To William James

34 De Vere Gardens, W.
Feb. 6th, 1891.

My dear William,

Bear with me that I haven't written to you, since my last, in which I promised you a better immediate sequel, till the receipt of your note of the 21st, this a.m., recalls me to decency. Bear with me indeed, in this and other ways, so long as I am in the fever of dramatic production with which I am, very sanely and practically, trying to make up for my late start and all the years during which I have not dramatically produced, and, further, to get well ahead with the "demand" which I—and others for me—judge (still very sanely and sensibly) to be certain to be made upon me from the moment I have a London, as distinguished from a provincial success. (You can form no idea—outside—of how a provincial success is confined to the provinces.) Now that I have tasted blood, c'est une rage (of determination to do, and triumph, on my part,) for I feel at last as if I had found my real form, which I am capable of carrying far, and for which the pale little art of fiction, as I have practised it, has been, for me, but a limited and restricted substitute. The strange thing is that I always, universally, knew this was my more characteristic form—but was kept away from it by a half-modest, half-exaggerated sense of the difficulty (that is, I mean the practical odiousness) of the conditions. But now that I have accepted them and met them, I see that one isn't at all, needfully, their victim, but is, from the moment one is anything, one's self, worth speaking of, their master; and may use them, command them, squeeze them, lift them up and better them. As for the form itself, its honour and inspiration are (à défaut d'autres) in its difficulty. If it were easy to write a good play I couldn't and wouldn't think of it; but it is in fact damnably hard (to this truth the paucity of the article—in the English-speaking world—testifies,) and that constitutes a solid respectability—guarantees one's intellectual self-respect. At any rate I am working hard and constantly—and am just attacking my 4th!...

No. 4 has a destination which it would be premature to disclose; and, in general, please breathe no word of these confidences, as publicity blows on such matters in an injurious and deflowering way, and interests too great to be hurt are at stake. I make them, the confidences, because it isn't fair to myself not to let you know that I may be absorbed for some months to come—as long as my present fit of the "rage" lasts—to a degree which may be apparent in my correspondence—I mean in its intermittence and in my apparent lapse of attention to, or appreciation of, other things. For instance, I blush to say that I haven't had freedom of mind or cerebral freshness (I find the drama much more obsédant than the novel) to tackle—more than dipping in just here and there—your mighty and magnificent book, which requires a stretch of leisure and an absence of "crisis" in one's own egotistical little existence. As this is essentially a year of crisis, or of epoch-making, for me, I shall probably save up the great volumes till I can recline upon roses, the fruits of my production fever, and imbibe them like sips of sherbet, giving meanwhile all my cerebration to the condensation of masterpieces....

Farewell, dear William, and bear with my saw-dust and orange-peel phase till the returns begin to flow in. The only hitch in the prospect is that it takes so long to "realise." The American, in the country, played only on Friday nights, with the very low country prices, gives me nothing as yet to speak of—my royalty making only about £5-0-0 for each performance. Later all this may be thoroughly counted upon to be different.

Ever your
HENRY.