( g ) The Affects in the Dream

A profound remark of Stricker’s has called our attention to the fact that the expressions of emotion in the dream do not permit of being disposed of in the slighting manner in which we are accustomed to shake off the dream itself, after we have awakened. “If I am afraid of robbers in the dream, the robbers, to be sure, are imaginary, but the fear of them is real,” and the same is true if I am glad in the dream. According to the testimony of our feelings, the emotion experienced in the dream is in no way less valid than one of like intensity experienced in waking life, and the dream makes its claim to be taken up as a part of our real mental experiences, more energetically on account of its emotional content than on account of its ideal content. We do not succeed in accomplishing this separation in waking life, because we do not know how to estimate an emotion psychically except in connection with a presentation content. If in kind or in intensity an affect and an idea are incongruous, our waking judgment becomes confused.

The fact that in dreams the presentation content does not entail the affective influence which we should expect as necessary in waking thought has always caused astonishment. Strümpell was of the opinion that ideas in the dream are stripped of their psychic values. But neither does the dream lack opposite instances, where the expression of intense affect appears in a content, which seems to offer no occasion for its development. I am in a horrible, dangerous, or disgusting situation in the dream, but I feel nothing of fear or aversion; on the other hand, I am sometimes terrified at harmless things and glad at childish ones.

This enigma of the dream disappears more suddenly and more completely than perhaps any other of the dream problems, if we pass from the manifest to the latent content. We shall then no longer be concerned to explain it, for it will no longer exist. Analysis teaches us that presentation contents have undergone displacements and substitutions, while affects have remained unchanged. No wonder, then, that the presentation content which has been altered by dream disfigurement no longer fits the affect that has remained intact; but there is no cause for wonder either after analysis has put the correct content in its former place.

In a psychic complex which has been subjected to the influence of the resisting censor the affects are the unyielding constituent, which alone is capable of guiding us to a correct supplementation. This state of affairs is revealed in psychoneuroses even more distinctly than in the dream. Here the affect is always in the right, at least as far as its quality goes; its intensity may even be increased by means of a displacement of neurotic attention. If a hysteric is surprised that he is so very afraid of a trifle, or if the patient with compulsive ideas is astonished that he develops such painful self-reproach out of a nonentity, both of them err in that they regard the presentation content—the trifle or the nonentity—as the essential thing, and they defend themselves in vain because they make this presentation content the starting point in their thought. Psychoanalysis, however, shows them the right way by recognising that, on the contrary, the affect is justified, and by searching for the presentation which belongs to it and which has been suppressed by means of replacement. The assumption is here made that the development of affect and the presentation content do not constitute such an indissoluble organic union as we are accustomed to think, but that the two parts may be, so to speak, soldered together in such a way that they may be detached from one another by means of analysis. Dream interpretation shows that this is actually the case.

I give first an example in which analysis explains the apparent absence of affect in a presentation content which ought to force a development of emotion.

I. The dreamer sees three lions in a desert, one of which is laughing, but she is not afraid of them. Then, however, she must have fled from them, for she is trying to climb a tree, but she finds that her cousin, who is a teacher of French, is already up in the tree, &c.

The analysis gives us the following material for this dream: A sentence in the dreamer’s English lesson had become the indifferent occasion for it: “The lion’s greatest beauty is his mane.” Her father wore a beard which surrounded his face like a mane. The name of her English teacher was Miss Lyons. An acquaintance of hers had sent her the ballads of Loewe (German, Loewe—lion). These, then, are the three lions; why should she have been afraid of them? She has read a story in which a negro who has incited his fellows to revolt is hunted with bloodhounds and climbs a tree to save himself. Then follow fragments in wanton mood, like the following. Directions for catching lions from Die Fliegende Blaetter: “Take a desert and strain it; the lions will remain.” Also a very amusing, but not very proper anecdote about an official who is asked why he does not take greater pains to win the favour of his superior officer, and who answers that he has been trying to insinuate himself, but that the man ahead of him is already up. The whole matter becomes intelligible as soon as one learns that on the day of the dream the lady had received a visit from her husband’s superior. He was very polite to her, kissed her hand, and she was not afraid of him at all, although he is a “big bug” (German—Grosses Tier = “big animal”) and plays the part of a “social lion” in the capital of her country. This lion is, therefore, like the lion in the Midsummer Night’s Dream, who unmasks as Snug, the joiner, and of such stuff are all dream lions made when one is not afraid.

II. As my second example, I cite the dream of the girl who saw her sister’s little son lying dead in a coffin, but who, I may now add, felt no pain or sorrow thereat. We know from analysis why not. The dream only concealed her wish to see the man she loved again; the affect must be attuned to the wish, and not to its concealment. There was no occasion for sorrow at all.

In a number of dreams the emotion at least remains connected with that presentation content which has replaced the one really belonging to it. In others the breaking up of the complex is carried further. The affect seems to be entirely separated from the idea belonging to it, and finds a place somewhere else in the dream where it fits into the new arrangement of the dream elements. This is similar to what we have learned of acts of judgment of the dream. If there is a significant inference in the dream thoughts, the dream also contains one; but in the dream the inference may be shifted to entirely different material. Not infrequently this shifting takes place according to the principle of antithesis.

I illustrate the latter possibility by the following dream, which I have subjected to the most exhaustive analysis.

III. A castle by the sea; afterwards it lies not directly on the sea, but on a narrow canal that leads to the sea. A certain Mr. P. is the governor of it. I stand with him in a large salon with three windows, in front of which rise the projections of a wall, like battlements of a fort. I belong to the garrison, perhaps as a volunteer marine officer. We fear the arrival of hostile warships, for we are in a state of war. Mr. P. has the intention of leaving; he gives me instructions as to what must be done in case the dreaded event happens. His sick wife is in the threatened castle with her children. As soon as the bombardment begins the large hall should be cleared. He breathes heavily, and tries to get away; I hold him back, and ask him in what way I should send him news in case of need. He says something else, and then all at once falls over dead. I have probably taxed him unnecessarily with my questions. After his death, which makes no further impression upon me, I think whether the widow is to remain in the castle, whether I should give notice of the death to the commander-in-chief, and whether I should take over the direction of the castle as the next in command. I now stand at the window, and muster the ships as they pass by; they are merchantmen that dart past upon the dark water, several of them with more than one smokestack, others with bulging decks (that are quite similar to the railway stations in the preliminary dream which has not been told). Then my brother stands next to me, and both of us look out of the window on to the canal. At the sight of a ship we are frightened, and call out: “Here comes the warship!” It turns out, however, that it is only the same ships which I have already known that are returning. Now comes a little ship, strangely cut off, so that it ends in the middle of its breadth; curious things like cups or salt-cellars are seen on the deck. We call as though with one voice: “That is the breakfast-ship.”

The rapid motion of the ships, the deep blue of the water, the brown smoke of the funnels, all this together makes a highly tense, sombre impression.

The localities in this dream are put together from several journeys to the Adriatic Sea (Miramare, Duino, Venice, Aquileja). A short but enjoyable Easter trip to Aquileja with my brother, a few weeks before the dream, was still fresh in my memory. Besides, the naval war between America and Spain, and the worry connected with it about my relatives living in America, play a part. Manifestations of emotion appear at two places in this dream. In one place an emotion that would be expected is lacking—it is expressly emphasized that the death of the governor makes no impression upon me; at another point, where I see the warships I am frightened, and experience all the sensations of fright while I sleep. The distribution of affects in this well-constructed dream has been made in such a way that every obvious contradiction is avoided. For there is no reason why I should be frightened at the governor’s death, and it is fitting that as the commander of the castle I should be alarmed by the sight of the warship. Now analysis shows that Mr. P. is nothing but a substitute for my own Ego (in the dream I am his substitute). I am the governor who suddenly dies. The dream thoughts deal with the future of those dear to me after my premature death. No other disagreeable thought is to be found among the dream thoughts. The fright which is attached to the sight of the warship must be transferred from it to this disagreeable thought. Inversely, the analysis shows that the region of the dream thoughts from which the warship comes is filled with most joyous reminiscences. It was at Venice a year before, one charmingly beautiful day, that we stood at the windows of our room on the Riva Schiavoni and looked upon the blue lagoon, in which more activity could be seen that day than usually. English ships were being expected, they were to be festively received; and suddenly my wife called out, happy as a child: “There come the English warships!” In the dream I am frightened at the very same words; we see again that speeches in the dream originate from speeches in life. I shall soon show that even the element “English” in this speech has not been lost for the dream activity. I thus convert joy into fright on the way from the dream thoughts to the dream content, and I need only intimate that by means of this very transformation I give expression to a part of the latent dream content. The example shows, however, that the dream activity is at liberty to detach the occasion for an affect from its context in the dream thoughts, and to insert it at any other place it chooses in the dream content.

I seize the opportunity which is incidentally offered, of subjecting to closer analysis the “breakfast ship,” whose appearance in the dream so nonsensically concludes a situation that has been rationally adhered to. If I take a closer view of this object in the dream, I am now struck by the fact that it was black, and that on account of its being cut off at its greatest breadth it closely resembled, at the end where it was cut off, an object which had aroused our interest in the museums of the Etruscan cities. This object was a rectangular cup of black clay with two handles, upon which stood things like coffee cups, or tea cups, very similar to our modern breakfast table service. Upon inquiring, we learned that this was the toilet set of an Etruscan lady, with little boxes for rouge and powder; and we said jokingly to each other that it would not be a bad idea to take a thing like that home to the lady of the house. The dream object, therefore, signifies “black toilet” (German, toilette—dress)—mourning—and has direct reference to a death. The other end of the dream object reminds us of the “boat” (German, Nachen), from the root νέχυς, as a philological friend has told me, upon which corpses were laid in prehistoric times and were left to be buried by the sea. With this circumstance is connected the reason for the return of the ships in the dream.

“Quietly the old man on his rescued boat drifts into the harbour.”

It is the return voyage after the shipwreck (German, schiffbruch; ship-breaking, i.e. shipwreck), the breakfast-ship looks as though it were broken off in the middle. But whence comes the name “breakfast”-ship? Here is where the “English” comes in, which we have left over from the warships. Breakfast—a breaking of the fast. Breaking again belongs to ship-wreck (Schiffbruch), and fasting is connected with the mourning dress.

The only thing about this breakfast-ship, which has been newly created by the dream, is its name. The thing has existed in reality, and recalls to me the merriest hours of my last journey. As we distrusted the fare in Aquileja, we took some food with us from Goerz, and bought a bottle of excellent Istrian wine in Aquileja, and while the little mail-steamer slowly travelled through the Canal delle Mee and into the lonely stretch of lagoon towards Grado, we took our breakfast on deck—we were the only passengers—and it tasted to us as few breakfasts have ever tasted. This, then, was the “breakfast-ship,” and it is behind this very recollection of great enjoyment that the dream hides the saddest thoughts about an unknown and ominous future.

The detachment of emotions from the groups of ideas which have been responsible for their development is the most striking thing that happens to them in the course of dream formation, but it is neither the only nor even the most essential change which they undergo on the way from the dream thoughts to the manifest dream. If the affects in the dream thoughts are compared with those in the dream, it at once becomes clear that wherever there is an emotion in the dream, this is also to be found in the dream thoughts; the converse, however, is not true. In general, the dream is less rich in affects than the psychic material from which it is elaborated. As soon as I have reconstructed the dream thoughts I see that the most intense psychic impulses are regularly striving in them for self-assertion, usually in conflict with others that are sharply opposed to them. If I turn back to the dream, I often find it colourless and without any of the more intense strains of feeling. Not only the content, but also the affective tone of my thoughts has been brought by the dream activity to the level of the indifferent. I might say that a suppression of the affects has taken place. Take, for example, the dream of the botanical monograph. It answers to a passionate plea for my freedom to act as I am acting and to arrange my life as seems right to me and to me alone. The dream which results from it sounds indifferent; I have written a monograph; it is lying before me; it is fitted with coloured plates, and dried plants are to be found with each copy. It is like the peacefulness of a battlefield; there is no trace left of the tumult of battle.

It may also turn out differently—vivid affective expressions may make their appearance in the dream; but we shall first dwell upon the unquestionable fact that many dreams appear indifferent, while it is never possible to go deeply into the dream thoughts without deep emotion.

A complete theoretical explanation of this suppression of emotions in the course of the dream activity cannot be given here; it would require a most careful investigation of the theory of the emotions and of the mechanism of suppression. I shall find a place here for two thoughts only. I am forced—on other grounds—to conceive the development of affects as a centrifugal process directed towards the interior of the body, analogous to the processes of motor and secretory innervation. Just as in the sleeping condition the omission of motor impulses towards the outside world seems to be suspended, so a centrifugal excitement of emotions through unconscious thought may be made more difficult during sleep. Thus the affective impulses aroused during the discharge of the dream thoughts would themselves be weak excitements, and therefore those getting into the dream would not be stronger. According to this line of argument the “suppression of the affects” would not be a result of the dream activity at all, but a result of the sleeping condition. This may be so, but this cannot possibly be all. We must also remember that all the more complex dreams have shown themselves to be a compromised result from the conflict of psychic forces. On the one hand, the thoughts that constitute the wish must fight the opposition of a censorship; on the other hand, we have often seen how, even in unconscious thinking, each train of thought is harnessed to its contradictory opposite. Since all of these trains of thought are capable of emotion, we shall hardly make a mistake, broadly speaking, if we regard the suppression of emotion as the result of the restraint which the contrasts impose upon one another and which the censor imposes upon the tendencies which it has suppressed. The restraint of affects would accordingly he the second result of the dream censor as the disfigurement of the dream was the first.

I shall insert an example of a dream in which the indifferent affective tone of the dream content may be explained by a contrast in the dream thoughts. I have the following short dream to relate, which every reader will read with disgust:

IV. A bit of rising ground, and on it something like a toilet in the open; a very long bench, at the end of which is a large toilet aperture. All of the back edge is thickly covered with little heaps of excrement of all sizes and degrees of freshness. A shrub behind the bench. I urinate upon the bench; a long stream of urine rinses everything clean, the patches of excrement easily come off and fall into the opening. It seems as though something remained at the end nevertheless.

Why did I experience no disgust in this dream?

Because, as the analysis shows, the most pleasant and satisfying thoughts have co-operated in the formation of this dream. Upon analysing it I immediately think of the Augean stables cleansed by Hercules. I am this Hercules. The rising ground and the shrub belong to Aussee, where my children are now staying. I have discovered the infantile etiology of the neuroses and have thus guarded my own children from becoming ill. The bench (omitting the aperture, of course) is the faithful copy of a piece of furniture which an affectionate female patient has made me a present of. This recalls how my patients honour me. Even the museum of human excrement is susceptible of less disagreeable interpretation. However much I am disgusted with it, it is a souvenir of the beautiful land of Italy, where in little cities, as everyone knows, water-closets are not equipped in any other way. The stream of urine that washes everything clean is an unmistakable allusion to greatness. It is in this manner that Gulliver extinguishes the great fire in Lilliput; to be sure, he thereby incurs the displeasure of the tiniest of queens. In this way, too, Gargantua, the superman in Master Rabelais, takes vengeance upon the Parisians, straddling Notre Dame and training his stream of urine upon the city. Only yesterday I was turning over the leaves of Garnier’s illustrations of Rabelais before I went to bed. And, strangely enough, this is another proof that I am the superman! The platform of Notre Dame was my favourite nook in Paris; every free afternoon I was accustomed to go up into the towers of the church and climb about among the monsters and devil-masks there. The circumstances that all the excrement vanishes so rapidly before the stream correspond to the motto: Afflavit et dissipati sunt, which I shall some day make the title of a chapter on the therapeutics of hysteria.

And now as to the occasion giving rise to the dream. It had been a hot afternoon in summer; in the evening I had given a lecture on the relation between hysteria and the perversions, and everything which I had to say displeased me thoroughly, appeared to me stripped of all value. I was tired, found no trace of pleasure in my difficult task, and longed to get away from this rummaging in human filth, to see my children and then the beauties of Italy. In this mood I went from the auditorium to a café, to find some modest refreshment in the open air, for my appetite had left me. But one of my audience went with me; he begged for permission to sit with me while I drank my coffee and gulped down my roll, and began to say flattering things to me. He told me how much he had learned from me, and that he now looked at everything through different eyes, that I had cleansed the Augean stables, i.e. the theory of the neuroses, of its errors and prejudices—in short, that I was a very great man. My mood was ill-suited to his song of praise; I struggled with disgust, and went home earlier in order to extricate myself. Before I went to sleep I turned over the leaves of Rabelais, and read a short story by C. F. Meyer entitled Die Leiden eines Knaben (The Hardships of a Boy).

The dream had been drawn from these materials, and the novel by Meyer added the recollection of childish scenes (cf. the dream about Count Thun, last scene). The mood of the day, characterised by disgust and annoyance, is continued in the dream in the sense that it is permitted to furnish nearly the entire material for the dream content. But during the night the opposite mood of vigorous and even exaggerated self-assertion was awakened, and dissipated the earlier mood. The dream had to take such a form as to accommodate the expression of self-depreciation and exaggerated self-assertion in the same material. This compromise formation resulted in an ambiguous dream content, but likewise in an indifferent strain of feeling owing to the restraint of the contrasts upon each other.

According to the theory of wish-fulfilment this dream could not have happened had not the suppressed, but at the same time pleasurable, train of thought concerning personal aggrandisement been coupled with the opposing thoughts of disgust. For disagreeable things are not intended to be represented by the dream; painful thoughts that have occurred during the day can force their way into the dream only if they lend a cloak to the wish-fulfilment. The dream activity can dispose of the affects in the dream thoughts in still another way, besides admitting them or reducing them to zero. It can change them into their opposite. We have already become acquainted with the rule of interpretation that every element of the dream may be interpreted by its opposite, as well as by itself. One can never tell at the outset whether to set down the one or the other; only the connection can decide this point. A suspicion of this state of affairs has evidently got into popular consciousness; dream books very often proceed according to the principle of contraries in their interpretation. Such transformation into opposites is made possible by the intimate concatenation of associations, which in our thoughts finds the idea of a thing in that of its opposite. Like every other displacement this serves the purposes of the censor, but it is also often the work of the wish-fulfilment, for wish-fulfilment consists precisely in this substitution of an unwelcome thing by its opposite. The emotions of the dream thoughts may appear in the dream transformed into their opposites just as well as the ideas, and it is probable that this inversion of emotions is usually brought about by the dream censor. The suppression and inversion of affects are useful in social life, as the current analogy for the dream censor has shown us—above all, for purposes of dissimulation. If I converse with a person to whom I must show consideration while I am saying unpleasant things to him, it is almost more important that I should conceal the expression of my emotion from him, than that I modify the wording of my thoughts. If I speak to him in polite words, but accompany them by looks or gestures of hatred and disdain, the effect which I produce upon this person is not very different from what it would have been if I had recklessly thrown my contempt into his face. Above all, then, the censor bids me suppress my emotions, and if I am master of the art of dissimulation, I can hypocritically show the opposite emotion—smiling where I should like to be angry, and pretending affection where I should like to destroy.

We already know of an excellent example of such an inversion of emotion for the purposes of the dream censor. In the dream about my uncle’s beard I feel great affection for my friend R., at the same time that, and because, the dream thoughts berate him as a simpleton. We have drawn our first proof for the existence of the censor from this example of the inversion of emotions. Nor is it necessary here to assume that the dream activity creates a counter emotion of this kind out of nothing; it usually finds it lying ready in the material of the dream thoughts, and intensifies it solely with the psychic force of the resisting impulse until a point is reached where the emotion can be won over for the formation of the dream. In the dream of my uncle, just mentioned, the affectionate counter emotion has probably originated from an infantile source (as the continuation of the dream would suggest), for the relation between uncle and nephew has become the source of all my friendships and hatreds, owing to the peculiar nature of my childish experiences (cf. analysis on p. 334).

There is a class of dreams deserving the designation “hypocritical,” which puts the theory of wish-fulfilment to a severe test. My attention was called to them when Mrs. Dr. M. Hilferding brought up for discussion in the Vienna Psychoanalytic Society the dream reported by Rosegger, which is reprinted below.

In Waldheimat, vol. xi., Rosegger writes as follows in his story, Fremd gemacht, p. 303:

“I have usually enjoyed healthful sleep, but I have lost the rest of many a night. With my modest existence as a student and literary man, I have for long years dragged along with me the shadow of a veritable tailor’s life, like a ghost from which I could not become separated. I cannot say that I have occupied myself so often and so vividly with thoughts of my past during the day. An assailer of heaven and earth arising from the skin of the Philistine has other things to think about. Nor did I, as a dashing young fellow, think about my nocturnal dreams; only later, when I got into the habit of thinking about everything or when the Philistine within me again asserted itself, it struck me that whenever I dreamed I was always the journeyman tailor, and was always working in my master’s shop for long hours without any remuneration. As I sat there and sewed and pressed I was quite aware that I no longer belonged there, and that as a burgess of a town I had other things to attend to; but I was for ever having vacations, and going out into the country, and it was then that I sat near my boss and assisted him. I often felt badly, and regretted the loss of time which I might spend for better and more useful purposes. If something did not come up to the measure and cut exactly, I had to submit to a reproach from the boss. Often, as I sat with my back bent in the dingy shop, I decided to give notice that I was going to quit. On one occasion I actually did so, but the boss took no notice of it, and the next time I was again sitting near him and sewing.

“How happy I was when I woke up after such weary hours! And I then resolved that, if this dream came intruding again, I would throw it off with energy and would cry aloud: ‘It is only a delusion, I am in bed, and I want to sleep.’... And the next night I would be sitting in the tailor shop again.

“Thus years passed with dismal regularity. While the boss and I were working at Alpelhofer’s, at the house of the peasant where I began my apprenticeship, it happened that he was particularly dissatisfied with my work. ‘I should like to know where in the world your thoughts are?’ cried he, and looked at me gloomily, I thought the most sensible thing for me to do would be to get up and explain to the boss that I was with him only as a favour, and then leave. But I did not do this. I submitted, however, when the boss engaged an apprentice, and ordered me to make room for him on the bench. I moved into the corner, and kept on sewing. On the same day another tailor was engaged; he was bigoted, as he was a Czech who had worked for us nineteen years before, and then had fallen into the lake on his way home from the public-house. When he tried to sit down there was no room for him. I looked at the boss inquiringly, and he said to me, ‘You have no talent for the tailoring business; you may go; you are free.’ My fright on that occasion was so overpowering that I awoke.

“The morning gray glimmered through the clear window of my beloved home. Objects of art surrounded me; in the tasteful bookcase stood the eternal Homer, the gigantic Dante, the incomparable Shakespeare, the glorious Goethe—all shining and immortal. From the adjoining room resounded the clear little voices of the children, who were waking and prattling with their mother. I felt as if I had found again that idyllically sweet, that peaceful, poetical, and spiritual life which I have so often and so deeply conceived as the contemplative fortune of mankind. And still I was vexed that I had not given my boss notice first, instead of allowing him to discharge me.

“And how remarkable it is; after the night when the boss ‘discharged me’ I enjoyed rest; I no longer dreamed of my tailoring—of this experience which lay in the remote past, which in its simplicity was really happy, and which, nevertheless, threw a long shadow over the later years of my life.”

I. In this dream, the series of the poet who, in his younger years, has been a journeyman tailor, it is hard to recognise the domination of the wish-fulfilment. All the delightful things occurred during the waking state, while the dream seemed to drag along the ghostlike shadow of an unhappy existence which had been long forgotten. My own dreams of a similar nature have put me in a position to give some explanation for such dreams. As a young doctor I for a long time worked in the chemical institute without being able to accomplish anything in that exacting science, and I therefore never think in my waking state about this unfruitful episode in my life, of which I am really ashamed. On the other hand, it has become a recurring dream with me that I am working in the laboratory, making analyses, and having experiences there, &c.; like the examination dreams, these dreams are disagreeable, and they are never very distinct. During the analysis of one of these dreams my attention was directed to the word “analysis,” which, gave me the key to an understanding of these dreams. For I had since become an “analyst.” I make analyses which are highly praised—to be sure, psychoanalyses. I then understood that when I grew proud of these analyses of the waking state, and wanted to boast how much I had accomplished thereby, the dream would hold up to me at night those other unsuccessful analyses of which I had no reason to be proud; they are the punitive dreams of the upstart, like those of the tailor who became a celebrated poet. But how is it possible for the dream to place itself at the service of self-criticism in its conflict with parvenu-pride, and to take as its content a rational warning instead of the fulfilment of a prohibitive wish? I have already mentioned that the answer to this question entails many difficulties. We may conclude that the foundation of the dream was at first formed by a phantasy of overweening ambition, but that only its suppression and its abashment reached the dream content in its stead. One should remember that there are masochistic tendencies in the psychic life to which such an inversion might be attributed. But a more thorough investigation of the individual dreams allows the recognition of still another element. In an indistinct subordinate portion of one of my laboratory dreams, I was just at the age which placed me in the most gloomy and most unsuccessful year of my professional career; I still had no position and no means of support, when I suddenly found that I had the choice of many women whom I could marry! I was, therefore, young again, and, what is more, she was young again—the woman who has shared with me all these hard years. In this way one of the wishes which constantly frets the heart of the ageing man was revealed as the unconscious dream inciter. The struggle raging in the other psychic strata between vanity and self-criticism has certainly determined the dream content, but the more deeply-rooted wish of youth has alone made it possible as a dream. One may say to himself even in the waking state: To be sure it is very nice now, and times were once very hard; but it was nice, too, even then, you were still so young.

In considering dreams reported by a poet one may often assume that he has excluded from the report those details which he perceived as disturbing and which he considered unessential. His dreams, then, give us a riddle which could be readily solved if we had an exact reproduction of the dream content.

O. Rank has called my attention to the fact that in Grimm’s fairy tale of the valiant little tailor, or “Seven at one Stroke,” a very similar dream of an upstart is related. The tailor, who became the hero and married the king’s daughter, dreamed one night while with the princess, his wife, about his trade; the latter, becoming suspicious, ordered armed guards for the following night, who should listen to what was spoken in the dream, and who should do away with the dreamer. But the little tailor was warned, and knew enough to correct his dream.

The complex of processes—of suspension, subtraction, and inversion—through which the affects of the dream thoughts finally become those of the dream, may well be observed in the suitable synthesis of completely analysed dreams. I shall here treat a few cases of emotional excitement in the dream which furnish examples of some of the cases discussed.

In the dream about the odd task which the elder Bruecke gives me to perform—of preparing my own pelvis—the appropriate horror is absent in the dream itself. Now this is a wish-fulfilment in various senses. Preparation signifies self-analysis, which I accomplish, as it were, by publishing my book on dreams, and which has been so disagreeable to me that I have already postponed printing the finished manuscript for more than a year. The wish is now actuated that I may disregard this feeling of opposition, and for that reason I feel no horror (Grauen, which also means to grow grey) in the dream. I should also like to escape the horror—in the other (German) sense—of growing grey; for I am already growing grey fast, and the grey in my hair warns me withal to hold back no longer. For we know that at the end of the dream the thought secures expression in that I should have to leave my children to get to the goal of their difficult journey.

In the two dreams that shift the expression of satisfaction to the moments immediately after awakening, this satisfaction is in the one case motivated by the expectation that I am now going to learn what is meant by “I have already dreamed of it,” and refers in reality to the birth of my first child, and in the other case it is motivated by the conviction that “that which has been announced by a sign” is now going to happen, and the latter satisfaction is the same which I felt at the arrival of my second son. Here the same emotions that dominated in the dream thoughts have remained in the dream, but the process is probably not so simple as this in every dream. If the two analyses are examined a little, it will be seen that this satisfaction which does not succumb to the censor receives an addition from a source which must fear the censor; and the emotion drawn from this source would certainly arouse opposition if it did not cloak itself in a similar emotion of satisfaction that is willingly admitted, if it did not, as it were, sneak in behind the other. Unfortunately, I am unable to show this in the case of the actual dream specimen, but an example from another province will make my meaning intelligible. I construct the following case: Let there be a person near me whom I hate so that a strong feeling arises in me that I should be glad if something were to happen to him. But the moral part of my nature does not yield to this sentiment; I do not dare to express this ill-wish, and when something happens to him which he does not deserve, I suppress my satisfaction at it, and force myself to expressions and thoughts of regret. Everyone will have found himself in such a position. But now let it happen that the hated person draws upon himself a well-deserved misfortune by some fault; now I may give free rein to my satisfaction that he has been visited by a just punishment, and I express opinion in the matter which coincides with that of many other people who are impartial. But I can see that my satisfaction turns out to be more intense than that of the others, for it has received an addition from another source—from my hatred, which has hitherto been prevented by the inner censor from releasing an emotion, but which is no longer prevented from doing so under the altered circumstances. This case is generally typical of society, where persons who have aroused antipathy or are adherents of an unpopular minority incur guilt. Their punishment does not correspond to their transgression but to their transgression plus the ill-will directed against them that has hitherto been ineffective. Those who execute the punishment doubtless commit an injustice, but they are prevented from becoming aware of it by the satisfaction arising from the release within themselves of a suppression of long standing. In such cases the emotion is justified according to its quality, but not according to its quantity; and the self-criticism that has been appeased as to the one point is only too ready to neglect examination of the second point. Once you have opened the doors, more people get through than you originally intended to admit.

The striking feature of the neurotic character, that incitements capable of producing emotion bring about a result that is qualitatively justified but is quantitatively excessive, is to be explained in this manner, in so far as it admits of a psychological explanation at all. The excess is due to sources of emotion which have remained unconscious and have hitherto been suppressed, which can establish in the associations a connection with the actual incitement, and which can thus find release for its emotions through the vent which the unobjectionable and admitted source of emotion opens. Our attention is thus called to the fact that we may not consider the relation of mutual restraint as obtaining exclusively between the suppressed and the suppressing psychic judgment. The cases in which the two judgments bring about a pathological emotion by co-operation and mutual strengthening deserve just as much attention. The reader is requested to apply these hints regarding the psychic mechanism for the purpose of understanding the expressions of emotion in the dream. A satisfaction which makes its appearance in the dream, and which may readily be found at its proper place in the dream thoughts, may not always be fully explained by means of this reference. As a rule it will be necessary to search for a second source in the dream thoughts, upon which the pressure of the censor is exerted, and which under the pressure would have resulted not in satisfaction, but in the opposite emotion—which, however, is enabled by the presence of the first source to free its satisfaction affect from suppression and to reinforce the satisfaction springing from the other source. Hence emotions in the dream appear as though formed by the confluence of several tributaries, and as though over-determined in reference to the material of the dream thoughts; sources of affect which can furnish the same affect join each other in the dream activity in order to produce it.[FE]

Some insight into these tangled relations is gained from analysis of the admirable dream in which “Non vixit” constitutes the central point (cf. p. 333). The expressions of emotion in this dream, which are of different qualities, are forced together at two points in the manifest content. Hostile and painful feelings (in the dream itself we have the phrase, “seized by strange emotions”) overlap at the point where I destroy my antagonistic friend with the two words. At the end of the dream I am greatly pleased, and am quite ready to believe in a possibility which I recognise as absurd when I am awake, namely, that there are revenants who can be put out of the way by a mere wish.

I have not yet mentioned the occasion for this dream. It is an essential one, and goes a long way towards explaining it. I had received the news from my friend in Berlin (whom I have designated as F.) that he is about to undergo an operation and that relatives of his living in Vienna would give me information about his condition. The first few messages after the operation were not reassuring, and caused me anxiety. I should have liked best to go to him myself, but at that time I was affected with a painful disease which made every movement a torture for me. I learn from the dream thoughts that I feared for the life of my dear friend. I knew that his only sister, with whom I had not been acquainted, had died early after the shortest possible illness. (In the dream F. tells about his sister, and says: “In three-quarters of an hour she was dead.”) I must have imagined that his own constitution was not much stronger, and that I should soon be travelling, in spite of my health, in answer to far worse news—and that I should arrive too late, for which I should reproach myself for ever.[FF] This reproach about arriving too late has become the central point of the dream, but has been represented in a scene in which the honoured teacher of my student years—Bruecke—reproaches me for the same thing with a terrible look from his blue eyes. The cause of this deviation from the scene will soon be clear; the dream cannot reproduce the scene itself in the manner in which it occurred to me. To be sure, it leaves the blue eyes to the other man, but it gives me the part of the annihilator, an inversion which is obviously the result of the wish-fulfilment. My concern for the life of my friend, my self-reproach for not having gone to him, my shame (he had repeatedly come to me in Vienna), my desire to consider myself excused on account of my illness—all of this makes up a tempest of feeling which is distinctly felt in sleep, and which raged in every part of the dream thoughts.

But there was another thing about the occasion for the dream which had quite the opposite effect. With the unfavourable news during the first days of the operation, I also received the injunction to speak to no one about the whole affair, which hurt my feelings, for it betrayed an unnecessary distrust of my discretion. I knew, of course, that this request did not proceed from my friend, but that it was due to clumsiness or excessive timidity on the part of the messenger, but the concealed reproach made me feel very badly because it was not altogether unjustified. Only reproaches which “have something in them” have power to irritate, as everyone knows. For long before, in the case of two persons who were friendly to each other and who were willing to honour me with their friendship, I had quite needlessly tattled what the one had said about the other; to be sure this incident had nothing to do with the affairs of my friend F. Nor have I forgotten the reproaches which I had to listen to at that time. One of the two friends between whom I was the trouble-maker was Professor Fleischl; the other one I may name Joseph, a name which was also borne by my friend and antagonist P., who appears in the dream.

Two dream elements, first inconspicuously, and secondly the question of Fl. as to how much of his affairs I have mentioned to P., give evidence of the reproach that I am incapable of keeping anything to myself. But it is the admixture of these recollections which transposes the reproach for arriving too late from the present to the time when I was living in Bruecke’s laboratory; and by replacing the second person in the annihilation scene of the dream by a Joseph I succeed in representing not only the first reproach that I arrive too late, but also a second reproach, which is more rigorously suppressed, that I keep no secrets. The condensing and replacing activity of this dream, as well as the motives for it, are now obvious.

My anger at the injunction not to give anything away, originally quite insignificant, receives confirmation from sources that flow far below the surface, and so become a swollen stream of hostile feelings towards persons who are in reality dear to me. The source which furnishes the confirmation is to be found in childhood. I have already said that my friendships as well as my enmities with persons of my own age go back to my childish relations with my nephew, who was a year older than I. In these he had the upper hand, and I early learned how to defend myself; we lived together inseparably, loved each other, and at the same time, as statements of older persons testify, scuffled with and accused each other. In a certain sense all my friends are incarnations of this first figure, “which early appeared to my blurred sight”; they are all revenants. My nephew himself returned in the years of adolescence, and then we acted Cæsar and Brutus. An intimate friend and a hated enemy have always been indispensable requirements for my emotional life; I have always been able to create them anew, and not infrequently my childish ideal has been so closely approached that friend and enemy coincided in the same person, not simultaneously, of course, nor in repeated alterations, as had been the case in my first childhood years.

I do not here wish to trace the manner in which a recent occasion for emotion may reach back to one in childhood—through connections like these I have just described—in order to find a substitute for itself, in this earlier occasion for the sake of increased emotional effect. Such an investigation would belong to the psychology of the unconscious, and would find its place in a psychological explanation of neuroses. Let us assume for the purposes of dream interpretation that a childhood recollection makes its appearance or is formed by the fancy, say to the following effect: Two children get into a fight on account of some object—just what we shall leave undecided, although memory or an allusion of memory has a very definite one in mind—and each one claims that he got to it first, and that he, therefore, has first right to it. They come to blows, for might makes right; and, according to the intimation of the dream, I must have known that I was in the wrong (noticing the error myself), but this time I remain the stronger and take possession of the battlefield; the defeated combatant hurries to my father, his grandfather, and accuses me, and I defend myself with the words which I know from my father: “I hit him because he hit me.” Thus this recollection, or more probably fancy, which forces itself upon my attention in the course of the analysis—from my present knowledge I myself do not know how—becomes an intermediary of the dream thoughts that collects the emotional excitements obtaining in the dream thoughts, as the bowl of a fountain collects the streams of water flowing into it. From this point the dream thoughts flow along the following paths: “It serves you quite right if you had to vacate your place for me; why did you try to force me out of my place? I don’t need you; I’ll soon find someone else to play with,” &c. Then the ways are opened through which these thoughts again follow into the representation of the dream. For such an “ôte-toi que je m’y mette” I once had to reproach my deceased friend Joseph. He had been next to me in the line of promotion in Bruecke’s laboratory, but advancement there was very slow. Neither of the two assistants budged from his place, and youth became impatient. My friend, who knew that his time of life was limited, and who was bound by no tie to his superior, was a man seriously ill; the wish for his removal permitted an objectionable interpretation—he might be moved by something besides promotion. Several years before, the same wish for freedom had naturally been more intense in my own case; wherever in the world there are gradations of rank and advancement, the doors are opened for wishes needing suppression. Shakespeare’s Prince Hal cannot get rid of the temptation to see how the crown fits even at the bed of his sick father. But, as may easily be understood, the dream punishes this ruthless wish not upon me but upon him.[FG]

“As he was ambitious, I slew him.” As he could not wait for the other man to make way for him, he himself has been put out of the way. I harbour these thoughts immediately after attending the unveiling of the statue to the other man at the university. A part of the satisfaction which I feel in the dream may therefore be interpreted: Just punishment; it served you right.

At the funeral of this friend a young man made the following remark, which seemed out of place: “The preacher talked as though the world couldn’t exist without this one human being.” The displeasure of the sincere man, whose sorrow has been marred by the exaggeration, begins to arise in him. But with this speech are connected the dream thoughts: “No one is really irreplaceable; how many men have I already escorted to the grave, but I am still living, I have survived them all, I claim the field.” Such a thought at the moment when I fear that when I travel to see him I shall find my friend no longer among the living, permits only of the further development that I am glad I am surviving someone, that it is not I who have died, but he—that I occupy the field as I once did in the fancied scene in childhood. This satisfaction, coming from sources in childhood, at the fact that I claim the field, covers the larger part of the emotion which appears in the dream. I am glad that I am the survivor—I express this sentiment with the naïve egotism of the husband who says to his wife: “If one of us dies, I shall move to Paris.” It is such a matter of course for my expectation that I am not to be the one.

It cannot be denied that great self-control is necessary to interpret one’s dreams and to report them. It is necessary for you to reveal yourself as the one scoundrel among all the noble souls with whom you share the breath of life. Thus, I consider it quite natural that revenants exist only as long as they are wanted, and that they can be obviated by a wish. This is the thing for which my friend Joseph has been punished. But the revenants are the successive incarnations of the friend of my childhood; I am also satisfied at the fact that I have replaced this person for myself again and again, and a substitute will doubtless soon be found even for the friend whom I am about to lose. No one is irreplaceable.

But what has the dream censor been doing meanwhile? Why does it not raise the most emphatic objection to a train of thought characterised by such brutal selfishness, and change the satisfaction that adheres to it into profound repugnance? I think it is because other unobjectionable trains of thought likewise result in satisfaction and cover the emotion coming from forbidden infantile sources with their own. In another stratum of thought I said to myself at that festive unveiling: “I have lost so many dear friends, some through death, some through the dissolution of friendship—is it not beautiful that I have found substitutes for them, that I have gained one who means more to me than the others could, whom I shall from now on always retain, at the age when it is not easy to form new friendships?” The satisfaction that I have found this substitute for lost friends can be taken over into the dream without interference, but behind it there sneaks in the inimical satisfaction from the infantile source. Childish affection undoubtedly assists in strengthening the justifiable affection of to-day; but childish hatred has also found its way into the representation.

But besides this there is distinct reference in the dream to another chain of thoughts, which may manifest itself in the form of satisfaction. My friend had shortly before had a little daughter born, after long waiting. I knew how much he had grieved for the sister whom he lost at an early age, and I wrote to him that he would transfer to this child the love he had felt for her. This little girl would at last make him forget his irreparable loss.

Thus this chain also connects with the intermediary thoughts of the latent dream content, from which the ways spread out in opposite directions: No one is irreplaceable. You see, nothing but revenants; all that one has lost comes back. And now the bonds of association between the contradictory elements of the dream thoughts are more tightly drawn by the accidental circumstance that the little daughter of my friend bears the same name as the girl playmate of my own youth, who was just my own age and the sister of my oldest friend and antagonist. I have heard the name “Pauline” with satisfaction, and in order to allude to this coincidence I have replaced one Joseph in the dream by another Joseph, and have not overlooked the similarity in sound between the names Fleischl and F. From this point a train of thought runs to the naming of my own children. I insisted that the names should not be chosen according to the fashion of the day but should be determined by regard for the memory of beloved persons. The children’s names make them “revenants.” And, finally, is not the having of children the only access to immortality for us all?

I shall add only a few remarks about the emotions of the dream from another point of view. An emotional inclination—what we call a mood—may occur in the mind of a sleeping person as its dominating element, and may induce a corresponding mood in the dream. This mood may be the result of the experiences and thoughts of the day, or it may be of somatic origin; in either case it will be accompanied by the chains of thought that correspond to it. The fact that in the one case this presentation content conditions the emotional inclination primarily, and that in the other case it is brought about secondarily by a disposition of feeling of somatic origin remains without influence upon the formation of the dream. This formation is always subject to the restriction that it can represent only a wish-fulfilment, and that it may put its psychic motive force at the service only of the wish. The mood that is actually present will receive the same treatment as the sensation which actually comes to the surface during sleep (cf. p. 198), which is either neglected or reinterpreted so as to signify a wish-fulfilment. Disagreeable moods during sleep become a motive force of the dream by actuating energetic wishes, which the dream must fulfil. The material to which they are attached is worked over until it finally becomes suitable for the expression of the fulfilled wish. The more intense and the more dominating the element of the disagreeable mood in the dream thought, the more surely will the wish-impulses that have been most rigorously suppressed take advantage of the opportunity to secure representation, for they find that the difficult part of the work necessary in securing representation has already been accomplished in that the repugnance is already actually in existence, which they would otherwise have had to produce by their own effort. With this discussion we again touch upon the problem of anxiety dreams, which we may regard as bounding the province of the dream activity.