Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 2 of 3)
by Shearjashub Spooner
Read Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 2 of 3) by Shearjashub Spooner online, free: 247 chapters, public domain, on Papyras.
Contents
- Titian,—Sketch of His Life
- Titian's Manners
- Titian's Works
- Titian's Imitators
- Titian's Venus and Adonis
- Titian and the Emperor Charles V
- Titian and Philip II
- Titian's Last Supper and El Mudo
- Titian's Old Age
- Monument to Titian
- Horace Vernet
- The Colosseum
- Nineveh and Its Remains
- Description of a Palace Exhumed at Nimroud
- Origin and Antiquity of the Arch
- Antiquities of Herculaneum, Pompeii, and Stabiæ
- Ancient Fresco and Mosaic Painting
- Mosaic of the Battle of Platæa
- The Aldobrandini Wedding
- The Portland Vase
- Ancient Pictures of Glass
- Henry Fuseli—His Birth
- Fuseli's Early Love of Art
- Fuseli's Literary and Poetical Taste
- Fuseli, Lavater, and the Unjust Magistrate
- Fuseli's Travels, and His Literary Distinction
- Fuseli's Arrival in London
- Fuseli's Change from Literature to Painting
- Fuseli's Sojourn in Italy
- Fuseli's "Nightmare."
- Fuseli's "Œdipus and His Daughters."
- Fuseli and the Shakspeare Gallery
- Fuseli's "Hamlet's Ghost."
- Fuseli's "Titania."
- Fuseli's Election as a Royal Academician
- Fuseli and Horace Walpole
- Fuseli and the Banker Coutts
- Fuseli and Prof. Porson
- Fuseli's Method of Giving Vent to His Passion
- Fuseli's Love for Terrific Subjects
- Fuseli's and Lawrence's Pictures from the "Tempest."
- Fuseli's Estimate of Reynolds' Abilities in Historical Painting
- Fuseli and Lawrence
- Fuseli as Keeper of the Royal Academy
- Fuseli's Jests and Oddities with the Students of the Academy
- Fuseli's Sarcasms on Northcote
- Fuseli's' Sarcasms on Various Rival Artists
- Fuseli's Retorts
- Fuseli's Suggestion of an Emblem of Eternity
- Fuseli's Report in Mr. Coutts' Banking House
- Fuseli's General Sarcasms on Landscape and Portrait Painters
- Fuseli's Opinion of His Own Attainment of Happiness
- Fuseli's Private Habits
- Fuseli's Wife's Method of Curing His Fits of Despondency
- Fuseli's Personal Appearance, His Sarcastic Disposition, and Quick Temper
- Fuseli's Near Sight
- Fuseli's Popularity
- Fuseli's Artistic Merits
- Fuseli's Milton Gallery, the Character of His Works, and the Permanency of His Fame
- Salvator Rosa
- Salvator Rosa and Cav. Lanfranco
- Salvator Rosa at Rome and Florence
- Salvator Rosa's Return to Rome
- Salvator Rosa's Subjects
- Flagellation of Salvator Rosa
- Salvator Rosa and the Higgling Prince
- Salvator Rosa's Opinion of His Own Works
- Salvator Rosa's Banditti
- Salvator Rosa and Massaniello
- Salvator Rosa and Cardinal Sforza
- Salvator Rosa's Manifesto Concerning His Satirical Picture La Fortuna
- Salvator Rosa's Banishment from Rome
- Salvator Rosa's Wit
- Salvator Rosa's Reception at Florence
- Histrionic Powers of Salvator Rosa
- Salvator Rosa's Reception at the Palazzo Pitti
- Satires of Salvator Rosa
- Salvator Rosa's Harpsichord
- Rare Portrait by Salvator Rosa
- Salvator Rosa's Return to Rome
- Salvator Rosa's Love of Magnificence
- Salvator Rosa's Last Works
- Salvator Rosa's Desire to Be Considered an Historical Painter
- Don Mario Ghigi, His Physician, and Salvator Rosa
- Death of Salvator Rosa
- Domenichino
- The Dullness of Domenichino in Youth
- Domenichino's Scourging of St. Andrew
- The Communion of St. Jerome
- Domenichino's Enemies at Rome
- Decision of Posterity on the Merits of Domenichino
- Proof of the Merits of Domenichino
- Domenichino's Caricatures
- Intrigues of the Neapolitan Triumvirate of Painters
- Giuseppe Ribera, Called Il Spagnoletto—His Early Poverty and Industry
- Ribera's Marriage
- Ribera's Rise to Eminence
- Ribera's Discovery of the Philosopher's Stone
- Ribera's Subjects
- Ribera's Disposition
- Singular Pictorial Illusions
- Raffaelle's Skill in Portraits
- Jacopo Da Ponte
- Giovanni Rosa
- Cav. Giovanni Contarini
- Guercino's Power of Relief
- Bernazzano
- Invention of Oil Painting
- Foreshortening
- Method of Transferring Paintings from Walls and Panels to Canvass
- Works in Scagliola
- The Golden Age of Painting
- Golden Age of the Fine Arts in Ancient Rome
- Nero's Golden Palace
- Names of Ancient Architects Designated by Reptiles
- Triumphal Arches
- Statue of Pompey the Great
- Of Antique Sculptures in Rome
- Ancient Map of Rome
- Julian the Apostate
- The Tomb of Mausolus
- Mandrocles' Bridge Across the Bosphorus
- The Colossus of the Sun at Rhodes
- Statues and Paintings at Rhodes
- Sostratus' Light-House on the Isle of Pharos
- Dinocrates' Plan for Cutting Mount Athos Into a Statue of Alexander the Great
- Pope's Idea of Forming Mount Athos Into a Statue of Alexander the Great
- Temple with an Iron Statue Suspended in the Air by Loadstone
- The Temple of Jupiter Olympius at Athens
- The Parthenon at Athens
- The Elgin Marbles
- Odeon, or Odeum
- Perpetual Lamps
- The Skull of Raffaelle
- The Four Carlos of the 17Th Century
- Pietro Galletti and the Bolognese Students
- Ætion's Picture of the Nuptials of Alexander and Roxana
- Ageladas
- The Porticos of Agaptos
- The Group of Niobe and Her Children
- Statue of the Fighting Gladiator
- The Group of Laocoön in the Vatican
- Michael Angelo's Opinion of the Laocoön
- Discovery of the Laocoön
- Sir John Soane
- Soane's Liberality and Public Munificence
- The Belzoni Sarcophagus
- Tasso's "Gerusalemme Liberata."
- George Morland
- Morland's Early Talent
- Morland's Early Fame
- Morland's Mental and Moral Education, Under an Unnatural Parent
- Morland's Escape from the Thraldom of His Father
- Morland's Marriage, and Temporary Reform
- Morland's Social Position
- An Unpleasant Dilemma
- Morland at the Isle of Wight
- A Novel Mode of Fulfilling Commissions
- Hassell's First Interview with Morland
- Morland's Drawings in the Isle of Wight
- Morland's Freaks
- A Joke on Morland
- Morland's Apprehension as a Spy
- Morland's "Sign of the Black Bull."
- Morland and the Pawnbroker
- Morland's Idea of a Baronetcy
- Morland's Artistic Merit
- Charles Jervas
- Jervas the Instructor of Pope
- Jervas and Dr. Arbuthnot
- Jervas' Vanity
- Holbein and the Fly
- Holbein's Visit to England
- Henry VIII.'S Opinion of Holbein
- Holbein's Portrait of the Duchess Dowager of Milan
- Holbein's Flattery in Portraits—A Warning to Painters
- Holbein's Portrait of Cratzer
- Holbein's Portraits of Sir Thomas More and Family
- Sir John Vanbrugh and His Critics
- Anecdote of the English Painter James Seymour
- Precocity of Luca Giordano
- Giordano's Enthusiasm
- Luca Fa Presto
- Giordano's Skill in Copying
- Giordano's Success at Naples
- Giordano, the Viceroy, and the Duke of Diano
- Giordano Invited to Florence
- Giordano and Carlo Dolci
- Giordano's Visit to Spain
- Giordano's Works in Spain
- Giordano at the Escurial
- Giordano's Habits in Spain
- Giordano's First Pictures Painted at Madrid
- Giordano a Favorite at Court
- Giordano's Return to Naples
- Giordano's Personal Appearance and Character
- Giordano's Riches
- Giordano's Wonderful Facility of Hand
- Giordano's Powers of Imitation
- Giordano's Fame and Reputation
- Remarkable Instance of Giordano's Rapidity of Execution
- Revival of Painting in Italy
- Giovanni Cimabue
- Cimabue's Passion for Art
- Cimabue's Famous Picture of the Virgin
- The Works of Cimabue
- Death of Cimabue
- Giotto
- Giotto's St. Francis Stigmata
- Giotto's Invitation to Rome
- Giotto's Living Model
- Giotto and the King of Naples
- Giotto and Dante
- Death of Giotto
- Buonamico Buffalmacco
- Buffalmacco and His Master
- Buffalmacco and the Nuns of the Convent of Faenza
- Buffalmacco and the Nuns' Wine
- Buffalmacco, Bishop Guido, and His Monkey
- Buffalmacco's Trick on the Bishop of Arezzo
- Origin of Label Painting
- Utility of Ancient Works
- Buffalmacco and the Countryman
- Buffalmacco and the People of Perugia
- Buffalmacco's Novel Method of Enforcing Payment
- Stefano Fiorentino
- Giottino
- Paolo Uccello
- Uccello's Enthusiasm
- Uccello and the Monks of San Miniato
- Uccello's Five Portraits
- Uccello's Incredulity of St. Thomas
- The Italian Schools of Painting
- Claude Joseph Vernet
- Vernet's Precocity
- Vernet's Enthusiasm
- Vernet at Rome
- Vernet's "Alphabet of Tones."
- Vernet and the Connoisseur
- Vernet's Works
- Vernet's Passion for Music
- Vernet's Opinion of His Own Merits
- Curious Letter of Vernet
- Charles Vernet
- Anecdote of Charles Vernet
- M. De Lasson's Caricature
- Frank Hals and Vandyke