1902

The Dream Play

A REMINDER

As he did in his previous dream play, so in this one the author has tried to imitate the disconnected but seemingly logical form of the dream. Anything may happen; everything is possible and probable. Time and space do not exist. On an insignificant background of reality, imagination designs and embroiders novel patterns: a medley of memories, experiences, free fancies, absurdities and improvisations.

The characters split, double, multiply, vanish, solidify, blur, clarify. But one consciousness reigns above them all—that of the dreamer; and before it there are no secrets, no incongruities, no scruples, no laws. There is neither judgment nor exoneration, but merely narration. And as the dream is mostly painful, rarely pleasant, a note of melancholy and of pity with all living things runs right through the wabbly tale. Sleep, the liberator, plays often a dismal part, but when the pain is at its worst, the awakening comes and reconciles the sufferer with reality, which, however distressing it may be, nevertheless seems happy in comparison with the torments of the dream.