U U | U { U U - - - U - | - U - { - -

U U | U | U U | - - U - | - U - | - - U U | U U -

that is to say in the first subdivision of this form of the Basít both lines of each couplet end with an Anapaest and every second line of the other subdivision terminates in a Spondee.

The Basít has four more A’áriz, three called majzúah, because each line is shortened by a Juz or foot, one called mashtúrah (halved), because the number of feet is reduced from four to two, and we may here notice that the former kind of lessening the number of feet is frequent with the hexametrical circles (B. C. D.), while the latter kind can naturally only occur in those circles whose couplet forms an octameter (A. E.). Besides being majzúah, the second ’Aruz is sahíhah (perfect) consisting of the normal foot Mustaf’ilun. It has three Azrub: 1. Mustaf’ilán (- - U -, with an overlong final syllable, see supra p. 238), produced by the ’Illah Tazyíl, i.e. addition of a quiescent letter at the end (Mustaf’ilunn, by substitution Mustaf’ilán); 2. Mustaf’ilun, like the ’Aruz; 3. Maf’úlun (- - -), produced by the ’Illah Kat’ (see the preceding page; Mustaf’ilun, by dropping the final n and making the l quiescent becomes Mustaf’il and by substitution Maf’úlun). Hence the formula is:

Mustaf’ilun Fá’ilun Mustaf’ilun
{ Mustaf’il n
Mustaf’ilun Fá’ilun{ Mustaf’ilun
{ Maf’úulun,

which, with its allowable licenses, may be represented by the scheme: