Noon

39. This minion. This favorite. Bessarion (1395-1472), a learned Greek cardinal, discovered a poem, "The Rape of Helen," written by a Greek epic poet, Coluthus, in the sixth century, and Bessarion's scribe copied it out on parchment with blue, red, and dark-brown lettering.

43. Odyssey. Homer's account of the adventures of Ulysses. The quoted passage is in the Odyssey, Bk. XXII, 10. When Ulysses reached home he wreaked vengeance on the suitors of his wife. Antinous was the first to fall. The story of the "bitter shaft" blotted out by a flower is symbolic of the story of the hatred of Lutwyche, which was robbed of its bitterness by Phene's love.

50. Almaign Kaiser. The German Emperor. Swart-green is really "black-green"; here it means the "dark-green" of bronze. The Emperor's truncheon is a short staff, the emblem of his office.

54. Hippolyta. The Queen of the Amazons on a fine horse from Numidia.

59. Bay-filleted. The bay or laurel with which victors were crowned was supposed to be an antidote against thunder because it was the tree of Apollo. Pliny says that Tiberius and some other Roman emperors wore a wreath of bay leaves as an amulet, especially in thunder-storms. (See Brewer, Dictionary of Phrase and Fable; also Byron, Childe Harold, IV, 41.)

61. Hipparchus. In B. C. 514 Harmodius and Aristogeiton conspired against the tyrants Hippias and Hipparchus, and carrying swords hid in myrtle, they slew Hipparchus. Cf. Byron, Childe Harold, III, 20.

"All that most endears
Glory, is when the myrtle wreathes a sword
Such as Harmodius drew on Athens' tyrant lord."

75. Parsley. An aromatic herb used in ancient time in crowns worn at feasts.

86. Archetype. The original pattern or model. Beautiful colors and shapes in flowers, in flames, trees, and fruit suggested to the poet the beauty of perfect human forms. The rosy bloom of the peach bending close over the bough and nestled among the leaves is sufficient to suggest rosy limbs, and from that suggestion comes the whole imaginative picture of the dryad, the nymph of the woods.

95. Facile chalk. Jules exults in the facility with which the artist, in any realm of art, manipulates his implements and his materials. His especial enthusiasm is for marble, which he has come to regard as an original, primitive substance, containing in itself all other substances. It may be made to seem as light and clear as air, as brilliant as diamonds. Sometimes as his chisel strikes, it seems to be metal. Again it seems to be actual flesh and blood. At moments when the sculptor works with swift intensity it seems to flush and glow like flame.

181. I am a painter, etc. The poem by Lutwyche is professedly "slow, involved, and mystical." But Jules gradually perceives the purport of the words. Lutwyche's hate is to have its most hideous possible aspect because it is to appear suddenly through Love's rose-braided mask.

272. The Cornaro. Catharine Cornaro was the wife of James, King of Cyprus. After his death she was induced to abdicate in favor of the Republic of Venice, which took possession of Cyprus in 1487. She was assigned a palace and court at Asolo. She was generous, kind, just, and deeply beloved. Her life seemed to hold all possible external conditions of happiness. The song is further explained in lines 275-279.

306. Ancona. A lovely city in eastern Italy.