Introduction

Agnes De Castro.

The ‘sweet sentimental tragedy’ of Agnes de Castro was founded by Mrs. Behn upon a work by Mlle S. B. de Brillac, Agnès de Castro, nouvelle portugaise (1688), and various subsequent editions. In the same year (1688) as Mrs. Behn’s Agnes de Castro; or, The Force of Generous Blood was published there appeared ‘Two New Novels, i. The Art of Making Love. ii. The Fatal Beauty of Agnes de Castro: Taken out of the History of Portugal. Translated from the French by P. B. G. For R. Bentley’ (12mo). Each has a separate title page. Bellon’s version does not differ materially from Mrs. Behn, but she far exceeds him in spirit and niceness of style.

So much legend has surrounded the romantic history of the beautiful Ines de Castro that it is impossible fully to elucidate every detail of her life. Born in the early years of the fourteenth century, she was the daughter of Pedro Fernandez de Castro, major domo to Alphonso XI of Castille. She accompanied her relative, Dona Constança Manuel, daughter to the Duke of Peñafiel, to the court of Alphonso IV of Portugal when this lady was to wed the Infante Don Pedro. Here Ines excited the fondest love in Pedro’s heart and the passion was reciprocated. She bore him several children, and there can be no doubt that Dona Constança was madly jealous of her husband’s amour with her fair friend. 13 November, 1345, Constança died, and Pedro immediately married his mistress at Braganza in the presence of the Bishop of Guarda. Their nuptials were kept secret, and the old King kept pressing his son to take a wife. Before long his spies found out the reason of the Infante’s constant refusals; and, beside himself with rage, he watched an opportunity whilst Pedro, on a great hunting expedition, was absent from Coimbra where they resided, and had Ines cruelly assassinated 7 January, 1355. The grief of Pedro was terrible, he plunged the country into civil war, and it was only by the tenderest solicitations of his mother and the authority of several holy monks and bishops that he was restrained from taking a terrible revenge upon his father. Alphonso died, his power curtailed, his end unhappy, May, 1357.

A very literature has grown up around the lovely Ines, and many more than a hundred items of interest could be enumerated. The best authority is J. de Araujo, whose monumental Bibliographia Inesiana was published in 1897. Mrs. Behn’s novel was immensely popular and is included, with some unnecessary moral observations as preface, in Mrs. Griffith’s A Collection of Novels (1777), Vol. III, which has a plate illustrating the tale. It was turned into French by Marie-Geneviève-Charlotte Tiroux d’ Arconville (1720-1805), wife of a councillor of the Parliament, an aimable blue-stocking who devoted her life wholly to literature, and translated freely from English. This work is to be found in Romans (les deux premiers . . . tirés des Lettres Persanes . . . par M. Littleton et le dernier . . . d’un Recueil de Romans . . . de Madame Behn) traduits de l’ Anglois, (Amsterdam, 1761.) It occurs again in Mélanges de Litterature (12mo, 1775, etc.), Vol. VI.

A tragedy, Agnes de Castro, written by that philosophical lady, Catherine Trotter (afterwards Cockburn), at the early age of sixteen, and produced at the Theatre Royal, 1696, with Powell, Verbruggen, Mrs. Rogers in the principal parts, is directly founded upon Mrs. Behn. It is a mediocre play, and the same can even more truly be said of Mallet’s cold Elvira (1763). This was acted, however, with fair success thirteen times. Garrick played Don Pedro, his last original part, and Mrs. Cibber Elvira. Such dull exercises as C. Symmons, Inez, a tragedy (1796), and Ignez de Castro, a tragedy in verse, intended for Hoad’s Magazine call for no comment.

There is a French play by Lamotte on the subject of Ines de Castro, which was first produced 6 April, 1723. Voltaire found the first four acts execrable and laughed consumedly. The fifth was so tender and true that he melted into tears. In Italian we have, from the pen of Bertoletti, Inez de Castro, tragedia, Milano, 1826.

In Spanish and Portuguese there are, of course, innumerable poems, treaties, tragedies, studies, romances. Lope de Vega wrote Dona Inez de Castro, and the beautiful episode of Camoens is deservedly famous. Antonio Ferreira’s splendid tragedy is well known. First published in Comedias Famosas dos Doctores de Sa de Mirande (4to, 1622), it can also be read in Poemas lusitanos (2 Vols., 8vo, Lisbon, 1771). Domingo dos Reis Quita wrote a drama, Ignez de Castro, a translation of which, by Benjamin Thompson, was published in 1800. There is also a play Dona Ignez de Castro, by Nicolas Luiz, which was Englished by John Adamson, whose version was printed at Newcastle, 1808.