", to distinguish it from a joining shackle) projects and is secured by a forelock; but since any projection in a joining shackle would be liable to be injured when the cable is running out or when passing around a capstan, the pins are made as shown at D, and are secured by a small pin d. This small pin is kept from coming out by being made a little short, and lead pellets are driven in at either end to fill up the holes in the shackle, which are made with a groove, so that as the pellets are driven in they expand or dovetail, keeping the small pin in its place.

The cables are stowed in chain lockers, the inboard ends being secured by a "slip" (in the mercantile marine the cable is often shackled or lashed to the kelson); the slip prevents the cable's inner end from passing overboard, and also enables the cable to be "slipped", or let go, in case of necessity. In the British navy, swivel pieces are fitted in the first and last lengths of cable, to avoid and, if required, to take out turns in a cable, caused by a ship swinging round when at anchor. With a ship moored with two anchors, the cables are secured to a mooring swivel (fig. 2), which prevents a "foul hawse", i.e. the cables being entwined round each other. When mooring, unmooring, and as may be necessary, cables are temporarily secured by "slips" shackled to eye or ring bolts in the deck (see Anchor). The cable is hove up by either a capstan or windlass (see Capstan) actuated by steam, electricity or manual power. Ships in the British navy usually ride by the compressor, the cable holder being used for checking the cable running out. When a ship has been given the necessary cable, the cable holder is eased up and the compressor "bowsed to"; in a heavy sea, a turn, or if necessary two turns, are taken round the "bitts," a strong iron structure placed between the hawse and navel ("deck") pipes. A single turn of cable is often taken round the bitts when anchoring in deep water. Small vessels of the mercantile marine ride by turns around the windlass; in larger or more modern vessels fitted with a steam windlass, the friction brakes take the strain, aided when required by the bitts, compressor or controller in bad weather.

(J. W. D.)

The word "cable" is a various reading for "camel" in the Biblical phrase, "it is easier for a camel to go through the eye of a needle" of Matt. xix. 24, Mark x. 25, and Luke xviii. 25, mentioned as early as Cyril of Alexandria (5th cent.); and it was adopted by Sir John Cheke and other 16th century and later English writers. The reading κάμιλος for κάμηλος is found in several late cursive MSS. Cheyne, in the Ency. Biblica, ascribes it to a non-Semitic scribe, and regards κάμηλος as correct. (See under Camel.)

The dimensions marked in the figure are those for 1-in. chains, and signify so many diameters of the iron of the common links; thus forming a scale for all sizes.

CABLE MOULDING, in architecture, the term given to a convex moulding carved in imitation of a rope or cord, and used to decorate the mouldings of the Romanesque style in England, France and Spain. The word "cabling" by itself indicates a convex circular moulding sunk in the concave fluting of a classic column, and rising about one-third of the height of the shaft.

CABOCHE, SIMON. Simon Lecoustellier, called "Caboche", a skinner of the Paris Boucherie, played an important part in the Parisian riots of 1413. He had relations with John the Fearless, duke of Burgundy, since 1411, and was prominent in the seditious disturbances which broke out in April and May, following on the États of February 1413. In April he stirred the people to the point of revolt, and was among the first to enter the hôtel of the dauphin. When the butchers had made themselves masters of Paris, Caboche became bailiff (huissier d'armes) and warden of the bridge of Charenton. Upon the publication of the great ordinance of May 26th, he used all his efforts to prevent conciliation between the Burgundians and the Armagnacs. After the fall of the Cabochien party on the 4th of August he fled to Burgundy in order to escape from royal justice. Doubtless he returned to Paris in 1418 with the Burgundians.

See Colville, Les Cabochiens et l'ordonnance de 1413 (Paris, 1888).

CABOT, GEORGE (1751-1823), American political leader, was born in Salem, Massachusetts, on the 16th of December 1751. He studied at Harvard from 1766 to 1768, when he went to sea as a cabin boy. He gradually became a ship-owner and a successful merchant, retiring from business in 1794. Throughout his life he was much interested in politics, and though his temperamental indolence and his aversion for public life often prevented his accepting office, he exercised, as a contributor to the press and through his friendships, a powerful political influence, especially in New England. He was a member of the Massachusetts Constitutional Convention of 1770-1780, of the state senate in 1782-1783, of the convention which in 1788 ratified for Massachusetts the Federal Constitution, and from 1791 to 1796 of the United States Senate, in which, besides serving on various important committees, he became recognized as an authority on economic and commercial matters. Among the bills introduced by him in the Senate was the Fugitive Slave Act of 1793. Upon the establishment of the navy department in 1798, he was appointed and confirmed as its secretary, but he never performed the duties of the office, and was soon replaced by Benjamin Stoddert (1751-1813), actually though not nominally the first secretary of the department. In 1814-1815 Cabot was the president of the Hartford Convention, and as such was then and afterwards acrimoniously attacked by the Republicans throughout the country. He died in Boston on the 18th of April 1823. In politics he was a staunch Federalist, and with Fisher Ames, Timothy Pickering and Theophilus Parsons (all of whom lived in Essex county, Massachusetts) was classed as a member of the "Essex Junto",—a wing of the party and not a formal organization. A fervent advocate of a strong centralized government, he did much to secure the ratification by Massachusetts of the Federal Constitution, and after the overturn of the Federalist by the Republican party, he wrote (1804): "We are democratic altogether, and I hold democracy in its natural operation to be a government of the worst".

See Henry Cabot Lodge's Life and Letters of George Cabot (Boston, 1877).

CABOT, JOHN [Giovanni Caboto] (1450-1498), Italian navigator and discoverer of North America, was born in Genoa, but in 1461 went to live in Venice, of which he became a naturalized citizen in 1476. During one of his trading voyages to the eastern Mediterranean, Cabot paid a visit to Mecca, then the greatest mart in the world for the exchange of the goods of the East for those of the West. On inquiring whence came the spices, perfumes, silks and precious stones bartered there in great quantities, Cabot learned that they were brought by caravan from the north-eastern parts of farther Asia. Being versed in a knowledge of the sphere, it occurred to him that it would be shorter and quicker to bring these goods to Europe straight across the western ocean. First of all, however, a way would have to be found across this ocean from Europe to Asia. Full of this idea, Cabot, about the year 1484, removed with his family to London. His plans were in course of time made known to the leading merchants of Bristol, from which port an extensive trade was carried on already with Iceland. It was decided that an attempt should be made to reach the island of Brazil or that of the Seven Cities, placed on medieval maps to the west of Ireland, and that these should form the first halting-places on the route to Asia by the west.

To find these islands vessels were despatched from Bristol during several years, but all in vain. No land of any sort could be seen. Affairs were in this state when in the summer of 1493 news reached England that another Genoese, Christopher Columbus, had set sail westward from Spain and had reached the Indies. Cabot and his friends at once determined to forgo further search for the islands and to push straight on to Asia. With this end in view application was made to the king for formal letters patent, which were not issued until March 5, 1496. By these Henry VII. granted to his "well-beloved John Cabot, citizen of Venice, to Lewis, Sebastian and Santius, sonnes of the said John, full and free authority, leave and power upon theyr own proper costs and charges, to seeke out, discover and finde whatsoever isles, countries, regions or provinces of the heathen and infidels, which before this time have been unknown to all Christians". Merchandise from the countries visited was to be entered at Bristol free of duty, but one-fifth of the net gains was to go to the king.

Armed with these powers Cabot set sail from Bristol on Tuesday the 2nd of May 1497, on board a ship called the "Mathew" manned by eighteen men. Rounding Ireland they headed first north and then west. During several weeks they were forced by variable winds to keep an irregular course, although steadily towards the west. At length, after being fifty-two days at sea, at five o'clock on Saturday morning, June 24, they reached the northern extremity of Cape Breton Island. The royal banner was unfurled, and in solemn form Cabot took possession of the country in the name of King Henry VII. The soil being found fertile and the climate temperate, Cabot was convinced he had reached the north-eastern coast of Asia, whence came the silks and precious stones he had seen at Mecca. Cape North was named Cape Discovery, and as the day was the festival of St John the Baptist, St Paul Island, which lies opposite, was called the island of St John.

Having taken on board wood and water, preparations were made to return home as quickly as possible. Sailing north, Cabot named Cape Ray, St George's Cape, and christened St Pierre and Miquelon, which then with Langley formed three separate islands, the Trinity group. Hereabout they met great schools of cod, quantities of which were caught by the sailors merely by lowering baskets into the water. Cape Race, the last land seen, was named England's Cape.

The return voyage was made without difficulty, since the prevailing winds in the North Atlantic are westerly, and on Sunday, the 6th of August, the "Mathew" dropped anchor once more in Bristol harbour. Cabot hastened to Court, and on Thursday the 10th of August received from the king £10 for having "found the new isle". Cabot reported that 700 leagues beyond Ireland he had reached the country of the Grand Khan. Although both silk and brazil-wood could be obtained there, he intended on his next voyage to follow the coast southward as far as Cipangu or Japan, then placed near the equator. Once Cipangu had been reached London would become a greater centre for spices than Alexandria. Henry VII. was delighted, and besides granting Cabot a pension of £20 promised him in the spring a fleet of ten ships with which to sail to Cipangu.

On the 3rd of February 1498, fresh letters patent were issued, whereby Cabot was empowered to "take at his pleasure VI. englisshe shippes and theym convey and lede to the londe and iles of late founde by the seid John". Henry VII. himself also advanced considerable sums of money to various members of the expedition. As success seemed assured, it was expected the returns would be high.

In the spring Cabot visited Lisbon and Seville, to secure the services of men who had sailed along the African coast with Cam and Diaz or to the Indies with Columbus. At Lisbon he met a certain João Fernandes, called Llavrador, who about the year 1492 appears to have made his way from Iceland to Greenland. Cabot, on learning from Fernandes that part of Asia, as they supposed Greenland to be, lay so near Iceland, determined to return by way of this country. On reaching Bristol he laid his plans accordingly. Early in May the expedition, which consisted of two ships and 300 men, left Bristol. Several vessels in the habit of trading to Iceland accompanied them. Off Ireland a storm forced one of these to return, but the rest of the fleet proceeded on its way along the parallel of 58°. Each day the ships were carried northward by the Gulf Stream. Early in June Cabot reached the east coast of Greenland, and as Fernandes was the first who had told him of this country he named it the Labrador's Land.

In the hope of finding a passage Cabot proceeded northward along the coast. As he advanced, the cold became more intense and the icebergs thicker and larger. It was also noticed that the land trended eastward. As a result on the 11th of June in latitude 67° 30′ the crews mutinied and refused to proceed farther in that direction. Cabot had no alternative but to put his ships about and look for a passage towards the south. Rounding Cape Farewell he explored the southern coast of Greenland and then made his way a certain distance up the west coast. Here again his progress was checked by icebergs, whereupon a course was set towards the west. Crossing Davis Strait Cabot reached our modern Baffin Land in 66°. Judging this to be the Asiatic mainland, he set off southward in search of Cipangu. South of Hudson Strait a little bartering was done with the Indians, but these could offer nothing in exchange but furs. Our strait of Belle Isle was mistaken for an ordinary bay, and Newfoundland was regarded by Cabot as the main shore itself. Rounding Cape Race he visited once more the region explored in the previous summer, and then proceeded to follow the coast of our Nova Scotia and New England in search of Cipangu. He made his way as far south as the thirty-eighth parallel, when the absence of all signs of eastern civilization and the low state of his stores forced him to abandon all hope of reaching Cipangu on this voyage. Accordingly the ships were put about and a course set for England, where they arrived safely late in the autumn of 1498. Not long after his return John Cabot died.

His son, Sebastian Cabot (1476-1557), is not independently heard of until May 1512, when he was paid twenty shillings "for making a carde of Gascoigne and Guyenne", whither he accompanied the English army sent that year by Henry VIII. to aid his father-in-law Ferdinand of Aragon against the French. Since Ferdinand and his daughter Joanna were contemplating the dispatch of an expedition from Santander to explore Newfoundland, Sebastian was questioned about this coast by the king's councillors. As a result Ferdinand summoned him in September 1512 to Logroño, and on the 30th of October appointed him a captain in the navy at a salary of 50,000 maravedis a year. A letter was also written to the Spanish ambassador in England to help Cabot and his family to return to Spain, with the result that in March 1514 he was again back at Court discussing with Ferdinand the proposed expedition to Newfoundland. Preparations were made for him to set sail in March 1516; but the death of the king in January of that year put an end to the undertaking. His services were retained by Charles V., and on the 5th of February 1518 Cabot was named Pilot Major and official examiner of pilots.

In the winter of 1520-1521 Sebastian Cabot returned to England and while there was offered by Wolsey the command of five vessels which Henry VIII. intended to despatch to Newfoundland. Being reproached by a fellow Venetian with having done nothing for his own country, Cabot refused, and on reaching Spain entered into secret negotiations with the Council of Ten at Venice. It was agreed that as soon as an opportunity offered Cabot should come to Venice and lay his plans before the Signiory. The conference of Badajoz took up his time in 1524, and on the 4th of March 1525 he was appointed commander of an expedition fitted out at Seville "to discover the Moluccas, Tarsis, Ophir, Cipango and Cathay."

The three vessels set sail in April, and by June were off the coast of Brazil and on their way to the Straits of Magellan. Near the La Plata river Cabot found three Spaniards who had formed part of De Solis's expedition of 1515. These men gave such glowing accounts of the riches of the country watered by this river that Cabot was at length induced, partly by their descriptions and in part by the casting away of his flag-ship, to forgo the search for Tarsis and Ophir and to enter the La Plata, which was reached in February 1527. All the way up the Parana Cabot found the Indians friendly, but those on the Paraguay proved so hostile that the attempt to reach the mountains, where the gold and silver were procured, had to be given up. On reaching Seville in August 1530, Cabot was condemned to four years' banishment to Oran in Africa, but in June 1533 he was once more reinstated in his former post of Pilot Major, which he continued to fill until he again removed to England.

As early as 1538 Cabot tried to obtain employment under Henry VIII., and it is possible he was the Sevillian pilot who was brought to London by the king in 1541. Soon after the accession of Edward VI., however, his friends induced the Privy Council to advance money for his removal to England, and on the 5th of January 1549 the king granted him a pension of £166, 13s. 4d. On Charles V. objecting to this proceeding, the Privy Council, on the zist of April 1550, made answer that since "Cabot of himself refused to go either into Spayne or to the emperour, no reason or equitie wolde that he shulde be forced or compelled to go against his will." A fresh application to Queen Mary on the 9th of September 1553 likewise proved of no avail.

On the 26th of June 1550 Cabot received £200 "by waie of the kinges Majesties rewarde," but it is not clear whether this was for his services in putting down the privileges of the German Merchants of the Steelyard or for founding the company of Merchant Adventurers incorporated on the 18th of December 1551. Of this company Cabot was made governor for life. Three ships were sent out in May 1553 to search for a passage to the East by the north-east. Two of the vessels were caught in the ice near Arzina and the crews frozen to death. Chancellor's vessel alone reached the White Sea, whence her captain made his way overland to Moscow. He returned to England in the summer of 1554 and was the means of opening up a very considerable trade with Russia. Vessels were again despatched to Russia in 1555 and 1556. On the departure of the "Searchthrift" in May 1556, "the good old gentleman Master Cabot gave to the poor most liberal alms, wishing them to pray for the good fortune and prosperous success of the 'Searchthrift'; and then, at the sign of the Christopher, he and his friends banqueted and made them that were in the company good cheer; and for very joy that he had to see the towardness of our intended discovery, he entered into the dance himself among the rest of the young and lusty company." On the arrival of King Philip II. in England Cabot's pension was stopped on the 26th of May 1557, but three days later Mary had it renewed. The date of Cabot's death has not been definitely discovered. It is supposed that he died within the year.

See G.P. Winship, Cabot Bibliography, with an Introductory Essay on the Careers of the Cabots (London, 1900); and H.P. Biggar, "The Voyages of the Cabots to North America and Greenland," in the Revue Hispanique, tome x. pp. 485-593 (Paris, 1903).

(H. P. B.)

Nothing further is known of Lewis and Santius.

The dates are conjectural. Richard Eden (Decades of the Newe Worlde, f. 255) says Sebastian told him that when four years old he was taken by his father to Venice, and returned to England "after certeyne yeares; wherby he was thought to have bin born in Venice"; Stow (Annals, under year 1498) styles "Sebastian Caboto, a Genoas sonne, borne in Bristow". Galvano and Herrera also give England the honour of his nativity. See also Nicholls, Remarkable Life of Sebastian Cabot (1869), a eulogistic account, with which may be contrasted Henry Harrisse's John Cabot and his son Sebastian (1896).

CABOTAGE, the French term for coasting-trade, a coast-pilotage. It is probably derived from cabot, a small boat, with which the name Cabot may be connected; the conjecture that the word comes from cabo, the Spanish for cape, and means "sailing from cape to cape", has little foundation.

CABRA, a town of southern Spain, in the province of Cordova, 28 m. S.E. by S. of Cordova, on the Jaen-Málaga railway. Pop. (1900) 13,127. Cabra is built in a fertile valley between the Sierra de Cabra and the Sierra de Montilla, which together form the watershed between the rivers Cabra and Guadajoz. The town was for several centuries an episcopal see. Its chief buildings are the cathedral, originally a mosque, and the ruined castle, which is the chief among many interesting relics of Moorish rule. The neighbouring fields of clay afford material for the manufacture of bricks and pottery; coarse cloth is woven in the town; and there is a considerable trade in farm produce. Cabra is the Roman Baebro or Aegabro. It was delivered from the Moors by Ferdinand III. of Castile in 1240, and entrusted to the Order of Calatrava; in 1331 it was recaptured by the Moorish king of Granada; but in the following century it was finally reunited to Christian Spain.

CABRERA, RAMON (1806-1877), Carlist general, was born at Tortosa, province of Tarragona, Spain, on the 27th of December 1806. As his family had in their gift two chaplaincies, young Cabrera was sent to the seminary of Tortosa, where he made himself conspicuous as an unruly pupil, ever mixed up in disturbances and careless in his studies. After he had taken minor orders, the bishop refused to ordain him as a priest, telling him that the Church was not his vocation, and that everything in him showed that he ought to be a soldier. Cabrera followed this advice and took part in Carlist conspiracies on the death of Ferdinand VII. The authorities exiled him and he absconded to Morella to join the forces of the pretender Don Carlos. In a very short time he rose by sheer daring, fanaticism and ferocity to the front rank among the Carlist chiefs who led the bands of Don Carlos in Catalonia, Aragon and Valencia. As a raider he was often successful, and he was many times wounded in the brilliant fights in which he again and again defeated the generals of Queen Isabella. He sullied his victories by acts of cruelty, shooting prisoners of war whose lives he had promised to spare and not respecting the lives and property of non-combatants. The queen's generals seized his mother as a hostage, whereupon Cabrera shot several mayors and officers. General Nogueras unfortunately caused the mother of Cabrera to be shot, and the Carlist leader then started upon a policy of reprisals so merciless that the people nicknamed him "The Tiger of the Maeztrazgo". It will suffice to say that he shot 1110 prisoners of war, 100 officers and many civilians, including the wives of four leading Isabellinos, to avenge his mother. When Marshal Espartero induced the Carlists of the north-western provinces, with Maroto at their head, to submit in accordance with the Convention of Vergara, which secured the recognition of the rank and titles of 1000 Carlist officers, Cabrera held out in Central Spain for nearly a year. Marshals Espartero and O'Donnell, with the bulk of the Isabellino armies, had to conduct a long and bloody campaign against Cabrera before they succeeded in driving him into French territory in July 1840. The government of Louis Philippe kept him in a fortress for some months and then allowed him to go to England, where he quarrelled with the pretender, disapproving of his abdication in favour of the count of Montemolin. In 1848 Cabrera reappeared in the mountains of Catalonia at the head of Carlist bands. These were soon dispersed and he again fled to France. After this last effort he did not take a very active part in the propaganda and subsequent risings of the Carlists, who, however, continued to consult him. He took offence when new men, not a few of them quondam regular officers, became the advisers and lieutenants of Don Carlos in the war which lasted more or less from 1870-1876. Indeed, his long residence in England, his marriage with Miss Richards, and his prolonged absence from Spain had much shaken his devotion to his old cause and belief in its success. In March 1875 Cabrera sprang upon Don Carlos a manifesto in which he called upon the adherents of the pretender to follow his own example and submit to the restored monarchy of Alphonso XII., the son of Queen Isabella, who recognized the rank of captain-general and the title of count of Morella conferred on Cabrera by the first pretender. Only a very few insignificant Carlists followed Cabrera's example, and Don Carlos issued a proclamation declaring him a traitor and depriving him of all his honours and titles. Cabrera, who was ever afterwards regarded with contempt and execration by the Carlists, died in London on the 24th of May 1877. He did not receive much attention from the majority of his fellow-countrymen, who commonly said that his disloyalty to his old cause had proved more harmful to him than beneficial to the new state of things. A pension which had been granted to his widow was renounced by her in 1899 in aid of the Spanish treasury after the loss of the colonies.

(A. E. H.)

CACCINI, GIULIO (1558-1615?), Italian musical composer, also known as Giulio Romano, but to be distinguished from the painter of that name, was born at Rome about 1558, and in 1578 entered the service of the grand duke of Tuscany at Florence. He collaborated with J. Peri in the early attempts at musical drama which were the ancestors of modern opera (Dafne, 1594, and Euridice, 1600), produced at Florence by the circle of musicians and amateurs which met at the houses of G. Bardi and Corsi. He also published in 1601 Le nuove musiche, a collection of songs which is of great importance in the history of singing as well as in that of the transition period of musical composition. He was a lyric composer rather than a dramatist like Peri, and the genuine beauty of his works makes them acceptable even at the present day.

CÁCERES, a province of western Spain, formed in 1833 of districts taken from Estremadura, and bounded on the N. by Salamanca and Ávila, E. by Toledo, S. by Badajoz, and W. by Portugal. Pop. (1900) 362,164; area, 7667 sq. m. Cáceres is the largest of Spanish provinces, after Badajoz, and one of the most thinly peopled, although the number of its inhabitants steadily increases. Except for the mountainous north, where the Sierra de Gata and the Sierra de Grédos mark respectively the boundaries of Salamanca and Ávila, and in the south-east, where there are several lower ranges, almost the entire surface is flat or undulating, with wide tracts of moorland and thin pasture. There is little forest and many districts suffer from drought. The whole province, except the extreme south, belongs to the basin of the river Tagus, which flows from east to west through the central districts, and is joined by several tributaries, notably the Alagon and Tietar, from the north, and the Salor and Almonte from the south. The climate is temperate except in summer, when hot east winds prevail. Fair quantities of grain and olives are raised, but as a stock-breeding province Cáceres ranks second only to Badajoz. In 1900 its flocks and herds numbered more than 1,000,000 head. It is famed for its sheep and pigs, and exports wool, hams and the red sausages called embutidos. Its mineral resources are comparatively insignificant. The total number of mines at work in 1903 was only nine; their output consisted of phosphates, with a small amount of zinc and tin. Brandy, leather and cork goods, and coarse woollen stuffs are manufactured in many of the towns, but the backwardness of education, the lack of good roads, and the general poverty retard the development of commerce. The more northerly of the two Madrid-Lisbon railways enters the province on the east; passes south of Plasencia, where it is joined by the railway from Salamanca, on the north; and reaches the Portuguese frontier at Valencia de Alcántara. This line is supplemented by a branch from Arroyo to the city of Cáceres, and thence southwards to Mérida in Badajoz. Here it meets the railways from Seville and Cordova. The principal towns of Cáceres are Cáceres (pop. 1900, 16,933); Alcántara (3248), famous for its Roman bridge; Plasencia (8208); Trujillo (12,512), and Valencia de Alcántara (9417). These are described in separate articles. Arroyo, or Arroyo del Puerco (7094), is an important agricultural market. (See also Estremadura.)

CÁCERES, the capital of the Spanish province of Cáceres, about 20 m. S. of the river Tagus, on the Cáceres-Mérida railway, and on a branch line which meets the more northerly of the two Madrid-Lisbon railways at Arroyo, 10 m. W. Pop. (1900) 16,933. Cáceres occupies a conspicuous eminence on a low ridge running east and west. At the highest point rises the lofty tower of San Mateo, a fine Gothic church, which overlooks the old town, with its ancient palaces and massive walls, gateways and towers. Many of the palaces, notably those of the provincial legislature, the dukes of Abrantes, and the counts of la Torre, are good examples of medieval domestic architecture. The monastery and college of the Jesuits, formerly one of the finest in Spain, has been secularized and converted into a hospital. In the modern town, built on lower ground beyond the walls, are the law courts, town-hall, schools and the palace of the bishops of Cória (pop. 3124), a town on the river Alagon. The industries of Cáceres include the manufacture of cork and leather goods, pottery and cloth. There is also a large trade in grain, oil, live-stock and phosphates from the neighbouring mines. The name of Cáceres is probably an adaptation of Los Alcázares, from the Moorish Alcázar, a tower or castle; but it is frequently connected with the neighbouring Castra Caecilia and Castra Servilia, two Roman camps on the Mérida-Salamanca road. The town is of Roman origin and probably stands on the site of Norba Caesarina. Several Roman inscriptions, statues and other remains have been discovered.

CACHAR, or Kachar, a district of British India, in the province of Eastern Bengal and Assam. It occupies the upper basin of the Surma or Barak river, and is bounded on three sides by lofty hills. Its area is 3769 sq. m. It is divided naturally between the plain and hills. The scenery is beautiful, the hills rising generally steeply and being clothed with forests, while the plain is relieved of monotony by small isolated undulations and by its rich vegetation. The Surma is the chief river, and its principal tributaries from the north are the Jiri and Jatinga, and from the south the Sonai and Daleswari. The climate is extremely moist. Several extensive fens, notably that of Chatla, which becomes lakes in time of flood, are characteristic of the plain. This is alluvial and bears heavy crops of rice, next to which in importance is tea. The industry connected with the latter crop employs large numbers of the population; manufacturing industries are otherwise slight. The Assam-Bengal railway serves the district, including the capital town of Silchar. The population of the district in 1901 was 455,593, and showed a large increase, owing in great part to immigration from the adjacent district of Sylhet. The plain is the most thickly populated part of the district; in the North Cachar Hills the population is sparse. About 66% of the population are Hindus and 29% Mahommedans. There are three administrative subdivisions of the district: Silchar, Hailakandi and North Cachar. The district takes name from its former rulers of the Kachari tribe, of whom the first to settle here did so early in the 18th century, after being driven out of the Assam valley in 1536, and from the North Cachar Hills in 1706, by the Ahoms. About the close of the 18th century the Burmans threatened to expel the Kachari raja and annex his territory; the British, however, intervened to prevent this, and on the death of the last raja without heir in 1830 they obtained the territory under treaty. A separate principality which had been established in the North Cachar Hills earlier in the century by a servant of the raja, and had been subsequently recognized as such, was taken over by the British in 1854 owing to the misconduct of its rulers. The southern part of the district was raided several times in the 19th century by the turbulent tribe of Lushais.

CACHOEIRA, an important inland town of Bahia, Brazil, on the Paraguassu river, about 48 m. from São Salvador, with which it is connected by river-boats. Pop. (1890) of the city, 12,607; of the municipality, 48,352. The Bahia Central railway starts from this point and extends S. of W. to Machado Portella, 161 m., and N. to Feira de Santa Anna, 28 m. Although badly situated on the lower levels of the river (52 ft. above sea-level) and subject to destructive floods, Cachoeira is one of the most thriving commercial and industrial centres in the state. It exports sugar and tobacco and is noted for its cigar and cotton factories.

CACTUS. This word, applied in the form of Κάκτος by the ancient Greeks to some prickly plant, was adopted by Linnaeus as the name of a group of curious succulent or fleshy-stemmed plants, most of them prickly and leafless, some of which produce beautiful flowers, and are now so popular in our gardens that the name has become familiar. As applied by Linnaeus, the name Cactus is almost conterminous with what is now regarded as the natural order Cactaceae, which embraces several modern genera. It is one of the few Linnaean generic terms which have been entirely set aside by the names adopted for the modern divisions of the group.

The Cacti may be described in general terms as plants having a woody axis, overlaid with thick masses of cellular tissue forming the fleshy stems. These are extremely various in character and form, being globose, cylindrical, columnar or flattened into leafy expansions or thick joint-like divisions, the surface being either ribbed like a melon, or developed into nipple-like protuberances, or variously angular, but in the greater number of the species furnished copiously with tufts of horny spines, some of which are exceedingly keen and powerful. These tufts show the position of buds, of which, however, comparatively few are developed. The stems are in most cases leafless, using the term in a popular sense; the leaves, if present at all, being generally reduced to minute scales. In one genus, however, Peireskia, the stems are less succulent, and the leaves, though rather fleshy, are developed in the usual form. The flowers are frequently large and showy, and are generally attractive from their high colouring. In one group, represented by Cereus, they consist of a tube, more or less elongated, on the outer surface of which, towards the base, are developed small and at first inconspicuous scales, which gradually increase in size upwards, and at length become crowded, numerous and petaloid, forming a funnel-shaped blossom, the beauty of which is much enhanced by the multitude of conspicuous stamens which with the pistil occupy the centre. In another group, represented by Opuntia (fig. 1), the flowers are rotate, that is to say, the long tube is replaced by a very short one. At the base of the tube, in both groups, the ovary becomes developed into a fleshy (often edible) fruit, that produced by the Opuntia being known as the prickly pear or Indian fig.

The principal modern genera are grouped by the differences in the flower-tube just explained. Those with long-tubed flowers comprise the genera Melocactus, Mammillaria, Echinocactus, Cereus, Pilocereus, Echinopsis, Phyllocactus, Epiphyllum, &c.; while those with short-tubed flowers are Rhipsalis, Opuntia, Peireskia, and one or two of minor importance. Cactaceae belong almost entirely to the New World; but some of the Opuntias have been so long distributed over certain parts of Europe, especially on the shores of the Mediterranean and the volcanic soil of Italy, that they appear in some places to have taken possession of the soil, and to be distinguished with difficulty from the aboriginal vegetation. The habitats which they affect are the hot, dry regions of tropical America, the aridity of which they are enabled to withstand in consequence of the thickness of their skin and the paucity of evaporating pores or stomata with which they are furnished,—these conditions not permitting the moisture they contain to be carried off too rapidly; the thick fleshy stems and branches contain a store of water. The succulent fruits are not only edible but agreeable, and in fevers are freely administered as a cooling drink. The Spanish Americans plant the Opuntias around their houses, where they serve as impenetrable fences.

Melocactus, the genus of melon-thistle or Turk's-cap cactuses, contains, according to a recent estimate, about 90 species, which inhabit chiefly the West Indies, Mexico and Brazil, a few extending into New Granada. The typical species, M. communis, forms a succulent mass of roundish or ovate form, from 1 ft. to 2 ft. high, the surface divided into numerous furrows like the ribs of a melon, with projecting angles, which are set with a regular series of stellated spines—each bundle consisting of about five larger spines, accompanied by smaller but sharp bristles—and the tip of the plant being surmounted by a cylindrical crown 3 to 5 in. high, composed of reddish-brown, needle-like bristles, closely packed with cottony wool. At the summit of this crown the small rosy-pink flowers are produced, half protruding from the mass of wool, and these are succeeded by small red berries. These strange plants usually grow in rocky places with little or no earth to support them; and it is said that in times of drought the cattle resort to them to allay their thirst, first ripping them up with their horns and tearing off the outer skin, and then devouring the moist succulent parts. The fruit, which has an agreeably acid flavour, is frequently eaten in the West Indies. The Melocacti are distinguished by the distinct cephalium or crown which bears the flowers.

Mammillaria.—This genus, which comprises nearly 300 species, mostly Mexican, with a few Brazilian and West Indian, is called nipple cactus, and consists of globular or cylindrical succulent plants, whose surface instead of being cut up into ridges with alternate furrows, as in Melocactus, is broken up into teat-like cylindrical or angular tubercles, spirally arranged, and terminating in a radiating tuft of spines which spring from a little woolly cushion. The flowers issue from between the mammillae, towards the upper part of the stem, often disposed in a zone just below the apex, and are either purple, rose-pink, white or yellow, and of moderate size. The spines are variously coloured, white and yellow tints predominating, and from the symmetrical arrangement of the areolae or tufts of spines they are very pretty objects, and are hence frequently kept in drawing-room plant cases. They grow freely in a cool greenhouse.

Echinocactus (fig. 2) is the name given to the genus bearing the popular name of hedgehog cactus. It comprises some 200 species, distributed from the south-west United States to Brazil and Chile. They have the fleshy stems characteristic of the order, these being either globose, oblong or cylindrical, and either ribbed as in Melocactus, or broken up into distinct tubercles, and most of them armed with stiff sharp pines, set in little woolly cushions occupying the place of the buds. The flowers, produced near the apex of the plant, are generally large and showy, yellow and rose being the prevailing colours. They are succeeded by succulent fruits, which are exserted, and frequently scaly or spiny, in which respects this genus differs both from Melocactus and Mamrmllaria, which have the fruits immersed and smooth. One of the most interesting species is the E. ingens, of which some very large plants have been from time to time imported. These large plants have from 40 to 50 ridges, on which the buds and clusters of spines are sunk at intervals, the aggregate number of the spines having been in some cases computed at upwards of 50,000 on a single plant. These spines are used by the Mexicans as toothpicks. The plants are slow growers and must have plenty of sun heat; they require sandy loam with a mixture of sand and bricks finely broken and must be kept dry in winter.

Cereus.—This group bears the common name of torch thistle. It comprises about 100 species, largely Mexican but scattered through South America and the West Indies. The stems are columnar or elongated, some of the latter creeping on the ground or climbing up the trunks of trees, rooting as they grow. C. giganteus, the largest and most striking species of the genus, is a native of hot, arid, desert regions of New Mexico, growing there in rocky valleys and on mountain sides, where the tall stems with their erect branches have the appearance of telegraph poles. The stems grow to a height of from 50 ft. to 60 ft., and have a diameter of from 1 ft. to 2 ft., often unbranched, but sometimes furnished with branches which grow out at right angles from the main stem, and then curve upwards and continue their growth parallel to it; these stems have from twelve to twenty ribs, on which at intervals of about an inch are the buds with their thick yellow cushions, from which issue five or six large and numerous smaller spines. The fruits of this plant, which are green oval bodies from 2 to 3 in. long, contain a crimson pulp from which the Pimos and Papagos Indians prepare an excellent preserve; and they also use the ripe fruit as an article of food, gathering it by means of a forked stick attached to a long pole. The Cereuses include some of our most interesting and beautiful hothouse plants. In the allied genus Echinocereus, with 25 to 30 species in North and South America, the stems are short, branched or simple, divided into few or many ridges all armed with sharp, formidable spines. E. pectinatus produces a purplish fruit resembling a gooseberry, which is very good eating; and the fleshy part of the stem itself, which is called cabeza del viego by the Mexicans, is eaten by them as a vegetable after removing the spines.

Pilocereus, the old man cactus, forms a small genus with tallish erect, fleshy, angulate stems, on which, with the tufts of spines, are developed hair-like bodies, which, though rather coarse, bear some resemblance to the hoary locks of an old man. The plants are nearly allied to Cereus, differing chiefly in the floriferous portion developing these longer and more attenuated hair-like spines, which surround the base of the flowers and form a dense woolly head or cephalium. The most familiar species is P. senilis, a Mexican plant, which though seldom seen more than a foot or two in height in greenhouses, reaches from 20 ft. to 30 ft. in its native country.

Echinopsis is another small group of species, separated by some authors from Cereus. They are dwarf, ribbed, globose or cylindrical plants; and the flowers, which are produced from the side instead of the apex of the stem, are large, and in some cases very beautiful, being remarkable for the length of the tube, which is more or less covered with bristly hairs. They are natives of Brazil, Bolivia and Chile.

Phyllocactus (fig. 3), the Leaf Cactus family, consists of about a dozen species, found in Central and tropical South America. They differ from all the forms already noticed in being shrubby and epiphytal in habit, and in having the branches compressed and dilated so as to resemble thick fleshy leaves, with a strong median axis and rounded woody base. The margins of these leaf-like branches are more or less crenately notched, the notches representing buds, as do the spine-clusters in the spiny genera; and from these crenatures the large showy flowers are produced. As garden plants the Phyllocacti are amongst the most ornamental of the whole family, being of easy culture, free blooming and remarkably showy, the colour of the flowers ranging from rich crimson, through rose-pink to creamy white. Cuttings strike readily in spring before growth has commenced; they should be potted in 3-in. or 4-in. pots, well drained, in loamy soil made very porous by the admixture of finely broken crocks and sand, and placed in a temperature of 60°; when these pots are filled with roots they are to be shifted into larger ones, but overpotting must be avoided. During the summer they need considerable heat, all the light possible and plenty of air; in winter a temperature of 45° or 50° will be sufficient, and they must be kept tolerably dry at the root. By the spring they may have larger pots if required and should be kept in a hot and fairly moistened atmosphere; and by the end of June, when they have made new growth, they may be turned out under a south wall in the full sun, water being given only as required. In autumn they are to be returned to a cool house and wintered in a dry stove. The turning of them outdoors to ripen their growth is the surest way to obtain flowers, but they do not take on a free blooming habit until they have attained some age. They are often called Epiphyllum, which name is, however, properly restricted to the group next to be mentioned.

Epiphyllum.—This name is now restricted to two or three dwarf branching Brazilian epiphytal plants of extreme beauty, which agree with Phyllocactus in having the branches dilated into the form of fleshy leaves, but differ in haying them divided into short truncate leaf-like portions, which are articulated, that is to say, provided with a joint by which they separate spontaneously; the margins are crenate or dentate, and the flowers, which are large and showy, magenta or crimson, appear at the apex of the terminal joints. In E. truncatum the flowers have a very different aspect from that of other Cacti, from the mouth of the tube being oblique and the segments all reflexed at the tip. The short separate pieces of which these plants are made up grow out of each other, so that the branches may be said to resemble leaves joined together endwise.

Rhipsalis, a genus of about 50 tropical species, mainly in Central and South America, but a few in tropical Africa and Madagascar. It is a very heterogeneous group, being fleshy-stemmed with a woody axis, the branches being angular, winged, flattened or cylindrical, and the flowers small, short-tubed, succeeded by small, round, pea-shaped berries. Rhipsalis Cassytha, when seen laden with its white berries, bears some resemblance to a branch of mistletoe. All the species are epiphytal in habit.

Opuntia, the prickly pear, or Indian fig cactus, is a large typical group, comprising some 150 species, found in North America, the West Indies, and warmer parts of South America, extending as far as Chile. In aspect they are very distinct from any of the other groups. They are fleshy shrubs, with rounded, woody stems, and numerous succulent branches, composed in most of the species of separate joints or parts, which are much compressed, often elliptic or suborbicular, dotted over in spiral lines with small, fleshy, caducous leaves, in the axils of which are placed the areoles or tufts of barbed or hooked spines of two forms. The flowers are mostly yellow or reddish-yellow, and are succeeded by pear-shaped or egg-shaped fruits, having a broad scar at the top, furnished on their soft, fleshy rind with tufts of small spines. The sweet, juicy fruits of O. vulgaris and O. Tuna are much eaten under the name of prickly pears, and are greatly esteemed for their cooling properties. Both these species are extensively cultivated for their fruit in Southern Europe, the Canaries and northern Africa; and the fruits are not unfrequently to be seen in Covent Garden Market and in the shops of the leading fruiterers of the metropolis. O. vulgaris is hardy in the south of England.

The cochineal insect is nurtured on a species of Opuntia (O. coccinellifera), separated by some authors under the name of Nopalea, and sometimes also on O. Tuna. Plantations of the nopal and the tuna, which are called nopaleries, are established for the purpose of rearing this insect, the Coccus Cacti, and these often contain as many as 50,000 plants. The females are placed on the plants about August, and in four months the first crop of cochineal is gathered, two more being produced in the course of the year. The native country of the insect is Mexico, and it is there more or less cultivated; but the greater part of our supply comes from Colombia and the Canary Islands.

Peireskia aculeata, or Barbadoes gooseberry, the Cactus peireskia of Linnaeus, differs from the rest in having woody stems and leaf-bearing branches, the leaves being somewhat fleshy, but otherwise of the ordinary laminate character. The flowers are subpaniculate, white or yellowish. This species is frequently used as a stock on which to graft other Cacti. There are about a dozen species known of this genus, mainly Mexican.

CADALSO VAZQUEZ, JOSÉ (1741-1782), Spanish author, was born at Cadiz on the 8th of October 1741. Before completing his twentieth year he had travelled through Italy, Germany, England, France and Portugal, and had studied the literatures of these countries. On his return to Spain he entered the army and rose to the rank of colonel. He was killed at the siege of Gibraltar, on the 27th of February 1782. His first published work was a rhymed tragedy, Don Sancho Garcia, Conde de Castilla (1771). In the following year he published his Eruditos á la Violeta, a prose satire on superficial knowledge, which was very successful. In 1773 appeared a volume of miscellaneous poems, Ocios de mi juventud, and after his death there was found among his MSS. a series of fictitious letters in the style of the Lettres Persanes; these were issued in 1793 under the title of Cartas marruecas. A good edition of his works appeared at Madrid, in 3 vols., 1823. This is supplemented by the Obras inéditas (Paris, 1894) published by R. Foulché-Delbosc.

CADAMOSTO (or Ca Da Mosto), ALVISE (1432-1477), a Venetian explorer, navigator and writer, celebrated for his voyages in the Portuguese service to West Africa. In 1454 he sailed from Venice for Flanders, and, being detained by contrary winds off Cape St Vincent, was enlisted by Prince Henry the Navigator among his explorers, and given command of an expedition which sailed (22nd of March 1455) for the south. Visiting the Madeira group and the Canary Islands (of both which he gives an elaborate account, especially concerned with European colonization and native customs), and coasting the West Sahara (whose tribes, trade and trade-routes he likewise describes in detail), he arrived at the Senegal, whose lower course had already, as he tells us, been explored by the Portuguese 60 m. up. The negro lands and tribes south of the Senegal, and especially the country and people of Budomel, a friendly chief reigning about 50 m. beyond the river, are next treated with equal wealth of interesting detail, and Cadamosto thence proceeded towards the Gambia, which he ascended some distance (here also examining races, manners and customs with minute attention), but found the natives extremely hostile, and so returned direct to Portugal. Cadamosto expressly refers to the chart he kept of this voyage. At the mouth of the Gambia he records an observation of the "Southern Chariot" (Southern Cross). Next year (1456) he went out again under the patronage of Prince Henry. Doubling Cape Blanco he was driven out to sea by contrary winds, and thus made the first known discovery of the Cape Verde Islands. Having explored Boavista and Santiago, and found them uninhabited, he returned to the African mainland, and pushed on to the Gambia, Rio Grande and Geba. Returning thence to Portugal, he seems to have remained there till 1463, when he reappeared at Venice. He died in 1477.

Besides the accounts of his two voyages, Cadamosto left a narrative of Pedro de Cintra's explorations in 1461 (or 1462) to Sierre Leone and beyond Cape Mesurado to El Mina and the Gold Coast; all these relations first appeared in the 1507 Vicenza Collection of Voyages and Travels (the Paesi novamente retrovati et novo mondo da Alberico Vesputio Florentino); they have frequently since been reprinted and translated (e.g. Ital. text in 1508, 1512, 1519, 1521, 1550 (Ramusio), &c.; Lat. version, Itinerarium Portugallensium, &c.,1508, 1532 (Grynaeus), &c.; Fr. Sensuyt le nouveau monde, &c., 1516, 1521; German, Newe unbekante Landte, &c., 1508). See also C. Schefer, Relation des voyages ... de Ca' da Mosto (1895); R.H. Major, Henry the Navigator (1868), pp. 246-287; C.R. Beazley, Henry the Navigator (1895), pp. 261-288; Yule Oldham, Discovery of the Cape Verde Islands (1892), esp. pp. 4-15.

It may be noted that Antonio Uso di Mare (Antoniotto Ususmaris), the Genoese, wrote his famous letter of the 12th of December 1455 (purporting to record a meeting with the last surviving descendant of the Genoese-Indian expedition of 1291, at or near the Gambia), after accompanying Cadamosto to West Africa; see Beazley, Dawn of Modern Geography (1892), iii. 416-418.

CADASTRE (a French word from the Late Lat. capitastrum, a register of the poll-tax), a register of the real property of a country, with details of the area, the owners and the value. A "cadastral survey" is properly, therefore, one which gives such information as the Domesday Book, but the term is sometimes used loosely of the Ordnance Survey of the United Kingdom (1=2500), which is on sufficiently large a scale to give the area of every field or piece of ground.

CADDIS-FLY and CADDIS-WORM, the name given to insects with a superficial resemblance to moths, sometimes referred to the Neuroptera, sometimes to a special order, the Trichoptera, in allusion to the hairy clothing of the body and wings. Apart from this feature the Trichoptera also differ from the typical Neuroptera in the relatively simple, mostly longitudinal neuration of the wings, the absence or obsolescence of the mandibles and the semi-haustellate nature of the rest of the mouth-parts. Although caddis-flies are sometimes referred to several families, the differences between the groups are of no great importance. Hence the insects may more conveniently be regarded as constituting the single family Phryganeidae. The larvae known as caddis-worms are aquatic. The mature females lay their eggs in the water, and the newly-hatched larvae provide themselves with cases made of various particles such as grains of sand, pieces of wood or leaves stuck together with silk secreted from the salivary glands of the insect. These cases differ greatly in structure and shape. Those of Phyrganea consist of bits of twigs or leaves cut to a suitable length and laid side by side in a long spirally-coiled band, forming the wall of a subcylindrical cavity. The cavity of the tube of Helicopsyche, composed of grains of sand, is itself spirally coiled, so that the case exactly resembles a small snail-shell in shape. One species of Limnophilus uses small but entire leaves; another, the shells of the pond-snail Planorbis; another, pieces of stick arranged transversely with reference to the long axis of the tube. To admit of the free inflow and outflow of currents of water necessary for respiration, which is effected by means of filamentous abdominal tracheal gills, the two ends of the tube are open. Sometimes the cases are fixed, but more often portable. In the latter case the larva crawls about the bottom of the water or up the stems of plants, with its thickly-chitinized head and legs protruding from the larger orifice, while it maintains a secure hold of the silk lining of the tube by means of a pair of strong hooks at the posterior end of its soft defenceless abdomen. Their food appears for the most part to be of a vegetable nature. Some species, however, are alleged to be carnivorous, and a North American form of the genus Hydropsyche is said to spin around the mouth of its burrow a silken net for the capture of small animal organisms living in the water. Before passing into the pupal stage, the larva partially closes the orifice of the tube with silk or pieces of stone loosely spun together and pervious to water. Through this temporary protection the active pupa, which closely resembles the mature insect, subsequently bites a way by means of its strong mandibles, and rising to the surface of the water casts the pupal integument and becomes sexually adult.

The above sketch may be regarded as descriptive of the life-history of a great majority of species of caddis-flies. It is only necessary here to mention one anomalous form, Enoicyla pusilla, in which the mature female is wingless and the larva is terrestrial, living in moss or decayed leaves.

Caddis-flies are universally distributed. Geologically they are known to date back to the Oligocene period, and wings believed to be referable to them have been found in Liassic and Jurassic beds.

(R. I. P.)

CADDO, a confederacy of North American Indian tribes which gave its name to the Caddoan stock, represented in the south by the Caddos, Wichita and Kichai, and in the north by the Pawnee and Arikara tribes. The Caddos, now reduced to some 500, settled in western Oklahoma, formerly ranged over the Red River (Louisiana) country, in what is now Arkansas, northern Texas and Oklahoma. The native name of the confederacy is Hasinai, corrupted by the French into Asinais and Cenis. The Caddoan tribes were mostly agricultural and sedentary, and to-day they are distinguished by their industry and intelligence.

See Handbook of American Indians (Washington, 1907).

CADE, JOHN (d. 1450), commonly called Jack Cade, English rebel and leader of the rising of 1450, was probably an Irishman by birth, but the details of his early life are very scanty. He seems to have resided for a time in Sussex, to have fled from the country after committing a murder, and to have served in the French wars. Returning to England, he settled in Kent under the name of Aylmer and married a lady of good position. When the men of Kent rose in rebellion in May 1450, they were led by a man who took the name of Mortimer, and who has generally been regarded as identical with Cade. Mr James Gairdner, however, considers it probable that Cade did not take command of the rebels until after the skirmish at Sevenoaks on the 18th of June. At all events, it was Cade who led the insurgents from Blackheath to Southwark, and under him they made their way into London on the 3rd of July. A part of the populace was doubtless favourable to the rebels, but the opposing party gained strength when Cade and his men began to plunder. Having secured the execution of James Fiennes, Baron Say and Sele, and of William Crowmer, sheriff of Kent, Cade and his followers retired to Southwark, and on the 5th of July, after a fierce struggle on London Bridge, the citizens prevented them from re-entering the city. Cade then met the chancellor, John Kemp, archbishop of York, and William of Wayneflete, bishop of Winchester, and terms of peace were arranged. Pardons were drawn up, that for the leaders being in the name of Mortimer. Cade, however, retained some of his men, and at this time, or a day or two earlier, broke open the prisons in Southwark and released the prisoners, many of whom joined his band. Having collected some booty, he went to Rochester, made a futile attempt to capture Queenborough castle, and then quarrelled with his followers over some plunder. On the 10th of July a proclamation was issued against him in the name of Cade, and a reward was offered for his apprehension. Escaping into Sussex he was captured at Heathfield on the 12th. During the scuffle he had been severely wounded, and on the day of his capture he died in the cart which was conveying him to London. The body was afterwards beheaded and quartered, and in 1451 Cade was attainted.

See Robert Fabyan, The New Chronicles of England and France, edited by H. Ellis (London, 1811); William of Worcester, Annales rerum Anglicarum, edited by J. Stevenson, (London, 1864); An English Chronicle of the Reigns of Richard II., Henry IV., Henry V. and Henry VI., edited by J.S. Davies (London, 1856); Historical Collections of a Citizen of London, edited by J. Gairdner (London, 1876); Three Fifteenth Century Chronicles, edited by J. Gairdner (London, 1880); J. Gairdner, Introduction to the Paston Letters (London, 1904); G. Kriehn, The English Rising of 1450 (Strassburg, 1892.)

CADENABBIA, a village of Lombardy, Italy, in the province of Como, about 15 m. N.N.E. by steamer from the town of Como. It is situated on the W. shore of the lake of Como, and owing to the great beauty of the scenery and of the vegetation, and its sheltered situation, is a favourite spring and autumn resort. The most famous of its villas is the Villa Carlotta, now the property of the duke of Saxe-Meiningen, which contains marble reliefs by Thorwaldsen, representing the triumph of Alexander, and statues by Canova.

CADENCE (through the Fr. from the Lat. cadentia, from cadere, to fall), a falling or sinking, especially as applied to rhythmical or musical sounds, as in the "fall" of the voice in speaking, the rhythm or measure of verses, song or dance. In music, the word is used of the closing chords of a musical phrase, which succeed one another in such a way as to produce, first an expectation or suspense, and then an impression of finality, indicating also the key strongly. "Cadenza," the Italian form of the same word, is used of a free flourish in a vocal or instrumental composition, introduced immediately before the close of a movement or at the end of the piece. The object is to display the performer's technique, or to prevent too abrupt a contrast between two movements. Cadenzas are usually left to the improvisation of the performer, but are sometimes written in full by the composer, or by some famous executant, as in the cadenza in Brahms's Violin Concerto, written by Joseph Joachim.

CADER IDRIS ("the Seat of Idris"), the second most imposing mountain in North Wales, standing in Merionethshire to the S. of Dolgelly, between the broad estuaries of the Mawddach and the Dovey. It is so called in memory of Idris Gawr, celebrated in the Triads as one of the three "Gwyn Serenyddion," or "Happy Astronomers," of Wales, who is traditionally supposed to have made his observations on this peak. Its loftiest point, known as Pen-y-gader, rises to the height of 2914 ft., and in clear weather commands a magnificent panorama of immense extent. The mountain is everywhere steep and rocky, especially on its southern side, which falls abruptly towards the Lake of Tal-y-llyn. Mention of Cader Idris and its legends is frequent in Welsh literature, old and modern.

CADET (through the Fr. from the Late Lat. capitettum, a diminutive of caput, head, through the Provençal form capdet), the head of an inferior branch of a family, a younger son; particularly a military term for an accepted candidate for a commission in the army or navy, who is undergoing training to become an officer. This latter use of the term arose in France, where it was applied to the younger sons of the noblesse who gained commissioned rank, not by serving in the ranks or by entering the écoles militaires, but by becoming attached to corps without pay but with certain privileges. "Cadet Corps," in the British service, are bodies of boys or youths organized, armed and trained on volunteer military lines. Derived from "cadet," through the Scots form "cadee," comes "caddie," a messenger-boy, and particularly one who carries clubs at golf, and also the slang word "cad," a vulgar, ill-bred person.

CADGER (a word of obscure origin possibly connected with "catch"), a hawker or pedlar, a carrier of farm produce to market. The word in this sense has fallen into disuse, and now is used for a beggar or loafer, one who gets his living in more or less questionable ways.

CADI (qāḍī), a judge in a maḥkama or Mahommedan ecclesiastical court, in which decisions are rendered on the basis of the canon law of Islam (sharī `a). It is a general duty, according to canon law, upon a Moslem community to judge legal disputes on this basis, and it is an individual duty upon the ruler of the community to appoint a cadi to act for the community. According to Shāfi`ite law, such a cadi must be a male, free, adult Moslem, intelligent, of unassailed character, able to see, hear and write, learned in the Koran, the traditions, the Agreement, the differences of the legal schools, acquainted with Arabic grammar and the exegesis of the Koran. He must not sit in a mosque, except under necessity, but in some open, accessible place. He must maintain a strictly impartial attitude of body and mind, accept no presents from the people of his district, and render judgment only when he is in a normal condition mentally and physically. He may not engage in any business. He shall ride to the place where he holds court, greeting the people on both sides. He shall visit the sick and those returned from a journey, and attend funerals. On some of these points the codes differ, and the whole is to be regarded as the ideal qualification, built up theoretically by the canonists.

See Mahommedan Law; also Juynboll, De Mohammedaansche Wet (Leiden, 1903), pp. 287 ff.; Sachau, Muhammedanisches Recht (Berlin, 1897), pp. 687 ff.

(D. B. Ma.)

CADILLAC, a city and the county seat of Wexford county, Michigan, U.S.A., on Lake Cadillac, about 95 m. N. by E. of Grand Rapids and about 85 m. N.W. of Bay City. Pop. (1890) 4461; (1900) 5997, of whom 1676 were foreign-born; (1904) 6893; (1910) 8375. It is served by the Ann Arbor and the Grand Rapids & Indiana railways. Cadillac overlooks picturesque lake scenery, and the good fishing for pike, pickerel and perch in the lake, and for brook trout in streams near by, attracts many visitors. Among the city's chief manufactures are hardwood lumber, iron, tables, crates and woodenware, veneer, flooring and flour. Cadillac was settled in 1871, was incorporated as a village under the name of Clam Lake in 1875, was chartered as a city under its present name (from Antoine de la Mothe Cadillac) in 1877, and was rechartered in 1895.

CADIZ, a town of the province of Negros Occidental, island of Negros, Philippine Islands, on the N. coast, about 53 m. N.N.E. of Bacólod, the capital. Pop. (1903) 16,429. Lumber products are manufactured in the town, and a saw-mill here is said to be the largest in the Philippines.

CADIZ (Cádiz), a maritime province in the extreme south of Spain, formed in 1833 of districts taken from the province of Seville; and bounded on the N. by Seville, E. by Málaga, S.E. by the Mediterranean sea, S. by the Straits of Gibraltar, and W. by the Atlantic Ocean. Pop. (1900) 452,659; area 2834 sq. m.; inclusive, in each case, of the town and territory of Ceuta, on the Moroccan coast, which belong, for administrative purposes, to Cadiz. The sea-board of Cadiz possesses several features of exceptional interest. On the Atlantic littoral, the broad Guadalquivir estuary marks the frontier of Seville; farther south, the river Guadalete, which waters the northern districts, falls into the magnificent double bay of Cadiz; farther south again, is Cape Trafalgar, famous for the British naval victory of 1805. Near Trafalgar, the river Barbate issues into the straits of Gibraltar, after receiving several small tributaries, which combine with it to form, near its mouth, the broad and marshy Laguna de la Janda. Punta Marroqui, on the straits, is the southernmost promontory of the European mainland. The most conspicuous feature of the east coast is Algeciras Bay, overlooked by the rock and fortress of Gibraltar. The river Guadiaro, which drains the eastern highlands, enters the Mediterranean close to the frontier of Málaga. In the interior there is a striking contrast between the comparatively level western half of Cadiz and the very picturesque mountain ranges of the eastern half, which are well wooded and abound in game. The whole region known as the Campo de Gibraltar is of this character; but it is in the north-east that the summits are most closely massed together, and attain their greatest altitudes in the Cerro de San Cristobal (5630 ft.) and the Sierra del Pinar (5413 ft.).

The climate is generally mild and temperate, some parts of the coast only being unhealthy owing to a marshy soil. Severe drought is not unusual, and it was largely this cause, together with want of capital, and the dependence of the peasantry on farming and fishing, that brought about the distress so prevalent early in the 20th century. The manufactures are insignificant compared with the importance of the natural products of the soil, especially wines and olives. Jerez de la Frontera (Xeres) is famous for the manufacture and export of sherry. The fisheries furnish about 2500 tons of fish per annum, one-fifth part of which is salted for export and the rest consumed in Spain. There are no important mines, but a considerable amount of salt is obtained by evaporation of sea-water in pans near Cadiz, San Fernando, Puerto Real and Santa Maria. The railway from Seville passes through Jerez de la Frontera to Cadiz and San Fernando, and another line, from Granada, terminates at Algeciras; but at the beginning of the 20th century, although it was proposed to construct railways from Jerez inland to Grazalema and coastwise from San Fernando to Tarifa, travellers who wished to visit these places were compelled to use the old-fashioned diligence, over indifferent roads, or to go by sea. The principal seaports are, after Cadiz the capital (pop. 1900, 69,382), Algeciras (13,302), La Línea (31,862), Puerto de Santa Maria (20,120), Puerto Real (10,535), the naval station of San Fernando (29,635), San Lucar (23,883) and Tarifa (11,723); the principal inland towns are Arcos de la Frontera (13,926), Chiclana (10,868), Jerez de la Frontera (63,473), Medina Sidonia (11,040), and Véjer de la Frontera (11,298). These are all described in separate articles. Grazalema (5587), Jimena de la Frontera (7549), and San Roque (8569) are less important towns with some trade in leather, cork, wine and farm produce. They all contain many Moorish antiquities, and Grazalema probably represents the Roman Lacidulermium. (See also Andalusia.)

CADIZ (in Lat. Gades, and formerly called Cales by the English), the capital and principal seaport of the Spanish province of Cadiz; on the Bay of Cadiz, an inlet of the Atlantic Ocean, in 36° 27′ N. and 6° 12′ W., 94 m. by rail S. of Seville. Pop. (1900) 69,382. Cadiz is built on the extremity of a tongue of land, projecting about 5 m. into the sea, in a north-westerly direction from the Isla de Leon. Its noble bay, more than 30 m. in circuit, and almost entirely land-locked by the isthmus and the headlands which lie to the north-east, has principally contributed to its commercial importance. The outer bay stretches from the promontory and town of Rota to the mouth of the river Guadalete; the inner bay, protected by the forts of Matagorda and Puntales, affords generally good anchorage, and contains a harbour formed by a projecting mole, where vessels of small burden may discharge. The entrance to the bays is rendered somewhat dangerous by the low shelving rocks (Cochinos and Las Puercas) which encumber the passage, and by the shifting banks of mud deposited by the Guadalete and the Rio Santi Petri, a broad channel separating the Isla de Leon from the mainland. At the mouth of this channel is the village of Caracca; close beside it is the important naval arsenal of San Fernando (q.v.); and on the isthmus are the defensive works known as the Cortadura, or Fort San Fernando, and the well-frequented sea-bathing establishments.

From its almost insular position Cadiz enjoys a mild and serene climate. The Medina, or land-wind, so-called because it blows from the direction of Medina Sidonia, prevails during the winter; the moisture-laden Virazón, a westerly sea-breeze, sets in with the spring. The mean annual temperature is about 64° F., while the mean summer and winter temperatures vary only about 10° above and below this point; but the damp atmosphere is very oppressive in summer, and its unhealthiness is enhanced by the inadequate drainage and the masses of rotting seaweed piled along the shore. The high death-rate, nearly 45 per thousand, is also due to the bad water-supply, the water being either collected in cisterns from the tops of the houses, or brought at great expense from Santa Maria on the opposite coast by an aqueduct nearly 30 m. long. An English company started a waterworks in Cadiz about 1875, but came to grief through the incapacity of the population to appreciate its necessity.

The city, which is 6 or 7 m. in circumference, is surrounded by a wall with five gates, one of which communicates with the isthmus. Seen from a distance off the coast, it presents a magnificent display of snow-white turrets rising majestically from the sea; and for the uniformity and elegance of its buildings, it must certainly be ranked as one of the finest cities of Spain, although, being hemmed in on all sides, its streets and squares are necessarily contracted. Every house annually receives a coating of whitewash, which, when it is new, produces a disagreeable glare. The city is distinguished by its somewhat deceptive air of cleanliness, its quiet streets, where no wheeled traffic passes, and its lavish use of white Italian marble. But the most characteristic feature of Cadiz is the marine promenades, fringing the city all round between the ramparts and the sea, especially that called the Alameda, on the eastern side, commanding a view of the shipping in the bay and the ports on the opposite shore. The houses are generally lofty and surmounted by turrets and flat roofs in the Moorish style.

Cadiz is the see of a bishop, who is suffragan to the archbishop of Seville, but its chief conventual and monastic institutions have been suppressed. Of its two cathedrals, one was originally erected by Alphonso X. of Castile (1252-1284), and rebuilt after 1596; the other, begun in 1722, was completed between 1832 and 1838. Under the high altar of the old cathedral rises the only freshwater spring in Cadiz. The chief secular buildings include the Hospicio, or Casa de Misericordia, adorned with a marble portico, and having an interior court with Doric colonnades; the bull-ring, with room for 12,000 spectators; the two theatres, the prison, the custom-house, and the lighthouse of San Sebastian on the western side rising 172 ft. from the rock on which it stands. Besides the Hospicio already mentioned, which sometimes contains 1000 inmates, there are numerous other charitable institutions, such as the women's hospital, the foundling institution, the admirable Hospicio de San Juan de Dios for men, and the lunatic asylum. Gratuitous instruction is given to a large number of children, and there are several mathematical and commercial academies, maintained by different commercial corporations, a nautical school, a school of design, a theological seminary and a flourishing medical school. The museum is filled for the most part with Roman and Carthaginian coins and other antiquities; the academy contains a valuable collection of pictures. In the church of Santa Catalina, which formerly belonged to the Capuchin convent, now secularized, there is an unfinished picture of the marriage of St Catherine, by Murillo, who met his death by falling from the scaffold on which he was painting it (3rd of April 1682).

Cadiz no longer ranks among the first marine cities of the world. Its harbour works are insufficient and antiquated, though a scheme for their improvement was adopted in 1903; its communications with the mainland consist of a road and a single line of railway; its inhabitants, apart from foreign residents and a few of the more enterprising merchants, rest contented with such prosperity as a fine natural harbour and an unsurpassed geographical situation cannot fail to confer. Several great shipping lines call here; shipbuilding yards and various factories exist on the mainland; and there is a considerable trade in the exportation of wine, principally sherry from Jerez, salt, olives, figs, canary-seed and ready-made corks; and in the importation of fuel, iron and machinery, building materials, American oak staves for casks, &c. In 1904, 2753 ships of 1,745,588 tons entered the port. But local trade, though still considerable, remains stationary if it does not actually recede. Its decline, originally due to the Napoleonic wars and the acquisition of independence by many Spanish colonies early in the 19th century, was already recognised, and an attempt made to check it in 1828, when the Spanish government declared Cadiz a free warehousing port; but this valuable privilege was withdrawn in 1832. Among the more modern causes of depression have been the rivalry of Gibraltar and Seville; the decreasing demand for sherry; and the disasters of the Spanish-American war of 1898, which almost ruined local commerce with Cuba and Porto Rico.

History.—Cadiz represents the Sem. Agadir, Gadir, or Gaddir ("stronghold") of the Carthaginians, the Gr. Gadeira, and the Lat. Gades. Tradition ascribes its foundation to Phoenician merchants from Tyre, as early as 1100 B.C.; and in the 7th century it had already become the great mart of the west for amber and tin from the Cassiterides (q.v.). About 501 B.C. it was occupied by the Carthaginians, who made it their base for the conquest of southern Iberia, and in the 3rd century for the equipment of the armaments with which Hannibal undertook to destroy the power of Rome. But the loyalty of Gades, already weakened by trade rivalry with Carthage, gave way after the second Punic War. Its citizens welcomed the victorious Romans, and assisted them in turn to fit out an expedition against Carthage. Thenceforward, its rapidly-growing trade in dried fish and meat, and in all the produce of the fertile Baetis (Guadalquivir) valley, attracted many Greek settlers; while men of learning, such as Pytheas in the 4th century B.C., Polybius and Artemidorus of Ephesus in the 2nd, and Posidonius in the 1st, came to study the ebb and flow of its tides, unparalleled in the Mediterranean. C. Julius Caesar conferred the civitas of Rome on all its citizens in 49 B.C.; and, not long after L. Cornelius Balbus Minor built what was called the "New City," constructed the harbour which is now known as Puerto Real, and spanned the strait of Santi Petri with the bridge which unites the Isla de Leon with the mainland, and is now known as the Puente de Zuazo, after Juan Sanchez de Zuazo, who restored it in the 15th century. Under Augustus, when it was the residence of no fewer than 500 equites, a total only surpassed in Rome and Padua, Gades was made a municipium with the name of Augusta Urbs Gaditana, and its citizens ranked next to those of Rome. In the 1st century A.D. it was the birthplace or home of several famous authors, including Lucius Columella, poet and writer on husbandry; but it was more renowned for gaiety and luxury than for learning. Juvenal and Martial write of Jocosae Gades, "Cadiz the Joyous," as naturally as the modern Andalusian speaks of Cadiz la Joyosa; and throughout the Roman world its cookery and its dancing-girls were famous. In the 5th century, however, the overthrow of Roman dominion in Spain by the Visigoths involved Cadiz in destruction. A few fragments of masonry, submerged under the sea, are almost all that remains of the original city. Moorish rule over the port, which was renamed Jezirat-Kadis, lasted from 711 until 1262, when Cadiz was captured, rebuilt and repeopled by Alphonso X. of Castile. Its renewed prosperity dates from the discovery of America in 1492. As the headquarters of the Spanish treasure fleets, it soon recovered its position as the wealthiest port of western Europe, and consequently it was a favourite point of attack for the enemies of Spain. During the 16th century it repelled a series of raids by the Barbary corsairs; in 1587 all the shipping in its harbour was burned by the English squadron under Sir Francis Drake; in 1596 the fleet of the earl of Essex and Lord Charles Howard sacked the city, and destroyed forty merchant vessels and thirteen warships. This disaster necessitated the rebuilding of Cadiz on a new plan. Its recovered wealth tempted the duke of Buckingham to promote the fruitless expedition to Cadiz of 1626; thirty years later Admiral Blake blockaded the harbour in an endeavour to intercept the treasure fleet; and in 1702 another attack was made by the British under Sir George Rooke and the duke of Ormonde. During the 18th century the wealth of Cadiz became greater than ever; from 1720 to 1765, when it enjoyed a monopoly of the trade with Spanish America, the city annually imported gold and silver to the value of about £5,000,000. With the closing years of the century, however, it entered upon a period of misfortune. From February 1797 to April 1798 it was blockaded by the British fleet, after the battle of Cape St Vincent; and in 1800 it was bombarded by Nelson. In 1808 the citizens captured a French squadron which was imprisoned by the British fleet in the inner bay. From February 1810 until the duke of Wellington raised the siege in August 1812, Cadiz resisted the French forces sent to capture it; and during these two years it served as the capital of all Spain which could escape annexation by Napoleon. Here, too, the Cortes met and promulgated the famous Liberal constitution of March 1812. To secure a renewal of this constitution, the citizens revolted in 1820; the revolution spread throughout Spain; the king, Ferdinand VII., was imprisoned at Cadiz, which again became the seat of the Cortes; and foreign intervention alone checked the movement towards reform. A French army, under the duc d'Angoulême, seized Cadiz in 1823, secured the release of Ferdinand and suppressed Liberalism. In 1868 the city was the centre of the revolution which effected the dethronement of Queen Isabella.

See Sevilla y Cadiz, sus monumentos y artes, su naturaleza é historia, an illustrated volume in the series "España," by P. de Madrazo (Barcelona, 1884); Recuerdos Gaditanos, a very full history of local affairs, by J.M. León y Dominguez (Cadiz, 1897); Historia de Cadiz y de su provincia desde los remotos tiempos hasta 1824, by A. de Castro (Cadiz, 1858); and Descripcion historico-artistica de la catedral de Cadiz, by J. de Urrutia (Cadiz, 1843).

CADMIUM (symbol Cd, atomic weight 112.4 (O=16)), a metallic element, showing a close relationship to zinc, with which it is very frequently associated. It was discovered in 1817 by F. Stromeyer in a sample of zinc carbonate from which a specimen of zinc oxide was obtained, having a yellow colour, although quite free from iron; Stromeyer showing that this coloration was due to the presence of the oxide of a new metal. Simultaneously Hermann, a German chemical manufacturer, discovered the new metal in a specimen of zinc oxide which had been thought to contain arsenic, since it gave a yellow precipitate, in acid solution, on the addition of sulphuretted hydrogen. This supposition was shown to be incorrect, and the nature of the new element was ascertained.

Cadmium does not occur naturally in the uncombined condition, and only one mineral is known which contains it in any appreciable quantity, namely, greenockite, or cadmium sulphide, found at Greenock and at Bishopton in Scotland, and in Bohemia and Pennsylvania. It is, however, nearly always found associated with zinc blende, and with calamine, although only in small quantities.

The metal is usually obtained from the flue-dust (produced during the first three or four hours working of a zinc distillation) which is collected in the sheet iron cones or adapters of the zinc retorts. This is mixed with small coal, and when redistilled gives an enriched dust, and by repeating the process and distilling from cast iron retorts the metal is obtained. It can be purified by solution in hydrochloric acid and subsequent precipitation by metallic zinc.

Cadmium is a white metal, possessing a bluish tinge, and is capable of taking a high polish; on breaking, it shows a distinct fibrous fracture. By sublimation in a current of hydrogen it can be crystallized in the form of regular octahedra; it is slightly harder than tin, but is softer than zinc, and like tin, emits a crackling sound when bent. It is malleable and can be rolled out into sheets. The specific gravity of the metal is 8.564, this value being slightly increased after hammering; its specific heat is 0.0548 (R. Bunsen), it melts at 310-320° C. and boils between 763-772° C. (T. Carnelley), forming a deep yellow vapour. The cadmium molecule, as shown by determinations of the density of its vapour, is monatomic. The metal unites with the majority of the heavy metals to form alloys; some of these, the so-called fusible alloys, find a useful application from the fact that they possess a low melting-point. It also forms amalgams with mercury, and on this account has been employed in dentistry for the purpose of stopping (or filling) teeth. The metal is quite permanent in dry air, but in moist air it becomes coated with a superficial layer of the oxide; it burns on heating to redness, forming a brown coloured oxide; and is readily soluble in mineral acids with formation of the corresponding salts. Cadmium vapour decomposes water at a red heat, with liberation of hydrogen, and formation of the oxide of the metal.

Cadmium oxide, CdO, is a brown powder of specific gravity 6.5, which can be prepared by heating the metal in air or in oxygen; or by ignition of the nitrate or carbonate; by heating the metal to a white heat in a current of oxygen it is obtained as a dark red crystalline sublimate. It does not melt at a white heat, and is easily reduced to the metal by heating in a current of hydrogen or with carbon. It is a basic oxide, dissolving readily in acids, with the formation of salts, somewhat analogous to those of zinc.

Cadmium hydroxide, Cd(OH)2, is obtained as a white precipitate by adding potassium hydroxide to a solution of any soluble cadmium salt. It is decomposed by heat into the oxide and water, and is soluble in ammonia but not in excess of dilute potassium hydroxide; this latter property serves to distinguish it from zinc hydroxide.

The chloride, CdCl2, bromide, CdBr2, and iodide, CdI2, are also known, cadmium iodide being sometimes used in photography, as it is one of the few iodides which are soluble in alcohol. Cadmium chloride and iodide have been shown to behave in an anomalous way in aqueous solution (W. Hittorf, Pogg. Ann., 1859, 106, 513), probably owing to the formation of complex ions; the abnormal behaviour apparently diminishing as the solution becomes more and more dilute, until, at very high dilutions the salts are ionized in the normal manner.

Cadmium sulphate, CdSO4, is known in several hydrated forms; being deposited, on spontaneous evaporation of a concentrated aqueous solution, in the form of large monosymmetric crystals of composition 3CdSO4·8H2O, whilst a boiling saturated solution, to which concentrated sulphuric acid has been added, deposits crystals of composition CdSO4·H2O. It is largely used for the purpose of making standard electric cells, such for example as the Weston cell.

Cadmium sulphide, CdS, occurs naturally as greenockite (q.v.), and can be artificially prepared by passing sulphuretted hydrogen through acid solutions of soluble cadmium salts, when it is precipitated as a pale yellow amorphous solid. It is used as a pigment (cadmium yellow), for it retains its colour in an atmosphere containing sulphuretted hydrogen; it melts at a white heat, and on cooling solidifies to a lemon-yellow micaceous mass.

Normal cadmium carbonates are unknown, a white precipitate of variable composition being obtained on the addition of solutions of the alkaline carbonates to soluble cadmium salts.

Cadmium nitrate, Cd(NO3)2·4H2O, is a deliquescent salt, which may be obtained by dissolving either the metal, or its oxide or carbonate in dilute nitric acid. It crystallizes in needles and is soluble in alcohol.

Cadmium salts can be recognized by the brown incrustation which is formed when they are heated on charcoal in the oxidizing flame of the blowpipe; and also by the yellow precipitate formed when sulphuretted hydrogen is passed though their acidified solutions. This precipitate is insoluble in cold dilute acids, in ammonium sulphide, and in solutions of the caustic alkalis, a behaviour which distinguishes it from the yellow sulphides of arsenic and tin. Cadmium is estimated quantitatively by conversion into the oxide, being precipitated from boiling solutions by the addition of sodium carbonate, the carbonate thus formed passing into the oxide on ignition. It can also be determined as sulphide, by precipitation with sulphuretted hydrogen, the precipitated sulphide being dried at 100° C. and weighed.

The atomic weight of cadmium was found by O.W. Huntington (Berichte, 1882, 15, p. 80), from an analysis of the pure bromide, to be 111.9. H.N. Morse and H.C. Jones (Amer. Chem. Journ., 1892, 14, p. 261) by conversion of cadmium into the oxalate and then into oxide, obtained values ranging from 111.981 to 112.05, whilst W.S. Lorimer and E.F. Smith (Zeit. für anorg. Chem., 1891, 1, p. 364), by the electrolytic reduction of cadmium oxide in potassium cyanide solution, obtained as a mean value 112.055. The atomic weight of cadmium has been revised by G.P. Baxter and M.A. Hines (Journ. Amer. Chem. Soc., 1905, 27, p. 222), by determinations of the ratio of cadmium chloride to silver chloride, and of the amount of silver required to precipitate cadmium chloride. The mean value obtained was 112.469 (Ag=107.93). The mean value 112.467 was obtained by Baxter, Hines and Frevert (ibid., 1906, 28, p. 770) by analysing cadmium bromide.

CADMUS, in Greek legend, son of Agenor, king of Phoenicia and brother of Europa. After his sister had been carried off by Zeus, he was sent out to find her. Unsuccessful in his search, he came in the course of his wanderings to Delphi, where he consulted the oracle. He was ordered to give up his quest and follow a cow which would meet him, and to build a town on the spot where she should lie down exhausted. The cow met him in Phocis, and guided him to Boeotia, where he founded the city of Thebes. Intending to sacrifice the cow, he sent some of his companions to a neighbouring spring for water. They were slain by a dragon, which was in turn destroyed by Cadmus; and by the instructions of Athena he sowed its teeth in the ground, from which there sprang a race of fierce armed men, called Sparti (sown). By throwing a stone among them Cadmus caused them to fall upon each other till only five survived, who assisted him to build the Cadmeia or citadel of Thebes and became the founders of the noblest families of that city (Ovid, Metam. iii. 1 ff.; Apollodorus iii. 4, 5). Cadmus, however, because of this bloodshed, had to do penance for eight years. At the expiration of this period the gods gave him to wife Harmonia (q.v.), daughter of Ares and Aphrodite, by whom he had a son Polydorus, and four daughters, Ino, Autonoë, Agave and Semele—a family which was overtaken by grievous misfortunes. At the marriage all the gods were present; Harmonia received as bridal gifts a peplos worked by Athena and a necklace made by Hephaestus. Cadmus is said to have finally retired with Harmonia to Illyria, where he became king. After death, he and his wife were changed into snakes, which watched the tomb while their souls were translated to the Elysian fields.

There is little doubt that Cadmus was originally a Boeotian, that is, a Greek hero. In later times the story of a Phoenician immigrant of that name became current, to whom was ascribed the introduction of the alphabet, the invention of agriculture and working in bronze and of civilization generally. But the name itself is Greek rather than Phoenician; and the fact that Hermes was worshipped in Samothrace under the name of Cadmus or Cadmilus seems to show that the Theban Cadmus was originally an ancestral Theban hero corresponding to the Samothracian. The name may mean "order," and be used to characterize one who introduces order and civilization.

The exhaustive article by O. Crusius in W.H. Roscher's Lexikon der Mythologie contains a list of modern authorities on the subject of Cadmus; see also O. Gruppe, De Cadmi Fabula (1891).

CADMUS OF MILETUS, according to some ancient authorities the oldest of the logographi (q.v.). Modern scholars, who accept this view, assign him to about 550 B.C.; others regard him as purely mythical. A confused notice in Suidas mentions three persons of the name: the first, the inventor of the alphabet; the second, the son of Pandion, "according to some" the first prose writer, a little later than Orpheus, author of a history of the Foundation of Miletus and of Ionia generally, in four books; the third, the son of Archelaus, of later date, author of a history of Attica in fourteen books, and of some poems of an erotic character. As Dionysius of Halicarnassus (Judicium de Thucydide, c. 23) distinctly states that the work current in his time under the name of Cadmus was a forgery, it is most probable that the two first are identical with the Phoenician Cadmus, who, as the reputed inventor of letters, was subsequently transformed into the Milesian and the author of an historical work. In this connexion it should be observed that the old Milesian nobles traced their descent back to the Phoenician or one of his companions. The text of the notice of the third Cadmus of Miletus in Suidas is unsatisfactory; and it is uncertain whether he is to be explained in the same way, or whether he was an historical personage, of whom all further record is lost.

See C.W. Müller, Frag. Hist. Graec, ii. 2-4; and O. Crusius in Roscher's Lexikon der Mythologie (article "Kadmos," 90, 91).

CADOGAN, WILLIAM CADOGAN, 1st Earl (1675-1726), British soldier, was the son of Henry Cadogan, a Dublin barrister, and grandson of Major William Cadogan (1601-1661), governor of Trim. The family has been credited with a descent from Cadwgan, the old Welsh prince. Cadogan began his military career as a cornet of horse under William III. at the Boyne, and, with the regiment now known as the 5th (Royal Irish) Lancers, made the campaigns in the Low Countries. In the course of these years he attracted the notice of Marlborough. In 1701 Cadogan was employed by him as a staff officer in the complicated task of concentrating the grand army formed by contingents from multitudinous states, and Marlborough soon made the young officer his confidential staff officer and right-hand man. His services in the campaign of 1701 were rewarded with the colonelcy of the famous "Cadogan's Horse" (now the 5th Dragoon Guards). As quartermaster-general, it fell to his lot to organize the celebrated march of the allies to the Danube, which, as well as the return march with its heavy convoys, he managed with consummate skill. At the Schellenberg he was wounded and his horse shot under him, and at Blenheim he acted as Marlborough's chief of staff. Soon afterwards he was promoted brigadier-general, and in 1705 he led "Cadogan's Horse" at the forcing of the Brabant lines between Wange and Elissem, capturing four standards. He was present at Ramillies, and immediately afterwards was sent to take Antwerp, which he did without difficulty. Becoming major-general in 1706, he continued to perform the numerous duties of chief staff officer, quartermaster-general and colonel of cavalry, besides which he was throughout constantly employed in delicate diplomatic missions. In the course of the campaign of 1707, when leading a foraging expedition, he fell into the hands of the enemy but was soon exchanged. In 1708 he commanded the advanced guard of the army in the operations which culminated in the victory of Oudenarde, and in the same year he was with Webb at the action of Wynendael. On the 1st of January 1709 he was made lieutenant-general. At the siege of Menin in this year occurred an incident which well illustrates his qualifications as a staff officer and diplomatist. Marlborough, riding with his staff close to the French, suddenly dropped his glove and told Cadogan to pick it up. This seemingly insolent command was carried out at once, and when Marlborough on the return to camp explained that he wished a battery to be erected on the spot, Cadogan informed him that he had already given orders to that effect. He was present at Malplaquet, and after the battle was sent off to form the siege of Mons, at which he was dangerously wounded. At the end of the year he received the appointment of lieutenant of the Tower, but he continued with the army in Flanders to the end of the war. His loyalty to the fallen Marlborough cost him, in 1712, his rank, positions and emoluments under the crown. George I. on his accession, however, reinstated Cadogan, and, amongst other appointments, made him lieutenant of the ordnance. In 1715, as British plenipotentiary, he signed the third Barrier Treaty between Great Britain, Holland and the emperor. His last campaign was the Jacobite insurrection of 1715-1716. At first as Argyle's subordinate (see Coxe, Memoirs of Marlborough, cap. cxiv.), and later as commander-in-chief, General Cadogan by his firm, energetic and skilful handling of his task restored quiet and order in Scotland. Up to the death of Marlborough he was continually employed in diplomatic posts of special trust, and in 1718 he was made Earl Cadogan, Viscount Caversham and Baron Cadogan of Oakley. In 1722 he succeeded his old chief as head of the army and master-general of the ordnance, becoming at the same time colonel of the 1st or Grenadier Guards. He sat in five successive parliaments as member for Woodstock. He died at Kensington in 1726, leaving two daughters, one of whom married the second duke of Richmond and the other the second son of William earl of Portland.

Readers of Esmond will have formed a very unfavourable estimate of Cadogan, and it should be remembered that Thackeray's hero was the friend and supporter of the opposition and General Webb. As a soldier, Cadogan was one of the best staff officers in the annals of the British army, and in command of detachments, and also as a commander-in-chief, he showed himself to be an able, careful and withal dashing leader.

He was succeeded, by special remainder, in the barony by his brother, General Charles Cadogan (1691-1776), who married the daughter of Sir Hans Sloane, thus beginning the association of the family with Chelsea, and died in 1776, being succeeded in turn by his son Charles Sloane (1728-1807), who in the year 1800 was created Viscount Chelsea and Earl Cadogan. His descendant George Henry, 5th Earl Cadogan (b. 1840), was lord privy seal from 1886 to 1892, and lord-lieutenant of Ireland from 1895 to 1902.

CADOUDAL, GEORGES (1771-1804), leader of the Chouans during the French Revolution, was born in 1771 near Auray. He had received a fair education, and when the Revolution broke out he remained true to his royalist and Catholic teaching. From 1793 he organized a rebellion in the Morbihan against the revolutionary government. It was quickly suppressed and he thereupon joined the army of the revolted Vendeans, taking part in the battles of Le Mans and of Savenay in December 1793. Returning to Morbihan, he was arrested, and imprisoned at Brest. He succeeded, however, in escaping, and began again the struggle against the Revolution. In spite of the defeat of his party, and of the fact that he was forced several times to take refuge in England, Cadoudal did not cease both to wage war and to conspire in favour of the royalist pretenders. He refused to come to any understanding with the government, although offers were made to him by Bonaparte, who admired his skill and his obstinate energy. From 1800 it was impossible for Cadoudal to continue to wage open war, so he took altogether to plotting. He was indirectly concerned in the attempt made by Saint Régent in the rue Sainte Nicaise on the life of the First Consul, in December 1800, and fled to England again. In 1803 he returned to France to undertake a new attempt against Bonaparte. Though watched for by the police, he succeeded in eluding them for six months, but was at length arrested. Found guilty and condemned to death, he refused to ask for pardon and was executed in Paris on the 10th of June 1804, along with eleven of his companions. He is often called simply Georges.

See Procès de Georges, Moreau et Pichegru (Paris, 1804, 8 vols. 8vo); the Mémoires of Bourrienne, of Hyde de Neuville and of Rohu; Lenotre, Tournebut (on the arrest); Lejean, Biographie bretonne; and the bibliography to the article Vendée.

CADRE (Fr. for a frame, from the Lat. quadrum, a square), a framework or skeleton, particularly the permanent establishment of a military corps, regiment, &c. which can be expanded on emergency.

CADUCEUS (the Lat. adaptation of the Doric Gr. καρύκειον, Attic κηρύκειον, a herald's wand), the staff used by the messengers of the gods, and especially by Hermes as conductor of the souls of the dead to the world below. The caduceus of Hermes, which was given him by Apollo in exchange for the lyre, was a magic wand which exercised influence over the living and the dead, bestowed wealth and prosperity and turned everything it touched into gold. In its oldest form it was a rod ending in two prongs twined into a knot (probably an olive branch with two shoots, adorned with ribbons or garlands), for which, later, two serpents, with heads meeting at the top, were substituted. The mythologists explained this by the story of Hermes finding two serpents thus knotted together while fighting; he separated them with his wand, which, crowned by the serpents, became the symbol of the settlement of quarrels (Thucydides i. 53; Macrobius, Sat. i. 19; Hyginus, Poet. Astron. ii. 7). A pair of wings was sometimes attached to the top of the staff, in token of the speed of Hermes as a messenger. In historical times the caduceus was the attribute of Hermes as the god of commerce and peace, and among the Greeks it was the distinctive mark of heralds and ambassadors, whose persons it rendered inviolable. The caduceus itself was not used by the Romans, but the derivative caduceator occurs in the sense of a peace commissioner.

See L. Preller, "Der Hermesstab" in Philologus, i. (1846); O.A. Hoffmann, Hermes und Kerykeion (1890), who argues that Hermes is a male lunar divinity and his staff the special attribute of Aphrodite-Astarte.

CADUCOUS (Lat. caducus), a botanical term for "falling early," as the sepals of a poppy, before the petals expand.

CAECILIA. This name was given by Linnaeus to the blind, or nearly blind, worm-like Batrachians which were formerly associated with the snakes and are now classed as an order under the names of Apoda, Peromela or Gymnophiona. The type of the genus Caecilia is Caecilia tentaculata, a moderately slender species, not unlike a huge earth-worm, growing to 2 ft. in length with a diameter of three-quarters of an inch. It is one of the largest species of the order. Other species of the same genus are very slender in form, as for instance Caecilia gracilis, which with a length of 2¼ ft. has a diameter of only a quarter of an inch. One of the most remarkable characters of the genus Caecilia, which it shares with about two-thirds of the known genera of the order, is the presence of thin, cycloid, imbricate scales imbedded in the skin, a character only to be detected by raising the epidermis near the dermal folds, which more or less completely encircle the body. This feature, unique among living Batrachians, is probably directly inherited from the scaly Stegocephalia, a view which is further strengthened by the similarity of structure of these scales in both groups, which the histological investigations of H. Credner have revealed. The skull is well ossified and contains a greater number of bones than occur in any other living Batrachian. There is therefore strong reason for tracing the Caecilians directly from the Stegocephalia, as was the view of T.H. Huxley and of R. Wiedersheim, since supported by H. Gadow and by J.S. Kingsley. E.D. Cope had advocated the abolition of the order Apoda and the incorporation of the Caecilians among the Urodela or Caudata in the vicinity of the Amphiumidae, of which he regarded them as further degraded descendants; and this opinion, which was supported by very feeble and partly erroneous arguments, has unfortunately received the support of the two great authorities, P. and F. Sarasin, to whom we are indebted for our first information on the breeding habits and development of these Batrachians.

The knowledge of species of Caecilians has made rapid progress, and we are now acquainted with about fifty, which are referred to twenty-one genera. The principal characters on which these genera are founded reside in the presence or absence of scales, the presence or absence of eyes, the presence of one or of two series of teeth in the lower jaw, the structure of the tentacle (representing the so-called "balancers" of Urodele larvae) on the side of the snout, and the presence or absence of a vacuity between the parietal and squamosal bones of the skull. Of these twenty-one genera six are peculiar to tropical Africa, one to the Seychelles, four to south-eastern Asia, eight to Central and South America, one occurs in both continental Africa and the Seychelles, and one is common to Africa and South America.

These Batrachians are found in damp situations, usually in soft mud. The complete development of Ichthyophis glutinosus has been observed in Ceylon by P. and F. Sarasin. The eggs, forming a rosary-like string, are very large, and deposited in a burrow near the water. The female protects them by coiling herself round the egg-mass, which the young do not leave till after the loss of the very large external gills (one on each side); they then lead an aquatic life, and are provided with an opening, or spiraculum, on each side of the neck. In these larvae the head is fish-like, provided with much-developed labial lobes, with the eyes much more distinct than in the perfect animal; the tail, which is quite rudimentary in all Caecilians, is very distinct, strongly compressed, and bordered above and beneath by a dermal fold.

In Hypogeophis, a Caecilian from the Seychelles studied by A. Brauer, the development resembles that of Ichthyophis, but there is no aquatic larval stage. The young leaves the egg in the perfect condition, and at once leads a terrestrial life like its parents. In accordance with this abbreviated development, the caudal membranous crest does not exist, and the branchial aperture closes as soon as the external gills disappear.

In the South American Typhlonectes, and in the Dermophis from the Island of St Thomé, West Africa, the young are brought forth alive, in the former as larvae with external gills, and in the latter in the perfect air-breathing condition.

References.—R. Wiedersheim, Anatomie der Gymnophionen (Jena, 1879), 4to; G.A. Boulenger, "Synopsis of the Genera and Species," P.Z.S., 1895, p. 401; R. Greeff, "Über Siphonops thomensis," Sizb. Ges. Naturw. (Marburg, 1884), p. 15; P. and F. Sarasin, Naturwissenschaftliche Forschungen auf Ceylon, ii. (Wiesbaden, 1887-1890), 4to; A. Brauer, "Beiträge zur Kenntnis der Entwicklungsgeschichte und der Anatomie der Gymnophionen," Zool. Jahrb. Ana. x., 1897, p. 389, xii., 1898, p. 477, and xvii., 1904, Suppl. p. 381; E.A. Göldi, "Entwicklung von Siphonops annulatus," Zool. Jahrb. Syst. xii., 1899, p. 170; J.S. Kingsley, "The systematic Position of the Caecilians," Tufts Coll. Stud. vii., 1902, p. 323.

(G. A. B.)

CAECILIA, VIA, an ancient highroad of Italy, which diverged from the Via Salaria at the 35th m. from Rome, and ran by Amiternum to the Adriatic coast, passing probably by Hadria. A branch ran to Interamna Praetuttiorum (Teramo) and thence probably to the sea at Castrum Novum (Giulianova), a distance of about 151 m. from Rome. It was probably constructed by L. Caecilius Metellus Diadematus (consul in 117 B.C.).

See C. Hülsen in Notizie degli Scavi (1896), 87 seq. N. Persichetti in Römische Mitteilungen (1898), 193 seq.; (1902), 277 seq.

CAECILIUS, of Calacte (Καλὴ Ἀκτή) in Sicily, Greek rhetorician, flourished at Rome during the reign of Augustus. Originally called Archagathus, he took the name of Caecilius from his patron, one of the Metelli. According to Suidas, he was by birth a Jew. Next to Dionysius of Halicarnassus, he was the most important critic and rhetorician of the Augustan age. Only fragments are extant of his numerous and important works, among which may be mentioned: On the Style of the Ten Orators (including their lives and a critical examination of their works), the basis of the pseudo-Plutarchian treatise of the same name, in which Caecilius is frequently referred to; On the Sublime, attacked by (?) Longinus in his essay on the same subject (see L. Martens, De Libello Περὶ ὕψους, 1877); History of the Servile Wars, or slave risings in Sicily, the local interest of which would naturally appeal to the author; On Rhetoric and Rhetorical Figures; an Alphabetical Selection of Phrases, intended to serve as a guide to the acquirement of a pure Attic style—the first example of an Atticist lexicon, mentioned by Suidas in the preface to his lexicon as one of his authorities; Against the Phrygians, probably an attack on the florid style of the Asiatic school of rhetoric.

The fragments have been collected and edited by T. Burckhardt (1863), and E. Ofenloch (1907); some in C.W. Müller, Fragmenta Historicorum Graecorum, iii.; C. Bursian's Jahresbericht ... der classischen Altertumswissenschaft, xxiii. (1896), contains full notices of recent works on Caecilius, by C. Hammer; F. Blass, Griechische Beredsamkeit von Alexander bis auf Augustus (1865), treats of Dionysius of Halicarnassus and Caecilius together; see also J. Brzoska in Pauly-Wissowa, Realencyclopädie (1897).

CAECILIUS STATIUS, or Statius Caecilius, Roman comic poet, contemporary and intimate friend of Ennius, died in 168 (or 166) B.C. He was born in the territory of the Insubrian Gauls, and was probably taken as a prisoner to Rome (c. 200), during the great Gallic war. Originally a slave, he assumed the name of Caecilius from his patron, probably one of the Metelli. He supported himself by adapting Greek plays for the Roman stage from the new comedy writers, especially Menander. If the statement in the life of Terence by Suetonius is correct and the reading sound, Caecilius's judgment was so esteemed that he was ordered to hear Terence's Andria (exhibited 166 B.C.) read and to pronounce an opinion upon it. After several failures Caecilius gained a high reputation. Volcacius Sedigitus, the dramatic critic, places him first amongst the comic poets; Varro credits him with pathos and skill in the construction of his plots; Horace (Epistles, ii. 1. 59) contrasts his dignity with the art of Terence. Quintilian (Inst. Orat., x. 1. 99) speaks somewhat disparagingly of him, and Cicero, although he admits with some hesitation that Caecilius may have been the chief of the comic poets (De Optimo Genere Oratorum, 1), considers him inferior to Terence in style and Latinity (Ad Att. vii. 3), as was only natural, considering his foreign extraction. The fact that his plays could be referred to by name alone without any indication of the author (Cicero, De Finibus, ii. 7) is sufficient proof of their widespread popularity. Caecilius holds a place between Plautus and Terence in his treatment of the Greek originals; he did not, like Plautus, confound things Greek and Roman, nor, like Terence, eliminate everything that could not be romanized.

The fragments of his plays are chiefly preserved in Aulus Gellius, who cites several passages from the Plocium (necklace) together with the original Greek of Menander. The translation which is diffuse and by no means close, fails to reproduce the spirit of the original. Fragments in Ribbeck, Scaenicae Romanorum Poesis Fragmenta (1898); see also W.S. Teuffel, Caecilius Statius, &c. (1858); Mommsen, Hist. of Rome (Eng. tr.), bk. iii. ch. 14; F. Skutsch in Pauly-Wissowa, Realencyclopädie (1897).

CAECĪNA, the name of a distinguished Etruscan family of Volaterrae. Graves have been discovered belonging to the family, whose name is still preserved in the river and hamlet of Cecina.

Aulus Caecina, son of Aulus Caecina who was defended by Cicero (69 B.C.) in a speech still extant, took the side of Pompey in the civil wars, and published a violent tirade against Caesar, for which he was banished. He recanted in a work called Querelae, and by the intercession of his friends, above all, of Cicero, obtained pardon from Caesar. Caecina was regarded as an important authority on the Etruscan system of divination (Etrusca Disciplina), which he endeavoured to place on a scientific footing by harmonizing its theories with the doctrines of the Stoics. Considerable fragments of his work (dealing with lightning) are to be found in Seneca (Naturales Quaestiones, ii. 31-49). Caecina was on intimate terms with Cicero, who speaks of him as a gifted and eloquent man and was no doubt considerably indebted to him in his own treatise De Divinatione. Some of their correspondence is preserved in Cicero's letters (Ad Fam. vi. 5-8; see also ix. and xiii. 66).

Aulus Caecina Alienus, Roman general, was quaestor of Baetica in Spain (A.D. 68). On the death of Nero, he attached himself to Galba, who appointed him to the command of a legion in upper Germany. Having been prosecuted for embezzling public money, Caecina went over to Vitellius, who sent him with a large army into Italy. Caecina crossed the Alps, but was defeated near Cremona by Suetonius Paulinus, the chief general of Otho. Subsequently, in conjunction with Fabius Valens, Caecina defeated Otho at the decisive battle of Bedriacum (Betriacum). The incapacity of Vitellius tempted Vespasian to take up arms against him. Caecina, who had been entrusted with the repression of the revolt, turned traitor, and tried to persuade his army to go over to Vespasian, but was thrown into chains by the soldiers. After the overthrow of Vitellius, he was released, and taken into favour by the new emperor. But he could not remain loyal to any one. In 79 he was implicated in a conspiracy against Vespasian, and was put to death by order of Titus. Caecina is described by Tacitus as a man of handsome presence and boundless ambition, a gifted orator and a great favourite with the soldiers.

Tacitus, Histories, i. 53, 61, 67-70, ii. 20-25, 41-44, iii. 13; Dio Cassius lxv. 10-14, lxvi. 16; Plutarch, Otho, 7; Suetonius, Titus, 6; Zonaras xi. 17.

CÆDMON, the earliest English Christian poet. His story, and even his very name, are known to us only from Bæda (Hist. Eccl. iv. 24). He was, according to Bæda (see Bede), a herdsman, who received a divine call to poetry by means of a dream. One night, having quitted a festive company because, from want of skill, he could not comply with the demand made of each guest in turn to sing to the harp, he sought his bed and fell asleep. He dreamed that there appeared to him a stranger, who addressed him by his name, and commanded him to sing of "the beginning of created things." He pleaded inability, but the stranger insisted, and he was compelled to obey. He found himself uttering "verses which he had never heard." Of Cædmon's song Bæda gives a prose paraphrase, which may be literally rendered as follows:—"Now must we praise the author of the heavenly kingdom, the Creator's power and counsel, the deeds of the Father of glory: how He, the eternal God, was the author of all marvels—He, who first gave to the sons of men the heaven for a roof, and then, Almighty Guardian of mankind, created the earth." Bæda explains that his version represents the sense only, not the arrangement of the words, because no poetry, however excellent, can be rendered into another language, without the loss of its beauty of expression. When Cædmon awoke he remembered the verses that he had sung and added to them others. He related his dream to the farm bailiff under whom he worked, and was conducted by him to the neighbouring monastery at Streanæshalch (now called Whitby). The abbess Hild and her monks recognized that the illiterate herdsman had received a gift from heaven, and, in order to test his powers, proposed to him that he should try to render into verse a portion of sacred history which they explained to him. On the following morning he returned having fulfilled his task. At the request of the abbess he became an inmate of the monastery. Throughout the remainder of his life his more learned brethren from time to time expounded to him the events of Scripture history and the doctrines of the faith, and all that he heard from them he reproduced in beautiful poetry. "He sang of the creation of the world, of the origin of mankind and of all the history of Genesis, of the exodus of Israel from Egypt and their entrance into the Promised Land, of many other incidents of Scripture history, of the Lord's incarnation, passion, resurrection and ascension, of the coming of the Holy Ghost and the teaching of the apostles. He also made many songs of the terrors of the coming judgment, of the horrors of hell and the sweetness of heaven; and of the mercies and the judgments of God." All his poetry was on sacred themes, and its unvarying aim was to turn men from sin to righteousness and the love of God. Although many amongst the Angles had, following his example, essayed to compose religious poetry, none of them, in Bæda's opinion, had approached the excellence of Cædmon's songs.

Bæda's account of Cædmon's deathbed has often been quoted, and is of singular beauty. It is commonly stated that he died in 680, in the same year as the abbess Hild, but for this there is no authority. All that we know of his date is that his dream took place during the period (658-680) in which Hild was abbess of Streanæshalch, and that he must have died some considerable time before Bæda finished his history in 731.

The hymn said to have been composed by Cædmon in his dream is extant in its original language. A copy of it, in the poet's own Northumbrian dialect, and in a handwriting of the 8th century, appears on a blank page of the Moore MS. of Bæda's History; and five other Latin MSS. of Bæda have the poem (but transliterated into a more southern dialect) as a marginal note. In the old English version of Bæda, ascribed to King Alfred, and certainly made by his command if not by himself, it is given in the text. Probably the Latin MS. used by the translator was one that contained this addition. It was formerly maintained by some scholars that the extant Old English verses are not Bæda's original, but a mere retranslation from his Latin prose version. The argument was that they correspond too closely with the Latin; Bæda's words, "hic est sensus, non autem ordo ipse verborum," being taken to mean that he had given, not a literal translation, but only a free paraphrase. But the form of the sentences in Bæda's prose shows a close adherence to the parallelistic structure of Old English verse, and the alliterating words in the poem are in nearly every case the most obvious and almost the inevitable equivalents of those used by Bæda. The sentence quoted above can therefore have been meant only as an apology for the absence of those poetic graces that necessarily disappear in translations into another tongue. Even on the assumption that the existing verses are a retranslation, it would still be certain that they differ very slightly from what the original must have been. It is of course possible to hold that the story of the dream is pure fiction, and that the lines which Bæda translated were not Cædmon's at all. But there is really nothing to justify this extreme of scepticism. As the hymn is said to have been Cædmon's first essay in verse, its lack of poetic merit is rather an argument for its genuineness than against it. Whether Bæda's narrative be historical or not—and it involves nothing either miraculous or essentially improbable—there is no reason to doubt that the nine lines of the Moore MS. are Cædmon's composition.

This poor fragment is all that can with confidence be affirmed to remain of the voluminous works of the man whom Bæda regarded as the greatest of vernacular religious poets. It is true that for two centuries and a half a considerable body of verse has been currently known by his name; but among modern scholars the use of the customary designation is merely a matter of convenience, and does not imply any belief in the correctness of the attribution. The so-called Cædmon poems are contained in a MS. written about A.D. 1000, which was given in 1651 by Archbishop Ussher to the famous scholar Francis Junius, and is now in the Bodleian library. They consist of paraphrases of parts of Genesis, Exodus and Daniel, and three separate poems the first on the lamentations of the fallen angels, the second on the "Harrowing of Hell," the resurrection, ascension and second coming of Christ, and the third (a mere fragment) on the temptation. The subjects correspond so well with those of Cædmon's poetry as described by Bæda that it is not surprising that Junius, in his edition, published in 1655, unhesitatingly attributed the poems to him. The ascription was rejected in 1684 by G. Hickes, whose chief argument, based on the character of the language, is now known to be fallacious, as most of the poetry that has come down to us in the West Saxon dialect is certainly of Northumbrian origin. Since, however, we learn from Bæda that already in his time Cædmon had had many imitators, the abstract probability is rather unfavourable than otherwise to the assumption that a collection of poems contained in a late 10th century MS. contains any of his work. Modern criticism has shown conclusively that the poetry of the "Cædmon MS." cannot be all by one author. Some portions of it are plainly the work of a scholar who wrote with his Latin Bible before him. It is possible that some of the rest may be the composition of the Northumbrian herdsman; but in the absence of any authenticated example of the poet's work to serve as a basis of comparison, the internal evidence can afford no ground for an affirmative conclusion. On the other hand, the mere unlikeness of any particular passage to the nine lines of the Hymn is obviously no reason for denying that it may have been by the same author.

The Genesis contains a long passage (ii. 235-851) on the fall of the angels and the temptation of our first parents, which differs markedly in style and metre from the rest. This passage, which begins in the middle of a sentence (two leaves of the MS. having been lost) is one of the finest in all Old English poetry. In 1877 Professor E. Sievers argued, on linguistic grounds, that it was a translation, with some original insertions, from a lost poem in Old Saxon, probably by the author of the Heliand. Sievers's conclusions were brilliantly confirmed in 1894 by the discovery in the Vatican library of a MS. containing 62 lines of the Heliand and three fragments of an old Saxon poem on the story of Genesis. The first of these fragments includes the original of 28 lines of the interpolated passage of the Old English Genesis. The Old Saxon Biblical poetry belongs to the middle of the 9th century; the Old English translation of a portion of it is consequently later than this.

As the Genesis begins with a line identical in meaning, though not in wording, with the opening of Cædmon's Hymn, we may perhaps infer that the writer knew and used Cædmon's genuine poems. Some of the more poetical passages may possibly echo Cædmon's expressions; but when, after treating of the creation of the angels and the revolt of Lucifer, the paraphrast comes to the Biblical part of the story, he follows the sacred text with servile fidelity, omitting no detail, however prosaic. The ages of the antediluvian patriarchs, for instance, are accurately rendered into verse. In all probability the Genesis is of Northumbrian origin. The names assigned to the wives of Noah and his three sons (Phercoba, Olla, Olliua, Olliuani) have been traced to an Irish source, and this fact seems to point to the influence of the Irish missionaries in Northumbria.

The Exodus is a fine poem, strangely unlike anything else in Old English literature. It is full of martial spirit, yet makes no use of the phrases of the heathen epic, which Cynewulf and other Christian poets were accustomed to borrow freely, often with little appropriateness. The condensation of the style and the peculiar vocabulary make the Exodus somewhat obscure in many places. It is probably of southern origin, and can hardly be supposed to be even an imitation of Cædmon.

The Daniel is often unjustly depreciated. It is not a great poem but the narration is lucid and interesting. The author has borrowed some 70 lines from the beginning of a poetical rendering of the Prayer of Azarias and the Song of the Three Children, of which there is a copy in the Exeter Book. The borrowed portion ends with verse 3 of the canticle, the remainder of which follows in a version for the most part independent, though containing here and there a line from Azarias. Except in inserting the prayer and the Benedicite, the paraphrast draws only from the canonical part of the book of Daniel. The poem is obviously the work of a scholar, though the Bible is the only source used.

The three other poems, designated as "Book II" in the Junius MS., are characterized by considerable imaginative power and vigour of expression, but they show an absence of literary culture and are somewhat rambling, full of repetitions and generally lacking in finish. They abound in passages of fervid religious exhortation. On the whole, both their merits and their defects are such as we should expect to find in the work of the poet celebrated by Bæda, and it seems possible, though hardly more than possible, that we have in these pieces a comparatively little altered specimen of Cædmon's compositions.

Of poems not included in the Junius MS., the Dream of the Rood (see Cynewulf) is the only one that has with any plausibility been ascribed to Cædmon. It was affirmed by Professor G. Stephens that the Ruthwell Cross, on which a portion of the poem is inscribed in runes, bore on its top-stone the name "Cadmon"; but, according to Professor W. Vietor, the traces of runes that are still visible exclude all possibility of this reading. The poem is certainly Northumbrian and earlier than the date of Cynewulf. It would be impossible to prove that Cædmon was not the author, though the production of such a work by the herdsman of Streanæshalch would certainly deserve to rank among the miracles of genius.

Certain similarities between passages in Paradise Lost and parts of the translation from Old Saxon interpolated in the Old English Genesis have given occasion to the suggestion that some scholar may have talked to Milton about the poetry published by Junius in 1655, and that the poet may thus have gained some hints which he used in his great work. The parallels, however, though very interesting, are only such as might be expected to occur between two poets of kindred genius working on what was essentially the same body of traditional material.

The name Cædmon (in the MSS. of the Old English version of Bæda written Cedmon, Ceadmann) is not explicable by means of Old English; the statement that it means "boatman" is founded on the corrupt gloss liburnam, ced, where ced is an editorial misreading for ceol. It is most probably the British Cadman, intermediate between the Old Celtic Catumanus and the modern Welsh Cadfan. Possibly the poet may have been of British descent, though the inference is not certain, as British names may sometimes have been given to English children. The name Caedwalla or Ceadwalla was borne by a British king mentioned by Bæda and by a king of the West Saxons. The initial element Caed—or Cead (probably adopted from British names in which it represents catu, war) appears combined with an Old English terminal element in the name Caedbaed (cp., however, the Irish name Cathbad), and hypocoristic forms of names containing it were borne by the English saints Ceadda (commonly known as St Chad) and his brother Cedd, called Ceadwealla in one MS. of the Old English Martyrology. A Cadmon witnesses a Buckinghamshire charter of about A.D. 948.

The older editions of the so-called "Cædmon's Paraphrase" by F. Junius (1655); B. Thorpe (1832), with an English translation; K.W. Bouterwek (1851-1854); C.W.M. Grein in his Bibliothek der angelsächsischen Poesie (1857) are superseded, so far as the text is concerned, by R. Wülker's re-edition of Grein's Bibliothek, Bd. ii. (1895). This work contains also the texts of the Hymn and the Dream of the Rood. The pictorial illustrations of the Junius MS. were published in 1833 by Sir H. Ellis.

(H. Br.)

It is a significant fact that the Alfredian version, instead of translating this sentence, introduces the verses with the words, "This is the order of the words."

The invention of these names was perhaps suggested by Pericope Oollae et Oolibae, which may have been a current title for the 23rd chapter of Ezekiel.

Stephens read the inscription on the top-stone as Cadmon mae fauaepo, which he rendered "Cadmon made me." But these words are mere jargon, not belonging to any known or possible Old English dialect.

CAELIA, the name of two ancient cities in Italy, (1) In Apulia (mod. Ceglie di Bari) on the Via Traiana, 5 m. S. of Barium. Coins found here bearing the inscription Καιλίνων prove that it was once an independent town. Discoveries of ruins and tombs have also been made. (2) In Calabria (mod. Ceglie Messapica) 25 m. W. of Brundusium, and 991 ft. above sea-level. It was in early times a place of some importance, as is indicated by the remains of a prehistoric enceinte and by the discovery of several Messapian inscriptions.

See Ch. Hülsen in Pauly-Wissowa, Realencyclopadie, iii. 1252.

CAEN, a city of north-western France, capital of the department of Calvados, 7½ m. from the English Channel and 149 m. W.N.W. of Paris on the Western railway to Cherbourg. Pop. (1906) 36,247. It is situated in the valley and on the left bank of the Orne, the right bank of which is occupied by the suburb of Vaucelles with the station of the Western railway. To the south-west of Caen, the Orne is joined by the Odon, arms of which water the "Prairie," a fine plain on which a well-known race-course is laid out. Its wide streets, of which the most important is the rue St Jean, shady boulevards, and public gardens enhance the attraction which the town derives from an abundance of fine churches and old houses. Hardly any remains of its once extensive ramparts and towers are now to be seen; but the castle, founded by William the Conqueror and completed by Henry I., is still employed as barracks, though in a greatly altered condition. St Pierre, the most beautiful church in Caen, stands at the northern extremity of the rue St Jean, in the centre of the town. In the main, its architecture is Gothic, but the choir and the apsidal chapels, with their elaborate interior and exterior decoration, are of Renaissance workmanship. The graceful tower, which rises beside the southern portal to a height of 255 ft., belongs to the early 14th century. The church of St Étienne, or l'Abbaye-aux-Hommes, in the west of the town, is an important specimen of Romanesque architecture, dating from about 1070, when it was founded by William the Conqueror. It is unfortunately hemmed in by other buildings, so that a comprehensive view of it is not to be obtained. The whole building, and especially the west façade, which is flanked by two towers with lofty spires, is characterized by its simplicity. The choir, which is one of the earliest examples of the Norman Gothic style, dates from the early 13th century. In 1562 the Protestants did great damage to the building, which was skilfully restored in the early 17th century. A marble slab marks the former resting-place of William the Conqueror. The abbey-buildings were rebuilt in the 17th and 18th centuries, and now shelter the lycée. Matilda, wife of the Conqueror, was the foundress of the church of La Trinité or l'Abbaye-aux-Dames, which is of the same date as St Étienne. Two square unfinished towers flank the western entrance, and another rises above the transept. Queen Matilda is interred in the choir, and a fine crypt beneath it contains the remains of former abbesses. The buildings of the nunnery, reconstructed in the early 18th century, now serve as a hospital. Other interesting old churches are those of St Sauveur, St Michel de Vaucelles, St Jean, St Gilles, Notre-Dame de la Gloriette, St Étienne le Vieux and St Nicolas, the last two now secularized. Caen possesses many old timber houses and stone mansions, in one of which, the hôtel d'Ecoville (c. 1530), the exchange and the tribunal of commerce are established. The hôtel de Than, also of the 16th century, is remarkable for its graceful dormer-windows. The Maison des Gens d'Armes (15th century), in the eastern outskirts of the town, has a massive tower adorned with medallions and surmounted by two figures of armed men. The monuments at Caen include one to the natives of Calvados killed in 1870 and 1871 and one to the lawyer J.C.F. Demolombe, together with statues of Louis XIV, Élie de Beaumont, Pierre Simon, marquis de Laplace, D.F.E. Auber and François de Malherbe, the two last natives of the town. Caen is the seat of a court of appeal, of a court of assizes and of a prefect. It is the centre of an academy and has a university with faculties of law, science and letters and a preparatory school of medicine and pharmacy; there are also a lycée, training colleges, schools of art and music, and two large hospitals. The other chief public institutions are tribunals of first instance and commerce, an exchange, a chamber of commerce and a branch of the Bank of France. The hôtel-de-ville contains the library, with more than 100,000 volumes and the art museum with a fine collection of paintings. The town is the seat of several learned societies including the Société des Antiquaires, which has a rich museum of antiquities. Caen, despite a diversity of manufactures, is commercial rather than industrial. Its trade is due to its position in the agricultural and horse-breeding district known as the "Campagne de Caen" and to its proximity to the iron mines of the Orne valley, and to manufacturing towns such as Falaise, Le Mans, &c. In the south-east of the town there is a floating basin lined with quays and connected with the Orne and with the canal which debouches into the sea at Ouistreham 9 m. to the N.N.E. The port, which also includes a portion of the river-bed, communicates with Havre and Newhaven by a regular line of steamers; it has a considerable fishing population. In 1905 the number of vessels entered was 563 with a tonnage of 190,190. English coal is foremost among the imports, which also include timber and grain, while iron ore, Caen stone, butter and eggs and fruit are among the exports. Important horse and cattle fairs are held in the town. The industries of Caen include timber-sawing, metal-founding and machine-construction, cloth-weaving, lace-making, the manufacture of leather and gloves, and of oil from the colza grown in the district, furniture and other wooden goods and chemical products.

Though Caen is not a town of great antiquity, the date of its foundation is unknown. It existed as early as the 9th century, and when, in 912, Neustria was ceded to the Normans by Charles the Simple, it was a large and important place. Under the dukes of Normandy, and particularly under William the Conqueror, it rapidly increased. It became the capital of lower Normandy, and in 1346 was besieged and taken by Edward III. of England. It was again taken by the English in 1417, and was retained by them till 1450, when it capitulated to the French. The university was founded in 1436 by Henry VI. of England. During the Wars of Religion, Caen embraced the reform; in the succeeding century its prosperity was shattered by the revocation of the edict of Nantes (1685). In 1793 the city was the focus of the Girondist movement against the Convention.

See G. Mancel et C. Woinez, Hist. de la ville de Caen et de ses progrès (Caen, 1836); B. Pent, Hist. de la ville de Caen, ses origines (Caen, 1866); E. de R. de Beaurepaire, Caen illustré: son histoire, ses monuments (Caen, 1896).

A limestone well adapted for building. It was well known in the 15th and 16th centuries, at which period many English churches were built of it.

CAEPIO, QUINTUS SERVILIUS, Roman general, consul 106 B.C. During his year of office, he brought forward a law by which the jurymen were again to be chosen from the senators instead of the equites (Tacitus, Ann. xii. 60). As governor of Gallia Narbonensis, he plundered the temple of the Celtic Apollo at Tolosa (Toulouse), which had joined the Cimbri. In 105, Caepio suffered a crushing defeat from the Cimbri at Arausio (Orange) on the Rhone, which was looked upon as a punishment for his sacrilege; hence the proverb Aurum Tolosanum habet, of an act involving disastrous consequences. In the same year he was deprived of his proconsulship and his property confiscated; subsequently (the chronology is obscure, see Mommsen, History of Rome, bk. iv. ch. 5) he was expelled from the senate, accused by the tribune Norbanus of embezzlement and misconduct during the war, condemned and imprisoned. He either died during his confinement or escaped to Smyrna.

Livy, Epit. 67; Valerius Maximus iv. 7. 3; Justin xxxii. 3; Aulus Gellius iii. 9.

CAERE (mod. Cerveteri, i.e. Caere vetus, see below), an ancient city of Etruria about 5 m. from the sea coast and about 20 m. N.W. of Rome, direct from which it was reached by branch roads from the Via Aurelia and Via Clodia. Ancient writers tell us that its original Pelasgian name was Agylla, and that the Etruscans took it and called it Caere (when this occurred is not known), but the former name lasted on into later times as well as Caere. It was one of the twelve cities of Etruria, and its trade, through its port Pyrgos (q.v.), was of considerable importance. It fought with Rome in the time of Tarquinus Priscus and Servius Tullius, and subsequently became the refuge of the expelled Tarquins. After the invasion of the Gauls in 390 B.C., the vestal virgins and the sacred objects in their custody were conveyed to Caere for safety, and from this fact some ancient authorities derive the word caerimonia, ceremony. A treaty was made between Rome and Caere in the same year. In 353, however, Caere took up arms against Rome out of friendship for Tarquinii, but was defeated, and it is probably at this time that it became partially incorporated with the Roman state, as a community whose members enjoyed only a restricted form of Roman citizenship, without the right to a vote, and which was, further, without internal autonomy. The status is known as the ius Caeritum, and Caere was the first of a class of such municipalities (Th. Mommsen, Römische Staatsrecht, iii. 583). In the First Punic War, Caere furnished Rome with corn and provisions, but otherwise, up till the end of the Republic, we only hear of prodigies being observed at Caere and reported at Rome, the Etruscans being especially expert in augural lore. By the time of Augustus its population had actually fallen behind that of the Aquae Caeretanae (the sulphur springs now known as the Bagni del Sasso, about 5 m. W.), but under either Augustus or Tiberius its prosperity was to a certain extent restored, and inscriptions speak of its municipal officials (the chief of them called dictator) and its town council, which had the title of senatus. In the middle ages, however, it sank in importance, and early in the 13th century, a part of the inhabitants founded Caere novum (mod. Ceri) 3 m. to the east.

The town lay on a hill of tufa, running from N.E. to S.W., isolated except on the N.E., and about 300 ft. above sea-level. The modern town, at the western extremity, probably occupies the site of the acropolis. The line of the city walls, of rectangular blocks of tufa, can be traced, and there seem to have been eight gates in the circuit, which was about 4 m. in length. There are no remains of buildings of importance, except the theatre, in which many inscriptions and statues of emperors were found. The necropolis in the hill to the north-west, known as the Banditaccia, is important. The tomb chambers are either hewn in the rock or covered by mounds. One of the former class was the family tomb of the Tarchna-Tarquinii, perhaps descended from the Roman kings; others are interesting from their architectural and decorative details. One especially, the Grotta dei Bassirilievi, has interesting reliefs cut in the rock and painted, while the walls of another were decorated with painted tiles of terracotta. The most important tomb of all, the Regolini-Galassi tomb (taking its name from its discoverers), which lies S.W. of the ancient city, is a narrow rock-hewn chamber about 60 ft. long, lined with masonry, the sides converging to form the roof. The objects found in it (a chariot, a bed, silver goblets with reliefs, rich gold ornaments, &c.) are now in the Etruscan Museum at the Vatican: they are attributed to about the middle of the 7th century B.C. At a short distance from the modern town on the west, thousands of votive terracottas were found in 1886, some representing divinities, others parts of the human body (Notizie degli Scavi, 1886, 38). They must have belonged to some temple.

See G. Dennis, Cities and Cemeteries of Etruria, i. 226 seq.; C. Hülsen in Pauly-Wissowa, Realencyclopädie, iii. 1281.

(T. As.)

CAERLEON, an ancient village in the southern parliamentary division of Monmouthshire, England, on the right (west) bank of the Usk, 3 m. N.E. of Newport. Pop. (1901) 1411. Its claim to notice rests on its Roman and British associations. As Isca Silurum, it was one of the three great legionary fortresses of Roman Britain, established either about A.D. 50 (Tacitus, Annals, xii. 32), or perhaps, as coin-finds suggest, about A.D. 74-78 in the governorship of Julius Frontinus, and in either case intended to coerce the wild Silures. It was garrisoned by the Legio II. Augusta from its foundation till near the end of the Roman rule in Britain. Though never seriously excavated, it contains plentiful visible traces of its Roman period—part of the ramparts, the site of an amphitheatre, and many inscriptions, sculptured stones, &c., in the local museum. No civil life or municipality seems, however, to have grown up outside its walls, as at York (Eburācum). Like Chester (see Deva), it remained purely military, and the common notion that it was the seat of a Christian bishopric in the 4th century is unproved and improbable. Its later history is obscure. We do not know when the legion was finally withdrawn, nor what succeeded. But Welsh legend has made the site very famous with tales of Arthur (revived by Tennyson in his Idylls), of Christian martyrs, Aaron and Julius, and of an archbishopric held by St Dubric and shifted to St David's in the 6th century. Most of these traditions date from Geoffrey of Monmouth (about 1130-1140), and must not be taken for history. The ruins of Caerleon attracted notice in the 12th and following centuries, and gave plain cause for legend-making. There is better, but still slender, reason for the belief that it was here, and not at Chester, that five kings of the Cymry rowed Edgar in a barge as a sign of his sovereignty (A.D. 973). The name Caerleon seems to be derived from the Latin Castra legionum, but it is not peculiar to Caerleon-on-Usk, being often used of Chester and occasionally of Leicester and one or two other places.

(F. J. H.)

CAERPHILLY, a market town of Glamorganshire, Wales, 152¼ m. from London by rail via Cardiff, 7 m. from Cardiff, 12 m. from Newport and 6 m. from Pontypridd. The origin of the name is unknown. It was formerly in the ancient parish of Eglwysilan, but from that and Bedwas (Mon.) an ecclesiastical parish was formed in 1850, while the whole of the parishes of Eglwysilan and Llanfabon, with a total acreage of 14,426, were in 1893 constituted into an urban district; its population in 1901 was 15,385, of which 4343 were in the "town" ward. In 1858 was opened the Rhymney railway from Rhymney to Caerphilly and on to Taff's Well, whence it had running powers over the Taff Vale railway to Cardiff, but in 1871, by means of a tunnel about 2000 yds. long, under Cefn Onn, a direct line was provided from Caerphilly to Cardiff. A branch line, 4 m. long, was opened in 1894 to Senghenydd. The Pontypridd and Newport railway was constructed in 1887, and there is a joint station at Caerphilly for both railways. Some 2 m. eastwards there is a station on the Brecon and Merthyr railway at Bedwas.

The ancient commote of Senghenydd (corresponding to the modern hundred of Caerphilly) comprised the mountainous district extending from the ridge of Cefn Onn on the south to Breconshire on the north, being bounded by the rivers Taff and Rumney on the west and east. Its inhabitants, though nominally subject to the lords of Glamorgan since Fitzhamon's conquest, enjoyed a large measure of independence and often raided the lowlands. To keep these in check, Gilbert de Clare, during the closing years of the reign of Henry III., built the castle of Caerphilly on the southern edge of this district, in a wide plain between the two rivers. It had probably not been completed, though it was already defensible, when Prince Llewelyn ab Griffith, incensed by its construction and claiming its site as his own, laid siege to it in 1271 and refused to retire except on conditions. Subsequently completed and strengthened it became and still remains (in the words of G.T. Clark) "both the earliest and the most complete example in Britain of a concentric castle of the type known as 'Edwardian', the circle of walls and towers of the outer, inner and middle wards exhibiting the most complete illustration of the most scientific military architecture". The knoll on which it stood was converted almost into an island by the damming up of an adjacent brook, and the whole enclosed area amounted to 30 acres. The great hall (which is 73 ft. by 35 ft. and about 30 ft. high) is a fine example of Decorated architecture. This and other additions are attributed to Hugh le Despenser (1318-1326). Edward II. visited the castle shortly before his capture in 1326. The defence of the castle was committed by Henry IV. to Constance, Lady Despenser, in September 1403, but it was shortly afterwards taken by Owen Glyndwr, to whose mining operations tradition ascribes the leaning position of a large circular tower, about 50 ft. high, the summit of which overhangs its base about 9 ft. Before the middle of the 15th century it had ceased to be a fortified residence and was used as a prison, which was also the case in the time of Leland (1535), who describes it as in a ruinous state. It is still, however, one of the most extensive and imposing ruins of the kind in the kingdom.

The town grew up around the castle but never received a charter or had a governing body. In 1661 the corporation of Cardiff complained of Cardiff's impoverishment by reason of a fair held every three weeks for the previous four years at Caerphilly, though "no Borough." Its markets during the 19th century had been chiefly noted for the Caerphilly cheese sold there. The district was one of the chief centres of the Methodist revival of the 18th century, the first synod of the Calvinistic Methodists being held in 1743 at Watford farm close to the town, from which place George Whitefield was married at Eglwysilan church two years previously. The church of St Martin was built in 1879, and there are Nonconformist chapels. Mining is now the chief industry of the district.

(D. Ll. T.)

CAESALPINUS (Cesalpino), ANDREAS (1519-1603), Italian natural philosopher, was born in Arezzo in Tuscany in 1519. He studied anatomy and medicine at the university of Pisa, where he took his doctor's degree in 1551, and in 1555 became professor materia medica and director of the botanical garden. Appointed physician to Pope Clement VIII., he removed in 1592 to Rome, where he died on the 23rd of February 1603. Caesalpinus was the most distinguished botanist of his time. His work, De Plantis libri xvi. (Florence, 1583), was not only the source from which various subsequent writers, and especially Robert Morison (1620-1683) derived their ideas of botanical arrangement but it was a mine of science to which Linnaeus himself gratefully avowed his obligations. Linnaeus's copy of the book evinces the great assiduity with which he studied it; he laboured throughout to remedy the defect of the want of synonyms, sub-joined his own generic names to nearly every species, and particularly indicated the two remarkable passages where the germination of plants and their sexual distinctions are explained. Caesalpinus was also distinguished as a physiologist, and it has been claimed that he had a clear idea of the circulation of the blood (see Harvey, William). His other works include Daemonum investigatio peripatetica (1580), Quaestionum medicarum libri ii. (1593), De Metallicis (1596), and Quaestionum peripateticarum libri v. (1571)

CAESAR, GAIUS JULIUS (102-44 B.C.), the great Roman soldier and statesman, was born on the 12th of July 102 B.C. His family was of patrician rank and traced a legendary descent from Iulus, the founder of Alba Longa, son of Aeneas and grandson of Venus and Anchises. Caesar made the most of his divine ancestry and built a temple in his forum to Venus Genetrix; but his patrician descent was of little importance in politics and disqualified Caesar from holding the tribunate, an office to which, as a leader of the popular party, he would naturally have aspired. The Julii Caesares, however, had also acquired the new nobilitas, which belonged to holders of the great magistracies. Caesar's uncle was consul in 91 B.C., and his father held the praetorship. Most of the family seem to have belonged to the senatorial party (optimates); but Caesar himself was from the first a popularis. The determining factor is no doubt to be sought in his relationship with C. Marius, the husband of his aunt Julia. Caesar was born in the year of Marius's first great victory over the Teutones, and as he grew up, inspired by the traditions of the great soldier's career, attached himself to his party and its fortunes. Of his education we know scarcely anything. His mother, Aurelia, belonged to a distinguished family, and Tacitus (Dial. de Orat. xxviii.) couples her name with that of Cornelia, the mother of the Gracchi, as an example of the Roman matron whose disciplina and severitas formed her son for the duties of a soldier and statesman. His tutor was M. Antonius Gnipho, a native of Gaul (by which Cisalpine Gaul may be meant), who is said to have been equally learned in Greek and Latin literature, and to have set up in later years a school of rhetoric which was attended by Cicero in his praetorship 66 B.C. It is possible that Caesar may have derived from him his interest in Gaul and its people and his sympathy with the claims of the Romanized Gauls of northern Italy to political rights.

In his sixteenth year (87 B.C.) Caesar lost his father, and assumed the toga virilis as the token of manhood. The social war (90-89 B.C.) had been brought to a close by the enfranchisement of Rome's Italian subjects; and the civil war which followed it led, after the departure of Sulla for the East, to the temporary triumph of the populares, led by Marius and Cinna, and the indiscriminate massacre of their political opponents, including both of Caesar's uncles. Caesar was at once marked out for high distinction, being created flamen Dialis or priest of Jupiter. In the following year (which saw the death of Marius) Caesar, rejecting a proposed marriage with a wealthy capitalist's heiress, sought and obtained the hand of Cornelia, the daughter of Cinna, and thus became further identified with the ruling party. His career was soon after interrupted by the triumphant return of Sulla (82 B.C.), who ordered him to divorce his wife, and on his refusal deprived him of his property and priesthood and was induced to spare his life only by the intercession of his aristocratic relatives and the college of vestal virgins.

Released from his religious obligations, Caesar now (81 B.C.) left Rome for the East and served his first campaign under Minucius Thermus, who was engaged in stamping out the embers of resistance to Roman rule in the province of Asia, and received from him the "civic crown" for saving a fellow-soldier's life at the storm of Mytilene. In 78 B.C. he was serving under Servilius Isauricus against the Cilician pirates when the news of Sulla's death reached him and he at once returned to Rome. Refusing to entangle himself in the abortive and equivocal schemes of Lepidus to subvert the Sullan constitution, Caesar took up the only instrument of political warfare left to the opposition by prosecuting two senatorial governors, Cn. Cornelius Dolabella (in 77 B.C.) and C. Antonius (in 76 B.C.) for extortion in the provinces of Macedonia and Greece, and though he lost both cases, probably convinced the world at large of the corruption of the senatorial tribunals. After these failures Caesar determined to take no active part in politics for a time, and retraced his steps to the East in order to study rhetoric under Molon, at Rhodes. On the journey thither he was caught by pirates, whom he treated with consummate nonchalance while awaiting his ransom, threatening to return and crucify them; when released he lost no time in carrying out his threat. Whilst he was studying at Rhodes the third Mithradatic War broke out, and Caesar at once raised a corps of volunteers and helped to secure the wavering loyalty of the provincials of Asia. When Lucullus assumed the command of the Roman troops in Asia, Caesar returned to Rome, to find that he had been elected to a seat on the college of pontifices left vacant by the death of his uncle, C. Aurelius Cotta. He was likewise elected first of the six tribuni militum a populo, but we hear nothing of his service in this capacity. Suetonius tells us that he threw himself into the agitation for the restoration of the ancient powers of the tribunate curtailed by Sulla, and that he secured the passing of a law of amnesty in favour of the partisans of Sertorius. He was not, however, destined to compass the downfall of the Sullan régime; the crisis of the Slave War placed the Senate at the mercy of Pompey and Crassus, who in 70 B.C. swept away the safeguards of senatorial ascendancy, restored the initiative in legislation to the tribunes, and replaced the Equestrian order, i.e. the capitalists, in partial possession of the jury-courts. This judicial reform (or rather compromise) was the work of Caesar's uncle, L. Aurelius Cotta. Caesar himself, however, gained no accession of influence. In 69 B.C. he served as quaestor under Antistius Vetus, governor of Hither Spain, and on his way back to Rome (according to Suetonius) promoted a revolutionary agitation amongst the Transpadanes for the acquisition of full political rights, which had been denied them by Sulla's settlement.

Caesar was now best known as a man of pleasure, celebrated for his debts and his intrigues; in politics he had no force behind him save that of the discredited party of the populares, reduced to lending a passive support to Pompey and Crassus. But as soon as the proved incompetence of the senatorial government had brought about the mission of Pompey to the East with the almost unlimited powers conferred on him by the Gabinian and Manilian laws of 67 and 66 B.C. (see Pompey), Caesar plunged into a network of political intrigues which it is no longer possible to unravel. In his public acts he lost no opportunity of upholding the democratic tradition. Already in 68 B.C. he had paraded the bust of Marius at his aunt's funeral; in 65 B.C., as curule aedile, he restored the trophies of Marius to their place on the Capitol; in 64 B.C., as president of the murder commission, he brought three of Sulla's executioners to trial, and in 63 B.C. he caused the ancient procedure of trial by popular assembly to be revived against the murderer of Saturninus. By these means, and by the lavishness of his expenditure on public entertainments as aedile, he acquired such popularity with the plebs that he was elected pontifex maximus in 63 B.C. against such distinguished rivals as Q. Lutatius Catulus and P. Servilius Isauricus. But all this was on the surface. There can be no doubt that Caesar was cognizant of some at least of the threads of conspiracy which were woven during Pompey's absence in the East. According to one story, the enfants perdus of the revolutionary party—Catiline, Autronius and others—designed to assassinate the consuls on the 1st of January 65, and make Crassus dictator, with Caesar as master of the horse. We are also told that a public proposal was made to confer upon him an extraordinary military command in Egypt, not without a legitimate king and nominally under the protection of Rome. An equally abortive attempt to create a counterpoise to Pompey's power was made by the tribune Rullus at the close of 64 B.C. He proposed to create a land commission with very wide powers, which would in effect have been wielded by Caesar and Crassus. The bill was defeated by Cicero, consul in 63 B.C. In the same year the conspiracy associated with the name of Catiline came to a head. The charge of complicity was freely levelled at Caesar, and indeed was hinted at by Cato in the great debate in the senate. But Caesar, for party reasons, was bound to oppose the execution of the conspirators; while Crassus, who shared in the accusation, was the richest man in Rome and the least likely to further anarchist plots. Both, however, doubtless knew as much and as little as suited their convenience of the doings of the left wing of their party, which served to aggravate the embarrassments of the government.

As praetor (62 B.C.) Caesar supported proposals in Pompey's favour which brought him into violent collision with the senate. This was a master-stroke of tactics, as Pompey's return was imminent. Thus when Pompey landed in Italy and disbanded his army he found in Caesar a natural ally. After some delay, said to have been caused by the exigencies of his creditors, which were met by a loan of £200,000 from Crassus, Caesar left Rome for his province of Further Spain, where he was able to retrieve his financial position, and to lay the foundations of a military reputation. He returned to Rome in 60 B.C. to find that the senate had sacrificed the support of the capitalists (which Cicero had worked so hard to secure), and had finally alienated Pompey by refusing to ratify his acts and grant lands to his soldiers. Caesar at once approached both Pompey and Crassus, who alike detested the existing system of government but were personally at variance, and succeeded in persuading them to forget their quarrel and join him in a coalition which should put an end to the rule of the oligarchy. He even made a generous, though unsuccessful, endeavour to enlist the support of Cicero. The so-called First Triumvirate was formed, and constitutional government ceased to exist save in name.

The first prize which fell to Caesar was the consulship, to secure which he forewent the triumph which he had earned in Spain. His colleague was M. Bibulus, who belonged to the straitest sect of the senatorial oligarchy and, together with his party, placed every form of constitutional obstruction in the path of Caesar's legislation. Caesar, however, overrode all opposition, mustering Pompey's veterans to drive his colleague from the forum. Bibulus became a virtual prisoner in his own house, and Caesar placed himself outside the pale of the free republic. Thus the programme of the coalition was carried through. Pompey was satisfied by the ratification of his acts in Asia, and by the assignment of the Campanian state domains to his veterans, the capitalists (with whose interests Crassus was identified) had their bargain for the farming of the Asiatic revenues cancelled, Ptolemy Auletes received the confirmation of his title to the throne of Egypt (for a consideration amounting to £1,500,000), and a fresh act was passed for preventing extortion by provincial governors.

It was now all-important for Caesar to secure practical irresponsibility by obtaining a military command. The senate, in virtue of its constitutional prerogative, had assigned as the provincia of the consuls of 59 B.C. the supervision of roads and forests in Italy. Caesar secured the passing of a legislative enactment conferring upon himself the government of Cisalpine Gaul and Illyria for five years, and exacted from the terrorized senate the addition of Transalpine Gaul, where, as he well knew, a storm was brewing which threatened to sweep away Roman civilization beyond the Alps. The mutual jealousies of the Gallic tribes had enabled German invaders first to gain a foothold on the left bank of the Rhine, and then to obtain a predominant position in Central Gaul. In 60 B.C. the German king Ariovistus had defeated the Aedui, who were allies of Rome, and had wrested from the Sequani a large portion of their territory. Caesar must have seen that the Germans were preparing to dispute with Rome the mastery of Gaul; but it was necessary to gain time, and in 59 B.C. Ariovistus was inscribed on the roll of the friends of the Roman people. In 58 B.C. the Helvetii, a Celtic people inhabiting Switzerland, determined to migrate for the shores of the Atlantic and demanded a passage through Roman territory. According to Caesar's statement they numbered 368,000, and it was necessary at all hazards to save the Roman province from the invasion. Caesar had but one legion beyond the Alps. With this he marched to Geneva, destroyed the bridge over the Rhone, fortified the left bank of the river, and forced the Helvetii to follow the right bank. Hastening back to Italy he withdrew his three remaining legions from Aquileia, raised two more, and, crossing the Alps by forced marches, arrived in the neighbourhood of Lyons to find that three-fourths of the Helvetii had already crossed the Saône, marching westward. He destroyed their rearguard, the Tigurini, as it was about to cross, transported his army across the river in twenty-four hours, pursued the Helvetii in a northerly direction, and utterly defeated them at Bibracte (Mont Beuvray). Of the survivors a few were settled amongst the Aedui; the rest were sent back to Switzerland lest it should fall into German hands.

The Gallic chiefs now appealed to Caesar to deliver them from the actual or threatened tyranny of Ariovistus. He at once demanded a conference, which Ariovistus refused, and on hearing that fresh swarms were crossing the Rhine, marched with all haste to Vesontio (Besançon) and thence by way of Belfort into the plain of Alsace, where he gained a decisive victory over the Germans, of whom only a few (including Ariovistus) reached the right bank of the Rhine in safety. These successes roused natural alarm in the minds of the Belgae—a confederacy of tribes in the north-west of Gaul, whose civilization was less advanced than that of the Celtae of the centre—and in the spring of 57 B.C. Caesar determined to anticipate the offensive movement which they were understood to be preparing and marched northwards into the territory of the Remī (about Reims), who alone amongst their neighbours were friendly to Rome. He successfully checked the advance of the enemy at the passage of the Aisne (between Laon and Reims) and their ill-organized force melted away as he advanced. But the Nervii, and their neighbours further to the north-west, remained to be dealt with, and were crushed only after a desperate struggle on the banks of the Sambre, in which Caesar was forced to expose his person in the mêlée. Finally, the Aduatuci (near Namur) were compelled to submit, and were punished for their subsequent treachery by being sold wholesale into slavery. In the meantime Caesar's lieutenant, P. Crassus, received the submission of the tribes of the north-east, so that by the close of the campaign almost the whole of Gaul—except the Aquitani in the south-west—acknowledged Roman suzerainty.