Illustrations

PLATES

PLATE

I. View of the Forum, looking toward Vesuvius. From a photograph Frontispiece

FACING PAGE

II. Court of the Temple of Apollo. From a photograph

III. The Greek Temple and the Forum Triangulare, seen from the South. Restoration (Weichardt, Pompeji vor der Zerstörung, Tafel II)

IV. The Barracks of the Gladiators. From a photograph

V. Stabian Baths: Men's Apodyterium, with the Anteroom leading from the Palaestra. From a photograph

VI. Interior of the Amphitheatre, looking Northwest. From a photograph

VII. Interior of a House (IX. v. 11), looking from the Middle of the Atrium into the Peristyle. From a photograph

VIII. Two Wall Paintings in the House of the Vettii—Apollo after the Slaying of the Dragon, and Agamemnon in the Sanctuary of Artemis. From photographs

IX. A Dining Room in the House of the Vettii. From a photograph

X. The Street of Tombs, looking toward the Herculaneum Gate. From a photograph

XI. Artemis. Copy of an Archaic Work. From a photograph

XII. Specimen of Wall Decoration. Second or Architectural Style (Mau, Geschichte der decorativen Wandmalerei in Pompeji, Tafel V)

XIII. Specimen of Wall Decoration, in the Court of the Stabian Baths. Fourth or Intricate Style. From a drawing in the Naples Museum

PLANS

PLAN

I. Outline Plan of Pompeii preceding Chap. V

II. The Forum, with Adjoining Buildings preceding Chap. VII

III. The Forum Triangulare, with Adjacent Buildings preceding Chap. XX

IV. The Villa Rustica near Boscoreale preceding Chap. XLV

V. The Street of Tombs preceding Chap. L

VI. The Excavated Portion of Pompeii following the Index

ILLUSTRATIONS IN THE TEXT

FIGURE PAGE

1. Map of Ancient Campania

2. Vesuvius as seen from Naples. From a photograph

3. View from Pompeii, looking south. From a photograph (A. M.)

4. Venus Pompeiana. Wall painting. House of Castor and Pollux. After Monumenti dell' Instituto, Vol. III, pl. vi. b

5. An amphora from Boscoreale. Collection of Classical Antiquities, University of Michigan. From a drawing

6. The Judgment of Solomon. Wall painting. Naples Museum. From a photograph

7. Cast of a man. Museum at Pompeii. From a photograph

8. An Excavation. Atrium of the house of the Silver Wedding. From a photograph

9. Wall with limestone framework (Ins. VII. iii. 13). From a photograph (F. W. K.)

10. Façade of Sarno limestone, house of the Surgeon. From a photograph

11. Quasi-reticulate facing, with brick corner, at the entrance of the Small Theatre. From a photograph

12. Reticulate facing, with corners of brick-shaped stone (I. iii. 29). From a photograph (F. W. K.)

13. North end of the Forum, with the temple of Jupiter, restored. From an original drawing

14. Remnant of the colonnade of Popidius, at the south end of the Forum. From a photograph (A. M.)

15. Part of the new colonnade, near the southwest corner of the Forum. From a photograph (A. M.)

16. Scene in the Forum—a dealer in utensils, and a shoemaker. Wall painting. Naples Museum. After Pitture di Ercolano, Vol. III, pl. 42

17. Scene in the Forum—citizens reading a public notice. Wall painting. Naples Museum. After Pitture di Ercolano, Vol. III, pl. 43

18. Plan of the temple of Jupiter

19. Ruins of the temple of Jupiter. From a photograph

20. Section of wall decoration in the cella of the temple of Jupiter. After Mazois, Les Ruines de Pompéi, Vol. III, pl. 36 (Overbeck-Mau, Pompeji, Fig. 46)

21. Bust of Zeus found at Otricoli. Vatican Museum. After Tafel 130 of the Brunn-Bruckmann Denkmaeler

22. Bust of Jupiter found at Pompeii. Naples Museum. From a photograph

23. Plan of the Basilica

24. View of the Basilica, looking toward the tribunal. From a photograph

25. Exterior of the Basilica, restored. From an original drawing

26. Interior of the Basilica, looking toward the tribunal, restored. From an original drawing

27. Front of the tribunal of the Basilica. Plan and elevation. From an original drawing

28. Corner of mosaic floor, cella of the temple of Apollo. After Mazois, Vol. IV, pl. 23 (Overbeck-Mau, Fig. 50)

29. Plan of the temple of Apollo

30. View of the temple of Apollo, looking toward Vesuvius. From a photograph

31. Section of the entablature of the temple of Apollo, showing the original form and the restoration after the earthquake of 63. After Mazois, Vol. IV, pl. 21 (Overbeck-Mau, Fig. 264)

32. Temple of Apollo, restored. From an original drawing

33. Plan of the buildings at the northwest corner of the Forum

34. Table of Standard Measures. After Mazois, Vol. III, pl. 40 (Overbeck-Mau, Fig. 23)

35. Plan of the Macellum

36. View of the Macellum. From a photograph

37. The Macellum, restored. From an original drawing

38. Statue of Octavia, sister of Augustus, found in the chapel of the Macellum. Naples Museum. From a photograph

39. Statue of Marcellus, son of Octavia, found in the chapel of the Macellum. Naples Museum. From a photograph

40. Plan of the sanctuary of the City Lares

41. Sanctuary of the City Lares, looking toward the rear, restored. From an original drawing.* (Cf. Röm. Mitth., 1896, p. 288)

42. North side of the sanctuary of the City Lares, restored. From an original drawing.* (Cf. Röm. Mitth., 1896, p. 289)

43. Plan of the temple of Vespasian

44. Front of the altar in the court of the temple of Vespasian. From a photograph

45. View of the temple of Vespasian. From a photograph

46. The temple of Vespasian, restored. From an original drawing.* (Cf. Röm. Mitth., 1900, p. 133)

47. Plan of the building of Eumachia

48. Building of Eumachia—front of the court, restored. From an original drawing

49. Building of Eumachia—rear of the court, restored. From an original drawing

50. Fountain of Concordia Augusta. From a photograph (F. W. K.)

51. Plan of the Comitium

52. Plan of the Municipal Buildings

53. View of the south end of the Forum. From a photograph (A. M.)

54. Plan of the ruins of the temple of Venus Pompeiana*

55. View of the ruins of the temple of Venus Pompeiana. From a photograph

56. Plan of the temple of Venus Pompeiana, restored*

57. Plan of the temple of Fortuna Augusta*

58. Temple of Fortuna Augusta, restored. From an original drawing

59. Temple of Fortuna Augusta—rear of the cella with the statue of the goddess, restored. From an original drawing.* (Cf. Röm. Mitth., 1896, p. 280)

60. Portico at the entrance of the Forum Triangulare. From a photograph

61. View of the Forum Triangulare, looking toward Vesuvius. From a photograph

62. Plan of the Doric temple in the Forum Triangulare

63. The Doric temple, restored. From an original drawing

64. Plan of the Large Theatre

65. View of the Large Theatre. From a photograph

66. Plan of the Small Theatre

67. View of the Small Theatre. From a photograph

68. Section of a seat in the Small Theatre. After Mazois, Vol. IV, pl. 29 (Overbeck-Mau, Fig. 101)

69. A terminal Atlas from the Small Theatre. After Mazois, Vol. IV, pl. 29 (Overbeck-Mau, Fig. 100)

70. Ornament at the ends of the parapet in the Small Theatre—lion's foot. After Mazois, Vol. IV, pl. 29 (Overbeck-Mau, Fig. 99)

71. Plan of the Theatre Colonnade, showing its relation to the two theatres

72. A gladiator's greave. Naples Museum. From a photograph

73. A gladiator's helmet. Naples Museum. From a photograph

74. Remains of stocks found in the guard-room of the barracks. Naples Museum. From a photograph

75. Plan of the Palaestra

76. View of the Palaestra, with the pedestal, table, and steps. From a photograph

77. Doryphorus. Statue found in the Palaestra. Naples Museum. From a photograph

78. Plan of the temple of Isis

79. View of the temple of Isis. From a photograph

80. The temple of Isis, restored. From an original drawing

81. Scene from the worship of Isis—the adoration of the holy water. Wall painting from Herculaneum. Naples Museum. Drawing, after a photograph

82. Temple of Isis. Part of the façade of the Purgatorium. After Mazois, Vol. IV, pl. 11, and Piranesi, Antiquités de Pompéi Vol. II, pl. 65

83. Decoration of the east side of the Purgatorium—Perseus and Andromeda, floating Cupids. Stucco reliefs. After Mazois, Vol. IV, pl. 10

84. Plan of the temple of Zeus Milichius

85. Capital of a pilaster of the temple, with the face of Zeus Milichius. After Mazois, Vol. IV, pl. 6 (Overbeck-Mau, Fig. 62)

86. Plan of the Stabian Baths

87. Stabian Baths—interior of Frigidarium. Drawing, with indebtedness to Niccolini, Le Case ed i Monumenti di Pompei, Vol. I, Terme presso la porta stabiana, pl. 7

88. Bath basin in the women's caldarium—longitudinal and transverse sections, showing arrangements for heating. Drawing, with indebtedness to von Duhn und Jacobi, Der griechische Tempel in Pompeji, pl. IX

89. Colonnade of the Stabian Baths—capital with section of entablature. Drawing

90. Southwest corner of the palaestra of the Stabian Baths, showing part of the colonnade and wall decorated with stucco reliefs. From a photograph

91. Plan of the Baths near the Forum

92. Baths near the Forum—Interior of men's tepidarium. From a photograph

93. Baths near the Forum—Longitudinal section of the men's caldarium. Drawing, after Gell, Pompeiana, edit. of 1837, Vol. II, pl. 33, facing p. 91

94. Plan of the Central Baths

95. View of the Central Baths, looking from the Palaestra into the tepidarium. From a photograph (F. W. K.)

96. The Amphitheatre, seen from the west side. From a photograph

97. Preparations for the combat. Wall painting (no longer visible) in the Amphitheatre. After Mazois, Vol. IV, pl. 48 (Overbeck-Mau, Fig. 107)

98. Plan of the Amphitheatre

99. Transverse section of the Amphitheatre. After Mazois, Vol. IV, pl. 46 (Overbeck-Mau, Fig. 104)

100. Plan of the gallery of the Amphitheatre

101. Conflict between the Pompeians and the Nucerians. Wall painting. Naples Museum. After Overbeck-Mau, Fig. 3

102. View of Abbondanza Street, looking east. From a photograph

103. Fountain, water tower, and street shrine, corner of Stabian and Nola streets. From a photograph (F. W. K.)

104. Plan of the reservoir west of the Baths near the Forum

105. Ancient altar in new wall—southeast corner of the Central Baths. From a photograph (F. W. K.)

106. Plan of a chapel of the Lares Compitales (VIII. iv. 24)

107. Large street altar (VIII. ii. 25). From a photograph (F. W. K.)

108. Plan of a section of the city wall, with a tower and with stairs leading to the top. After Mazois, Vol. I. pl. 12 (Overbeck-Mau, Fig. 7)

109. View of the city wall, inside. From a photograph

110. Tower of the city wall, restored. After Mazois, Vol. I, pl. 13 (Overbeck-Mau, Fig. 8)

111. Plan of the Stabian Gate

112. Plan of the Herculaneum Gate

113. View of the Herculaneum Gate, looking down the Street of Tombs. From a photograph

114. Early Pompeian house, restored. From an original drawing

115. Plan of a Pompeian house

116. Plan and section of the vestibule, threshold, and fauces of the house of Pansa. After Ivanoff, Mon. dell' Inst., Vol. VI, pl. 28, 3 (Overbeck-Mau, Fig. 136)

117. A Tuscan atrium—plan of the roof. After Mazois, Vol. II, pl. 3 (Overbeck Mau, Fig. 139)

118. A Tuscan atrium—section. After Mazois, Vol. II, pl. 3 (Overbeck-Mau, Fig. 140)

119. Corner of a compluvium with waterspouts and antefixes, reconstructed. (Reconstruction, Ins. VII. iv. 16.) After Overbeck-Mau, Fig. 143

120. A Pompeian's strong box, arca. Naples Museum. From photograph

121. Atrium of the house of Cornelius Rufus, looking through the tablinum and andron into the peristyle. From a photograph

122. End of a bedroom in the house of the Centaur, decorated in the first style. From an original drawing

123. Plan of a dining room with three couches

124. Plan of a dining room with an anteroom containing an altar for libations (VIII. v.-vi. 16)

125. Hearth of the kitchen in the house of the Vettii. From a drawing

126. Niche for the images of the household gods, in a corner of the kitchen in the house of Apollo. From a photograph (F. W. K.)

127. Shrine in the house of the Vettii. From a photograph

128. Interior of a house (VII. xv. 8) with a second story dining room opening on the atrium, restored. From an original drawing

129. Longitudinal section of the house with a second story dining room (VII. xv. 8) restored. From an original drawing

130. Plan of a Pompeian shop. After Mazois, Vol. II, pl. 8 (Overbeck-Mau, Fig. 182)

131. A shop for the sale of edibles, restored. After Mazois, Vol. II, pl. 8 (Overbeck-Mau, Fig. 183)

132. Plan of the house of the Surgeon

133. A young woman painting a herm. Wall painting from the house of the Surgeon. Naples Museum. After Pitture di Ercolano, Vol. V, pl. 1

134. Plan of the house of Sallust. After Mazois, Vol. II, pl. 35 (Overbeck-Mau, Fig. 165)

135. Atrium of the house of Sallust, looking through the tablinum and colonnade at the rear into the garden, restored. From an original drawing

136. Longitudinal section of the house of Sallust, restored. From an original drawing

137. Plan of the house of the Faun

138. Part of the cornice over the large front door of the house of the Faun. From an original drawing

139. Façade of the house of the Faun, restored. From an original drawing

140. Border of mosaic with tragic masks, fruits, flowers, and garlands, at the inner end of the fauces, house of the Faun. Naples Museum. After Museo Borb., Vol. IV, pl. 14 (Overbeck-Mau, Fig. 315)

141. Longitudinal section of the house of the Faun, showing the large atrium, the first peristyle, and a corner of the second peristyle, restored. From an original drawing

142. Detail from the mosaic representing the battle between Alexander and Darius. From a photograph

143. Transverse section of the house of the Faun, showing the two atriums with adjoining rooms, restored. From an original drawing

144. Plan of a house near the Porta Marina (VI. Ins. Occid. 13)

145. Longitudinal section of the house near the Porta Marina, restored. From an original drawing

146. Plan of the house of the Silver Wedding

147. Longitudinal section of the house of the Silver Wedding, restored. From an original drawing

148. Transverse section of the house of the Silver Wedding, as it was before 63. From an original drawing

149. Plan of the house of Epidius Rufus

150. Façade of the house of Epidius Rufus, restored. From an original drawing

151. Transverse section of the house of Epidius Rufus. From an original drawing

152. Plan of the house of the Tragic Poet

153. View of the house of the Tragic Poet, looking from the middle of the atrium toward the rear. From a photograph

154. Longitudinal section of the house of the Tragic Poet, restored. From an original drawing

155. The delivery of Briseis to the messenger of Agamemnon. Wall painting from the house of the Tragic Poet. Naples Museum. After Museo Borb., Vol. II, pl. 58 (Overbeck-Mau, Fig. 311)

156. The sacrifice of Iphigenia. Wall painting from the house of the Tragic Poet. Naples Museum. From a photograph

157. Exterior of the house of the Vettii, restored. From an original drawing.* (Cf. Röm. Mitth., 1896, p. 4)

158. Plan of the house of the Vettii*

159. Longitudinal section of the house of the Vettii, restored. From an original drawing.* (Cf. Röm. Mitth., 1896, pl. 1)

160. Transverse section of the house of Vettii, restored. From an original drawing.* (Cf. Röm. Mitth., 1896, pl. 2)

161. Base, capital, and section of entablature from the colonnade of the peristyle in the house of the Vettii. From a drawing.* (Cf. Röm. Mitth., 1896, p. 31)

162. View of the peristyle of the house of the Vettii, looking toward the south end. From a photograph

163. System of wall division in the large room opening on the peristyle of the house of the Vettii

164. Psyches gathering flowers. Wall painting in the house of the Vettii. From a photograph

165. Cupids as makers and sellers of oil. Wall painting in the house of the Vettii. From a photograph

166. Press for olives. From a wall painting found at Herculaneum. Naples Museum. Drawing after Pitture di Ercolano, Vol. I, pl. 35

167. Cupids as goldsmiths. Wall painting in the house of the Vettii. From a photograph

168. Cupids gathering and pressing grapes. Wall painting in the house of the Vettii. From a drawing.* (Cf. Röm. Mitth., 1896, p. 81)

169. Cupids as wine dealers. Wall painting in the house of the Vettii. From a photograph

170. Cupids celebrating the festival of Vesta. Wall painting in the house of the Vettii. From a drawing.* (Cf. Röm. Mitth., 1896, p. 80)

171. The punishment of Ixion. Wall painting in the house of the Vettii. From a photograph

172. Plan of the house of Acceptus and Euhodia (VIII. v.-vi. 39)

173. Longitudinal section of the house of Acceptus and Euhodia, restored. From an original drawing

174. Plan of a house without a compluvium* (V. v. 2)

175. Transverse section of the house without a compluvium, restored. From an original drawing.* (Cf. Röm. Mitth., 1895, p. 148)

176. Plan of the house of the Emperor Joseph II (VIII. ii. 39)

177. Bake room of the house of the Emperor Joseph II, at the time of excavation. After Mazois, Vol. II, pl. 34 (Overbeck-Mau, Fig. 4)

178. Capital of a pilaster at the entrance of the house of the Sculptured Capitals (VII. iv. 57). From a photograph

179. Plan of the house of Pansa (VI. vi. 1)

180. Section showing a part of the peristyle of the house of the Anchor (VI. x. 7), restored. From an original drawing

181. Plan of the house of the Citharist (I. iv. 5)

182. Orestes and Pylades before Thoas. Wall painting from the house of the Citharist. Naples Museum. From a photograph

183. Plan of the villa of Diomedes

184. Longitudinal section of the villa of Diomedes, restored. From an original drawing, in part based on Ivanoff, Architektonische Studien, Vol. II, pl. 5, 6

185. Hot-water tank and reservoir for supplying the bath in the Villa Rustica at Boscoreale. Museo de Prisco, Pompeii. From a drawing.* (Cf. Röm. Mitth., 1894, p. 353)

186. Olive crusher found in the Villa Rustica at Boscoreale. Museo de Prisco. From a photograph

187. Silver patera, with a representation of the city of Alexandria. Boscoreale treasure, Louvre. After H. de Villefosse. Le trésor de Boscoreale, pl. 1

188. Dining couch with bronze mountings, the wooden frame being restored. Naples Museum. After Overbeck-Mau, Fig. 228

189. Round marble table. Naples Museum. After Museo Borb., Vol. IV, pl. 56 (Overbeck-Mau, Fig. 229)

190. Carved table leg, found in the second peristyle of the house of the Faun. Naples Museum. After Museo Borb., Vol. IX, pl. 43 (Overbeck-Mau, Fig. 229)

191. Bronze stand with an ornamental rim around the top. Naples Museum. From a photograph

192. Lamps of the simplest form, with one nozzle. Naples Museum. After Overbeck-Mau, Fig. 231

193. Lamps with two nozzles. Naples Museum. After Overbeck-Mau, Fig. 231

194. Lamps with more than two nozzles. Naples Museum. After Overbeck-Mau, Fig. 231

195. Bronze lamps with ornamental covers attached to a chain. Naples Museum. After Overbeck-Mau, Fig. 231

196. Bronze lamps with covers ornamented with figures. Naples Museum. After Overbeck-Mau, Fig. 231

197. Three hanging lamps. Naples Museum. After Overbeck-Mau, Fig. 231

198. A nursing-bottle, biberon. Naples Museum. After Overbeck-Mau, Fig. 231

199. Lamp standard of bronze. Naples Museum. After Museo Borb., Vol. IV, pl. 57 (Overbeck-Mau, Fig. 234)

200. Lamp holder for a hand lamp. Naples Museum. After Overbeck-Mau, Fig. 233

201. Lamp holder for hanging lamps. Naples Museum. After Museo Borb., Vol. II, pl. 13 (Overbeck-Mau, Fig. 233)

202. Lamp holder in the form of a tree trunk. Naples Museum. After Overbeck-Mau, Fig. 233

203. Lamp stand. Naples Museum. From a photograph

204. Bronze utensils. Naples Museum. After Overbeck-Mau, Fig. 241, and Museo Borb.

205. Mixing bowl, of bronze, in part inlaid with silver. Naples Museum. After Museo Borb., Vol. II, pl. 32 (Overbeck-Mau, Fig. 248)

206. Water heater for the table, view and section. Naples Museum. After Museo Borb., Vol. III, pl. 63 (Overbeck-Mau, Fig. 240)

207. Water heater in the form of a brazier. Naples Museum. After Museo Borb., Vol. II, pl. 46 (Overbeck-Mau, Fig. 238)

208. Water heater in the form of a brazier, representing a diminutive fortress. Naples Museum. After Museo Borb., Vol. II, pl. 46 (Overbeck-Mau, Fig. 238)

209. Appliances for the bath. After Museo Borb., Vol. VII, pl. 16 (Overbeck Mau, Fig. 251)

210. Combs. After Museo Borb., Vol. IX, pl. 15 (Overbeck-Mau, Fig. 252)

211. Hairpins, with two small ivory toilet boxes. After Museo Borb., Vol. IX, pls. 14, 15 (Overbeck-Mau, Fig. 252)

212. Glass box for cosmetics. After Museo Borb., Vol. IX, pl. 15 (Overbeck-Mau, Fig. 252)

213. Hand mirrors. After Museo Borb., Vol. IX, pl. 14 (Overbeck-Mau, Fig. 252)

214. Group of toilet articles. After Museo Borb., Vol. IX, pl. 15 (Overbeck-Mau, Fig. 252)

215. Gold arm band. After Museo Borb., Vol. VII, pl. 46 (Overbeck-Mau, Fig. 318)

216 a-d. Silver cups. Naples Museum. After Museo Borb., Vol. XI, pl. 45; Vol. XIII, pl. 49; Overbeck-Mau, pl. facing p. 624

216 e. Detail of cup with centaurs

217. Silver cup. Boscoreale treasure, Louvre. After H. de Villefosse, Le trésor de Boscoreale, pl. 8

218. Ruins of a bakery, with millstones (VII. ii. 22). From a photograph

219. Plan of a bakery (VI. iii. 3)

220. A Pompeian mill, without the framework

221. Section of a mill, restored. From an original drawing

222. A mill in operation. Relief in the Vatican Museum. After Ber. der Sächs. Gesellschaft, 1861, pl. xii. 2

223. Section of a bake oven (VI. iii. 3). After Mazois, Vol. II, pl. 18 (Overbeck-Mau, Fig. 192)

224. Kneading machine, restored (VI. xiv. 35). From an original drawing

225. Scene in a fullery—treading vats. Wall painting. Naples Museum. After Museo Borb., Vol. IV, pl. 49 (Overbeck-Mau, Fig. 195)

226. Scene in a fullery—inspection of cloth, carding, bleaching frame. Wall painting. Naples Museum. After Museo Borb., Vol. IV, pl. 49 (Overbeck-Mau, Fig. 194)

227. A fuller's press. Wall painting. Naples Museum. After Museo Borb., Vol. IV, pl. 50 (Overbeck-Mau, Fig. 196)

228. Plan of a fullery (VI. xiv. 22)

229. Plan of the vat room of the tannery (I. v. 2)

230. Mosaic top of the table in the garden of the tannery. Naples Museum. From a photograph

231. Plan of an inn (VII. xii. 35)

232. Plan of the inn of Hermes (I. i. 8)

233. Plan of a wineshop (VI. x. 1)

234. Scene in a wineshop. Wall painting (VI. x. 1). After Museo Borb., Vol. IV, pl. A

235. Delivery of wine. Wall painting (VI. x. 1). After Museo Borb., Vol. IV, pl. A

236. Sepulchral benches of Veius and Mamia; tombs of Porcius and the Istacidii. From a photograph (A. M.)

237. The tomb of the Istacidii, restored. From an original drawing

238. View of the Street of Tombs. From a photograph

239. Glass vase, with vintage scene, found in the tomb of the Blue Glass Vase. Naples Museum. From a photograph

240. Bust stone of Tyche, slave of Julia Augusta. After Mazois, Vol. I, p. 31 (Overbeck-Mau, Fig. 223), with the correction in the spelling of the name TYCHE

241. Relief, symbolic of grief for the dead. After Mazois, Vol. I, pl. 29 (Overbeck-Mau, Fig. 221)

242. Front of the tomb of Calventius Quietus, with bisellium. From a photograph

243. End of the tomb of Naevoleia Tyche, with relief representing a ship entering port. From a photograph

244. Cinerary urn in a lead case. After Mazois, Vol. I. pl. 22 (Overbeck-Mau, Fig. 213)

245. Sepulchral enclosure, with triclinium funebre. After Mazois, Vol. I, pl. 20 (Overbeck-Mau, Fig. 210)

246. Plan of the tombs east of the Amphitheatre*

247. View of two tombs east of the Amphitheatre. From a photograph (F. W. K.)

248. View of other tombs east of the Amphitheatre. From a photograph (F. W. K.)

249. Four-faced Ionic capital. Portico of the Forum Triangulare. After Overbeck-Mau, Fig. 272

250. Capital of pilaster. Casa del duca d'Aumale. After Overbeck-Mau, Fig. 274

251. Altar in the court of the temple of Zeus Milichius. After Mazois, Vol. IV, pl. 6 (Overbeck-Mau, Fig. 63)

252. Capitals of columns, showing variations from typical forms. After Overbeck-Mau, Fig. 274

253. Capital of pilaster, modified Corinthian type. After Overbeck-Mau, Fig. 274

254. Capitals of pilasters, showing free adaptation of the Corinthian type. After Overbeck-Mau, Fig. 274

255. Statue of the priestess Eumachia. Naples Museum. From a photograph

256. Portrait herm of Caecilius Jucundus. Naples Museum. From a photograph

257. Double bust, Bacchus and a bacchante. Garden of the house of the Vettii. From a photograph

258. Dancing Satyr. Bronze statuette found in the house of the Faun. Naples Museum. From a photograph

259. Listening Dionysus, wrongly identified as Narcissus. Bronze statuette in the Naples Museum. From a photograph

260. Bronze youth, found in November, 1900. Naples Museum. From a photograph

261. Wall decoration in the atrium of the house of Sallust. First or Incrustation Style. After Tafel II of Mau's Geschichte der decorativen Wandmalerei in Pompeji

262. Distribution of colors in the section of wall represented in Fig. 261

263. Specimen of wall decoration in the house of Spurius Mesor (VII. iii. 29). Third or Ornate style. After Tafel XII of Mau's Wandmalerei

264. Detail of wall decoration. Fourth style. Naples Museum. After Pitture di Ercolano, Vol. IV. pl. 57

265. Specimen of wall decoration. Fourth style. From a copy in the Naples Museum (showing decoration that has disappeared)

266. A fruit piece, Xenion. Wall painting. Naples Museum. After Pitture di Ercolano, Vol. II, pl. 58

267. A landscape. Wall painting. Naples Museum. After Pitture di Ercolano, Vol. V, p. 149

268. A group of women, one of whom is sounding two-stringed instruments. Wall painting. Naples Museum. From a photograph

269. Paquius Proculus and his wife. Wall painting. Naples Museum. From a photograph

270. The grief of Hecuba. Fragment of a wall painting. House of Caecilius Jucundus. After Ann. dell' Inst., 1877, Tafel P

271. Athena's pipes and the fate of Marsyas. Wall painting (V. ii. 10). Naples Museum. From a drawing.* (Cf. Röm. Mitth., 1890, p. 267)

272. The fall of Icarus. Wall painting (V. ii. 10). From a drawing.* (Cf. Röm. Mitth., 1890, p. 264)

273. Zeus and Hera on Mt. Ida. Wall painting from the house of the Tragic Poet. Naples Museum. From a photograph

274. Tablet with three leaves, opened so as to show the receipt and part of the memorandum, restored. After Overbeck-Mau, pl. facing p. 489

275. Tablet restored, with the two leaves containing the receipt tied and sealed. After Overbeck-Mau, pl. facing p. 489