xii. The Fortune

[Bibliographical Note.—Most of the documents are at Dulwich, and are printed in full or in abstract by W. W. Greg in Henslowe Papers, and by J. P. Collier in Alleyn Memoirs and Alleyn Papers. The Register of the Privy Council adds a few of importance. Valuable summaries of the history of the theatre are given by W. W. Greg, Henslowe’s Diary, ii. 56, and W. Young, History of Dulwich College (1889), ii. 257. The Catalogue of the Manuscripts and Muniments at Dulwich (1881–1903) by G. F. Warner and F. B. Bickley is also useful.]

The settlement of the Chamberlain’s men in 1599 at the Globe, hard by the Rose, on Bankside, probably led Henslowe and Alleyn to plan during the same year a countermove, by the transference of the Admiral’s men to a new theatrical locality in the rapidly growing districts on the north-west boundary of the City. The Rose, although not built fifteen years, was in decay, and the swamps of the Bankside had not, especially in bad weather, proved attractive to visitors. The new centre might be expected to serve in summer and winter alike, and, while in a place ‘remote and exempt’ from the City jurisdiction, would be convenient for the well-to-do population, which was establishing itself in the western suburbs, along the main roads of Holborn and the Strand. The Fortune on the north, and the Blackfriars, opened about the same time on the south, delimited a region which has remained almost to our own day the head-quarters of the stage. The actual site selected lay just outside Cripplegate between Golding or Golden Lane and Whitecross Street, in the county of Middlesex, the lordship or liberty of Finsbury, and the parish of St. Giles without Cripplegate. The title-deeds at Dulwich make it possible to trace the history of the property or part of it back to the reign of Henry VIII, but for the present purpose it is sufficient to begin with 11 July 1584, the date of a lease by Daniel Gill, son of William Gill, gardener, to Patrick Brewe, goldsmith, of five tenements on the east side of Golding Lane and one on the west side of Whitecross Street at a rent of £12 a year. This lease Brewe assigned to Alleyn on 22 December 1599, for a sum of £240. Subsequently, in 1610, Alleyn bought up a reversionary lease for £100, and also, after troublesome negotiations with the numerous descendants of Daniel Gill, the freehold of the property for £340. This purchase, however, and probably also the original lease, included a good deal more than the actual plot on which the theatre was built. The deed of sale recites six tenements on the east of Golden Lane and six on the west of Whitecross Street. It is pretty clear, from the boundaries described, as compared with those in a temporary assignment by Alleyn of the lease, that the property dealt with in 1584 and in 1610 was the same, and it is natural to conclude that Alleyn had himself added to the number of tenements. This is confirmed by a note of Alleyn’s that, in addition to building the play-house, he spent £120 ‘for other priuat buildings of myn owne’. One such building adjoined the south side of the play-house in 1601. Alleyn’s note gives the cost of the play-house itself as £520, making up with the private buildings and the purchase of leasehold, reversion, and freehold, a total expenditure of £1,320. The contract for building the framework was taken by Peter Street, carpenter, at £440, which presumably left Alleyn £80 for the painting and other decorative work excluded from the contract. The following is the text of the contract, which is preserved at Dulwich:

‘This Indenture made the Eighte daie of Januarye 1599, and in the Twoe and Fortyth yeare of the Reigne of our sovereigne Ladie Elizabeth, by the grace of god Queene of Englande, Fraunce and Irelande, defender of the Faythe, &c. betwene Phillipp Henslowe and Edwarde Allen of the parishe of Ste Saviours in Southwark in the Countie of Surrey, gentlemen, on thone parte, and Peeter Streete, Cittizen and Carpenter of London, on thother parte witnesseth That whereas the saide Phillipp Henslowe & Edward Allen, the daie of the date hereof, haue bargayned, compounded & agreed with the saide Peter Streete ffor the erectinge, buildinge & settinge upp of a new howse and Stadge for a Plaiehouse in and vppon a certeine plott or parcell of grounde appoynted oute for that purpose, scytuate and beinge nere Goldinge lane in the parishe of Ste Giles withoute Cripplegate of London, to be by him the saide Peeter Streete or somme other sufficyent woorkmen of his provideinge and appoyntemente and att his propper costes & chardges, for the consideracion hereafter in theis presentes expressed, made, erected, builded and sett upp in manner & forme followinge (that is to saie); The frame of the saide howse to be sett square and to conteine ffowerscore foote of lawfull assize everye waie square withoutt and fiftie fiue foote of like assize square everye waie within, with a good suer and stronge foundacion of pyles, brick, lyme and sand bothe without & within, to be wroughte one foote of assize att the leiste aboue the grounde; And the saide fframe to conteine three Stories in heighth, the first or lower Storie to conteine Twelue foote of lawfull assize in heighth, the second Storie Eleaven foote of lawfull assize in heigth, and the third or vpper Storie to conteine Nyne foote of lawfull assize in height; All which Stories shall conteine Twelue foote and a halfe of lawfull assize in breadth througheoute, besides a juttey forwardes in either of the saide twoe vpper Stories of Tenne ynches of lawfull assize, with ffower convenient divisions for gentlemens roomes, and other sufficient and convenient divisions for Twoe pennie roomes, with necessarie seates to be placed and sett, aswell in those roomes as througheoute all the rest of the galleries of the saide howse, and with suchelike steares, conveyances & divisions withoute & within, as are made & contryved in and to the late erected Plaiehowse on the Banck in the saide parishe of Ste Saviours called the Globe; With a Stadge and Tyreinge howse to be made, erected & settupp within the saide fframe, with a shadowe or cover over the saide Stadge, which Stadge shalbe placed & sett, as alsoe the stearecases of the saide fframe, in suche sorte as is prefigured in a plott thereof drawen, and which Stadge shall conteine in length Fortie and Three foote of lawfull assize and in breadth to extende to the middle of the yarde of the saide howse; The same Stadge to be paled in belowe with good, stronge and sufficyent newe oken bourdes, and likewise the lower Storie of the saide fframe withinside, and the same lower storie to be alsoe laide over and fenced with stronge yron pykes; And the saide Stadge to be in all other proporcions contryved and fashioned like vnto the Stadge of the saide Plaie howse called the Globe; With convenient windowes and lightes glazed to the saide Tyreinge howse; And the saide fframe, Stadge and Stearecases to be covered with Tyle, and to haue a sufficient gutter of lead to carrie & convey the water frome the coveringe of the saide Stadge to fall backwardes; And also all the saide fframe and the Stairecases thereof to be sufficyently enclosed withoute with lathe, lyme & haire, and the gentlemens roomes and Twoe pennie roomes to be seeled with lathe, lyme & haire, and all the fflowers of the saide Galleries, Stories and Stadge to be bourded with good & sufficyent newe deale bourdes of the whole thicknes, wheare need shalbe; And the saide howse and other thinges beforemencioned to be made & doen to be in all other contrivitions, conveyances, fashions, thinge and thinges effected, finished and doen accordinge to the manner and fashion of the saide howse called the Globe, saveinge only that all the princypall and maine postes of the saide fframe and Stadge forwarde shalbe square and wroughte palasterwise, with carved proporcions called Satiers to be placed & sett on the topp of every of the same postes, and saveinge alsoe that the said Peeter Streete shall not be chardged with anie manner of pay[ntin]ge in or aboute the saide fframe howse or Stadge or anie parte thereof, nor rendringe the walls within, nor seeling anie more or other roomes then the gentlemens roomes, Twoe pennie roomes and Stadge before remembred. Nowe theiruppon the saide Peeter Streete dothe covenant, promise and graunte ffor himself, his executours and administratours, to and with the saide Phillipp Henslowe and Edward Allen and either of them, and thexecutours and administratours of them and either of them, by theis presentes in manner & forme followeinge (that is to saie); That he the saide Peeter Streete, his executours or assignes, shall & will att his or their owne propper costes & chardges well, woorkmanlike & substancyallie make, erect, sett upp and fully finishe in and by all thinges, accordinge to the true meaninge of theis presentes, with good, stronge and substancyall newe tymber and other necessarie stuff, all the saide fframe and other woorkes whatsoever in and vppon the saide plott or parcell of grounde (beinge not by anie aucthoretie restrayned, and haveinge ingres, egres & regres to doe the same) before the ffyue & twentith daie of Julie next commeinge after the date hereof; And shall alsoe at his or theire like costes and chardges provide and finde all manner of woorkmen, tymber, joystes, rafters, boordes, dores, boltes, hinges, brick, tyle, lathe, lyme, haire, sande, nailes, lade, iron, glasse, woorkmanshipp and other thinges whatsoever, which shalbe needefull, convenyent & necessarie for the saide fframe & woorkes & euerie parte thereof; And shall alsoe make all the saide fframe in every poynte for Scantlinges lardger and bigger in assize then the Scantlinges of the timber of the saide newe erected howse called the Globe; And alsoe that he the saide Peeter Streete shall furthwith, aswell by himself as by suche other and soemanie woorkmen as shalbe convenient & necessarie, enter into and vppon the saide buildinges and woorkes, and shall in reasonable manner proceede therein withoute anie wilfull detraccion vntill the same shalbe fully effected and finished. In consideracion of all which buildinges and of all stuff & woorkemanshipp thereto belonginge, the saide Phillipp Henslowe & Edward Allen and either of them, ffor themselues, theire, and either of theire executours & administratours, doe joynctlie & seuerallie covenante & graunte to & with the saide Peeter Streete, his executours & administratours by theis presentes, that they the saide Phillipp Henslowe & Edward Allen or one of them, or the executours administratours or assignes of them or one of them, shall & will well & truelie paie or cawse to be paide vnto the saide Peeter Streete, his executours or assignes, att the place aforesaid appoynted for the erectinge of the saide fframe, the full somme of Fower hundred & Fortie Poundes of lawfull money of Englande in manner & forme followeinge (that is to saie), att suche tyme and when as the Tymber-woork of the saide fframe shalbe rayzed & sett upp by the saide Peeter Streete his executours or assignes, or within seaven daies then next followeinge, Twoe hundred & Twentie poundes, and att suche time and when as the saide fframe & woorkes shalbe fullie effected & ffynished as is aforesaide, or within seaven daies then next followeinge, thother Twoe hundred and Twentie poundes, withoute fraude or coven. Prouided allwaies, and it is agreed betwene the saide parties, that whatsoever somme or sommes of money the saide Phillipp Henslowe & Edward Allen or either of them, or the executours or assignes of them or either of them, shall lend or deliver vnto the saide Peter Streete his executours or assignes, or anie other by his appoyntemente or consent, ffor or concerninge the saide woorkes or anie parte thereof or anie stuff thereto belonginge, before the raizeinge & settinge upp of the saide fframe, shalbe reputed, accepted, taken & accoumpted in parte of the firste paymente aforesaid of the saide some of Fower hundred & Fortie poundes, and all suche somme & sommes of money, as they or anie of them shall as aforesaid lend or deliver betwene the razeinge of the saide fframe & finishinge thereof and of all the rest of the saide woorkes, shalbe reputed, accepted, taken & accoumpted in parte of the laste pamente aforesaid of the same somme of Fower hundred & Fortie poundes, anie thinge abouesaid to the contrary notwithstandinge. In witnes whereof the parties abouesaid to theis presente Indentures Interchaungeably haue sett theire handes and seales. Yeoven the daie and yeare ffirste abouewritten.

P S

Sealed and deliuered by the saide Peter Streete in the presence of me William Harris Pub[lic] Scr[ivener] And me Frauncis Smyth appr[entice] to the said Scr[ivener]

[Endorsed:] Peater Streat ffor The Building of the Fortune.

The constant references in the terms of the contract to the model of the Globe, while bearing testimony to the stimulus which the building of the Globe had given to theatrical competition, leaves some uncertainty as to many details of planning, and it is matter for regret that the ‘plot’ of the stage and staircases furnished to the builder has not itself been preserved. We learn, however, that the house was a square one, 80 feet each way by outside and 55 feet by inside measurement; that the stage was 43 feet wide and projected into the middle of the yard; that the framework was of wood, on a foundation of brick and piles, and with an outer coating of plaster; that the framework and stage were boarded within and strengthened with iron pikes; that there were three galleries rising to a total height of 32 feet, and that sections of these were partitioned off and ceiled as ‘gentlemens rooms’, of which there were four, and ‘two-penny rooms’; that the tiring-house had glazed windows; that there was a ‘shadowe or cover’ over the stage, and that this, with the galleries and staircases, were tiled and supplied with lead gutters to carry off the rain-water. Two divergences from the Globe model are specified: the timber work is to be stouter, and the principal posts of the frame work and stage are to be square and carved with satyrs. An ingenious attempt has been made by Mr. William Archer and Mr. W. H. Godfrey to reconstruct the plan of the theatre from these and other indications, with a liberal allowance of conjecture. It will be observed that Henslowe, as well as Alleyn, was a party to the contract; but it is pretty clear from Alleyn’s note already referred to that he found the money, and although Henslowe did in fact become his partner in the enterprise, this was under a lease of 4 April 1601, whereby he took over a moiety of the play-house and its profits for a term of twenty-four years from the previous 25 March at an annual rent of £8. This lease did not include Alleyn’s private tenements, but it did include some enclosed ‘growndes’ on the north and west of the house, and a passage 30 feet long by 14 feet wide running east from the south-west angle of the building ‘from one doore of the said house to an other’. It is, I think, to be inferred from this that the main approach to the earlier Fortune theatre was from the Golden Lane side. The contract with Street is dated on 8 January 1600 and provides for the completion of the work by the following 25 July, and for the payment of the price in two instalments, one when the framework was up and the other upon completion. In fact, however, the acquittances by Street and others, endorsed upon the Dulwich indenture, show that Henslowe acted as a kind of banker for the transaction, and made advances from time to time to Street, or to pay workmen or purchase materials, all of which were debited against the amounts payable under the contract. Work seems to have begun before 17 January. By 20 March Henslowe had paid £180 and by 4 May £240. It is therefore a little puzzling to find a payment ‘at the eand of the fowndations’ on 8 May. About £53 more was paid before 10 June, making nearly £300 in all by that date. The last entry is one of 4s. to Street ‘to pasify him’, which suggests that some dispute had taken place. Here the acquittances stop, but Henslowe’s Diary indicates that he was frequently dining in company with Street from 13 June to August 8, and probably the work was completed about the latter date. Alleyn had had to face some opposition in carrying out his project. He began by arming himself with the authority of his ‘lord’, the Earl of Nottingham, who wrote in his favour to the Middlesex justices on 12 January 1600, explaining the reasons for leaving the Bankside and the general convenience of the new locality, and citing the Queen’s ‘special regarde of fauor’ towards the company as a reason why the justices should allow his servant to build ‘wthout anie yor lett or molestation’. This action did not prove sufficient to avert a local protest. Lord Willoughby and others complained to the Council, who on 9 March wrote to the Middlesex justices informing them that the erection of a new play-house, ‘wherof ther are to manie allreadie not farr from that place’, would greatly displease the Queen, and commanding the project to be ‘staied’. Alleyn, however, was secure in the royal favour. He also, by offering a weekly contribution to the relief of the poor, succeeded in obtaining a certificate from the petty officials and other inhabitants of Finsbury of their consent to the toleration of the house; and on 8 April the Council wrote again to the justices, withdrawing their previous inhibition and laying special stress on Elizabeth’s desire that Alleyn personally should revive his services as a player, ‘wheareof, of late he hath made discontynuance’. The letter also referred to the fact that another house was pulled down instead of the Fortune, and a formal Privy Council order of 22 June, laying down that there shall in future be one house in Middlesex for the Admiral’s men, and one on the Bankside for the Chamberlain’s, makes it clear that the condemned theatre was the Curtain. Nevertheless, it is certain that neither the Curtain nor the Rose was in fact plucked down at this date.

The Fortune was opened in the autumn of 1600 by the Admiral’s men, probably with Dekker’s 1 Fortune’s Tennis, and its theatrical history is closely bound up with that of the same company, who occupied it continuously, as the Admiral’s to 1603, then as Prince Henry’s men to his death in 1612, and finally as the Palsgrave’s men. It is only necessary to deal here with matters that directly concern the building. That it became something of a centre of disturbance in the peaceful suburbs of the north-west is shown by various entries in the records of the Middlesex Bench. On 26 February 1611, two butchers, Ralph Brewyn and John Lynsey, were charged with abusing gentlemen there. On 1 October 1612, the justices regarded it as the resort of cutpurses, and were thereby led to suppress the jigs at the end of plays, which especially attracted such persons. In 1613 a true bill was found against Richard Bradley for stabbing Nicholas Bedney there on 5 June. The upkeep of the structure was expensive. A note in Alleyn’s hand of sums laid out upon the play-house during the seven years 1602–8 shows an average amount of about £120. Only £4 2s. was spent during 1603, for the greater part of which year the theatres were closed, but £232 1s. 8d. in 1604. No doubt wooden buildings, open to the weather, perished rapidly. It is not unreasonable to suppose that the relations between the company and their landlords were much what they had been at the Rose; that is to say that the latter took half the gallery receipts and bore repairs, while the former took the rest of the receipts and met all other outgoings. An unexecuted draft lease to Thomas Downton of 1608 indicates that Alleyn and Henslowe then had it in mind to bind the company more closely to the theatre, by dividing a quarter of their interest amongst the eight members of the company. Possibly the plan was carried out. In asking a loan from Alleyn on a date apparently earlier than August 1613, Charles Massye, who was one of the eight, not only offers repayment out of his ‘gallery mony’ and ‘house mony’, but also the assignment of ‘that lyttell moete I have in the play housses’ as a security. Certainly the company took over the house after Henslowe’s death on 6 January 1616. His share in the building passed to his widow, who contemplated a sale of it to Gregory Franklyn, Drew Stapley, and John Hamond. But the deed remained unexecuted at her death in 1617, and the whole property was now once more in Alleyn’s hands. On 31 October 1618 he leased it to the company for £200 a year, to be reduced to £120 at his death. With it went a taphouse occupied by Mark Brigham, the rent of a two-room tenement held by John Russell, and a strip of impaled ground 123 feet by 17 feet, lying next the passage on the south. This is perhaps the garden in which, according to John Chamberlain, the players, ‘not to be overcome with courtesy’, banqueted the Spanish ambassador when he visited the theatre on 16 July 1621. John Russell is presumably the same whose appointment by Alleyn as a ‘gatherer’ lead to a protest from William Bird on behalf of the company. A few months after the ambassador’s visit, John Chamberlain records the destruction of the Fortune on 9 December 1621:

‘On Sonday night here was a great fire at the Fortune in Golden-Lane, the fayrest play-house in this towne. It was quite burnt downe in two howres, & all their apparell & play-bookes lost, wherby those poore companions are quite undone.’

Alleyn also notes the event in his diary. On 20 May 1622 he formed a syndicate, and leased to it the site at a rent of £128 6s., under an obligation to build a new theatre at a cost of £1,000. This, ‘a large round brick building’, was erected in the following year. The site conveyed covered a space of almost exactly 130 feet square, and on it had stood, besides the buildings named in the lease of 1618, other tenements, in one of which William Bird himself lived. Mr. Lawrence has suggested that the new Fortune may have been a roofed-in house, but his evidence is hardly sufficient to outweigh the explicit statement of Wright that it ‘lay partly open to the weather, and there they always acted by daylight’. This can hardly refer only to the earlier building. The Fortune was dismantled in 1649 and ‘totally demolished’ by 1662, and the façade still extant in 1819 cannot therefore have belonged to it, although it may have belonged to a Restoration ‘nursery’ for young actors, possibly upon the same site. No acting seems to have taken place at the Fortune after 1649.