← The Notebooks of Leonardo Da Vinci — Complete, Volume 1
Of the Quality of Light
Of Small Lights.
Again, lights cast from a small window give strong differences of light and shade, all the more if the room lighted by it be large, and this is not good for painting.
517.
Painting.
The luminous air which enters by passing through orifices in walls into dark rooms will render the place less dark in proportion as the opening cuts into the walls which surround and cover in the pavement.
518.
In proportion to the number of times that a b goes into c d will it be more luminous than c d. And similarly, in proportion as the point e goes into c d will it be more luminous than c d; and this light is useful for carvers of delicate work. [Footnote 5: For the same reason a window thus constructed would be convenient for an illuminator or a miniature painter.]
[Footnote: M. RAVAISSON in his edition of the Paris MS. A remarks on this passage: "La figure porte les lettres f et g, auxquelles rien ne renvoie dans l'explication; par consequent, cette explication est incomplete. La figure semblerait, d'ailleurs, se rapporter a l'effet de la reflexion par un miroir concave." So far as I can see the text is not imperfect, nor is the sense obscure. It is hardly necessary to observe that c d here indicate the wall of the room opposite to the window e and the semicircle described by f g stands for the arch of the sky; this occurs in various diagrams, for example under 511. A similar semicircle, Pl III, No. 2 (and compare No. 149) is expressly called 'orizonte' in writing.]
519.
That the light should fall upon a picture from one window only. This may be seen in the case of objects in this form. If you want to represent a round ball at a certain height you must make it oval in this shape, and stand so far off as that by foreshortening it appears round.
520.