Character Sketches of Romance, Fiction, and the Drama, Vol. 2 (part 2)

Giaour [djow´.er]. Byron’s tale called The Giaour is supposed to be told by a Turkish fisherman who had been employed all the day in the gulf of Ægi´na, and landed his boat at night-fall on the Piræ´us, now called the harbor of Port Leonê. He was eye-witness of all the incidents, and in one of them a principal agent (see line 352: “I hear the sound of coming feet....”). The tale is this: Leilah, the beautiful concubine of the Caliph Hasson, falls in love with a giaour, flees from the seraglio, is overtaken by an emir, put to death, and cast into the sea. The giaour cleaves Hassan’s skull, flees for his life, and becomes a monk. Six years afterwards he tells his history to his father confessor on his death-bed, and prays him to “lay his body with the humblest dead, and not even to inscribe his name on his tomb.” Accordingly, he is called “the Giaour,” and is known by no other name (1813).

Giauha´re (4 syl.), daughter of the king of Saman´dal, the mightiest of the undersea empires. When her father was made captive by king Saleh, she emerged for safety to a desert island, where she met Bed´er, the young king of Persia, who proposed to make her his wife; but Griauharê “spat on him,” and changed him “into a white bird with red beak and red legs.” The bird was sold to a certain king, and, being disenchanted, resumed the human form. After several marvellous adventures, Beder again met the under-sea princess, proposed to her again, and she became his wife and queen of Persia.—Arabian Nights (“Beder and Griauharê”).

Gibbet, a foot-pad and a convict, who “left his country for his country’s good.” He piqued himself on being “the best-behaved man on the road.”

’Twas for the good of my country I should be abroad.—George Farquhar, The Beaux’ Stratagem, iii. 3 (1707).

I thought it rather odd ... and said to myself, as Gibbet said when he heard that Aimwell had gone to church, “That looks suspicious.”—James Smith.

Gibbet (Master), secretary to Martin Joshua Bletson (parliamentary commissioner).—Sir W. Scott, Woodstock (time, Commonwealth).

Gib´bie (Guse), a half-witted lad in the service of Lady Bellenden.—Sir W. Scott, Old Mortality (time, Charles II.).

Like Goose Gibbie of famous memory, he first kept the turkeys, and then, as his years advanced, was promoted to the more important office of minding the cows.—Keightley.

Gibby, a Scotch Highlander in attendance on Colonel Briton. He marries Inis, the waiting-woman of Isabella.—Mrs. Centlivre, The Wonder (1714).

Gibou, (Madame), a type of feminine vulgarity. A hard-headed, keen-witted, coarsely clever, and pragmatical maîtresse femme, who believes in nothing but a good digestion and money in the Funds.—Henri Monnier, Scènes Populaires (1852.)

Mde. Pochet and Mde. Gibou are the French “Mrs. Gamp and Mrs. Harris.”

Gibson (Janet), a young dependent on Mrs. Margaret Bertram of Singleside.—Sir W. Scott, Guy Mannering (time, George II.).

Gifford (John). This pseudonym has been adopted by three authors: (1) John Richards Green, Blackstone’s Commentaries Abridged, 1823; (2) Edward Foss, An Abridgment of Blackstone’s Commentaries (1821); (3) Alexander Whellier, The English Lawyer.

Gifford (William), author of The Baviad, a poetical satire, which annihilated the Delia Crusca school of poets (1794). In 1796, Gifford published The Mœviad, to expose the low state of dramatic authorship.

He was a man with whom I had no literary sympathies.... He had, however, a heart full of kindness for all living creatures except authors: them he regarded as a fishmonger regards eels, or as Izaak Walton did worms.—Southey.

Giggleswick Fountain ebbs and flows eight times a day. The tale is that Giggleswick was once a nymph living with the Oreads on Mount Craven. A satyr chanced to see her, and resolved to win her; but Giggleswick fled to escape her pursuer, and praying to the “topic gods” (the local genii), was converted into a fountain, which still pants with fear. The tale is told by Drayton, in his Polyolbion, xxviii. (1622).

Gilbert, butler to Sir Patrick Charteris, provost of Perth.—Sir W. Scott, Fair Maid of Perth (time, Henry IV.).

Gilbert (Miss), an ambitious girl with a taste for literary celebrity. She writes one book which is a slight success, another which “takes.” Petted from her childhood, and spoiled by the tolerable measure of adulation she receives subsequently, she needs the discipline of mortification and schooling to tone her down to what an originally fine nature was designed to become. She becomes the happy wife of a self-made man who has done his work well.—Josiah Gilbert Holland, Miss Gilbert’s Career (1859).

Gilbert (Sir), noted for the sanative virtue of his sword and cere-cloth. Sir Launcelot touched the wounds of Sir Meliot with Sir Gilbert’s sword and wiped them with a cere-cloth, and “anon a wholer man was he never in all his life”—Sir T. Malory, History of Prince Arthur, i. 116 (1470).

Gilbert with the White Hand, one of the companions of Robin Hood, mentioned often in The Lyttell Geste of Robyn Hode (fytte v. and vii.).

Thair saw I Maitlaind upon auld Beird Gray
Robene Hude and Gilbert “with the quhite hand,”
Quhom Hay of Nauchton slew in Madin-land.
Scottish Poems, i. 122.

Gil´bertscleugh, cousin to Lady Margaret Bellenden.—Sir W. Scott, Old Mortality (time, Charles II.).

Gil Blas, son of Blas of Santilla´ne, ’squire or “escudero” to a lady, and brought up by his uncle, Canon Gil Perês. Gil Blas went to Dr. Godinez’s school, of Oviedo [O.ve.á.do.] and obtained the reputation of being a great scholar. He had fair abilities, a kind heart, and good inclinations, but was easily led astray by his vanity. Full of wit and humor, but lax in his morals. Duped by others at first, he afterwards played the same devices on those less experienced. As he grew in years, however, his conduct improved, and when his fortune was made he became an honest, steady man.—Lesage, Gil Blas (1715).

(Lesage has borrowed largely from the romance of Espinel, called Vida del Escudero Marcos de Obregon (1618), from which he has taken his prologue, the adventure of the parasite (bk. i. 2), the dispersion of the company of Cacabelos by the muleteer (bk. i. 3),the incident of the robber’s cave (bk. i. 4, 5), the surprise by the corsairs, the contributions levied by Don Raphael and Ambrose (bk. i. 15, 16), the service with the duke of Lerma, the character of Sangrado (called by Espinel Sagredo), and even the reply of Don Matthias de Silva when asked to fight a duel early in the morning, “As I never rise before one, even for a party of pleasure, it is unreasonable to expect that I should rise at six to have my throat cut,” bk. iii. 8.)

Gilda, beautiful daughter of the jester, Rigoletto. She is beloved by his master, the duke, who abducts her, Rigoletto conniving at the deed under the impression that the wife of his enemy occupies the chamber given without his knowledge to Gilda.—Verdi, Rigoletto.

Gildas de Ruys (St.) near Vannes, in France. This monastery was founded in the sixth century, by St. Gildas, “The Wise” (516-565).

For some of us knew a thing or two
In the abbey of St. Gildas de Ruys.
Longfellow, The Golden Legend.

Gil´deroy, a famous robber. There were two of the name, both handsome Scotchmen, both robbers and both were hanged. One lived in the seventeenth century and “had the honor” of robbing Cardinal Richelieu and Oliver Cromwell. The other was born in Roslin, in the eighteenth century, and was executed in Edinburgh for “stealing sheep, horses and oxen.” In the Percy Reliques, I. iii. 12, is the lament of Gilderoy’s widow at the execution of her “handsome” and “winsome” Gilderoy; and Campbell has a ballad on the same subject. Both are entitled “Gilderoy,” and refer to the latter robber; but in Thomson’s Orpheus Caledonius, ii, is a copy of the older ballad.

⁂ Thomson’s ballad places Gilderoy in the reign of Mary, “queen of Scots,” but this is not consistent with the tradition of his robbing Richelieu and Cromwell. We want a third Gilderoy for the reign of Queen Mary—one living in the sixteenth century.

Gilding a Boy. A naked boy was gilded all over, to adorn a pageant when Leo X. was made Pope, and died of suffocation.—Vasari, Life of Puntormo.

Gildip´pe (3 syl.) wife of Edward, an English baron, who accompanied her husband to Jerusalem, and performed prodigies of valor in the war (bk. ix.). Both she and her husband were slain by Solyman (bk. xx.).—Tasso, Jerusalem Delivered (1575).

Giles, a farmer in love with Patty, “the maid of the mill” and promised to him by her father; but Patty refuses to marry him. Ultimately, “the maid of the mill” marries Lord Aimworth. Giles is a blunt, well-meaning, working farmer, with no education, no refinement, no notion of the amenities of social life.—Bickerstaff, The Maid of the Mill.

Giles (1 syl.), serving-boy to Claud Halcro.—Sir W. Scott, The Pirate (time William III.).

Giles (1 syl.), warder of the Tower.—Sir W. Scott, Fortunes of Nigel (time, James I.).

Giles (1 syl.), jailer of Sir Reginald Front de Bœuf.—Sir W. Scott, Ivanhoe (time, Richard I.).

Giles (Will), apprentice of Gibbie Girder, the cooper at Wolf’s Hope village.—Sir W. Scott, Bride of Lammermoor (time,f William III.).

Giles, the “farmer’s boy,” “meek, fatherless, and poor,” the hero of Robert Bloomfield’s principal poem, which is divided into “Spring,” “Summer,” “Autumn,” and “Winter”“Winter” (1798).

Giles of Antwerp, Giles Coignet, the painter (1530-1600).

Gillfillan (Habakkuk), called “Gifted Gilfillan,” a Camero´nian officer and enthusiast.—Sir W. Scott, Waverley (time, George II.).

Gill (Harry), a farmer, who forbade old Goody Blake to carry home a few sticks, which she had picked up from his land, to light a wee-bit fire to warm herself by. Old Goody Blake cursed him for his meanness, saying he should never from that moment cease from shivering with cold; and, sure enough, from that hour, a-bed or up, summer or winter, at home or abroad, his teeth went “chatter, chatter, chatter still.” Clothing was of no use, fires of no avail, for, spite of all, he muttered, “Poor Harry Gill is very cold.”—Wordsworth, Goody Blake and Harry Gill (1798).

Gill (Mrs. Peter). Bustling matron with a genius for innovation. She conducts her household affairs according to sanitary and sanatory principles; discovers that condiments are pernicious and that beans are excellent for the complexion; is bent upon a water-cure, and finds out and invents so many “must bes” and “don’ts” as to ruin the comfort of husband and children.—Robert B. Roosevelt, Progressive Petticoats (1874).

Gil´lamore (3 syl.) or Guillamur, king of Ireland, being slain in battle by Arthur, Ireland was added by the conqueror to his own dominions.

How Gillamore again to Ireland he pursued ...
And having slain the king, the country waste he laid.
Drayton, Polyolbion, iv. (1612).

Gil´lian, landlady of Don John and Don Frederic.—Beaumont and Fletcher, The Chances (1620).

Gillian (Dame), tirewoman to Lady Eveline, and wife of Raoul the huntsman.—Sir W. Scott, The Betrothed (time, Henry II.).

Gilliflowers. A nosegay of these flowers was given by the fairy Amazo´na to Carpil´lona in her flight. The virtue of this nosegay was, that so long as the princess had it about her person, those who knew her before would not recognize her.—Comtesse D’Aunoy, Fairy Tales (“Princess Carpillona,” 1682).

Gills (Solomon), ship’s instrument maker. A slow, thoughtful old man, uncle of Walter Gay, who was in the house of Mr. Dombey, merchant. Gills was very proud of his stock-in-trade, but never seemed to sell anything.—C. Dickens, Dombey and Son (1846).

Gilpin (John), a linen-draper and train-band captain, living in London. His wife said to him, “Though we have been married twenty years, we have taken no holiday;” and at her advice the well-to-do linen-draper agreed to make a family party, and dine at the Bell, at Edmonton. Mrs. Gilpin, her sister, and four children went in the chaise, and Gilpin promised to follow on horseback. As madam had left the wine behind, Gilpin girded it in two stone bottles to his belt, and started on his way. The horse, being fresh, began to trot, and then to gallop; and John, being a bad rider, grasped the mane with both his hands. On went the horse, off flew John Gilpin’s cloak, together with his hat and wig. The dogs barked, the children screamed, the turnpike men (thinking he was riding for a wager) flung open their gates. He flew through Edmonton, and never stopped till he reached Ware, when his friend the calender gave him welcome, and asked him to dismount. Gilpin, however, declined, saying his wife would be expecting him. So the calender furnished him with another hat and wig, and Gilpin harked back again, when similar disasters occurred, till the horse stopped at his house in London.—W. Cowper, John Gilpin (1786).

⁂ John Gilpin was a Mr. Beyer, of Paternoster Row, who died in 1791, and it was Lady Austin who told the anecdote to the poet. The marriage adventure of Commodore Trunnion in Peregrine Pickle is a similar adventure.

Gines de Passamonte, one of the galley-slaves set free by Don Quixote. Gines had written a history of his life and adventures. After being liberated, the slaves set upon the knight; they assaulted him with stones, robbed him and Sancho of everything they valued, broke to pieces “Mambrino’s helmethelmet,” and then made off with all possible speed, taking Sancho’s ass with them. After a time the ass was recovered (pt. I. iv. 3).

“Hark ye, friend,” said the galley-slave, “Gines is my name, and Passamonte the title of my family.”—Cervantes, Don Quixote, I. iii. 8 (1605).

⁂ This Gines re-appears in pt. II. ii. 7 as “Peter the showman,” who exhibits the story of “Melisendra and Don Gayferos.” The helmet also is presented whole and sound at the inn, where it becomes a matter of dispute whether it is a basin or a helmet.

Gineura, the troth-plight bride of Ariodantês, falsely accused of infidelity, and doomed to die unless she found within a month a champion to do battle for her honor. The duke who accused her felt confident that no champion would appear, but on the day appointed Ariodantês himself entered the lists. The duke was slain, the lady vindicated, and the champion became Gineura’s husband.—Arisoto, Orlando Furioso (1516).

Shakespeare, in Much Ado about Nothing, makes Hero falsely accused of infidelity, through the malice of Don John, who induces Margaret (the lady’s attendant) to give Borachio a rendezvous at the lady’s chamber window. While this was going on, Claudio, the betrothed lover of Hero, was brought to a spot where he might witness the scene, and, believing Margaret to be Hero, was so indignant, that next day at the altar he denounced Hero as unworthy of his love. Benedict challenged Claudio for slander, but the combat was prevented by the arrest and confession of Borachio. Don John, finding his villainy exposed, fled to Messina.

Spencer has introduced a similar story in his Faëry Queen, v. 11 (the tale of “Irena,” q.v.).

Gin´evra, the young Italian bride who, playing hide-and-seek, hid herself in a large trunk. The lid accidentally fell down, and was held fast by a spring-lock. Many years afterwards the trunk was sold and the skeleton discovered.—Rogers, Italy (1792).

T. Haynes Bayley wrote a ballad called The Mistletoe Bough, on the same tradition. He calls the bridegroombridegroom “young Lovell.”

A similar narrative is given by Collet, in his Causes Célèbres.

Marwell Old Hall, once the residence of the Seymours, and subsequently of the Dacre family, has a similar tradition attached to it, and “the very chest is now the property of the Rev. J. Haygarth, rector of Upham.”—Post-Office Directory.

Bramshall, Hampshire, has a similar tale and chest.

The same tale is also told of the great house at Malsanger, near Basingstoke.

Gingerbread (Giles), the hero of an English nursery tale.

Jack the Giant-killer, Giles Gingerbread, and Tom Thumb will flourish in wide-spreading and never-ceasing popularity.—Washington Irving.

Ginn or Jân (singular masculine Jinnee, feminine Jinniyeh), a species of beings created long before Adam. They were formed of “smokeless fire” or fire of the simoom, and were governed by monarchs named suleyman, the last of whom was Jân-ibn-Jân or Gian-ben-Gian, who “built the pyramids of Egypt.” Prophets were sent to convert them, but on their persistent disobedience, an army of angels drove them from the earth. Among the Ginn was one named Aza´zel. When Adam was created, and God commanded the angels to worship him, Azazel refused, saying, “Why should the spirits of fire worship a creature made of earth?” Whereupon God changed him into a devil, and called him Iblis or Eblis (“despair”). Spelt also Djinn.

Gi´ona, a leader of the anabaptists, once a servant of Comte d’Oberthal, but discharged from his service for theft. He joined the rebellion of the anabaptists, but, with the rest of the conspirators, betrayed the “prophet-king,” John of Leyden, when the emperor arrived with his army.—Meyerbeer, Le Prophète (1849).

Giovan´ni (Don), a Spanish libertine of the aristocratic class. His valet, Leporello, says, “He had 700 mistresses in Italy, 800 in Germany, 91 in France and Turkey, and 1003 in Spain.” When the measure of his iniquity was full, a legion of foul fiends carried him off to the devouring gulf.—Mozart’s opera, Don Giovanni (1787).

(The libretto of this opera is by Lorenzo da Ponte).

⁂ The origin of this character was Don Juan Teno´rio, of Seville, who lived in the fourteenth century. The traditions concerning him were dramatized by Tirso de Mo´lina; thence passed into Italy and France. Glück has a musical ballad called Don Juan (1765); Molière, a comedy on the same subject (1665); and Thomas Corneille (brother of the Grand Corneille) brought out, in 1673, a comedy on the same subject, called Le Festin de Pierre, which is the second title of Molière’s Don Juan. Goldoni, called “The Italian Molière,” has also a comedy on the same favorite hero.

Gipsey, the favorite greyhound of Charles I.

One evening his [Charles I.] dog scraping at the door, he commanded me [Sir Philip Warwick] to let in Gipsey.—Memoirs, 329.

Gypsey Ring, a flat gold ring, with stones let into it, at given distances. So called because the stones were originally Egyptian pebbles—that is, agate and jasper.

⁂ The tale is, that the gypsies are wanderers because they refused to shelter the Virgin and Child in their flight into Egypt.—Aventinus, Annales Boiorum, viii.

Giralda of Seville, called by the Knight of the Mirrors a giantess, whose body was of brass, and who, without ever shifting her place, was the most unsteady and changeable female in the world. In fact, this Giralda was no other than the brazen statue on a steeple in Seville, serving for a weathercock.

“I fixed the changeable Giralda ... I obliged her to stand still; for during the space of a whole week no wind blew but from the north.”—Cervantes, Don Quixote, II. i. 14 (1615).

Girder (Gibbie, i.e. Gilbert), the cooper at Wolf’s Hope village.

Jean Girder, wife of the cooper.—Sir W. Scott, Bride of Lammermoor (time, William III.).

Girdle (Armi´da’s), a cestus worn by Armi´da, which, like that of Venus, possessed the magical charm of provoking irresistible love.—Tasso, Jerusalem Delivered (1575).

Girdle (Flor´imel’s), the prize of a grand tournament, in which Sir Sat´yrane (3 syl.), Sir Brianor, Sir Sanglier, Sir Artĕgal, Sir Cambel, Sir Tri´amond, Brit´omart, and others took part. It was accidentally dropped by Florimel in her flight (bk. iii. 7, 31), picked up by Sir Satyrane, and employed by him for binding the monster which frightened Florimel to flight, but afterwards came again into Sir Satyrane’s possession, when he placed it for safety in a golden coffer. It was a gorgeous girdle, made by Vulcan for Venus, and embossed with pearls and precious stones; but its chief merit was

It gave the virtue of chaste love
And wifehood true to all that it did bear;
But whosoever contrary doth prove,
Might not the same about her middle wear,
But it would loose, or else asunder tear.
Spenser, Faëry Queen, iii. 7 (1590).

Girdle (Venus’s), a girdle on which was embroidered the passions, desires, joys, and pains of love. It was usually called a cestus, which means “embroidered,” and was worn lower down than the cin´gulum or matron’s girdle, but higher up than the zone or maiden’s girdle. It was said to possess the magical power of exciting love. Homer describes it thus:

In this was every art, and every charm,
To win the wisest, and the coldest warm;
Fond love, the gentle vow, the gay desire,
The kind deceit, the still reviving fire,
Persuasive speech, and more persuasive sighs,
Silence that spoke, and eloquence of eyes.
Pope, Iliad, xiv.

Girdle of Opakka, foresight and prudence.

“The girdle of Opakka, with which Kifri the enchanter is endued, what is it,” said Shemshelnar, “but foresight and prudence—the best ‘girdle’ for the sultans of the earth?”—Sir G. Morell [i.e. J. Ridley], Tales of the Genii (“History of Mahoud,” tale vii., 1751).

Girdles, impressed with mystical characters, were bound with certain ceremonies round women in gestation, to accelerate the birth and alleviate the pains of labor. It was a Druid custom, observed by the Gaels, and continued in practice till quite modern times.

Aldo offered to give Erragon “a hundred steeds, children of the rein; a hundred hawks with fluttering wing, ... and a hundred girdles to bind high-bosomed maids, friends of the births of heroes.”—Ossian, The Battle of Lora.

Girnington (The laird of), previously Frank Hayston, laird of Bucklaw, the bridegroom of Lucy Ashton. He is found wounded by his bride on the wedding night, recovers and leaves the country; but the bride goes mad and dies.—Sir W. Scott, Bride of Lammermoor (time, William III.).

Giulia (Donna), suspected wife of Don Alonzo in Richard Mansfield’s play Don Juan. She becomes the fast friend of the youthful lovers, although forced by her husband’s brutality to decoy Juan into the trap set for him by Alonzo (1891).

Gjallar, Heimdall’s horn, which he blows to give the gods notice when any one approaches the bridge Bifröst.—Scandinavian Mythology.

Gladiator (The Dying). This famous statue, found at Nettuno (the ancient Antium), was the work of Agasĭas, a sculptor of Ephesus.

Glads´moor (Mr.), almoner of the earl of Glenallan, at Glenallan House.—Sir W.W. Scott, The Antiquary (time, George III.).

Glamorgan, according to British fable, is gla or glyn Morgan (valley or glen of Morgan). Cundah´ and Morgan (says Spenser) were sons of Goneril and Regan, the two elder daughters of King Leyr. Cundah chased Morgan into Wales, and slew him in the glen which perpetuates his name.

Then gan the bloody brethren both to raine:
But fierce Cundah gan shortly to envy
His brother Morgan ...
Raisd warre, and him in batteill overthrew;
Whence as he to those woody hilles did fly,
Which hight of him Gla-morgan, there him slew.
Spenser, Faëry Queen, ii. 10, 33 (1590).

This is not quite in accordance with Geoffrey’s account:

Some restless spirits ... inspired Margan with vain conceits, ... who marched with an army through Cunedagius’s country, and began to burn all before him; but he was met by Cunedagius, with all his forces, who attacked Margan ... and, putting him to flight, ... killed him in a town of Kambria, which since his death has been called Margan to this day.—British History, ii. 15 (1142).

Glasgow (The Bishop of).—Sir W. Scott, Castle Dangerous, xix. (time, Henry I.).

Glasgow Arms, an oak tree with a bird above it, and a bell hanging from one of the branches; at the foot of the tree a salmon with a ring in its mouth. The legend is that St. Kentigern built the city and hung a bell in an oak tree to summon the men to work. This accounts for the “oak and bell.” Now for the rest: A Scottish queen, having formed an illicit attachment to a soldier, presented her paramour with a ring, the gift of her royal husband. This coming to the knowledge of the king, he contrived to abstract it from the soldier while he was asleep, threw it into the Clyde, and then asked his queen to show it him. The queen, in great alarm, ran to St. Kentigern, and confessed her crime. The father confessor went to the Clyde, drew out a salmon with the ring in its mouth, handed it to the queen, and by this means both prevented a scandal and reformed the repentant lady.

A similar legend is told of Dame Rebecca Berry, wife of Thomas Elton of Stratford Bow, and relict of Sir John Berry, 1696. She is the heroine of the ballad called The Cruel Knight. The story runs thus: A knight, passing by a cottage, heard the cries of a woman in labor. By his knowledge of the occult sciences, he knew that the infant was doomed to be his future wife; but he determined to elude his destiny. When the child was of a marriageable age, he took her to the seaside, intending to drown her, but relented, and, throwing a ring into the sea, commanded her never to see his face again, upon pain of death, till she brought back that ring with her. The damsel now went as cook to a noble family, and one day, as she was preparing a cod-fish for dinner, she found the ring in the fish, took it to the knight, and thus became the bride of Sir John Berry. The Berry arms show a fish, and in the dexter chief a ring.

Glass (Mrs.), a tobacconist, in London, who befriended Jeanie Deans while she sojourned in town, whither she had come to crave pardon from the queen for Effie Deans, her half-sister, lying under sentence of death for the murder of her infant born before wedlock.—Sir W. Scott, Heart of Midlothian (time, George II.).

Glass Armor. When Cherry went to encounter the dragon that guarded the singing apple, he arrayed himself in glass armor, which reflected objects like a mirror. Consequently, when the monster came against him, seeing its reflection in every part of the armor, it fancied hundreds of dragons were coming against it, and ran away in alarm into a cave, which Cherry instantly closed up, and thus became master of the situation.—Comtesse D’Aunoy, Fairy Tales (“Princess Fairstar,” 1682).

Glasse (Mrs.), author of a cookery-book immortalized by the saying, “First catch [skin] your hair, then cook it.” Mrs. Glasse is the nom de plume of Dr. John Hill (1716-1775).

Glas´tonbury, in Arthurian romance, was the burial place of King Arthur. Selden, in his Illustrations of Drayton, gives an account of Arthur’s tomb “betwixt two pillars,” and says that “Henry II. gave command to Henry de Bois (then abbot of Glastonbury) to make great search for the body of the British king, which was found in a wooden coffin some 16 foote deepe, and afterwards they found a stone on whose lower side was fixed a leaden cross with the name inscribed.”

Glastonbury Thorn. The legend is that Joseph of Arimatheēa stuck his staff into the ground in “the sacred isle of Glastonbury,” and that this thorn blossoms “on Christmas Day” every year. St. Joseph was buried at Glastonbury.

Not great Arthur’s tomb, nor holy Joseph’s grave,
From sacrilege had power their sacred bones to save ...
[Here] trees in winter bloom and bear their summer’s green.
Drayton, Polyolbion, iii. (1612).

Glatisant, the questing beast. It had the head of a serpent, the body of a libbard, buttocks of a lion, foot of a hart, and in its body “there was a noise like that of thirty couple of hounds questing” (i.e. in full cry). Sir Palomi´dês the Saracen was forever following this beast.—Sir T. Malory, History of Prince Arthur, ii. 52, 53, 149 (1470).

Glau´ce (2 syl.), nurse of the Princess Brit´omart. She tried by charms to “undo” her lady’s love for Sir Artegal, “but love that is in gentle heart begun, no idle charm can remove.” Finding her sorcery useless, she took the princess to consult Merlin, and Merlin told her that by marrying Artegal she would found a race of kings from which would arise “a royal virgin that shall shake the power of Spain.” The two now started in quest of the knight, but in time got separated. Glaucê became “the squire” of Sir Scu´damore, but re-appears (bk. iii. 12) after the combat between Britomart and Artegal, reconciles the combatants, and the princess consents “to be the love of Artegal, and to take him for her lord” (bk. iv. 5, 6).—Spenser, Faëry Queen (1590, 1596).

Glaucus, accomplished young Athenian, whose house in Pompeii is a marvel of beauty and taste. He loves Ione, and is beloved by Nydia, the blind flower-girl. He is rescued from a terrible fate in the ampitheatre by the eruption of Vesuvius, escapes from the city, guided by Nydia, and weds Ione.—E. L. Bulwer, Last Days of Pompeii (1834).

Glaucus, a fisherman of Boæ´tia. He observed that all the fish which he laid on the grass received fresh vigor, and immediately leaped into the sea. This grass had been planted by Kronos, and when Glaucus tasted it, he also leaped into the sea, and became a prophetic marine deity. Once a year he visited all the coasts of Greece, to utter his predictions. Glaucus is the sailors’ patron deity.

[By] old soothsaying Glaucus’ spell.
Milton, Comus, 874 (1634).

As Glaucus, when he tasted of the herb
That made him peer among the ocean gods.
Dante, Paradise, i. (1311).

Glaucus, son of Hippolytus. Being smothered in a tub of honey, he was restored to life by [a] dragon given him by Escula´pios (probably a medicine so called.)—Apollodorus, Bibliotheca, 23.

Glaucus, of Chios, inventor of the art of soldering metal. Pausanias, Itinerary of Greece.

A second Glaucus, one who ruins himself by horses. This refers to Glaucus, son of Sis´yphos, who was killed by his horses. Some say he was trampled to death by them, and some that he was eaten by them.

Glauci et Diomēdis permutatio, a very foolish exchange. Homer (Iliad, vi.) tells us that Glaucus changed his golden armor for the iron one of Diomēdês. The French say, C’est le troc de Glaucus et de Diomede. This Glaucus was the grandson of Bellerophon. (In Greek, “Glaukos.”)

Glegg (Mrs.),one of the Dodson sisters in George Eliot’s Mill on the Floss, and the least amiable. When displeased or thwarted she takes to her bed, reads Baxter’s Saints’ Rest, and lives on water-gruel.

Glenallan (Joscelind, dowager countess of), whose funeral takes place by torchlight in the Catholic chapel.

The earl of Glenallan, son of the dowager countess.—Sir W. Scott, The Antiquary (time, George III.).

Glenalvon, heir of Lord Randolph. When young Norval, the son of Lady Randolph, makes his unexpected appearance, Glenalvon sees in him a rival, whom he hates. He pretends to Lord Randolph that the young man is a suitor of Lady Randolph’s, and, having excited the passion of jealousy, contrives to bring his lordship to a place where he witnesses their endearments. A fight ensues, in which Norval slays Glenalvon, but is himself slain by Lord Randolph, who then discovers too late that the supposed suitor was his wife’s son.—Home, Douglas (1757).

Glencoe (2 syl.), the scene of the massacre of M’Ian and thirty-eight of his glenmen, in 1692. All Jacobites were commanded to submit to William III. by the end of December, 1691. M’Ian was detained by a heavy fall of snow, and Sir John Dalrymple, the master of Stair, sent Captain Campbell to make an example of “the rebel.”

⁂ Talfourd has a drama entitled Glencoe, or the Fall of the M’Donalds.

Glendale (Sir Richard), a papist conspirator with Redgauntlet.—Sir W. Scott, Redgauntlet (time, George III.).

Glendin´ning (Elspeth) or Elspeth Brydone (2 syl.), widow of Simon Glendinning, of the Tower of Glendearg.

Halbert and Edward Glendinning, sons of Elspeth Glendinning.—Sir W. Scott, The Monastery (time, Elizabeth).

Glendinning (Sir Halbert), the knight of Avenel, husband of Lady Mary of Avenel (2 syl.).—Sir W. Scott, The Abbot (time, Elizabeth).

Glendoveer´, plu. Glendoveers, the most beautiful of the good spirits of Hindû mythology.

... the glendoveers.
The loveliest of all of heavenly birth.
Southey, Curse of Kehama, vi, 2 (1809.)

Glendow´er (Owen), a Welsh nobleman, descended from Llewellyn (last of the Welsh kings). Sir Edmund Mortimer married one of his daughters. Shakespeare makes him a wizard, but very highly accomplished.—Shakespeare, 1 Henry IV. (1597).

Glengar´ry. So M’Donald of Glengarry (who gave in his adhesion to William III.) is generally called.

Glenpro´sing (The old lady), a neighbor of old Jasper Yellowley.—Sir W. Scott, The Pirate (time, William III.).

Glenthorn (Lord), the hero of Miss Edgeworth’s novel called Ennui. Spoiled by indolence and bad education, he succeeds, by a course of self-discipline, in curing his mental and moral faults, and in becoming a useful member of society (1809).

The history of Lord Glenthorn affords a striking picture of ennui, and contains some excellent delineations of character.—Chambers, English Literature, ii. 569.

Glenvar´loch (Lord), or Nigel Olifaunt, the hero of Scott’s novel called The Fortunes of Nigel (time, James I.).

Glinter, the palace of Foresti “the peace-maker,” son of Balder. It was raised on pillars of gold, and had a silver roof.

Gloria´na, “the greatest glorious queen of Faëry-land.”

By Gloriana I mean [true] Glory in my general intention, but in my particular I conceive the most excellent and glorious person of our sovereign the queen [Elizabeth], and her kingdom is Faerye-land.—Spenser, Introduction to The Faëry Queen (1590).

Glorious John, John Dryden (1631-1701).

Glorious Preacher (The), St. John Chrysostom (i.e. John Goldenmouth, 354-407).

Glory (Old), Sir Francis Burdett (1770-1844).

Glory (Mc Whirk). Irish girl rescued from wretched dependence by a benevolent woman, and made at home in a comfortable dwelling. She has a big, warm heart that yearns over everything helpless and hurt, and, whereas, in her childhood, she mourned over “the good times” she was “not in,” she comes to rejoice constantly in the blessed truth that she is “in” them all.—A.D.T. Whitney, Faith Gartney’s Girlhood (1863).

Glossin (Mr. Gilbert), a lawyer, who purchases the Ellangowan estate, and is convicted by Counsellor Pleydell of kidnapping Henry Bertram, the heir. Both Glossin and Dirk Hatteraick, his accomplice, are sent to prison, and in the night Hatteraick first strangles the lawyer and then hangs himself.—Sir W. Scott, Guy Mannering (time, George II.).

Gloucester (The duke of), brother of Charles II.—Sir W. Scott, Woodstock (time, Commonwealth).

Gloucester (Richard, duke of), in the court of King Edward IV.—Sir W. Scott, Anne of Geierstein (time, Edward IV.)

Gloucester, (The earl of), in the court of King Henry II.—Sir W. Scott, The Betrothed (time, Henry II.).

Glover (Simon), the old glover of Perth, and father of the “fair maid.”

Catharine Glover, “the fair maid of Perth,” daughter of Simon the glover, and subsequently bride of Henry Smith the armorer.—Sir W. Scott, Fair Maid of Perth (time, Henry IV.).

Glover (Heins), the betrothed of Trudchen [i.e. Gertrude] Pavillon, daughter of the syndic’s wife.—Sir W. Scott, Quentin Durward (time, Edward IV.).

Glowrowrum (The old lady), a friend of Magnus Troil.—Sir W. Scott, The Pirate (time, William III.).

Glück, a German musical composer, greatly patronized by Marie Antoinette. Young France set up against him the Italian Piccini. Between 1774 and 1780 every street, coffee-house, school and drawing-room in Paris canvassed the merits of these two composers, not on the score of their respective talents, but as the representatives of the German and Italian schools of music. The partisans of the German school were called Glückists, and those of the Italian school Piccinists.

Est-ce Glück, est-ce Puccini,
Que doit couronner Polymnie?
Donc entre Glück et Puccini
Tout le Parnasse est désuni.
L’un soutient ce que l’autre nie,
Et Clio veut battre Uranie,
Pour moi, qui crains toute manie,
Plus irrésolu que Babouc
N’épeusant Piccini ni Glück,
Je n’y connais rien: ergo Glück.

⁂ A similar contest raged in England between the Bononcinists and Handelists.Handelists. The prince of Wales was the leader of the Handel or German party, and the duke of Marlborough of the Bononcini or Italian school. (See Tweedledum.)

Glumdalca, queen of the giants, captive in the court of King Arthur. The king cast love-glances at her, and made Queen Dollallolla jealous; but the giantess loved Lord Grizzle, and Lord Grizzle loved the Princess Huncamunca, and Huncamunca loved the valiant Tom Thumb.—Tom Thumb, by Fielding the novelist (1730), altered by O’Hara, author of Midas (1778).

Glum-dal´clitch, a girl nine years old “and only forty feet high.” Being such a “little thing,” the charge of Gulliver was committed to her during his sojourn in Brobdingnag.—Swift, Gulliver’s Travels.

Soon as Glumdalclitch missed her pleasing care,
She wept, she blubbered, and she tore her hair.
Pope.

Glumms, the male population of the imaginary country Nosmnbdsgrsutt, visited by Peter Wilkins. The Glumms, like the females, called gawreys (q.v.), had wings, which served both for flying and dress—R. Pultock, Peter Wilkins (1750).

Glutton (The), Vitellius, the Roman emperor (born a.d. 15, reigned 69, died 69). Visiting the field after the battle of Bedriac, in Gaul, he exclaimed, “The body of a dead enemy is a delightful perfume.”

⁂ Charles IX. of France, when he went in grand procession to visit the gibbet on which Admiral Coligny was hanging, had the wretched heartlessness to exclaim, in doggerel verse;

Fragrance sweeter than the rose
Rises from our slaughtered foes.

Glutton (The), Gabius Apicius, who lived during the reign of Tiberius. He spent £800,000 on the luxuries of the table, and when only £80,000 of his large fortune remained, he hanged himself, thinking death preferable to “starvation on such a miserable pittance.”

Glynn (The Marshes of). Title of a poem by Sidney Lanier, descriptive of a marsh on the Southern coast.

The creeks overflow; a thousand riverlets run
Twixt the roots of the sod; the blades of the marsh-grass stir,
Passeth a hurrying sound of wings that westward whir;
Passeth, and all is still, and the currents cease to run,
And the sea and the marsh are one.
Poems, by Sidney Lanier (1884).

Gna, the messenger of Frigga.—Scandinavian Mythology.

Goats. The Pleiades are called in Spain The Seven Little Goats.

So it happened that we passed close to the Seven Little Goats.—Cervantes, Don Quixote, II. iii. 5 (1615).

⁂ Sancho Panza affirmed that two of the goats were of a green color, two carnation, two blue, and one motley; “but,” he adds, “no he-goat or cuckold ever passes beyond the horns of the moon.”

Goatsnose, a prophet, born deaf and dumb, who uttered his predictions by signs.—Rabelais, Pantag´ruel, iii. 20 (1545).

Gobbo (Old), the father of Launcelot. He was stone blind.

Launcelot Gobbo, son of Old Gobbo. He left the service of Shylock the Jew for that of Bassa´nio, a Christian. Launcelot Gobbo is one of the famous clowns of Shakespeare.—Shakespeare, Merchant of Venice (1698).

Gob´ilyve (Godfrey), the assumed name of False Report. He is described as a dwarf, with great head, large brows, hollow eyes, crooked nose, hairy cheeks, a pied beard, hanging lips, and black teeth. His neck was short, his shoulders awry, his breast fat, his arms long, his legs “kewed,” and he rode “brigge-a-bragge on a little nag.” He told Sir Graunde Amoure he was wandering over the world to find a virtuous wife, but hitherto without success. Lady Correction met the party, and commanded Gobilyve (3 syl.) to be severely beaten for a lying varlet.—Stephen Hawes, The Passe-tyme of Plesure, xxix., xxxi., xxxii. (1515).

Gobseck, a grasping money-lender, the hero and title of one of Balzac’s novels.

God.

Full of the god, full of wine, partly intoxicated.

God made the country, and man made the town.—Cowper’s Task (“The Sofa”). Varro, in his De Re Rustica, has: “Divina“Divina Natura agros dedit, ars humana ædificavit urbes.”

God sides with the strongest. Napoleon I. said, “Le bon Dieu est toujours du coté des gros bataillons.” Julius Cæsar made the same remark.

Godam, a nickname applied by the French to the English, in allusion to a once popular oath.

Godfrey (de Bouillon), the chosen chief of the allied crusaders, who went to wrest Jerusalem from the hands of the Saracens. He was calm, circumspect, prudent, and brave. Godfrey despised “worldly empire, wealth, and fame.”—Tasso, Jerusalem Delivered (1575).

Godfrey (Sir Edmondbury), a magistrate killed by the papists. He was very active in laying bare their nefarious schemes, and his body was found pierced with his own sword, in 1678.—Sir W. Scott, Peveril of the Peak (time, Charles II.).

⁂ Dryden calls Sir Edmondbury “Agag,” and Dr. Titus Otes he calls “Corah.”

Corah might for Agag’s murder call,
In terms as coarse as Samuel used to Saul.
Absalom and Achitophel, i. (1681).

Godfrey (Miss), an heiress, daughter of an Indian governor.—Sam. Foote, The Liar (1761).

God´inez (Doctor), a schoolmaster, “the most expert flogger in Oviedo” [Ov.e.a.´do]. He taught Gil Blas, and “in six years his worthy pupil understood a little Greek, and was a tolerable Latin scholar.”—Lesage, Gil Blas, i. (1716).

Godi´va or Godgifu, wife of Earl Leofric. The tale is that she begged her husband to remit a certain tax which oppressed the people of Coventry. Leofric said he would do so only on one condition—that she would ride naked through the city at midday. So the lady gave orders that all people should shut up their windows and doors; and she rode naked through the town, and delivered the people from the tax. The tale further says that all the people did as the lady bade them except Peeping Tom, who looked out, and was struck blind.

⁂ This legend is told at length by Drayton in his Polyolbion, xiii. (1613).

Godless Florins, English two-shilling pieces issued by Shiel when master of the mint. He was a Roman Catholic, and left out F.D. (defender of the faith) from the legend. They were issued and called in the same year (1849).

Godmanchester Hogs and Huntingdon Sturgeon.

During a very high flood in the meadows between Huntingdon and Godmanchester, something was seen floating, which the Godmanchester people thought was a black hog, and the Huntingdon folk declared was a sturgeon. When rescued from the waters, it proved to be a young donkey.—Lord Braybrooke (Pepys, Diary, May 22, 1667).

Godmer, a British giant, son of Albion, slain by Canu´tus, one of the companions of Brute.

Those three monstrous stones...
Which that huge son of hideous Albion,
Great Godmer, threw in fierce contention
At bold Canutus; but of him was slain.
Spenser, Faëry Queen, ii. 10 (1590).

Goëmot or Goëmagot, a British giant, twelve cubits high, and of such prodigious strength that he could pull up a full-grown oak at one tug. Same as Gogmagog (q.v.).

On a certain day, when Brutus was holding a solemn festival to the gods ... this giant, with twenty more of his companions, came in upon the Britons, among whom he made a dreadful slaughter; but the Britons at last ... killed them every one but Goëmagot ... him Brutus preserved alive, out of a desire to see a combat between the giant and Corineus, who took delight in such encounters.... Corineus carried him to the top of a high rock, and tossed him into the sea.—Geoffrey, British History, i. 16 (1142).

Goëmagot’s Leap, or “Lam Goemagot,” now called Haw, near Plymouth; the place where the giant fell when Corin’eus (3 syl.) tossed him down the craggy rocks, by which he was mangled to pieces.—Geoffrey, British History, i. 16 (1142).

⁂ Southey calls the word Lan-gœ-mā-gog. (See Gogmagog).

Goer´vyl, sister of Prince Madoc, and daughter of Owen, late king of North Wales. She accompanied her brother to America, and formed one of the colony of Caer-madoc, south of the Missouri (twelfth century).—Southey, Madoc (1805).

Goetz von Berlichingen, or Gottfried of the Iron Hand, a famous German burgrave, who lost his right hand at the siege of Landshut. The iron hand which replaced the one he had lost is still shown at Jaxthausen, the place of his birth. Gottfried took a prominent part in the wars of independence against the electors of Brandenberg and Bavaria, in the sixteenth century (1480-1562).

⁂ Goethe has made this the title and subject of an historical drama.

Goffe (Captain), captain of the pirate vessel.—Sir W. Scott, The Pirate (time, William III.).

Gog, according to Ezek. xxxviii., xxxix., was “prince of Magog”Magog”, (a country or people). Calmet says Camby´sês, king of Persia, is meant; but others think Antiochus Epiph´anês is alluded to.

Gog, in Rev. xx. 7-9, means Antichrist. Gog and Magog, in conjunction, mean all princes of the earth who are enemies of the Christian Church.

⁂ Sale says Gog is a Turkish tribe.—Al Korân, xviii. note.

Gog and Magog. Prester John in his letter to Manuel Comnēnus, emperor of Constantinople, speaks of Gog and Magog as two separate nations tributary to him. These, with thirteen others, he says, are now shut up behind inaccessible mountains, but at the end of the world they will be let loose, and overrun the whole earth.—Albericus Trium Fontium, Chronicles (1242).

Sale tells us that Gog and Magog are called by the Arabs “Yajui” and “Ma-jûj,” which are two nations or tribes descended from Japhet, son of Noah. Gog, according to some authorities, is a Turkish tribe; and Magog is the tribe called “Gilân” by Ptolemy, and “Geli” or “Gelæ” by Strabo.—Al Korân, xviii. note.

Respecting the re-appearance of Gog and Magog, the Korân says: “They [the dead] shall not return ... till Gog and Magog have a passage opened for them, and they [the dead] shall hasten from every high hill,” i.e. the resurrection (ch. xxi.).

Gog and Magog. The two statues of Guildhall so called are in reality the statues of Gogmagog or Goëmagot and Corineus, referred to in the next article. (See also Corineus.) The Albion giant is known by his pole-axe and spiked ball. Two statues so called stood on the same spot in the reign of Henry V.; but those now seen were made by Richard Saunders, in 1708, and are fourteen feet in height.

In Hone’s time, children and country visitors were told that every day, when the giants heard the clock strike twelve, they came down to dinner.—Old and New London, i. 387.

Another tale was that they then fell foul of each other in angry combat.

Gog´magog, king of the Albion giants, eighteen feet in height, killed by Corin in a wrestling match, and flung by him over the Hoe or Haw of Plymouth. For this achievement, Brute gave his follower all that horn of land now called Cornwall, Cor´n[w]all, a contraction of Corinall. The contest is described by Drayton in his Polyolbion, i. (1612).

E’en thus unmoved
Stood Corineus, the sire of Guendolen,
When, grappling with his monstrous enemy,
He the brute vastness held aloft, and bore,
And headlong hurled, all shattered, to the sea,
Down from the rock’s high summit, since that day
Called Lan´-gæma´gog.
Southey, Joan of Arc, viii. 395.

Cornwall means Cornu Galliæ or Walliæ—the horn of Gallia or Wallia (g and w being convertible letters,)letters,) and Gaul and Wales different forms of the same word.

Gog´magog Hill, the higher of the two hills some three miles south-east of Cambridge. It once belonged to the Balsham Hills, but, “being rude and bearish, regarding neither God nor man,” it was named in reproach Gogmagog. The legend is that this Gogmagog Hill was once a huge giant, who fell in love with the nymph Granta, and, meeting her alone, told her all his heart, saying:

“Sweeting mine, if thou mine own wilt be,
I’ve many a pretty gaud I keep in store for thee:
A nest of broad-faced owls, and goodly urchins too
(Nay, nymph, take heed of me, when I begin to woo);
And better far than that, a bulchin two years old,
A curled-pate calf it is, and oft could have been sold:
And yet besides all this, I’ve goodly bear-whelps tway,
Full dainty for my joy when she’s disposed to play
And twenty sows of lead to make our wedding-ring;”

but the saucy nymph only mocked the giant, and told his love story to the Muses, and all made him their jest and sport and laughter.—Drayton, Polyolbion, xxi. (1622).

Gold of Tolo´sa (The), ill gains, which never prosper. The reference is to Cæpio, the Roman consul, who, on his march to Gallia Narbonensis, stole from Tolosa (Toulouse) the gold and silver consecrated by the Cimbrian Druids to their gods. He was utterly defeated by the Cimbrians, and some 112,000 Romans were left dead on the field of battle (B.C. 106).

Gold Poured down the Throat. Marcus Licin´ius Crassus, surnamed “The Rich,” one of the first Roman triumvirate, tried to make himself master of Parthia, but being defeated and brought captive to Oro´dês, king of Parthia, he was put to death by having molten gold poured down his throat. “Sate thy greed with this,” said Orodês.

Manlius Nepos Aquilius tried to restore the kings of Bithynia and Cappado´cia, dethroned by Mithridātês, but being unsuccessful and made prisoner, he was put to death by Mithridātês by molten gold poured down his throat.

In hell, the avaricious are punished in the same way, according to the Shephearde’s Calendar.

And ladles full of melted gold
Were poured adown their throats.
The Dead Man’s Song (1579).

Gol´demar (King), a house-spirit, sometimes called King Vollmar. He lived three years with Neveling von Hardenberg, on the Hardenstein at the Ruhr, and the chamber in which he lived is still called Vollmar’s chamber. This house-spirit, though sensible to the touch, was invisible. It played beautifully on the harp, talked freely, revealed secrets, and played dice. One day, a person determined to discover its whereabouts, but Goldemar cut him to pieces and cooked the different parts. Never after this was there any trace of the spirit. The roasted fragments disappeared in the Lorrain war in 1651, but the pot in which the man’s head was boiled was built into the kitchen wall of Neveling von Hardenberg, where it remains to this day.—Von Steinen, German Mythology, 477.

Golden Ass (The), a romance in Latin, by Apule´ius (4 syl.). It is the adventures of Lucian, a young man who had been transformed into an ass, but still retained his human consciousness. It tells us the miseries which he suffered at the hands of robbers, eunuchs, magistrates, and so on, till the time came for him to resume his proper form. It is full of wit, racy humor, and rich fancy, and contains the exquisite episode of Cupid and Psy´chê (bks. iv., v., vi.).

Golden Dragon of Bruges (The), The golden dragon was taken in one of the crusades from the church of St. Sophia, at Constantinople, and placed on the belfry of Bruges, but Philip van Artevelde (2 syl.) transported it to Ghent, where it still adorns the belfry.

Saw great Artevelde victorious scale the Golden Dragon’s nest.
Longfellow, The Belfry of Bruges.

Golden Fleece (The), the fleece of the ram which transported Phryxos to Colchis. When Phryxos arrived there, he sacrificed the ram and gave the fleece to King Æētês, who hung it on a sacred oak. It was stolen by Jason, in his “Argonautic expedition.”

The Golden Fleece of the North. Fur and peltry of Siberia is so called.

Golden Gate. The gate of mercy before which one of the ten foolish virgins waits when her companions have returned to their evil courses.

“When the night falls, who knows what mercy waits
To pardon guilt and sin?
Perchance the Lord Himself unbarred the gates
And led the wanderer in.”
Walter Learned, Between Times (1889).

Golden Legend (The), a collection of hagiology, made in the thirteenth century, by James de Voragine, a Dominican. The Legend consists of 177 sections, each of which is devoted to a particular saint or festival, arranged in the order of the calendar.

Golden Mouth, St. Chrysostom (347-407). The name is the Greek chrusos stŏma, “gold mouth.”

Golden Stream (The), Joannes Damascēnus (died 756).

Golden-tongued (The), St. Peter, of Ravenna (433-450). Our equivalent is a free translation of the Greek chrysol´ogos (chrusos logos, “gold discourse”).

Goldfinch (Charles), a vulgar, horse fellow, impudent and insolent in manner, who flirts with Widow Warren, and conspires with her and the Jew Silky to destroy Mr. Warren’s will. By this will the widow was left £600 a year, but the bulk of the property went to Jack Milford, his natural son, and Sophia Freelove, the daughter of Widow Warren by a former marriage. (See Beagle.)

Father was a sugar-baker, grandfather a slop-seller, I’m a gentleman.—Holcroft, The Road to Ruin, ii. 1 (1792).

Goldiebirds (Messrs.), creditors of Sir Arthur Wardour.—Sir W. Scott, The Antiquary (time, George III.).

Gold-mine (The) or Miller of GrenobleGrenoble, a drama by E. Stirling (1854). (For the plot, see Simon.)

Gold-mines (King of the), a powerful, handsome prince, who was just about to marry the Princess All-Fair, when Yellow Dwarf claimed her as his betrothed, and carried her to Steel Castle on a Spanish cat. A good siren gave the betrothed king a diamond sword to secure All-Fair’s deliverance; but after overcoming every obstacle, he was so delighted at seeing her that he dropped his sword. In a moment Yellow Dwarf snatched it up, and stabbed his rival to the heart. The king of the Gold-mines and All-Fair were both changed into two palm trees.—Comtesse D’Aunoy, Fairy Tales (“The Yellow Dwarf,” 1682).

Goldsmith (Oliver).

Here lies Nolly Goldsmith, for shortness called Noll,
Who wrote like an angel, and talked like poor poll.
David Garrick.

Goldsmith (Rev. J.), one of the many pseudonyms adopted by Sir Richard Phillips, in a series of school books. Some other of his false names were the Rev. David Blair, James Adair, Rev. C. Clarke, etc., with noted French names for educational French books.

Gol´thred (Lawrence), mercer, near Cumnor Place.—Sir W. Scott, Kenilworth (time Elizabeth).

Gold´y. Oliver Goldsmith was so-called by Dr. Johnson (1728-1774).

Gol´gotha (“the place of a skull”), a small elevated spot north-west of Jerusalem, where criminals were executed. Used in poetry to signify a battle-field or place of great slaughter.

Except they meant to bathe in reeking wounds,
Or memorize another Golgotha.
Shakespeare, Macbeth, act i. sc. 2. (1606).

⁂ In the University of Cambridge, the dons’ gallery in Great St. Mary’s is called “Golgotha” because the heads of the colleges sit there.

Golgotha (The City), Temple Bar, London; so called because the heads of traitors, etc., used at one time to be exposed there after decapitation. This was not done from any notion of punishment, but simply to advertise the fact as a warning to evil-doers. Temple Bar was taken away from the Strand in 1878.

Golightly (Mr.), the fellow who wants to borrow 5s. in Lend me Five Shillings, a farce by J.M. Morton.

Goltho, the friend of Ul´finore (3 syl.). He was in love with Birtha, daughter of Lord As´tragon, the sage; but Birtha loved the Duke Gondibert. The tale being unfinished, the sequel of Goltho is not known.—Sir William Davenant, Gondibert (died 1668).

Gomer or Godmer, a British giant, slain by Canu´tus, one of the companions of Brute. (See Goemot.)

Since Gomer’s giant brood inhabited this isle.
Drayton, Polyolbion, xiv. (1613.)

Gomez, a rich banker, 60 years of age, married to Elvi´ra, a young wife. He is mean, covetous, and jealous. Elvira has a liaison with Colonel Lorenzo, which Dominick, her father confessor, aids and abets; but the amour is constantly thwarted, and it turns out that Lorenzo and Elvira are brother and sister.—Dryden, The Spanish Fryar (1680).

Gond´ibert (Duke), of the royal line of Lombardy. Prince Oswald of Verona, out of jealousy, stirs up a faction fight against him, which is limited by agreement to four combatants on each side. Oswald is slain by Gondibert, and Gondibert is cured of his wounds by Lord As´tragon, a philosopher and sage. Rhodalind, the only child of Aribert, king of Lombardy, is in love with Gondibert, and Aribert hopes that he will become his son-in-law and heir, but Gondibert is betrothed to Birtha. One day while walking with his affianced Birtha, a messenger from the king comes post haste to tell him that Aribert had publicly proclaimed him his heir, and that Rhodalind was to be his bride. Gondibert still told Birtha he would remain true to her, and gave her an emerald ring, which would turn pale if his love declined. As the tale was never finished, the sequel cannot be given.—Sir W. Davenant, Gondibert (died 1668).

Gon´eril, eldest daughter of King Lear, and wife of the duke of Albany. She treated her aged father with such scant courtesy, that he could not live under her roof; and she induced her sister Regan to follow her example. Subsequently both the sisters fell in love with Edmund, natural son of the earl of Gloucester, whom Regan designed to marry when she became a widow. Goneril, out of jealousy, now poisoned her sister, and “after slew herself.” Her name is proverbial for “filial ingratitude.”—Shakespeare, King Lear (1605).

Gonin, a buffoon of the sixteenth century, who acquired great renown for his clever tricks, and gave rise to the French phrase, Un tour de maître Gonin (“a trick of Master Gonin’s”).

Gonnella, domestic jester to the Margrave Nicolo d’Este, and to his son Borso, duke of Ferrara. The horse he rode on was ossa atque pellis totus, and like Rosinantê, has become proverbial. Gonnella’s jests were printed in 1506.

Gonsalez [Gon.zalley], Fernan Gonsalez or Gonsalvo, a Spanish hero of the tenth century, whose life was twice saved by his wife Sancha. His adventures have given birth to a host of ballads.

(There was a Hernandez Gonsalvo of Cordŏva, called “The great Captain” (1443-1515), to whom some of the ballads refer, and this is the hero of Florian’s historical novel entitled Gonzalve de Cordoue (1791), borrowed from the Spanish romance called The Civil Wars of Granada, by Gines Perez de la Hita).

Gonza´lo, an honest old counsellor of Alonso, King of Naples.—Shakespeare, The Tempest (1609).

Gonzalo, an ambitious but politic lord of Venice.—Beaumont and Fletcher, The Laws of Candy (1647.)

Good Earl (The), Archibald, eighth earl of Angus, who died in 1588.

Good Regent (The), James Stuart, earl of Murray, regent of Scotland after the imprisonment of Queen Mary, his half-sister. (Born 1533, regent 1567, assassinated 1570).

Goodfellow (Robin), son of King Oberon. When six years old, he was so mischievous that his mother threatened to whip him, and he ran away; but falling asleep, his father told him he should have anything he wished for, with power to turn himself into any shape, so long as he did harm to none but knaves and queens.

His first exploit was to turn himself into a horse, to punish a churl, whom he conveyed into a great plash of water and left there, laughing, as he flew off “Ho, ho, ho!” He afterwards went to a farm-house, and taking a fancy to a maid, does her work during the night. The maid, watching him, and observing him rather bare of clothes, provides him with garments, which he puts out, laughing “Ho, ho, ho!” He next changes himself into a Will-o-the-wisp, to mislead a party of merry-makers, and having misled them all night, he left them at daybreak, with a “Ho, ho, ho!” At another time, seeing a fellow ill-using a maiden, he changed himself into a hare, ran between his legs, and then growing into a horse, tossed him into a hedge, laughing, “Ho, ho, ho!”—The Mad Pranks and Merry Jests of Robin Goodfellow (1580). (Percy Society, 1841).

Goodfellow (Robin), a general name for any domestic spirit, as imp, urchin, elf, hag, fay, Kit-wi’-the-can´stick, spoorn, man-i’-the-oak, Puck, hobgoblin, Tom-tumbler, bug, bogie, Jack-o’-lantern, Friar’s lantern, Will-o’-the-wisp, Ariel, nixie, kelpie, etc., etc.

A bigger kind than these German kobolds is that called with us Robin Goodfellows, that would in those superstitioussuperstitious times grind corn for a mess of milk, cut wood, or do any manner of drudgery work.... These have several names ... but we commonly call them Pucks.—Burton, Anatomy of Melancholy, 47.

⁂ The Goodfellows, being very numerous, can hardly be the same as Robin, son of Oberon, but seem to obtain the name because their character was similar, and, indeed, Oberon’s son must be included in the generic name.

Goodman of Ballengeich, the assumed name of James V. of Scotland when he made his disguised visits through the districts round Edinburgh and Stirling.

⁂ Haroun-al-Raschid, Louis XI., Peter “The Great,” etc., made similar visits in disguise, for the sake of obtaining information by personal inspection.

Good´man Grist, the miller, a friend of the smugglers.—Sir W. Scott, Redgauntlet (time, George III.).

Goodricke (Mr.), a Catholic priest at Middlemas.—Sir W. Scott, The Surgeon’s Daughter (time, George II.).

Goodsire (Johnnie), a weaver, near Charles’s Hope farm.—Sir W. Scott, Guy Mannering (time George II.).

Goodwill, a man who had acquired £10,000 by trade, and wished to give his daughter Lucy in marriage to one of his relations, in order to keep the money in the family: but Lucy would not have any one of the boobies, and made choice instead of a strapping footman. Goodwill had the good sense to approve of the choice.—Fielding, The Virgin Unmasked.

Goody Blake, a poor old woman detected by Harry Gill picking up sticks from his farm-land. The farmer compelled her to leave them, and threatened to punish her for trespass. Goody Blake turned on the lusty yeoman, and said never from the moment should he know the blessing of warmth; and sure enough, neither clothing, fire, nor summer sun ever did make him warm again.

No word to any man he utters,
A bed or up, to young or old;
But ever to himself he mutters,
“Poor Harry Gill is very cold.”
Wordsworth, Goody Blake and Harry Gill (1798).

Goody Palsgrave, a name of contempt given to Frederick V., elector palatine. He is also called the “Snow King” and the “Winter King,” because the Protestants made him king of Bohemia in the autumn of 1619, and he was set aside in the autumn of 1620.

Goody Two-shoes, a nursery tale supposed to be by Oliver Goldsmith, written in 1765 for Newbery, the bookseller of St. Paul’s Churchyard.

Goose Gibbie, a half-witted lad, first entrusted to “keep the turkeys,” but afterwards “advanced to the more important office of minding the cows.”—Sir W. Scott, Old Mortality (time, Charles II.).

Goosey Goderich, Frederick Robinson, created viscount Goderich in 1827. So called by Cobbett, for his incapacity as a statesman (premier 1827-1828).

Gor´boduc, Gorbodug, or Gorbogud, a mythical British king, who had two sons (Ferrex and Porrex). Ferrex was driven by his brother out of the kingdom, and on attempting to return with a large army, was defeated by him and slain. Soon afterwards, Porrex himself was murdered in his bed by his own mother, Widen, who loved Ferrex the better.—Geoffrey, British History, ii. 16 (1142).

Gorboduc, the first historical play in the language. The first three acts by Thomas Norton, and the last two by Thomas Sackville, afterwards Lord Buckhurst (1562). It is further remarkable as being the father of Iambic ten-syllable blank verse.

Those who last did tug
In worse than civil war, the sons of Gorbodug.
Drayton, Polyolbion, viii. (1612).

Gor´brias, lord-protector of Ibe´ria, and father of King Arba´ces (3 syl.).—Beaumont and Fletcher, A King or No King (1611).

Gor´dius, a Phrygian peasant, chosen by the Phrygians for their king. He consecrated to Jupiter his wagon, and tied the yoke to the draught-tree so artfully that the ends of the cord could not be discovered. A rumor spread abroad that he who untied this knot would be king of Asia, and when Alexander the Great was shown it, he cut it with his sword, saying, “It is thus we loose our knots.”

Gordon (The Rev. Mr.), chaplain in Cromwell’s troop.—Sir W. Scott, Woodstock (time, Commonwealth).

Gordon (Lord George), leader of the “No Popery riots” of 1779. Half mad, but really well-intentioned, he countenanced the most revolting deeds, urged on by his secretary, Gashford. Lord George Gordon died in jail, 1793.—C. Dickens, Barnaby Rudge (1841).

Gordo´nius or Gordon (Bernard), a noted physician of the thirteenth century in the Rouergue (France), author of Lilium Medicinœ, de Morborum prope Omnium Curatione, septem Particulis Distributum (Naples, 1480).

And has Gordonius “the divine,”
In his famous Lily of Medicine ...
No remedy potent enough to restore you?
Longfellow, The Golden Legend.

Gor´gibus, an honest, simple-minded citizen of middle life, father of Madelon and uncle of Cathos. The two girls have their heads turned by novels, but are taught by a harmless trick to discern between the easy manners of a gentleman and the vulgar pretentions of a lackey.—Molière, Les Précieuses Ridicules (1659).

Gorgibus, father of Célie. He is a headstrong, unreasonable old man, who tells his daughter that she is forever reading novels, and filling her mind with ridiculous notions about love. “Vous parlez de Dieu bien moins que de Lélie,” he says, and insists on her giving up Lélie for Valère, saying, “S’il ne l’est amant, il le sera mari,” and adds, “L’amour est souvent un fruit du mariage.”

Jetez-moi dans le feu tous ces méchants écrits [i.e. romances]
Qui gatent tous les jours tant de jeunes esprits;
Lisez moi, comme il faut, an lieu de ces sornettes,
Les Quatrains de Pibrac, et les doctes Tablettes
Du conseiller Matthieu; l’ouvrage est de valeur.
Et plein de beaux dictons à réciter par cœur.
Molière, Sganarelle (1660).

Gor´loïs (3 syl.), said by some to be the father of King Arthur. He was lord of Tintag´il Castle, in Cornwall; his wife was Igrayne (3 syl.) or Igerna, and one of his daughters (Bellicent) was, according to some authorities, the wife of Lot, king of Orkney.

⁂ Gorloïs was not the father of Arthur, although his wife (Igrayne or Igerna) was his mother.

Then all the kings asked Merlin, “For what cause is that beardless boy Arthur made king?” “Sirs,” said Merlin, “because he is King Uther’s son, born in wedlock ... More than three hours after the death of Gorlois, did the king wed the fair Igrayne.”—Malory, History of Prince Arthur, i. 2, 6 (1470).

[Uther] was sorry for the death of Gorlois, but rejoiced that Igerna was now at liberty to marry again ... they continued to live together with much affection, and had a son and daughter, whose names were Arthur and Anne.—Geoffrey, British History, iii. 20 (1142).

⁂ It is quite impossible to reconcile the contradictory accounts of Arthur’s sister and Lot’s wife. Tennyson says Bellicent, but the tales compiled by Sir T. Malory all give Margawse. Thus in La Mort d’Arthur, i. 2, we read: “King Lot of Lothan and of Orkeney wedded Margawse [Arthur’s sister]” (pt. i. 36), “whose sons were Gawaine, Agravaine, Gaheris, and Gareth;” but Tennyson says Gareth was “the last tall son of Lot and Bellicent.”

Gosh, the Right Hon. Charles Arbuthnot, the most confidential friend of the duke of Wellington, with whom he lived.

Gosling (Giles), landlord of the Black Bear inn, near Cumnor place.

Cicely Gosling, daughter of Giles.—Sir W. Scott, Kenilworth (time, Elizabeth).

Gospel Doctor (The), John Wycliffe (1324-1384).

Gospeller (The Hot), Dr. R. Barnes, burnt at Smithfield, 1540.

Gossips (Prince of), Samuel Pepys, noted for his gossiping Diary, commencing January 1, 1659, and continued for nine years (1632-1703).

Goswin, a rich merchant of Bruges, who is in reality Florez, son of Gerrard, king of the beggars. His mistress, Bertha, the supposed daughter of Vandunke, the burgomaster of Bruges, is in reality the daughter of the duke of Brabant.—Beaumont and Fletcher, The Beggar’s Bush (1622).

Goths (The last of the), Roderick, the thirty-fourth of the Visigothic line of kings in Spain. He was the son of Cor´dova, who had his eyes put out by Viti´za, the king of the Visigoths, whereupon Roderick rose against Vitiza and dethroned him; but the sons and adherents of Vitiza applied to the Moors, who sent over Tarik with 90,000 men, and Roderick was slain at the battle of Xerres, A.D. 711.

⁂ Southey has an epic poem called Roderick, the Last of the Goths. He makes “Rusilla” to be the mother of Roderick.

Gothland or Gottland, an island called “The eye of the Baltic.” Geoffrey of Monmouth says that when King Arthur had added Ireland to his dominions, he sailed to Iceland, which he subdued, and then both “Doldavius, king of Gothland, and Gunfasius, king of the Orkneys, voluntarily became his tributaries.”—British History, ix. 10 (1142).

To Gothland now again this conqueror maketh forth ...
Where Iceland first he won, and Orkney after got.
Drayton, Polyolbion, iv. (1612).

Gottlieb [Got.leeb], a cottage farmer, with whom Prince Henry of Hoheneck went to live after he was struck with leprosy. The cottager’s daughter Elsie volunteered to sacrifice her life for the cure of the prince, and was ultimately married to him.—Hartmann von der Aue, Poor Henry (twelfth century); Longfellow, Golden Legend.

Gour´lay (Ailsie), a privileged fool or jester.—Sir W. Scott, The Antiquary (time, George III.).

Gourlay (Ailsie), an old sibyl at the death of Alice Gray.—Sir W. Scott, Bride of Lammermoor (time, William III.).

Gourmaz (Don), a national portrait of the Spanish nobility.—Pierre Corneille, The Cid (1636).

The character of Don Gourmaz, for its very excellence, drew down the censure of the French Academy.—Sir W. Scott, The Drama.

Go´vernale (3 syl.), first the tutor and then the attendant of Sir Tristram de Lionês.

Gow (Old Niell), the fiddler.

Nathaniel Grow, son of the fiddler.—Sir W. Scott, St. Ronan’s Well (time, George III.).

Gow (Henry) or Henry Smith, also called “Gow Chrom” and “Hal of the Wynd,” the armorer. Suitor of Catharine Glover “the fair maid of Perth,” whom he marries.—Sir W. Scott, Fair Maid of Perth (time, Henry IV.).

Gowk-thrapple (Maister), a covenanting preacher.—Sir W. Scott, Waverley (time, George II.).

A man of coarse, mechanical, perhaps rather intrinsically feeble intellect, with the vehemence of some pulpit-drumming Gowk-thrapple.—Carlyle.

Graaf (Count), was a great speculator in corn. One year a sad famine prevailed, and he expected, like Pharaoh, king of Egypt, to make an enormous fortune by his speculation, but an army of rats, pressed by hunger, invaded his barns, and then swarming into the castle, fell on the old baron, worried him to death, and then devoured him. (See Hatto).

Graal (Saint) or St. Greal, is generally said to be the vessel or platter used by Christ at the last supper, in which Joseph of Arimathea caught the blood of the crucified Christ. In all descriptions of it in the Arthurian romances, it is simply the visible “presence” of Christ, or realization of the Catholic idea that the wafer, after consecration, is changed into the very body of the Saviour, and when Sir Galahad “achieved the quest of the Holy Graal,” all that is meant is that he saw with his bodily eyes the visible Saviour into which the holy wafer had been transmuted.

Then the bishop took a wafer, which was made in the likeness of bread, and at the lifting up [the elevation of the host] there came a figure in the likeness of a child, and the visage was as red and as bright as fire, and he smote himself into that bread: so they saw that the bread was formed of a fleshly man, and then he put it into the holy vessel again ... then [the bishop] took the holy vessel and came to Sir Galahad as he kneeled down, and there he received his Saviour.—Pt. iii. 101, 102.

King Pelles and Sir Launcelot caught a sight of the St. Graal; but did not “achieve it,” like Galahad.

When they went into the castle to take their repast ... there came a dove to the window, and in his bill was a little censer of gold, and there withall was such a savor as if all the spicery of the world had been there ... and a damsel, passing fair, bare a vessel of gold between her hands, and thereto the king kneeled devoutly and said his prayers ... “Oh mercy!” said Sir Launcelot, “what may this mean?”... “This,” said the king, “is the holy Sancgreall which ye have seen.”—Pt. iii. 2.

When Sir Bors de Ganis went to Corbin, and saw Galahad, the son of Sir Launcelot, he prayed that the boy might prove as good a knight as his father, and instantly the white dove came with the golden censer, and the damsel bearing the Sancgraal, and told Sir Bors that Galahad would prove a better knight than his father, and would “achieve the Sancgreall;” then both dove and damsel vanished.—Pt. iii. 4.

Sir Percival, the son of Sir Pellinore, king of Wales, after his combat with Sir Ector de Maris (brother of Sir Launcelot), caught a sight of the Holy Graal, and both were cured of their wounds thereby. Like Sir Bors, he was with Sir Galahad when the quest was achieved (pt. iii. 14). Sir Launcelot was also miraculously cured in the same way (pt. iii. 18).

King Arthur, the queen, and all the 150 knights saw the Holy Graal as they sat at supper when Galahad was received into the fellowship of the Round Table:

First they heard a crackling and crying of thunder ... and in the midst of the blast entered a sun-beam more clear by seven times than ever they saw day, and all were lighted of the grace of the Holy Ghost ... then there entered the hall the Holy Greal [consecrated bread] covered with white samite; but none might see it, nor who bare it ... and when the Holy Greal had been borne thro’ the hall, the vessel suddenly departed.—Sir T. Malory, History of Prince Arthur, iii. 35 (1470).

⁂ The chief romances of the St. Graal are: Parceval le Gallois, by Chrétien de Troyes, in verse, and Roman des Diverses Quêtes de St. Graal, by Walter Mapes, in prose, both written in the latter part of the twelfth century; Titurel, or the Guardian of the Holy Graal, by Wolfram von Eschenbach; the Romance of Parzival, by the same—partly founded upon the poem of Chrétien—and the Life of Joseph of Arimathēa, by Robert de Borron, all belonging to the early part of the thirteenth century; The Holy Grail, by Tennyson.

Gracchi (The). Caius and Tiberius Gracchus, sons of the Roman matron, Cornelia, and leaders of the populace in several revolutions.

Grace (Lady), a sister of Lady Townly, and the engaged wife of Mr. Manly. The very opposite of a lady of fashion. She says:

“In summer I could pass my leisure hours in reading, walking, ... or sitting under a green tree: in dressing, dining, chatting with an agreeable friend; perhaps hearing a little music, taking a dish of tea, or a game at cards; managing my family, looking into its accounts, playing with my children ... or in a thousand other innocent amusements.”—Vanbrugh and Cibber, The Provoked Husband, iii. (1728).

“No person,” says George Colman, “has ever more successfully performed the elegant levities of ‘Lady Townly’ upon the stage, or more happily practiced the amiable virtues of ‘Lady Grace’ in the circles of society, than Miss Farren (the countess of Dirby, 1759-1829).”

Grace-be-here Humgudgeon, a corporal in Cromwell’s troop.—Sir W. Scott, Woodstock (time, Commonwealth).

Grace (Rev. Paul), mild, nervous little Oxonian curate who yet does good parish-work among colliers and peasants.—Frances Hodgson Burnett, That Lass o’ Lowrie’s, (1877).

Grace Pelham, accomplished and good daughter of the Colonel who plays a prominent part in the army novels of Captain Charles King.—Charles King, U.S.A., The Colonel’s Daughter.

Gracio´sa, a lovely princess, who is the object of a step-mother’s most implacable hatred. The step-mother’s name is Grognon, and the tale shows how all her malicious plots are thwarted by Percinet, a fairy prince, in love with Graciosa.

Gracio´so, the licensed fool of Spanish drama. He has his coxcomb and truncheon, and mingles with the actors without aiding or abetting the plot. Sometimes he transfers his gibes from the actors to the audience, like our circus clowns.

Gradas´so, king of Serica´na, “bravest of the pagan knights.” He went against Charlemagne with 100,000 vassals in his train, “all discrowned kings,” who never addressed him but on their knees.—Bojardo, Orlando Innamorato (1495); Ariosto, Orlando Furioso (1516).

Grad´grind (Thomas), a man of facts and realities. Everything about him is square; his forehead is square, and so is his fore-finger, with which he emphasizes all he says. Formerly he was in the wholesale hardware line. In his greatness he becomes M.P. for Coketown, and he lives at Stone Lodge, a mile or so from town. He prides himself on being eminently practical; and though not a bad man at heart, he blights his children by his hard, practical way of bringing them up.

Mrs. Gradgrind, wife of Thomas Gradgrind. A little thin woman, always taking physic, without receiving from it any benefit. She looks like an indifferently executed transparency without light enough behind the figure. She is always complaining, always peevish, and dies soon after the marriage of her daughter Louisa.

Tom Gradgrind, son of the above, a sullen young man, much loved by his sister, and holding an office in the bank of his brother-in-law, Josiah Bounderby. Tom robs the bank, and throws suspicion on Stephen Blackpool, one of the hands in Bounderby’s factory. When found out, Tom takes refuge in the circus of the town, disguised as a black servant, till he effects his escape from England.

Louisa Gradgrind, eldest daughter of Thomas Gradgrind, M.P. She marries Josiah Bounderby, banker and mill-owner. Louisa has been so hardened by her bringing up, that she appears cold and indifferent to everything, but she dearly loves her brother Tom.—C. Dickens, Hard Times, (1854).

Græme (Roland), heir of Avenel (2 syl.). He first appears as page to the lady of Avenel, then as page to Mary Queen of Scots.

Magdalen Græme, dame of Heathergill, grandmother of Roland Græme. She appears to Roland disguised as Mother Nicneven, an old witch at Kinross.—Sir W. Scott, The Abbott (time Elizabeth).

Græme (William), the red riever [free-booter] at Westburnflat.—Sir W. Scott, The Black Dwarf (time, Anne).

Grævius or J.G. Græfe of Saxony, editor of several of the Latin classics (1632-1703).

Believe me, lady, I have more satisfaction in beholding you than I should have in conversing with Grævius and Gronovius.—Mrs. Cowley, Who’s the Dupe? i. 3.

(Abraham Gronovius was a famous philologist, 1694-1775.)

Gra´hame (Colonel John), of Claverhouse, in the royal army under the duke of Monmouth. Afterwards viscount of Dundee.

Cornet Richard Grahame, the colonel’s nephew, in the same army.—Sir W. Scott, Old Mortality (time, Charles II.).

Grahams, nicknamed “Of the Hen.” The reference is this: The Grahams, having provided for a great marriage feast, found that a raid had been made upon their poultry by Donald of the Hammer (q.v.). They went in pursuit, and a combat took place; but as the fight was for “cocks and hens,” it obtained for the Grahams the nickname of Gramoch an Garrigh.

Gram, Siegfried’s sword.

Grammarians (Prince of), Apollonios, of Alexandria. Priscian called him Grammaticorum Princeps (second century B.C.)

Grammont (The Count of). He promised marriage to la belle Hamilton, but left England without performing the promise; whereupon the brothers followed him and asked him if he had not forgotten something. “True, true,” said the count, “excuse my short memory;” and returning with the brothers, he made the young lady countess of Grammont.

Grand Jument, meant for Diana, of Poitiers.—Rabelais, Gargantua and Pantagruel.

Grand Monarque [mo.nark´], Louis XIV. (1638, 1643-1715).

Grandison, (Sir Charles), the hero of a novel by S. Richardson, entitled The History of Sir Charles Grandison. Sir Charles is the beau ideal of a perfect hero, the union of a good Christian and perfect English gentleman; but such a “faultless monster the world ne’er saw.” Richardson’s ideal of this character was Robert Nelson, reputed author of the Whole Duty of Man (1753).

Like the old lady mentioned by Sir Walter Scott, who chose Sir Charles Grandison because she could go to sleep for half an hour at any time during its reading, and still find the personages just where she left them, conversing in the cedar parlor.—Encyc. Brit., Art. “Romance.”

Grandison is the English Emile, but an Emile completely instructed. His discourses are continual precepts, and his actions are examples. Miss Byron is the object of his affection.—Editor of Arabian Nights Continued, iv. 72.

Grandmother. Lord Byron calls the British Review “My Grandmother’s Review,” and jestingly says he purchased its favorable criticism of Don Juan.

For fear some prudish readers should grow skittish,
I’ve bribed “My Grandmother’s Review,” The British;
I sent it in a letter to the editor,
Who thanked me duly by return of post....
And if my gentle Muse he please to roast....
All I can say is—that he had the money.
Byron, Don Juan, i. 209, 210 (1819).

Grane (2 syl.), Siegfried’s horse, whose speed outstripped the wind.

Grane´angowl (Rev. Mr.), chaplain to Sir Duncan Campbell, at Ardenvohr Castle.—Sir W. Scott, Legend of Montrose (time Charles I.).

Granger (Captain), in love with Elizabeth Doiley, daughter of a retired slop-seller. The old father resolves to give her to the best scholar, himself being judge. Gradus, an Oxford pedant, quotes two lines of Greek, in which the word panta occurs four times. “Pantry!” cries old Doiley; “no, no; you can’t persuade me that’s Greek.” The captain talks of “refulgent scintillations in the ambient void opake; crysalic spheroids, and astifarous constellations;” and when Gradus says, “It is a rant in English,” the old man boils with indignation. “Zounds!” says he; “d’ye take me for a fool? D’ye think I don’t know my own mother tongue? ’Twas no more like English than I am like Whittington’s cat!” and he drives off Gradus as a vile impostor.—Mrs. Cowley, Who’s the Dupe?

Granger. (See Edith.)

Grangousier, father of Gargantua, “a good sort of a fellow in his younger days, and a notable jester. He loved to drink neat, and would eat salt meat” (bk. i. 3). He married Gargamelle (3 syl.) daughter of the king of the Parpaillons, and had a son named Gargantua.—Rabelais, Gargantua, i. 3 (1533).

⁂ “Grangousier” is meant for John d’Albret, king of Navarre; “Gargamelle” for Catherine de Foix, queen of Navarre; and “Gargantua” for Henri d’Albert, king of Navarre. Some fancy that “Grangousier” is meant for Louis XII., but this cannot be, inasmuch as he is distinctly called a “heretic for declaiming against the saints” (ch. xlv.).

Grantam (Miss), a friend of Miss Godfrey, engaged to Sir James Elliot.—Sam. Foote, The Liar (1761).

Grant´mesnil (Sir Hugh de), one of the knights challengers at the tournament.—Sir W. Scott, Ivanhoe (time, Richard I.).

Grantorto, the personification of rebellion in general, and of the evil genius of the Irish rebellion of 1580 in particular. Grantorto is represented as a huge giant, who withheld from Irēna [i.e. Iernê or Ireland] her inheritance. Sir Artĕgal [Arthur, Lord Grey of Wilton], being sent to destroy him, challenged him to single combat, and having felled him to the earth with his sword Chrysa´or, “reft off his head to ease him of his pain.”—Spenser, Faëry Queen, v. 12 (1596).

Grass (Cronos), a grass which gives those who taste it an irresistible desire for the sea. Glaucus, the Bœo´tian fisherman, observed that all the fishes which he laid on the grass instantly leaped back into the water, whereupon he also tasted the grass, and was seized with the same irresistible desire. Leaping into the sea, he became a minor sea-god, with the gift of prophecy.

Gra´tian (Father), the begging friar at John Mengs’s inn at Kirchhoff.—Sir W. Scott, Anne of Geierstein (time, Edward IV.).

Gratia´no, one of Antonio’s friends. He “talked an infinite deal of nothing, more than any man in all Venice.” Gratiano married Nerissa, the waiting-gentlewoman of Portia.—Shakespeare, Merchant of Venice (1598).

Gratiano, brother of Brabantio, and uncle of Desdemona.—Shakespeare, Othello (1611).

Graunde Amoure (Sir), walking in a meadow, was told by Fame of a beautiful lady named La belle Pucell, who resided in the Tower of Musyke. He was then conducted by Gouvernance and Grace to the Tower of Doctrine, where he received instruction from the seven Sciences:—Gramer, Logyke, Rethorike, Arismetricke, Musyke, Geometry, and Astronomy. In the Tower of Musyke he met La belle Pucell, with whom he fell in love, but they parted for a time. Graunde Amoure went to the Tower of Chivalry to perfect himself in the arts of knighthood, and there he received his degree from King Melyz´yus. He then started on his adventures, and soon encountered False Report, who joined him and told him many a lying tale; but Lady Correction, coming up, had False Report soundly beaten, and the knight was entertained at her castle. Next day he left, and came to a wall where hung a shield and horn. On blowing the horn, a three-headed monster came forth, with whom he fought, and cut off the three heads, called, Falsehood, Imagination, and Perjury. He passed the night in the house of Lady Comfort, who attended to his wounds; and next day he slew a giant fifteen feet high and with seven heads. Lastly, he slew the monster Malyce, made by enchantment of seven metals. His achievements over, he married La belle Pucell, and lived happily till he was arrested by Age, having for companions Policye and Avarice. Death came at last to carry him off, and Remembrance wrote his epitaph.—Stephen Hawes, The Passe-tyme of Plesure (1515).

Graunde Amoure’s Steed, Galantyse, the gift of King Melyz´yus when he conferred on him the degree of knighthood.

I myselfe shall give you a worthy stede,
Called Galantyse, to helpe you in your nede.
Stephen Hawes, The Passe-tyme of Plesure, xxviii. (1515).

Graunde Armoure’s sword, Clare Prudence.

Drawing my swerde, that was both faire and bright,
I clippëd Clare Prudence.
Stephen Hawes, The Passe-tyme of Plesure, xxxiii. (1515).

Grave´airs (Lady), a lady of very dubious virtue, in The Careless Husband, by Colley Cibber (1704).

Mrs. Hamilton [1730-1788], upon her entrance, was saluted with a storm of hisses, and advancing to the footlights said, “Gemmen and ladies, I s’pose as how you hiss me because I wouldn’t play ‘Lady Graveairs’ last night at Mrs. Bellamy’s benefit. I would have done so, but she said as how my audience stunk, and were all tripe people.” The pit roared with laughter, and the whole house shouted “Mrs. Tripe!” a title which the fair speechifier retained ever after.—Memoir of Mrs. Hamilton (1803.)

Gray, (Old Alice), a former tenant of the Ravenswood family.—Sir W. Scott, Bride of Lammermoor (time, William III.).

Gray (Dr. Gideon), the surgeon at Middlemas.

Mrs. Gray, the surgeon’s wife.

Menie Gray, the “surgeon’s daughter,” taken to India and given to Tippoo Saib as an addition to his harem, but, being rescued by Hyder Ali, was restored to Hartley; after which she returned to her country.—Sir W. Scott, The Surgeon’s Daughter (time, George II.).

Gray (Daniel). A Christian of the olden type; Puritan by ancestry, rigid in creed, austere in manner. Supposed to be a portrait of the author’s father.

“He could see naught but vanity in beauty
And naught but weakness in a fond caress,
And pitied men whose views of Christian duty
Allowed indulgence in such foolishness.”foolishness.”

Yet so true of heart and faithful in duty to God and man that—

“If I ever win the home in heaven
For whose sweet rest I ever hope and pray,
In the great company of the forgiven
I shall be sure to find old Daniel Gray.”
Josiah Gilbert Holland, Old Daniel Gray (1879).

Gray (Duncan) wooed a young lass called Maggie, but as Duncan looked asklent, Maggie “coost her head” and bade Duncan behave himself. “Duncan fleeched, and Duncan prayed,” but Meg was deaf to his pleadings; so Duncan took himself off in dudgeon. This was more than Maggie meant, so she fell sick and like to die. As Duncan “could na be her death,” he came forward manfully again, and then “they were crouse [merry] and canty bath. Ha, ha! the wooing o’t.”—R. Burns, Duncan Gray (1792).

Gray (Mary), daughter of a country gentleman of Perth. When the plague broke out in 1668, Mary Gray and her friend Bessy Bell retired to an unfrequented spot called Burn Braes, where they lived in a secluded cottage and saw no one. A young gentleman brought them food, but he caught the plague, communicated it to the two ladies, and all three died.—Allan Ramsay, Bessy Bell and Mary Gray.

Gray (Auld Robin). Jennie, a Scotch lass, was loved by young Jamie; “but saving a crown, he had naething else besides.” To make that crown a pound, young Jamie went to sea, and both were to be for Jennie. He had not been gone many days when Jennie’s mother fell sick, her father broke his arm, and their cow was stolen; then auld Robin came forward and maintained them both. Auld Robin loved the lass, and “wi’ tears in his ’ee,” said, “Jennie, for their sakes, oh, marry me!” Jennie’s heart said “nay,” for she looked for Jamie back; but her father urged her, and the mother pleaded with her eye, and so she consented. They had not been married above a month when Jamie returned. They met; she gave him one kiss, and though she “gang like a ghaist,” she made up her mind, like a brave good lassie, to be a gude wife, for auld Robin was very kind to her (1772).

This ballad was composed by Lady Anne Lindsay, daughter of the earl of Balcarres (afterwards Lady Barnard). It was written to an old Scotch tune called The Bridegroom Grat when the Sun went down. Auld Robin Gray was her father’s herdsman. When Lady Anne was writing the ballad, and was piling distress on Jennie, she told her sister that she had sent Jamie to sea, made the mother sick, and broken the father’s arm, but wanted a fourth calamity. “Steal the cow, sister Anne,” said the little Elizabeth; and so “the cow was stolen awa’,” and the song completed.

Grayson (Mrs.). Brave wife who, weaponless and alone, when an Indian tries to enter the block-house by an upper window, clamps his wrist to the window sill in such a way that, as his foot slips, he is suspended by it. He hangs thus for a moment, and the wrist breaks. She lets him go, and he falls to ground without.—William Gilmore Simms, The Yemassee (1835).

Graysteel, the sword of Kol, fatal to its owner. It passed into several hands, and always brought ill-luck with it.—Icelandic Edda.

Gray Swan. Ship in which a sailor-boy sails away, not to return for twenty years, when he comes back to his mother and incites her to defence of the missing son by feigning to blame him for his twenty years’ silence. Her spirited vindication of her darling causes him to discover himself to her.—Alice Cary, Poems (1876).

Great Captain (The), Gonsalvo de Cor´dova, el Gran Capitan (1453-1515).

Manuel I. [Comnēnus], emperor of Trebizond, is so called also (1120, 1143-1180).

Great Cham of Literature, Dr. Samuel Johnson (1709-1784).

Great Commoner (The), William Pitt (1759-1806).

Great Dauphin (The), Louis, the son of Louis XIV. (1661-1711).

⁂ The “Little Dauphin” was the duke of Bourgoyne, son of the Great or Grand Dauphin. Both died before Louis XIV.

Great Duke (The), the duke of Wellington (1769-1852).

Bury the Great Duke
With an empire’s lamentation;
Let us bury the Great Duke
To the noise of the mourning of a mighty nation.
Tennyson.

Great-Head or Canmore, Malcolm III. of Scotland (* 1057-1093).

Great Heart. The valiant guide reappears in George Wood’s satire. Modern Pilgrims, published in 1855.

Great-heart (Mr.), the guide of Christiana and her family to the Celestial City. Bunyan, Pilgrim’s Progress, ii. (1685).

Great Magician (The) or The Great Magician of the North, Sir Walter Scott. So called by Professor John Wilson (1771-1832).

Great Marquis (The), James Graham, marquis of Montrose (1612-1650).

I’ve told thee how we swept Dundee,
And tamed the Lindsays’ pride;
But never have I told thee yet
How the Great Marquis died.
Aytoun.

Great Marquis (The), Dom Sebastiano Jose de Carvalho, Marquis de Pombal, greatest of all the Portuguese statesmenstatesmen (1699-1782).

Great Moralist (The), Dr. Samuel Johnson (1709-1784).

Great Unknown (The), Sir Walter Scott, who published his Waverley Novels anonymously (1771-1832).

Great Unwashed (The). The artisan class were first so called by Sir W. Scott.

Greaves (Sir LauncelotLauncelot), a well-bred young English squire of the George II. period; handsome, virtuous, and enlightened, but crack-brained. He sets out, attended by an old sea-captain, to detect fraud and treason, abase insolence, mortify pride, discourage slander, disgrace immodesty, and punish ingratitude. Sir Launcelot, in fact, is a modern Don Quixote, and Captain Crow is his Sancho Panza. T. Smollet, The Adventures of Sir Launcelot Greaves (1760).

Smollett became editor of the Critical Review, and an attack in that journal on Admiral Knowles led to a trial for libel. The author was sentenced to pay a fine of £100, and suffer three months imprisonment. He consoled himself in prison by writing his novel of Launcelot Greaves.—Chambers, English Literature, ii. 65.

Grecian Daughter (The), Euphrasia, daughter of Evander, a Greek who dethroned Dionysius the Elder, and became king of Syracuse. In his old age he was himself dethroned by Dionysius the Younger, and confined in a dungeon in a rock, where he was saved from starvation by his daughter, who fed him with “the milk designed for her own babe.” Timoleon having made himself master of Syracuse, Dionysius accidentally encountered Evander, his prisoner, and was about to kill him, when Euphrasia rushed forward and stabbed the tyranttyrant to the heart.—A. Murphy, The Grecian Daughter (1772).

⁂ As an historical drama, this plot is much the same as if the writer had said that James I. (of England) abdicated and retired to St. Germain, and when his son James II. succeeded to the crown, he was beheaded at White hall; for Murphy makes Dionysius the Elder to have been dethroned, and going to Corinth to live (act i.), and Dionysius the Younger to have been slain by the dagger of Euphrasia; whereas Dionysius the Elder never was dethroned, but died in Syracuse at the age of 63; and Dionysius the Younger was not slain in Syracuse, but being dethroned, went to Corinth, where he lived and died in exile.

Greedy (Justice), thin as a thread paper, always eating and always hungry. He says to Sir Giles Overreach (act iii. 1), “Oh, I do much honor a chine of beef! Oh, I do reverence a loin of veal!” As a justice, he is most venial—the promise of a turkey will buy him, but the promise of a haunch of venisonvenison will out-buy him.—Massinger, A New Way to Pay Old Debts (1628).

Greek Church (Fathers of the): Eusebius, Athana´sius, Basil “the great,” Gregory Nazianze´nus, Gregory of Nyssa, Cyril of Jerusalem, Chrys´ostom, Epipha´nius, Cyril of Alexandria, and Ephraim, deacon of Edessa.

Greeks (Last of the) Philopœ´men of Megalop´olis, whose great object was to infuse into the Achæans a military spirit, and establish their independence (B.C. 252-183).

Greeks joined Greeks. Clytus said to Alexander that Philip was the greater warrior:

I have seen him march,
And fought beneath his dreadful banner, where
The boldest at this table would have trembled.
Nay, frown not, sir, you cannot look me dead;
When Greeks joined Greeks, then was the tug of
war.
N. Lee, Alexander the Great, iv. 2 (1678).

⁂ Slightly altered into When Greek meets Greek, then comes the tug of war. This line of Nathaniel Lee has become a household phrase.

To play the Greek, to act like a harlot. When Cressid says of Helen, “Then she’s a merry Greek indeed,” she means that Helen is no better than a fille publique. Probably Shakespeare had his eye upon “fair Hiren,” in Peel’s play called The Turkish Mahomet and Hyren the Fair Greek. “A fair Greek” was at one time a euphemism for a courtezan.

Green (Mr. Paddington), clerk at Somerset House.

Mrs. Paddington Green, his wife.—T.M. Morton, If I had a Thousand a Year.

Green (Verdant), a young man of infinite simplicity, who goes to college, and is played upon by all the practical jokers of alma mater. After he has bought his knowledge by experience, the butt becomes the “butter” of juveniles greener than himself. Verdant Green wore spectacles, which won for him the nickname of “Gig-lamps.”—Cuthbert Bede [Rev. Edw. Bradley], Verdant Green (1860).

Green (Widow), a rich, buxom dame of 40, who married first for money, and intended to choose her second husband “to please her vanity.” She fancied Waller loved her, and meant to make her his wife, but Sir William Fondlove was her adorer. When the politic widow discovered that Waller had fixed his love on another, she gave her hand to the old beau, Sir William; for if the news got wind of her love for Waller, she would become the laughing-stock of all her friends.—S. Knowles, The Love-Chase (1837).

Green Bird (The), a bird that told one everything it was asked. An oracular bird, obtained by Fairstar after the failure of Cherry and her two brothers. It was this bird who revealed to the king that Fairstar was his daughter and Cherry his nephew. Comtesse D’Aunoy, Fairy Tales (“Fairstar and Prince Cherry,” 1682).

Green Horse (The), the 5th Dragoon Guards (not the 5th Dragoons). So called from their green velvet facings.

Green Howard, (The), the 19th Foot. So called from the Hon. Charles Howard, their colonel from 1738 to 1748.

Green Knight (The), Sir Pertolope (3 syl.), called by Tennyson “Evening Star” or “Hesperus.” He was one of the four brothers who kept the passages of Castle Perilous, and was overthrown by Sir Gareth.—Sir T. Malory, History of Prince Arthur, i. 127 (1470); Tennyson, Idylls (“Gareth and Lynette”).

⁂ Tennyson in his “Gareth and Lynette” chooses to call the Green Knight “Evening Star,” and the Blue Knight “Morning Star.” In the old romance the combat with the “Green Knight” was at dawn, and with the “Blue Knight” at sunset.—See Notes and Queries (February 16, 1878).

Green Knight (The), a pagan knight, who demanded Fezon in marriage, but being overcome by Orson, was obliged to resign his claim.—Valentine and Orson (fifteenth century).

Green Linnets, the 39th Foot. Their facings are green.

Green Man (The). The man who used to let off fireworks was so called in the reign of James I.

Have you any squibs, any green man in your shows?—John Kirke [R. Johnson], The Seven Champions of Christendom (1617).

Green Man (The), a gentleman’s gamekeeper, at one time clad in green.

But the green man shall I pass by unsung?...
A squire’s attendant clad in keeper’s green.
Crabbe, Borough (1810).

Greenhalgh, messenger of the earl of Derby.—Sir W. Scott, Peveril of the Peak (time, Charles II.).

Greenhorn (Mr. Gilbert), an attorney, in partnership with Mr. Gabriel Grinderson.

Mr. Gernigo Greenhorn, father of Mr. Gilbert.—Sir W. Scott, The Antiquary (time, George III.).

Greenleaf (Gilbert), the old archer at Douglas Castle.—Sir W. Scott, Castle Dangerous (time, Henry I.).

Gregory, a faggot-maker of good education, first at a charity school, then as waiter on an Oxford student, and then as the fag of a travelling physician. When compelled to act the doctor, he says the disease of his patient arises from “propria quæ maribus tribuuntur mascula dicas, ut sunt divorum, Mars, Bacchus, Apollo, virorum.” And when Sir Jasper says, “I always thought till now that the heart is on the left side and the liver on the right,” he replies, “Ay, sir, so they were formerly, but we have changed all that.” In Molière’s comedy, Le Médecin Malgré Lui, Gregory is called “Sganarelle,” and all these jokes are in act ii. 6.—Henry Fielding, The Mock Doctor.

Gregory, father and son, hangmen in the seventeenth century. In the time of the Gregorys, hangmen were termed “esquires.” In France, executioners were termed “monsieur,” even to the breaking out of the Revolution.

Gregson (Widow), Darsie Latimer’s landlady at Shepherd’s Bush.—Sir W. Scott, Redgauntlet (time, George III.).

Gregson (Gilbert), the messenger of Father Buonaventura.—Sir W. Scott, Redgauntlet (time, George III.).

Gre´mio, an old man who wishes to marry Bianca, but the lady prefers Lucentio, a young man.—Shakespeare, Taming of the Shrew (1594).

Grendel, the monster from which Beowulf delivered Hrothgar, king of Denmark. It was half monster, half man, whose haunt was the marshes among “a monster race.” Night after night it crept stealthily into the palace called Heorot, and slew sometimes as many as thirty of the inmates. At length Beowulf, at the head of a mixed band of warriors, went against it and slew it.—Beowulf, an Anglo-Saxon epic (sixth century).

Grenville (Sir Richard), the commander of The Revenge, in the reign of Queen Elizabeth. Out of his crew, ninety were sick on shore, and only a hundred able-bodied men remained on board. The Revenge was one of the six ships under the command of Lord Thomas Howard. While cruising near the Azores, a Spanish fleet of fifty-three ships made towards the English, and Lord Howard sheered off, saying, “My ships are out of gear, and how can six ships-of-the-line fight with fifty-three?” Sir Richard Grenville, however, resolved to stay and encounter the foe, and “ship after ship the whole night long drew back with her dead; some were sunk, more were shattered;” and the brave hundred still fought on. Sir Richard was wounded and his ship riddled, but his cry was still “Fight on!” When resistance was no longer possible, he cried, “Sink the ship, master gunner! sink her! Split her in twain, nor let her fall into the hands of the foe!” But the Spaniards boarded her and praised Sir Richard for his heroic daring. “I have done my duty for my queen and faith,” he said, and died. The Spaniards sent the prize home, but a tempest came on, and The Revenge, shot-shattered, “went down, to be lost evermore in the main.”—Tennyson, The Revenge, a ballad of the fleet (1878).

Froude has an essay on the subject. Canon Kingsley, in Westward Ho! has drawn Sir Richard Grenville, and alludes to the fight. Arber published three small volumes on Sir Richard’s noble exploit. Gervase Markham has a long poem on the subject. Sir Walter Raleigh says: “If Lord Howard had stood to his guns, the Spanish fleet would have been annihilated.” Probably Browning’s Hervé Riel was present to the mind of Tennyson when he wrote the ballad of The Revenge.

Gresham and the Pearl. When Queen Elizabeth visited the Exchange, Sir Thomas Gresham pledged her health in a cup of wine containing a precious stone crushed to atoms, and worth £15,000.

Here £15,000 at one clap goes
Instead of sugar; Gresham drinks the pearl
Unto his queen and mistress. Pledge it lords.
Heywood, If You Know not Me, You Know Nobody.

⁂ It is devoutly to be hoped that Sir Thomas was above such absurd vanity. Very well for Queen Cleopatra, but more than ridiculous in such an imitation.

Gresham and the Grasshopper. There is a vulgar tradition that Sir Thomas Gresham was a foundling, and that the old beldame who brought him up was attracted to the spot where she found him, by the loud chirping of a grasshopper.

⁂ This tale arose from the grasshopper, which forms the crest of Sir Thomas.

To Sup with Sir Thomas Gresham, to have no supper. Similarly, “to dine with Duke Humphrey,” is to have nowhere to dine. The Royal Exchange was at one time a common lounging-place for idlers.

Tho’ little coin thy purseless pockets line,
Yet with great company thou’rt taken up;
For often with Duke Humphrey thou dost dine,
And often with Sir Thomas Gresham sup.
Hayman, Quidlibet (Epigram on a loafer, 1628).

Gretchen. Viragoish wife of Rip Van Winkle, in Washington Irving’s story of that name.

Gretchen, a German diminutive of Margaret; the heroine of Goethe’s Faust. Faust meets her on her return from church, falls in love with her, and at last seduces her. Overcome with shame, Gretchen destroys the infant to which she gives birth, and is condemned to death. Faust attempts to save her; and, gaining admission to the dungeon, finds her huddled on a bed of straw, singing wild snatches of ballads, quite insane. He tries to induce her to flee with him, but in vain. At daybreak Gretchen dies, and Faust is taken away.

Gretchen is a perfect union of homeliness and simplicity, though her love is strong as death; yet is she a human woman throughout, and never a mere abstraction. No other character ever drawn takes so strong a hold on the heart.

Greth´el (Gammer), the hypothetical narrator of the tales edited by the brothers Grimm.

⁂ Said to be Frau Viehmänin, wife of a peasant in the suburbs of Hessê Cassel, from whose mouth the brothers transcribed the tales.

Grey (Lady Jane), a tragedy by N. Rowe, (1715).

In French, Laplace (1745), Mde. de Staël (1800), Ch. Brifaut (1812), and Alexandre Soumet (1844), produced tragedies on the same subject. Paul Delaroche has a fine picture called “Le Supplice de Jane Grey” (1835).

Gribouille, the wiseacre who threw himself into a river that his clothes might not get wetted by the rain.—A French Proverbial Saying.

Gride (Arthur), a mean old usurer, who wished to marry Madeline Bray, but Madeline loved Nicholas Nickleby, and married him. Gride was murdered.—C. Dickens, Nicholas Nickleby (1838).

Grier (Mrs.), straight-laced pietist, who says “if she didn’t think the heathen would be lost she wouldn’t see the use of the plan of salvation.”—Margaret Deland, John Ward, Preacher.

Grieux (le chevalier de), the hero of a French novel by the Abbé Antoine François Prévost (1697-1763). The passionate love of the hero, the Chevalier de Grieux, for Manon, leads him into a hundred dangers, the consequences of her frivolity and inconstancy. But he dares and suffers all for her sake, and at last, when she is sent into shameful exile by the authorities, he follows her, shares her privations, and remains with her till she dies.

Grieve (Jackie), landlord of an ale-house near Charlie’s Hope.—Sir W. Scott, Guy Mannering (time, George II.).

Griffin (Allan), landlord of the Griffin inn, at Perth.—Sir W. Scott, Fair Maid of Perth (time, Henry IV.).

Griffin-feet, the mark by which the Desert Fairy was known in all her metamorphoses.—Comtesse D’Aunoy, Fairy Tales (“The Yellow Dwarf,” 1682).

Griffiths (Old), steward of the earl of Derby.—Sir W. Scott, Peveril of the Peak (time Charles II.).

Griffiths (Samuel), London agent of Sir Arthur Darsie Redgauntlet.—Sir W. Scott, Redgauntlet (time George III.).

Griflet (Sir), knighted by King Arthur at the request of Merlin, who told the king that Sir Griflet would prove “one of the best knights of the world, and the strongest man of arms.”arms.”—Sir T. Malory, History of Prince Arthur, i. 20 (1470).

Griggsby’s Station. Old home of a newly-made rich family, for which they pine,—

“In a great big house with cyarpets on the stairs
And the pump right in the kitchen.”

“Let’s go a-visitin’ back to Griggsby Station.
Back where they’s nothin’ aggervatin’ any more,
Shet away safe in the woods around the old location,
Back where we ust to be so happy an’ so pore.”
James Whitcomb Reilly, Afterwhiles (1888).

Grildrig, a mannikin.

She gave me the name “Grildrig,” which the family took up, and afterwards the whole kingdom. The word imports what the Latin calls manunculus the Italian homunceletion, and the English mannikin.—Dean Swift, Gulliver’s Travels (“Voyage to Brobdingnag,” 1726).

Grim, a fisherman who rescued, from a boat turned adrift, an infant named Habloc, whom he adopted and brought up. This infant was the son of the king of Denmark, and when restored to his royal father, the fisherman, laden with rich presents, built the village, which he called after his own name, Grims-by or “Grim’s town.”

⁂ The ancient seal of the town contained the names of “Gryme” and “Habloc.”

Grim (Giant,) a huge giant, who tried to stop pilgrimspilgrims on their way to the Celestial City. He was slain by Mr. Greatheart.—Bunyan, Pilgrim’s Progress, ii. (1684).

Grimalkin, a cat, the spirit of a witch. Any witch was permitted to assume the body of a cat nine times. When the “first Witch” (in Macbeth) hears a cat mew, she says, “I come, Grimalkin” (act i. sc. 1).

Grime, the partner of Item the usurer. It is to Grime that Item appeals when he wants to fudge his clients. “Can we do so, Mr. Grime?” brings the stock answer, “Quite impossible, Mr. Item.”—Holcroft, The Deserted Daughter (1784), altered into The Steward.

Grimes (Peter) the drunken thievish son of a steady fisherman. He had a boy, whom he killed by ill-usage, and two others he made away with; but escaped conviction through defect of evidence. As no one would live with him, he turned mad, was lodged in the parish poor-house, confessed his crimes in delirium, and died.—Crabbe, Borough, xxii, (1810).

Grimes´by (Gaffer), an old farmer at Marlborough.—Sir. W. Scott, Kenilworth (time, Elizabeth).

Grimwig, an irascible old gentleman, who hid a very kind heart under a rough exterior. He was Mr. Brownlow’s great friend, and was always declaring himself ready to “eat his head” if he was mistaken on any point on which he passed an opinion.—C. Dickens, Oliver Twist (1837).

Grinderson (Mr. Gabriel), partner of Mr. Greenhorn. They are the attorneys who press Sir Arthur Wardour for the payment of debts. Sir. W. Scott, The Antiquary (time, George III.).

Grip, the clever raven of Barnaby Rudge. During the Gordon riots it learnt the cry of “No Popery!” Other of its phrases were: “I’m a devil!” “Never say die!” “Polly, put the kettle on!” etc.—C. Dickens, Barnaby Rudge (1841).

Gripe (1 syl.), a scrivener, husband of Clarissa, but with a tendre for Araminta, the wife of his friend Moneytrap. He is a miserly, money-loving, pig-headed hunks, but is duped out of £250 by his foolish liking for his neighbors wife.—Sir John Vanbrugh, The Confederacy (1695).

Gripe (1 syl.), the English name of Géronte, in Otway’s version of Molière’s comedy of Les Fourberies de Scapin. His daughter, called in French, Hyacinthe, is called “Clara,” and his son Leandre is Anglicized into “Leander.”—Th. Otway, The Cheats of Scapin.

Gripe (Sir Francis), a man of 64, guardian of Miranda, an heiress, and father of Charles. He wants to marry his ward for the sake of her money, and as she cannot obtain her property without his consent to her marriage, she pretends to be in love with him, and even fixes the day of espousals. “Grady,” quite secure that he is the man of her choice, gives his consent to her marriage, and she marries Sir George Airy, a man of 24. The old man laughs at Sir George, whom he fancies he is duping, but he is himself the dupe all through.—Mrs. Centlivre, The Busy Body (1709).

December 2, 1790, Munden made his bow to the Covent Garden audience as SirSir Francis Gripe.”—Memoir of J.S. Munden (1832).

Gripus, a stupid, venal judge, uncle of Alcmēna, and the betrothed of Phædra (Alcmena’s waiting-maid), in Dryden’s comedy of Amphitryon. Neither Gripus nor Phædra is among the Dramatis personæ of Molière’s comedy of Amphitryon.

Grisilda or Griselda, the model of patience and submission, meant to allegorize the submission of a holy mind to the will of God. Grisilda was the daughter of a charcoal-burner, but became the wife of Walter, marquis of Saluzzo. Her husband tried her, as God tried Job, and with the same result: (1) He took away her infant daughter, and secretly conveyed it to the queen of Pa´via to be brought up, while the mother was made to believe that it was murdered. (2) Four years later she had a son, which was also taken from her, and was sent to be brought up with his sister. (3) Eight years later, Grisilda was divorced, and sent back to her native cottage, because her husband, as she was told, intended to marry another. When, however, Lord Walter saw no indication of murmuring or jealousy, he told Grisilda that the supposed rival was her own daughter, and her patience and submission met with their full reward.—Chaucer, Canterbury Tales (“The Clerk’s Tale,” 1388).

Griskinis´sa, wife of Artaxaminous, king of Utopia. The king felt in doubt, and asked his minister of state this knotty question:

Shall I my Griskiniss’s charms forego,
Compel her to give up the royal chair,
And place the rosy Distaffina there?

The minister reminds the king that Distaffina is betrothed to his general.

And would a king his general supplant?
I can’t advise, upon my soul I can’t.
W.B. Rhodes, Bombastes Furioso (1790).

Grissel or Grizel. Octavia, the wife of Mark Antony, and sister of Augustus, is called the “patient Grizel of Roman story.” Forms of the name Griselda.

For patience she will prove a second Grissel.
Shakespeare, Taming of the Shrew, act iii. sc. 1 (1594).

Griz´el Dal´mahoy (Miss), the seamstress.—Sir W. Scott, Heart of Midlothian (time, George II.).

Griz´zie, maid-servant to Mrs. Saddletree.—Sir W. Scott, Heart of Midlothian (time, George II.).

Grizzie, one the servants of the Rev. Josiah Gargill.—Sir W. Scott, St. Ronan’s Well (time, George III.).

Griz´zle, chambermaid at the Golden Arms inn, at Kippletringan.—Sir W. Scott, Guy Mannering (time, George II.).

Grizzle (Lord), the first peer of the realm in the court of King Arthur. He is in love with the Princess Huncamunca, and as the lady is promised in marriage to the valiant Tom Thumb, he turns traitor, and “leads his rebel rout to the palace gate.” Here Tom Thumb encounters the rebels, and Glumdalca, the giantess, thrusts at the traitor, but misses him. Then the “pigmy giant-killer” runs him through the body. The black cart comes up to drag him off, but the dead man tells the carter he need not trouble himself, as he intends “to bear himself off,” and so he does.—Tom Thumb, by Fielding the novelist (1730), altered by Kane O’Hara, author of Midas (1778).

Groat´settar (Miss Clara), niece of the old lady Glowrowrum, and one of the guests at Burgh Westra.

Miss Maddie Groatsettar, niece of the old lady Glowrowrum, and one of the guests at Burgh Westra.—Sir W. Scott, The Pirate (time, William III.).

Groffar´ius, king of Aquitania, who resisted Brute, the mythical great-grandson of Æneas, who landed there on his way to Britain.—M. Drayton, Polyolbion, i. (1612).

Gronovius, father and son, critics and humanists (father, 1611-1671; son, 1645-1716).

I have more satisfaction in beholding you than I should have in conversing with Grævius and Gronovius. I had rather possess your approbation than that of the elder Scaliger.—Mrs. Cowley, Who’s the Dupe? i. 3.

(Scaliger, father (1484-1558), son (1540-1609), critics and humanists).

Groom (Squire), “a downright, English, Newmarket, stable-bred gentleman-jockey, who, having ruined his finances by dogs, grooms, cocks, and horses ... thinks to retrieve his affairs by a matrimonial alliance with a City fortune.” (canto i. 1). He is one of the suitors of Charlotte Goodchild; but, supposing the report to be true that she has lost her money, he says to her guardian:

“Hark ye! Sir Theodore; I always make my match according to the weight my thing can carry. When I offered to take her into my stable, she was sound and in good case; but I hear her wind is touched. If so, I would not back her for a shilling. Matrimony is a long course, ... and it won’t do.”do.”—C. Macklin, Love â la Mode ii. 1 (1779).

This was Lee Lewes’s great part [1740-1803]. One morning at rehearsal, Lewes said something not in the play. “Hoy, hoy!” cried Macklin; “what’s that? what’s that?” “Oh,” replied Lewes, “’tis only a bit of my nonsense.” “But,” said Macklin, gravely, “I like my nonsense, Mr. Lewes, better than yours.”—J. O’Keefe.

Grotto of Eph´esus. Near Ephesus was a grotto containing a statue of Diana, to which was attached a pipe of reeds. If a young woman, charged with dishonor, entered this grotto, and the reed gave forth musical sounds, she was declared to be a pure virgin; but if it gave forth hideous noises, she was denounced and never seen more. Corinna put the grotto to the test, at the desire of Glaucon of Lesbos, and was never seen again by the eye of man.—E. Bulwer Lytton, Tales of Milētus, iii. (See Chastity, for other tests.)

Groveby (Old), of Gloomstock Hall, aged 65. He is the uncle of Sir Harry Groveby. Brusque, hasty, self-willed, but kind-hearted.

Sir Harry Groveby, nephew of old Groveby, engaged to Maria “the maid of the Oaks.”—J. Burgoyne, The Maid of the Oaks.

Groves (Jem), landlord of the Valiant Soldier, to which was attached “a good dry skittle-ground.”—C. Dickens, The Old Curiosity Shop, xxix. (1840).

Grub (Jonathan), a stock broker, weighted with the three plagues of life—a wife, a handsome marriageable daughter, and £100,000 in the Funds, “any one of which is enough to drive a man mad; but all three to be attended to at once is too much.”

Mrs. Grub, a wealthy city woman, who has moved from the east to the fashionable west quarter of London, and has abandoned merchants and tradespeople for the gentry.

Emily Grub, called Milly, the handsome daughter of Jonathan. She marries Captain Bevil of the Guards.—O’Brien, Cross Purposes.

Grub´binol, a shepherd who sings with Bumkinet a dirge on the death of Blouzelinda.

Thus wailed the louts in melancholy strain,
Till bonny Susan sped across the plain;
They seized the lass, in apron clean arrayed,
And to the ale-house forced the willing maid;
In ale and kisses they forgot their cares,
And Susan, Blouzelinda’s loss repairs.
Gay, Pastoral, v. (1714).

(An imitation of Virgil’s Ecl., v. “Daphnis.”)

Gru´dar and Bras´solis. Cairbar and Grudar both strove for a spotted bull “that lowed on Golbun Heath,” in Ulster. Each claimed it as his own, and at length fought, when Grudar fell. Cairbar took the shield of Grudar to Brassolis, and said to her, “Fix it on high within my hall; ’tis the armor of my foe;” but the maiden, “distracted, flew to the spot, where she found the youth in his blood,” and died.

Fair was Brassolis on the plain. Stately was Grudar on the hill.—Ossian, Fingal, I.

Grueby (John), servant to Lord George Gordon. An honest fellow, who remained faithful to his master to the bitter end. He twice saved Haredale’s life; and, although living under Lord Gordon and loving him, detested the crimes into which his master was betrayed by bad advice and false zeal.—C. Dickens, Barnaby Rudge (1841).

Grugeon, one of Fortunio’s seven attendants. His gift was that he could eat any amount of food without satiety. When Fortunio first saw him, he was eating 60,000 loaves for his breakfast.—Comtesse D’Aunoy, Fairy Tales (“Fortunio,” 1682).

Grum´ball (The Rev. Dr.), from Oxford, a papist conspirator with Redgauntlet.—Sir W. Scott, Redgauntlet (time, George III.)

Grumbo, a giant in the tale of Tom Thumb. A raven having picked up Tom Thumb, dropped him on the flat roof of the giant’s castle. When old Grumbo went there to sniff the air, Tom crept up his sleeve; the giant, feeling tickled, shook his sleeve, and Tom fell into the sea below. Here he was swallowed by a fish, and the fish, being caught, was sold for King Arthur’s table. It was thus that Tom got introduced to the great king, by whom he was knighted.

Grumio, one of the servants of Petruchio.—Shakespeare, Taming of the Shrew (1594).

Grundy (Mrs.). Dame Ashfield, a farmer’s wife, is jealous of a neighboring farmer named Grundy. She tells her husband that Farmer Grundy got five shillings a quarter more for his wheat than they did; that the sun seemed to shine on purpose for Farmer Grundy; that Dame Grundy’s butter was the crack butter of the market. She then goes into her day-dreams, and says, “If our Nelly were to marry a great baronet, I wonder what Mrs. Grundy would say?” Her husband makes answer:

“Why dan’t thee letten Mrs. Grundy alone? I do verily think when thee goest to t’other world, the vurst question thee’ll ax ’ill be, if Mrs. Grundy’s there?”—Th. Morton, Speed the Plough, i. 1 (1798).

Gryll, one of those changed by Acras´ia into a hog. He abused Sir Guyon for disenchanting him; whereupon the palmer said to the knight, “Let Gryll be Gryll, and have his hoggish mind.”—Spenser, Faëry Queen, ii. 12 (1590).

Only a target light upon his arm
He careless bore, on which old Gryll was drawn,
Transformed into a hog.
Phin. Fletcher, The Purple Island, vii. (1633).

Gryphon, a fabulous monster, having the upper part like a vulture or eagle, and the lower part like a lion. Gryphons were the supposed guardians of goldmines, and were in perpetual strife with the Arimas´pians, a people of Scythia, who rifled the mines for the adornment of their hair.

As when a gryphon thro’ the wilderness,
With winged course, o’er hill or moory dale,
Pursues the Arimaspian, who, by stealth,
Had from his wakeful custody purloined
The guarded gold.
Milton, Paradise Lost, ii. 943, etc. (1665).

The Gryphon, symbolic of the divine and human union of Jesus Christ. The fore part of the gryphon is an eagle, and the hinder part a lion. Thus Dantê saw in purgatory the car of the Church drawn by a gryphon.—Dantê, Purgatory, xxix. (1308).

Guadia´na, the ’squire of Durandartê, changed into a river of the same name. He was so grieved at leaving his master that he plunged instantaneously under ground, and when obliged to appear “where he might be seen, he glided in sullen state to Portugal.”—Cervantes, Don Quixote, II. ii. 6 (1615).

Gualber´to (St.), heir of Valdespe´sa, and brought up with the feudal notion that he was to be the avenger of blood. Anselmo was the murderer he was to lie in wait for, and he was to make it the duty of his life to have blood for blood. One day, as he was lying in ambush for Anselmo, the vesper bell rang, and Gualberto (3 syl.) fell in prayer, but somehow could not pray. The thought struck him that if Christ died to forgive sin, it could not be right in man to hold it beyond forgiveness. At this moment Anselmo came up, was attacked, and cried for mercy. Gualberto cast away his dagger, ran to the neighboring convent, thanked God he had been saved from blood-guiltiness, and became a hermit noted for his holiness of life.—Southey, St. Gualberto.

Gua´rini (Philip), the ’squire of Sir Hugo de Lacy.—Sir W. Scott, The Betrothed (time, Henry II.).

Guari´nos (Admiral), one of Charlemagne’s paladins, taken captive at Roncesvallês. He fell to the lot of Marlo´tês, a Moslem, who offered him his daughter in marriage, if he would become a disciple of the Arabian prophet. Guarinos refused, and was kept in a dungeon for seven years, when he was liberated, that he might take part in a joust. The admiral then stabbed the Moor to his heart, and, vaulting on his gray horse, Treb´ozond, escaped to France.

Gu´drun, a lady married to Sigurd by the magical arts of her mother; and on the death of Sigurd to Atli, (Attila), whom she hated for his fierce cruelty, and murdered. She then cast herself into the sea, and the waves bore her to the castle of King Jonakun, who became her third husband.—Edda of Sämund Sigfusson (1130).

Gudrun, a model of heroic fortitude and pious resignation. She was the daughter of King Hettel (Attila), and the betrothed of Herwig, king of Heligoland, but was carried off by Harmuth, king of Norway, who killed Hettel. As she refused to marry Harmuth, he put her to all sorts of menial work. One day, Herwig appeared with an army, and having gained a decisive victory, married Gudrun, and at her intercession pardoned Harmuth the cause of her great misery.—A North-Saxon Poem (thirteenth century).

Gud´yill (Old John), butler to Lady Bellenden.—Sir W. Scott, Old Mortality (time, Charles II.).

Guelph´o (3 syl.), son of Actius IV. Marquis d’Este and of Cunigunda (a German). Guelpho was the uncle of Rinaldo, and next in command to Godfrey. He led an army of 5000 men from Carynthia, in Germany, to the siege of Jerusalem, but most of them were cut off by the Persians. Guelpho was noted for his broad shoulders and ample chest.—Tasso, Jerusalem Delivered, iii. (1575).

Guen´dolen (3 syl.), a fairy whose mother was a human being. King Arthur fell in love with her, and she became the mother of Gyneth. When Arthur deserted the frail fair one, she offered him a parting cup; but as he took it in his hands, a drop of the liquor fell on his horse and burnt it so severely that it “lept twenty feet high,” ran mad, and died. Arthur dashed the cup on the ground, whereupon it set fire to the grass and consumed the fairy palace. As for Guendolen, she was never seen afterwards.—Sir W. Scott, The Bridal of Triermain, i. 2 (“Lyulph’s Tales,” 1813).

Guendolœ´na, wife of Locrin (eldest son of Brute, whom he succeeded), and daughter of Cori´neus (3 syl.). Being divorced, she retired to Cornwall, and collected an army, which marched against Locrin, who “was killed by the shot of an arrow.” Guendolœna now assumed the reins of government, and her first act was to throw Estrildis (her rival) and her daughter Sabre, into the Severn, which was called Sabri´na or Sabren from that day.—Geoffrey, British History, ii. 4, 5 (1142.)

Guenever or Guinever, a corrupt form of Guanhuma´ra (4 syl.), daughter of King Leodegrance, of the land of Camelyard. She was the most beautiful of women, was the wife of King Arthur, but entertained a criminal attachment for Sir Launcelot du Lac. Respecting the latter part of the queen’s history, the greatest diversity occurs. Thus Geoffrey says:

King Arthur was on his way to Rome ... when news was brought him that his nephew Mordred, to whose care he had entrusted Britain had ... set the crown upon his own head; and that the queen Guanhumara had wickedly married him.... When King Arthur returned and put Mordred and his army to flight ... the queen fled from York to the City of Legions [Newport in South Wales], where she resolved to lead a chaste life among the nuns of Julius the martyr.—British History, xi. 1 (1142).

Another version is, that Arthur, being informed of the adulterous conduct of Launcelot, went with an army to Bentwick (Brittany), to punish him. That Mordred (his son by his own sister), left as regent, usurped the crown, proclaimed that Arthur was dead, and tried to marry Guenever, the queen; but she shut herself up in the Tower of London, resolved to die rather than marry the usurper. When she heard of the death of Arthur, she “stole away” to Almesbury, “and there she let make herself a nun, and wore white cloaths and black.” And there lived she “in fasting, prayers and almsdeeds, that all marvelled at her virtuous life.”—Sir T. Malory, History of Prince Arthur, iii, 161-170 (1470).

⁂ For Tennyson’s version, see Guinevere.

Guene´vra (3 syl.), wife of Necetaba´nus, the dwarf, at the cell of the hermit of Engaddi.—Sir W. Scott, The Talisman (time, Richard I.).

Guenn. Beautiful Breton peasant, haughty and gay, who refuses to sit as a model to the artists who haunt the region, until Hamor prevails over her scruples. Up to now, her love for her deformed brother has been the strongest passion of her strong nature. The love she learns to feel for Hamor masters all else, and when convinced that it is hopeless she grows desperate. She is “found drowned.”—Blanche Willis Howard, Guenn.

Guer´in or Gueri´no, son of Millon, king of Alba´nia. On the day of his birth his father was dethroned, but the child was rescued by a Greek slave, who brought it up and surnamed it Meschi´no or “the Wretched.” When grown to man’s estate Guerin fell in love with the princess Elizena, sister of the Greek emperor, who held his court at Constantinople.—An Italian Romance.

Guesclin’s Dust a Talisman. Guesclin, or rather Du Guesclin, constable of France, laid siege to ChâteauneufChâteauneuf-de-Randan, in Auvergne. After several assaults the town promised to surrender if not relieved within fifteen days. Du Guesclin died in this interval, but the governor of the town came and laid the keys of the city on the dead man’s body, saying he resigned the place to the hero’s ashes (1380).

France ... demands his bones [Napoleon’s],
To carry onward in the battle’s van,
To form, like Guesclin’s dust, her talisman.
Byron, Age of Bronze, iv. (1821).

Gugner, Odin’s spear, which never failed to hit. It was made by the dwarf Eitri.—The Eddas.

Guide´rius, eldest son of Cym´beline, (3 syl.), king of Britain, and brother of Arvir´agus. They were kidnapped in infancy by Belarius, out of revenge for being unjustly banished, and were brought up by him in a cave. When grown to manhood, Belarius introduced them to the king and told their story; whereupon Cymbeline received them as his sons, and Guiderius succeeded him on the throne.—Shakespeare, Cymbeline (1605).

Geoffrey calls Cymbeline “Kymbelinus, son of Tenuantius;” says that he was brought up by Augustus Cæsar, and adds, “In his days was born our Lord Jesus Christ.” Kymbeline reigned ten years, when he was succeeded by Guiderius. The historian says that Kymbeline paid the tribute to the Romans, and that it was Guiderius who refused to do so, “for which reason Claudius the emperor marched against him, and he was killed by Hamo.”—British History, iv. 11, 12, 13 (1142).

Guido, “the Savage,” son of Amon and Constantia. He was the younger brother of Rinaldo. Being wrecked on the coast of the Am´azons, he was compelled to fight their ten male champions, and having slain them all, to marry ten of the Amazons. From this thraldom Guido made his escape, and joined the army of Charlemagne.—Ariosto, Orlando Furioso (1516).

Guido [Franceschini], a reduced nobleman, who tried to repair his fortune by marrying Pompilia, the putative child of Pietro and Violantê. When the marriage was accomplished, and the money secure, Guido ill-treated the putative parents; and Violantê, in revenge, declared that Pompilia was not their child at all, but the offspring of a Roman wanton. Having made this declaration, she next applied to the law-courts for the recovery of the money. When Guido heard this tale, he was furious, and so ill-treated his child-wife that she ran away, under the protection of a young canon. Guido pursued the fugitives, overtook them, and had them arrested; whereupon the canon was suspended for three years, and Pompilia sent to a convent. Here her health gave way, and as the birth of a child was expected, she was permitted to leave the convent and live with her putative parents. Guido, having gained admission, murdered all three, and was himself executed for the crime.—R. Browning, The Ring and the Book.

Guild (Engineer), who, in passing through Providence at night, was wont to give a signal to his wife which meant—

“To my trust true,
So, love to you!
Working or waiting, good night!”

One night the whistle was not heard.

“Guild lay under his engine dead.”—Francis Bret Harte, Guild’s Signal.

Guil´denstern, one of Hamlet’s companions, employed by the king and queen to divert him, if possible, from his strange and wayward ways.—Shakespeare, Hamlet (1596).

Rosencrantz and Guildenstern are favorable examples of the thorough-paced time-serving court knave ... ticketed and to be hired for any hard or dirty work.—Cowden Clarke.

Guillotine (3 syl.). So named from Joseph Ignace Guillotin, a French physician, who proposed its adoption, to prevent unnecessary pain. Dr. Guillotin did not invent the guillotine, but he improved the Italian machine (1791). In 1792 Antoine Louis introduced further improvements, and hence the instrument is sometimes called Louisette, or Louison. The original Italian machine was called mannaja; it was a clumsy affair, first employed to decapitate Beatrice Cenci, in Rome, A.D. 1600.

It was the popular theme for jests. It was [called La mère Guillotine], the “sharp female,” the “best cure for headache.” It “infallibly prevented the hair from turning grey.” It “imparted a peculiar delicacy to the complexion.” It was the “national razor,” which shaved close. Those “who kissed the guillotine, looked through the little window and sneezed into the sack.” It was the sign of “the regeneration of the human race.” It “superseded the cross.” Models were worn[as ornaments].—C. Dickens, A Tale of Two Cities, iii. 4 (1859).

Guinart (Roque), whose true name was Pedro Rocha Guinarda, chief of a band of robbers who levied black mail in the mountainous districts of Catalonia. He is introduced by Cervantes in his tale of Don Quixote.

Guinea (Adventures of a), a novel by Charles Johnstone (1761). A guinea, as it passes into different hands, is the historian of the follies and vices of its master for the time being; and thus a series of scenes and personages is made to pass before the reader, somewhat in the same manner as in The Devil upon Two Sticks and in The Chinese Tales.

Guin´evere (3 syl.). So Tennyson spells the name of Arthur’s queen in his Idylls. He tells us of the liaison between her and “Sir Lancelot,” and says that Mordred, having discovered this familiarity, “brought his creatures to the basement of the tower for testimony.” Sir Lancelot flung the fellow to the ground, and instantly took to horse; while Guinevere fled to the nunnery at Almesbury. Here the king took leave of her; and when the abbess died, the queen was appointed her successor, and remained head of the establishment for three years, when she also died.

⁂ It will be seen that Tennyson departs from the British History, by Geoffrey, and the History of Prince Arthur as edited by Sir T. Malory. (See Guenever.)

Guiomar, mother of the vain-glorious Duar´te.—Beaumont and Fletcher, The Custom of the Country (1647).

Guiscardo, the ’squire, but previously the page, of Tancred, king of Salerno. Sigismunda, the king’s daughter, loved him, and clandestinely married him. When Tancred discovered it, he ordered the young man to be waylaid and strangled. He then went to his daughter’s chamber, and reproved her for loving a base-born “slave.” Sigismunda boldlyboldly defended her choice, but next day received a human heart in a golden casket. It needed no prophet to tell her what had happened, and she drank a draught of poison. Her father entered just in time to hear her dying request that she and Guiscardo might be buried in the same tomb. The royal father

Too late repented of his cruel deed,
One common sepulchre for both decreed;
Intombed the wretched pair in royal state,
And on their monument inscribed their fate.
Dryden, Sigismunda and Guiscardo (from Boccaccio).

Guise (Henri de Lorraine, duc de) commenced the Massacre of St. Bartholomew by the assassination of Admiral Coligny [Co.leen´.ye]. Being forbidden to enter Paris, by order of Henri III., he disobeyed the injunction, and was murdered (1550-1588).

⁂ Henri de Guise has furnished the subject of several tragedies. In English we have Guise, or the Massacre of France, by John Webster (1620); The Duke of Guise, by Dryden and Lee. In French we have Etats de Blois (the Death of Guise), by François Raynouard (1814).

Guis´la (2 syl.). sister of Pelayo, in love with Numac´ian, a renegade. “She inherited her mother’s leprous taint.” Brought back to her brother’s house by Adosinda, she returned to the Moor, “cursing the meddling spirit that interfered with her most shameless love.”—Southey, Roderick, Last of the Goths (1814).

Gui´zor (2 syl.), groom of the Saracen Pollentê. His “scalp was bare, betraying his state of bondage.” His office was to keep the bridge on Pollentê’s territory, and to allow no one to pass without paying “the passage penny.” This bridge was full of trap-doors, through which travellers were apt to fall into the river below. When Guizor demanded toll of Sir Artĕgal, the knight gave him a “stunning blow, saying, ‘Lo! there’s my hire;’” and the villain dropped down dead.—Spenser, Faëry Queen, v. 2 (1596).

⁂ Upton conjectures that “Guizor” is intended for the Duc de Guise, and his master “Pollentê” for Charles IX. of France, both notorious for the St. Bartholomew Massacre.

Gulbey´az, the sultana. Having seen Juan amongst Lambro’s captives, “passing on his way to sale,” she caused him to be purchased, and introduced into the harem in female attire. On discovering that he preferred Dudù, one of the attendant beauties, to herself, she commanded both to be sewed up in a sack, and cast into the Bosphorus. They contrived, however, to make their escape.—Byron, Don Juan, vi. (1824).

Gul´chenraz, surnamed “Gundogdi” (“morning”), daughter of Malek-al-salem, king of Georgia, to whom Fum-Hoam, the mandarin, relates his numerous and extraordinary transformations, or rather metempsychoses.—T. S. Gueulette, Chinese Tales, (1723).

Gul´chenrouz, son of Ali Hassan (brother of the Emir´ Fakreddin); the “most delicate and lovely youth in the whole world.” He could “write with precision, paint on vellum, sing to the lute, write poetry, and dance to perfection; but could neither hurl the lance nor curb the steed.” Gulchenrouz was betrothed to his cousin Nouron´ihar, who loved “even his faults;” but they never married, for Nouronihar became the wife of the Caliph Vathek.—W. Beckford, Vathek (1784).

Even beggars, in soliciting alms, will give utterance to some appropriate passage from the Gulistan.—J. J. Grandville.

Gul´liver (Lemuel), first a surgeon, then a sea-captain of several ships. He gets wrecked on the coast of Lilliput, a country of pygmies. Subsequently he is thrown among the people of Brobdingnag, giants of tremendous size. In his next voyage he is driven to Lapu´ta, an empire of quack pretenders to science and knavish projectors. And in his fourth voyage he visits the Houyhnhnms [Whin´.nms], where horses are the dominant powers.—Dean Swift, Travels in Several Remote Nations ... by Lemuel Gulliver (1726).

Gulna´rê (3 syl.), daughter of Faras´chê (3 syl.), whose husband was king of an under-sea empire. A usurper drove the king, her father, from his throne, and Gulnarê sought safety in the Island of the Moon. Here she was captured, made a slave, sold to the king of Persia, and became his favorite, but preserved a most obstinate and speechless silence for twelve months. Then the king made her his wife, and she told him her history. In due time a son was born, whom they called Beder (“the full moon”).

Gulnarê says that the under-sea folk are never wetted by the water, that they can see as well as we can, that they speak the language “of Solomon’s seal,” and can transport themselves instantaneously from place to place.—ArabianArabian Nights (“Beder and Giauharê”).

Gulnare (2 syl.), queen of the harem, and the most beautiful of all the slaves of Seyd [Seed]. She was rescued by Conrad the corsair from the flames of the palace; and, when Conrad was imprisoned, she went to his dungeon, confessed her love, and proposed that he should murder the sultan and flee. As Conrad refused to assassinate Seyd, she herself did it, and then fled with Conrad to the “Pirate’s Isle.” The rest of the tale is continued in Lara, in which Gulnare assumes the name of Kaled, and appears as a page.—Byron, The Corsair (1814).

Gulvi´gar (“weigher of gold”), the Plutus of Scandinavian mythology. He introduced among men the love of gain.

Gum´midge (Mrs.), the widow of Dan’el Peggotty’s partner. She kept house for Dan’el, who was a bachelor. Old Mrs. Gummidge had a craze that she was neglected and uncared for, a waif in the wide world, of no use to any one. She was always talking of herself as the “lone lorn cre’tur’.” When about to sail for Australia, one of the sailors asked her to marry him, when “she ups with a pail of water and flings it at his head.”—C. Dickens, David Copperfield (1849.)

Gundof´orus, an Indian king for whom the Apostle Thomas built a palace of sethym wood, the roof of which was ebony. He made the gates of the horn of the “horned snake,” that no one with poison might be able to pass through.

Gungnir, Odin’s spear.—Scandinavian Mythology.

Günther, king of Burgundy, and brother of Kriemhild (2 syl.). He resolved to wed Brunhild, the martial queen of Issland, and won her by the aid of Siegfried; but the bride behaved so obstreperously that the bridegroom had again to apply to his friend for assistance. Siegfried contrived to get possession of her ring and girdle, after which she became a submissive wife. Günther, with base ingratitude, was privy to the murder of his friend, and was himself slain in the dungeon of Etzel by his sister Kriemhield.—The Nibelungen Lied.

⁂ In history, Günther is called “Güntacher,” and Etzel “Attila.”

Gup´py (Mr.), clerk in the office of Kenge and Carboy. A weak, commonplace youth, who has the conceit to propose to Esther Summerson, the ward in Chancery.—C. Dickens, Bleak House (1853).

Gurgus´tus, according to Drayton, son of Belīnus. This is a mistake, as Gurgustus, or rather Gurgustius, was son of Rivallo; and the son of Belīnus was Gurgiunt Brabtruc. The names given by Geoffrey, in his British History, run thus; Leir (Lear), Cunedag, his grandson, Rivallo, his son, Gurgustius, his son, Sisillius, his son, Jago, nephew of Gurguitius, Kinmarc, son of Sisillius, then Gorbogud. Here the line is broken, and the new dynasty begins with Molmutius of Cornwall, then his son Belinus, who was succeeded by his son Gurgiunt Brabtruc, whose son and successor was Guithelin, called by Drayton “Guynteline.”—Geoffrey, British History, ii., iii. (1142).

In greatness next succeeds Belinus’ worthy son
Gurgustus, who soon left what his great father won
To Guynteline his heir
M. Drayton, Polyolbion, viii. (1612).

Gurney (Gilbert), the hero and title of a novel by Theodore Hook. This novel is a spiced autobiography of the author himself (1835).

Gurney (Thomas), shorthand writer, and author of a work on the subject called Brachygraphy (1705-1770).

If you would like to see the whole proceedings...
The best is that in shorthand ta’en by Gurney,
Who to Madrid on purpose made a journey.
Byron, Don Juan, i. 189 (1819).

Gurney. City visitor to Cedarswamp, making fishing and flirting his business while there. Deserts a country girl, “Lett,” to make love to the new teacher, Miss Hungerford.—Sally Pratt McLean, Cape Cod Folks (1881).

Gurth, the swine-herd and thrall of Cedric of Rotherwood.—Sir W. Scott, Ivanhoe (time, Richard I.).

Gurton (Gammer), the heroine of an old English comedy. The plot turns upon the loss of a needle by Gammer Gurton, and its subsequent discovery sticking in the breeches of her man Hodge.—Mr. J. S., Master of Arts (1561).

Guse Gibbie, a half-witted lad in the service of Lady Bellenden.—Sir W. Scott, Old Mortality (time, Charles II.).

Gushington (Angelina), the nom de plume of Lady Dufferin.

Gusta´vus Vasa (1496-1560), having made his escape from Denmark, where he had been treacherously carried captive, worked as a common laborer for a time in the copper-mines of Dalecarlia [Da´.le.karl´.ya]; but the tyranny of Christian II. of Denmark induced the Dalecarlians to revolt, and Gustavus was chosen their leader. The rebels made themselves masters of Stockholm; Christian abdicated, and Sweden henceforth became an independent kingdom.—H. Brooke, Gustavus Vasa (1730).

Gus´ter, the Snagsbys’ maid-of-all-work. A poor, overworked drudge, subject to fits.—C. Dickens, Bleak House (1853).

Gusto Picaresco (“taste for roguery”). In romance of this school the Spaniards especially excel, as Don Diego de Mondo´za’s Lazarillo de Tormes (1553); Mateo Aleman’s Guzman d’Alfarache (1599); Guevedo’s Gran Tacano, etc.

Guthrie (John), one of the archers of the Scottish guard in the employ of Louis XI—Sir W. Scott, Quentin Durward (time, Edward IV.)

Gutter Lyrist (The), Robert Williams Buchanan; so called from his poems on the loves of costermongers and their wenches (1841- ).

Guy Carleton. Wealthy young Englishman who is converted from skepticism by the gentle leadings of the child Fleda, and never forgets her. He meets her eight or nine years afterward and marries her.—Susan Warner, Queechy (1852).

Guy Morville. High-spirited, generous youth, whose religious faith helps him to overcome a fiery temper. He dies, while on his bridal tour of fever contracted in nursing his cousin Philip, his rival and enemy.—C. M. Yonge, The Heir of Redclyffe.

Guy (Thomas), the miser and philanthropist. He amassed an immense fortune in 1720 by speculations in South Sea stock, and gave £238,292 to found and endow Guy’s hospital (1644-1724).

Guy, earl of Warwick, an English knight. He proposed marriage to Phelis or Phillis, who refused to listen to his suit till he had distinguished himself by knightly deeds. He first rescued Blanch, daughter of the emperor of Germany, then fought against the Saracens, and slew the doughty Coldran, Elmage, king of Tyre, and the Soldan himself. Then, returning to England, he was accepted by Phelis and married her. In forty days he returned to the Holy Land, when he redeemed Earl Jonas out of prison, slew the giant Am´erant, and performed many other noble exploits. Again he returned to England, just in time to encounter the Danish giant Colebrond (2 syl.) or Colbrand, which combat is minutely described by Drayton, in his Polyolbion, xii. At Windsor he slew a boar “of passing might.” On Dunsmore Heath he slew the dun cow of Dunsmore, a wild and cruel monster. In Northumberland he slew a winged dragon, “black as any cole,” with the paws of a lion, and a hide which no sword could pierce (Polyolbion, xiii.). After this he turned hermit, and went daily to crave bread of his wife Phelis, who knew him not. On his death-bed he sent her a ring, and she closed his dying eyes (890-958).

Guy Fawkes, the conspirator, went under the name of John Johnstone, and pretended to be the servant of Mr. Percy (1577-1606).

Guy Mannering, the second of Scott’s historical novels, published in 1815, just seven months after Waverley. The interest of the tale is well sustained; but the love scenes, female characters, and Guy Mannering himself, are quite worthless. Not so the character of Dandy Dinmont, the shrewd and witty counsellor Pleydell, the desperate sea-beaten villainy of Hatteraick, the uncouth devotion of that gentlest of all pedants, poor Domine Sampson, and half-crazed, but noble-hearted, Meg Merrilies, the true heroine of the novel.

Guy Mannering was the work of six weeks about Christmas time, and marks of haste are visible both in the plot and in its development.—Chambers, English Literature, ii. 586.

Guyon Guerndale. Sensitive, imaginative young man, “forever looking for this year’s birds in the nests of the last.” He carries in a locket with him an heirloom diamond said to have been wrested from the rightful owner by a wicked ancestor. Guerndale loves a woman who marries his friend; he seeks glory and is wounded at Plevna. He “had started by believing in three things, truth, love, and friendship,” and he never recants. While in the hospital, news comes of “Annie’s” death. He determines to cast away the diamond he had once meant for her. It is an evil stone. He wrenches open the locket, reopens his wound, and bleeds to death. His friend, finding him dead, picks up the historic stone.

“The diamond was only a crystal after all.” Frederic Jesup Stimson, Guerndale (1881).

Guyn´teline or Guithtlin, according to Geoffrey, son of Gurgiun´e Brabtrue (British History, iii. 11, 12, 13); but, according to Drayton, son of Gurgustus, an early British king. (See Gurgustus). His queen was Martia, who codified what are called the Martian Laws, translated into Anglo-Saxon by King Alfred. (See Martian Laws.)

Gurgustus ... left what his great father won
To Guynteline his heir, whose queen ...
To wise Mulmutius laws her Martian first did frame.
Drayton, Polyolbion, viii. (1612).

Guyon, (Sir), the personification of “temperance.” The victory of temperance over intemperance is the subject of bk. ii. of the Faëry Queen. Sir Guyon first lights on Amavia (intemperance of grief), a woman who kills herself out of grief for her husband; and he takes her infant boy and commits it to the care of Medi´na. He next meets Braggadoccio (intemperance of the tongue), who is stripped bare of everything. He then encounters Furor (intemperance of anger), and delivers Phaon from his hands. Intemperance of desire is discomfited in the persons of Pyr´oclês and Cym´oclês; then intemperance of pleasure, or wantonness, in the person of Phædria. After his victory over wantonness, he sees Mammon (intemperance of worldly wealth and honor); but he rejects all his offers, and Mammon is foiled. His last and great achievement is the destruction of the “Bower of Bliss,” and the binding in chains of adamant the enchantress Acrasia (or intemperance generally). This enchantress was fearless against Force, but Wisdom and Temperance prevail against her.—Spenser, Faëry Queen, ii. 12 (1500).

Guyot (Bertrand), one of the archers in the Scottish guard attached to Louis XI.—Sir W. Scott, Quentin Durward (time, Edward IV.).

Guzman d’Alfara´che (4 syl.), hero of a Spanish romance of roguery. He begins by being a dupe, but soon becomes a knave in the character of stable-boy, beggar, swindler, pander, student, merchant, and so on.—Mateo Aleman (1599).

Guzman. The priest who brings up Don Juan in Mansfield’s play of that name. He tries to train the boy aright; failing in this, he screens him and palliates his offences; makes a desperate effort to save his life when he is menaced by Don Alonzo, frustrated by the youth’s chivalric self-devotion, and is with the hapless prisoner at the moment of his death.—Richard Mansfield, Don Juan (1891).

Gwenhid´wy, a mermaid. The white foamy waves are called her sheep, and the ninth wave her ram.

Take shelter when you see Gwenhidwy drivingdriving her flock ashore.—Welsh Proverb.

... they watched the great sea fall,
Wave after wave, each mightier than the last;
Till, last a ninth one, gathering half the deep,
And full of voices, slowly rose and plunged,
Roaring, and all the wave was in a flame.
Tennyson, The Holy Grail.

Gwilt (Miss), plotter and betrayer, in Wilkie Collins’s novel, Armadale.

Gwynne (Nell), one of the favorites of Charles II. She was an actress, but in her palmy days was noted for her many works of benevolence and kindness of heart. The last words of King Charles were, “Don’t let poor Nellie starve!”—Sir W. Scott, Peveril of the Peak (time, Charles II.).

Gyas and Cloan´thus, two companions of Æne´as, generally mentioned together as “fortis Gyas fortisque Cloanthus.” The phrase has become proverbial for two very similar characters.—Virgil, Æneid.

The “strong Gyas” and the “strong Cloanthus” are less distinguished by the poet than the strong Percival and the strong Osbaldistones were by outward appearance.—Sir W. Scott.

Gyges (2 syl.), one of the Titans. He had fifty heads and a hundred hands.

Gyges, a king of Lydia, of whom Apollo said he deemed the poor Arcadian Ag´laos more happy than the King Gyges, who was proverbial for his wealth.

Gyges (2 syl.), who dethroned Candaulês (3 syl.), king of Lydia, and married Nyssia, the young widow. Herodotos says that Candaulês showed Gyges the queen naked, and the queen, indignant at this impropriety, induced Gyges to kill the king and marry her (bk. i. 8). He reigned B.C. 716-678.

Gyges’s Ring rendered the wearer invisible. Plato says that Gyges found the ring in the flanks of a brazen horse, and was enabled by this talisman to enter the king’s chamber unseen, and murder him.

Why did you think that you had Gyges’ ring,
Or the herb [fern seed] that gives invisibility?
Beaumont and Fletcher, Fair Maid of the Inn, i. 1 (1647).

Gyneth, natural daughter of Guendŏlen and King Arthur. The king promised to give her in marriage to the bravest knight in a tournament in which the warder was given to her to drop when she pleased. The haughty beauty saw twenty knights fall, among whom was Vanoc, son of Merlin. Immediately Vanoc fell, Merlin rose, put an end to the jousts, and caused Gyneth to fall into a trance, from which she was never to wake till her hand was claimed in marriage by some knight as brave as those who had fallen in the tournament. After the lapse of 500 years, De Vaux undertook to break the spell, and had to overcome four temptations, viz., fear, avarice, pleasure, and ambition. Having succeeded in these encounters, Gyneth awoke and became his bride.—Sir W. Scott, Bridal of Triermain (1813).

Gyp, the college servant of Blushington, who stole his tea and sugar, candles, and so on. After Blushington came into his fortune he made Gyp his chief domestic and private secretary.—W.T. Moncrieff, The Bashful Man.

Gyptian (Saint), a vagrant.

Percase [perchance] sometimes St. Gyptian’s pilgrymage
Did carie me a month (yea, sometimes more)
To brake the bowres [to reject the food provided],
Bicause they had no better cheere in store.
G. Gascoigne, The Fruites of Warre, 100 (died 1557).

H. B., the initials adopted by Mr. Doyle, father of Richard Doyle, in his Reform Caricatures (1830).

H. H., Pen-name of Helen Hunt Jackson, authoress of Ramona, A Century of Dishonor, etc.

Hackburn (Simon of), a friend of Hobbie Elliott, farmer at the Heugh-foot.—Sir W. Scott, The Black Dwarf (time, Anne).

Hackum (Captain), a thick-headed bully of Alsatia, once a sergeant in Flanders. He deserted his colors, fled to England, took refuge in Alsatia, and assumed the title of captain.—Shadwell, Squire of Alsatia (1688).

Hadad, one of the six Wise Men of the East led by the guiding star to Jesus. He left his beloved consort, fairest of the daughters of Bethu´rim. At his decease she shed no tear, yet was her love exceeding that of mortals.—Klopstock, The Messiah, v. (1771).

Had´away (Jack), a former neighbor of Nanty Ewart, the smuggler-captain.—Sir W. Scott, Redgauntlet (time, George III.).

Ha´des (2 syl.), the god of the unseen world; also applied to the grave, or the abode of departed spirits.

⁂ In the Apostles’ Creed, the phrase “descended into hell” is equivalent to “descended into hadês.”

Hadgi (Abdallah el), the soldan’s envoy.—Sir W. Scott, The Talisman (time, Richard I.).

Hadoway (Mrs.), Lovel’s landlady at Fairport.—Sir W. Scott, The Antiquary (time, George III.).

Hafed, a gheber or fire-worshipper, in love with Hinda, the emir’s daughter. He was the leader of a band sworn to free their country or die in the attempt. His rendezvous was betrayed, but when the Moslem came to arrest him, he threw himself into the sacred fire, and was burnt to death.—T. Moore, Lalla Rookh (“The Fire-Worshippers,” 1817).

Haf´edal, the protector of travellers, one of the four gods of the Adites (2 syl.).

Hafiz, the nom de plume of Mr. Stott in the Morning Press. Byron calls him “grovelling Stott,” and adds, “What would be the sentiment of the Persian Anacreon ... if he could behold his name assumed by one Stott of Dromore, the most impudent and execrable of literary poachers?”—English Bards and Scotch Reviewers (1809).

Hafod. As big a fool as Jack Hafod. Jack Hafod was a retainer of Mr. Bartlett, of Castlemore, Worcestershire, and the ultimus scurrarum of Great Britain. He died at the close of the eighteenth century.

Hagan, son of a mortal and a sea-goblin, the Achillês of German romance. He stabbed Siegfried while drinking from a brook, and laid the body at the door of Kriemhild, that she might suppose he had been killed by assassins. Hagan, having killed Siegfried, then seizedseized the “Nibelung hoard,” and buried it in the Rhine, intending to appropriate it. Kriemhild, after her marriage with Etzel, king of the Huns, invited him to the court of her husband, and cut off his head. He is described as “well grown, strongly built, with long sinewy legs, deep broad chest, hair slightly gray, of terrible visage, and of lordly gait” (stanza 1789).—The Nibelungen Lied (1210).

Ha´garenes (3 syl.), the descendants of Hagar. The Arabs and the Spanish Moors are so called.

Often he [St. James] hath been seen conquering and destroying the Hagarenes.—Cervantes, Don Quixote, II. iv. 6 (1615).

Hagenbach (Sir Archibald von), governor of La Frette.—Sir W. Scott, Anne of Geierstein (time, Edward IV.).

Hahlreiner (Fraulein). The Münich landlady who accompanies H.H. as maid in her travels through Germany. During the jaunt she learns so much of other landlord’s ways and manners that “I fear me from this time henceforth, the lodgers in my dear Fraulein’s house will not find it such a marvel of cheap comfort as we did.”—Helen Hunt Jackson, Bits of Travel (1872).

Haiatal´nefous (5 syl.), daughter and only child of Ar´manys, king of the “Isle of Ebony.” She and Badoura were the two wives of Prince Camaral´zaman, and gave birth at the same time to two princes. Badoura called her son Amgiad (“the most glorious”), and Haiatalnefous called her’s Assad (“the most happy”).—Arabian Nights (“Camaralzaman and Badoura”).

Haidée, “the beauty of the Cycladês,” was the daughter of Lambro, a Greek pirate, living in one of the Cycladês. Her mother was a Moorish maiden of Fez, who died when Haidee was a mere child. Being brought up in utter loneliness, she was wholly Nature’s child. One day, Don Juan was cast on the shore, the only one saved from a shipwrecked crew, tossed about for many days in the long-boat. Haidée lighted on the lad, and, having nursed him in a cave, fell in love with him. A report being heard that Lambro was dead, Don Juan gave a banquet, but in the midst of the revelry, the old pirate returned, and ordered Don Juan to be seized and sold as a slave. Haidée broke a blood-vessel from grief and fright, and, refusing to take any nourishment, died.—Byron, Don Juan, ii. 118; iii., iv. (1819, 1821).

Haimon (The Four Sons of), the title of a minnesong in the degeneracy of that poetic school, which rose in Germany with the house of Hohenstaufen, and went out in the middle of the thirteenth century.

Hair. Every three days, when Cor´sina combed the hair of Fairstar and her two brothers, “a great many valuable jewels were combed out, which she sold at the nearest town.”—Comtesse D’Aunoy, Fairy Tales (“Princess Fairstar,” 1682).

“I suspected,” said Corsina, “that Cherry is not the brother of Fairstar, for he has neither a star nor collar of gold as Fairstar and her brothers have.” “That’s true,” rejoined her husband; “but jewels fall out of his hair, as well as out of the others.”—Princess Fairstar.

Hair. Mrs. Astley, an actress of the last century, wife of “Old Astley,” could stand up and cover her feet with her flaxen hair.

She had such luxuriant hair that she could stand upright and it covered her to her feet like a veil. She was very proud of these flaxen locks; and a slight accident by fire having befallen them, she resolved ever after to play in a wig. She used, therefore, to wind this immense quantity of hair round her head, and put over it a capacious caxon, the consequence of which was that her head bore about the same proportion to the rest of her figure that a whale’s skull does to its body.—Philip Astley (1742-1814).

Hair. Mdlle. Bois de Chêne, exhibited in London in 1852-3, had a most profuse head of hair, and also a strong black beard, large whiskers, and thick hair on her arms and legs.

Charles XII. had in his army a woman whose beard was a yard and a half long. She was taken prisoner at the battle of Pultowa, and presented to the Czar in 1724.

Johann Mayo, the German painter, had a beard which touched the ground when he stood up.

Master George Killingworthe, in the court of Ivan “the Terrible” of Russia, had a beard five feet two inches long. It was thick, broad, and of a yellowish hue.—Hakluyt (1589).

Hair Cut Off. It was said by the Greeks and Romans that life would not quit the body of a devoted victim till a lock of hair had first been cut from the head of the victim and given to Proserpine. Thus, when Alcestis was about to die as a voluntary sacrifice for the life of her husband, Than´atos first cut off a lock of her hair for the queen of the infernals. When Dido immolated herself, she could not die till Iris had cut off one of her yellow locks for the same purpose.—Virgil, Æneid, iv. 693-705.

Iris cut the yellow hair of unhappy Dido, and broke the charm.—O. W. Holmes, Autocrat of the Breakfast Table.

Hair, Sign of Rank.

The Parthians and ancient Persians of high rank wore long flowing hair.

Homer speaks of “the long-haired Greeks” by way of honorable distinction. Subsequently the Athenian cavalry wore long hair, and all Lacedæmonian soldiers did the same.

The Gauls considered long hair a notable honor, for which reason Julius Cæsar obliged them to cut off their hair in token of submission.

The Franks and ancient Germans considered long hair a mark of noble birth. Hence Clodion, the Frank, was called “The Long-Haired,” and his successors are spoken of as les rois chevelures.

The Goths looked on long hair as a mark of honor, and short hair as a mark of thraldom.

For many centuries long hair was in France the distinctive mark of kings and nobles.

Haïz´um (3 syl.), the horse on which the archangel Gabriel rode when he led a squadron of 3000 angels against the Koreishites (3 syl.) in the famous battle of Bedr.

Hakem´ or Hakeem, chief of the Druses, who resides at Deir-el-Kamar. The first hakem was the third Fatimite caliph, called B’amr-ellah, who professed to be incarnate deity, and the last prophet who had personal communication between God and man. He was slain on Mount Mokattam, near Cairo (Egypt).

Hakem the khalif vanished erst,
In what seemed death to uninstructed eyes,
On red Mokattam’s verge.
Robert Browning, The Return of the Druses, i.

Hakim (Adonbec el), Saladin in the disguise of a physicianphysician. He visited Richard Cœur de Lion in sickness; gave him a medicine in which the “talisman” had been dipped, and the sick king recovered from his fever.—Sir W. Scott, The Talisman (time, Richard I.).

Halcro (Claud), the old bard of Magnus Troil, the udaller of Zetland.—Sir W. Scott, The Pirate (time, William III.).

⁂ A udallar is one who holds his land by allodial tenure.

Halden or Halfdene (2 syl.), a Danish king, who with Basrig or Bagsecg, another Scandinavian king, made (in 871) a descent upon Wessex, and in that one year nine pitched battles were fought with the islanders. The first was Englefield, in Berkshire, in which the Danes were beaten; the second was Reading, in which the Danes were victorious; the third was the famous battle of Æscesdun or Ashdune, in which the Danes were defeated with great loss, and King Bagsecg was slain. In 909, Halfdene was slain in the battle of Wodnesfield (Staffordshire).

Reading ye regained....
Where Basrig ye outbraved, and Halden sword to sword.
Drayton, Polyolbion, xii. (1613).

Hal´dimund (Sir Ewes), a friend of Lord Dalgarno.—Sir W. Scott, Fortunes of Nigel (time, James I.).

Hales (John), called “The Ever-Memorable” (1584-1656).

The works of John Hales were published after his death, in 1659, under the title of The Golden Remains of the Ever-Memorable Mr. John Hales of Eton College (three vols.).

Halifax (John), noble character, rising from poverty to affluence and honor by his own exertions, and winning for himself the name written by his mother in his Bible, “John Halifax, Gentleman.”—Dinah Maria Muloch, Mrs. Craik.

Halkit (Mr.), a young lawyer in the introduction of Sir W. Scott’s Heart of Midlothian (1818).

Hall (Sir Christopher), an officer in the army of Montrose.—Sir W. Scott, Legend of Montrose (time, Charles I.).

Hall (Ruth), vivacious woman, who is happily married, then widowed, reduced to poverty, and wins fortune and fame by her pen. Supposed to be the author’s own life under a thin veil of fiction.—Sarah Payson Willis (Fanny Fern), Ruth Hall (184-).

Haller (Mrs.). At the age of 16, Adelaid [Mrs. Haller] married the Count Waldbourg, from whom she eloped. The count then led a roving life, and was known as “the stranger.” The countess, repenting of her folly, assumed (for three years) the name of Mrs. Haller, and took service under the countess of Wintersen, whose affection she won by her amiability and sweetness of temper. Baron Steinfort fell in love with her, but hearing her tale, interested himself in bringing about a reconciliationreconciliation between Mrs. Haller and “the stranger,” who happened, at the time, to be living in the same neighborhood. They met and bade adieu, but when their children were brought forth, they relented, and rushed into each other’s arms.—Benj. Thompson, The Stranger (1797). Adapted from Kotzebue.

Halliday (Tom), a private in the royal army.—Sir W. Scott, Old Mortality (time Charles II.).

Hamarti´a, Sin personified, offspring of the red dragon and Eve. “A foul deformed” monster, “more foul deformed the sun yet never saw.” “A woman seemed she in the upper part,” but “the rest was in serpent form,” though out of sight. Fully described in canto xii. of The Purple Island (1633), by Phineas Fletcher. (Greek hamartia, “sin.”)

Hamet, son of Mandānê and Zamti (a Chinese mandarin). When the infant prince, Zaphimri, called “the orphan of China,” was committed to the care of Zamti, Hamet was sent to Corea, and placed under the charge of Morat; but when grown to manhood, he led a band of insurgents against Ti´murkan´ the Tartar, who had usurped the throne of China. He was seized and condemned to death, under the conviction that he was Zaphimri, the prince. Etan (who was the real Zaphimri) now came forward to acknowledge his rank, and Timurkan, unable to ascertain which was the true prince, ordered them both to execution. At this juncture a party of insurgents arrived, Hamet and Zaphimri were set at liberty, Timurkan was slain, and ZaphimriZaphimri was raised to the throne of his forefathers.—Murphy, The Orphan of China.

Hamet, one of the black slaves of Sir Brian de Bois Guilbert, preceptor of the Knights Templars.—Sir W. Scott, Ivanhoe (time, Richard I.).

Hamet, (the Cid) or The Cid Hamet Benengel´i, the hypothetical Moorish chronicler who is fabled by Cervantês to have written the adventures of “Don Quixote.”

O Nature’s noblest gift my gray goose quill!...
Our task complete, like Hamet’s shall be free.
Byron, English Bards and Scotch Reviewers
(1809).

The shrewd Cid Hamet, addressing himself to his pen, says, “And now my slender quill, whether skillfully cut or otherwise, here from this rack, suspended by a wire, shalt thou peacefully live to distant times, unless the hand of some rash historian disturb thy repose by taking thee down and profaning thee.”—Cervantes, Don Quixote (last chap., 1615).

Hamilton (Lady Emily), sister of Lord Evandale.—Sir W. Scott, Old Mortality (time, Charles II.).

Hamilton (Mrs.), model Christian mother, whose character and modes of government are delineated in Home Influence and The Mother’s Recompense.—Grace Aquilar (185-).

Hamiltrude (3 syl.), a poor Frenchwoman, the first of Charlemagne’s nine wives. She bore him several children.

Her neck was tinged with a delicate rose.... Her locks were bound about her temples with gold and purple bands. Her dress was looped up with ruby clasps. Her coronet and her purple robes gave her an air of surpassing majesty.—L’Epine, Croquemitaine, iii.

Hamlet, prince of Denmark, a man of mind, but not of action; nephew of Claudius, the reigning king, who had married the widowed queen. Hamlet loved Ophelia, daughter of Polo´nius, the lord chamberlain; but feeling it to be his duty to revenge his father’s murder, he abandoned the idea of marriage and treated Ophelia so strangely that she went mad, and, gathering flowers from a brook, fell into the water and was drowned. While wasting his energy in speculation, Hamlet accepted a challenge from Laertês of a friendly contest with foils; but Laertês used a poisoned rapier, with which he stabbed the young prince. A scuffle ensued, in which the combatants changed weapons, and Laertês being stabbed, both died.—Shakespeare, Hamlet (1596).

“The whole play,” says Schlegel, “is intended to show that calculating consideration which exhausts ... the power of action.” Goethe is of the same opinion, and says that “Hamlet is a noble nature, without the strength of nerve which forms a hero. He sinks beneath a burden which he cannot bear, and cannot [make up his mind to] cast aside.”

⁂ In the History of Hamblet, Hamlet’s father is called “Horvendille.”

Hammer (The ),Judas Asamonæus, surnamed Maccabæus, “the hammer” (B.C. 166-136).

Charles Martel (689-741).(689-741).

On prétend qu’on lui donna le surnom de Martel parcequ’il avait écrasé comme avec un marteau les Sarrasins qui, sous la conduite d’Abdérame, avaient envahi la France.—Bouillet.

Hammer and Scourge of England, Sir William Wallace (1270-1305).

Hammer of Heretics.

1. Pierre D’Ailly, president of the council which condemned John Huss (1350-1425).

2. St. Augustine, “the pillar of truth and hammer of heresies” (395-430).—Hakewell.

3. John Faber. So called from the title of one of his works, Malleus Hereticorum (1470-1541).

Hammer of Scotland, Edward I. His son inscribed on his tomb: “Edwardus Longus Scotorum Malleus hic est” (1239, 1272-1307).

Hammerlein (Claus), the smith, one of the insurgents at Liège.—Sir W. Scott, Quentin Durward (time, Edward IV.).

Hamond, captain of the guard of Rollo (“the bloody brother” of Otto, and duke of Normandy). He stabs the duke, and Rollo stabs the captain; so that they kill each other.—Beaumont and Fletcher, The Bloody Brother (1639).

Hamor (Everett), artist to whom Gwenn consents to sit as a model, and who reciprocates the favor by stealing her heart, his own fancy being enthralled, while he knows that he cannot marry her.

While she dances—a breathing poem, her clear eyes seeking Hamor’s with a kind of proud pleading—“Your smile, too, O my master,” they pleaded; “your smile to crown my joy,”—he is talking of art to a young Danish woman, also an artist, and not seeing Gwenn.—Blanche Willis Howard, Gwenn (1883).

Hampden (John), was born in London, but after his marriage lived as a country squire. He was imprisoned in the gatehouse for refusing to pay a tax called ship-money, imposed without the authority of parliament. The case was tried in the Exchequer Chamber, in 1638, and given against him. He threw himself heart and soul into the business of the Long Parliament, and commanded a troop in the parliamentary army. In 1643 he fell in an encounter with Prince Rupert; but he has ever been honored as a patriot, and the defender of the rights of the people (1597-1643).

[Shall] Hampden no more, when suffering Freedom calls,
Encounter Fate, and triumph as he falls?
Campbell, Pleasures of Hope, i. (1790).

Some village Hampden, that with dauntless breast,
The little tyrant of his fields withstood.
Grey, Elegy (1749).

Hamzu-ben-Ahmud, who, on the death of Hakeem. B’amr-ellah (called the incarnate deity and last prophet), was the most zealous propagator of the new faith, out of which the semi-Mohammedan sect, called Druses, subsequently arose.

N.B.—They were not called “Druses” till the eleventh century, when one of their “apostles,” called Durzi, led them from Egypt to Syria, and the sect was called by his name.

Handel’s Monument, in Westminster Abbey, is by Roubillac. It was the last work executed by this sculptor.

Han (Sons of), the Chinese, so called from Hân, the village in which Lieou-pang was chief. Lieou-pang conquered all who opposed him, seized the supreme power, assumed the name of Kao-hoâng-tee and the dynasty, which lasted 422 years, was “the fifth imperial dynasty, or that of Hân.” It gave thirty emperors, and the seat of government was Yn. With this dynasty the modern history of China begins (B.C. 202 to A.D. 220).

Handsome Englishman (The). The French used to call John Churchill, duke of Marlborough, Le Bel Anglais (1650-1722).

Handsome Swordsman (The). Joachim Murat was popularly called Le Beau Sabreur (1767-1815).

Handy Andy, (See Andy).

Handy (Sir Abel), a great contriver of inventions which would not work, and of retrograde improvements. Thus “his infallible axletree” gave way when it was used, and the carriage was “smashed to pieces.” His substitute for gunpowder exploded, endangered his life, and set fire to the castle. His “extinguishing powder” might have reduced the flames, but it was not mixed, nor were his patent fire-engines in workable order. He said to Farmer Ashfield:

“I have obtained patents for tweezers, toothpicks, and tinder-boxes ... and have now on hand two inventions, ... one for converting saw-dust into deal boards, and the other for cleaning rooms by steam-engines.”

Lady Nelly Handy (his wife), formerly a servant in the house of Farmer Ashfield. She was full of affectations, overbearing, and dogmatical. Lady Nelly tried to “forget the dunghill whence she grew, and thought herself the Lord knows who.” Her extravagance was so great that Sir Abel said his “best coal-pit would not find her in white muslin, nor his India bonds in shawls and otto of roses.” It turned out that her first husband, Gerald, who had been absent twenty years, reappeared and claimed her. Sir Abel willingly resigned his claim, and gave Gerald £5000 to take her off his hands.

Robert Handy (always called Bob), son of Sir Abel by his first wife. He fancied he could do everything better than any one else. He taught the post boy to drive, but broke the horse’s knees. He taught Farmer Ashfield how to box, but got knocked down by him at the first blow. He told Dame Ashfield he had learned lace-making at Mechlin, and that she did not make it in the right way; but he spoilt her cushion in showing her how to do it. He told Lady Handy (his father’s bride) she did not know how to use the fan, and showed her; he told her she did not know how to curtsey, and showed her. Being pestered by this popinjay beyond endurance, she implored her husband to protect her from further insults. Though light-hearted, Bob was “warm, steady, and sincere.” He married Susan, the daughter of Farmer Ashfield.—Th. Morton, Speed the Plough (1798).

Hanging Judge (The), Sir Francis Page (1718-1741).

The earl of Norbury, who was chief justice of the Common Pleas in Ireland from 1820 to 1827, was also stigmatized with the same unenviable title.

Hannah. The friend of the Quaker widow in the garden after her husband’s funeral—“the single heart that comes at need.”—Bayard Taylor, The Quaker Widow.

Hannah, housekeeper to Mr. Fairford, the lawyer.—Sir W. Scott, Redgauntlet (time, George III.).

Hannah Thurston. A country girl, a Quaker by birth and breeding, whose Madonna face and nobility of character win the regard of a wealthy citizen of the world, a travelled man who yet does not sympathize with Hannah’s “progressive” ideas on the subject of woman’s suffrage, etc. He marries her and converts her.—Bayard Taylor, Hannah Thurston, (1868.)

Hans, a simple-minded boy of five and twenty, in love with Esther, but too shy to ask her in marriage. He is a “Modus” in a lower social grade; and Esther is a “cousin Helen,” who laughs at him, loves him, and teaches him how to make love to her and win her.—S. Knowles, The Maid of Mariendorpt (1838).

Hans, the pious ferryman on the banks of the Rhine.—Sir W. Scott, Anne of Geierstein (time, Edward IV.).

Hans (Adrian), a Dutch merchant killed at Boston.—Sir W. Scott, Peveril of the Peak (time, Charles II.).

Hans of Iceland, a novel by Victor Hugo (1824). Hans is a stern, savage, Northern monster, ghastly and fascinating.

Hans von Rippach [Rip.pak], i.e. Jack of Rippach. Rippach is a village near Leipsic. This Hans von Rippach is is a “Mons. Nong-tong-pas,” that is, a person asked for, who does not exist. The “joke” is to ring a house up at some unseasonable hour, and ask for Herr Hans von Rippach or Mons. Nongtongpas.

Hanson (Neil), a soldier in the castle of Garde Doloureuse.—Sir W. Scott, The Betrothed (time, Henry II.).

Hanswurst, the “Jack Pudding” of old German comedy, but almost annihilated by Gottsched, in the middle of the eighteenth century. He was clumsy, huge in person, an immense gourmand, and fond of vulgar practical jokes.

⁂ The French “Jean Potage,” the Italian “Macaroni,” and the Dutch “Pickel Herringe,” were similar characters.

Hapmouche (2 syl.), i.e. “fly-catcher,” the giant who first hit upon the plan of smoking pork and neats’ tongues.—Rabelais, Pantagruel, ii. 1.

Happer or Hob. the miller who supplies St. Mary’s Convent.

Mysie Happer, the miller’s daughter. Afterwards, in disguise, she acts as the page of Sir Piercie Shafton, whom she marries.—Sir W. Scott, The Monastery (time, Elizabeth).

Happuck, a magician, brother of Ulin, the enchantress. He was the instigator of rebellion, and intended to kill the Sultan Misnar at a review, but Misnar had given orders to a body of archers to shoot the man who was left standing when the rest of the soldiers fell prostrate in adoration. Misnar went to the review, and commanded the army to give thanks to Allah for their victory, when all fell prostrate except Happuck, who was thus detected, and instantly despatched.—Sir C. Morell [James Ridley], Tales of the Genii (“The Enchanter’s Tale,” vi., 1751).

Have we prevailed against Ulin and Happuck, Ollomand and Tasnar, Ahaback and Desra; and shall we fear the contrivance of a poor vizier?—Tales of the Genii, vii. (1751).

Har´apha, a descendant of Anak, the giant of Gath. He went to mock Samson in prison, but durst not venture within his reach.—Milton, Samson Agonistes (1632).

Harbor (In).

“I know it is over, over!
I know it is over at last!
Down sail! the sheathed anchor uncover,
For the stress of the voyage has passed.
Life, like a tempest of ocean,
Hath outbreathed its ultimate blast;
There’s but a faint sobbing seaward,
While the calm of the tide deepens leeward;
And, behold! like the welcoming quiver
Of heart-pulses throbbed through the river.
Those lights in the harbor at last;
The heavenly harbor at last!”
Paul Hamilton Hayne (1882).

Har´bothel (Master Fabian), the squire of Sir Aymer de Valence.—Sir W. Scott, Castle Dangerous (time, Henry I.).

Hard Times, a novel by C. Dickens (1854), dramatized in 1867 under the titlef of Under the Earth or The Sons of Toil. Bounderby, a street Arab, raised himself to banker and cotton prince. When 55 years of age, he proposed marriage to Louisa, daughter of Thomas Gradgrind, Esq., J.P., and was accepted. One night the bank was robbed of £150, and Bounderby believed Stephen Blackpool to be the thief, because he had dismissed him, being obnoxious to the mill hands; but the culprit was Tom Gradgrind, the banker’s brother-in-law, who lay perdu for a while, and then escaped out of the country. In the dramatized version, the bank was not robbed at all, but Tom merely removed the money to another drawer for safe custody.

Hardcastle (Squire), a jovial, prosy, but hospitable country gentleman of the old school. He loves to tell his long-winded stories about Prince Eugene and the duke of Marlborough. He says, “I love everything that’s old—old friends, old times, old manners, old books, old wine,” and he might have added, “old stories.”

Mrs. Hardcastle, a very “genteel” lady indeed. Mr. Hardcastle is her second husband, and Tony Lumpkin her son by her former husband. She is fond of “genteel” society, and the last fashions. Mrs. Hardcastle says, “There’s nothing in the world I love to talk of so much as London and the fashions, though I was never there myself.” She, foolishly mistaking her husband for a highwayman, and imploring him on her knees to take their watches, money, all they have got, but to spare their lives: “Here, good gentleman, whet your rage upon me, take my money, my life, but spare my child!” is infinitely comic.

The princess, like Mrs. Hardcastle, was jolted to a jelly.—Lord W.P. Lennox, Celebrities, i. 1.

Miss Hardcastle, the pretty, bright-eyed, lively daughter of Squire Hardcastle. She is in love with young Marlow, and “stoops” to a pardonable deceit “to conquer” his bashfulness and win him.—Goldsmith, She Stoops to Conquer (1773).

Hardie (Mr.), a young lawyer, in the introduction of Sir W. Scott’s Heart of Midlothian (1818).

Hardie (Alfred), lover of Julia Dodd, in Charles Reade’s Very Hard Cash. His father, Richard Hardie, wealthy and fraudulent banker, cheats David Dodd, Julia’s father, of £14,000, and hinders his son’s marriage to the daughter of his victim by every means in his power, going so far as to shut him up in an insane asylum on what was to have been his wedding-day.—Charles Reade, Very Hard Cash.

Hardouin (2 syl.). Jean Hardouin, the jesuit, was librarian to Louis XIV. He doubted the truth of all received history; denied that the Æne´id was the work of Virgil, or the Odes of Horace the production of that poet; placed no credence in medals and coins; regarded all councils before that of Trent as chimerical; and looked on all Jansenists as infidels (1646-1729).

Hardy (Mr.), father of Letitia. A worthy little fellow enough, but with the unfortunate gift of “foreseeing” everything (act v. 4).

Letitia Hardy, his daughter, the fiancée of Dor´icourt. A girl of great spirit and ingenuity, beautiful and clever. Doricourt dislikes her without knowing her, simply because he has been betrothed to her by his parents; but she wins him by stratagem. She first assumes the airs and manners of a raw country hoyden, and disgusts the fastidious man of fashion. She then appears at a masquerade, and wins him by her many attractions. The marriage is performed at midnight, and, till the ceremony is over, Doricourt has no suspicion that the fair masquerader is his affianced, Miss Hardy.—Mrs. Cowley, The Belle’s Stratagem (1780).

Harding (Mr.), gentle warden of Barchester almshouse; precentor and rector of St. Cuthbert’s. Harried nearly out of his sober wits by newspaper persecution.—Anthony Trollope, The Warden and Barchester Towers.

Haredale (Geoffrey), brother of Reuben, the uncle of Emma Haredale. He was a papist, and incurred the malignant hatred of Gashford (Lord George Gordon’s secretary) by exposing him in Westminster Hall. Geoffrey Haredale killed Sir John Chester in a duel, but made good his escape, and ended his days in a monastery.

Reuben Haredale, (2 syl.), brother of Geoffrey, and father of Emma Haredale. He was murdered.

Emma Haredale, daughter of Reuben, and niece of Geoffrey, with whom she lived at “The Warren.” Edward Chester entertained a tendresse for Emma Haredale.—C. Dickens, Barnaby Rudge (1841).

Harefoot (Harold). So Harold I. was called because he was swift of foot as a hare (1035-1040).

Hargrave, a man of fashion. The hero and title of a novel by Mrs. Trollope (1843).

Harley, “the man of feeling.” A man of the finest sensibilities and unbounded benevolence, but bashful as a maiden.—Mackenzie, The Man of Feeling (1771).

The principal object of Mackenzie is ... to reach and sustain a tone of moral pathos by representing the effect of incidents ... upon the human mind, ... especially those which are just, honorable, and intelligent.—Sir W. Scott.

Harlot (The Infamous Northern), Elizabeth Petrowna, empress of Russia (1709-1761).

Har´lowe (Clarissa), a young lady, who, to avoid a marriage to which her heart cannot consent, but to which she is urged by her parents, casts herself on the protection of a lover, who most scandalously abuses the confidence reposed in him. He afterwards proposes marriage; but she rejects his proposal, and retires to a solitary dwelling, where she pines to death with grief and shame.—S. Richardson, The History of Clarissa Harlowe (1749).

The dignity of Clarissa under her disgrace ... reminds us of the saying of the ancient poet, that a good man struggling with the tide of adversity, and surmounting it, is a sight upon which the immortal gods might look down with pleasure.—Sir W. Scott.

The moral elevation of this heroine, the saintly purity which she preserves amidst scenes of the deepest depravity and the most seductive gaiety, and the never-failing sweetness and benevolence of her temper, render Clarissa one of the brightest triumphs of the whole range of imaginative literature.—Chambers, English Literature, ii. 161.

Harmon (John), alias John Rokesmith, Mr. Boffin’s secretary. He lodged with the Wilfers, and ultimately married Bella Wilfer. He is described as “a dark gentleman, 30 at the utmost, with an expressive, one might say, a handsome face.”—C. Dickens, Our Mutual Friend (1864).

⁂ For explanation of the mystery see vol. I. ii. 13.

Harmo´nia’s Necklace, an unlucky possession, something which brings evil to its possessor. Harmonia was the daughter of Mars and Venus. On the day of her marriage with King Cadmus, she received a necklace made by Vulcan for Venus. This unlucky ornament afterwards passed to Sem´elê, then to Jocasta, then Eriphy´lê, but it was equally fatal in every case. (See Luck.)—Ovid, Metaph., iv. 5; Statius, Thebaid, ii.

Harmonious Blacksmith. It is said that the sound of hammers on an anvil suggested to Handel the “theme” of the musical composition to which he has given this name.—See Schoelcher, Life of Handel, 65.

A similar tale is told of Pythagoras.

Harmony (Mr.), a general peace-maker. When he found persons at variance, he went to them separately, and told them how highly the other spoke and thought of him or her. If it were man and wife, he would tell the wife how highly her husband esteemed her, and would apply the “oiled feather” in a similar way to the husband. “We all have our faults,” he would say, “and So-and-so-knows it, and grieves at his infirmity of temper; but though he contends with you, he praised you to me this morning in the highest terms.” By this means he succeeded in smoothing many a ruffled mind.—Inchbald, Every One has His Fault (1794).

Harold “the Dauntless,” son of Witikind, the Dane. “He was rocked on a buckler, and fed from a blade.” Harold married Eivir, a Danish maid, who had waited on him as a page.—Sir W. Scott, Harold the Dauntless (1817).

Harold (Childe), a man of good birth, lofty bearing, and peerless intellect, who has exhausted by dissipation the pleasures of youth, and travels. Sir Walter Scott calls him “Lord Byron in a fancy dress.” In canto i. the childe visits Portugal and Spain (1809); in canto ii., Turkey in Europe (1810); in canto iii., BelgiumBelgium and Switzerland (1816); in canto iv., Venice, Rome, and Florence (1817).

⁂ Lord Byron was only 21 when he began Childe Harold, and 28 when he finished it.

Haroun-al-Raschid, caliph, of the Abbasside race, contemporary with Charlemagne, and, like him, a patron of literature and the arts. The court of this caliph was most splendid, and under him the caliphate attained its greatest degree of prosperity (765-809).

⁂ Many of the tales in the Arabian Nights are placed in the caliphate of Haroun-al-Raschid, as the histories of “Am´inê,” “Sindbad the Sailor,” “Aboul-hasson and Shemselnihar,” “Noureddin,” “Codadad and his Brothers,” “Sleeper Awakened,” and “Cogia Hassan.” In the the third of these the caliph is a principal actor.

Har´pagon, the miser, father of Cléante (2 syl.) and Elise (2 syl.). Both Harpagon and his son desire to marry Mariane (3 syl.); but the father, having lost a casket of money, is asked which he prefers—his casket or Mariane, and as the miser prefers the money, Cléante marries the lady. Harpagon imagines that every one is going to rob him, and when he loses his casket, seizes his own arm in the frenzy of passion. He proposes to give his daughter in marriage to an old man named Anselme, because no “dot” will be required; and when Valère (who is Elise’s lover) urges reason after reason against the unnatural alliance, the miser makes but one reply, “sans dot.” “Ah,” says Valère, “il est vrai cela ferme la bouche à tout, sans dot.” Harpagon, at another time, solicits Jacques (1 syl.) to tell him what folks say of him: and when Jacques replies he cannot do so, as it would make him angry, the miser answers, “Point de tout, au contraire, c’est me faire plaisir.” But when told that he is called a miser and a skinflint, he towers with rage, and beats Jacques in his uncontrolled passion.

“Le seigneur Harpagon est de tous les humains l’humain le moins humain, le mortel de tous les mortels le plus dur et le plus serré” (ii. 5). Jacques says to him, “Jamais on ne parle de vous que sous les noms d’avare, de ladre, de vilain, et de fesse-Matthiæ” (iii. 5).—Molière, L’Avare (1667).

Harpax, centurion of the “Immortal Guard.”—Sir W. Scott, Count Robert of Paris (time, Rufus).

Harpê (2 syl.), the cutlass with which Mercury killed Argus, and with which Perseus (2 syl.) subsequently cut off the head of Medusa.

Harper, a familiar spirit of mediæval demonology.

Harper cries, “’Tis time, ’tis time!”
Shakespeare, Macbeth, act iv. sc. 1 (1606).

Harpoc´rates (4 syl.), the god of silence. Cupid bribed him with a rose not to divulge the amours of Venus. Harpocratês is generally represented with his second finger on his mouth.

He also symbolized the sun at the end of winter, and is represented with a cornucopia in one hand and a lotus in the other. The lotus is dedicated to the sun, because it opens at sunrise and closes at sunset.

I assured my mistress she might make herself quite easy on that score [i.e. my making mention of what was told me], for I was the Harpocrates of trusty valets.—Lesage, Gil Blas, iv. 2 (1724).

Harriet, the elder daughter of Sir David and Lady Dunder, of Dunder Hall. She was in love with Scruple, whom she accidentally met at Calais; but her parents arranged that she should marry Lord Snolts, a stumpy, “gummy” old nobleman of five-and-forty. To prevent this hateful marriage, Harriet consented to elope with Scruple; but the flight was intercepted by Sir David, who, to prevent a scandal, consented to the marriage, and discovered that Scruple, both in family and fortune, was a suitable son-in-law.—G. Colman, Ways and Means (1788).

Harriet [Mowbray], the daughter of Colonel Mowbray, an orphan without fortune, without friends, without a protector. She marries clandestinely Charles Eustace.—J. Poole, The Scapegoat.

Harriot [Russet], the simple, unsophisticated daughter of Mr. Russet. She loves Mr. Oakly, and marries him, but becomes “a jealous wife,” watching her husband like a lynx, to find out some proof of infidelity, and distorting every casual remark as evidence thereof. Her aunt, Lady Freelove, tries to make her a woman of fashion, but without success. Ultimately, she is cured of her idiosyncrasy.—George Colman, The Jealous Wife (1761).

Harriet (Shattuck), superannuated tailoress who, with her blind sister, lives in the little house in which she was born. It leaks and shakes in the wind, and they are often hungry, but when they are removed to a “Home,” they steal away and walk fourteen miles back to the old house.—Mary E. Wilkins, A Humble Romance (1887.)

Harris (Mrs.), a purely imaginary character, existing only in the brain of Mrs. Sarah Gamp, and brought forth on all occasions to corroborate the opinions and trumpet the praises of Mrs. Gamp, the monthly nurse.

Harris, one of the trio of invalids who go up the Thames in quest of health. Their adventures are the theme of Jerome K. Jerome’s Three Men in a Boat (1889).

Harrises (The), family who live and die in the faith that, to be a born Harris is a career in itself. They are not rich, or learned, or accomplished, but eminently respectable, and clad in simple egotism as with a garment.—Annie Sheldon Coombs, As Common Mortals (1886).

Harrison (Dr.), the model of benevolence, who nevertheless takes in execution the goods and person of his friend Booth, because Booth, while pleading poverty, was buying expensive and needless jewelery.—Fielding, Amelia (1751).

Harrison (Major-General), one of the parliamentary commissioners.—Sir W. Scott, Woodstock (time, Commonwealth).

Harrison, the old stewart of Lady Bellenden, of the Tower of Tillietudlem.—Sir W. Scott, Old Mortality (time, Charles II.).

Har´rowby (John), of Stock’s Green, a homely, kind-hearted, honest Kentish farmer, with whom Lieutenant Worthington and his daughter Emily take lodgings. Though most desirous of showing his lodger kindness, he is constantly wounding his susceptibilities from blunt honesty and want of tact.

Dame Harrowby, wife of Farmer Harrowby.

Stephen Harrowby, son of Farmer Harrowby, who has a mania for soldiering, and calls himself “a perspiring young hero.”

Mary Harrowby, daughter of Farmer Harrowby.—G. Colman, The Poor Gentleman (1802).

Harringtons (The), Melchisedec. Fashionable tailor; “a grand man, despite his calling.” Of him and Mrs. Harrington it was said that she “had a Port, and Melchisedec a Presence.”

Caroline, married to Major Strike.

Harriet, married to Mr. Andrew Cogglesby.

Louisa, married to Señor Silva Diaz, Conde de Saldar.

Evan, the only son, brought up in polite circles, hates the name and trade of “tailor,” but bound in honor to pay his father’s debts. After many struggles and divers reverses, the contest between tradesman and diplomatist within him ends in his marriage to an heiress long beloved by him, and the appointment to the position of attaché to the Naples Embassy.—George Meredith, Evan Harrington (1888).

Harry (Sir), the servant of a baronet, who assumed the airs and title of his master, and was addressed as “Baronet,” or “Sir Harry.” He even quotes a bit of Latin: “O tempora! O Moses!”—Rev. James Townley, High Life Below Stairs (1759).

Harry (Blind), the minstrel, friend of Henry Smith.—Sir. W. Scott, Fair Maid of Perth (time, Henry IV.).

Harry (The Great), or Henri Grace à Dieu, a man-of-war built in the reign of Henry VII.

Towered the Great Harry, crank and tall.
Longfellow, The Building of the Ship.

Harry Paddington, a highwayman in the gang of Captain Macheath. Peachum calls him “a poor, petty-larceny rascal, without the least genius;” and says, “even if the fellow were to live six months, he would never come to the gallows with credit.”—Gay, The Beggar’s Opera (1727).

Hart´house (2 syl.) a young man who begins life as a cornet of dragoons, but, being bored with everything, coaches himself up in statistics, and comes to Coketown to study facts. He falls in love with LouisaLouisa [née Gradgrind], wife of Josiah Bounderby, banker and mill-owner, but, failing to induce the young wife to elope with him, he leaves the place.—C. Dickens, Hard Times (1854).

Hartley (Adam), afterwards Dr. Hartly. Apprentice to Dr. Gray.—Sir W. Scott, The Surgeon’s Daughter (time, George II.).

Hartwell (Lady), a widow, courted by Fountain, Bellamore, and Harebrain.—Beaumont and Fletcher, Wit without Money (1639).

Harût and Marût, two angels sent by Allah to administer justice upon earth, because there was no righteous judgment among men. They acted well till Zoha´ra, a beautiful woman, applied to them, and then they both fell in love with her. She asked them to tell her the secret name of God, and immediately she uttered it, she was borne upwards into heaven, where she became the planet Venus. As for the two angels, they were imprisoned in a cave near Babylon.—Sale’s Korân, ii.

Allah bade
That two untempted spirits should descend,
Judges on earth. Haruth and Maruth went,
The chosen sentencers. They fairly heard
The appeals of men ... At length,
A woman came before them; beautiful
Zohara was, etc.
Southey, Talaba the Destroyer, iv. (1797).

Hassan, caliph of the Ottoman empire, noted for his splendor and hospitality. In his seraglio was a beautiful young slave named Leila (2 syl.), who had formed an attachment to “the Giaour” (2 syl.). Leila is put to death by the emir, and Hassan is slain near Monut Parnassus by the giaour [djow´.er].—Byron, The Giaour (1813).

Hassan, the story-teller, in the retinue of the Arabian physician.—Sir W. Scott, The Talisman (time, Richard I.).

Hassan (Al), the Arabian emir of Persia, father of Hinda. He won the battle of Cadessia, and thus became master of Persia.—T. Moore, Lalla Rookh (“the Fire-Worshippers,” 1817).

Hassan surnamed Al Habbal (“the rope-maker”), and subsequently Cogia (“merchant”); his full name was then Cogia Hassan Alhabbal. Two friends, named Saad and Saadi, tried an experiment on him. Saadi gave him 200 pieces of gold in order to see if it would raise him from extreme poverty to affluence. Hassan took ten pieces for immediate use, and sewed the rest in his turban; but a kite pounced on his turban and carried it away. The two friends, after a time, visited Hassan again, but found him in the same state of poverty; and, having heard his tale, Saadi gave him another 200 pieces of gold. Again he took out ten pieces, and, wrapping the rest in a linen rag, hid it in a jar of bran. While Hassan was at work, his wife exchanged this jar of bran for fuller’s earth, and again the condition of the man was not bettered by the gift. Saad now gave the rope-maker a small piece of lead, and this made his fortune thus: A fisherman wanted a piece of lead for his nets, and promised to give Hassan for Saad’s piece whatever he caught in his first draught. This was a large fish, and in it the wife found a splendid diamond, which was sold for 100,000 pieces of gold. Hassan now became very rich, and when the two friends visited him again, they found him a man of consequence. He asked them to stay with him, and took them to his country house, when one of his sons showed him a curious nest, made out of a turban. This was the very turban which the kite had carried off, and the money was found in the lining. As they returned to the city, they stopped and purchased a jar of bran. This happened to be the very jar which the wife had given in exchange, and the money was discovered wrapped in linen at the bottom. Hassan was delighted, and gave the 180 pieces to the poor.—Arabian Nights (“Cogia Hassan Alhabbal”).

Hassan (Abou), the son of a rich merchant of Bagdad, and the hero of the tale called “The Sleeper Awakened” (q.v.).—Arabian Nights.

Hassan Aga, an infamous renegade, who reigned in Algiers, and was the sovereign there when Cervantes (author of Don Quixote) was taken captive by a Barbary corsair in 1574. Subsequently, Hassan bought the captive for 500 ducats, and he remained a slave till he was redeemed by a friar for 1000 ducats.

Every day this Hassan Aga was hanging one, impaling another, cutting off the ears or breaking the limbs of a third ... out of mere wantonness.—Cervantes (1605).

Hassan ben Sabah, the old man of the mountain, founder of the sect called the Assassins.

Dr. Adam Clark has supplemented Rymer’s Fœdera with two letters by this sheik. This is not the place to point out the want of judgment in these addenda.

Hastie (Robin), the smuggler and publican at Annan.—Sir W. Scott, Redgauntlet (time, George III.).

Hastings, the friend of young Marlow, who entered with him the house of Squire Hardcastle, which they mistook for an inn. Here the two young men met Miss Hardcastle and Miss Neville. Marlow became the husband of the former, and Hastings, by the aid of Tony Lumpkins, won the latter.—Goldsmith, She Stoops to Conquer (1773).

Hastings, one of the court of King Edward IV.—Sir W. Scott, Anne of Geierstein (time, Edward IV.).

Haswell, the benevolent physician who visited the Indian prisons, and for his moderation, benevolence, and judgment, received the sultan’s signet, which gave him unlimited power.—Mrs. Inchbald, Such Things Are (1786).

Hat (Gessler’s). The governor of the Swiss cantons in the reign of Albert I. set up his hat at Altorf, requiring the Swiss to salute it in passing. William Tell refused, and was sentenced to shoot an apple from the head of his son. Tell from this became prominent in achieving the liberties of Switzerland.

Hat (A White), used to be a mark of radical proclivities, because orator Hunt, the great demagogue, used to wear a white hat during the Wellington and Peel administration.

Hat worn in the Royal Presence. Lord Kingsdale acquired the right of wearing his hat in the presence of royalty by a grant from King John. Lord Forester is possessed of the same right, from a grant confirmed by Henry VIII.

Hats and Caps, two political factions of Sweden in the eighteenth century. The “Hats” were partisans in the French interest, and were so called because they wore French chapeaux. The “Caps” were partisans in the Russian interest, and were so called because they wore the Russian caps as a badge of their party.

Hatchway (Lieutenant Jack), a retired naval officer on half pay, living with Commodore Trunnion as a companion.—Smollett, The Adventures of Peregrine Pickle (1751).

Who can read the calamities of Trunnion and Hatchway, when run away with by their mettled steed ... without a good hearty burst of honest laughter.—Sir W. Scott.

Hatef (i.e. the deadly), one of Mahomet’s swords, confiscated from the Jews when they were exiled from Medi´na.

Hatim (Generous as), an Arabian expression. Hatim was a Bedouin chief, famous for his warlike deeds and boundless generosity. His son was contemporary with Mahomet the prophet.

Hathaway (Richard). Young farmer whose “silent side” is imperfectly understood by his wife, Anstis Dolbeare, until a mutual sorrow brings them into sympathy each with the other.—A. D. T. Whitney, Hitherto (1869).

Hatteraick (Dirk), alias Jans Janson, a Dutch smuggler-captain, and accomplice of lawyer Glossin in kidnapping Henry Bertrand. Meg Merrilies conducts young Hazelwood and others to the smuggler’s cave, when Hatteraick shoots her, is seized, and imprisoned. Lawyer Glossin visits the villain in prison, when a quarrel ensues, in which Hatteraick strangles the lawyer, and then hangs himself.—Sir W. Scott, Guy Mannering (time, George II.).

Hatto, archbishop of Mentz, was devoured by mice in the Mouse-tower, situated in a little green island in the midst of the Rhine, near the town of Bingen. Some say he was eaten of rats, and Southey, in his ballad called God’s Judgment on a Wicked Bishop, has adopted the latter tradition.

This Hatto, in the time of the great famine of 914, when he saw the poor exceedingly oppressed by famine, assembled a great company of them together into a barne at Kaub, and burnt them ... because he thought the famine would sooner cease if those poor folks were despatched out of the world, for like mice they only devour food, and are of no good whatsoever.... But God ... sent against him a plague of mice, ... and the prelate retreated to a tower in the Rhine as a sanctuary; ... but the mice chased him continually, ... and at last he was most miserably devoured by those sillie creatures.—Coryat, Crudities, 571, 572.

⁂ Giraldus Cambrensis, in his Itinerary, xi. 2, says: “the larger sort of mice are called rati.” This may account for the substitution of rats for mice in the legend.

The legend of Hatto is very common, as the following stories will prove:—

Widerolf, bishop of Strasburg (997), was devoured by mice in the seventeenth year of his episcopate, because he suppressed the convent of Seltzen, on the Rhine.

Bishop Adolf, of Cologne, was devoured by mice or rats in 112.

Freiherr von Güttingen collected the poor in a great barn, and burnt them to death, mocking their cries of agony. He, like Hatto, was invaded by mice, ran to his castle of Güttingen, in the lake of Constance, whither the vermin pursued him, and ate him alive. The Swiss legend says the castle sank in the lake, and may still be seen. Freiherr von Güttingen had three castles, one of which was Moosburg.

Count Graaf, in order to enrich himself, bought up all the corn. One year a sad famine prevailed, and the count expected to reap a rich harvest by his speculation; but an army of rats, pressed by hunger,hunger, invaded his barns, and, swarming into his Rhine tower, fell on the old baron, worried him to death, and then devoured him.—Legends of the Rhine.

A similar story is told by William of Malmesbury, History, ii. 313 (Bohn’s edit.).

⁂ Some of the legends state that the “mice” were in reality “the soulssouls of the murdered people.”

Hatton (Sir Christopher), “the dancing chancellor.” He first attracted the attention of Queen Elizabeth by his graceful dancing at a masque. He was made by her chancellor and knight of the Garter.

⁂ M. de Lauzun, the favorite of Louis XVI., owed his fortune also to the manner in which he danced in the king’s quadrille.

You’ll know Sir Christopher by his turning out his toes,—famous, you know, for his dancing.—Sheridan, The Critic, ii. 1 (1779).

Hautlieu (Sir Artavan de), in the introduction of Sir W. Scott’s Count Robert of Paris (time, Rufus).

Hautlieu (The Lady Margaret de), first disguised as sister Ursula, and afterwards affianced to Sir Malcolm Fleming.—Sir W. Scott, Castle Dangerous (time, Henry I.).

Have´lok (2 syl.), or Hablok, the orphan son of Birkabegn, king of Denmark, was exposed at sea through the treachery of his guardians. The raft drifted to the coast of Lincolnshire, where it was discovered by Grim, a fisherman, who reared the young foundling as his own son. It happened that some twenty years later certain English nobles usurped the dominions of an English princess, and, to prevent her gaining any access of power by a noble alliance, resolved to marry her to a peasant. Young Havelok was selected as the bridegroom, but having discovered the story of his birth, he applied to his father Birkabegn for aid in recovering his wife’s possessions. The king afforded him the aid required, and the young foundling became in due time both king of Denmark and king of that part of England which belonged to him in right of his wife.—Havelok the Dane (by the trouveurs).

Havisham (Miss), an old spinster, who dressed always in her bridal dress, with lace veil from head to foot, white shoes, bridal flowers in her white hair, and jewels on her hands and neck. She was the daughter of a rich brewer, engaged to Compeyson, a young man, who deserted her on the wedding morning; from which moment she became fossilized (ch. xxii.). She fell into the fire, and died from the shock.

Estella Havisham, the adopted child of Miss Havisham, by whom she was brought up. She was proud, handsome, and self-possessed. Pip loved her, and probably she reciprocated his love, but she married Bentley Drummle, who died, leaving Estella a young widow. The tale ends with these words:

I [Pip] took her hand in mine, and we went out of the ruined place. As the morning mists had risen ... when I first left the forge, so the evening were rising now; and ... I saw no shadow of another parting from her.—C. Dickens, Great Expectations (1860).

Haw´cabite (3 syl.), a street bully. After the Restoration, we had a succession of these disturbers of the peace; first came the Muns, then followed the Tityre Tus, the Hectors, the Scourers, the Nickers, the Hawcabites, and after them the Mohawks, the most dreaded of all.

Hawk (Sir Mulberry), the bear-leader of Lord Frederick Verisopht. He is a most unprincipled roué, who sponges on his lordship, snubs him, and despises him. “Sir Mulberry was remarkable for his tact in ruining young gentlemen of fortune.”

Hawk-Eye. Name given by frontiermen to Natty Bumppo, who is also called by the French, La Longue Carbine.—James Fenimore Cooper, The Last of the Mohicans.

To know a hawk from a handsaw, a corruption of “from a hernshaw” (i.e. a heron), meaning that one is so ignorant, he does not know a hawk from a heron: the bird of prey from the game flown at. The Romans had a proverb, Ignorat quid distent ara lupinis (“he does not know money from lupines,” or beans); lupines were used on the Roman stage as money. We have a proverb, “He doesn’t know beans,” which may be descended from the Roman saying.

Hawthorn, a jolly, generous old fellow, of jovial spirit, and ready to do any one a kindness; consequently, everybody loves him. He is one of those rare, unselfish beings, who “loves his neighbor better than himself.”—I. Bickerstaff, Love in a Village.

Haworth. A starving lad, found in the snow at a foundry-door, becomes in time master of the works. He is imperious and greedy of power, making few friends and many foes. One human being believes in him—his mother—and when his ambition overvaults itself and he is ruined and in danger of being mobbed, she goes away with him into the darkness.—Frances Hodgson Burnett, Haworths (1879).

Hay (Colonel), in the king’s army.—Sir W. Scott, Legend of Montrose (time,time, Charles I.).

Hay (John), fisherman, near Ellangowan.—Sir W. Scott, Guy Mannering (time, George II.).

Haydn could never compose a single bar of music unless he could see on his finger the diamond ring given him by Frederick II.

Hayle (Maverick). Betrothed of Perley Kelso in The Silent Partner, by Elizabeth Stuart Phelps. He cannot sympathize with her religious and philanthropic views, and, recognizing the truth that she has outgrown him, acquiesces in her wish for a dissolution of the engagement. He marries dainty, feather-headed “Fly.”

Hayston (Frank), laird of Bucklaw and afterwards of Girnington. In order to retrieve a broken fortune, a marriage was arranged between Hayston and Lucy Ashton. Lucy, being told that her plighted lover (Edgar, master of Ravenswood) was unfaithful, assented to the family arrangement, but stabbed her husband on the wedding night, went mad and died. Frank Hayston recovered from his wound and went abroad.—Sir W. Scott, Bride of Lammermoor (time, William III.).

⁂ In Donizetti’s opera, Hayston is called “Arturio.”

Hazelwood (Sir Robert), the old baronet of Hazelwood.

Charles Hazelwood, son of Sir Robert. In love with Lucy Bertram, whom he marries.—Sir W. Scott, Guy Mannering (time, George II.).

Head´rigg (Cuddie), a ploughman in Lady Bellenden’s service. (Cuddie-Cuthbert.)—Sir W. Scott, Old Mortality (time, Charles II.).

Headstone (Bradley), a school-master of very determined character and violent passion. He loves Lizzie Hexam with an irresistible, mad love, and tries to kill Eugene Wrayburn out of jealousy. Grappling with Rogue Riderhood on Plashwater Bridge, Riderhood falls backward into the smooth pit, and Headstone over him. Both of them perish in the grasp of a death-struggle.—C. Dickens, Our Mutual Friend (1864).

Hearn (Frank), lieutenant in U.S.A., against whom a charge is brought of refusing to pay just debts. He asserts that the account was paid, and the tradesman produces a ledger to prove the opposite. Joined to other evidence this seems conclusive, until Georgia Marshall, with whom Hearn is in love, catches sight of the ledger, and scribbles a note to her lover from the other side of the room. He raises a leaf of the ledger between the light and himself and discovers a water-mark—a date—that establishes the fact of perjury.—Charles King, An Army Portia (1890).

Heart of Midlothian, the old jail or tolbooth of Edinburgh, taken down in 1817.

Sir Walter Scott has a novel so called (1818), the plot of which is as follows:—Effie Deans, the daughter of a Scotch cow-feeder, is seduced by George Staunton, son of the rector of Willingham; and Jeanie is cited as a witness on the trial which ensues, by which Effie is sentenced to death for child murder. Jeanie promises to go to London and ask the king to pardon her half-sister, and after various perils, arrives at her destination. She lays her case before the duke of Argyll, who takes her in his carriage to Richmond, and obtains for her an interview with the queen, who promises to intercede with his majesty (George II.) on her sister’s behalf. In due time the royal pardon is sent to Edinburgh, Effie is released, and marries her seducer, now Sir George Staunton; but some years after the marriage Sir George is shot by a gypsy boy, who is in reality his illegitimate son. On the death of her husband, Lady Staunton retires to a convent on the continent. Jeanie marries Reuben Butler, the Presbyterian minister. The novel opens with the Porteous riots.

Heartall (Governor), an old bachelor, peppery in temper, but with a generous heart and unbounded benevolence. He is as simple minded as a child, and loves his young nephew almost to adoration.

Frank Heartall, the governor’s nephew, impulsive, free-handed and free-hearted, benevolent and frank. He falls in love with the Widow Cheerly, the daughter of Colonel Woodley, whom he sees first at the opera. Ferret, a calumniating rascal, tries to do mischief, but is utterly foiled.—Cherry, The Soldier’s Daughter (1804).

Heartfree (Jack), a railer against women and against marriage. He falls half in love with Lady Fanciful, on whom he rails, and marries Belinda.—Vanbrugh, The Provoked Wife (1693).

Heartwell, a friend of Modeley’s, who falls in love with Flora, a niece of old Farmer Freehold. They marry and are happy.—John Philip Kemble, The Farm-house.

Heatherblutter (John), gamekeeper of the baron of Bradwardine (3 syl.) at Tully Veolan.—Sir W. Scott, Waverley (time, George II.).

Heaven-sent Minister (The), William Pitt (1759-1806).

Hebe (2 syl.), goddess of youth, and cup-bearer of the immortals before Ganymede superseded her. She was the wife of Herculês, and had the power of making the aged young again. (See Plousina.)

Hebês are they to hand ambrosia, mix
The nectar.
Tennyson, The Princess, iii.

Hebron, in the first part of Absalom and Achitophel, by Dryden, stands for Holland; but in the second part, by Tate, it stands for Scotland. Hebronite similarly means in one case a Hollander, and in the other a Scotchman.

Hec´ate (2 syl.), called in classic mythology Hec´.a.te (3 syl.); a triple deity, being Luna in heaven, Dian’a on earth, and Proserpine (3 syl.) in hell. Hecate presided over magic and enchantments, and was generally represented as having the head of a horse, dog or boar, though sometimes she is represented with three bodies, and three heads looking different ways. Shakespeare introduces her in his tragedy of Macbeth (act iii. sc. 5), as queen of the witches; but the witches of Macbeth have been largely borrowed from a drama called The Witch, by Thom. Middleton (died 1626). The following is a specimen of this indebtedness:—

Hecate. Black spirits and white, red spirits and grey.
Mingle, mingle, mingle, you that mingle may....
1st Witch. Here’s the blood of a bat.
Hecate. Put in that, oh, put in that.
2nd Witch. Here’s libbard’s bane.
Hecate. Put in again, etc., etc.
Middleton, The Witch.

And yonder pale-faced Hecate there, the moon,
Doth give consent to that is done in darkness.
Thom. Kyd, The Spanish Tragedy (1597).

Hector, one of the sons of Priam, king of Troy. This bravest and ablest of all the Trojan chiefs was generalissimo of the allied armies, and was slain in the last year of the war by Achillês, who, with barbarous fury, dragged the dead body insultingly thrice round the tomb of Patroclos and the walls of the beleagured city.—Homer, Iliad.

Hector de Mares (1 syl.) or Marys, a knight of the Round Table, brother of Sir Launcelot du Lac.

The gentle Gaw´ain’s courteous love,
Hector de Mares, and Pellinore.
Sir W. Scott, Bridal of Triermain, ii. 13 (1813).

Hector of Germany, Joachim II., elector of Brandenburg (1514-1571).

Hector of the Mist, an outlaw, killed by Allan M’Aulay.—Sir W. Scott, Legend of Montrose (time, Charles I.).

Hectors, street bullies. Since the Restoration, we have had a succession of street brawlers, as the Muns, the Tityre Tus, the Hectors, the Scourers, the Nickers, the Hawcabites, and, lastly, the Mohawks, worst of them all.

Heeltap (Crispin), a cobbler, and one of the corporation of Garratt, of which Jerry Sneak is chosen mayor,—S. Foote, The Mayor of Garratt (1763).

Heep (Uriah), a detestable sneak, who is everlastingly forcing on one’s attention that he is so ’umble. Uriah is Mr. Wickfield’s clerk, and, with all his ostentatious ’umility, is most designing, malignant, and intermeddling. His infamy is dragged to light by Mr. Micawber.

Herr Piper, “representative in New Swedeland of the Great Gustavus, the bulwark of the Protestant Religion,” and a mighty stickler for forms and ceremonies appertaining to the office.—James Kirke Paulding, Königsmarke (1823).

Heidelberg (Mrs.), the widow of a wealthy Dutch merchant, who kept her brother’s house (Mr. Sterling, a city merchant). She was very vulgar, and “knowing the strength of her purse, domineered on the credit of it.” Mrs. Heidelberg had most exalted notions “of the quality,” and a “perfect contempt for everything that did not smack of high life.” Her English was certainly faulty, as the following specimens will show:—farden, wolgar, spurrit, pertest, Swish, kivers, purliteness, etc. She spoke of a pictur by Raphael-Angelo, a po-shay, dish-abille, parfect naturals [idiots], most genteelest, and so on. When thwarted in her overbearing ways, she threatened to leave the house and go to Holland to live with her husband’s cousin, Mr. Vanderspracken.—Colman and Garrick, The Clandestine Marriage (1766).

Heimdall (2 syl.), in Celtic mythology, was the son of nine virgin sisters. He dwelt in the celestial Fort Himinsbiorg, under the extremity of the rainbow. His ear was so acute that he could hear “the wool grow on the sheep’s back, and the grass in the meadows.” Heimdall was the watch or sentinel of Asgard (Olympus), and even in his sleep was able to see everything that happened (See Fine-ear).

Heimdall’s Horn. At the end of the world, Heimdall will wake the gods with his horn, when they will be attacked by Muspell, Loki, the wolf Fenris, and the serpent Jormunsgandar.

And much he talked of...
And Heimdal’s horn and the day of doom.
Longfellow, The Wayside Inn (interlude, 1631).

Heinrich (Poor), or “Poor Henry,” the hero and title of a poem by Hartmann von der Aue [Our]. Heinrich was a rich nobleman, struck with leprosy, and was told he would never recover till some virgin of spotless purity volunteeredvolunteered to die on his behalf. As Heinrich neither hoped nor even wished for such a sacrifice, he gave the main part of his possessions to the poor, and went to live with a poor tenant farmer, who was one of his vassals. The daughter of this farmer heard by accident on what the cure of the leper depended, and went to Salerno to offer herself as the victim. No sooner was the offer made than the lord was cured, and the damsel became his wife (twelfth century).

⁂ This tale forms the subject of Longfellow’s Golden Legend (1851).

Heir-at-Law. Baron Dubeley being dead, his “heir-at-law” was Henry Morland, supposed to be drowned at sea, and the next heir was Daniel Dowlas, a chandler of Gosport. Scarcely had Daniel been raised to his new dignity, when Henry Morland, who had been cast on Cape Breton, made his appearance, and the whole aspect of affairs was changed. That Dowlas might still live in comfort, suitable to his limited ambition, the heir of the barony settled on him a small life annuity.—G. Colman, Heir-at-law, (1797).

Hel´a, queen of the dead. She is daughter of Loki and Angurbo´da (a giantess). Her abode, called Helheim, was a vast castle in Niflheim, in the midst of eternal snow and darkness.

Down the yawning steep he rode,
That leads to Hela’s drear abode.
Gray, Descent of Odin (1757).

Helen, wife of Menelāos of Sparta. She eloped with Paris, a Trojan prince, while he was the guest of the Spartan king. Menelaos, to avenge this wrong, induced the allied armies of Greece to invest Troy; and after a siege of ten years, the city was taken and burnt to the ground.

⁂ A parallel incident occurred in Ireland. Dervorghal, wife of Tiernan O’Ruark, an Irish chief who held the county of Leitrim, eloped with Dermod M’Murchad, prince of Leinster. Tiernan induced O’Connor, king of Connaught, to avenge this wrong. So O’Connor drove Dermod from his throne. Dermod applied to Henry II. of England, and this was the incident which brought about the conquest of Ireland (1172).—Leland, History of Ireland (1773).

Helen, the heroine of Miss Edgeworth’s novel of the same name. This was her last and most popular tale (1834).

Helen, cousin of Modus, the bookworm. She loved her cousin, and taught him there was a better “art of love” than that written by Ovid.—S. Knowles, The Hunchback (1831).

Helen Lorrington. Accomplished young widow, Anne Douglas’s intimate friend. She is the semi-betrothed of Ward Heathcote, who nevertheless considers himself free to woo Anne. After many complications, Heathcote, believing Anne already married becomes Helen’s husband. The latter is murdered a year or two later under circumstances that cast suspicion upon Heathcote. Through Anne’s efforts and testimony he is acquittedacquitted, and finally marries her.—Constance Fennimore Woolson, Anne (1882).

Helen (Lady), in love with Sir Edward Mortimer. Her uncle insulted Sir Edward in a county assembly, struck him down, and trampled on him. Sir Edward, returning home, encountered the drunken ruffian and murdered him. He was tried for the crime, and acquitted “without a stain upon his character;” but the knowledge of the deed preyed upon his mind so that he could not marry the niece of the murdered man. After leading a life of utter wretchedness, Sir Edward told Helen that he was the murderer of her uncle, and died.—G. Colman, The Iron Chest (1796).

Helen [Mowbray], in love with Walsingham. “Of all grace the pattern—person, feature, mind, heart, everything as nature had essayed to frame a work where none could find a flaw.” Allured by Lord Athunree to a house of ill-fame, under pretence of doing a work of charity, she was seen by Walsingham as she came out, and he abandoned her as a wanton. She then assumed male attire, with the name of Eustace. Walsingham became her friend, was told that Eustace was Helen’s brother, and finally discovered that Eustace was Helen herself. The mystery being cleared up, they became man and wife.—S. Knowles, Woman’s Wit, etc. (1838).

Helen’s Fire (feu d’Hélène), a comazant called “St. Helme’s” or “St. Elmo’s fire” by the Spaniards; the “fires of St. Peter and St. Nicholas” by the Italians; and “Castor and Pollux” by the ancient Romans. This electric light will sometimes play about the masts of ships. If only one appears, foul weather may be looked for; but if two or more flames appear, the worst of the storm is over.

Helen (Rolleston), heroine of Charles Reade’s novel, Foul Play. She is betrothed to Wardlaw, chief villain of the story, and sets out on a sea-voyage to restore her health; is shipwrecked and cast on an island with Herbert Penfold. After their return to England, she rights the wronged Penfold, and punishes Wardlaw.

Helen, wife of John Ward, Preacher. Her husband is a Calvinist of a pronounced type; she a believer in Universal Salvation. The spiritual agonies to which they are subjected by the difference in creeds, separate them for a while and are the moving cause of John Ward’s death. He passes away, convinced that “his death is to be the climax of God’s plans for her.”—Margaret Deland, John Ward, Preacher (1888).

Hel´ena (St.), daughter of Coel, duke Colchester, and afterwards king of Britain. She married Constantius (a Roman senator, who succeeded “Old King Cole”), and became the mother of Constantine the Great. Constantius died at York (a.d. 306). Helena is said to have discovered at Jerusalem the sepulchre and cross of Jesus Christ.—Geoffrey, British History v. 6 (1142).

⁂ This legend is told of the Colchester arms, which consist of a cross and three crowns (two atop and one at the foot of the cross).

At a considerable depth beneath the surface of the earth were found three crosses which were instantly recognized as those on which Christ and the two thieves had suffered death. To ascertain which was the true cross, a female corpse was placed on all three alternately; the two first tried produced no effect, but the third instantly reanimated the body.—J. Brady, Clavis Calendaria, 181.

Herself in person went to seek that holy cross
Whereon our Saviour died, which found, as it was sought;
From Salem unto Rome triumphantly she brought.
Drayton, Polyolbion, viii. (1612).

Helena, only daughter of Gerard de Narbon, the physician. She was left under the charge of the countess of Rousillon, whose son Bertram she fell in love with. The king sent for Bertram to the palace, and Helena, hearing the king was ill, obtained permission of the countess to give him a prescription left by her late father. The medicine cured the king, and the king, in gratitude, promised to make her the wife of any one of his courtiers that she chose. Helena selected Bertram, and they were married; but the haughty count, hating the alliance, left France, to join the army of the duke of Florence. Helena, in the mean time, started on a pilgrimage to the shrine of St. Jacques le Grand, carrying with her a letter from her husband, stating that he would never see her more “till she could get the ring from off his finger.” On her way to the shrine, she lodged at Florence with a widow, the mother of Diana, with whom Bertram was wantonly in love. Helena was permitted to pass herself off as Diana, and received his visits, in one of which they exchanged rings. Both soon after this returned to the Countess de Rousillon, where the king was, and the king, seeing on Bertram’s finger the ring which he gave to Helena, had him arrested on suspicion of murder. Helena now explained the matter, and all was well, for all ended well.—Shakespeare, All’s Well that ends Well (1598).

Helena is a young woman, seeking a man in marriage. The ordinary laws of courtship are reversed, the habitual feelings are violated; yet with such exquisiteexquisite address this dangerous subject is handled that Helena’s forwardness loses her no honor. Delicacy dispenses with her laws in her favor.—C. Lamb.

Helena, a young Athenian lady, in love with Demētrius. She was the playmate of Her´mia, with whom she grew up, as “two cherries on one stalk.”stalk.” Egēus (3 syl.), the father of Hermia, promised his daughter in marriage to Demetrius; but when Demetrius saw that Hermia loved Lysander, he turned to Helena, who loved him dearly, and married her.—Shakespeare, Midsummer Night’s Dream (1592).

Hel´inore (Dame), wife of Malbecco, who was jealous of her, and not without cause. When Sir Paridel, Sir Sat´yrane (3 syl.), and Britomart (as the squire of Dames) took refuge in Malbecco’s house, Dame Helinore and Sir Paridel had many “false belgardes” at each other, and talked love with glances which needed no interpreter. Helinore, having set fire to the closet where Malbecco kept his treasures, eloped with Paridel, while the old miser stopped to put out the fire. Paridel soon tired of the dame, and cast her off, leaving her to roam whither she listed. She was taken up by the satyrs, who made her their dairy-woman, and crowned her queen of the May.—Spenser, Faëry Queen, iii. 9, 10 (1590).

Viridi colore est gemma helitropion, non ita acuto sed nubilo magis et represso, stellis puniceis superspersa. Causa nominis de effectu lapidis est et potestate. Dejecta in labris æneis radios solis mutat sanguineo repercussu, utraque aqua splendorem aëris abjicit et avertit. Etiam illud posse dicitur, ut herba ejusdem nominis mixta et præcantationibus legitimis consecrata eum, a quocunque gestabitur, subtrahat visibus obviorum.—Solinus, Geog., xl.

Helisane de Crenne, contemporary with Pâquier. She wrote her own biography, including the “history of her own death.”—Angoisses Doloureuses (Lyons, 1546).

Hel Keplein, a mantle of invisibility, belonging to the dwarf-king Laurin. (See Invisibility.)—The Heldenbuch (thirteenth century).

Hell, according to Mohammedan belief is divided into seven compartments: (1) for Mohammedans, (2) for Jews, (3) for Christians, (4) for Sabians,Sabians, (5) for Magians, (6) for idolaters, (7) for hypocrites. All but idolaters and unbelievers will be in time released from torment.

Hell, Dantê says, is a vast funnel divided into eight circles, with ledges more or less rugged. Each circle, of course, is narrower that the one above, and the last goes down to the very centre of the earth. Before the circles begin, there is a neutral land and a limbo. In the neutral land wander those not bad enough for hell nor good enough for heaven; in the limbo, those who knew no sin but were not baptized Christians. Coming then to hell proper, circle 1, he says, is compassed by the river Achĕron, and in this division of inferno dwell the spirits of the heathen philosophers. Circle 2 is presided over by Minos, and here are the spirits of those guilty of carnal and sinful love. Circle 3 is guarded by Cerbĕrus, and this is the region set apart for gluttons. Circle 4, presided over by Plutus, is the realm of the avaricious. Circle 5 contains the Stygian Lake, and here flounder in deep mud those who in life put no restraint on their anger. Circle 6 (in the city of Dis) is for those who did violence to man by force or fraud. Circle 7 (in the city of Dis) is for suicides. Circle 8 (also in the city of Dis) is for blasphemers and heretics. After the eight circles comes the ten pits or chasms of Malebolgê (4 syl.), the last of which is the centre of the earth, and here he says is the frozen river of Cocy´tus. (See Inferno.)

Hellespont. Leander used to swim across the Hellespont to visit Hero, a priestess of Sestos. Lord Byron and Lieutenant Ekenhead repeated the feat and accomplished it in seventy minutes, the distance being four miles (allowing for drifting).

He could perhaps have passed the Hellespont,
As once (a feat on which ourselves we prided)
Leander, Mr. Ekenhead, and I did.
Byron, Don Juan, ii. 105 (1819).

Hellica´nus, the able and honest minister of Per´iclês, to whom he left the charge of Tyre during his absence. Being offered the crown, Hellicānus nobly declined the offer, and remained faithful to the prince throughout.—Shakespeare, Pericles, Prince of Tyre (1608).

Helmet of Invisibility. The helmet of Perseus (2 syl.) rendered the wearer invisible. This was in reality the “Helmet of Ha´dès,” and after Perseus had slain Medu´sa he restored it, together with the winged sandals and magic wallet. The “gorgon’s head” he presented to Minerva, who placed it in the middle of her ægis. (See Invisibility.)

⁂ Mambrīno’s helmet had the same magical power, though Don Quixote, even in his midsummer madness, never thought himself invisible when he donned the barber’s basin.

Heloise. La Nouvelle Héloïse, a romance by Jean Jacques Rousseau (1761).

He´mera, sister of Prince Memnon, mentioned by Dictys Cretensis. Milton, in his Il Penseroso, speaks of “Prince Memnon’s sister” (1638).

Hem´junah, princess of Cassimir´, daughter of the Sultan Zebene´zer; betrothed at the age of 13 to the prince of Georgia. As Hemjunah had never seen the prince, she ran away to avoid a forced marriage, and was changed by Ulin, the enchanter, into a toad. In this form she became acquainted with Misnar, sultan of India, who had likewise been transformed into a toad by Ulin. Misnar was disenchanted by a dervise, and slew Ulin; whereupon the princess recovered her proper shape, and returned home. A rebellion broke out in Cassimir, but the “angel of death” destroyed the rebel army, and Zebenezer was restored to his throne. His surprise was unbounded when he found that the prince of Georgia and the sultan of India were one and the same person; and Hemjunah said, “Be assured, O Sultan, that I shall not refuse the hand of the prince of Georgia, even if my father commands my obedience.”—Sir C. Morell [J. Ridly] Tales of the Genii (“Princess of Cassimir,” vii., 1751).

Hemlock. Socratês the Wise and Phocion the Good were both by the Athenians condemned to death by hemlock juice, Socratês at the age of 70 (B.C. 399) and Phocion at the age of 85 (B.C. 317).

Hemps´kirke (2 syl.), a captain serving under Wolfort, the usurper of the earldom of Flanders.—Beaumont and Fletcher, The Beggar’s Bush (1622).

Henderson (Rodney syl.), representative American who makes money by unscrupulous operations in stocks.—Charles Dudley Warner, A Little Journey in the World (1889).

Henderson (Elias) syl., chaplain at Lochleven Castle.—Sir W. Scott, The Abbot (time, Elizabeth).

Henneberg (Count syl.). One day a beggar-woman asked Count Henneberg’s wife for alms. The countess twitted her for carrying twins, whereupon the woman cursed her, with the assurance that “her ladyship should be the mother of 365 children.” The legend says that the countess bore them at one birth, but none of them lived any length of time. All the girls were named Elizabeth, and all the boys John. They are buried, we are told, at the Hague.

Henrietta Maria, widow of King Charles I., introduced in Sir W. Scott’s Peveril of the Peak (1823).

Henrietta Street, Cavendish Square, London, is so called in compliment to Henrietta Cavendish, daughter of John Holles, duke of Newcastle, and wife of Edward, second earl of Oxford and Mortimer. From these come “Edward Street,” “Henrietta Street,” “Cavendish Square,” and “Holles Street.”

Henriette (3 syl.), daughter of Chrysale (2 syl.) and Philaminte (3 syl.). She is in love with Clitandre, and ultimately becomes his wife. Philaminte, who is a blue-stocking, wants Henriette to marry Trissotin, a bel esprit; and Armande the sister, also a bas bleu, thinks that Henriette ought to devote her life to science and philosophy; but Henriette loves woman’s work far better, and thinks that her natural province is domestic life, with wifely and motherly duties. Her father Chrysale takes the same views of woman’s life as his daughter Henriette, but he is quite under the thumb of his strong-minded wife. However love at last prevails, and Henriette is given in marriage to the man of her choice. The French call Henriette “the type of a perfect woman,” i.e., a thorough woman.—Molière, Les Femmes Savantes (1672).

Henrique (Don), an uxorious lord, cruel to his younger brother Don Jamie. Don Henrique is the father of Asca´nio, and the supposed husband of Violan´te (4 syl.).—Beaumont and Fletcher, The Spanish Curate (1622).

Henri, boy, four years old, who, finding his friend “the doctor” bound naked to a trestle to which he was strapped by pirates, follows his directions and gnaws asunder the strips of raw hide tying the victim down, and frees him.—Henry Augustus Wise, U.S.N., Captain Brand of the Schooner Centipede (1864).

Henry, a soldier engaged to Louisa. Some rumors of gallantry to Henry’s disadvantage having reached the village, he is told that Louisa is about to be married to another. In his despair he gives himself up as a deserter, and is condemned to death. Louisa now goes to the king, explains to him the whole matter, obtains her sweetheart’s pardon, and reaches the jail just as the muffled drum begins to beat the death march.—Dibdin, The Deserter (1770).

Henry, son of Sir Philip Blandford’s brother. Both the brothers loved the same lady, but the younger marrying her, Sir Philip, in his rage, stabbed him, as it was thought, mortally. In due time, the young “widow” had a son (Henry) a very high-minded, chivalrous young man, greatly beloved by every one. After twenty years, his father re-appeared under the name of Morrington, and Henry married his cousin Emma Blandford.—Thom. Morton, Speed the Plough (1798).

Henry (Poor), prince of Hoheneck, in Bavaria. Being struck with leprosy, he quitted his lordly castle, gave largely to the poor, and retired to live with a small cottage farmer named Gottlieb [Got.leeb], one of his vassals. He was told that he would never be cured till a virgin, chaste and spotless, offered to die on his behalf. Elsie, the farmer’s daughter, offered herself, and after great resistance, the prince accompanied her to Salerno to complete the sacrifice. When he arrived at the city, either the exercise, the excitement, or the charm of some relic, no matter what, had effected an entire cure, and when he took Elsie into the cathedral, the only sacrifice she had to make was that of her maiden name for Lady Alicia, wife of Prince Henry of Hoheneck.—Hartmann von der Aue (minnesinger), Poor Henry (twelfth century).

⁂ This tale is the subject of Longfellow’s Golden Legend (1851).

Henry (Patrick), Virginian orator, who, in the House of Burgesses, first raised the cry of “Liberty or Death” in the struggle of the American Colonies for Independence.

Patrick Henry’s first legal triumph was in November, 1763, in the since famous Parson’s Cause.

“In the language of those who heard him on this occasion, ‘he made their blood run cold, and their hair to rise on end ...’”

“The jury seem to have been so completely bewildered, that, thoughtless even of the admitted right of the plaintiff, they had scarcely left the bar when they returned with a verdict of one penny damages.”—William Wirt, Life of Patrick Henry (1818).

Henry (Prince), Bernardine du Born, arraigned for treason, replies to King Henry’s questions,

“Hath reason quite forsook thy breast?”

with

“My reason failed, my gracious liege,
The year Prince Henry died.”

The king, smitten by memories of his son, whose chosen intimate Bernardine was, forgives the offender:—

“For the dear sake of the dead
Go forth—unscathed and free.”
Lydia Huntley Sigourney, Poems (1836).

Henry II., king of England, introduced by Sir W. Scott, both in The Betrothed and in The Talisman (1825).

Henry V., Shakespeare’s drama, founded on The Famous Victories of Henry V.: containing the Honorable Battle of Agincourt. As it is plaide by the Queenes Magesties players, 1598. Shakespeare’s play appeared in print in 1600 (quarto).

Henry VI., Shakespeare’s dramas of this reign are founded on The First Part of the Contention betwixt the two Famous Houses of Yorke and Lancaster, with the Death of the Good Duke Humphrey, etc. As it was sundry times acted by the Right Honorable the Earle of Pembroke his Servants, 1600.

Another. The True Tragedie of Richard Duke of Yorke, and the Death of Good Henri VI., etc. As it was sundry times acted ... (as above).

Henry VIII. and Anne Boleyn. Anne Boleyn was the second wife of Henry VIII. He divorced Katharine of Aragon in order to marry Anne; wearied of her in turn, and had her beheaded in 1536.

He´par, the Liver personified, the arch-city in The Purple Island, by Phineas Fletcher. Fully described in canto iii. (1633).

Hephæs´tos, the Greek name for Vulcan. The Vulcanic period of geology is that unknown period before the creation of man, when the molten granite and buried metals were upheaved by internal heat, through the overlying strata, sometimes even to the very surface of the earth.

The early dawn and dusk of Time.
The reign of dateless old Hephæstus.
Longfellow, The Golden Legend (1851).

Hepzibah (Pyncheon), gentlewoman, reduced to the necessity of keeping a small shop in the ancient homestead. She idolizes her brother Clifford, a melancholy, refined man, who, terrified by an empty threat of his cousin, Judge Pyncheon, flees the house. Hepzibah goes with him. Recovering from their panic, they return in time to avoid the suspicion of having caused the Judge’s sudden death, which makes them rich.—Nathaniel Hawthorne, House of the Seven Gables (1851).

Herbert (Sir William), friend of Sir Hugo de Lacy.—Sir W. Scott, The Betrothed (time, Henry II.).

Her´culês shot Nessus for offering insult to his wife Dei´-j-a-nī-ra, and the dying centaur told Deijanira that if she dipped in his blood her husband’s shirt, she would secure his love forever. Herculês, being about to offer sacrifice, sent Lichas for the shirt; but no sooner was it warmed by the heat of his body than it caused such excruciating agony that the hero went mad, and seizing Lichas, he flung him into the sea.

Herculés Mad is the subject of a Greek tragedy by Eurip´idês, and of a Latin one by Sen´eca.

As when Alcīdês ... felt the envenomed robe, and tore,
Thro’ pain, up by the roots Thessalian pines,
And Lichas from the top of Œta [a mount] threw
Into the Euboic Sea [The Archipelago].
Milton, Paradise Lost, ii. 542, etc. [1665].

⁂ Diodōrus says there were three Herculêses; Cicero recognizes six (three of which were Greeks, one Egyptian, one Cretan, and one Indian); Varro says there were forty-three.

Herculés’s Choice. When Herculês was a young man, he was accosted by two women, Pleasure and Virtue, and asked to choose which he would follow. Pleasure promised him all carnal delights, but Virtue promised him immortality. Herculês gave his hand to the latter, and hence led a life of great toil, but was ultimately received amongst the immortals.—Xenophon.

⁂ Mrs. Barbauld has borrowed this allegory, but instead of Herculês has substituted Melissa, “a young girl,” who is accosted by Dissipation and Housewifery. While she is somewhat in doubt which to follow, Dissipation’s mask falls off, and immediately Melissa beholds such a “wan and ghastly countenance,” that she turns away in horror, and gives her hand to the more sober of the two ladies.—Evenings at Home, xix. (1795).

Herculês’s Horse, Arion, given him by Adrastos. It had the gift of human speech, and its feet on the right side were those of a man.

Herculês’s Pillars, Calpê and Ab´yla, one at Gibraltar and the other at Ceuta (3 syl.). They were torn asunder by Alcīdês on his route to Gadês (Cadiz).

Herculês’s Ports: (1) “Herculis Corsani Portus” (now called Porto-Ercolo, in Etruria); (2) “Herculis Liburni Portus” (now called Livorno, i.e. Leghorn); (3) “Herculis Monœci-Portus” (now called Monaco, near Nice).

Herculês (The Attic), Theseus (2 syl.), who went about, like Herculês, destroying robbers, and performing most wonderful exploits.

Herculês (The Cretan). All the three Idæan Dactyls were so called: viz., Kelmis (“the smelter”), Damnamĕneus (“the hammer”), and Acmon (“the anvil”).

Herculês (The Egyptian), Sesostris (fl. B.C. 1500). Another was Som or Chon, called by Pausanias, Macĕris, son of Amon.

Herculês (The English), Guy, earl of Warwick (890-958).

Warwick ... thou English Herculês.
Drayton, Polyolbion, xiii. (1613).

Herculês (The Farnesê), a statue, the work of Glykon, copied from one by Lysip´pos, called Farnesê, because formerly in the Farnesê palace in Rome with the Farnesê Bull, the Flora, and the Gladiator. All but the Gladiator are now in the Naples Museum. The Gladiator is in the British Museum. The “Farnesê Herculês” represents the hero exhausted by toil, leaning on his club; and in his left hand, which rests on his back, he holds one of the apples of the Hesperĭdês.

⁂ A copy of this famous statue stands in the Tuileries gardens of Paris. An excellent description of the statue is given by Thomson, in his Liberty, iv.

Herculês (The Indian), Dorsănês, who married Pandæa, and became the progenitor of the Indian kings. Belus is sometimes called “The Indian Herculês.”

Herculês (The Jewish), Samson (died B.C. 113).

Herculês (The Russian), Rustum.

Herculês (The Swedish), Starchatĕrus (first Christian century).

Hercules of Music, Christoph von Glück (1714-1787).

Herculês Secundus. Commŏdus, the Roman emperor, gave himself this title. He was a gigantic idiot, who killed 100 lions, and overthrew 1000 gladiators in the amphitheatre (161, 180-195).

Heren-Suge (The), a seven-headed hydra of Basque mythology, like the Deccan cobras.

Heretics (Hammer of), Pierre d’Ailly (1350-1425).

John Faber is also called “The Hammer of Heretics,” from the title of one of his works (*-1541).

Heretics (Scientific).

Feargal, bishop of Saltzburg, an Irishman, was denounced as a heretic for asserting the existence of antipodês (*-784).

Galileo, the astronomer, was cast into prison for maintaining the “heretical opinion” that the earth moved round the sun (1564-1642).(1564-1642).

Giordano Bruno was burnt alive for maintainingmaintaining that matter is the mother of all things (1550-1600).

Her´eward (3 syl.), one of the Varangian guard of Alexius Comnēnus, emperor of Greece.—Sir W. Scott, Count Robert of Paris (time, Rufus).

Hereward the Wake (or Vigilant), lord of Born, in Lincolnshire. He plundered and burnt the abbey of Peterborough (1070); established his camp in the Isle of Ely, where he was joined by Earl Morcar (1071); he was blockaded for three months by William I., but made his escape with some of his followers. This is the name and subject of one of Kingsley’s novels.

Her´iot (Master George), goldsmith to James I.; guardian of Lady Hermionê.—Sir W. Scott, Fortunes of Nigel (time, James I.).

Herman, a deaf and dumb boy, jailer of the dungeon of the Giant’s Mount. Meeting Ulrica, he tries to seize her, when a flash of lightning strikes the bridge on which he stands, and Herman is thrown into the torrent.—E. Stirling, The Prisoner of State (1847).

Herman (Sir), of Goodalicke, one of the perceptors of the Knights Templars.—Sir W. Scott, Ivanhoe (time, Richard I.).

Hermann, the hero of Goethe’s poem Hermann and Dorothea. Goethe tells us that the object of this poem is to “show“show as in a mirror, the great movements and changes of the world’s stage.”

Hermaph´rodite (4 syl.), son of Venus and Mercury. At the age of 15, he bathed in a fountain of Caria, when Sal´macis, the fountain nymph, fell in love with him, and prayed the gods to make the two one body. Her prayers being heard, the two became united into one, but still preserved the double sex.

Not that bright spring where fair Hermaphrodite
Grew into one with wanton Salmacis ...
... may dare compare with this.
Phin. Fletcher, The Purple Island, v. (1633).

Hermegild or Hermyngyld, wife of the lord-constable of Northumberland. She was converted by Constance, but was murdered by a knight whose suit had been rejected by the young guest, in order to bring her into trouble. The villainy being discovered, the knight was executed, and Constance married the king, whose name was Alla. Hermegild, at the bidding of Constance, restored sight to a blind Briton.—Chaucer, Canterbury Tales (“Man of Law’s Tale,” 1388).

(The word is spelt “Custaunce” 7 times, “Constance” 15 times, and “Constaunce” 17 times, in the tale.)tale.)

Hermegild, a friend of Oswald, in love with Gartha (Oswald’s sister). He was a man in the middle age of life, of counsel sage, and great prudence. When Hubert (the brother of Oswald) and Gartha wished to stir up a civil war to avenge the death of Oswald, who had been slain in single combat with Prince Gondibert, Hermegild wisely deterred them from the rash attempt, and diverted the anger of the camp by funeral obsequies of a most imposing character. The tale of Gondibert being unfinished, the sequel is not known.—Sir W. Davenant, Gondibert (died 1668).

Her´mês (2 syl.), son of Maia; patron of commerce. Akenside makes Hermês say to the Thames, referring to the merchant ships of England:

By you [ships] my function and my honored name
Do I possess; while o’er the Bætic vale,
Or thro’ the towers of Memphis, or the palms
By sacred Ganges watered, I conduct
The English merchant.
Akenside, Hymn to the Naiads (1767).

(The Bætis is the Guadalquiver, and the Bætic vale Granāda and Andalucia).

Her´mês (2 syl.), the same as Mercury, and applied both to the god and to the metal. Milton calls quicksilver “volatil Hermês.”

So when we see the liquid metal fall,
Which chemists by the name of Hermes call.
Hoole’s Ariosto, viii.

Hermês (St.), same as St. Elmo, Suerpo Santo, Castor and Pollux, etc. A comazant or electric light, seen occasionally on ship’s masts.

“They shall see the fire which saylors call St. Hermes, fly uppon their shippe, and alight upon the toppe of the mast.”—De Loier, Treatise of Spectres, 67 (1605).

Hermês Trismegis´tus (Hermês “thrice-greatest”“thrice-greatest”), the Egyptian Thoth, to whom is ascribed a host of inventions: as the art of writing in hieroglyphics, the first Egyptian code of laws, the art of harmony, the science of astrology, the invention of the late and lyre, magic, etc. (twentieth century B.C.).

The school of Hermês Trismegistus,
Who uttered his oracles sublime
Before the Olympiads.
Longfellow, The Golden Legend (1851).

Her´mesind (3 syl.), daughter of Pelayo and Gaudio´sê. She was plighted to Alphonso, son of Lord Pedro of Cantabria. Both Alphonso and Hermesind at death were buried in the cave of St. Antony, in Covadonga.

Her´mia, daughter of Ege´us (3 syl.) of Athens, and promised by him in marriage to Demētrius. As Hermia loved Lysander, and refused to marry Demetrius, her father summoned her before the duke, and requested that the “law of the land” might be carried out, which was death or perpetual virginity. The duke gave Hermia four days to consider the subject, at the expiration of which time she was either to obey her father or lose her life. She now fled from Athens with Lysander. Demetrius went in pursuit of her, and Helĕna, who doted on Demetrius, followed. All four came to a wood, and falling asleep from weariness, had a dream about the fairies. When Demetrius woke up, he came to his senses, and seeing that Hermia loved another, consented to marry Helena; and Egēus gladly gave the hand of his daughter to Lysander.—Shakespeare, Midsummer Night’s Dream (1592).

Herm´ion, the young wife of Damon “the Pythagore´an” and senator of Syracuse.—J. Banium, Damon and Pythias (1825).

Hermionê (4 syl.) or Harmo´nia, wife of Cadmus. Leaving Thebes, Cadmus and his wife went to Illyr´ia, and were both changed into serpents for having killed a serpent sacred to Mars.—Ovid, Metamorphoses, iv. 590, etc.

Never since of serpent-kind
Lovelier, not those that in Illyria changed—
Hermionê and Cadmus.
Milton, Paradise Lost, ix. 505, etc. (1665).

Hermionê, (4 syl.), wife of Leontês, king of Sicily. The king, being jealous, sent her to prison, where she gave birth to a daughter, who, at the king’s command, was to be placed on a desert shore and left to perish. The child was driven by a storm to the “coast” of Bohemia, and brought up by a shepherd who called her Per´dĭta. Florĭzel, the son of Polixenês, king of Bohemia, fell in love with her, and they fled to Sicily to escape the vengeance of the angry king. Being introduced to Leontês, it was soon discovered that Perdita was his lost daughter, and Polixenês gladly consented to the union he had before objected to. Pauli´na (a lady about the court) now asked the royal party to her house to inspect a statue of Hermionê, which turned out to be the living queen herself.—Shakespeare, The Winter’s Tale (1594).

Hermionê, (4 syl.), only daughter of Helen and Menelā´os (4 syl.) king of Sparta. She was betrothed to Orestês, but after the fall of Troy was promised by her father in marriage to Pyrrhus, king of Epirus. Orestes madly loved her, but Hermione as madly loved Pyrrhus. When Pyrrhus fixed his affections on Androm´achê (widow of Hector, and his captive), the pride and jealousy of Hermione were roused. At this crisis, an embassy led by Orestês arrived at the court of Pyrrhus, to demand the death of Asty´anax, the son of Andromachê and Hector, lest when he grew to manhood he might seek to avenge his father’s death. Pyrrhus declined to give up the boy, and married Andromachê. The passion of Hermionê was now goaded to madness; and when she heard that the Greek ambassadors had fallen on Pyrrhus and murdered him, she stabbed herself and died.—Ambrose Philips, The Distressed Mother (1712).

This was a famous part with Mrs. Porter (*-1762), and with Miss Young, better known as Mrs. Pope (1740-1797).

Hermionê (4 syl.), daughter of Dannischemend, the Persian sorcerer, mentioned in Donnerhugel’s narrative.—Sir W. Scott, Anne of Geierstein (time, Edward IV.).

Hermionê (The Lady), or Lady Ermin´ia Pauletti, privately married to Lord Dalgarno.—Sir W. Scott, Fortunes of Nigel (time, James I.).

Hermit, the pseudonym of the poet Hayley, the friend of Cowper.

Hermit (The English), Roger Crab, who subsisted on three farthings a week, his food being bran, herbs, roots, dock leaves, and mallows (*-1680).

Hermit (Peter the), the instigator of the first crusade (1050-1115).

Hermit and the Youth (The). A hermit, desirous to study the ways of Providence, met with a youth, who became his companion. The first night, they were most hospitably entertained by a nobleman, but at parting the young man stole his entertainer’s golden goblet. Next day, they obtained with difficulty of a miser shelter from a severe storm, and at parting the youth gave him the golden goblet. Next night, they were modestly but freely welcomed by one of the middle class, and at parting the youth “crept to the cradle where an infant slept, and wrung its neck.” It was the only child of their kind host. Leaving the hospitable roof, they lost their way, and were set right by a guide, whom the youth pushed into a river, and he was drowned. The hermit began to curse the youth, when lo! he turned into an angel, who thus explained his acts:

“I stole the goblet from the rich lord to teach him not to trust in uncertain riches. I gave the goblet to the miser to teach him that kindness always meets its reward. I strangled the infant because the man loved it better than he loved God. I pushed the guide into the river because he intended at night-fall to commit a robbery.” The hermit bent his head and cried, “The ways of the Lord are past finding out! but He doeth all things well. Teach me to say with faith, ‘Thy will be done?’”—Parnell. (1679-1717).

In the Talmud is a similar and better allegory. Rabbi Jachanan accompanied Elijah on a journey, and they came to the house of a poor man, whose only treasure was a cow. The man and his wife ran to meet and welcome the strangers, but next morning the poor man’s cow died. Next night they were coldly received by a proud, rich man, who fed them only with bread and water; and next morning Elijah sent for a mason to repair a wall which was falling down, in return for the hospitality received. Next night they entered a synagogue, and asked, “Who will give a night’s lodging to two travellers!” but none offered to do so. At parting, Elijah said, “I hope you will all be made presidents.” The following night they were lodged by the members of another synagogue in the best hotel of the place, and at parting Elijah said, “May the Lord appoint over you but one president.” The rabbi, unable to keep silence any longer, begged Elijah to explain the meaning of his dealings with men; and Elijah replied:

“In regard to the poor man who received us so hospitably, it was decreed that his wife was to die that night, but, in reward of his kindness, God took the cow instead of the wife. I repaired the wall of the rich miser because a chest of gold was concealed near the place, and if the miser had repaired the wall he would have discovered the treasure. I said to the inhospitable synagogue, ‘May each member be president,’ because no one can serve two masters. I said to the hospitable synagogue, ‘May‘May you have but one president,’ because with one head there can be no divisions of counsel. Say not, therefore, to the Lord, ‘What doest Thou?’ but say in thy heart, ‘Must not the Lord of all the earth do right’”—The Talmud (“Trust in God”).

Hermite (Tristan l’) or “Tristan of the Hospital,” provost-marshal of France. He was the main instrument in carrying out the nefarious schemes of Louis XI, who used to call him his “gossip.” Tristan was a stout, middle-sized man, with a hang-dog visage and most repulsive smile.—Sir W. Scott, Quentin Durward and Anne of Geierstein (time, Edward IV.).

Hero, daughter of Leonāto, governor of Messi´na. She was of a quiet, serious disposition, and formed a good contrast to the gay, witty rattle-pate, called Beatrice, her cousin. Hero was about to be married to Lord Claudio, when Don John played on her a most infamous practical joke, out of malice. He bribed Hero’s waiting-woman to dress in Hero’s clothes, and to talk with him by moonlight from the chamber balcony; he then induced Claudio to hide himself in the garden, to overhear what was said. Claudio, thinking the person to be Hero, was furious, and next day at the altar rejected the bride with scorn. The priest, convinced of Hero’s innocence, gave out that she was dead, the servant confessed the trick, Don John took to flight, and Hero married Claudio, her betrothed.—Shakespeare, Much Ado about Nothing (1600).

Hero, [Sutton], niece of Sir William Sutton, and beloved by Sir Valentine de Grey. Hero “was fair as no eye ever fairer saw, of noble stature, head of antique mould, magnificent as far as may consist with softness, features full of thought and moods, wishes and fancies, and limbs the paragon of symmetry.” Having offended her lover by waltzing with Lord Athunree, she assumed the garb of a quakeress, called herself “Ruth,” and got introduced to Sir Valentine, who proposed marriage to her, and then discovered that Hero was Ruth and Ruth was Hero.—S. Knowles, Woman’s Wit, etc. (1838).

Hero and Leander (3 syl.). Hero, a priestess of Venus, fell in love with Leander, who swam across the Hellespont every night to visit her. One night he was drowned in so doing, and Hero in grief threw herself into the same sea.—Musæus, Leander and Hero.

Hero of Fable (The), the duc de Guise. Called by the French L’Hero de la Fable (1614-1664).

Hero of History (The), the duc d’Enghien, Prince of Condé. Called by the French L’Hero de l’Histoire. This was Le grand Condé (1621-1687).

Hero of Modern Italy, Garibaldi (1807-1882).

Herodias. Divorced wife of Herodius Philippus, afterward married to Herod Antipas, Mother of Salome and murderer of John the Baptist.

Her´on (Sir George), of Chip-chace, an officer with Sir John Foster.—Sir W. Scott, The Monastery (time, Elizabeth).

Heros´tratos or Erostratos, the Ephesian who set fire to the temple of Ephesus (one of the seven wonders of the world) merely to immortalize his name. The Ephesians made it penal even to mention his name.

Herostratus shall prove vice governes fame.
Who built that church he burnt hath lost his name.
Lord Brooke, Inquisition upon Fame (1554-1628).

Herrick. Overseer on a Virginia plantation, whose only daughter is burned to death trying to save a favorite horse of the man she loves hopelessly.—Amelia C. Rives-Chanler, Virginia of Virginia, (1888).

Herries (Lord), a friend of Queen Mary of Scotland, and attending on her at Dundrennan.—Sir W. Scott, The Abbott (time, Elizabeth).

Herschel (Sir F. Wm.) discovered the eighth planet, at first called the Georgium sidus, in honor of George III., and now called Saturn. In allusion to this, Campbell says he

Gave the lyre of heaven another string.
Pleasures of Hope, i. (1799.)

Hertford (The marquis of), in the court of Charles II.—Sir W. Scott, Woodstock (time, Commonwealth).

Her Trippa, meant for Henry Cornelius Agrippa, of Nettesheim, philosopher and physician. “Her” is a contraction of He´ricus, and “Trippa” a play on the words Agrippa and tripe.—Rabelais, Pantag´ruel, iii. 25 (1545).

Herwig, king of Hel´igoland, betrothed to Gudrun, daughter of King Hettel (Attila). She was carried off by Hartmuth, king of Norway, and as she refused to marry him, was put to the most menial work. Herwig conveyed an army into Norway, utterly defeated Hartmuth, liberated Gudrun, and married her.—Gudrun, a German epic of the thirteenth century.

Her´zog (Duke), commander-in-chief of the ancient Teutons (Germans). The herzog was elected by the freemen of the tribe, but in times of war and danger, when several tribes united, the princes selected a leader, who was called also “herzog,” similiar to the Gaulish “brennus” or “bren,” and the Celtic “pendragon” or head chief.

Heskett (Ralph), landlord of the village ale-house where Robin Oig and Harry Wakefield fought.

Dame Heskett, Ralph’s wife.—Sir. W. Scott, The Two Drovers (time, George III.).

Hesper´ides (4 syl.) The Hesper´ian Field. The Hesperidês were the women who guarded the golden apples which Earth gave to Herê at her marriage with Zeus (Jove). They were assisted by the dragon Ladon. The Hesperian Fields are the orchards in which the golden apples grew. The Island is one of the Cape Verd Isles, in the Atlantic.

Hesperus, the knight called by Tennyson “Evening Star;” but called in the History of Prince Arthur, “the Green Knight” or Sir Pertolope (3 syl.). One of the four brothers who kept the passages of Castle Perilous.—Tennyson, Idylls (“Gareth and Lynette”); Sir T. Malory, History of Prince Arthur, i. 127 (1470).

⁂ It is a manifest blunder to call the Green Knight “Hesperus the Evening Star,” and the Blue Knight the “Morning Star.” The old romance makes the combat with the “Green Knight” at dawn, and with the “Blue Knight” at sunset. The error has arisen from not bearing in mind that our forefathers began the day with the preceding eve, and ended it at sunset.

Hetherford (Reuben), stupid suitor of Molly Wilder. He will not relinquish her, although assured that she is to marry another man, and when the news comes that her husband has been drowned, renews his suit, only to be again rejected.—Jane Goodwin Austin, A Nameless Nobleman (1881).

Hettly (May), an old servant of Davie Deans.—Sir W. Scott, Heart of Midlothian (time, George II.).

Heyward (Duncan). A major in the English army in America, sent to escort the Munro sisters to their father, and sharer in the perils incurred by them in their journey by stream and forest. He is beloved by both sisters and marries Alice.—James Fennimore Cooper, Last of the Mohicans.

Heukbane (Mrs.), the butcher’s wife at Fairport, and a friend of Mrs. Mailsetter.—Sir W. Scott, The Antiquary (time, George III.).

Hew, son of Lady Helen of “Merryland town” (Milan), enticed by an apple presented to him by a Jewish maiden, who then “stabbed him with a penknife, rolled the body in lead, and cast it into a well.” Lady Helen went in search of her child, and its ghost cried out from the bottom of the well:

The lead is wondrous heavy, mither;
The well is wondrous deep:
A keen penknife sticks in my heart;
A word I dounae speik.
Percy, Reliques, i. 3.

Hewit (Godfrey Bertram), natural son of Mr. Godfrey Betram.—Sir W. Scott, Guy Mannering (time, George II.).

Hezekiah Grumbles, intended by nature for a farmer; intended by parents for a clergyman; makes a soldier of himself in the Civil War 1861-65.—William M. Baker, The Making of a Man (1881).

Hezekiah Bedott, easy-going, meek and slow-spoken husband of Priscilla Bedott. “Wonderful hand to moralize, specially after he begun to enjoy poor health.”—Frances Miriam Twitcher, The Widow Bedott Papers (1856).

Hiawa´tha, the prophet teacher, son of Mudjekee´wis (the west wind) and Weno´nah, daughter of Noko´mis. He represents the progress of civilization among the North American Indians. Hiawatha first wrestled with Monda´min (maize), and, having subdued it, gave it to man for food. He then taught man navigation; then he subdued Mishe Nah´ma (the sturgeon), and taught the Indians how to make oil therefrom for winter. His next exploit was against the magician Megissog´non, the author of disease and death; having slain this monster, he taught man the science of medicine. He then married Minneha´ha (laughing water), and taught man to be the husband of one wife, and the comforts of domestic peace. Lastly, he taught man picture-writing. When the white men came with the gospel, Hiawatha ascended to the kingdom of Pone´mah, the land of the hereafter.—Longfellow, Hiawatha.

Hiawatha’s Moc´casins. When Hiawatha put on his moccasins, he could measure a mile at a single stride.