← Plant lore, legends, and lyrics
Chapter 22
Part the Second. Encyclopædia of Plants (part 3)
According to a Tyrolean tradition, the Seliges Fräulein, dressed in white, repairs to an aged Larch beneath whose shelter she sings.——Lucan includes the “gummy Larch” among the articles burned to drive away serpents.——M. de Rialle, quoted in Mythothologie des Plantes, relates that a group of seven Larches constituted for the Ostiaks a sacred grove. Everyone passing was expected to leave an arrow, and formerly it was customary to suspend skins there, so that in course of time an immense quantity was accumulated. As these offerings were frequently stolen by strangers, the Ostiaks decided to fell one of the Larches and remove the stump to some secret locality where they might pay their devotions without fear of sacrilege. M. de Rialle found the same Larch worship at Bérézof: there a tree fifty feet high, and so old that only its top bore foliage, received the homage of the Ostiaks, who showed their piety by turning to good account its singular conformation: about six feet from the ground the trunk of the tree became divided into two limbs, which joining again a little higher up, left a cleft in the centre: this aperture the devotees dedicated to the reception of their offerings.
LARKSPUR.—The Larkspur, the Delphinium or Dolphin-flower of the ancients, was considered by Linnæus and many other botanists to be none other than the Hyacinth of the classic poets. It is not, however, generally recognised as the flower that sprang from the blood of the unfortunate Hyacinthus, and which to this day bears his name; but is rather regarded as the flower alluded to in the enigma propounded by a shepherd in one of the Eclogues of Virgil.
“Dic quibus in terris inscripti nomina regum
Nascuntur flores.”
“Say in what country do flowers grow with the names of kings written upon them.”
Tradition states that from the life-blood of the disappointed and infuriated Ajax sprang the Delphinium—the flower which we now know as the Larkspur, upon whose petals it is said may be read the letters A I A, and which the botanists consequently term Delphininium Ajacis—truly a flower upon which the name of a king is written.——The legend concerning the origin of the flower is as follows:—Ajax, the son of Telamon and Hesione, was next to Achilles worthily reputed the most valiant of all the Greeks at the Trojan war, and engaged in single combat with Hector, the intrepid captain of the Trojan hosts, who was subsequently slain by Achilles. After the death of Achilles, Ajax and Ulysses both claimed the arms of the deceased hero: the latter was awarded them by the Greeks, who preferred the wisdom and policy of Ulysses to the courage of Ajax. This threw Ajax into such a fury, that he slaughtered a flock of sheep, mistaking them for the sons of Atreus; and then, upon perceiving his error, stabbed himself with the sword presented to him by Hector; the blood spurting from his self-inflicted death-wound, giving birth, as it fell to the earth, to the purple Delphinium, which bears upon its petals the letters at once the initials of his name and an exclamation of grief at the loss of such a hero.——The generic name of the plant is derived from the Greek delphinion, a dolphin; the flower-buds, before expansion, being thought to resemble that fish. In England, the flower is known by the names of Larkspur, Lark’s-heel, Lark’s-toe, Lark’s-claw, and Knight’s-spur.
LAUREL.—Daphne, daughter of Peneus and the goddess Terra, inspired Apollo with a consuming passion. Daphne, however, received with distrust and horror the addresses of the god, and fled from his advances. Pursued by Apollo, she adjured the water-gods to change her form, and, according to Ovid—
“Scarce had she finished when her feet she found
Benumb’d with cold and fastened to the ground:
A filmy rind about her body grows;
Her hair to leaves, her arms extend to boughs.
The nymph is all into a Laurel gone
The smoothness of her skin remains alone.
To whom the god: because thou canst not be
My mistress, I espouse thee for my tree:
Be thou the prize of honour and renown;
The deathless poet and the poem crown.
Thou shalt the Roman festivals adorn,
And after poets, be by victors won.
Thou shalt returning Cæsar’s triumph grace
When pomps shall in a long procession pass;
Wreath’d on the posts before his palace wait;
And be the sacred guardian of the gate,
Secure from thunder, and unharmed by Jove,
Unfading as th’ immortal powers above;
And as the locks of Phœbus are unshorn,
So shall perpetual green thy boughs adorn.”—Dryden.
The classical Laurel, known as the “Royal,” or “Augustan,” was the Sweet Bay, or Daphne (Laurus nobilis). Formerly the Bay-tree was called Laurel, and the fruit only named Bayes, a word derived from the French baie, a berry. By the Greeks and Romans the tree was considered sacred. The Romans decorated with Laurel the gods Apollo and Bacchus, the goddesses Libertas and Salus, Æsculapius, Hercules, &c. The victors of the Pythian games, held to commemorate Apollo’s triumph over the Pythons, wore crowns of Laurel, Palm, or Beech. Paris (called in Homer, Alexander) was crowned with Alexandrian Laurel (Ruscus racemosus), as victor in the public games, whence its names in Apuleius, Daphne Alexandrina and Stephane Alexandrina. Of all the honours decreed to Cæsar by the Senate, he is said to have valued most the privilege of wearing a crown of Alexandrian Laurel, because it covered his baldness, which was reckoned a deformity among the Romans as well as among the Jews. This is the Laurel generally depicted on busts, coins, &c. The palace gates of the Cæsars, and the high pontiffs were decorated with Laurel. Victorious Roman generals sent their letters and dispatches to the Senate enclosed in Laurel-leaves. The letter announcing the victory was called literæ laureatæ, and its bearer carried a branch of Laurel, which was placed in the breast of Jupiter Optimus Maximus. The soldiers’ spears, tents, ships, &c., were all dressed up with Laurel, and in the triumph each soldier carried a branch in his hand. According to Plutarch, Scipio entered Carthage, holding in one hand a sceptre and in the other a branch of Laurel. Sophocles relates how Œdipus, seeing Creon arrive crowned with Laurel, believed that he brought good news. The goddess Victoria is represented as crowned with Laurel, and bearing the branch of a Palm-tree. According to Hesiod, the Muses hold Laurel in their hands.
The prophetess Manto, a daughter of the prophet Tiresias, was sometimes called Daphne (Laurel).
The bough of a Laurel was considered to give to prophets the faculty of seeing that which was hidden. Dionysius calls the Laurel the prophetical plant; and Claudian, venturi præscia Laurus. Fulgentius states, that a Laurel-leaf placed beneath the pillow will cause coming events to be foreseen in a dream; thereby greatly assisting the prediction of future events. Diviners, like the priests of Apollo, wore Laurel wreaths, and Laurel was used in the composition of incense. Evelyn relates that the Laurel and Agnus Castus were reputed to be “trees which greatly composed the ‘phansy,’ and did facilitate true visions; and that the first was especially efficacious to inspire a poetical fury. Such a tradition there goes of Rebekah, the wife of Isaac, in imitation of her father-in-law. The instance is recited out of an ancient ecclesiastical history, by Abulensis.” From hence, Evelyn thinks the Delphic Tripos, the Dodonean Oracle in Epirus, and others of a similar nature, took their origin. The Pythia, or priestess of Apollo, at Delphi, before delivering the oracles from the sacred tripod, shook a Laurel-tree and sometimes chewed the leaves with which she crowned herself, casting them afterwards into the sacred fire. The temple of Apollo at Delphi, where the celebrated oracles were delivered, was at first only a structure of Laurel-branches, which enclosed a fissure in the earth, from which a stupefying exhalation arose. Over the fissure was placed a tripod, on which the Pythia or prophetess sat, and, becoming excited by the ascending vapour, she fell into an ecstacy, and prophesied. After a temple of stone had been constructed, the Pythia prophesied in an inner and secluded cell, the only opening to which, accessible to questioners, was covered with Laurel-leaves. The Laurel being sacred to Apollo as well as to Æsculapius, was used in the temples of both these divinities, partly to induce sleep and dreams, partly to produce beneficial effects in various diseases. Whosoever wished to ask counsel was bound to appear before the altar crowned with Laurel-twigs and chewing Laurel-leaves. Every ninth year, a bower, composed of Laurel-branches, was erected in the forecourt of the temple at Delphi.
The Bœotian fêtes, held every ninth year at Thebes in honour of Apollo, were designated Daphnephoria. On these occasions, an Olive-bough, adorned with Laurel, was carried by a beautiful and illustrious youth, dedicated to the service of Apollo, and who was called Daphnephoros (Laurel-bearer). The origin of the Daphnephoria was as follows:—The Ætolians had invaded Bœotia, but both invaders and defenders suspended hostilities to celebrate the festival of Apollo, and having cut down Laurel-boughs from Mount Helicon, they walked in procession in honour of the divinity: that same day the Bœotian general, Polemates, dreamed that a youth presented him with a suit of armour, and commanded the Bœotians to offer prayers to Apollo, and to walk in procession, with Laurel-boughs in their hands, every ninth year. Three days later, Polemates defeated the invaders, and immediately instituted the Festival of Daphnephoria.
The Laurel formerly had the power ascribed to it of being a safeguard against lightning, of which Tiberius was very fearful, and in order to avoid which he is stated to have crept under his bed and protected his head with Laurel-leaves. In Sicily, it has long been popularly believed that the shrub is a protection from thunder and lightning. The same superstition survived till recently in our own country. W. Browne tells us that “Baies being the material of poets’ ghirlands, are supposed not subject to any hurt of Jupiter’s thunder-bolts, as other trees are.” Culpeper alludes to the old belief that neither witch nor devil, thunder nor lightning, will hurt a man where a Bay-tree is; and remarks further, that Laurels resist “witchcraft very potently, as also all the evils old Saturn can do the body of man, and they are not a few. The berries are very effectual against all poisons of venomous creatures, as also against the pestilence and other infectious diseases.”
The decay of the Bay-tree, which is generally rapid, was formerly considered as an omen of disaster. It is said that before the death of Nero, though in a very mild winter, all these trees withered to the root, and a great pestilence in Padua is reputed to have been preceded by the same phenomenon. So great a reputation had the Laurel for clearing the air and resisting contagion, that the Emperor Claudius was advised by his physicians during a raging pestilence to remove his court to Laurentum. That city, in the reign of Latinus, was the capital of Latium, whose inhabitants were called Laurentini from the great number of Laurels which flourished in their country. King Latinus discovered one of unusual size and beauty when about to build a temple to Apollo, and the tree was consecrated to the god, and preserved with religious care.
The Laurel had the reputation of being generally propitious to man. At Rome, on the 15th of May, merchants used to celebrate a festival in honour of Mercury, and proceeding to a public fountain, they drew water wherein they dipped a Laurel-branch, which they then employed to bless all their merchandise. The Laurus (Bay) was held in high esteem by the old Greek physicians; and among the people there existed a belief that spirits could be banished by its means. The Greeks had a saying, “I carry a branch of Laurel,” to indicate that the speaker had no fear of poison or sorcery. They had a custom of affixing a Laurel-bough over the doorway, in the case of a severe illness, in order to avert death and drive away evil spirits. Presumably from these associations, it became the fashion to crown young doctors of physic with Laurel-berries (Bacca Lauri), and the students were called Baccalaureats, Bay-laureats, or Bachelors. Theophrastus tells us that in his time the superstitious kept Bay-leaves in their mouths all day, to guard them from misfortune. Theocritus says that young girls were wont to burn Laurel as a charm to recall errant lovers. The Bolognese use Laurel to obtain an augury of the harvest: they put Laurel-leaves in the fire, and if in burning they crackle, it is a sign that the harvest will be good; if not, it will be bad. Tibullus chronicles a similar superstition in his time.
In the days of Pliny, there still existed on Mount Aventine a plantation of Laurels, of which the branches were employed for expiations. On the other hand, there grew on the shores of the Euxine a Laurel bearing a sinister reputation, close to where Amycus, the son of Neptune, was killed and buried. The Argonauts, when passing there, broke off a branch of this Laurel, and they immediately began to quarrel among themselves: the quarrel ceased, however, directly the branch was thrown away.
Petrarch made the Laurel the constant theme of his verse, associating it with the name of his beloved mistress, Laura; and when publicly crowned in the Roman Capitol with a wreath of Laurel, the poet acknowledged himself to have experienced the greatest delight.
Sir Thomas Browne refers to a custom common in Christian countries of throwing a sprig of Bay upon the coffin when interred. In England, it has long been used, together with Holly, Rosemary, &c., to decorate houses and churches at Christmas. In Greece, on Holy Saturday, they spread Laurel-leaves on the church floor. In Corsica, they deck with Laurel-leaves the doorway of the house where a wedding is being celebrated.
To dream of a Laurel-bush is a token of victory and pleasure. If the dreamer is married it denotes an inheritance through the wife. If a married woman dreams of seeing or smelling Laurel, it is a sign that she shall bear children; if a maid, it denotes that she will be suddenly married. Astrologers consider the Laurel a tree of the Sun, under the celestial sign Leo.
The Roumanians have a legend that there was once a nymph, known as the Daughter of the Laurel, who dwelt in the midst of a Laurel-bush. One evening the Laurel had opened its branches that she might, as was her wont, issue forth and dance in the flowery valley. Whilst tripping along she was accosted by a handsome youth, who extolled her beauty, expressed his passion for her, and finally endeavoured to embrace her; but the Laurel nymph fled, and pursued by the stranger, disappeared in the flowery groves.... “The Star Queen sleeps in her palace of clouds; sleep also, gentle and lovely girl; try to calm thy sighs.” So sings the handsome stranger, and the Daughter of the Laurel falls to sleep in his arms, murmuring a prayer that her lover may never abandon her. At her waking, alas! the youth is nowhere to be seen. She shrieks for him wildly, and calls to the night; to the stars; to the rivulet running through the wood; but in vain. “Open thy branches, beautiful Laurel-tree!” then cries the deserted girl; “the night is already flying, and if I remain longer here I shall dissolve away into dew.” “Away, young and beautiful girl,” replies the Laurel-tree mournfully; “the star wreath of honour has fallen from thy brow; there is no longer any place for thee here.” Then the sun rose over the mountain, and the Daughter of the Laurel dissolved away into dew.
LAVENDER.—The ancients employed Lavender (Lavandula Spica) largely in their baths, whence its name, derived from the Latin verb, lavare, to wash. The expression “Laid up in Lavender” has arisen from the old custom of using the plant to scent newly-washed linen.
“Its spike of azure bloom
Shall be erewhile in arid bundles bound,
To lurk amid the labours of the loom,
And crown our kerchiefs clean with mickle rare perfume.”
The ancients used the French Lavender (L. Stœchas), which formerly grew in great abundance on the islands near Hyères, in France, that were named after the plant, the Stœchades. Gerarde calls this French Lavender, Sticadove, and says the herb was also known as Cassidonie, corrupted by simple country folk into “Cast-me-down.” Shakspeare makes Perdita class Lavender among the flowers denoting middle-age:—
“Here’s flowers for you;
Hot Lavender, Mints, Savory, Marjoram.
The Marygold, that goes to bed with the sun,
And with him rises weeping; these are the flowers
Of middle Summer, and, I think, they are given
To men of middle age.”
English Lavender was formerly called Lavender Spike, and Gerarde says it was thought by some to be the sweet herb Cassia, mentioned by Virgil in his ‘Bucolics’:—
“And then she’ll Spike and such sweet herbs unfold,
And paint the Jacinth with the Marigold.”
It was formerly believed that the asp, a dangerous species of viper, made Lavender its habitual place of abode, for which reason the plant was approached with extreme caution.——In Spain and Portugal, Lavender is used to strew the floors of churches and houses on festive occasions, or to make bonfires on St. John’s Day.——In Tuscany, it is employed to counteract the effect of the Evil Eye on little children.——The Kabyle women attribute to Lavender the property of protecting them from marital cruelty, and invoke it for that purpose.
LEEK.—Biblical commentators say that the Leek (Allium Porrum), as well as the Onion and Garlic, was included among those Egyptian luxuries after which the Children of Israel pined. White and green were the old Cymric colours, and these colours are found combined in the Leek, which is the national emblem of the Welsh. The following lines are from a MS. in the Harl. Col., British Museum:—
“I like the Leeke above all herbes and floures;
When first we wore the same the field was ours.
The Leeke is white and green, whereby is ment
That Britaines are both stout and eminente.
Next to the lion and the unicorne,
The Leeke’s the fairest emblym that is worne.”
Shakspeare, in Henry V., tells us that the Leek, worn by Welshmen on St. David’s Day (March 1st), is “an ancient tradition, begun upon an honourable respect, and worn as a memorable trophy of pre-deceased valour.” This vegetable “trophy” is said to be in memory of a great victory obtained by the Welsh over the Saxons; on which occasion, they, by order of St. David, placed Leeks in their caps in order to distinguish themselves. It has also been supposed that the wearing of the Leek may have originated in the custom of Cymortha, still observed among the farmers of the country, where, in assisting one another in ploughing their land, they bring each their Leeks to the common repast of the whole party.——Drayton relates another legend, which runs as follows:—
“There is an aged cell, with Moss and Ivy grown,
In which not to this day the sun has ever shone.
That reverend British saint, in zealous ages past,
To contemplation lived, and did so truly fast,
As he did only drink what crystal Hodney yields,
And fed upon the Leeks he gathered in the fields;
In memory of whom, in each revolving year,
The Welshmen on his day that sacred herb do wear.”
Pliny states that Nero brought Leeks into great repute among the Romans by eating them with oil to clear his voice for singing. His folly in this respect obtained for him the satirical name of Porrophagus, the Leek Eater. Martial, referring to the disagreeable effects of the Leek upon the breath of the eater, says:—
“The juice of Leeks who fondly sips,
To kiss the fair, must close his lips.”
——In Poland, the flower-stalk of the Leek is placed in the hands of the statues of our Saviour on certain special days, to represent the Reed given to Him at the Crucifixion.——Among the Sicilians, the mother of the Apostle Peter is the subject of many legends. She is always represented as bad and niggardly. The only thing she ever gave away was the leaf of a Leek, which she flung to a beggar, who importuned her one day as she was washing her potherbs. When she died, hell received her. Years afterwards, Peter, the doorkeeper of Paradise, heard a piteous voice saying: “Son Peter, see what torments I am in. Go, ask the Lord to let me out.” So Peter went and asked. But the Lord said: “She never did a nail-paring of good. Except this Leek-leaf, she never once gave a scrap away. However, here is a Leek-leaf: this angel shall take it, and shall tell her to lay hold of the other end, while he pulls her up.” So Peter’s mother grasped the Leek-leaf; but all the souls in torment ran after her, and clung to her skirts, so that the angel was dragging quite a string of them after her. Her evil disposition, however, would not permit her to keep quiet. It grieved her avaricious temperament that anyone besides herself should be saved; so she struggled and kicked, in order to shake the poor souls off, and in so doing tore the saving Leek-leaf, and fell back again, and sank deeper than before.
LENT LILIES.—The Daffodil is the Lent Lily. Mingled with Yew, which is the emblem of the Resurrection, it forms an appropriate decoration for Easter. Lent Lilies are called by the French Pauvres Filles de Ste. Clare. (See Narcissus).
LENTIL.—Like almost all vegetables, Lentils are traditionally regarded as funereal plants: formerly they were forbidden at all sacrifices and feasts.——St. Hilarion, when he arrived at man’s estate, subsisted for three years upon Lentils steeped in cold water.——To dream of Lentils is supposed to indicate sorrow and anxiety.
LETTUCE.—Pythagoras, we are told, was extremely fond of Lettuces, which formed a large portion of his diet; but Eubulus is said to have bitterly reproached his wife for having served up at a meal Lettuces, which were only recommended for funeral repasts.——The ancients considered the Lettuce (Lactuca) as an aliment appropriate in times of mourning, and they employed it largely in their funeral repasts in commemoration of the death of Adonis, son of Myrrha, whom Venus had concealed in a bed of Lettuces, and whose death had occurred from a wound inflicted by a wild boar that had come to feed on the Lettuces, and so surprised the beautiful youth.——Another legend states that the young man hidden by Venus in the Lettuce bed was Phaon, the handsome boatman of Lesbos, and not Adonis.——In mediæval days, it was superstitiously thought that an evil spirit lurked in a bed of Lettuces, and a species known by women as Astylida was believed to affect mothers adversely, and to cause grievous ills to newly-born infants. Perhaps this may account for a saying often heard at Richmond, Surrey:—“O’er-much Lettuce in the garden will stop a young wife’s bearing.”——The old poets prescribed a bed of Lettuce for those who were unable to obtain repose; and Pliny states that Lettuces of all descriptions were thought to cause sleep. Pope, referring to its soporific qualities, has said of the Lettuce:—
“If your wish be rest,
“Lettuce and Cowslip wine, probatum est.”
Gerarde remarks that, if eaten after supper, this vegetable prevents the drunkenness resulting from too free indulgence in wine.——Lettuce is stated by the Mishna to be one of the five “bitter herbs” ordered to eaten by Jews at the Feast of the Passover.——To dream of eating salads made of Lettuce, &c., is supposed to portend trouble and difficulty in the management of affairs.
LILY.—The white Lily (Lilium candidum) was held in the highest regard by the heathen nations; it was one of the flowers employed to form the couch of Jupiter and Juno, and under the name of Rosa Junonis was consecrated to the imperious queen of the heavens, from whose milk, indeed, the flower is stated to have originally sprung. The legend is as follows:—Jupiter being desirous of rendering the infant Hercules immortal, that he might rank among the divinities, caused Somnus to prepare a nectareous sleeping-draught, which he persuaded Juno to take. The Queen of the Gods fell immediately into a profound slumber, and Jupiter then placed the little Hercules to the celestial breast, in order that the babe might imbibe the ambrosial milk that would ensure its immortality. The infant, over-eager to enjoy the delightful nutriment, drew the milk faster than he could swallow, and some drops falling to the earth, there immediately sprang from it the white Lily, the emblem of purity: some of the milk is also said to have dropped over that portion of the heavens which, from its whiteness, still retains the name of the Milky Way (lactea via). Another version of the myth states that originally all the Lilies were Orange-coloured, but that those on which Juno’s milk fell were rendered white, and produced the Lilium candidum.——The Lily was doubtless cultivated by the ancient Egyptians, and probably held in great esteem, for we find it appearing in their hieroglyphical representations, and may therefore conclude that the flower possessed some special significance. With the Greeks and Romans, the Lily was a favourite flower, and Columella tells us that the latter were wont to preserve Lilies by planting them in baskets. The frequent allusions made to the plant in the Scriptures are sufficient proof that the Hebrew race thought highly of the beauty and grace of the Lily. In their language, the name Susannah signifies a Lily. There are great diversities of opinion as to what was the particular Lily alluded to by our Saviour when He said, “Consider the Lilies of the field.” Some think the Tulip, others the Amaryllis lutea, others again the white Lily to be the flowers to which Solomon in all his glory was not to be compared.——In nearly every Catholic country, the White Lily is dedicated to the Virgin Mary, and is held to be emblematic of her purity: hence the flower is frequently used to decorate her shrine, and especially so on the feast of the Visitation of Our Lady and the Annunciation. The Continental order of the Blessed Lady of the Lily was instituted by Garcia, fourth King of Navarre, on account of an image of the Holy Virgin being miraculously found, as it was reported, in a Lily, which is believed to have cured this prince of a dangerous disorder.——Rapin, the French Jesuit poet, has the following lines on the Lily, which he evidently confounds with the Iris, or Fleur de Luce (see Iris), as being the representative flower of the French nation. He says:—
“With Lilies our French monarchs grace their crown,
Brought hither by the valiant Hector’s son,
From Trojan coasts, when Francus forc’d by fate
Old Priam’s kingdom did to France translate:
Or, if we may believe what legends tell,
Like Rome’s Ancilia, once from heav’n they fell.
Clovis, first Christian of our regal line,
Of heav’n approved, received the gift divine
With his unblemished hands, and by decree
Ordained this shield giv’n by the gods should be
Preserved, the nation’s guard to late posterity.”
The Roman Catholics assigned to the Madonna, as Queen of Heaven, the White Lily (Lilium candidum), the symbol of purity, and it is the flower appropriated to the Annunciation and to the Visitation of Our Lady. According to the Romish legend, St. Thomas, who was absent at the death of the Virgin, would not believe in her resurrection, and desired that her tomb should be opened before him; and when this was done, it was found to be full of Lilies and Roses. Then the astonished Thomas, looking up to heaven, beheld the Virgin ascending, and she, for the assurance of his faith, flung down to him her girdle.——In a picture by Gozzoli, in the National Gallery, representing St. Jerome and St. Francis kneeling at the foot of the Virgin, a red Rose-bud has sprung up at the knees of St. Jerome, and a tall White Lily at those of St. Francis—these flowers typifying the love and purity of the Virgin Mother. In the works of Italian masters, a vase of Lilies stands by the Virgin’s side, with three flowers crowning three stems. St. Joseph, husband of the Virgin Mary, is depicted with the Lily in his hand; his staff, according to the legend, having put forth Lilies. Later painters of this school depict the angel Gabriel with a branch of White Lilies.——As the emblem of purity and chastity, the Lily is associated with numbers of saints, male and female; but, being consecrated to the Virgin, it is always placed, in the paintings of the early Italian masters, near those saints who were distinguished by their devotion to the Mother of Jesus, as in the pictures of St. Bernard.——As protector of youth, St. Louis de Gonzague bears a Lily in his hand, and the flower is also dedicated to St. Anthony, as a guardian of marriages. The flower is likewise the characteristic of St. Clara, St. Dominick, and St. Katherine of Siena. The crucifix twined with the Lily signifies devotion and purity of heart: it is given particularly to St. Nicholas of Solentine.——Lilies being emblematic of the Virgin, an order of knighthood was instituted by Ferdinand of Aragon, in 1403, called the “Order of the Lily,” the collar of which was composed of Lilies and gryphons.——From the Virgin being the patron Saint of Dundee, that town bears Lilies on its arms.——To dream of Lilies during their blooming season is reputed to foretell marriage, happiness, and prosperity; but a vision of Lilies out of their season, or withered, signifies frustration of hopes, and the death or severe illness of someone beloved.——Astrologers state that Lilies are under the dominion of the Moon.
LILY OF THE VALLEY.—In mediæval days, the monks and nuns believed that the Convallaria was the Lily of the Valley mentioned in the Canticles (ii., 17), and the flower alluded to by Christ when he bade his disciples “consider the Lilies of the field.” The Martagon Lily, however (Lilium Chalcedonicum), is now generally considered to be the Lily of Palestine; the Lily of the Valley, or Conval Lily, being quite unknown in the Holy Land.——Lilies of the Valley are called Virgin’s Tears; they are the flowers dedicated to Whitsuntide, but in some parts of England still retain their old name of May Lilies.——There exists in Devon a superstition that it is unlucky to plant a bed of Lilies of the Valley, as the person doing so will probably die in the course of the ensuing twelve months.——In France, Germany, and Holland, these Lilies are called May-flowers.——The blossoms possess a perfume highly medicinal against nervous affections. The water distilled from them was formerly in such great repute that it was kept only in vessels of gold and silver: hence Matthiolus calls it aqua aurea. It was esteemed as a preventive against all infectious distempers. Camerarius recommends an oil made of the flowers as a specific against gout and such-like diseases. His prescription is as follows:—“Have filled a glass with flowers, and being well stopped, set it for a moneth’s space in an ante’s hill, and after being drayned cleare, set it by for use.”——There is a legend in Sussex, that in the forest of St. Leonard, where the hermit-saint once dwelt, fierce encounters took place between the holy man and a dragon which infested the neighbourhood; the result being that the dragon was gradually driven back into the inmost recesses of the forest, and at last disappeared. The scenes of their successive combats are revealed afresh every year, when beds of fragrant Lilies of the Valley spring up wherever the earth was sprinkled by the blood of the warrior saint.——The Conval Lily is under Mercury.
LIME-TREE.—The origin of the Lime-tree, according to Ovid, is to be traced to the metamorphosis of Baucis, the good-hearted wife of an aged shepherd named Philemon. This old couple lived happily and contentedly in a humble cottage in the plains of Phrygia. Here they one day, with rustic hospitality, entertained unknowingly the gods Jupiter and Mercury, who had been refused admittance to the dwellings of their wealthier neighbours. Appreciating their kindness, Jupiter bade them ascend a neighbouring hill, where they saw their neighbours’ dwellings swept away by a flood, but their own hut transformed into a splendid temple, of which the god appointed them the presiding priests. According to their request, they both died at the same hour, and were changed into trees—Baucis into a Lime, and Philemon into an Oak. Ovid thus describes the transformation:—
“Then, when their hour was come, while they relate
These past adventures at the temple gate,
Old Baucis is by old Philemon seen
Sprouting with sudden leaves of sprightly green:
Old Baucis looked where old Philemon stood,
And saw his lengthened arms a sprouting wood;
New roots their fastened feet begin to bind.
Their bodies stiffen in a rising rind.
Then, ere the bark above their shoulders grew,
They give and take at once their last adieu.
At once, farewell, O faithful spouse! they said,
At once th’ incroaching rinds their closing lips invade.
Ev’n yet an ancient Tyanæan shows
A spreading Oak that near a Linden grows.”
Rapin, in his version of the tale, makes both of the old folks become Limes, male and female:—
“While these you plant, Philemon call to mind,
In love and duty with his Baucis joined—
A good old pair whom poverty had tried,
Nor could their vows and nuptial faith divide;
Their humble cot with sweet content was blest,
And each benighted stranger was their guest.
When Jove unknown they kindly entertained,
This boon the hospitable pair obtained,
Laden with years, and weak through length of time,
That they should each become a verdant Lime
And since the transformation Limes appear
Of either sex; and male and female are.”
In honour of its descent from the worthy old couple, the Lime became the symbol of wedded love.——In Scandinavian mythology, Sigurd, after having killed the serpent Fafnir, bathes himself in its blood: a leaf of a Linden or Lime-tree falls on him between his shoulders, and renders that particular place vulnerable, although every other portion of his body had become invulnerable.——In Germany, during May-day festivities, they often make use of the Linden. Around the Linden dance the villagers of Gotha. In Finland and in Sweden, the Linden is considered as a protective tree.——In the cemetery of the hospital of Annaberg, in Saxony, there is a very ancient Linden-tree, concerning which tradition relates that it was planted by an inhabitant, with its top in the ground; and that its roots became branches, which now overshadow a considerable portion of the country.——At Süderheistede, in Ditmarschen, there once stood a Linden which was known throughout the country, as the “Wonderful Tree.” It was much higher than other trees, and its branches all grew crosswise. Connected with this tree was an old prophecy that, as soon as the Ditmarschens lost their freedom, the tree would wither; and so it came to pass. But the people believe that a magpie will one day build its nest in its branches, and hatch five young ones, and then the tree will begin to sprout out anew, and again be green, and the country recover its ancient freedom.——According to an old legend current in Berlin, the youngest of three brothers fell in love with the daughter of an Italian, who was the Elector’s chief kapellmeister. The Italian refused the hand of his daughter, and forbade any further intercourse. Some time afterwards the three brothers met the kapellmeister on the occasion of a public execution; when, suddenly, the assembled crowd were horrified at seeing the Italian fall with a loud shriek, and pointing to a knife which had been plunged into his bosom. The brothers were all three arrested on suspicion of the murder; and the eldest, who had been standing nearest the deceased, was speedily sentenced to death. The two other brothers, to save him, however, each declared he was the real murderer, whereupon the perplexed judge referred the case to the Elector, who resolved upon a curious ordeal to ascertain the truth. He ordered each of the three brothers to carry a Linden-tree to a certain churchyard, and plant it with its head downwards, adding, that the one whose tree did not grow should be executed as the murderer. Accordingly, the brothers proceeded to the churchyard, accompanied by the clergy, the magistrates, and many citizens; and, after hymns had been sung, they planted their trees; after which solemn act, they were allowed to return home, and remained unguarded. In course of time, the upper branches of the Lindens all struck root, and the original roots were transformed into branches, which, instead of growing upwards, spread horizontally, in rich luxuriance, and, in thirty years, overshadowed the churchyard. They have since perished, but the brothers were ennobled by the Elector as Lords of Linden, and bore the effigy of the marvellous trees on their escutcheon. The youngest afterwards married the Italian’s daughter.
Ling.—See Heather.
LIVELONG.—The name of Livelong, or Liblong, is supposed to have been given to the Sedum Telephium from its remaining alive when hung up in a room. Parkinson, in his ‘Paradisus,’ states that the ladies of his time (1629) called the plant Life Everlasting; and remarks that “they are also laid in chests and wardrobes, to keep garments from moths, and are worne in the heads and arms of gentiles and others, for their beautiful aspect.” The plant is much esteemed for divining purposes. (See Orpine).
LONDON PRIDE.—A speckled Sweet John had formerly the honour of being called London Pride, and a red Sweet William, London Tufts. Saxifraga umbrosa now bears the title of London Pride, not, however, because, like the speckled Sweet John, it was the pride and ornament of old London gardens, but because it was introduced by Mr. London, a partner in the firm of London and Wise, Royal Gardeners in the early part of the eighteenth century. (See Saxifrage.)
Long Purples.—See Orchis.
Lords-and-Ladies.—See Arum.
LOOSESTRIFE.—The word Loosestrife is a translation of the plant’s Latin name Lysimachia (from the Greek lysis, dissolution, and mache, strife). Gerarde, who calls the plant, also, Willow-herb, says of it:—“Lysimachia, as Dioscorides and Pliny write, tooke his name of a speciall vertue that it hath in appeasing the strife and unrulinesse which falleth out among oxen at the plough, if it be put about their yokes; but it rather retaineth and keepeth the name Lysimachia, of King Lysimachus, the sonne of Agathocles, the first finder-out of the nature and vertues of this herbe.” He adds that the smoke of the herb when burnt will drive away gnats, flies, all manner of venomous beasts, and serpents; and says that Pliny reports that snakes will crawl away at the smell of Loosestrife.
LOTOS-TREE.—Lotis, the beauteous daughter of Neptune, was unfortunate enough to attract the notice of Priapus, who attempted to offer her violence. Flying terrified from the deformed deity, the nymph invoked the assistance of the gods to save herself from his odious importunities: her prayers were heard, and she was transformed into the Lotos-tree. Dryope, the wife of Andræmon, passing the tree one day, in company with her sister Iole, stopped to pluck the fruit to please her infant son Amphisus, whereupon she became suddenly changed into a Lotos-tree. Iole afterwards recounted her fate to Alcmena—
“But, lo! I saw (as near her side I stood)
The violated blossoms drop with blood;
Upon the tree I cast a frightful look,
The trembling tree with sudden horror shook,
Lotis, the nymph (if rural tales be true)
As from Priapus’ lawless lust she flew,
Forsook her form; and, fixing here, became
A flow’ry plant, which still preserves her name.
This change unknown, astonished at the sight,
My trembling sister strove to urge her flight;
Yet first the pardon of the nymph implored,
And those offended sylvan powers adored:
But when she backward would have fled, she found
Her stiffening feet were rooted to the ground.”—Ovid.
The tree into which the nymph Lotis was transformed must not be confounded with the Lotus Lily, or Sacred Bean, a totally distinct plant: it was the Rhamnus Lotus, the Lotos of the Lotophagi, a people inhabiting the coast of Africa near the Syrtes. Pliny states that not far from the lesser Syrtis is the island of Menynx, surnamed Lotophagitis on account of its Lotos-trees; but Strabo affirms that the lesser Syrtis, in addition to the adjacent isle of Menynx, was thought to be Lotophagitis, the land of the Lotos-eaters. In this country, he says, there are certain monuments to be seen, and an altar to Ulysses, besides a great abundance of Lotos-trees, whose fruit is wonderfully sweet. According to Homer, the Lotos-eater became oblivious of the world and its cares; and he relates how the seductive fruit of the Lotos-tree possessed of old so potent a charm, that Ulysses, when returning from the Trojan war, dreaded it would lure his companions to give up home and friends for ever. In the ninth book of the Odyssey, the poet sings—
“And whoso tasted of their flowery meat
Cared not with tidings to return, but clave
First to that tribe, for ever fain to eat—
Reckless of home return—the tender Lotos sweet.”
Gerarde describes the Lotos-tree as being as big as a Pear-tree, of a “gallant greene colour tending to blewnesse,” with leaves similar to the Nettle, dashed here and there with stripes of a yellowish-white colour. “The beries be round, and hang upon long stalks like Cherries, of a yellowish-white colour at the first, and afterwards red, but being ripe they are somewhat black.” The Lotos-eaters were held to have immunity from all stomachic complaints. The fruit which formed their food is described by Theophrastus as being of the size of a Bean, which changed its colour when ripening, like the Grape. In flavour it was sweet, pleasant, harmless, and perfectly wholesome; the most agreeable sort being that which had no kernel. Whole armies were reported to have been fed with the nutritious food afforded by the Lotos, when passing through Africa. The Lotophagi obtained a wine from their beloved fruit, which, however, Cornelius Nepos says would not endure above ten days. The Lotos and its fruit is dwelt upon by Tennyson, who tells how
“The mild-eyed melancholy Lotos-eaters came,
Branches they bore of that enchanted stem,
Laden with flowers and fruit, whereof they gave
To each; but whoso did receive of them
And taste, to him the gushing of the wave
Far, far away did seem to mourn and rave
On alien shores.”
The Lotos was considered by Theophrastus to be by nature everlasting. Pliny enumerates several very ancient trees growing in Rome, notably one in Vulcan’s temple built by Romulus, which was reputed to be as old as the city.——It was under the Lotos-tree, beyond which there is no passing, that Mahomed saw the angel Gabriel.
LOTUS.—The Lotus, as described by Herodotus, is the “Water Lily that grows in the inundated lands of Egypt”: it is the Nymphæa Lotus of Linnæus, and, according to Grecian mythology, owed its origin to a young girl who was deeply in love with Hercules, and who, dying of jealousy, was transformed into the Lotus. With the Greeks, the flower was the symbol of beauty and of eloquence, perhaps because it was reputed to flourish in the fields of Helicon. Young girls twined these flowers into garlands. Theocritus writes of maidens carrying a crown of Lotus for the Princess Helen on her marriage with Menelaus. In a painted temple at Pompeii, the Lotus-flower is represented above a geni or winged god.——The Grecian god of silence (Harpocrates), who was of Egyptian origin, is represented sometimes with a Lotus-flower in his left hand; sometimes seated on a Lotus.——But it is in the East where the Lotus is supreme—a sacred plant not merely revered as a symbol, but even the object of worship in itself, and notably in Hindostan, Thibet, and Nepaul, where it is believed that from its mystic blossom came forth the all-powerful Brahma. In the Hindu theology, Om is the one Supreme Being from whom proceed the great deities Brahma (creator), Vishnu (preserver), and Siva (destroyer). Before the creation of this world, there existed an immense sea covering its surface; on this vast sea moved the spirit of Om, and quickened into life a golden Lotus, resplendent as the sun, from which emanated the four-formed creative god Brahma, who by the radiance of his countenance dispelled the pervading gloom, and by the light and warmth of his divine presence evoked the earth from the surrounding waters. Vishnu, the pervader or preserver, is represented with four arms: from his umbilicus springs a Lotus-plant, in the beautiful calyx of which Brahma appears seated, ready to accomplish the work of creation. The breath of Vishnu is like the perfume of the Lotus, and he rests and walks, not on the earth, but on nine golden Lotus-plants, carried by the gods themselves. The heaven of Vishnu is described in the Mahâbhârata as blazing with golden edifices studded with innumerable gems. Descending from the superior heaven the waters of the Ganges flow through this Paradise, and here are also lovely diminutive lakes of water, upon the surfaces of which myriads of red, blue, and white Lotus-flowers, with a thousand petals, are seen floating. On a throne glorious as the meridian sun, seated on Lotus-lilies, is Vishnu, and on the right hand is his wife, the goddess Lakshmî, also seated in a Lotus, shining like a continued blaze of lightning, while from her beauteous form the fragrance of the Lotus is diffused through the heaven. Siva, the destroyer (the third member of the Hindoo triad), is represented in many ways, but generally with three eyes; his favourite seat is a Lotus. Buddha, an emanation from Vishnu, like Brahma, first appeared on this hemisphere floating on an enormous Lotus, which spread itself over the ocean. Buddha had for his symbol a Lotus, surmounted by a trident (typical of the Sun with a flame, or the superior heaven).——The emblem of the Sun was called Sûramani (the jewel of the Sun), but when the Svâbhâvikas adopted the Lotus as their symbol of spontaneous generation, they called this ornament Padmi Mani (jewel of the Lotus), and inscribed their temples with these words:—
- AUM Jehovah
- MANI The Jewel
- PADMI Lotus
- HOONG. Amen.
This sentence forms the Alpha and Omega of Lama worship, and is unceasingly repeated by the devotees of Thibet and the slopes of the Himalayas. For the easy multiplication of this prayer, that extraordinary contrivance, the praying-wheel, was invented. In accordance with the principles of this belief, Jin-ch’au represents all creation as a succession of worlds, typified by Lotus-flowers, which are contained one within the other, until intelligence is lost in the effort to multiply the series ad infinitum.——A legend connected with Buddha runs as follows:—In an unknown town, called Bandnumak, Bipaswi Buddh arrived one day, and having fixed his abiding place on a mountain to the east of Nâg-Hrad, saw in a pool a seed of the Lotus on the day of the full moon, in the month of Chait. Soon afterwards from this Lotus-seed sprang a Lotus-flower, in the middle of which appeared Swayambhû, in the form of a luminary, on the day of the full moon in the month of Asvins.——Another Buddhist legend relates that the King Pându had the imprudence to burn a tooth of Buddha, which was held in high reverence among the Kalingas: but a Lotus-flower sprang from the middle of the flame, and the tooth of Buddha was found lying on its petals.——In Eastern India, it is popularly thought that the god Brahma first appeared on a sea of milk, in a species of Lotus of extraordinary grandeur and beauty, which grew at Temerapu, and which typified the umbilicus of that ocean of sweetness. To that flower is given eighteen names, which celebrate the god’s different beauties; and within its petals he is believed to sleep during six months of the year.——Kâmadeva, the Indian Cupid, was first seen floating down the sacred Ganges, pinioned with flowers, on the blossom of a roseate Lotus.——The Hindus compare their country to a Lotus-flower, of which the petals represent Central India, and the eight leaves the surrounding eight divisions of the country. The sacred images of the Indians, Japanese, and Tartars are nearly always found seated upon the leaves of the Lotus.——The sacred Lotus, as the hallowed symbol of mystery, was deemed by the priests of India and China an appropriate ornament for their religious structures, and hence its spreading tendrils and perfect blossoms are found freely introduced as architectural enrichments of the temples of the East.——Terms of reverence, endearment, admiration, and eulogy have been freely lavished by Indian writers on the flowers of the Lotus, dear to the sick women of their race from the popular belief of its efficacy in soothing painful feelings. Nearly every portion of the human body has been compared by Indian poets to the Lotus; and in one of their works, the feet of the angels are said to resemble the flowers of that sacred plant.——The Persians represent the Sun as being robed with light and crowned with Lotus.——By the Japanese, the Lotus is considered as a sacred plant, and pleasing to their deities, whose images are often seen sitting on its large leaves. The blossom is deemed by them the emblem of purity because it is unsullied by the muddy waters in which it often grows: with the flowers of the Mother-wort it is borne aloft in vases before the body in funeral processions.——The Chinese make the Lotus typical of female beauty: their god Puzza is always represented as seated upon the leaves of the plant.——The Lotus is stated to be held sacred by the Egyptians because it conceals the secret of the gods; from the throne of Osiris, Isis, and Nephthys, it rises in the midst of the waters, bearing on the margin of its blossom the four genii. It is the “Bride of the Nile,” covering the surface of the mighty river, as it rises, with its fragrant white blossom. Like the Indians, the ancient Egyptians represented the creation of the world under the form of a Nymphæa that floated on the surface of the waters. The Lotus was consecrated by the Egyptians to the Sun, and the dawn of day was figured by them as a youth seated upon a flower of the Nymphæa. The god Osiris (the Egyptian Phœbus) is represented as having his head decorated with the sacred Lotus. Oblations of flowers were common among the offerings of the Egyptians to their gods. A papyrus in the British Museum (lent by the Prince of Wales) represents the altar of the god Re or Ra piled up with Lotus-blossoms and other offerings. Upon approaching a place of worship, the ancient Egyptian always held the flower of the Lotus or Agrostis in his hand. A single flower was sometimes deemed a suitable oblation, or a bouquet of the Lotus or Papyrus, carefully arranged in a prescribed form, was offered.——The Lotus typified Upper Egypt; the Papyrus, Lower Egypt. In the British Museum are several Egyptian statues with sceptres of the Lotus; and a mummy with crossed arms, holding in each hand a Lotus-flower. In the mummies of females the Lotus is found, placed there probably to typify regeneration or purification. A bust of Isis emerging from a Lotus-flower has often been mistaken for Clytie changing into a Sunflower.——The Egyptians cultivated three species of Nymphæaceæ—the Nymphæa cerulea, or blue-flowered Lotus; the Nymphæa Lotus, a white-flowered variety, which still grows profusely in Lower Egypt, and which is the flower represented in the mosaic pavement at Præneste; and, lastly, the Nelumbium speciosum, or Sacred Bean—the “Rose Lily” of Herodotus—the true Lotus of the Egyptians, whose blossoms are of a brilliant red colour, and hang over broad peltated leaves: its fruit is formed of many valves, each containing a Nut about the size of a Filbert, with a taste more delicate than that of the Almond. It has been thought that the use of the seeds in making bread, and the mode of sowing them, by enclosing each seed in a ball of clay, and throwing it into the water, may be alluded to in the text, “Cast thy bread upon the waters, for thou shalt find it after many days.” The Nelumbo maintains its sacred character in Africa, India, China, Japan, Persia, and Asiatic Russia; it has, however, disappeared from Egypt.——The Arabians call the Lotus, Nuphar; and the Syrians regard it as a symbol of the cradle of Moses, and typify, also, the Ark of Noah by the same flower.——The collar of the order of the Star of India is composed of the heraldic Rose of England, two Palm-branches crossed, and a Lotus-flower, alternating with each other.
LOVE PLANTS.—The Clematis Vitalba was formerly called Love, because of its habit of embracing; from its clinging to people, the Galium Aparine has obtained the name of Loveman; Levisticum officinale is Loveage; the Solanum Lycopersicum is the Apple of Love; Nigella damascena is Love-in-a-mist; the Pansy is called Love-in-idleness and Love-and-idle; and Amaranthus caudatus has been named Love-lies-bleeding, from the resemblance of its crimson flowers to a stream of blood.
LUCK-FLOWER.—There is in Germany a favourite legend of a certain mystical Luck-flower which possesses the extraordinary power of gaining admittance for its owner into the recesses of a mountain, or hidden cave, or castle, wherein vast treasures lie concealed. The legend generally runs that the fortunate discoverer of the receptacle for wealth is a man who has by chance found a beautiful flower, usually a blue one, which he sticks in his hat. Suddenly the mountain he is ascending opens to admit him; astounded at the sight, he enters the chasm, and a white lady or fairy bids him help himself freely from the heaps of gold coin he sees lying all around. Dazzled at the sight of so much wealth, he eagerly fills his pockets, and is hastening away when she calls after him, “Forget not the best!” He thinks, as he feels his stuffed pockets, that he cannot find room for any more, but as he imagines the white lady wishes to imply that he has not helped himself to enough, he takes his hat and fills that also with the glittering gold. The white lady, however, alluded to the little blue flower which had dropped from his hat whilst he stooped to gather up the gold coins. As he hurries out through the doorway the iron door shuts suddenly behind him with a crash of thunder, and cuts off his right heel. The mountain side instantly resumes its old impenetrable appearance, and the entrance to the treasure hall can never be found again. As for the wonderful flower, that has vanished, but is to this day sought for by the dwellers on the Kyffhäuser, on the Quästenburg, and even on the north side of the Harz. It was from this legend that, according to Grimm, the little blue flower “Forget-me-not” originally received its name, which at first was indicative of its magic virtue, but afterwards acquired a sentimental meaning from the tale of the drowning lover of the Danube and his despairing death cry.
Lunary.—See Moonwort and Honesty.
LUPINE.—The Romans cultivated the Lupine (Lupinus) as an article of food, and Pliny declared that nothing could be more wholesome than white Lupines eaten dry, and that this diet imparted a fresh colour and cheerful countenance.——The eating of Lupines was also thought to brighten the mind and quicken the imagination. It is related of Protogenes, a celebrated painter of Rhodes, that during the seven years he was employed in painting the hunting piece of Ialysus, who was the accredited founder of the State of Rhodes, he lived entirely upon Lupines and water, with an idea that this aliment would give him greater flights of fancy.——Virgil called the Lupine, Tristis Lupinus, the Sad Lupine, and this expression has given rise to much discussion—the only tangible explanation being that when the Lupine pulse was eaten without preparation to destroy the bitter, it was apt to contract the muscles and give a sorrowful appearance to the countenance.——The seeds are said to have been used by the ancients, in their plays and comedies, instead of pieces of money: hence the proverb, Nummus Lupinus, a piece of money of no value.——The Bolognese have a tradition that during the flight of the Holy Family into Egypt, the Lupine received the maledictions of the Virgin Mary, because, by the clatter and noise they made, certain plants of this species drew the attention of Herod’s minions to the spot where the tired and exhausted travellers had made a brief halt.
LYCHNIS.—The scarlet Lychnis Coronaria is, in the Catholic Church, dedicated to St. John the Baptist, and the text in which he is described as “a light to them which sit in darkness,” being taken in a literal sense, the flame-coloured flower was said to be lighted up for his day, and was called Candelabrum ingens. This flower is also called Rose-Campion, and, on the Continent, Cross of Jerusalem and Cross of Malta. By old writers it was known as Flower or Campion of Constantinople, Flower of Bristow, and Nonsuch.
MAGNOLIA.—The Magnolia grandiflora is one of those shrubs the baneful emanations from which have procured for them an ill name. It is a native of Carolina, and has large white blossoms of powerful fragrance. When wafted to a distance upon the air, the scent is delicious, but when inhaled in the immediate neighbourhood of a group of Magnolias in flower, it becomes overpowering. The Indians carefully avoid sleeping under a Magnolia in blossom, and it is stated that so powerful is the perfume of the flower, that a single blossom placed in a bedroom suffices to cause death in one night.
Maghet.—See Mayweed.
MAHWAH.—The Bassia latifolia, or Mahwah, is esteemed a sacred tree in India, and is, besides, interesting as being one of the few plants whose flowers are used as food by the human race. They are eaten raw by the poor of India, and are also employed largely in the distillation of a spirit somewhat resembling Scotch whiskey. A kind of flour is produced from them when dried, and so valuable are they to the Indians, that the prosperity of some parts of the country depends largely on their abundance. The Almond-like fruit is eaten, and an oil is obtained from it: the wood is hard, and is used by the Indians in constructing their huts. Among certain uncivilised hill tribes, the Mahwah is regarded as equal to a deity, so great is their affection for this tree, under whose branches they hold their assemblies and celebrate their anniversaries; on whose boughs they suspend, when not in use, their spears and their ploughshares, and beneath whose shadow they exhibit those mysterious circles of flint which take the place of idols with them. So, when attacked by the Hindus, the wild tribes fight with desperation for the defence of their Mahwahs, which their enemies, when at war with them, make a point of seizing and destroying.
MAIDENHAIR FERN.—Adiantum, or Capillus Veneris, derived its name from the Greek adiantos, unmoistened, in relation, doubtless, to its property of repelling water—a peculiarity noticed by Theophrastus, and also by Pliny, who says it is in vain to plunge the Adiantum in water, for it always remains dry. This property of remaining unmoistened by water was attributed to the hair of Venus, when she rose from the sea; and hence the Adiantum obtained the name of Capillus Veneris. Nevertheless, Adiantum was specially dedicated to Pluto and to Proserpine. Maidenhair is called polytrichon, because it brings forth a multitude of hairs; callitrichon, because it produces black and fair hair; Capillus Veneris, because it produces grace and love.——According to Egyptian symbolism, Adiantum indicated recovery from illness.——In the Catholic Church, the Maidenhair Fern is known as the Virgin’s Hair.
MAITHES or MAIDS.—The Pyrethrum Parthenium was formerly known by the name of Maithes (Maids), because by the old herbalists it was considered efficacious in hysterical and other irregularities of the system to which maidens are subject. In the same category are the plants formerly known as Maghet, Mather, or Maydweed (Anthemis Cotula), the Maydweed (Matricaria Chamomilla), Maudlein, or Costmary (Balsamita), Maudlin-wort or Moon Daisy (Chrysanthemum Leucanthemum), the Maudlin, or Herba divæ Mariæ (Achillea Ageratum), the Marguerite (Bellis perennis), and some others. These plants, bearing flowers with white ray florets, were thought to resemble the Moon, which, as it regulated the monthly periods of the year, was supposed, says Dr. Prior, to have an influence over female complaints. By the ancients these plants were consecrated to Isis, Juno Lucina, and Artemis, or Diana, the virgin goddess of the night; but were transferred by the Catholics to St. Mary Magdalene and St. Margaret of Cortona.
MAIZE.—The American aborigines worshipped Maize as a divinity. Children were kept to watch the precious grain as it grew, and guard it from the ravages of birds; but some of the tribes protected the thievish crow because of the legend that a crow had brought them the first seed of the sacred plant.——At the present day, the Indians regard it with superstitious veneration. They esteem it, says Schoolcraft, so important and divine a grain, that their story-tellers invented various tales in which this idea is symbolised under the form of a special gift from the Great Spirit. The Ojebwa-Algonquins, who call it Mon-da-min, or the Spirit’s grain or berry, cherish a legend, in which the stalk in full tassel is represented as descending from the sky, under the guise of a handsome youth, in response to the prayers of a young man offered up at his fast of virility.——Among the American colonists, the husking of the Maize was always accompanied with a rustic ceremony and gathering of the villagers.——Longfellow tells us how—
“In the golden weather the Maize was husked, and the maidens
Blushed at each blood-red ear, for that betokened a lover;
But at the crooked laughed, and called it a thief in the cornfield.
Even the blood-red ear to Evangeline brought not her lover.”
MALLOW.—The ancient Romans had some kind of Mallow (Malva) served up as vegetables, and the Egyptians, Syrians, and Chinese also use them as food. In Job’s days, these plants were eaten by those wandering tribes who, as the patriarch says, “cut up Mallows by the bushes, and Juniper-roots for their meat.” The Mallow formed one of the funeral flowers of the ancients, with whom it was customary to plant it around the graves of departed friends. The plant yields a fibre capable of being woven into a fabric; and there is an Eastern tradition that Mahomed was so delighted with the texture of a robe made of this material, that he forthwith miraculously turned the Mallow into a Pelargonium. The seeds of the Mallow are called by country children, cheeses. Clare recalls the days of his childhood, when he and his playmates sat—
“Picking from Mallows sport to please,
The crumpled seed we call’d a cheese.”
Pliny ascribes a magical power to Mallows. He says, “Whosoever shall take a spoonful of any of the Mallows shall that day be free from all the diseases that may come unto him;” and he adds, that it is especially good against the falling sickness. The same writer, quoting Xenocrates, attributes to the seed of Mallows the power of exciting the passions. Gerarde, writing of the Malva crispa, commends its properties in verse:—
“If that of health you have any speciale care,
Use French Mallowes, that to the body holsome are.”
MANCHINEEL.—The Manchineel-tree (Hippomane Mancinella) is one of ill repute. Its exhalations are stated to cause certain death to those who sleep beneath its foliage. It abounds in a white milky juice, which is highly poisonous; a single drop causing instant pain if it touches the human skin.
MANDRAKE.—The Atropa Mandragora derives its name from Atropos, the eldest of the all-powerful Parcæ, the arbiters of the life and death of mankind. Clothed in sombre black robes, and holding scissors in her hands, Atropos gathers up the various-sized clues of thread which, as the chief of the inexorable Fates, it is her privilege to cut according to the length of the persons’ lives they represent.——Another name bestowed by the Greeks upon the Mandrake was that of Circeium, derived from Circe, the weird daughter of Sol and Perseis, celebrated for her witchcraft and knowledge of magic and venomous herbs.——From the earliest ages, the Atropa Mandragora appears to have been deemed a mystic plant by the inhabitants of Eastern countries, and to have been regarded by them as stimulating the passions; on which account it is still used for preparing love potions. It is generally believed that the Mandrake is the same plant which the ancient Hebrews called Dudaim; and that these people held it in the highest esteem in Jacob’s time is evident from the notice in Genesis (xxx., 14) of Reuben finding it and carrying the plant to his mother Leah. From the remotest antiquity the Mandrakes were reputed in the East to possess the property of removing sterility; hence Rachel’s desire to obtain from Leah the plants that Reuben had found and given to his mother. It is certain that the Atropa Mandragora was looked upon by the ancients as something more than a mere vegetable, and, in fact, as an embodiment of some unquiet or evil spirit. In an Anglo-Saxon manuscript of the tenth or eleventh century, the Mandrake is said to shine in the night like a candle. The Arabs call it the Devil’s Candle, because of this nocturnal shining appearance; and in allusion to this peculiarity, Moore says of it in ‘Lalla Rookh’:—
“Such rank and deadly lustre dwells,
As in those hellish fires that light
The Mandrake’s charnel leaves at night.”
From times long past has come down the legend that the Mandrake is a dweller in the dark places of the earth, and that it thrives under the shadow of the gallows, being nourished by the exhalations or flesh of the criminals executed on the gibbet. Amongst other mysterious attributes, we are told by old writers that the Mandrake has the power of emitting sounds, and that when it is pulled out of the ground, it utters dreadful shrieks and groans, as if possessed of sensibility. Shakspeare thus describes these terrible cries:—
“Would curses kill, as doth the Mandrake’s groan,
I would invent as bitter-searching terms,
As curst, and harsh, and horrible to hear.”
And Moore relates in verse another tradition—
“The phantom shapes—oh touch them not—
That appal the maiden’s sight,
Lurk in the fleshy Mandrake’s stem
That shrieks when plucked at night.”
These screams were so horrible and awe-inspiring, that Shakspeare tells us the effect was maddening—
“And shrieks like Mandrakes, torn out of the earth,
That living mortals, hearing them, ran mad.”
One other terrible attribute of this ill-omened plant was its power, by its pestilential effects, severely to injure, if not, indeed, to strike with death, the person who had the hardihood to drag the root from its bed. To guard against these dangers, therefore, the surrounding soil was removed, and the plant securely fastened to the tail of a dog, which was then driven away, and thus pulled up the root. Columella, in his directions for the site of gardens, says they may be formed where
“The Mandrakes flowers
Produce, whose root shows half a man, whose juice
With madness strikes.”
The Romans seem to have been very superstitious as to the manner of taking up the root. According to Pliny, those who undertook the office were careful to stand so that the wind was at their back; and before commencing to dig, they made three circles around the plant with the point of the sword; then, turning to the west, they proceeded to take it up. Probably the plant’s value as a narcotic and restorative alone induced the gathering of so dangerous a root.——In mediæval times, when ignorance and credulity were dominant in Europe, the mountebank quack doctors palmed on the credulous fictitious Mandrake-roots, which were largely sold as preventives against mischief and dangers. Speaking of this superstition, Lord Bacon, in his ‘Natural History,’ says, “Some plants there are, but rare, that have a mossie or downie root, and likewise that have a number of threads, like beards, as Mandrakes, whereof witches and impostours make an ugly image, giving it the forme of a face at the top of the root, and leave those strings to make a broad beard down to the foot.”——Madame de Genlis speaks of an author who gravely gives a long description of the little idols which were supposed to be roots of the Mandrake, and adds that they must be wrapped up in a piece of sheet, for that then they will bring unceasing good luck. The same author, she says, gives this name Mandragora (Mandrake) to certain sprites that are procured from an egg that must be hatched in a particular manner, and from which comes forth a little monster (half chick and half man) that must be kept in a secret chamber, and fed with the seed of Spikenard, and that then it will prophesy every day. Thus it can make its master lucky at play, discover treasures to him, and foretell what is to happen.——The credulous people of some nations have believed that the root of the Mandrake, if dislodged from the ground, becomes the good genius of the possessor, and not only cures a host of maladies, but discovers hidden treasures; doubling the amount of money locked up in a box, keeping off evil spirits, acting as a love charm, and rendering other notable services. According to Pliny, the Mandrake was sometimes conformed like a man, at others like a woman: the male was white, the female black. In the mountain of Pistoia, the peasants think they can trace the form of a man in the leaves of the Mandrake, and of the human face in the roots.——In Germany, since the time of the Goths, the word alruna has borne the double meaning of witch and Mandrake. Considering the roots to possess magical properties, the Germans formed from them little idols, to which they gave the name of Alrunen. These images were regularly habited every day, and consulted as oracles; their repute becoming very great, large numbers were manufactured and sold in cases: in this state they were brought over to this country during the reign of Henry VIII., and met with a ready sale. Fraudulent dealers used to replace the Mandrake-roots with those of the White Briony, cut to the shape of men and women, and dried in a hot sand bath.——In France, under the names of Main de gloire or Maglore, the Mandrake became a species of elf; and, till the eighteenth century, there existed a wide-spread superstition among the peasantry connected therewith. Sainte-Palaye writes: “When I asked a peasant one day why he was gathering Mistletoe, he told me that at the foot of the Oaks on which the Mistletoe grew, he had a Mandrake (Main de gloire); that this Mandrake had lived in the earth from whence the Mistletoe sprang; that he was a kind of mole; that he who found him was obliged to give him food,—bread, meat, or some other nourishment; and that he who had once given him food was obliged to give it every day, and in the same quantity, without which the Mandrake would assuredly cause the forgetful one to die. Two of his countrymen, whom he named to me, had, he said, lost their lives; but, as a recompense, this Main de gloire returned on the morrow double what he had received the previous day. If one paid cash for the Main de gloire’s food one day, one would find double the amount the following; and so with anything else. A certain countryman, whom he mentioned as still living, and who had become very rich, was believed to have owed his wealth to the fact that he had found one of these Mains de gloire.”——The Chinese physicians assert that the Mandrake has the faculty of renovating exhausted constitutions.
MANGO.—The Indian mythologists relate that the daughter of the Sun, persecuted by a wicked enchantress, plunged into a pool, where she was transformed into a golden Lotus. The king became enamoured of the beautiful flower, so the enchantress burnt it; but from its ashes rose the Mango (Mangifera Indica). Then the king fell in love, first with the Mango-flower, and next with the fruit, which he ordered to be carefully preserved for his own use. At last, just as the fruit was ripe, it fell from the bough, and out of it issued the daughter of the Sun, whom the king, after having lost and forgotten, now recognised as his former wife.——The Indian poets are never tired of singing the praises of the Mango, the beauty of its flowers, and the sweetness of its fruit. The Indian Cupid Kâmadeva is represented as having five arrows, each tipped with the blossom of a flower which pierce the heart through one of the five senses. A young maiden once plucked one of these blossoms, and offered it to the god, saying:—
“God of the bow, who with Spring’s choicest flowers
Dost point the five unerring shafts; to thee
I dedicate this blossom; let it serve
To barb thy truest arrow; be its mark
Some youthful heart that pines to be beloved.”
Kâmadeva accepted the offering, and tipped with the Mango-flower one of his darts, which, from that time, was known as the arrow of love, and is the god’s favourite dart. Along with Sandalwood, the wood of the Mango is used by the Hindus in burning their dead. Among the Indian jugglers, the apparent production and growth of the Mango-tree is a performance executed in such a marvellous manner as to excite the astonishment of those who have most determined to discover how the illusion is effected.
MANNA.—Some naturalists consider that the Manna miraculously provided for the sustenance of the Children of Israel in the Desert was a species of Lichen—the Parmelia esculenta. Josephus, however, describes it as a kind of dew which fell, like honey in sweetness and pleasant taste, but like in its body to Bdellium, one of the sweet spices, but in bigness equal to Coriander-seed. The origin of the different species of Manna or sugary exudations which cover certain trees, has at all times been a subject of wonder, and for a long time it was thought that these saccharine tears, which appear so quickly, were simply deposits from the atmosphere. The Manna used in medicine is principally procured from the flowering Ash (Fraxinus ornus), which is cultivated for the purpose in Sicily and Calabria: the puncture of an insect of the cochineal family causes the sap to exude. The Manna of Mount Sinai is drawn from the Tamarisk by puncture of the coccus: it exudes in a thick syrup during the day, falls in drops, congeals in the night, and is gathered in the cool of the morning. The Larch-tree furnishes the Manna of Briançon. A sweet substance resembling Manna exudes from the leaves of the Eucalyptus resinifera, dries in the sun, and when the leaves are shaken by the wind, falls like a shower of snow. In some countries, even herbs are covered with an abundant sugary exudation similar to Manna. Bruce observed this in Abyssinia. Matthiolus relates that in some parts of Italy the Manna glues the grass of the meadows together in such a manner as to impede the mowers at their work.——To dream of Manna denotes that you will be successful through life, and overcome all troubles.
MAPLE.—The wood of the Maple (Acer) was considered by Pliny to be, in point of elegance and firmness, next to the Citron itself. The veined knobs of old Maples, known as the bruscum and molluscum, were highly prized by the Romans, and of these curiously-marked woods were made the famous Tigrine and Pantherine tables, which were of such immense value, that when the Romans reproached their wives for their extravagance in jewels, they were wont to retort and (literally) “turn the tables” upon their husbands. Evelyn tells us, that such a table was that of Cicero, “which cost him 10,000 sesterces; such another had Asinius Gallus. That of King Juba was sold for 15,000; and yet that of the Mauritanian Ptolemy was far richer, containing four feet and a half diameter, three inches thick, which is reputed to have been sold for its weight in gold.”——Some centuries ago, Maple-wood was in great request for bowls and trenchers. The unfortunate Fair Rosamond is reputed to have drunk her fatal draught of poison from a Maple bowl; and the mediæval drinking-vessels, known as mazers, were chiefly made of this material—deriving their name from the Dutch Maeser, Maple.——On May-day, in Cornwall, the young men proceed, at daybreak, to the country, and strip the Maple (or Sycamore) trees—there called May-trees—of all their young branches, to make whistles, and with these shrill musical instruments they enliven their way home with “May music.”——In Germany, the Maple is regarded with much superstitious reverence. There existed formerly, in Alsace, a curious belief that bats possessed the power of rendering the eggs of storks unfruitful. When once a stork’s egg was touched by a bat, it became sterile; and so, in order to preserve it, the stork placed in its nest some branches of the Maple, and the wonderful power of this tree sufficed to frighten away every intruding bat.——De Gubernatis relates a Hungarian fairy tale, in which the Maple plays a conspicuous part. According to this legend, a king had three daughters, one of whom, a beautiful blonde, was in love with a shepherd, who charmed her with delightful music he produced from a flute. One night, the king, the princess, and the shepherd, were disturbed by disquieting dreams. The king dreamt that his crown had lost its diamonds; the princess that she had visited her mother’s tomb and was unable to get away from it; the shepherd that two fallow deer had devoured the best lamb in his flock. After this dream, the king called his three daughters to him, and announced to them that she who should first bring to him a basket of Strawberries should become his pet daughter, and inherit his crown and seven kingdoms. The three daughters hastened to a neighbouring hill to gather the Strawberries. There, setting down their baskets, each one in turn wished that her basket might be filled with fruit. The wishes of the two elder sisters were unheeded; but when it came to the blonde’s turn, her wish was no sooner expressed, than her basket was filled with Strawberries. At this sight, the two sisters, mad with envy, fell upon the poor blonde, and slew her; then, having buried her under an old Maple-tree, they broke her basket in two, and divided the Strawberries between them. On their return to the palace, they told the king that their sister had been devoured by a fallow deer. On hearing this sad news, the unhappy father exclaimed: “Alas! I have lost the most precious diamond of my crown.” At the approach of the new moon, the shepherd took up his flute to play a tune; but it was mute, for the fair princess was no longer there to listen to its tuneful notes. Meanwhile, on the third night, there sprang from the stem of the old Maple on the hill a new shoot, on the spot where the poor princess had met her cruel death. The shepherd, happening to pass by, saw this fresh shoot from the Maple, and thought he would make from it a new flute. So he cut the Maple-shoot, and from it fashioned a flute; but the moment he placed it to his lips, the flute sang, “Play, play, dearest. Once I was a king’s daughter; then I was a Maple-shoot; now I am a flute made from the Maple-shoot.” The shepherd rushed off with the flute to the king, who put it to his lips, when instantly it sang, “Play, play, my father. Once, &c.” Then the two wicked sisters approached, and each in turn put the flute to her lips—only, however, to hear it hiss, “Play, play, murderess. Once, &c.” Then the king, becoming aware of the sisters’ wickedness, cursed them, and drove them with bitter reproaches from his palace into the wide world.——The Maple has been made the emblem of reserve, because its flowers are late in opening, and slow to fall.——A curious belief exists in some parts of England, that the Maple can confer longevity on children, if they are passed through its branches. In West Grinstead Park, Sussex, was an old Maple much used for this purpose, and, upon a rumour reaching the parish, that the ancient tree was to be felled, many petitions were made that it might be spared.——Pliny says that Maple-root, pounded, is a remedy for pains in the liver, and Gerarde states that, steeped in wine, it is useful in stopping pain in the side. He quotes a verse from Sammonicus, which he thus translates:—
“Thy harmless side if sharp disease invade,
In hissing water quench a heated stone:
This drink. Or Maple-root in powder made,
Take off in wine, a present med’cine known.”
MARGUERITE.—The Daisy (Bellis perennis), which Chaucer called “douce Margarette,” derives its French name of Marguerite from its supposed resemblance to a pearl. In Germany, indeed, it is known as the Meadow-pearl, and Chaucer, in describing the flower, says:—
“And of a perle fine orientall,
Her white croune was imaked all.”
The Greek word for pearl, Margarites, became in Latin Margarita, remained the same in Italian, and in French was spelt Marguerite; the same word in each language indicating both the pearl and the flower we call Daisy. This flower was formerly employed in the treatment of certain female complaints, and on that account, perhaps, was dedicated by the Monks to St. Margaret of Cortona. Chaucer, in error, referred the name Margaret, as bestowed on the Daisy, to St. Margaret of Hungary, who was martyred in the thirteenth century; but in an old legend it is stated
“There is a double flowret, white and red,
That our lasses call Herb Margaret,
In honour of Cortona’s penitent,
Whose contrite soul with red remorse was rent;
While on her penitence kind Heaven did throw
The white of purity surpassing snow;
So white and red in this fair flower entwine,
Which maids are wont to scatter at her shrine.”
This St. Margaret of Cortona, who in mediæval days was very popular, had for some years, says Mrs. Jameson, led an abandoned life, but having repented and been canonised, she was regarded by the people of her native town as a modern Magdalene; and, like her prototype, was supposed, on account of her early habits, to preside over uterine diseases, and others peculiar to young women. The Daisy, and other flowers which were supposed from their shape to resemble the Moon, were by the ancients dedicated to the virgin goddess of the night, Artemis, or Diana: but in Christian times were transferred to the two saints who replace her, namely, St. Mary Magdalene and St. Margaret of Cortona. Dr. Prior, in his work on plant names, points out that this latter saint has often been confounded with a St. Margaret of Antioch, who was “invoked as another Lucina, because in her martyrdom she prayed for lying-in-women.” This maiden of Antioch is described in old metrical legends as
“Maid Marguerite that was so meeke and milde.”
The Daisy has been connected with several eminent women of the name of Margaret. Margaret of Anjou wore the flower as her device, and had it embroidered on the robes of her courtiers. Lady Margaret, the mother of Henry VII., wore three white Daisies; Margaret, the sister of Francis I., also wore the Daisy, and was called by her brother his Marguerite of Marguerites—his pearl of pearls. (See Daisy).
MARIGOLD.—The African Marigold (Tagetes erecta) is regarded as a sacred flower in Northern India, where the natives adorn the trident emblem of Mahâdeva with garlands of it; and both men and women wear chaplets made of its flowers on his festival.——The Romans named the European Marigold Calendula—the flower of the Calends—from a notion that it blossoms the whole year.——In the oldest of English herbals, the ‘Grete Herball,’ the Marigold is called Mary Gowles, but by the old poets it is frequently alluded to as Gold simply, and it is still called Goules or Goulans in some counties of England. Another old English name for these flowers was Ruddes.——From its tawny yellow blossom the Marigold is presumed to have been the Chrusanthemon, or Gold Flower, of the Greeks.——In mediæval times, this flower, along with numerous others, was dedicated by the monks and nuns to the Virgin, and had the prefix Mary appended to its name. According to an old tradition, however, the Marigold was so called because the Virgin Mary wore this flower in her bosom.——Shakspeare, in ‘Cymbeline,’ speaks of the flower as the Mary-bud, and in ‘A Winter’s Tale,’ alludes to its habit of closing at sunset and opening at sunrise:—
“The Marigold that goes to bed with the sun,
And with him rises weeping.”
Linnæus states that the flower is usually open from 9 a.m. till 3 p.m., and this foreshows a continuance of dry weather. Should the blossom remain closed, rain may be expected. This circumstance, and the plant’s habit of turning its golden face towards the sun, has gained for it the name of the “Sun-flower” and the “Spouse of the Sun”.——Marguerite of Orleans, the maternal grandmother of Henri IV., chose for her armorial device a Marigold turning towards the sun, and for a motto, “Je ne veux suivre que lui seul.”——In America, Marigolds are called Death-flowers, in reference to an existing tradition that the crimson and gold-coloured blossoms sprang upon ground stained by the life-blood of those unfortunate Mexicans who fell victims to the love of gold and arrogant cruelty of the early Spanish settlers in America.——In the reign of Henry VIII., the Marigold was called Souvenir, and ladies wore wreaths of them intermixed with Heart’s-ease.——To dream of Marigolds appears to be of happy augury, denoting prosperity, riches, success, and a happy and wealthy marriage.——The Marigold is deemed by astrologers a Solar herb, under the sign Leo.
MARJORAM.—The origin of Marjoram (Origanum vulgare: Greek, Amarakos) is related by the Greeks as follows:—A young man named Amaracus was employed in the household of Cinyras, King of Cyprus: one day, when carrying a vase containing perfumes, he unfortunately let it fall, and was so frightened at the mishap that he lost all consciousness, and became metamorphosed into an odoriferous herb called at first Sampsuchon, and afterwards Amarakos. According to Rapin, the goddess Venus first raised Sweet Marjoram. He says:—
“And tho’ Sweet Marjoram will your garden paint
With no gay colours, yet preserve the plant,
Whose fragrance will invite your kind regard,
When her known virtues have her worth declared:
On Simois’ shore fair Venus raised the plant,
Which from the goddess’ touch derived her scent.”
The Greeks and Roman crowned young married couples with Marjoram, which in some countries is the symbol of honour.——Astrologers place the herb under the rule of Mercury.
MARSH MALLOW.—The name Althæa (from a Greek root meaning to cure) was given to this plant on account of its manifold healing properties, which were duly appreciated by the old herbalists. It was sometimes called Bismalva, being held to be twice as good in medicinal properties as the ordinary Mallow. As an ointment, it was celebrated for mollifying heat, and hence it became invaluable as a protection to those who had to undergo the ordeal of holding red-hot iron in their hands. This ordeal was practised by the ancient Greeks; for we read in the ‘Antigone’ of Sophocles, that the guards placed over the body of Polynices—which had been carried away surreptitiously—offered, in order to prove their innocence, to take up red-hot iron in their hands: a similar ordeal was extant in the Middle Ages, when invalids and delicate persons, particularly monks and ecclesiastics, were exempted from the usual mode of single combat, and were required to test their innocence by holding red-hot iron in their hands. These trials were made in the church during the celebration of mass, inspection being made by the clergy alone. The suspected person, therefore, if he had any friends at hand, was easily shielded by covering his hand with a thick coating of some substance which would enable him to resist the action of heat. Albertus Magnus describes a paste compounded in the thirteenth century for this express purpose. The sap of the Marsh Mallow, the slimy seeds of a kind of Fleabane, and the white of a hen’s egg, were combined to make the paste adhere, and the hands covered with it were perfectly safe.——According to a German tradition, an ointment made of the leaves of the Marsh Mallow was employed to anoint the body of anyone affected by witchcraft.——The Marsh Mallow is held by astrologers to be a herb of Venus.
MARSH MARIGOLD.—According to Rapin, the Sicilian shepherd Acis originally discovered the Marsh Marigold (Caltha) growing in his native pastures:—
“Nor without mention shall the Caltha die,
Which Acis once found out in Sicily;
She Phœbus loves, and from him draws her hue,
And ever keeps his golden beams in view.”
The flower’s modern Italian name, Sposa di Sole, has probably been given to it in reference to this legend. On May-day, country people strew Marsh Marigolds before their doors, and twine them into garlands. Some think the Caltha palustris to be Shakspeare’s “winking May-bud with golden eye,” which, if plucked with due care, and borne about, will hinder anyone from speaking an angry word to the wearer.
MASTIC.—The Mastic or Pistachio-tree (Pistacia Lentiscus), the symbol of purity and virginity, was particularly dear to Dictynna, a nymph of Crete, and one of Diana’s attendants. Following her example, the Greek virgins were fond of adorning themselves with Mastic-sprays; and at the present time, in the isle of Chios, where the Mastic-tree flourishes, they eat the gum to preserve sweetness of breath. The Mastic is stated to have been under the special protection of Bacchus, as being the tree under which the Bacchanals found and slew Pentheus, King of Thebes, who had forbidden his subjects to acknowledge the new god.
Mather.—See Mayweed.
Maudlein, Maudelyne, or Maudlin.—See Costmary.
Maudlin Wort.—See Moon Daisy.
MAURITIA.—The Moriche Palm (Mauritia flexuosa) is regarded as a sacred tree by the Mexican Indians. Certain tribes live almost entirely on its products, and, strange to say, build their houses high up amongst its leaves, where they live during the floods. These Indians have a traditional Deluge, which they call the Water Age, when there was only one man and one woman left alive. To re-people the earth, the Deucalion and Pyrrha of the new world, instead of stones, threw over their shoulders the fruit of the Moriche Palm, and from its seeds sprang the whole human race. The Moriche is regarded as a deity among the Tamancas, a tribe of Oronoco Indians.
MAY.—The Hawthorn has obtained the name of May, or May-bush, from the time of its flowering. In Suffolk, it is believed to be unlucky to sleep in a room in which there is May in bloom. In Sussex, to bring a branch of blossoming May into the house is thought to portend a death. It was a custom in Huntingdonshire, forty years ago, for the rustic swains to place a branch of May in blossom before sunrise at the doorway of anyone they wished to honour, singing the while—
“A branch of May we have brought you,
And at your door it stands;
It is but a sprout,
But it’s well budded out,
By the work of our good Lord’s hands.”
An Italian proverb describes the universal lover as “one who hangs every door with May.” (See Hawthorn).
MAYFLOWER.—The Mayflower of New England, Epigæa repens, is the emblem of Nova Scotia. The trailing Arbutus, or Mayflower, is a native of North America; it grows abundantly in the vicinity of Plymouth, Massachusetts, and was the first flower that greeted the Pilgrims after their terrible winter.
MAYWEED.—The Mayweed, or more properly Maydweed (Anthemis Cotula), owes its name to its having been formerly used for the complaints of young women. In olden times, the plant was also known as Maghet, and Mather or Mauther, words signifying a maid.——The flower is distinguished as having, for its fairness, been likened to the brow of the Northern divinity Baldr.——The Matricaria Chamomilla is called Stinking Maydweed. (See Maithes, Costmary, and Moon Daisy.)
MELON.—According to a tradition of the Arabs, the Melon is to be found in Paradise, where it signifies that God is One, and that Ali is his true prophet.——Sebastian, a Roman traveller of the seventeenth century, recorded that on Mount Carmel, in the Holy Land, he had seen a field of Melons which had been turned into stones by the curse of Elias.——An old Tuscan legend records how the wife of a certain young king bore him three children, which were represented by the Queen’s jealous sisters to be a cat, a piece of wood, and a snake. The enraged king, upon this, cast his unfortunate wife into prison, whilst the three infants were secured by the wicked sisters in a box, and cast into the sea. A gardener found the box, and compassionating the helpless babes, brought them up, and taught them to tend his garden. Through the kindly offices of a good fairy, the king came to dinner one day, and a large Water Melon was gathered from the garden and placed before him. The king cut the Melon, when in place of seeds he discovered inside a number of precious stones. In astonishment, he demanded: “How is it possible that a Melon can produce gems?” Then the good fairy responded: “And how, sire, is it possible that a woman could give birth to a cat, a piece of wood, and a snake? Behold your three children, and hasten, cruel man, to release the poor innocent queen. The envy of her sisters has occasioned all this mischief.” The king was deeply affected; he embraced his children, and forthwith hastened with all speed to his wife, whose pardon he implored. Then he ordered public fêtes and rejoicings to take place, but condemned the wicked sisters to the stake.——According to dream oracles, a young woman who dreams of Melons is destined to marry a rich foreigner, and to live with him in a foreign land. If a young man dreams of Melons, it denotes that he will marry a rich foreign lady, by whom he will have a large family, but they will die young. If a sick person dreams of Melons, it is a prognostic of recovery by reason of their humidity or juicy substance.
Midsummer Men.—See Orpine.
MIGNONETTE.—The Mignonette, or Little Darling, is supposed to be an Egyptian plant, and to have been brought to England from the South of France, where it is called Herbe d’Amour, or Love-flower. Although a flower of no heraldic fame, the Mignonette is nevertheless, to be seen on the armoured shield of a noble Saxon house, and the origin of its adoption is related in the following legend:—A Count of Walstheim was betrothed to Amelia von Nordburg, a young and beautiful heiress, whose poor cousin Charlotte, an amiable girl of no particular personal charms, had been brought up with her from infancy. Returning one evening from a charitable visit, the humble dependent found her aunt’s saloon full of guests, the ladies busily occupied in selecting flowers for which their admirers were expected to improvise mottoes. Charlotte was invited to follow the example of her betters. Amelia von Nordburg had selected the Rose as her emblem, and her companions had naturally chosen such popular flowers as were best calculated to elicit gallant compliments. Thus most of the floral favourites had been appropriated; so Charlotte placed a modest spray of Mignonette in her dress. Noticing as she did so that her coquettish cousin was neglecting the Count of Walstheim for the fascinations of a gallant colonel, and anxious to recall the thoughtless heiress to her lover’s side, Charlotte asked the Count what motto he had ready for the Rose. Taking out his pencil, he wrote: “Elle ne vit qu’un jour, et ne plait qu’un moment;” and then presented her with this motto for her own Mignonette: “Ses qualités surpassent ses charmes.” His wilful fiancée took offence at the Count’s discrimination, and revenged herself by treating him with studied coldness and neglect; the result being that the Count transferred his affections to the dependent Charlotte, whom he soon afterwards married, and to celebrate the event added a spray of Mignonette to the ancient arms of his family.
MILK THISTLE.—The Thistle Silybum Marianum is called the Milk Thistle from a supposition that it derived the colour of its leaves from the Milk of the Virgin Mary having fallen on them as she suckled the infant Jesus.
MILKWORT.—In olden times, the Milkwort (Polygala vulgaris), bore the names of Cross-flower, Rogation-flower, Gang-flower, and Procession-flower, which were given it because, according to ancient usage, maidens made garlands of the flower, and carried them in procession during Rogation Week. At this period it was customary to offer prayers against plagues, fires, and wild beasts, and as the bounds of the parish were traversed on one of the days, it was also termed Gang Week. This custom was a relic of the ancient Ambarvalia. The bishop, or one of the clergy, perambulated the limits of the parish with the Holy Cross and Litanies, and invoked the blessing of God upon the crops; on which occasion, Bishop Kennett tells us, the maidens made garlands and nosegays of the Milkwort, which blossomed in Rogation Week, the next but one before the Whitsuntide.——Gerarde relates that, in Queen Elizabeth’s time, Milkwort-flowers were “vulgarly knowne in Cheapside to the herbe women by the name of Hedge Hyssop.” The plant was called Milkwort from an old belief that it increased the milk of mothers who took it.——A Javanese species, Polygala venenata, is greatly dreaded by the natives of Java for its poisonous effects; violent sneezing and faintness seizes anyone touching the leaves of this ill-omened plant.
MILLET.—According to Schlegel, Millet has, among the Chinese, given its name to the constellation Tien-tzi, “Celestial Millet,” which is composed of five stars, and presides at the grain harvest. Its clearness and brilliance presage an abundant harvest, its absence foretells famine. This constellation the Chinese consider as the residence of the King of the Cereals.——The grain of Millet has become proverbial as indicative of anything minute: possibly on this account, Millet portends misery if seen in a dream.——There is a legend in North Germany, that, long ago, a rich merchant had a fine garden, in which was a piece of land sown with Millet. One day the merchant discovered that a part of the Millet had been shorn during the preceding night, so he set his three sons to watch in case the theft should be repeated. Both the eldest and the second son fell asleep during their respective vigils; and on each occasion the theft was repeated, and further portions of the Millet disappeared. On the third night, the youngest son, John, agreed to watch: he surrounded himself with Thorns and Thistles, so that if he felt sleepy, and began to nod, the Thorns should prick him, and thus keep him awake. At midnight he heard a tramping, and then a sound of munching among the Millet: pushing aside the Thorns, John sprang out from his hiding-place, and saw a beautiful little colt feeding on the Millet. To catch the little animal was an easy task, and it was soon safely locked up in the stable. The merchant, overjoyed at the capture his vigilant son John had made, made him a present of the colt, which he named Millet-thief. Soon after this, the brothers heard of a beautiful princess who was kept by enchantment confined in a palace that stood on the top of a glass mountain, which no one, on account of its being so slippery, could ascend; but it was said that whosoever should be so fortunate as to reach its summit, and ride thrice round the palace, would disenchant the princess and obtain her hand in marriage. Numbers had already endeavoured to ride up the slippery mountain, but were precipitated to its foot; and their skeletons lay bleaching all around. The three brothers determined to try and ascend the mountain, but, alas, the two eldest fell with their horses down the treacherous mountain side, and lay sorely hurt. Then John saddled his little colt Millet-thief, and to his delight, when ridden to the mountain, he easily rattled up to its summit, and trotted round the palace three times as though he knew the road perfectly. Soon they stood in front of the palace-gates, which opened spontaneously, and the lovely princess stepped forth with a cry of joy, as she recognised in Millet-thief her own little colt, who had been accustomed to take her by night down the steep mountain, so that she might enjoy a gallop across the green fields—the only indulgence permitted her by the cruel enchanter. Then the princess bestowed her hand upon her deliverer, and they lived happily, far removed from worldly cares, in the palace on the glass mountain.
MIMOSA.—The Mimosa Catechu, according to Indian mythology, was the tree which sprang from the claw lost by a falcon whilst engaged in purloining the heavenly Soma, or Amrita, the drink of immortality. The Vedas recount that, when the gods were pining for the precious beverage, the falcon undertook to steal it from the demons who kept it shut up: the attempt was successful, but the falcon, whilst flying off with its prize, was wounded by an arrow discharged by one of the demons, and lost a claw and a feather. They fell to earth, and struck root there; the claw becoming the Indian Thorn-tree, or Mimosa Catechu—the younger branches of which have straight thorns, that afterwards become hooked, and bear a strong resemblance to a bird’s claw.——Bishop Heber tells us that, whilst travelling in Upper India, he saw, near Boitpoor, a Mimosa-tree, with leaves at a little distance so much resembling those of the Mountain Ash, that he was for a moment deceived, and asked if it did not bear fruit. The Bishop says: “They answered no; but that it was a very noble tree, being called the Imperial Tree for its excellent properties. That it slept all night, and awakened, and was alive all day, withdrawing its leaves if any one attempted to touch them. Above all, however, it was useful as a preservative against magic. A sprig worn in the turban, or suspended over the bed, was a perfect security against all spells, Evil Eye, &c., insomuch that the most formidable wizard would not, if he could help it, approach its shade. One, indeed, they said, who was very renowned for his power (like Lorinite, in the Kehama) of killing plants and drying up their sap with a look, had come to this very tree and gazed on it intently; but, said the old man, who told me this with an air of triumph, look as he might, he could do the tree no harm. I was amazed and surprised to find the superstition which in England and Scotland attaches to the Rowan-tree here applied to a tree of nearly similar form. What nation has, in this case, been the imitator? Or from what common centre are these common notions derived?”——The Mimosa sensitiva is the true Sensitive Plant, which collapses its leaflets upon the slightest touch (see Sensitive Plant); and another member of this singular family droops its branches whenever anyone approaches; hence Moore has called it
“That courteous tree
Which bows to all who seek its canopy.”
Frankincense is the product of the Egyptian Mimosa, a tree spoken of by Theophrastus as an Acanthus, and referred to by Virgil.
MIMUSOPS.—The Mimusops Elengi is one of the sacred trees of India, and dedicated to the god Krishna. An odoriferous water, highly prized, is distilled from the flowers, and the astringent bark of the tree is used medicinally.
MINT.—Ovid tells us, in his ‘Metamorphoses,’ that the nymph Minthe, a daughter of Cocytus, was beloved of Pluto, and that Proserpine, discovering her husband’s infidelity, transformed his mistress into the herb which is called by her name.——In olden times, Mint (Mentha) was called Herba bona and Herba sancta, and the ancients were wont to weave garlands of its foliage to be worn by brides—corona Veneris. In later days, the herb was dedicated to the Virgin, under the name of Herba Sanctæ Mariæ.——It was formerly customary to strew the churches with Mint or other herbs or flowers. In ‘Appius and Virginia,’ an old play, is an illustration of this custom:—
“Thou knave, but for thee ere this time of day
My lady’s fair pew had been strewed full gay
With Primroses, Cowslips, and Violets sweet,
With Mints, and with Marygold and Marjoram meet,
Which now lyeth uncleanly, and all along of thee.”
Among the women of the Abruzzi there exists a curious superstition. If, whilst walking, they should chance to come across a plant of Mint, they will bruise a leaf between their fingers, in order to ensure that, on the day of their death, Jesus Christ will assist them.——In Holstein, at the funeral of peasants, Mint is carried by youths attending the ceremony.——Pliny was of opinion that “the smell of Mint doth stir up the minde and taste to a greedy desire of meat;” and other old writers state that Mint should be smelled, as being refreshing for the head and memory; probably on this account it was formerly a custom to strew it “in chambers and places of recreation, pleasure, and repose, and when feasts and banquets are to be made.” Gerarde says of this herb:—“It is poured into the eares with honied water. It is taken inwardly against scolopendres, beare-wormes, sea scorpions and serpents. It is applied with salt to the bitings of mad dogs.”
MISTLETOE.—According to Scandinavian mythology, Baldr (the Apollo of the North) was rendered by his mother Frîgg proof against all injury by the four elements, fire, air, earth, and water: Loki, the evil spirit, however, being at enmity with him, fashioned an arrow out of Mistletoe (which proceeded from neither of the elements), and placed it in the hand of Hödr, the blind deity, who launched the fatal dart at Baldr, and struck him to the earth. The gods decided to restore Baldr to life, and as a reparation for his injury, the Mistletoe was dedicated to his mother Frîgg; whilst, to prevent its being again used adversely to her, the plant was placed under her sole control so long as it did not touch the earth, the empire of Loki. On this account it has always been customary to suspend Mistletoe from ceilings; and so, whenever persons of opposite sexes pass under it, they give one another the kiss of peace and love, in the full assurance that this plant is no longer an instrument of mischief.——Like the Indian Asvattha, and the Northern Rowan, the Mistletoe was supposed to be the embodiment of lightning: hence its Swiss name, Donnerbesen; and like them, again, it is very generally believed to spring from seed deposited by birds on trees. Some naturalists, indeed, say that the seeds will not vegetate until they have passed through the stomach of a bird, and so recommend that fowls should be caused to eat the seeds, which, after evacuation, should be sown. This old belief in the Mistletoe-seed being sown by birds is referred to by Lord Bacon in his ‘Natural History.’ His lordship says:—“They have an idle tradition that there is a bird called a Missel-bird that feedeth upon a seed which many times she cannot digest, and so expelleth it whole with her excrement, which, falling upon a bough of a tree that hath some rift, putteth forth the Misseltoe.”——In Druidic times, the Mistletoe was regarded as a divine gift of peculiar sanctity, only to be gathered with befitting ceremonies, on the sixth day, or at latest on the sixth night, of the sixth moon after the winter solstice, when their year commenced.——Pliny tells us that “the Druids hold nothing more sacred than the Mistletoe and the tree upon which it is produced, provided it be an Oak. They make choice of groves of Oak on their own account, nor do they perform any of their sacred rites without the leaves of these trees, so one may suppose that for this reason they are called by the Greek etymology Druids, and whatever Mistletoe grows upon the Oak they think is sent from heaven, and is a sign of God Himself as having chosen that tree. This, however, is rarely found, but, when discovered, is treated with great ceremony; they call it by a name which in their language signifies the curer of all ills, and, having duly prepared their feast and sacrifices under the tree, they bring to it two white bulls, whose horns are then for the first time tied; the priest, dressed in a white robe, ascends the tree, and, with a golden pruning-hook, cuts off the Mistletoe, which is received into a white sagum, or sheet; then they sacrifice the victims, praying that God would bless His own gift to those on whom He has bestowed it.” As the Druids attributed to the Mistletoe marvellous curative properties, they placed it in water, and distributed this water to those who deserved it, to act as a charm against the spells of witches and sorcerers. If any portion of this plant came in contact with the earth, it was considered as ominous of some impending national disaster.——The practice of decorating dwellings with Mistletoe and Holly is undoubtedly of Druidic origin. Dr. Chandler states that, in the times of the Druids, the houses were decked with boughs in order that the spirits of the forest might seek shelter among them during the bleak winds and frosts of winter.——Among the Worcestershire farmers, there is a very ancient custom of taking a bough of Mistletoe, and presenting it to the cow that first calved after New Year’s Day, as this offering is presumed to avert ill-luck from the dairy.——In some provinces of France, they preserved for a long period the custom of gathering the Mistletoe of the Oak, which they regarded as a talisman. Many public documents attest that, in the fifteenth and sixteenth centuries, large gatherings of the country-people took place at the fêtes held in commemoration of the ceremony of the sacred Mistletoe, and which was called Auguilanneuf (Gui de l’an neuf).——In Holstein, the peasantry call the Mistletoe the “Spectre’s wand,” from the supposition that a branch borne in the hand will enable the holder not only to see ghosts, but to compel them to speak.——The magical properties of the Mistletoe are alluded to by Virgil in his Æneid, as well as by Ovid and other ancient writers. Albertus Magnus states that the Mistletoe, which the Chaldæans called Luperax, the Greeks Esifena, and the Latins Viscus Querci, like the herb Martagon (Moonwort), possessed the property of opening all locks. The Druids called it All-heal, and represented it as an antidote to all poisons, and a cure for all diseases. When there were no longer any Druids in England left to gather the holy plant with the customary sacred rites, it was gathered by the people themselves, with a lack of due solemnity, so that, according to Aubrey, this want of reverence met with miraculous punishment. He relates how some ill-advised folk cut the Mistletoe from an Oak, at Norwood, to sell to the London apothecaries: “And one fell lame shortly after; soon after each of the others lost an eye; and a rash fellow, who ventured to fell the Oak itself, broke his leg very shortly afterwards.” At this time, the powder of an Oak-Mistletoe was deemed an infallible cure for epilepsy; and Culpeper, the astrological herbalist, prescribed the leaves and berries of this precious plant, given in powder for forty days together, as a sure panacea for apoplexy, palsy, and falling sickness. Clusius affirmed that a sprig of the sacred plant worn round the neck was a talisman against witchcraft, always providing that the bough had not been allowed to touch earth after being gathered.——In the West of England, there is a tradition that the Cross was made of Mistletoe, which, until the time of the Crucifixion, had been a noble forest tree, but was thenceforth condemned to exist only as a mere parasite. Culpeper remarks that it was sometimes called lignum sanctæ crucis—wood of the holy cross—from a belief in its curative virtues in cases of consumption, apoplexy, and palsy—“not only to be inwardly taken, but to be hung at their neck.”——In Sweden, Oak-Mistletoe is suspended in the house to protect it from fire and other injuries; a knife with an Oak-Mistletoe handle is supposed by the Swedes to ward off the falling sickness: for other complaints, a piece of this plant is hung round the patient’s neck, or made into a finger-ring.
MOLY.—The Moly was a magical plant, beneficent in its nature, which Homer tells us, in the ‘Odyssey,’ was given by Mercury to Ulysses to enable him successfully to withstand and overcome the enchantments of the sorceress Circe, and obtain the restoration of his comrades whom the witch-goddess had by her enchantments transformed into swine. Ulysses, distressed at the fate of his companions, was visited by Mercury, who promised to give him a plant of extraordinary powers, which should baffle the spells of Circe;
“Thus while he spoke, the sovereign plant he drew
Where on th’ all-bearing earth unmark’d it grew,
And show’d its nature and its wondrous power:
Black was the root, but milky white the flower;
Moly the name, to mortals hard to find,
But all is easy to th’ ethereal kind.”—Pope.
The Moly is generally supposed to have been a species of Garlick (a plant credited with many magical qualities), and Gerarde, in his ‘Herbal,’ describes several plants under the head of “Moly, or Sorcerer’s Garlick,” one of which he particularises as Homer’s Moly (Moly Homericum). The identity of the plant has, however, long been a matter for speculation among botanists of all ages. Dodonæus, Anguillara, and Cæsalpinus consider it to be Allium magicum; Matthiolus and Clusius, Allium subhirsutum; Sprengel, Allium nigrum; and Sibthorp, a plant which he names Allium Dioscoridis. Various treatises have appeared on the subject, in one of which the Moly is thought to be identified with the Lotus. Milton, in his ‘Comus,’ mentions a magical plant, designated Hæmony, which possessed similar properties to the Moly, and was potent in dispelling enchantments, ghostly apparations, mildew-blast, and unwholesome vapours.
Money Flower.—See Honesty.
MONK’S HOOD.—Aconitum has two English names, Monk’s Hood and Wolf’s Bane. The former has been given it from the resemblance of the plant’s upper sepal to the cowl of a monk. The latter is of great antiquity, being the same as that of the Anglo-Saxon. By the ancients (who were unacquainted with mineral poisons) the Aconite was regarded as the most virulent of all poisons, and their mythologists declare it to be the invention of Hecate, who caused the plant to spring from the foam of the many-headed Cerberus, when Hercules dragged him from the gloomy regions of Pluto. The legend is thus told by Ovid:—
“Medea, to dispatch a dang’rous heir,
(She knew him) did a pois’nous draught prepare,
Drawn from a drug, long while reserved in store,
For desp’rate uses, from the Scythian shore,
That from the Echydnæan monster’s jaws
Derived its origin, and this the cause.
Through a dark cave a craggy passage lies
To ours ascending from the nether skies,
Through which, by strength of hand, Alcides drew
Chained Cerberus, who lagged and restive grew,
With his bleared eyes our brighter day to view.
Thrice he repeated his enormous yell,
With which he scares the ghosts, and startles hell;
At last outrageous (though compelled to yield),
He sheds his foam in fury on the field;
Which, with its own and rankness of the ground,
Produced a weed by sorcerers renowned
The strongest constitution to confound—
Called Aconite, because it can unlock
All bars, and force its passage through a rock.”
With this venomous plant the ancients were wont to poison their arrow-heads when engaged in war and also when in pursuit of wild beasts. As a poison, it had a sinister reputation. Ovid was of opinion that the Aconitum derived its name from growing on rocks almost barren; and he describes, in his ‘Iron Age,’ the step-dame occupied in preparing a deadly potion of this plant:—
“Lurida terribiles miscent Aconita novercæ.”
In Greece, the Wolf’s Bane is credited with many malignant influences, and the fevers so common in the neighbourhood of Corinth were attributed to it. Until the Turks were dispossessed, the Aga proceeded every year in solemn procession to denounce it and hand it over to destruction.——In North India, a species, Aconitum ferox, is used as a poison for arrows—the poison which is obtained from the roots being of remarkable virulence and activity when infused into the blood.
MOON DAISY.—The Chrysanthemum Leucanthemum, a large Daisy-like flower, resembles the pictures of a full moon, and on this account has acquired the name of Moon Daisy. From its use in uterine diseases, this plant was dedicated by the ancients to Artemis, goddess of the Moon, Juno Lucina, and Eileithuia, a deity who had special charge over the functions of women—an office afterwards assigned by the Romish Church to St. Mary Magdalene and St. Margaret. Hence, in the Middle Ages, the Moon Daisy became known as Maudelyne or Maudlin-wort.——The plant is also called the Ox-eye and Midsummer Daisy; and in France, this flower, known as the Paquerette, is employed, like the Bluet, as a divining-flower, to discover the state of a lover’s affections.——The Midsummer Daisy is dedicated to St. John the Baptist.
MOONWORT.—The Fern Botrychium Lunaria has derived its name of Moonwort from the crescent shape of the segments of its frond. Perhaps it is this lunar form which has caused it to be so highly esteemed for its supposed magical properties. The old alchymists professed to be able, by means of the Moonwort, which they called Lunaria minor, or Lesser Lunary, to extract sterling silver from Mercury. By wizards and professors of necromancy no plant was held in greater repute, and its potency is attested by many old writers. Gerarde refers to the use made by the alchymists of this Fern in those mystic compounds over which they pored night and day, and he also states that it was a plant prized by witches, who called it Martagon. In Ben Jonson’s ‘Masque of Queens,’ a witch says to her companions:—
“And I ha’ been plucking plants among
Hemlock, Henbane, Adder’s-tongue;
Nightshade, Moonwort, Libbard’s-bane,
And twice by the dogs was like to be ta’en.”
Coles, referring to the mystical character of the Moonwort, observes: “It is said, yea, and believed by many, that Moonwort will open the locks, fetters, and shoes from those horses’ feet that goe on the places where it groweth; and of this opinion was Master Culpeper, who, though he railed against superstition in others, yet had enough of it himselfe.” Du Bartas, in his ‘Divine Weekes,’ thus refers to this superstition—
“Horses that, feeding on the grassie hills,
Tread upon Moonwort with their hollow heels,
Though lately shod, at night goe barefoot home,
Their maister musing where their shooes become.
O Moonwort! tell us where thou hidst the smith,
Hammer and pincers, thou unshodd’st them with.
Alas! what lock or iron engine is’t
That can thy subtill secret strength resist,
Sith the best farrier cannot set a shoe
So sure, but thou (so shortly) canst undo?”
Culpeper tell us that the Moonwort was a herb which, in his days, was popularly believed to open locks and unshoe horses that trod on it. “This,” he adds, “some laugh to scorn, and those no small fools neither, but country people that I know call it Unshoe-the-Horse. Besides, I have heard commanders say that on White Down, in Devonshire, near Tiverton, there were found thirty horse-shoes, pulled off from the Earl of Essex’s horses, being there drawn up in a body, many of them being newly shod, and no reason known, which caused much admiration; and the herb described usually grows upon the heaths.”—In Virginia, the Botrychium Lunaria is called the Rattle-snake Fern, because that reptile shelters itself beneath its fronds.
MOSS.—The Sifjar haddr, or Hair Moss (Polytrichum commune), which supplies the Lapp with bedding, is dedicated to Sif, the wife of Thor. The Supercilium Veneris is Freyja’s hair.—The good fairies called by the Germans Moosweibchen are represented as being entirely covered with Moss. They live in the hollows of forest trees, or on the soft Moss itself. These beneficent fairies of the forest spin soft Moss of various kinds, which they weave into beautiful fabrics, and, according to their custom, occasionally make handsome presents to their protégés.——There is a legend that Oswald, King of Northumbria, erected a certain cross, which, after his decease, acquired miraculous properties. One day, a man who was walking across the ice towards this venerated cross, suddenly fell and broke his arm; a friend who was accompanying him, in dire distress at the mishap, hurried to the cross, and plucked from it some Moss, which was growing on the surface. Then, hastening back to his friend, he placed the Moss in his breast, when the pain miraculously ceased, and the broken arm became set, and was soon restored to use.——The Bryum Moss, which grows all over the walls of Jerusalem, is supposed to be the plant referred to by Solomon as “the Hyssop that groweth out of the wall.”——According to tradition, headache is to be removed by means of snuff made from the Moss which grows on a human skull in a churchyard; and Gerarde says that this Moss is “a singular remedie against the falling evill and the chin-cough in children, if it be powdered, and then given in sweet wine for certain daies together.” Robert Turner tells us of this Moss that it is “a principal ingredient in the Weapon Salve; but the receipt is, it should be taken from the skull of one who died a violent death.”——The dust from the spore cases of Club-Moss is highly inflammable, and is used in fireworks; it is the Blitz-mehl, or lightning-meal, of the Germans. (See Club-Moss.)
MOSS ROSE.—The country of the Moss Rose or Moss Provins Rose (Rosa Muscosa) is unknown, but the origin of its mossy vest is thus given by a German writer:—
“The angel of the flowers one day
Beneath a Rose-tree sleeping lay;
That spirit to whose charge is given
To bathe young buds in dews from heaven;
Awaking from his light repose,
The angel whispered to the Rose;
‘O fondest object of my care,
Still fairest found where all are fair,
For the sweet shade thou’st given to me
Ask what thou wilt, ’tis granted thee.’
‘Then’ said the Rose, with deepened glow,
‘On me another grace bestow:’
The spirit paused in silent thought
What grace was there that flower had not?
’Twas but a moment: o’er the Rose
A veil of Moss the angel throws,
And robed in Nature’s simplest weed,
Could then a flower that Rose exceed?”
The Moss Rose is one of the flowers specially plucked at the fall of the dew on Midsummer Eve for the purposes of love divination. This rite of rustic maidens is fully described in the poem of ‘The Cottage Girl’:—
“The Moss Rose that, at fall of dew,
Ere eve its duskier curtain drew,
Was freshly gathered from its stem,
She values as the ruby gem;
And, guarded from the piercing air,
With all an anxious lover’s care,
She bids it, for her shepherd’s sake,
Await the New Year’s frolic wake:
When, faded, in its altered hue
She reads—the rustic is untrue!
But if its leaves the crimson paint,
Her sick’ning hopes no longer faint;
The Rose upon her bosom worn,
She meets him at the peep of morn.”
MOTHERWORT.—According to Parkinson, the Motherwort (Leonurus Cardiaca) was so called from its being “of wonderful helpe to women in the risings of the mother;” its name of Cardiaca was given because the herb was formerly noted for curing not only heartburn but the mental disorder known as heart-ache.——In Japan, the Motherwort is in great estimation. In bygone times it is related that to the north of the province of Nanyo-no-rekken, there was a village situated near a hill covered with Motherwort. At the foot of the hill, fed by the dew and rains that trickled down its sides, ran a stream of pure water, which formed the ordinary beverage of the villagers, who generally lived till they had attained an age varying from a hundred to a hundred and thirty years. Thus the people ascribe to the Motherwort the property of prolonging life. At the Court of the Cairi, the ecclesiastical potentate of Japan, it is a favourite amusement to drink zakki, a kind of strong beer prepared from Motherwort-flowers. The Japanese have five grand festivals in the course of the year. The last, which takes place on the 9th of the 9th month, is called the Festival of Motherwort; and the month itself is named Kikousouki, or month of Motherwort-flowers. It was formerly the custom to gather these flowers as soon as they had opened, and to mix them with boiled rice, from which they prepared the zakki used in celebrating the festival. In the houses of the common people, instead of this beverage, you find a branch of the flowers fastened with a string to a pitcher full of common zakki, which implies that they wish one another a long life. The origin of this festival is as follows:—An emperor of China who succeeded to the throne at seven years of age, was disturbed by a prediction that he would die before he attained the age of fifteen. An immortal having brought to him, from Nanyo-no-rekken, a present of some Motherwort-flowers, he caused zakki to be made from them, which he drank every day, and lived upwards of seventy years. This immortal had been in his youth in the service of the Emperor, under the name of Zido. Being banished for some misdemeanour, he took up his residence in the valley before mentioned, drinking nothing but the water impregnated with these flowers, and lived to the age of three hundred years, whence he obtained the name of Sien-nin-foso.
MOUSE-EAR.—The plant now known as Forget-me-not, was formerly called Mouse-Ear, from its small, soft, oval leaves. It is called Herba Clavorum, because, according to tradition, it hinders the smith from hurting horses when he is shoeing them.
MULBERRY.—According to tradition, the fruit of the Mulberry-tree was originally white, but became empurpled by human blood. Referring to the introduction of the Mulberry by the Greeks, Rapin writes:—
“Hence Pyramus and Thisbe’s mingled blood
On Mulberries their purple dye bestowed.
In Babylon the tale was told to prove
The fatal error of forbidden love.”
This tale of forbidden love is narrated at length by Ovid: Pyramus, a youth of Babylon, and his neighbour, Thisbe, became mutually enamoured, but were prohibited by their parents from marrying; they therefore agreed to meet at the tomb of Ninus, under a white Mulberry-tree. Thisbe reached the trysting-place first, but was compelled to seek safety in a cave, owing to the arrival of a lioness, who besmeared with blood a veil which the virgin dropped in her flight. Soon afterwards Pyramus reached the spot, and finding the bloody veil, concluded that Thisbe had been torn to pieces. Overcome with grief, he stabbed himself with his sword; and Thisbe, shortly returning, and beholding her lover in his death throes, threw herself upon the fatal weapon. With her last breath she prayed that her ashes should be mingled with her lover’s in one urn, and that the fruit of the white Mulberry-tree, under which the tragedy occurred, should bear witness of their constancy by ever after assuming the colour of their blood.
“The prayer which dying Thisbe had preferred
Both gods and parents with compassion heard.
The whiteness of the Mulberry soon fled,
And ripening, saddened in a dusky red;
While both their parents their lost children mourn,
And mix their ashes in one golden urn.”—Eusden.
Lord Bacon tells us that in Calabria Manna falls upon the leaves of Mulberry-trees during the night, from whence it is afterwards collected.——Pliny called the Mulberry the wisest of trees, because it is late in unfolding its leaves, and thus escapes the dangerous frosts of early spring. To this day, in Gloucestershire, the country folks have a saying that after the Mulberry-tree has shown its green leaves there will be no more frost.——At Gioiosa, in Sicily, on the day of St. Nicholas that saint is believed to bless the sea and the land, and the populace sever a branch from a Mulberry-tree and preserve it for one year as a branch of good augury.——In Germany, at Iserlohn, the mothers, to deter the children from eating the Mulberries, sing to them that the Devil requires them for the purpose of blacking his boots.——According to Gerarde, “Hegesander, in Athenæus, affirmeth that the Mulberry-tree in his time did not bring forth fruit in twenty yeares together, and that so great a plague of the gout then raigned, and raged so generally, as not onely men, but boies, wenches, eunuches, and women were troubled with that disease.”——A Mulberry-tree, planted by Milton in the garden of Christ’s College, Cambridge, has been reverentially preserved by successive college gardeners. The Mulberry planted by Shakspeare in Stratford-on-Avon was recklessly cut down in 1759; but ten years later, when the freedom of the town was presented to Garrick, the document was enclosed in a casket made from the wood of the tree. A cup was also wrought from it, and at the Shakspeare Jubilee, Garrick, holding this cup aloft, sang the following lines composed by himself:—
“Behold this fair goblet, ’twas carved from the tree
Which, O my sweet Shakspeare, was planted by thee;
As a relic I kiss it, and bow at the shrine;
What comes from thy hand must be ever divine!
All shall yield to the Mulberry-tree;
Bend to the blest Mulberry;
Matchless was he who planted thee;
And thou, like him, immortal shall be.”
To dream of Mulberries is of good import: they denote marriage, many children, and all sorts of prosperity: they are particularly favourable to sailors and farmers.——Among the hill tribes of Burmah, the Mulberry-tree is regarded as sacred, and receives a kind of worship.——A Chinese folk-lore tale records that in the Tse dynasty, one Chang Ching, going out at night, saw a woman in the south corner of his house. She beckoned him to come to her, and said: “This is your honour’s Mulberry-ground, and I am a shên (fairy); if you will make next year, in the middle of the first moon, some thick congee and present it to me, I will engage to make your Mulberry-trees a hundred times more productive.” Ching made the congee, and afterwards had a great crop of silkworms. Hence came the Chinese custom of making thickened congee on the fifteenth of the first month.
MULLEIN.—The Mullein (Verbascum) was formerly employed by wizards and witches in their incantations. The plant is known as the Flannel-flower from its stem and large leaves being covered with wool, which is often plucked off for tinder. The Great Mullein (V. Thapsus) was called by the old Romans Candela regia, and Candelaria, because they used the stalks dipped in suet to burn at funerals, or as torches; the modern Romans call the plant Light of the Lord. In England, the White Mullein was termed Candle-week-flower; and the Great Mullein’s tall tapering spikes of yellow flowers suggested, at a period when candles were burnt in churches, the old names of Torches, Hedge-taper, High-taper, and Hig-taper, which became corrupted into Hag-taper, from a belief that witches employed the plant in working their spells.——The little Moth Mullein (V. Blattaria) derives its specific name from blatta, a cockroach, it being particularly disliked by that troublesome insect. Gerarde explains its English prefix by stating that moths and butterflies, and all other small flies and bats, resort to the place where these herbs are laid or strewed.——Mullein is known by country people as Bullock’s Lungwort, a decoction of the leaves being considered very efficacious in cases of cough: probably we are indebted to the Romans for this specific, for they attributed extraordinary properties to the Mullein as a remedy for coughs. (See also Hag-taper).
MUGWORT.—The old Latin name for this species of Wormwood was Artemisia, mater herbarum; and, according to Gerarde, the plant was so named after Artemisia, the wife of Mausolus, King of Caria, who adopted it for her own herb.
“That with the yellow crown, named from the queen
Who built the Mausoleum.”—Smith’s ‘Amarynthus.’
Other authorities say that Artemisia is derived from Artemis, one of the names of Diana, and that the plant was named after that goddess, on account of its being used in bringing on precocious puberty. Among the ancients, the Mugwort had a reputation for efficacy in the relief of female disorders. It was also used for the purpose of incantations. Pliny says that the wayfarer having this herb tied about him feels no fatigue, and that he who hath it about him can be hurt by no poisonous medicines, nor by any wild beast, nor even by the sun itself. Apuleius adds that it drives away lurking devils and neutralises the effect of the evil eye of men. The plant was also considered a charm against the ague.—T—here is an old Scotch legend which tells how a mermaid of the Firth of Clyde, upon seeing the funeral of a young girl who had died of consumption, exclaimed—
“If they wad drink Nettles in March,
And eat Muggins [Mugwort] in May,
Sae mony braw maidens
Wad not go to clay.”
In Italy, there is still a superstitious custom extant of consulting Mugwort as to the probable ending of an illness. Some leaves of Mugwort are placed beneath the pillow of the patient without his knowledge. If he falls asleep quickly, his recovery is certain: if he is unable to sleep, it is a sign that he will die.——Mugwort is one of the plants associated with St. John the Baptist, and is, indeed, called the Herb of St. John in Italy, Spain, Portugal, Germany, and Holland. There is a curious superstition regarding it which is related by Lupton in his ‘Notable Things.’ He says:—“It is certainly commonly affirmed that, on Midsummer Eve, there is found under the root of Mugwort a coal which keeps safe from the plague, carbuncle, lightning, and the quartan ague, them that bear the same about them: and Mizaldus, the writer hereof, saith that it is to be found the same day under the root of Plantain, which I know for a truth, for I have found them the same day under the root of Plantain, which is especially and chiefly to be found at noon.” Paul Barbette, writing in 1675, says, these coals were old dead roots, and that it was a superstition that “old dead roots ought to be pulled up on the Eve of St. John the Baptist, about twelve at night.”——In some parts of England, girls pull a certain root which grows under Mugwort, and which, they believe, if pulled exactly at midnight, on the eve of St. John, and placed under the pillow, will cause dreams of the future husband.——De Gubernatis tells us that, in Sicily, on the eve of the Ascension, the women of Avola form crosses of Mugwort, and place them on the roofs of their houses, believing that, during the night, Jesus Christ, as He re-ascends to heaven, will bless them. They preserve these crosses of Mugwort for a year. Placed in stables, they are believed to possess the power of taming unmanageable animals.——The same author gives the following legends:—In the district of Starodubsk, Russia, on the day of the Exaltation of the Cross, a young girl was searching for Mushrooms in a forest, when she saw a number of serpents curled up. She endeavoured to retrace her steps, but fell into a deep pit, which was the abode of the serpents. The pit was dark, but at the bottom she found a luminous stone; the serpents were hungry; the queen of the golden-horned serpents guided them to the luminous stone, and the serpents licked it, and satisfied their hunger; the young girl did the same, and remained in the pit until Spring. On the arrival of Spring, the serpents interlaced themselves in such a manner as to form a ladder on which the young girl ascended to the mouth of the pit. But in taking her leave of the queen of the serpents, she received, as a parting gift, the power of understanding the language of plants, and of knowing their medicinal properties, on the condition that she should never name the Mugwort, or Tchornobil (that which was black): if she pronounced that word, she would forget all that she had come to know. The damsel soon understood all that the plants talked about; but, one day, a man suddenly asked her, “What is the plant which grows in the fields by the side of the little footpaths?” Taken by surprise, the girl replied, Tchornobil; and, at the same moment, all her knowledge forsook her. From that time, it is said, the Mugwort obtained the additional name of Zabytko, or the Herb of Forgetfulness.——In Little Russia, Mugwort has obtained the name of Bech, which has a legendary etymology. The story goes, that the Devil had, one day, offended his brother, the Cossack Sabba, who took him and bound him, saying he should remain a prisoner until he did him some great service. Soon afterwards, a troop of Poles arrived in the neighbourhood, and began to make merry at a rustic feast, leaving their horses to graze. The Cossack Sabba wished to seize their horses, and promised the Devil his liberty if he would aid him to accomplish his object. The Devil despatched certain demons to the fields where the horses were feeding, who caused Mugwort to spring up. As the horses trotted away, the plant moaned “Bech, Bech”: and now, whenever a horse treads on the Mugwort, recollecting the horses of the Poles, the plant always moans, “Bech, Bech”; hence, the name which has been given to it in the Ukraine.——The Japanese manufactured a kind of tinder, called Moxa, from the dried leaves of Mugwort, and, according to Thunberg, twice in a year, men and women, young and old, rich and poor, were indiscriminately burnt with it, either to prevent disorders, or to cure rheumatism, &c.——Astrologers state that Mugwort is a herb of Venus.
MUSHROOM.—On account of their apparently spontaneous generation, Porphyrius calls Mushrooms sons of the gods.——In Indo-European mythology, the Sun-hero is represented as sometimes hiding under a Mushroom. He also appears as King of the Peas, and in a Russian legend, in this capacity, gives battle to the Mushroom tribes.——In Wales, the poisonous Mushroom is called Bwyd Ellyllon, or the meat of the goblins.——In many parts of England it is believed that the changes of the moon influence the growth of Mushrooms, and in Essex there is an old saying that
“When the moon is at the full,
Mushrooms you may freely pull;
But when the moon is on the wane,
Wait ere you think to pluck again.”
There is an old belief that Mushrooms which grow near iron, copper, or other metals, are poisonous; the same idea is found in the custom of putting a piece of metal in the water used for boiling Mushrooms, in order that it should attract and detach any poison from the Mushrooms, and thus render them innocuous.——Bacon characterises Mushrooms as “venereous meat,” but Gerarde remarks that “few of them are good to be eaten, and most of them do suffocate and strangle the eater. Therefore, I give my advice unto those that love such strange and new-fangled meates, to beware of licking honey among thornes, least the sweetnesse of the one do not countervaile the sharpnesse and pricking of the other.”——The Burman, if he comes across Mushrooms at the beginning of a journey, considers it as a most fortunate omen.——Dream oracles state that Mushrooms forbode fleeting happiness; and that to dream of gathering them indicates a lack of attachment on the part of lover or consort.
MUSTARD.—Among the Jews, “Small as a grain of Mustard-seed” was a common comparison; and our Saviour referred to it as being “the least of all seeds; but when it is grown, it is the greatest among herbs, and becometh a tree, so that the birds of the air come and lodge in the branches thereof” (Matthew xiii., 31, 32). The Mustard-tree here alluded to is not, however, the English Mustard (Sinapis nigra), but a tree called by the Arabs Khardal (Salvadora Persica), a tree with numerous branches, among which birds may take shelter, while the seed is exceedingly small. In the north-west of India, this plant is known as Kharjal.——One of the Sanscrit names given to the Mustard-tree is the She-devil or Witch. By means of the seed the Hindus discover witches. During the night they light lamps and fill certain vessels with water, into which they gently drop Mustard-seed oil, pronouncing the while the name of every woman in the village. If, during this ceremony, as they pronounce the name of a woman, they notice the shadow of a female in the water, it is a sure sign that such woman is a witch.——In India, the Mustard-seed symbolises generation: thus, in the Hindu myth of the ‘Rose of Bakawali,’ the king of Ceylon destroys the temple in which the nymph Bakawali is incarcerated; having been condemned by Indra to remain there transformed into marble for the space of twelve years. A husbandman ploughs over the site of this temple, and sows a Mustard-seed. In course of time the Mustard ripens, is gathered, pressed, boiled, and the oil extracted. According to the custom of his class, the husbandman first tastes it, and then his wife: immediately she, who before had been childless, conceives, and nine months afterwards gives to the world a daughter (Bakawali), beauteous as a fairy.
MYROBALAN.—The Myrobalan Plum-tree produces a fruit similar to a Cherry, but containing only a juice of so disagreeable a flavour that the very birds refuse to feed upon it: the fruit, however, is much employed in Indian medicines. According to Hindu tradition, the wife of Somaçarman struck twice with a wand a Myrobalan-tree, whereupon the tree rose from the earth with her, and carrying her away, at last placed her on a golden hill in a golden town.
MYRRH.—Myrrh is an exudation from the tree Balsamodendron Myrrha; but the precious resin was held by the ancients to have been first produced by the tears of Myrrha, daughter of Cinyras, King of Cyprus, and mother of Adonis. Flying from the avenging sword of her father, for whom she had conceived an incestuous passion, the guilty Myrrha, after long and weary wanderings, reached the Arabian continent, and at length, in the Sabæan fields, overcome with fatigue and the misery of her situation, prayed with her dying breath to the gods to accept her penitence and to bestow upon her, as a punishment for her sin, a middle state “betwixt the realms above and those below.” “Some other form,” cries she, “to wretched Myrrha give, nor let her wholly die, nor wholly live.”
“The prayers of penitents are never vain;
At least she did her last request obtain.
For while she spake the ground began to rise
And gathered round her feet, her legs, and thighs;
Her toes in roots descend, and, spreading wide,
A firm foundation for the trunk provide:
Her solid bones convert to solid wood,
To pith her marrow, and to sap her blood:
Her arms are boughs, her fingers change their kind,
Her tender skin is hardened into rind.
And now the rising tree her womb invests,
Now, shooting upwards still, invades her breasts
And shades her neck; when, weary with delay,
She sunk her head within, and met it half the way.
And though with outward shape she lost her sense,
With bitter tears she wept her last offence;
And still she weeps, nor sheds her tears in vain,
For still the precious drops her name retain.”—Dryden.
Myrrh is one of the ingredients of the sacred ointment or oil of the Jews, with which were anointed the Tabernacle, the Ark, the altars, and the sacred vessels (Exodus xxx.) It was also used to consecrate Aaron and his sons. The purification of women, as ordained by the Jewish law, lasted one year; the first six months being accomplished with oil of Myrrh, and the rest with other sweet odours. After our Lord’s death, Nicodemus brought a mixture of Myrrh and Aloes, about an hundred pounds weight, that his body might be embalmed.——Myrrh formed part of the celebrated Kuphi of the Egyptians—a preparation used in fumigations and embalmings. At the fête of Isis, which was celebrated with great magnificence, they sacrificed an ox filled with Myrrh and other aromatics. This ancient people delighted in displays of perfumes: in a religious procession which took place under one of the Ptolemies, marched one hundred and twenty children, carrying incense, Myrrh, and Saffron in golden basins, followed by a number of camels bearing precious aromatics.——At Heliopolis, the city of the sun, where the great luminary was worshipped under the name of Re, incense was burnt to him thrice a day,—resin at his rising, Myrrh when in the meridian, and the compound called Kuphi at his setting. In the temples of Isis similar rites were observed. According to Herodotus, powdered Myrrh formed one of the principal ingredients inserted in the bodies of mummies.——The Persian kings usually wore on their heads crowns composed of Myrrh and Labyzus.——In mediæval times, it was customary for the king to make an oblation on Twelfth Day. In pursuance of this custom, we read that so late as 1762 George III. made the usual offering at the Chapel Royal, of gold, Frankincense, and Myrrh—the gifts of the Magi, offered to the infant Saviour at Bethlehem; the gold typifying king; Frankincense, God; and Myrrh, man.
MYRTLE.—The father, mother, and brothers of Myrene, a beautiful Grecian, were murdered by robbers, who despoiled their home, and carried Myrene away. She escaped, however, and on her return was made a priestess of Venus. On the occasion of a festival, she discovered one of the assassins of her family, who was seized, and disclosed the hiding-place of his confederates. Myrene’s lover promised that, if she would yield him her hand, he would bring the rest of the band to punishment. He was successful, and received his promised reward; but Venus, offended at being deprived of her favourite priestess, caused the bridegroom to expire suddenly, and changed the bride into the Myrtle, which she ordained, as a proof of her affection, should continue green and odoriferous throughout the year. The Myrtle became, therefore, an especial favourite with Venus. Reputed to possess the virtue not only of creating love, but of preserving it, it was, both by the Greeks and Romans, considered symbolic of love, and was appropriately consecrated to Venus, the goddess of love, around whose temples groves of Myrtle were planted. It was behind a Myrtle-bush in the island of Cythera, that Venus sought shelter when disturbed at her bath by a band of Satyrs; with Myrtle she caused Psyche to be chastised for daring to compare her charms with the heaven-born beauty of her mother-in-law; and with Myrtle the goddess selected to deck her lovely brows when Paris adjudged to her the golden Apple—the prize for supremacy of beauty: hence the shrub was deemed odious to Juno and Minerva. Because she presided over the Myrtle, Venus was worshipped under the name of Myrtea, and had a temple dedicated to her under that appellation at the foot of Mount Aventine. It is probable that the Myrtle was dedicated to Venus because of its fondness for the sea—from the foam of which the goddess sprang, and was wafted by the Zephyrs to the shore, where she was received by the Horæ, and crowned with Myrtle. Myrtle chaplets were worn by her attendants, the Graces, and by her votaries when sacrificing to her. During her festivals in April, married couples (her protégés) were decked with Myrtle wreaths. The Myrtle of which the nuptial crowns were composed was the Myrtus latifolia of Pliny, called by Cato Myrtus conjugula.——The Myrtle was adopted by Minerva and Mars; the priests of the latter deity being sometimes crowned with it. The plant was also associated with Hymen, the son of Venus, and the Muse Erato, whose chaplet was composed of Roses and Myrtle. It sometimes symbolised unchaste love. In the festivals of Myrrha, the incestuous mother of Adonis, the married women crowned themselves with Myrtle. Virgil represents the victims of love in the infernal regions hiding themselves behind bunches of Myrtle. At the festival of the Bona Dea at Rome, where all other flowers and shrubs might be used, Myrtle was forbidden to be placed on the altar, because it encouraged sensual gratification.——The Greeks were extremely partial to the Myrtle. At their most sacred festival, the Eleusinian mysteries, the initiates, as well as the high priest, who officiated at the altar of Ceres, were crowned with Myrtle. The Athenian magistrates wore chaplets of the fragrant shrub in token of their authority; and bloodless victors entwined Myrtle with their Laurel wreaths. When Aristogiton and Harmodius set forth to free their country from the tyranny of the Pisistratidæ, their swords were wreathed with Myrtle.——With the Romans, the Myrtle was a highly-esteemed plant, and invariably expressive of triumph and joy. It also symbolised festivity, and, when steeped in wine, was supposed to impart to it invigorating qualities. On the 1st of April, Roman ladies, after bathing beneath the Myrtle-trees, crowned themselves with the leaves, and proceeded to the shrine of Venus to offer sacrifice. The Roman bridegroom decked himself with Myrtle on his bridal day; and the hero wore it as a badge of victory, and sometimes interweaved it with Laurel in honour of Venus and Mars. When the Romans fought to guard the captured Sabine women, they wore chaplets of Myrtle on their heads, and, according to Pliny, after the combatants had at length become reconciled, they laid down their weapons under a Myrtle, and purified themselves with its boughs. The tree was sacred to the Sabine Mars Quirinus; and two Myrtles stood before his temple, as two Laurels stood before the temple of the Roman Mars, symbolising the union of the Roman and Sabine peoples.——The Romans crowned themselves with Myrtle after a victory, but only when blood had not been shed.——Pliny relates that Romulus planted in Rome two Myrtles, one of which became the favourite of the patricians, the other of the people. When the nobles won, the people’s Myrtle drooped; when, on the other hand, the people were victorious, the patricians’ Myrtle withered. As a charm to ensure a successful journey, Roman pedestrians were accustomed to procure and wear a Myrtle wreath.——At Temnos, in Asia Minor, there is a statue in Myrtle-wood consecrated by Pelops to Venus, as a thank-offering for his marriage with Hippodamia. After the death of Hippolytus, Phædra, maddened with passionate grief, pricked innumerable small holes in the leaves of a Myrtle with a hair-pin. The geographer Pausanias states that this Myrtle was in his time to be seen near the tomb of Phædra at Trœzen.——The same writer relates that a Myrtle which had been the hiding place of a hare was selected by Diana to mark the site of a new city.——With the Jews, the Myrtle is a symbol of peace, and is often so referred to in the Old Testament, notably by Nehemiah and the prophets Zechariah and Isaiah. A variety, called the Broad-leaved Jew’s Myrtle, is held in especial veneration, and is frequently used in Hebrew religious ceremonies. Branches of this and other Evergreens are used in the erection of their tents at the Feast of Tabernacles. At Aleppo, these tabernacles are made by fastening to the corner of a wooden divan four slender posts as supports to a diaper-work of green Reeds on all sides, leaving only a space in front for the entrance, which on the outside is covered with fresh Myrtle. Jewish maidens were wont to be decked with a bridal wreath of Myrtle; but this wreath was never worn by a widow, or by divorced women. This custom is still retained in Germany, where the bride is adorned with a Myrtle wreath.——The Oriental nations are extremely partial to the Myrtle, and there is a tradition among the Arabs that, when Adam was expelled from Paradise, he brought the Myrtle with him, as being the choicest of fragrant flowers.——It is a popular belief in Somersetshire, that, in order to ensure its taking root, it is necessary when planting a sprig of Myrtle, to spread the skirt of your garment, and to look proud. In the same county, there is a saying that “the flowering Myrtle is the luckiest plant to have in your window, water it every morning, and be proud of it.”——In Greece, there is a superstitious notion that no one should pass near an odoriferous Myrtle without gathering a perfumed bunch; indifference to the attractions of Myrtle being considered a sign of impotence and death.——In the allegories of Azz Eddin, the Rose says that the Myrtle is the prince of odoriferous plants.——Rapin calls the Myrtle “of celestial race,” and in his poem has the following lines on it:—
“When once, as Fame reports, the Queen of Love
In Ida’s valley raised a Myrtle grove,
Young wanton Cupids danced a summer’s night
Round the sweet place by Cynthia’s silver light.
Venus this charming green alone prefers,
And this of all the verdant kind is hers:
Hence the bride’s brow with Myrtle wreaths is graced,
When the long-wished-for night is come at last;
And Juno (queen of nuptial mysteries)
Makes all her torches of these fragrant trees.
Hence in Elysian fields are Myrtles said
To favour lovers with their friendly shade,
There Phædra, Procris (ancient poets feign),
And Eriphyle still of love complain,
Whose unextinguished flames e’en after death remain.
Nor is this all the honour Myrtles claim:
When from the Sabine war Tudertus came,
He wreathed his temples from the Myrtle grove,
Sacred to Triumph as before to Love.”
To dream of seeing a fine Myrtle portends many lovers and a legacy. If a married person dreams of Myrtle, it prognosticates a second marriage. A similar dream for the second time portends a second marriage to a person who has also been married before. Myrtle seen in a dream denotes, as a rule, a numerous family, wealth, and old age.
NARCISSUS.—The white, or Poet’s, Narcissus owes its origin to a beautiful youth of Bœotia, of whom it had been foretold he should live happily until he beheld his own face. Caressed and petted by the Nymphs, and passionately loved by the unhappy Echo, he slighted and rejected their advances; but one day, when heated by the chase, he stopped to quench his thirst in a stream, and in so doing beheld the reflection of his own lovely features. Enamoured instantly of his own beauty, he became spell-bound to the spot, where he pined to death. Ovid relates how the flower known by his name sprang from the corpse of Narcissus:—
“As wax dissolves, as ice begins to run,
And trickle into drops before the sun,
So melts the youth, and languishes away;
His beauty withers, and his limbs decay;
And none of those attractive charms remain,
To which the slighted Echo sued in vain.
She saw him in his present misery,
Whom, spite of all her wrongs, she grieved to see;
She answered sadly to the lover’s moan,
Sighed back his sighs, and groaned to every groan.
‘Ah, youth belov’d in vain!’ Narcissus cries;
‘Ah, youth beloved in vain!’ the Nymph replies.
‘Farewell!’ says he;—the parting sound scarce fell
From his faint lips but she replied, ‘Farewell!’
Then on th’ unwholesome earth he gasping lies,
Till death shuts up those self-admiring eyes.
To the cold shades his flitting ghost retires,
And in the Stygian waves itself admires.
For him the Naiads and the Dryads mourn,
Whom the sad Echo answers in her turn.
And now the sister-nymphs prepare his urn;
When, looking for his corpse, they only found
A rising stalk, with yellow blossoms crown’d.”—Addison.
The cup in the centre of the flower is fabled to contain the tears of Narcissus. Virgil alludes to this (Georgic IV.) when, in speaking of the occupations of bees, he says: “Some place within the house the tears of Narcissus.” Milton also refers to this fancy in the following lines, when introducing the Narcissus under its old English name of Daffodil:—
“Bid Amaranthus all his beauty shed,
And Daffodillies fill their cups with tears,
To strew the laureat hearse where Lycid lies.”
The Daffodil is supposed to be one of the flowers which Proserpine was gathering when she was seized and carried off by Pluto (Dis). The Earth, at the instigation of Jupiter, had brought forth the lovely blossom for a lure to the unsuspecting maid. An old Greek hymn contains the tale:—
“In Sicilia’s ever-blooming shade,
When playful Proserpine from Ceres strayed,
Led with unwary step, the virgin train
O’er Ætna’s steeps and Enna’s flow’ry plain
Pluck’d with fair hand the silver-blossom’d bower,
And purpled mead,—herself a fairer flower;
Sudden, unseen, amidst the twilight glade,
Rushed gloomy Dis, and seized the trembling maid.”
Shakspeare, in ‘A Winter’s Tale,’ alludes to the same story:—
“O Proserpina,
For the flowers now that, frightened, thou let’st fall,
From Dis’s waggon! Daffodils
That come before the swallow dares, and take
The winds of March with beauty.”
Other accounts of a similar legend, slightly varied, state that it was at the instigation of Venus that Pluto employed the Narcissus to entice Proserpine to the lower world.——Ancient writers referred to the Narcissus as the flower of deceit, on account of its narcotic properties; for although, as Homer assures us, it delights heaven and earth by its odour and beauty, yet, at the same time, it produces stupor, madness, and even death.——It was consecrated both to Ceres and Proserpine, on which account Sophocles poetically alludes to it as the garland of the great goddesses. “And ever, day by day, the Narcissus, with its beauteous clusters, the ancient coronet of the ‘mighty goddesses,’ bursts into bloom by heaven’s dew” (Œdipus Coloneus).——The Fates wore wreaths of the Narcissus, and the Greeks twined the white stars of the odorous blossoms among the tangled locks of the Eumenides. A crown composed of these flowers was wont to be woven in honour of the infernal gods, and placed upon the heads of the dead.——The Narcissus is essentially the flower of Lent; but when mixed with the Yew, which is symbolical of the Resurrection, it becomes a suitable decoration for Easter:—
“See that there be stores of Lilies,
Called by shepherds Daffodillies.”—Drayton.
Herrick, Shakspeare, Milton, Wordsworth, all sing the praises of the Narcissus, or Lent Lily, the Daffodil and Daffadowndily of our forefathers,—names which they formed from the still older one of Affodilly, a corruption of Asphodelus.
NASTURTIUM.—According to Rapin, the Nasturtium was once a young Trojan huntsman; but the Jesuit poet gives no details of the metamorphosis, merely stating that
“Shield-like Nasturtium, too, confusedly spread,
With intermingling Trefoil fills each bed—
Once graceful youths; this last a Grecian swain,
The first an huntsman on the Trojan plain.”
The shield-like form of the Nasturtium’s leaves and its curiously-shaped flowers, which resemble golden helmets, have obtained for the plant the Latin name of “Tropæolum” (trophy). Its old English names were Yellow Lark’s-heels and Indian Cress.——The seed of the Nasturtium, according to Macer Floridus, possess a great power to repel serpents.——Linnæus has recorded that his daughter Elizabeth Christina observed the flowers of the Nasturtium emit spontaneously, at certain intervals, sparks like electric ones, visible only in the evening.
NEEM.—The Neem-tree (Azardirachta Indica) is considered by the Indians a sacred tree, and is described by their poets as the type of everything bitter. Its bark is used as a substitute for Cinchona in cases of fevers.
NELUMBO.—The Nelumbo, Sacred Lotus, or Padma (Nelumbium speciosum), was the Sacred Bean of Egypt, the Rose Lily of the Nile spoken of by Herodotus. The beauty of its blossoms, which are sometimes of a brilliant red colour, but rarely white, hanging over broad peltated leaves considerably above the surface of the water, render this the most lovely and graceful of all the Water Lilies; and at the same time it is the most interesting on account of its remote historical associations. Four thousand years ago the Nelumbo was the emblem of sanctity in Egypt amongst the priests of a religion long since defunct; and the plant itself has long been extinct in that country, though in India and China the flowers are held especially sacred, and the plant is commonly cultivated. The Chinese call this sacred flower the Lien-wha, and prize it above all others. Celebrated for its beauty by their poets, and ranked for its virtues among the plants which, according to Chinese theology, enter into the beverage of immortality, this Lien-wha is to the Chinese what the Gul or Rose is to the Persians; and a moonlight excursion on a tranquil river covered with its yellow blossoms is numbered by the inhabitants of the Flowery Land among the supreme delights of mortal existence. (See also Lotus and Nymphæa).
NETTLE.—The Nettle is one of the five plants which are stated by the Mishna to be the “bitter herbs” ordered to be partaken of by the Jews at the Feast of the Passover.——In Ireland, the Nettle of Timor is known as Daoun Setan, or the Devil’s Apron; and in the southern parts of the island it is a common practice for schoolboys, once a year, to consider themselves privileged to run wildly about with a bunch of Nettles, striking at the face and hands of their companions or of such other persons as they fancy they may venture to assault with impunity.——The Roman Nettle (Urtica pilulifera) is the most venomous of British Nettles, and is found abundantly about Romney, in Kent, where, according to Camden, the Roman soldiers brought the seed with them, and sowed it for their own use, to rub and chafe their limbs when, through extreme cold, they should be stiff and benumbed; having been told before they came from home that the climate of England was so cold that it was not to be endured without having recourse to some friction to warm their blood and to stir up natural heat.——Among the various remedies once prescribed for the “trembling fever,” or ague, by Catherine Oswald, a noted herbalist, was one which related to plucking up a Nettle by the root three successive mornings before sunrise. In bygone times, Nettle and Milfoil carried about the person used to be believed to drive away fear, and to be a certain charm against malignant spirits.——The Scotch say that to cure the sting of a Nettle, the person stung must rub the leaves of a Dock over the part affected, repeating at the same time: “Nettle in, Dock out; Dock rub Nettle out.” This charm was known to Chaucer, who uses it as a common saying, implying lovers’ inconstancy, in ‘Troilus and Cresside’:—
“But canst thou playen racket to and fro,
Nettle in, Dock out, now this, now that, Pandure?”
In German mythology, the Nettle was consecrated to the god Thor.——In the Tyrol, during thunderstorms, the mountaineers throw Nettles on the fire to avert danger, and more especially to guard themselves from lightning; this custom also prevails in some parts of Italy.——In Germany, there exists a superstition that Nettles gathered before sunrise will drive away evil spirits from cattle.——The god Thor was, among the ancient Germans, regarded as the guardian deity of marriage; hence it is, perhaps, that in Germany Nettle-seed is believed to excite the passions and to facilitate births.——In dream lore, to fancy you are stung by Nettles indicates vexation and disappointment; to dream of gathering Nettles denotes that someone has formed a favourable opinion of you; and if the dreamer be married, then that the domestic circle will be blessed with concord and harmony.——Astrologers place Nettles under the dominion of Mars.
NIGHTSHADE.—The Deadly Nightshade (Atropa Belladonna), or Death’s Herb, is a plant of ill omen, and one of which witches are reported to be fond: it is so poisonous in its nature, that Gerarde says: “If you will follow my counsell, deale not with the same in any case, and banish it from your gardens, and the use of it also, being a plant so furious and deadly; for it bringeth such as have eaten thereof into a dead sleepe, wherein many have died.” Buchanan relates that the Scots, under Macbeth, being desirous of poisoning the Danes, treacherously took the opportunity, during a period of truce, to mix the poisonous Nightshade with the beer with which they had agreed to supply them. Thus stupefied, Sweno’s army slept soundly, and the Scots, falling upon their enemies, destroyed them in their helplessness.——According to Gassendi, a shepherd in Provence produced visions and prophesied, through the use of Deadly Nightshade.——The Nightshade (Solanum Dulcamara) has poisonous red berries; but the root and leaves have been applied to several medicinal uses.——The Vale of Furness, Lancashire, is still known by the name of Valley of Nightshade, on account of the plant being exceedingly plentiful there. Sprigs of Nightshade appeared on the ancient seals of the Abbey.
NIMBU.—The Nimbu (Melia Azedarach) is a native of the warm parts of Asia, and bears a variety of names in different countries, such as the Holy Tree, Pride of India, Bead Tree (in allusion to the seeds being strung for chaplets), Persian Lilac, and Hill Margosa. Bishop Heber saw it in India, and states that the natives have a profound reverence for the tree, which they believe has the power to ward off witchcraft and the Evil Eye.
NIPA PALM.—The Nipa, or Susa (Nipa fruticans), is the sacred tree of Borneo, and is the most valuable of all growing things to the Dyaks of that country. The seeds, it is recorded, lie dormant in the fruit several years before germination, when the fruit becomes detached from the plant and is floated off by the tide to establish itself on some other mudbank. This plant only grows where fever and Mangroves flourish.
None-so-Pretty, or Nancy-Pretty.—See London Pride.
Nosebleed.—See Yarrow.
NUTMEGS.—In the Middle Ages, a curious belief existed that Nutmegs, Cloves, Cinnamon, and Ginger all grew on the same tree.——The strength of the Nutmeg in the season is said so to overcome the birds of Paradise, that they fall helplessly intoxicated.——To dream of Nutmegs is stated to be a sign of many impending changes.
NUTS.—When the Scandinavian god Loki, transformed into a falcon, rescued Idhunn, the goddess of youthful life, from the power of the Frost-giants, it was in the shape of a Hazel-nut that he carried her off in his beak.——The Hazel was sacred to Thor, and was in olden times regarded as an actual embodiment of lightning: hence it possessed great virtue as a promoter of fruitfulness, and Hazel-nuts became a favourite medium in divinations relating to love and marriage.——In old Rome, Nuts were scattered at marriages, as they are now in Italy and in Altmark.——In Westphalia and other parts of Germany, a few Nuts are mixed with the seed-corn to act as a charm in making it prolific.——In Hertfordshire and other parts of England, as well as in Germany, a certain relation is believed to exist between the produce of the Hazel-bushes and the increase of the population; a good Nut year always bringing an abundance of babies. In Westphalia, the proverb runs, “Plenty of Nuts, plenty of babies.”——Brand says it is a custom in Iceland, when a maiden would know if her lover is faithful, to put three Nuts upon the bar of a grate, naming them after her lover and herself. If a Nut crack or jump, the lover will prove faithless; if it begin to blaze or burn, it is a sign of the fervour of his affection. If the Nuts named after the girl and her swain burn together, they will be married. This divination is still practised in Scotland on Hallowe’en, whose mysterious rites Burns has immortalised in his poem, containing these lines:—
“Some merry friendly countree folks
Together did convene
To burn their Nits and pu’ their stocks,
And haud their Hallowe’en,
Fu’ blithe that night.”
A similar custom has for years existed in Ireland; and Gray, long before Burns, had evidenced that the superstitions of Hallowe’en or Nutcrack Night (October 31st) were known and practised in England, as thus—
“Two Hazel-nuts I threw into the flame,
And to each Nut I gave a sweetheart’s name.
This with the loudest bounce me sore amazed,
That with a flame of brightest colour blazed.
As blazed the Nut, so may thy passion grow;
For ’twas thy Nut that did so brightly glow.”
In Bohemia, on Christmas Eve, girls fix coloured wax lights in the shells of the first parcel of Nuts they have opened that day, light them all at the same time, and set them floating in the water, after mentally giving to each the name of a wooer. He whose lighted bark first approaches the girl will be her future husband. If an unwelcome suitor seems likely to be first in, the girl endeavours to retard the shell by blowing against it, and by this means the favourite’s bark usually wins. Should, however, one of the lights be perchance blown out, it is accounted a portent of death.——The instrument used by the nutter in robbing the Hazel of its fruit seems to have been formerly regarded as opprobrious, and as suggestive of a thief: thus, in the ‘Merry Wives of Windsor,’ Nym says: “If you run the Nut-hook’s humour on me,” or, in other words, “If you call me a thief.” Again, in ‘Henry IV.,’ Part II., Doll Tearsheet cries out to the beadle: “Nut-hook, Nut-hook, you lie!”——In Sussex, there is a proverb current: “As black as the De’il’s nutting bag;” and it is held to be dangerous to go out nutting on Sunday, for fear of meeting the Evil One, who haunts the Nut-bushes, and sometimes appears to nutters in friendly guise, and holds down the branches for them to strip.——In bygone times, it was believed that a spirit of a weird and sinister character inhabited a Nut-grove.——There is a superstition that the ashes of the shells of Hazel-nuts have merely to be applied to the back of a child’s head to ensure the colour of the iris in the infant’s eyes turning from grey to black.——In Germany, Nuts are placed in tombs, as being emblematic of regeneration and immortality. Searchers in the old tombs of Wurtemburg sometimes found Pumpkins and Walnuts, but always a number of Nuts.——In some countries, Hazel-nuts are supposed to be endowed with the power of discovering or attracting wealth. Thus, in Russia, there is a belief that anyone carrying a Nut in his house will make money; and on this account many of the Russian peasantry invariably carry a double Nut in their purses. In fairy tales, we often find good fairies using Nuts as their carriages: as, in ‘Romeo and Juliet,’ Mercutio speaks of Queen Mab arriving in a Nut-shell.——There is a legend that St. Agatha every year crosses the sea from Catania to Gallipoli on a Nut-shell, which she employs as a boat.——Authorities on the subject say that to dream that you see Nut-trees, and that you crack and eat their fruit, signifies riches and content gained with toil and pain. Clusters of Nuts imply happiness and success: to dream of gathering Nuts is a bad omen; and to dream of finding Nuts that have been hid signifies the discovery of treasure.
NYMPHÆA.—The Nymphæa cœrulea is the Lily of the Nile, the Lotus of ancient Egypt; but not the Sacred Bean, which was the Nelumbium speciosum. (See Lotus and Nelumbo).——According to German tradition, the Undines often conceal themselves from mortal gaze under the form of Nymphæas.——This beautiful Water-lily was deemed by the Frisians to have a magical power. Dr. Halbertsma has stated that, when a boy, he remembers people were extremely careful in plucking and handling them; for if anyone fell with such a flower in his possession, he became immediately subject to fits.——The Wallachians have a superstition that every flower has a soul, and that the Water-lily is the sinless and scentless flower of the lake, which blossoms at the gates of Paradise to judge the rest, and that she will enquire strictly what they have done with their odours.
OAK.—Rapin tells us that among the ancients there were many conjectural reports as to the origin of the Oak, and the country which first knew the sacred tree: but the popular tradition which met with most credence, he considers, was as follows:—
“When Jupiter the world’s foundation laid,
Great earth-born giants heaven did invade;
And Jove himself—when these he did subdue—
His lightning on the factious brethren threw.
Tellus her sons’ misfortunes does deplore,
And while she cherishes the yet-warm gore
Of Rhœcus, from his monstrous body grows
A vaster trunk, and from his breast arose
A harden’d Oak; his shoulders are the same,
And Oak his high exalted head became.
His hundred arms, which lately through the air
Were spread, now to as many boughs repair.
A sevenfold bark his now stiff trunk does bind;
And where the giant stood a tree we find.
The earth to Jove straight consecrates this tree,
Appeasing so his injured deity.
Thus Oaks grew sacred, in whose shelter plac’d,
The first good men enjoy’d their Acorn feast.”
To do full justice to the legendary lore connected with the Oak, it would be necessary to devote a volume to the subject: the largest, strongest, and as some say, the most useful of the trees of Europe, it has been generally recognised as the king of the forest,
“Lord of the woods, the long-surviving Oak.”
An emblem of majesty and strength, the Oak has been revered as a symbol of God by almost all the nations of heathendom, and by the Jewish patriarchs. It was underneath the Oaks of Mamre that Abraham dwelt a long time, and there he erected an altar to the Lord, and there he received the three angels. It was underneath an Oak that Jacob hid the idols of his children, for this tree was held sacred and inviolable (Gen. xxxv., 2–4). Under the “Oak of weeping,” the venerable Deborah, Rebekah’s nurse, was interred. The messenger of the Lord that appeared to Gideon sat beneath an Oak; and it was a branch of one of these trees that caught the flowing hair of Absalom, and so caused the death of King David’s beloved son. The Oaks of Bashan are several times mentioned in the Bible, and in the sacred volume we are informed that the Israelites worshipped and offered sacrifices beneath the shadow of Oaks which they considered as sacred (Hosea iv., 13; Ezekiel vi., 13; Isaiah i., 29).
The ancient Greeks attributed the deluge of Bœotia to the quarrels between Jupiter and Juno. After the rain had ceased and the water subsided, an oaken statue became visible, erected, it is supposed, as a symbol of the peace concluded between the king of the gods and his consort. The Oak was thought by the Greeks to have been the first tree that grew on the earth, and to have yielded for man Acorns and honey, to ensure nourishment and fecundity. They called it, indeed, the mother-tree, and they regarded it as a tree from which the human race had originally sprung—a belief, shared by the Romans, for we find Virgil speaking
“Of nymphs and fauns, and savage men, who took
Their birth from trunks of trees and stubborn Oak.”
Acorns were the first food of man, and there is an old Greek proverb in which a man’s age and experience are expressed by saying that he had eaten of Jove’s Acorns. Some of the classic authors speak of the fatness of the earliest inhabitants of Greece and Southern Europe, who, living in the primeval forests, were supported almost wholly upon the fruit of the Oak; these primitive people were called Balanophagi (eaters of Acorns).
Homer mentions people entering into compacts under Oaks as places of security, for the tree was highly reverenced by the Greeks, and held a prominent place in their religious and other ceremonies. The Arcadians believed that by stirring with an Oak-branch the waters of a fountain near a temple of Jupiter, on Mount Lycius, rain could be caused to fall. The Fates and Hecate were crowned with Oak-leaves; and a chaplet of Oak adorned the brow of the Dodonæan Jove.
The Pelasgic oracle of Jupiter, or Zeus, at Dodona, was situated at the foot of Mount Tamarus, in a wood of Oaks, and the answers were given by an aged woman, called Pelias: and as pelias, in the Attic dialect, means dove, the fable arose that the doves prophesied in the Oak groves of Dodona. Respecting the origin of this oracle, Herodotus narrates that two priestesses of Egyptian Thebes were carried away by Phœnician merchants: one of these was conveyed to Libya, where she founded the oracle of Jupiter Ammon; the other to Greece. The latter remained in the Dodonæan wood, which was much frequented on account of the Acorns. There she had a temple built at the foot of an Oak in honour of Jupiter, whose priestess she had been in Thebes, and here afterwards the oracle was founded. This far-spreading speaking Oak was a lofty and beautiful tree, with evergreen leaves and sweet edible Acorns (the first sustenance of mankind). The Pelasgi regarded this tree as the tree of life. In it the god was supposed to reside, and the rustling of its leaves and the voices of birds showed his presence. When the questioners entered, the Oak rustled, and the Peliades said, “Thus speaks Zeus.” Incense was burned beneath the tree, and sacred doves continually inhabited it; and at its foot a cold spring gushed, as it were, from its roots, and from its murmur the inspired priestesses prophesied. The ship Argo having been built with the wood of trees felled in the Dodonæan grove, one of its beams was endowed with prophetic or oracular power, and counselled the hardy voyagers. Socrates swore by the Oak, the sacred tree of the oracles, and consequently the tree of knowledge.
The Romans regarded the Oak as sacred, and the chosen tree of Jupiter, who was sheltered by it at his birth. Thus Lucan mentions “Jove’s Dodonæan tree,” and Ovid, in alluding to the primitive food of man, speaks of Acorns dropping from the tree of Jove. The Oak, says Virgil, is
“Jove’s own tree
That holds the worlds in awful sovereignty.
For length of ages lasts his happy reign,
And lives of mortal men contend in vain;
Full in the midst of his own strength he stands,
Stretching his brawny arms and leafy hands;
His shade protects the plains, his head the hills commands.”
We have seen how Acorns formed the earliest food of mankind, and in ancient Rome the substitution of Corn was attributed to the bounty of Ceres, who, through the instrumentality of Triptolemus, taught the inhabitants of the earth its use and cultivation.
“The Oak, whose Acorns were our food before
That Ceres’ seed of mortal man was known,
Which first Triptoleme taught how to be sown.”—Spenser.
To commemorate this gift, Oak was worn in the festivals in honour of Ceres, as also by the husbandmen in general at the commencement of harvest. In the Eleusinian mysteries, Oaken chaplets were worn.
“Then crowned with Oaken chaplets, marched the priest
Of Eleusinian Ceres, and with boughs
Of Oak were overshadowed in the feast
The teeming basket and the mystic vase.”—Tighe.
A Roman who saved the life of another was adjudged a crown of Oak-leaves: thus Lucan writes:—
“Straight Lælius from amidst the rest stood forth—
An old centurion, of distinguished worth;
The Oaken wreath his hardy temples wore,
Mark of a citizen preserved he bore.”
This civic crown of Oak conferred many notable tokens of honour upon its possessor, who was exempted from all civil burdens, and enjoyed many rights. At Roman weddings, boughs of Oak were carried during the ceremonies as emblems of fecundity.
“With boughs of Oak was graced the nuptial train;
And Hecate (whose triple form surveys
And guards from rapine the nocturnal path)
Entwined with boughs of Oak her spiral snakes.”—Tighe.
Like the Greeks and Romans, the Scandinavians, in their mythology, traced the origin of mankind from either the Ash or the Oak. By the Teutons and Celts the Oak was invested with a mystical sacred character, and it was connected with the worship of their god Teutates. Among the German people, who consecrated the Oak to the god Thunar, the cultus of the sacred tree lingered for a long time, even after Boniface, the apostle of the Germans, at Geismar, on the Weser, had caused the Oak consecrated to the god of thunder to be uprooted. After the establishment of Christianity, the Oak was long supposed to be the abiding-place of the terrible Northern god, and was, consequently, regarded with superstitious awe. Bishop Otho, of Bamberg, in the year 1128, found at Stettin pagan temples, situate near an Oak and a fountain, which had been objects of worship, and were still regarded with superstitious awe, as being consecrated to a god. As the good bishop could not induce the people to cut down these sacred Oaks, he persuaded them that they were inhabited by evil spirits and demons; and, in course of time, the people who before had prostrated themselves before the trees, shunned them in superstitious dread and terror.
The ancient Britons dedicated the Oak to Taranis, their god of thunder; and the Celts, under the form of an Oak, are by some authorities stated to have worshipped Baal, the god of fire. On the occasion of an auto-da-fé, we are told that fagots of “grey” Oak were always selected. The festival of Baal was kept at Yule (Christmas); and on the anniversary, the Druids are said to have ordained that every fire should be extinguished, and then re-lighted with the sacred fire, which, in their sacerdotal character, they always kept burning. In this rite, it is supposed, may be traced the origin of the Yule-log, the kindling of which, at Christmas-time, is still kept up in England, though in this country the log is often of Ash. Among the Germans, Czechs, Serbs, and Italians, however, the Yule-log is always of Oak.
The Mistletoe which grew on an Oak was regarded by the Druids as the most holy; it was beneath the shade of venerated Oaks that they performed their sacred rites; and when they offered up human sacrifices, the victims, in grim mockery, were crowned with Oak-leaves. The baskets in which they were immolated were composed of Oaken twigs, and the brands with which the sacrificial fires were kindled were cut from Oak-trees. The priests scattered branches of the Oak upon the altars, and after the sacrifice fresh Oak-leaves were cast upon the blood-stained stones.
Alluding to the human sacrifices which polluted the recesses of the Druidic groves of Oak, and caused them to be regarded with shuddering terror, Tighe says:—
“Such groves in night terrific wrapt the gods
Of Gaul, where fostering nymph dared never tread,
Nor sylvan deity; no bird here couched
Her wing; no beast here slumbered in his lair;
No zephyr woke the silence of the boughs;
Alone at eve the trembling Druid sought
The mystic oracle; alone entranced
Amid the sanctuary stood, whose foul
Expanse in horrors veiled a dreaded god.”
When an Oak died, the Druids stripped off its bark, and shaped it reverently into the form of a pillar, a pyramid, or a cross, and still continued to worship it as an emblem of their god. In Anglesea, the ancient Mona, are still dug up great trunks of Oak, relics of the Druids’ holy groves. The central Oak was the peculiar object of veneration. The poet relates how men of old,
“When through the woods the Northern blast
Howled harsh appeased with horrid cries and blood
The Scythian Taranis; or bowed around
The central Oak of Mona’s dismal shade.”
The Druids it is believed revered the form of the cross. It is stated to have been their custom to seek studiously for a large and handsome Oak-tree, growing up with two principal arms in the form of a cross beside the main stem. If the two horizontal arms were not sufficiently adapted to the figure, they fastened a crossbeam to it. Then they consecrated it by cutting upon the right branch the word Hesus, upon the middle stem Taranis, and upon the left branch Belenus, and over them the word Thau. The tree thus inscribed was deemed peculiarly sacred, and to it they directed their faces when offering prayer.
It was beneath the shade of the Oak that Druidic criminal trials were held—the judge and jury being seated under the branches, and the prisoner placed in a circle traced by the wand of the chief Druid. With the Saxons, the Oak retained its sacred character, and their national meetings were held beneath its shelter. It was below the Oaks of Dartmoor that they held their conference with the Britons, whose land they were invading.
In Great Britain, the Oak remained an object of veneration long after the establishment of Christianity. It was under an aged Oak that St. Brigid of Ireland established her retreat for holy women, whence called Kildara, or cell of the Oak. Here had been burning for many centuries the sacred fire of the Druids, but by the piety of St. Brigid the light of Christianity was henceforth to emit its flame from beneath
“The Oak of St. Bride, which demon nor Dane,
Nor Saxon, nor Dutchman could rend from her fane.”
Many of the Druidical sacred Oaks were utilised by the early preachers of the Christian faith, who from beneath their boughs preached the gospel of Christ to the pagan inhabitants. Hence these trees became noted throughout the country as Gospel Oaks, a name which still appertains to many ancient trees existing at the present time in England. It is right to say, however, that other authorities consider the origin of the name to have been the custom of reading the Gospel of the day at a certain tree, when the priest went round the fields to bless the crops.
The Sclavonians worshipped Oaks, which they enclosed in a consecrated court. This spot was the sanctuary of all the country, and had its priest, its festivals, and its sacrifices. The inner sanctuary, where grew the sacred Oak, was reserved especially for the priests, sacrificers, and people in danger of their life, who had sought of the priests an asylum. It is said that the ancient Russians, upon arriving at the Isle of St. George, offered up sacrifices beneath a great Oak, before which the people and priests chanted a Te Deum. After the ceremony, the priest distributed the branches of the Oak among the people.
It is curious to note how the old Grecian belief in the sacred and supernatural character of the Oak has lingered in Italy. Prof. de Gubernatis tells us that in the Campagna of Rome, about seventeen years ago, a young shepherdess, during a storm, sought shelter under an Oak, and prayed to the Madonna. Whilst she prayed, a gracious lady appeared before her, and, thanks to her intercession, no rain fell on the Oak, and the girl was enabled to reach home without being wetted by a single drop. Everyone saw it was a miracle; the curé examined her, and from his representations the young girl was received into a convent at Rome, where she probably is preparing herself for canonisation. Under similar circumstances, two centuries ago, a Tuscan shepherdess, Giovanna of Signa, was canonised. In the district of Signa, near Ginestra, the villagers still show a sacred Oak, which people kneel to and adore. The story runs that one day the shepherdess Giovanna, surprised by a storm, called around her the shepherds and their flocks, and stuck her shepherdess’s crook into the ground; when, wondrous to relate, at the same instant shot forth an Oak, which sheltered beneath its branches shepherds and sheep. No one was wetted by the rain. On account of this miracle, Giovanna was made a saint, and near the sacred Oak a little chapel was erected to the Virgin. Strange to say, the tree throws down anyone climbing into its branches to cut boughs; but people are permitted to pluck sprays, which are believed to guard themselves and their houses from the effects of storms, provided that the names of Jesus and Mary are invoked with certain ceremonies.
Among the Bolognese, who inhabit a district once occupied by the Celts, and consequently Druidic, the sacred character of Oak-trees was long acknowledged. In the fourteenth century, there stood in Bologna an ancient Oak, which was regarded with the greatest reverence, and beneath its boughs all important gatherings of the people took place. In their religious processions the children still carry garlands of the Oak and Olive. In the country districts, images of the Virgin are often suspended from Oak-trees, and these effigies are called after the trees, the little Madonnas of the Oak. A legend of Bologna relates that in a chapel an image of the Virgin had long been neglected, and overlooked, till, one day, a pious shepherd took it away, and placed it in the trunk of a Cork-tree (a species of Oak, the Quercus Suber). Henceforth he visited it daily, and to honour the Virgin played on the flute. The thief having been denounced, the shepherd was seized and condemned to death; but during the night, through the intervention of the Madonna, the statue and the shepherd both returned to their favourite tree, and notwithstanding subsequent efforts to remove them, they again took up their place beneath its boughs. Then the people recognised a miracle performed by the Virgin, and falling on their knees before the statue in the Oak, they asked pardon of the shepherd.
The time-honoured belief in the sacred and supernatural attributes of the Oak have doubtless caused it to be regarded, even at the present day, as a tree which would vicariously bear the diseases of men. Thus, in England, Cross Oaks, which were trees planted at the juncture of cross-roads, were formerly resorted to by people suffering from ague, for the purpose of transferring to them their malady: this they did by pegging a lock of their hair into one of the trees, and then, by a sudden wrench, transferring the lock from their heads to the Oak, and with the lock the ague.
In Germany, there still exists a custom of creeping through an Oak cleft to cure hernia and other disorders. There was, near Wittstock, in Altmark, a bushy Oak, the branches of which had grown together again at some distance from the stem, leaving open spaces between them. Whoever crept through these spaces was freed from his malady, whatever it might be, and many crutches lay about, which had been thrown away by visitors to the tree whose ailments had been cured. In Russia, a similar custom is extant, the favourite tree there being the Quercus Ilex.
A belief that Oak-trees were the homes of Dryads, Hamadryads, spirits, elves, and fairies has existed since the days of the ancient Greeks. Pindar speaks of a Hamadryad as “doomed to a term of existence coeval with the Oak.” Callimachus represents Melia “deeply sighing for her coeval Oak,” and tells us that
“The Dryads laugh when vernal showers return;
O’er Autumn’s fading leaves the Dryads mourn.”
Preston, in his translation of Apollonius, makes a Hamadryad plead in vain for her existence, threatened by the destruction of the Oak in which she dwelt:—
“As in the mountain, with repeated stroke,
The churlish fellow felled the stubborn Oak;
Impious, he scorned the Hamadryad’s prayer,
And smote the tree coeval with the fair.
With streaming tears she pleads a suppliant strain
To that unfeeling churl, but pleads in vain.
‘Oh, rustic, stay, nor wound the hallowed rind,
For ages with that stem I live entwined.’”
In Germany, the holes in the trunks of Oaks are thought to be utilised by the elves inhabiting the trees as means of entry and exit; in our own country, Oaks have always been reputed as the trees in whose boughs elves delighted to find shelter. The fairies, too, were fond of dancing around Oaks: thus Tighe, apostrophising the monarch of the forest, exclaims:—
“The fairies from their nightly haunt,
In copse, or dell, or round the trunk revered
Of Herne’s moon-silvered Oak, shall chase away
Each fog, each blight, and dedicate to peace
Thy classic shade.”
In these lines allusion is made to a famous tree in Windsor Forest, one of a long series of celebrated Oaks—“lusty trees,” which, as Robert Turner writes, England “did once so flourish with, that it was called Druina by some.” One of these, known as the Cadenham Oak, in the New Forest, is said, like the Glastonbury Thorn, to mark the birthday of our Lord by budding on Christmas Day. Another, renowned as the Royal Oak, is reverenced as having been the hiding-place of Charles II., after the battle of Worcester. In this tree, not far from Boscobel House, the king, and his companion, Col. Careless, or Carless, resorted when they thought it no longer safe to remain in the house—the family giving them victuals on a Nut-hook. From this tree Charles gathered some Acorns, and set them himself in St. James’s Park:—
“Blest Charles then to an Oak his safety owes;
The Royal Oak, which now in songs shall live,
Until it reach to heaven with its boughs—
Boughs that for loyalty shall garlands give.”
In many parts of England, Oak-branches are suspended over doorways, and gilded Oak-leaves and Oak-Apples are worn, on Royal Oak Day (May 29th), in celebration of King Charles’s restoration, and his preservation in the Boscobel Oak, which is still extant.
Seven Oaks have given a name to a village in Kent; and Dean Stanley has described a row of seven Oaks standing at a particular spot in Palestine to which the following curious legend is locally attached:—After Cain had murdered his brother, he was punished by being compelled to carry the dead body of Abel during the lengthened period of five hundred years, and then to bury it in this place. Upon doing so, he planted his staff to mark the grave, and out of this staff grew up the seven Oak trees.
The aged Oaks of Germany excited the wonder and respect of Tacitus, who, speaking of one of the giants of the Hercynian forest, exclaims: “Its majestic grandeur surpasses all belief; no axe has ever touched it; contemporary with the creation of the world, it is a symbol of immortality.” Sacred trees, or pillars formed of living trunks of trees, many of which were Oaks, were to be found in ancient Germany, called Irmenseule. The world-tree of Romowe, the ancient sacred centre of the Prussians, was an evergreen Oak. The Oak of St. Louis at Vincennes, and the Oak of the Partisans at St. Ouen, are trees regarded with reverence by the French.
Evelyn considers that the wood used for our Saviour’s cross was Oak; founding his belief on the statements made by divers learned men who had studied the subject, and “upon accurate examination of the many fragments pretended to be parcels of it.” The same author speaks of “the fatal præadmonition of Oaks bearing strange leaves”; and tells us that sleeping under Oak-trees will cure paralysis, and recover those whom the malign influence of the Walnut-tree has smitten. Paulus, a Danish physician, averred that one or two handfuls of small Oak-buttons mingled with Oats given to black horses will change them in a few days to a fine dapple-grey. Bacon says that there is an old tradition that if boughs of Oak be put into the earth, they will bring forth wild Vines; he also remarks that in his day country people had “a kind of prediction that if the Oake-apple, broken, be full of wormes, it is a signe of a pestilent yeare.” It is said that when the Oak comes out before the Ash, it is a sign that there will be fine weather in harvest. The Kentish people have a saying:—
“Oak, smoke;
Ash squash.”
and that if the Oak comes out before the Ash, the summer will be hot; but if after the Ash, that it will be wet. Authorities in dream lore state that it is a very favourable omen to dream of an Oak-tree: if covered with verdure, it signifies a long and happy life; if devoid of foliage or withered, it betokens poverty in old age; to see many young Oaks thriving foretells male children, who will reap distinction by bravery; Oaks bearing Acorns betoken great wealth; and a blasted Oak forebodes sudden death.
Astrologers state that the Oak-tree is under the dominion of Jupiter.
OATS.—Oats did not enjoy a good reputation among the ancient Romans, and Pliny writes of them:—Primum omnium frumenti vitium Avena est. In old English books, the Oat is called Haver or Hafer corn, and to this day in Wales it is still called Hever. In Scandinavian mythology, the “Hafer” of the evil genius Loki is synonymous with Oats of the Devil, a term originally applied to all herbs hurtful to cattle.——The Danes call the plant Polytrichum commune Loki’s Oats; and in the tradition that the diabolic God of the North is wont mischievously to sow weeds among the good seed is probably to be found the origin of the English saying, “He is sowing his wild Oats.”——In the Ukraine, there is a tradition that on one occasion the Devil besought the Almighty to make him a present. God responded: “What is there that I can give you? I cannot part with the Rye, or the Barley, or the Millet: I must give you the Oats.” The Devil, well pleased, withdrew, crying, “Hurrah! the Oats, the Oats, are mine!” Then God inquired of St. Peter and St. Paul: “What can I do, seeing that I have handed them over to him?” “Verily,” said Paul, “I will at once go and get them from him.” “How will you manage that?” “Leave that to me,” replied Paul. “Very well—go!” St. Paul passed the Devil, and hid himself beneath a bridge. Presently the Devil came along shouting “Oats! Oats!” St. Paul commenced to shriek. The Devil stopped short. “Why have you thus frightened me?” he asked. “God has given me a plant, and now you have made me quite forget its name.” “Was it Rye?” “No,” “Wheat?” “No.” “Could it have been the Sow-thistle?” “Ah! that was it, that was it!” exclaimed the Devil, and he ran off shouting, “Sow-thistle, Sow-thistle.”——The contortions of the Animal Oat (Avena sterilis) are very noticeable: the strong beards, after the seeds have fallen off, are so sensible of alteration in the atmosphere, that they maintain an apparently spontaneous motion, resembling that of some grotesque insect. In olden times, conjurors and wizards predicted events and told fortunes by means of the awns of these Oats, which they caused to wriggle about by holding them in a damp hand, or breathing upon them. In these jugglers’ hands the Wild Oat became a magical plant, figuring at their will as the leg of an enchanted spider, Egyptian fly, or some other wonderful insect.——To dream of a field of ripe Oats just ready for the sickle is a most favourable omen, under all circumstances.
Old Man.—See Southernwood.
OLEANDER.—The banks of the Meles, the rivulet sacred to Homer, are in some parts thickly set with Nerium Oleander, a plant which bears a funereal and sinister character, and in Italy is considered as ill-omened and as bringing disgrace and misfortune. In Tuscany and Sicily, it is customary to cover the dead with Oleander-blossoms, and in India chaplets of these flowers are placed on the brows of the departed: the blossoms are also in that country much used in the decoration of temples. The Hindus call the shrub the “Horse-killer,” from a notion that horses inadvertently eating of its foliage are killed by it. The Italians bestow a similar name on the plant—Ammazza l’Asino, Ass-bane. Gerarde remarks that the flowers and leaves prove fatal to many quadrupeds, and that sheep and goats drinking water wherein the leaves have fallen are sure to die. In England, the plant is known as the Rose Bay and Laurel Rose. In Tuscany, it is called Mazza di San Giuseppe (St. Joseph’s Staff), and there is a legend that this staff commenced to blossom directly St. Joseph took it in his hands.
OLIVE.—The legend runs, that in the days of Cecrops, king of Attica, the two rival deities, Neptune and Minerva, strove for the worship of the Athenians. Each claimed priority of right: Neptune, by a salt spring, which his trident had opened in the rock of the Acropolis; Minerva, by pointing to the Olive-tree, which at her command had sprung from the soil. The gods in council decided that the latter was the earlier, as well as the more useful, gift; and so Minerva became the tutelary deity of the city, and the early Athenian rulers endeavoured to turn the attention of the citizens from warlike and seafaring pursuits, to the cultivation of the soil and the peaceful arts. On the coins of Attica, before the time of Pericles, an Olive-branch appeared with the moon and owl. Goats were sacrificed to Minerva, because they were thought to do special injury to the Olive-tree, and the goddess is styled by Virgil Oleæ inventrix. There was a deeper meaning attached to this Attic legend, the realisation of which appears as far off as it was in the days of Cecrops: still the Olive-branch remains the emblem of that period of peace and plenty which the world still hopes for.——The most sacred of the Athenian Olives grew in the temple of Minerva since the time of the dispute between Minerva and Neptune: it was burnt by Xerxes with the temple; but it was stated to have shot up again suddenly, after having been destroyed. The Athenians punished with great severity those who damaged their venerated Olive, which to them appears to have been emblematic of peace. It indicated liberty, hope, chastity, pity, and supplication; and special directions for the mode of planting the sacred tree had place among the institutes of Solon. Pliny asserts that the identical Olive-tree, called up by Minerva, was standing in his time.——The Olive is frequently mentioned in the Bible, both in a literal and figurative manner. The dove sent forth by Noah from the Ark, brought back an Olive-leaf (probably from Assyria, a country famous for Olive-trees), which the bird probably selected because the leaves would continue green beneath the water. As an emblem of peace, a garland of Olive was given to Judith when she restored peace to the Israelites by the death of Holofernes. The tree is still with the Jew the emblem of peace and plenty, with an added significance of holiness; and the association of it with the last days of Christ has made it also sacred to sorrow.——As an emblem of peace and reconciliation, the Olive is figured on the tombs of the early martyrs. As the attribute of peace, it is borne by the angel Gabriel, and St. Agnes, and St. Pantaleon. By Romanists the Olive is deemed a fitting emblem of the Virgin Mary, as the mother of Christ, who brought peace on earth, and who was the Prince of Peace.——In regard to the Olive-trees of the Garden of Gethsemane, eight of which are still stated to exist, Dean Stanley says: “In spite of all the doubts that can be raised against their antiquity, or the genuineness of their site, the eight aged Olive-trees, if only by their manifest difference from all others on the mountain, have always struck even the most indifferent observers. They are now, indeed, less striking in the modern garden enclosure, built round them by the Franciscans, than when they stood free and unprotected on the rough hillside; but they will remain so long as their already protracted life is spared, the most venerable of their race on the surface of the earth. Their gnarled trunks and scanty foliage will always be regarded as the most affecting of the sacred memorials in or about Jerusalem.”——According to the Jewish legend of Abimelech, the trees, once upon a time, desiring a king, addressed themselves first of all to the Olive, who refused the honours of royalty. The trees next in turn invited the Fig, the Vine, and other trees to become their monarch, but they all declined. At last the crown was offered to the Oak, who accepted it.——Grecian mythologists relate that the club of Hercules, which was made of Olive-wood, took root, and became a tree. In the Olympic games, instituted by Hercules, the victor was rewarded with a crown of Olive. The club of Polyphemus was the green trunk of an Olive-tree.——The caps of the priests of Jupiter were surmounted with a twig of Olive. The Olympian Jove is represented as wearing a wreath of Olives. Herodotus recounts that Xerxes, before his Grecian expedition, dreamed that he was crowned with an Olive wreath, the sprays of which turned towards the sun; but that a moment afterwards, this crown had disappeared.——The Athenians went to consult the Delphic oracle, holding in their hands branches of Olive, and asking for a favourable response in the name and through the favour of the Olive-trees; and Tigranes, when before Xerxes, reproached Mardonius with having carried on a war against a people who, in their Olympian games, were content with a crown of Olives as the reward of victory, and who fought not for plunder and riches, but for love of country and glory.——There stood in the Forum of Megara a wild Olive, on which it became the custom to hang the arms of local heroes. In course of time the bark of the Olive grew over these arms, and they were forgotten. An oracle, however, had declared that when the tree had brought forth arms, its destruction would take place. When the tree was cut down, the arms and helmets alluded to were discovered; and it was seen that the oracle had been fulfilled.——The Provençaux, at harvest time, sing a curious song, called the Reapers’ Grace, the first part of which narrates how Adam and Eve were put into the Garden of Eden; Adam is forbidden to eat of the fruit of life; he eats thereof, and the day of his death is foretold him. He will be buried under a Palm, Cypress, and Olive, and out of the wood of the Olive the cross was made.——According to a German tradition, from the tomb of Adam, the father of the human race, sprang an Olive: from this Olive was plucked the branch that the dove from the ark carried to Noah, the regenerator of the human race; and from the same Olive was made the cross of the Redeemer—the spiritual redeemer of the human race.——A tradition very general relates that the cross was formed of the Olive, Palm, Cedar, and Cypress, representing the four quarters of the globe.——In Central Europe, the Olive is everywhere regarded as the emblem of peace. It is planted in the midst of fields to ensure a good harvest and to protect the crops from hail: and in Venetia a branch is placed on the chimney-piece during thunder-storms as a preservative from lightning—a prayer being offered up at the same time to St. Barbara and St. Simon.——In some parts of Italy, young girls employ an Olive-branch as a means of divination. Having moistened a spray of Olive with their lips, they throw it in the fire; if the leaf jumps three times or darts out of the fire, they will find a husband; but if it burns without moving, it is a sure sign of celibacy. In Rome and Tuscany, the superstitious peasants imagine that no witch or sorcerer will enter a house where an Olive-branch that has been blessed is kept, and in order to ascertain whether they are suffering from the dire effects of an Evil Eye, they drop some Olive-oil in water, and from the appearance satisfy themselves on the point.——To dream of Olive-trees or Olives is considered a good omen, denoting happiness, prosperity, and success, and a speedy marriage to the lover; but to dream of plucking Olives is unpropitious, announcing trouble and vexation. To dream of Olive-trees bearing Olives denotes peace, delight, concord, liberty, dignity, and fruition of your desires. To dream that you beat the Olives down is lucky for all but servants.
ONION.—By the ancient Egyptians the Onion was regarded as a plant partaking of a sacred character and as a symbol of the Universe. With them it was a common object of worship, and their veneration for this and other vegetable products is ridiculed by the satirist Juvenal—
“How Egypt, mad with superstition grown,
Makes gods of monsters, but too well is known:
’Tis mortal sin an Onion to devour,
Each clove of Garlic hath a sacred power;
Religious nation sure, and blest abodes,
When every garden is o’errun with gods!”
The Onions of Egypt, which were of large size and exquisite flavour, were remembered with regretful longings by the discontented Israelites in the wilderness; and although the priests of ancient Egypt were forbidden to partake of them, yet they were admitted among the offerings placed on the altars of the gods.——Mythologists relate that the goddess Latona, having, during an indisposition, lost her appetite, regained it by eating an Onion, and thenceforth adopted this vegetable, which was accordingly consecrated to her.——The disciples of Pythagoras abstained from eating Onions, ostensibly because they grew during the falling moon, but probably because, like Beans, they were considered too stimulating in their effects. Among the Greeks, it would seem that the Onion was considered symbolic of generation, since we find that at the nuptials of Iphicrates with the daughter of King Cotys, he received, among other presents, a jar of snow, a jar of Lentils, and a jar of Onions.——It is thought that, as with the Egyptians, or with the English Druids, the Onion was an emblem of the deity, and to this day it is a custom in some parts of England for girls to divine by it. Barnaby Googe, in ‘Ye Popish Kingdome,’ tells us:—
“In these same days young wanton gyrles that meet for marriage be
Doe search to know the names of them that shall their husbands be;
Four Onyons, five, or eight they take, and make in every one
Such names as they do fancie most, and best to think upon.
Then nere the chimney them they set, and that same Onyon then
That firste doth sproute doth surely bear the name of their good man.”
In olden times, country lasses used to resort to a method of divination with an Onion named after St. Thomas: this they peeled and wrapped in a clean kerchief; then, placing it under their heads, they repeated the following lines:—
“Good St. Thomas, do me right,
And let my true-love come to-night,
That I may see him in the face,
And him in my fond arms embrace.”
In the South of England this species of divination is still extant, but the procedure is different. When the Onions are bought, the purchaser must take care to go in by one door of the shop and come out by another—a shop being selected that has two doors. These Onions, placed under your pillow on St. Thomas’s Eve, are sure to bring visions of your true-love, your future husband.——According to astrologers, the Onion is under the dominion of Mars.——To dream of Onions is considered of evil augury, portending sickness and misfortune.
“To dream of eating Onions means
Much strife in thy domestic scenes;
Secrets found out or else betrayed,
And many falsehoods made and said.”
ORANGE.—Both Spenser and Milton held the opinion that the Orange is the veritable “golden Apple” presented by Juno to Jupiter on the day of their nuptials; hence, perhaps, the association of the Orange with marriage rites. This golden fruit grew only in the garden of the Hesperides, situated near Mount Atlas in Africa, where they were carefully tended by the three daughters of Hesperus—Ægle, Arethusa, and Erythia—and guarded by an ever-sleeping dragon. It was one of the labours of Hercules, to obtain some of these golden Apples. After slaying the dragon, he succeeded in plucking the auriferous fruit, and took them to Eurystheus, but they were afterwards carried back to the garden of the Hesperides by Minerva, as they could not be preserved elsewhere. Milton alludes to the Orange as a tree
“Whose fruit, burnished with golden rind,
Hung amiable, Hesperian fables true,
If true, here only, and of delicious taste.”
These, again, were the golden Apples given by Venus to the subtle Hippomenes, and by means of which he cunningly contrived to wrest victory in his race with the swift-footed Atalanta. Perhaps, also, Spenser’s opinion is correct, and the Orange may be the fruit, the bestowal of which upon Venus was the origin of the Trojan war. Spenser states his opinion in the following stanzas of his ‘Faërie Queene’:—
“Next thereunto did grow a goodly tree,
With branches broad dispread and body great,
Clothèd with leaves, that none the wood might see,
And laden all with fruit, as thick as thick might be.
“The fruit were golden Apples glistering bright,
That goodly was their glory to behold;
On earth no better grew, nor living wight
E’er better saw, but they from hence were sold;
For those which Hercules, with conquest bold,
Got from great Atlas’ daughters, hence began,
And planted there, did bring forth fruit of gold,
And those with which th’ Eubœan young man wan [won]
Swift Atalanta, when, through craft, he her outran.
“Here also sprang that goodly golden fruit
With which Acontius got his lover true,
Whom he had long time sought with fruitless suit;
Here eke that famous golden Apple grew,
The which among the gods false Até threw,
For which th’ Idæan ladies disagreed,
Till partial Paris deem’d it Venus’ due,
And had of her fair Helen for his meed,
That many noble Greeks and Trojans made to bleed.”
At Brighton, there exists a curious custom of bowling or throwing Oranges along the high-road on Boxing-day. He whose Orange is hit by that of another, forfeits the fruit to the successful hitter.——An Andalusian tradition, given by De Gubernatis, relates that the Virgin Mary, journeying with the infant Jesus and with Joseph, came to the Orange-tree, which was guarded by an eagle, and begged of it one of the Oranges for the holy child. The eagle miraculously fell asleep, and the Virgin thereupon plucked not one but three Oranges, one of which she gave to the infant Jesus, another to Joseph, and the third she kept for herself. Then, and not till then, the eagle that guarded the Orange-tree awoke.——According to Evelyn, the first China Orange-tree which reached Europe was sent as a present to the old Conde Mellor, then Prime Minister to the King of Portugal. Writing in 1697, the Jesuit Le Comte states that “the first and unique Orange-tree, from which it is said all others have sprung, is still preserved at Lisbon, in the house of Count St. Laurent.”——In Sicily, statues of the Madonna are decorated with branches of the Orange; at Avola, in Sicily, on Easter Sunday, two posts are set up, and decorated with Orange-boughs.——The Orange is one of those rare trees which produce at the same time fruit, flowers, and foliage; hence it is in some countries considered as typifying great fulness, and has thus become connected with wedding ceremonies. The practice of wearing Orange-blossoms and wreaths by brides has been derived from the Saracens, amongst whom the Orange-flower was regarded as emblematic of a happy and prosperous marriage. In Crete, the bride and bridegroom are sprinkled with Orange-flower-water. In Sardinia, it is customary to attach Oranges to the horns of oxen which draw the nuptial carriage.——To dream of Oranges would appear to be at all times a very unfavourable omen.
ORCHIS.—From mythology we learn that the Orchis owes its origin to the wanton son of the satyr Patellanus and the nymph Acolasia, who presided at the feasts celebrated in honour of Priapus. The headstrong Orchis, being present at the celebration of the feast of Bacchus, laid violent hands on one of the priestesses of that god; and this sacrilegious conduct so incensed the Bacchanals against the youth, that they forthwith set upon him, and in their fury literally tore him in pieces. His father adjured the gods, but the only remedy he could obtain was that his son’s mangled corpse should be transformed into a flower, which should ever after bear the name of Orchis, as a blot upon his memory.——Among the early Romans, the Orchis was often called Satyrion, because it was believed to be the food of the satyrs, and as such excited them to those excesses which were characteristic of the attendants of Bacchus. Hence, the Orchis-root not unnaturally became famous as a powerful stimulating medicine, and is so described by all herbalists from the time of Dioscorides.——A very old tradition exists that Orchids sprang from the seed of the thrush and the blackbird.——Bishop Fleetwood writes of these curious flowers that they represent apes, birds, wasps, bees, flies, butterflies, gnats, spiders, grasshoppers, and other insects; “but the most curious sort is that which is called Anthropophora, because it represents a man or a woman very exactly.” He further tells us “this flower, resembling a man, appears in the beginning of Autumn; but that which represents women comes in May. These two Orchids were, in 1671, engraved by order of the Academia Curiosorum Naturæ, and were described as Orchis Anthropophorus Mas., and O. A. Fœmina.”——A tradition is attached to the English species, Orchis mascula, which usually has its leaves marked with deep purple spots. It is said that these spots are the stains of the precious blood which flowed from our Lord’s wounded body on the cross at Calvary, as this species of Orchis is reported to have grown there. In Cheshire, the plant is called Gethsemane.——The sweet-scented Orchis, Gymnadenia conopsea, is the Northern goddess Frigg’s Grass.
ORPINE.—On Midsummer Eve, Orpine (Sedum Telephium), Fennel, Lilies, and Hypericum used formerly to be hung over doors and windows. The plant is commonly called ‘Midsummer Men’ and ‘Livelong,’ from a custom of country lasses to try their lovers’ fidelity with it on Midsummer Eve: this they do by setting up two plants of Orpine—one representing themselves, and another their lovers—upon a slate or trencher, and afterwards judging of the state of their lover’s affections by his plant living and turning to their own, or not. Wives, also, place over their heads the Orpine-plant, and by the bending of the leaves to the right or to the left divine whether husbands are true or false. (See Livelong.)
OSMUND ROYAL.—The stately flowering Fern Osmunda Regalis is said to derive its name from the following legend:—A waterman, named Osmund, once dwelt on the banks of Loch Fyne, with his wife and daughter. One day a band of fugitives, bursting into his cottage, warned Osmund that the cruel Danes were fast approaching the ferry. Osmund heard them with fear; he trembled for those he held dearer than life. Suddenly the shouts of furious men roused him to action. Snatching up his oars, he rowed his trembling wife and child to a small island covered with this beautiful Fern; and helping them to land, he bade them lie down beneath the shady foliage for protection. Scarcely had the ferryman returned to his cottage, ere a company of fierce Danes rushed in, but knowing that he could be of service to them, they did him no harm. During the day and night, Osmund was occupied in ferrying the troops across the lake. When the last company had landed, Osmund kneeled beside the bank, and returned thanks to Heaven for the preservation of his wife and child. Often in after years did he speak of that day’s peril; and his daughter called the Fern by her father’s name. Gerarde, in describing the stem of the Osmunda, which, on being cut, exhibits a white centre, calls this portion of the Fern the “heart of Osmund, the waterman,” probably in allusion to the above tradition.
Our Lady’s Plants.—See Lady’s Plants.
Ox-Eye.—See Moon Daisy.
PALASA.—Palasa is a Sanscrit word, meaning “leaf,” but in course of time it became applied to the Butea frondosa as well as the name Parna, which also signifies a leaf. The modern Indian name of the tree is Dhak. The Palasa is in India a sacred tree, and has a special cultus; as such, it is held to be imbued with the immortalising Soma, the beverage of the gods. According to the Vedas, it owed its origin to a feather dropped by a falcon who, when the gods were pining for the precious Soma fluid, succeeded in stealing some from the demons who had charge of it. In flying off with its prize, the falcon was wounded by an arrow shot by one of the demons, which wounded it and caused a feather impregnated with the divine fluid to fall to earth, where it took root and became a Palasa-tree (called also Parna), which has a red sap and scarlet blossoms—emblems of the sacred fire. The falcon was a transformed god—some say Indra—hence the tree which sprang from the god-bird’s feather was in its nature divine.——The Palasa was much employed by the Hindus in religious ceremonies, particularly in one connected with the blessing of calves to ensure them proving good milkers. To this end, at the time of the sacrifice offered in the new moon (the season of increase), the priest, on behalf of the Hindu farmer, selected a Palasa-branch that grew on the north-east, north, or east side of the tree, and cut it off, saying, “For strength cut I thee.” Then, having stripped off the leaves, he struck both calves and dams with it, blessing the latter and bidding them be good milkers and breeders, and profitable animals to their masters. This done, he stuck up the Palasa rod eastward of the holy fire, and bade it protect the cattle. The object in thus touching the cattle was that the divine Soma contained in the rod might pass into and enrich the udders of the beasts. The Palasa is triple-leaved, and hence was deemed to typify, like the trident, the forked lightning, an appropriate attribute, inasmuch as it originally sprang from a god of the lightning. In this respect, it resembled the rod of Mercury (a fire-god), the Sami, and the Rowan rod.——The staff of the Brahman ought to be made of Palasa wood. (See Dhak.)
PALM.—The Palm-tree is symbolic of victory, of riches, and of generation. It was considered by the ancients also an emblem of light, and was held sacred to Apollo. The Palm of Delos was supposed to have existed from the time of the god Apollo himself. Among the Greeks, there existed a legend that the Palm, like the Olive, was brought into Greece by Hercules, on his return from the infernal regions. The Orphics venerated the Palm as an immortal tree, which never grew old; hence, as a symbol of immortality, and especially of the immortality of glory, it was associated with the goddess Victoria, called also Dea Palmaris.——In India, as amongst the Arabs, the Palm is considered a sacred tree.——According to an Indian legend, the Palm of the Lake of Taroba, in Central India, was only visible during the day; in the evening it re-entered the earth. It is related that a rash pilgrim climbed one morning to the top of the Palm, but the tree grew to such a height above the earth’s surface, that the pilgrim was scorched to death by the sun’s rays, and the Palm itself was reduced to tinder. On the spot where the miraculous Palm is said to have once grown stands the idol of the Geni of the Lake, called Taroba.——Christian legend has associated the Palm with the history of Jesus. According to the Apocryphal Gospel, the Virgin Mary, whilst journeying, became fatigued and oppressed with the great heat; in passing by a great desert, she saw a large and beautiful Palm-tree, beneath which she wished to seek rest and shelter; so she asked Joseph to drive the ass upon which she was seated towards the tree. When she reached the foot of the tree, she dismounted, and, looking up, noticed that the tree was laden with fruit. Then she said to Joseph: “I wish to have some of the fruit of this tree, for I am hungry.” To this, Joseph replied: “Mary, I marvel that you should desire to eat of this fruit.” Then Jesus Christ, who was seated in his mother’s lap, ordered the Palm to bend down, so that his mother might partake of its fruit at pleasure. And forthwith the tree bent down to the Virgin Mary, and she partook of its fruit, and still the Palm remained bent downwards. Then, Jesus perceiving this, ordered the Palm to resume its natural position, and it immediately did so. This legend has been widely diffused in Italy and elsewhere, sometimes with the following addendum: “Jesus, after this act of devotion on the part of the Palm, gave the tree his benediction, chose it as the symbol of eternal salvation for the dying, and declared that he would make his triumphant entry into Jerusalem with a Palm in his hand.”——The Palm was early assumed by the Christian Church as the universal symbol of martyrdom, in accordance with Revelation vii., 9: “And after this I beheld, and lo, a great multitude stood before the throne, clothed with white robes, and with Palms in their hands.... And he said to me, These are they which came out of great tribulation.” Hence, in early Italian paintings of the saints, as well as on the sculptured effigies of Christian heroes, the Palm is represented as borne by those who suffered martyrdom; and, in some instances, by those conspicuous for their victory over pain and temptation.——In old religious paintings, St. Christopher (who lived in the middle of the fourth century) is represented as a man of Herculean proportions, who uses, as a supporting staff, an entire Palm-tree with leaves and branches. The legend is, that having, when still unconverted, entreated a hermit to show him Christ, the holy man admonished him that he must do some good and acceptable work, and recommended him to go to the banks of a deep and swollen river, and by his great strength assist travellers to cross over it. Christopher readily undertook the task, and went and dwelt by the side of the river. Having rooted up a Palm-tree, he used it as a staff to guide and support his steps, and aided all who were overcome by the stream, and carried the weak on his shoulders across it. After he had spent many days at this toil, he, one night, whilst lying resting in his hut, heard a voice calling him from the shore. He arose and looked out, but saw nothing. So he lay down again, and the same thing occurred to him a second and third time. Then he took his lantern and searched about the river bank, and at last discovered a little child, who plaintively said to him: “Christopher, carry me over this night.” Thereupon the stalwart young man lifted the little child on his shoulders, and grasping his Palm-staff, entered the stream. As he struggled across, the waters kept rising higher and higher; the waves roared, and beat against him, and the winds blew. The infant on his shoulder became heavier and still heavier, till Christopher felt that he must sink under the excessive weight, and began to feel afraid: nevertheless, taking fresh courage, and staying his tottering steps with his Palm-staff, he at length reached the opposite bank. Gently placing the child down, he looked at him with astonishment, and asked, “Who art thou, child, that hast placed me in such extreme peril? Had I carried the whole world on my shoulders, the burthen had not been heavier.” Then the child replied: “Wonder not, Christopher, for thou hast not only borne the world, but Him who made the world, upon thy shoulders. Me wouldst thou serve in this thy work of charity; and, behold, I have accepted thy service; and in testimony that I have accepted thy service and thee, plant thy staff in the ground, and it shall put forth leaves and fruit.” Christopher did so, and the dry Palm-staff flourished as a Palm-tree in the season, and was covered with clusters of Dates. But the miraculous child had vanished. Then Christopher fell on his face, and confessed and worshipped Christ.——According to the legend of the death of the Virgin Mary, she was, one day, filled with an inexpressible longing to behold her Son again, and whilst weeping, an angel suddenly appeared, and said: “Hail, O Mary! I bring thee here a branch of Palm, gathered in Paradise; command that it be carried before thy bier in the day of thy death; for in three days thy soul shall leave thy body, and thou shalt enter into Paradise, where thy Son awaits thy coming.” After conversing with the Holy Mother, the angel departed into heaven, and the Palm-branch which he had left behind him shed light from every leaf, and sparkled as the stars of the morning. At the same instant, the apostles, who were dispersed in various parts of the world, were miraculously caught up and deposited at Mary’s door. Then, having thanked the Lord, she placed in the hands of St. John the shining Palm, and desired him to bear it before her at the time of the burial—an office which he faithfully discharged.——Some authorities mention the Palm as one of the four trees which furnished the wood of which the Redeemer’s Cross was composed; this notion is derived from Canticles vii., 8: “I will go up to the Palm-tree,” &c. Hence the old rhyme:—
“Nailed were His feet to Cedar, to Palm His hands—
Cypress His body bore, title on Olive stands.”
The praises of the Palm have been sung by Hebrew, Indian, Persian, and Arabian poets of all ages. According to Strabo, a Persian hymn, but according to Plutarch a Babylonian hymn, records the three hundred and sixty benefits conferred on mankind by this noble tree; whilst a poem in the Tamil language, although enumerating eight hundred and one uses of the Palmyra Palm, does not exhaust the catalogue.——In the Indian Vishnu Purâna, the fruitfulness of the Date Palm is alluded to. The youthful Bala Râma slays the monster Dhenuka, and casts the carcase at the foot of a Date Palm: then the Dates fell upon him just as rain, beaten by the winds, patters down on the earth.——In India, the Palm has given rise to a proverb on account of the facility with which it takes root: the natives say of a vile and despised enemy, that he takes root as a Palm.——To dream of a Palm-tree is a very good omen, particularly if it is in full blossom, in which case it predicts much success and good fortune.
PANSY.—The Pansy (Viola tricolor) derives its name from a corruption of the French word pensées, thoughts: thus poor Ophelia says:—
“Pray you love, remember,
And there’s Pansies,—that’s for thoughts.”—Shakspeare.
Spenser designated the flower “the pretty Pawnce;” Milton spoke of it as the “Pansy freak’d with jet;” and Drayton sings:—
“The pretty Pansy then I’ll tye,
Like stones some chain enchasing;
The next to them, their near ally,
The purple Violet placing.”
Rapin writes of the flower as Flos Jovis—the flower of Jove:—
“With all the beauties in the valleys bred,
Spearmint, that’s born with Myrtle crowns to wed.
And Jove’s own flower, in which three colours meet,
To rival Violets, though without their sweet.”
In addition to this grandiose title, the little flower rejoices in a multiplicity of epithets bestowed on it by rural admirers. It is Heart’s-ease, Forget-me-not, Herb Trinity, Three-Faces-under-a-Hood, Love-and-Idle, Love-in-idleness, Live-in-Idleness, Call-me-to-you, Cuddle-me-to-you, Jump-up-and-kiss-me, Kiss-me-ere-I-Rise, Kiss-me-at-the-Garden-Gate, Tittle-my-Fancy, Pink-of-my-John, and Flamy, because its colours are seen in the flame of wood. In the North-east of Scotland, and in Scandinavia, the flower is with a spice of irony called Step-mother. In ‘A Midsummer Night’s Dream,’ Shakspeare gives the Heart’s-ease magical qualities. Oberon bids Puck procure for him “a little western flower” on which Cupid’s dart had fallen, and which maidens called “Love-in-Idleness.” Says the fairy king:—
“Fetch me that flower—the herb I showed thee once;
The juice of it, on sleeping eyelids laid,
Will make or man or woman madly dote
Upon the next live creature that it sees.”
The poet Herrick tells us, in regard to the origin of these favourite flowers, that—
“Frolick virgins once there were,
Over-loving, living here.
Being here their ends denied,
Ran for sweethearts mad, and died.
Love, in pity of their tears,
And their loss in blooming years,
For their restless here-spent hours,
Gave them Heart’s-ease turned to flowers.”
The Pansy was the accidental cause of Bertram, the first American botanist, devoting himself to the study of botany. The stamens and pistil of this flower have something grotesque in their appearance when disclosed, resembling to a fanciful mind an animal with arms, and a head projecting and stooping forward. Bertram, who was originally a farmer, while superintending his servants in the field, and giving them directions, gathered a Pansy that was growing at his feet, and thoughtlessly pulled off its petals one after another. Struck with the stamens and pistil, Bertram conveyed it home, that he might examine it more carefully. Its examination created in him that thirst for the knowledge of the construction and habits of plants which afterwards rendered him so famous, and won for him the friendship of Linnæus.——The Heart’s-ease is said to be sacred to St. Valentine. As the Herba Trinitatis, or Herb Trinity, it is the special flower of Trinity Sunday.——It is considered to be a herb of Saturn.
PAPYRUS.—Plutarch tells us that the vessel on which the Egyptian goddess Isis embarked on her voyage to search for the remains of Osiris, was constructed of the Reeds of the Papyrus (Papyrus antiquorum), and that the crocodiles, out of respect and fear of the goddess, dared not approach the bark.——The Papyrus is the Rush described in the Hebrew Scriptures by the word Gôme, and in an ark of Gôme the mother of the infant Moses put her babe, and laid it in the Flags by the brink of the river Nile. The ancient Egyptians plaited the stems of the Papyrus not only into little boats, but into sails, mats, and sandals. The fabrication in particular of little boats appears to have been practised by them to an immense extent, and to have commenced in the very earliest days of the nation. M. de Castelnau says that the Reed-boats still in use amongst the Peruvians exactly resemble the pictured representations of the Egyptian ones, as preserved on the walls of the tomb of Rameses III. at Thebes. Bundles of Papyrus-stems furnished models for the shafts of some of the pillars of the ancient Egyptian temples, and the bases of these were ornamented with representations of the sheaths that encircle the foot of the flower-stalk. The Papyrus-plant supplied the material of which the famous paper, both rough and fine, was manufactured in ancient times. Papyrus paper made 2000 years B.C., or anterior to the time of Abraham, is still in existence. It was an article of commerce long before the time of Herodotus, and it remained in use till the seventh century. This Papyrus paper was prepared from the white pith of the stoutest stems of the Reeds which grew in great abundance in the pools caused by the overflowing of the Nile.——Plutarch relates, that when Agesilaus visited Egypt, he was so delighted with the chaplets of Papyrus sent him by the king, that he took some home when he returned to Sparta.
PARSLEY.—Hercules is said to have selected Parsley to form the first garlands he wore. The Greeks held Parsley (Petroselinum) in great reputation. A crown of dried and withered Parsley was given to the victor at the Isthmian games; and one of green Parsley to the conqueror at the Nemean games, in memory of the death of Archemorus, the infant son of Lycurgus, who, laid down by his nurse on a sprig of Parsley, was killed by a serpent.——A branch of Laurel and a crown of Parsley were given to the god of banquets. At Greek banquets the guests wore crowns of Parsley, under the belief that the herb created quiet and promoted an appetite.——Greek gardens were often bordered by Parsley and Rue; hence arose the saying, when an undertaking was in contemplation, but not really commenced: “Oh, we are only at the Parsley and Rue!” Parsley, again, was in great request for the purpose of decorating graves; and the Greeks were fond of strewing sprigs of the herb over the bodies of the dead. A despairing lover cries:—
“Garlands that o’er thy doors I hung,
Hang withered now and crumble fast;
Whilst Parsley on thy fair form flung,
Now tells my heart that all is past!”
From these funereal associations the herb acquired an ominous significance; and “to be in need of Parsley” was a proverbial expression meaning to be on the point of death. Plutarch tells of a panic created in a Greek force marching against the enemy by their suddenly meeting some mules laden with Parsley, which the soldiery looked upon as an ill omen. In our own country, to this day, there is an old saying among the people of Surrey and Middlesex, that “Where Parsley’s grown in the garden, there’ll be a death before the year’s out.”——There are several other English superstitions connected with Parsley. Children are often told that newly-born infants have been found in a Parsley bed. The seed of this herb is apt to come up only partially, according as the Devil takes his tithe of it. If, after having bruised some sprigs of Parsley in her hands, the housewife should attempt to raise her glasses, they will generally snap, and suddenly break. In some parts of Devonshire, the belief is widely spread that to transplant Parsley is an offence to the spirit who is supposed to preside over Parsley beds, entailing sure punishment either on the offender himself or some members of his family within a year. The peasants of South Hampshire will on no account give away Parsley, for fear of misfortune befalling them; and in Suffolk there is an old belief that to ensure the herb coming up “double,” Parsley-seed must be sown on Good Friday.——In the Southern States of America, the negroes consider it unlucky to transplant Parsley from an old home to a new one.——To dream of cutting Parsley is said to indicate a cross in love; to dream of eating it foretels good news.——The herb is held to be under Mercury.
PASQUE-FLOWER.—The Anemone Pulsatilla is the Paschal or Pasque-flower, especially dedicated to the Church’s Easter festival, The petals of the flower yield a rich green colour, which in olden times was used for the purpose of staining the eggs to be presented, according to custom, as Easter gifts. (See Anemone.)
PASSION-FLOWER.—The Passion-flower (Passiflora cœrulea) is a wild flower of the South American forests, and it is said that the Spaniards, when they first saw the lovely bloom of this plant, as it hung in rich festoons from the branches of the forest trees, regarded the magnificent blossom as a token that the Indians should be converted to Christianity, as they saw in its several parts the emblems of the Passion of our Lord.——In the year 1610, Jacomo Bosio, the author of an exhaustive treatise on the Cross of Calvary, was busily engaged on this work when there arrived in Rome an Augustinian friar, named Emmanuel de Villegas, a Mexican by birth. He brought with him, and showed to Bosio, the drawing of a flower so “stupendously marvellous,” that he hesitated making any mention of it in his book. However, some other drawings and descriptions were sent to him by inhabitants of New Spain, and certain Mexican Jesuits, sojourning at Rome, confirmed all the astonishing reports of this floral marvel; moreover, some Dominicans at Bologna engraved and published a drawing of it, accompanied by poems and descriptive essays. Bosio therefore conceived it to be his duty to present the Flos Passionis to the world as the most wondrous example of the Croce trionfante discovered in forest or field. The flower represents, he tells us, not so directly the Cross of our Lord, as the past mysteries of the Passion. It is a native of the Indies, of Peru, and of New Spain, where the Spaniards call it “the Flower of the Five Wounds,” and it had clearly been designed by the great Creator that it might, in due time, assist in the conversion of the heathen among whom it grows. Alluding to the bell-like shape assumed by the flower during the greater part of its existence (i.e., whilst it is expanding and fading), Bosio remarks: “And it may well be that, in His infinite wisdom, it pleased him to create it thus shut up and protected, as though to indicate that the wonderful mysteries of the Cross and of his Passion were to remain hidden from the heathen people of those countries until the time preordained by His Highest Majesty.”——The figure given of the Passion-flower in Bosio’s work shows the crown of thorns twisted and plaited, the three nails, and the column of the flagellation just as they appear on ecclesiastical banners, &c. “The upper petals,” writes Bosio in his description, “are tawny in Peru, but in New Spain they are white, tinged with rose. The filaments above resemble a blood-coloured fringe, as though suggesting the scourge with which our blessed Lord was tormented. The column rises in the middle. The nails are above it; the crown of thorns encircles the column; and close in the centre of the flower from which the column rises is a portion of a yellow colour, about the size of a reale, in which are five spots or stains of the hue of blood, evidently setting forth the five wounds received by our Lord on the Cross. The colour of the column, the crown, and the nails is a clear green. The crown itself is surrounded by a kind of veil, or very fine hair, of a violet colour, the filaments of which number seventy-two, answering to the number of thorns with which, according to tradition, our Lord’s crown was set; and the leaves of the plant, abundant and beautiful, are shaped like the head of a lance or pike, referring, no doubt, to that which pierced the side of our Saviour, whilst they are marked beneath with round spots, signifying the thirty pieces of silver.” Such is Bosio’s description of what he designates the “stupendous flower,” and the stir which his writings caused among the botanists and theologians of Italy soon brought about the introduction of the plant itself, which, before the year 1625, had established itself and blossomed in the garden of Cardinal Odoardo Farnese, at Rome. Aldinus, who was both the Cardinal’s physician and the controller of his garden, has left his description of the Passion-flower, and says of it:—“This is the famous plant sung by poets and celebrated by orators, the plant reasoned about by philosophers with the utmost subtlety, praised by physicians for its marvellous virtues, sought for eagerly by the sick, wondered at by theologians, and venerated by all pious Christians.” In his description of the flower Aldinus sets forth “what theologians may really find in it.” He says: “The nails on the top are represented so exactly, that nothing more perfect can be imagined.... In the open flower they are twisted and marked with dark blood-like spots, as if they had been already removed from the Cross. The small undeveloped seed-vessels may be compared to the sponge full of vinegar offered to our Lord. The star-form of the half-opened flower may represent the star of the Wise Men; but the five petals, fully opened, the five wounds. The base of the ovary is the column of the flagellation. The filaments represent the scourges spotted with blood, and the purple circle on them is the crown of thorns, blood covered. The white petals symbolise the purity and brightness of Our Lord, and His white robe. The corniculata folia, the sub-petals, white inside and green without, figure hope and purity, and are sharply pointed, as if to indicate the ready eagerness with which each one of the faithful should embrace and consider the mysteries of the Passion. The leaves of the whole plant are set on singly, for there is one God, but are triply divided, for there are Three Persons. The plant itself would climb toward heaven, but cannot do so without support. So the Christian, whose nature is to climb, demands constant assistance. Cut down, it readily springs up again; and whoever holds the mysteries of the Passion in his heart cannot be hurt by the evil world. Its fruit is sweet and delicate, and the Passion of our Lord brings sweet and delectable fruit to us.” In his ‘Paradisus Terrestris,’ John Parkinson, writing in 1629, speaks of the “Virgin Climer,” as “a brave and too-much-desired plant,” with flowers which “make a tripartite shew of colours most delightfull,” and are “of a comfortable sweet sent, very acceptable.”——The plant’s native Indian name was Maracot; from the likeness of the fruit to a small Pomegranate, it was sometimes called Granadilla; the Mexican Jesuits named it Flor de las cinca llagas; but in Italy, it was usually known as Fior della Passione, the name which it has retained throughout Europe.
PAULOWNIA.—The noble hardy tree, Paulownia imperialis, was so named in 1840 in honour of the Hereditary Princess of the Netherlands, a daughter of the Emperor of Russia. The Paulownias are famous throughout Japan for the hardness and beauty of their wood: they attain a height of about thirty feet, and produce dark lilac flowers, which are borne in three spikes upon a tri-lobed sinuous leaf. These flowers, which resemble the blossom of the Catalpa, constitute one of the crests of the Mikado of Japan.
PAVETTA INDICA.—A race of Malays, called the Aruans, when burying their dead, carry the body into the forest, and hoist it upon the summit of four posts. A tree, usually the Pavetta Indica, is then planted near it, and at this final ceremony none but nude females are allowed to be present.
PEA.—The priests of ancient Egypt were not allowed to partake of Peas.——The Pea, like most trailing and climbing plants, has always traditionally been connected with celestial fire. According to a mediæval legend, the ancient Midsummer or St. John’s Day fires were kindled at the season of the Summer solstice for the purpose of scaring away pestilential dragons; and these dragons carried Peas in their flight, which they cast down in such quantities as to fill up the wells, and their smell was so foul that the cattle refused to eat them: these Peas represent lightning, and their smell is the sulphurous fume that clings to everything struck by it. The ancient German Zwergs, who are dwarfs closely connected with the thunder-god Thor, and who forged for him his lightning hammer, are exceedingly fond of Peas, and often plunder the Pea-fields. Peas were consecrated to Thor himself, and to this day in Berlin Peas with Saurkraut are a standing dish on Thor’s Day (Thursday). The Pea was the favourite vegetable of Thor himself, and St. Nicholas, who in some countries has replaced him, is sometimes represented as being clad in Peas-straws. In the North of England, if a lass’s lover has proved unfaithful to her, she is, by way of consolation, rubbed with Peas-straw by neighbouring lads. A Scottish ballad says:—
“If you meet a bonnie lassie
Gie her a kiss, and let her gae;
If you meet a dirty hussey,
Fie, gae rub her o’er wi’ strae!”
Similarly when a Cambrian youth has been jilted, and his sweetheart marries a rival, the same operation is performed upon him, as a solace, by the village lasses. In the North of England, Carling Sunday (the fourth in Lent) is universally celebrated by feasts of Peas and butter. The use of Peas in divination concerning love affairs probably arises from the fact that they are sacred to the patron of marriage. In Bohemia, the girls go into a Pea-field, and there make a garland of five or seven kinds of flowers, all of different hues. This garland they use as a pillow, lying down with their right ear upon it, and then they hear a voice from underground, which tells them what manner of man they will have for a husband. A curious custom, known as “Peascod wooing,” was formerly extant in many country places; it was performed, according to Brand, by selecting one growing on the stem, snatching it away quickly, and if the good omen of the Peas remaining in the husk was preserved, then presenting it to the chosen lady. A girl shelling Peas will, if she should chance to find a pod containing nine, place it on the lintel of the kitchen door, and the first single man who enters is considered to be marked out for her future husband. Gay alludes to this custom in the following lines:—
“As Peascod once I plucked, I chanced to see
One that was closely filled with three times three;
Which, when I cropped, I safely home conveyed,
And o’er the door the spell in secret laid.
The latch moved up, when who should first come in,
But in his proper person—Lubberkin.”
The village girls in Hertfordshire lay the pod with nine Peas under a gate, and believe they will have for husband the man who first passes through, or, at any rate, one whose Christian name and surname have the same initials as his.——It is always considered a good augury to dream of Peas.——In Suffolk, there is a legend that the Lathyrus Maritimus, or Everlasting Pea of the sea-side, sprang up on the coast there for the first time in a season when greatly needed; and Fuller says of this particular Pea that “in a general dearth all over England, plenty of Peas did grow on the sea-shore, near Dunmow, in Suffolk, never set or sown by human industry, which, being gathered in a full ripeness, much abated the high price in the markets, and preserved many hungry families from perishing.”
PEACH.—There is an old tradition that the falling of the leaves of a Peach-tree betoken a murrain.——There is a superstitious belief in Sicily, that anyone afflicted with goître, who on the night of St. John, or of the Ascension, eats a Peach, will be cured, provided only that the Peach-tree dies at the same time; the idea being that the tree, in dying, takes the goître away with it, and so delivers the sufferer from the affliction. In Italy, as a charm to cure warts, Peach-leaves are carefully buried in the earth, so that as they perish the wart may disappear.——To dream of Peaches in season denotes content, health, and pleasure.
PEAR.—Among the ancients, the Pear was specially consecrated to Venus. Columella knew a species called Pyrus Venerea, the Pear of Love. The Scots claim that “fair Avalon,” the Celtic “Isle of the Blest,” is an island in Loch Awe, Argyleshire; and the Gaelic legend changes the mystical Apples into the berries of the Pyrus cordata, a species of wild Pear, found both in the island of Loch Awe, and in Aiguilon.——On the Continent, there is a belief that orchards are infested by malignant spirits, which attack the fruit-trees, and in the Département de l’Orne, to drive away the demons which attack Pears and Apples, the peasants burn the Moss on the trunk and branches, singing the while an appropriate rhyme or incantation. In Aargau, Switzerland, when a boy is born, they plant an Apple-tree; when a girl, a Pear.——To dream of ripe Pears betokens riches and happiness; if unripe, adversity; if baked, great success in business; to a woman a dream of Pears denotes that she will marry above her in rank.
PEEPUL.—The Ficus religiosa, the Asvattha or Pippala of the Hindus, is a tree held in the highest sanctity by the Buddhists, near whose temples it is always found. It is this tree—the Bodhidruma, the Tree of Wisdom—under which Buddha sat absorbed in a species of intellectual ecstacy, and which his followers regard as the tree of creation, life, wisdom, and preparation for Paradise, as well as the yielder of ambrosia and rain. From ancient Vedic tradition the Buddhists have inherited the worship of this sacred tree: they say that at the hour of Buddha’s nativity, whilst around Kapilavastu suddenly arose magnificent woods, an enormous Asvattha, or Bo-tree, sprang from the very centre of the universe.——Hiouen-thsang, the Chinese pilgrim, professed to have found the Bodhidruma, or some tree that passed for it, twelve hundred years after Buddha’s death, at a spot near Gaya Proper, in Bahar, where still may be seen an old temple and ruins.——De Gubernatis tells us that there is represented in the Kâthaka Upanishad a heavenly cosmogonic Asvattha under precisely the same form as the Indian Bo-tree. “The eternal Asvattha, it is said, has its roots above, its branches below; it is called the Germ, Brahma, Ambrosia; beneath it all the worlds repose, above it nothing exists.” With its wood and that of the Acacia Suma (Sami) the sacred fire is lighted—the Asvattha representing the male, the Sami the female. The Asvattha, in rubbing the Sami, engenders the fire, and thus becomes an emblem of generation. From its heavenly origin and from its maintaining the fire of purification, the Bo-tree is credited with marvellous medicinal properties. Into a vase made of Asvattha-wood the priests pour the divine drink Soma.——In the Atharvaveda, says De Gubernatis, we are told that the Asvattha grows in the third heaven, and produces the Ambrosia under the name of Kushtha, or flower of the Amrita. He who eats the ambrosial food becomes intelligent. The cosmogonic tree of the Vedas is also the Tree of Intelligence, hence Buddha, the apostle of intelligence, sought refuge beneath its shade.——In a book of travels by two Chinese Buddhist pilgrims, translated by Mr. Beal, we find it stated that the only spot indicated by the gods as propitious to the acquirement of supreme wisdom is beneath the tree Peito, which the translator identifies with the Peepul, Bo-Tree, or Ficus religiosa. In the same narrative we learn that the gods constructed from the tree Sal (Shorea robusta) to the tree Bo a splendid road, three thousand cubits wide. The young Prince Buddha traverses the road during the night, surrounded by the Devas, the Nâgas, and other divine beings. Under the tree Peito Buddha walked from east to west, and was worshipped by the gods for the space of seven days; after that the gods constructed, north-west of the tree, a palace of gold, where Buddha stayed for seven days. Then he repaired to the lake Mukhalinda, where he sought the shadow of the tree Midella. Then the rain fell for seven days, and so the Nâga Mukhalinda came forth from the lake and sheltered Buddha with his hood. As showing the extreme fondness of Buddha for the Bo-tree, it is related by the Chinese that at the commencement of his conversion, he withdrew habitually beneath the tree Peito to meditate and fast. The Queen became exceedingly uneasy, and, in the hope of bringing back Buddha to his home, she gave orders for the Peito to be cut down. But at the sight of his beloved Bo-tree razed to the earth, so bitter became the grief of the seer, that he fell in a swoon to the ground. They sprinkled him with water, and when, after considerable trouble, he was restored to consciousness, he sprinkled on the roots one hundred jars full of milk; then prostrating himself with his face to the earth, he pronounced this vow:—“If the tree does not revive, I shall never arise again.” The tree at the same moment shot forth branches, and little by little raised itself until it attained its present height, which is about 120 feet. The number of Bo-trees which have become objects of veneration among the Hindus, and especially the Buddhists, is infinite, and the worship of the sacred Bodhidruma is still extant in India.——The Bo-tree is also specially consecrated to Vishnu, who is often portrayed as seated on its heart-shaped and pointed leaves. It is represented in the Vedas as being frequented by various birds, who eat its sweet Figs.——In the sacred city of Anurâdhapura, in Ceylon, is a Bo-tree, which is supposed to be one of the oldest trees in existence, and its age is not merely legendary, but substantiated by authentic records. Kings have dedicated their dominions to it, in testimony of their belief that it sprang from a branch of the identical tree under which Buddha reclined for seven years whilst undergoing his apotheosis. The precious branch was taken to Ceylon by the king Asoka, and the tree of which it was the parent was planted by the king Tissa, in the year 288 B.C. When planting it Tissa prophesied that it should flourish eternally, and that it should be an evergreen. It is too sacred to be touched by a knife, but the leaves, as they fall, are eagerly gathered and treasured by Buddhist pilgrims.——In Java, the Bo-tree is also held sacred, and a species of Mistletoe which grows on its branches is supposed to afford much gratification to the shades of the departed which revisit earth. The Buddhists of Thibet call the sacred Bo-tree the bridge of safety—the bridge by which mortals pass from the shores of the world to the shores of the immortal land.
PENNYROYAL.—The Pennyroyal (Mentha Pulegium) used formerly to be called Puliol Royal, and derived its name from the Latin word pulices, fleas—insects it was thought to be specially efficacious in destroying. In most of the Western Counties the plant is known as Organ-herb, and is much prized by old-women herbalists as a blood purifier. According to an ancient recipe, Organ broth was used in witchcraft to make people see double.——In Sicily, children put Pennyroyal in their cots on Christmas Day, under the belief that at the exact hour and minute when the infant Jesus was born this plant puts forth its blossom. The same wonder is repeated on Midsummer Night. In Sicily, also, Pennyroyal is given to husbands and wives who quarrel.——According to astrologers, Pennyroyal is a herb of Venus.
PEONY.—The Peony, or healing plant (Pæonia), commemorates the Homeric god Pæon, the first physician of the gods, who healed the divinities Ares and Hades of their wounds. Tradition asserts that the Peony is the floral descendant of Pæon, who was a pupil of the great Æsculapius. Pæon first received the flower on Mount Olympus, from the hands of the mother of Apollo, and by its means he cured Pluto of a wound he had received from Hercules; but this cure created so much jealousy in the breast of Æsculapius, that he secretly caused the death of Pæon. Pluto, however, retained a grateful sense of his service, and so transformed his body into the flower which to-day bears his name.——Rapin has a totally different tale to tell as to the origin of the blooming Peony, although from what source he derived his information we are unable to discover. According to the French poet, Pæonia is a nymph whose crimson hue is not the blush of modesty, but the tell-tale witness of the sin of a shepherdess of Alcinous, King of Phæacia, who seems to have been unable to withstand the amorous advances of the Sun-god.——In the emblematic language of flowers, the Peony is the representative of bashful shame.——Speaking of the Peony, Rapin says:—
“Erect in all her crimson pomp you’ll see
With bushy leaves the graceful Piony,
Whose blushes might the praise of virtue claim,
But her vile scent betrays they rise from shame.
Happy her form, and innocent her red,
If, while Alcinous’ bleating flock she fed,
An heavenly lover had not sought her bed;
’Twas Phœbus’ crime, who to his arms allured
A maid from all mankind by pride secured.”
The ancient Greeks held the Peony in great repute, believing its origin to have been divine. It was thought to have been an emanation from the moon, and that the flower shone during the night, chased away evil spirits, and protected the dwellings of those who cultivated it. Hence, in later days, it came to be ranked as a miraculous plant; and it was thought that evil spirits would shun the spot where it was planted, and that even a small piece of the root, worn round the neck as an amulet, would protect the wearer from all kinds of enchantment. To this day, in Sussex, necklaces of beads turned from the Peony-root are worn by young children, to prevent convulsions and assist them in teething. Apuleius states that the Peony is a powerful remedy for insanity. Lord Bacon tells us, in his ‘Natural History,’ that “it hath beene long received, and confirmed by divers trialls, that the root of the male Piony dried, tied to the necke, doth help the falling sicknesse, and likewise the incubus, which we call the Mare. The cause of both these diseases, and especially of the epilepsie from the stomach, is the grossenesse of the vapours, which rise and enter into the cells of the braine; and therefore the working is by extreme and subtill alternation, which that simple hath.”——In Germany, the Peony is the Pentecostal Rose.——Astrologers say that both male and female Peonies are herbs of the Sun, and under the Lion.
PERIWINKLE.—In France, the Periwinkle is considered the emblem of the pleasures of memory and sincere friendship, probably in allusion to Rousseau’s recollection of his friend Madame de Warens, occasioned, after a lapse of thirty years, by the sight of the Periwinkle in flower, which they had once admired together.——In Italy, garlands of Periwinkle are placed upon the biers of deceased children, for which reason the plant has acquired the name of the Flower of Death; but in Germany it becomes the symbol of immortality.——Culpeper, in his ‘Herbal,’ says that the Periwinkle is owned by Venus, and that the leaves eaten together by man and wife, cause love between them.
PESTILENCE WEED.—The Butterbur Coltsfoot (Tussilago Petasites) obtained the name of Pestilence Weed from its having in olden times been held in great repute as a sovereign remedy for the plague and pestilent fever.
PHYTOLACCA.—A species of Phytolacca found by M. Lévy in Nicaragua in 1876, and named by him P. electrica, may well be called the electrifying plant. The discoverer, when gathering a branch, experienced a veritable electric shock. Experimenting with a compass, he found the needle was agitated at a distance of eight paces, and became more so the nearer he approached; the action changing to a rapid gyratory motion when he finally placed the compass in the midst of the shrub. There was nothing in the soil to account for what may be termed the “shocking” proclivities of the shrub, which are slight in the night-time, becoming gradually intensified until about two o’clock p.m. In stormy weather, the intensity of action is increased, and the plant presents a withered appearance until the fall of rain. Neither insect nor bird was seen by M. Lévy to approach this terrible shrub.
Pick-purse, or Pick-pocket.—(See Shepherd’s Purse).
PIMPERNEL.—The scarlet Pimpernel (Anagallis arvensis) is well known as the Poor Man’s Weather-glass, or Shepherd’s Barometer; both names having been given on account of the plant invariably closing its petals before and during rain. Darwin alludes to this peculiarity of the Pimpernel in the following lines:—
“Closed is the pink-eyed Pimpernel;
In fiery red the sun doth rise,
Then wades through clouds to mount the skies;
’Twill surely rain—we see’t with sorrow,
No working in the fields to-morrow.”
Besides being a barometrical, the Pimpernel is a horological, plant, opening its petals about 7 a.m., and closing them about 2 p.m. The plant was also considered a surgical plant, inasmuch as the old herbalists ascribed to it the power of drawing out arrows which were embedded in the flesh, as well as thorns and splinters, or “other such like things.” The bruised leaves were believed to cure persons bitten by mad dogs, and the juices of the plant were considered efficacious in complaints of the eyes, and in hypochondriacal cases. Its manifold virtues have passed into a proverb:—
“No ear hath heard, no tongue can tell,
The virtues of the Pimpernell.”
Pliny records that sheep avoided the blue, and ate the scarlet, Pimpernel, and that if, by mistake, they ate the blue, they immediately sought for a plant which is now unknown. In Dyer’s ‘English Folk Lore,’ it is stated that, according to a MS. on magic, preserved in the Chetham Library, Manchester, “the herb Pimpernell is good to prevent witchcraft, as Mother Bumby doth affirme.” The following lines may be used when it is gathered:—
“Herbe Pimpernell, I have thee found,
Growing upon Christ Jesus’ ground:
The same guift the Lord Jesus gave unto thee,
When He shed His blood on the tree.
Arise up, Pimpernel, and goe with me,
And God blesse me,
And all that shall were thee. Amen.”
“Saying this fifteen dayes together, twice a day, morning earlye fasting, and in the evening full.”——Pimpernel is considered to be a herb of the Sun.
PINE.—The Pine was called the tree of Cybele (or Rhea), the mother of the gods. She was passionately fond of Atys, a Phrygian shepherd, and entrusted him with the care of her temple, under a vow that he should always live in celibacy. This vow, however, Atys violated by an amour with the nymph Sangaris, upon which he became delirious, and mutilated himself with a sharp stone. Then, as he was about to lay violent hands upon himself, Cybele transformed him into a Pine-tree. Ovid records that—
“To Rhea grateful still the Pine remains,
For Atys still some favour she retains;
He once in human shape her breast had warmed,
And now is cherished to a tree transformed.”
Rapin considers the Pine to have been regarded by the ancients as a sacred tree. He says—
“Old Cybele changed her Atys to a Pine,
Which, sacred there to her, was held divine.”
After the metamorphosis of Atys into the Pine, Cybele sought refuge beneath the tree’s branches, and sat mourning there the loss of her faithless lover, until Jupiter promised that the Pine should remain ever green. It was tied to a Pine-tree, that Marsyas, the Phrygian flute-player, met his death. He became enamoured of Cybele, and journeyed with her as far as Nysa. Here
“He Phœbus’ self, the harmonious god, defied,
And urged to have their skill in music tried.
Phœbus accepts the challenge, but decreed,
The boaster vanquished should alive be flayed;
And Marsyas vanquished (so the poet sung)
Was flayed alive, and on a Pine-tree hung.”—Rapin.
The Pine was dedicated to Bacchus, and at the Dionysian festivals the votaries sometimes wore garlands of its foliage: its cone is frequently represented surmounting the god’s thyrsus, possibly as being symbolic of fecundity and reproduction. The connection of the Pine with Bacchus is still maintained by the Greeks, who place the cones in their wine vats, to preserve and flavour the wine by means of the resin. The Pine-cone was considered a symbol of the heart of Zagræus, who was destroyed by the Titans, and whose ashes were given to Semele, the mother of Bacchus.——We find the Pine also dedicated to Pan, because Pitys, one of the many nymphs whom he loved, was changed into that tree, to escape the importunities of Boreas.——The wood of the Pine was employed in the construction of the first boats: hence the tree was also sacred to the sea-god Neptune.——Ovid introduces Pan as “crowned with a pointed leaf of Pine-leaf,” in reference to the sharpness of its narrow leaves. The length and straightness of its trunk, and freedom from branches, rendered it a suitable walking staff for the giant Polyphemus (Æn. iii.); and Turnus (from the resinous nature of this tree) is represented as raising a flaming brand of Pine-wood to set on fire the ships of the Trojans.——In Assyrian monuments, we find the Pine-cone offered to the god guarding life.——According to a Roman legend, two lovers who had died of love and were buried in the same cemetery, were changed, the one into a Pine, the other into a Vine, and were thus enabled to continue their fond embraces.——Prof. De Gubernatis remarks that, despite the legend of St. Martin, written by Sulpicius, who represented the Pine as a diabolic tree, Christianity itself has consecrated it. The town of Augsburg, which has for its badge a Pine-cone, is under the protection of St. Afra. In Sicily, they believe that the form of a hand is to be seen in the interior of the fruit—the hand of Jesus blessing the Pine which had saved Him during the flight into Egypt by screening Him and His mother from Herod’s soldiers.——At Ahorn, near Coburg, a frightful wind sent by a sorceress had bent the church steeple, which thus became an object of derision to the inhabitants of the surrounding villages. A shepherd, to save his village from such a standing reproach, attached a short rope to a Pine, which the inhabitants still pointed out in Nork’s time, and by dint of invocations and magical imprecations succeeded in straightening the steeple. Nork adds that in the year 1300, at Krain, near a convent, a statue of the Madonna, concealed in the trunk of a Pine, miraculously made itself heard by a priest: on that account a church has been erected in honour of the Virgin, in the immediate vicinity.——King Crœsus threatened the inhabitants of Lampsacus that the destruction of their town should be as complete as a felled Pine, which, once cut down, never sprouts out again. The comparison was particularly apt, inasmuch as the town of Lampsachus was reputed to have been formerly called Pityusa—“the place planted with Pines.”——In a Pompeian design, we find a rural Cupid with a crown of Pine. Ovid crowns the Fauns with Pine. Virgil calls the Pine Pronuba, because the torches used at weddings were made of Pine-wood.——In the hymn of Callimachus to Diana, virgins are represented as wearing chaplets of Pine.——The Pine-cone unopened symbolised virginity.——In Podolia, in Little Russia, the bride-cake is ornamented with sprigs of Pine.——In Japan, the Pine has become a symbol of constancy and conjugal fidelity, because it is always verdant, even beneath the snow.——The Pine is a funereal tree, and, as is the case with all others of its class, it symbolises immortality and generation. Like the Cypress and the Fir, on account of the durability of its wood and its evergreen foliage, it represents the perpetuity of life,—a symbol that appears singularly in keeping with the funereal rites of a people who believed in the immortality of the soul.——In Russia, when the coffin is being carried to the cemetery, it is covered with branches of Pine or Fir.——The Fijian believes that, after death, the spirit, with his war-club and a whale’s tooth, journeys to the world’s end: there grows the sacred Pine, and at it the spirit hurls his whale’s tooth. If he strikes it, he proceeds on his way rejoicing, but if he misses his mark, his further progress is stopped.——Crowns of Pine were worn by victors at the Isthmian games.——The Pine was one of the trees ordered to be used by the Jews in erecting their tents at the Feast of the Tabernacles.——According to tradition, the Pine seen in a dream portends dissolution.
PINK.—The Pink (Dianthus) has been said to derive its name from the Dutch word Pinkster—Whitsuntide—the season at which a species called of old the Whitsuntide Gilliflower, is in flower. In Bologna, however, the flower is held sacred to St. Peter, who is believed to have been partial to it above all others; the 29th of June is there considered to be the day of Pinks.——In an old work quoted by Alphonse Karr, the author recommends the water distilled from Pinks as an excellent remedy against epilepsy, and adds: “but if a conserve be composed of it, it is the life and delight of the human race.” A vinegar made of Pinks was formerly prized for its efficacy against the plague.
Pixie-stool.—See Toadstool.
PLANE.—The Plane-tree (Platanus orientalis) was specially venerated in Greece. In the school of Plato, the philosophers used to walk and converse under the shadow of these delightful trees.——Pausanias mentions a Plane tree of extraordinary size and beauty in Arcadia, supposed to have been planted by Menelaus thirteen hundred years before.——The Plane was held sacred to Helen, the wife of Menelaus.——Evelyn gives an account of the passion conceived by Xerxes for a Plane-tree. Whilst marching through Lydia, he is said to have stopped his vast army of 1,700,000 soldiers, that he might admire the beauty of one of these trees, and became so enamoured of it, that, spoiling both himself, his concubines, and great persons, of all their jewels, he covered it with gold, gems, necklaces, scarfs, bracelets, and infinite riches. For some days, neither the concerns of his portentous army, nor the objects of his expedition, could divert his thoughts from the stately tree, and when at length he was forced to leave it, he caused the figure of it to be stamped on a medal of gold, which he continually wore about him.——In Greece, when lovers are obliged to separate, they exchange, as a gage of fidelity, the halves of a leaf of the Plane. When they meet again, each one produces the half-leaf, and they then fit them together.
PLANTAIN.—According to Grimm, the Plantain or Waybread (like the Endive or Succory—the German Wegewarte) is said to have been once a maiden, who, worn out with constantly watching the roadway for her lover, was changed into a plant, that still clings to a position by the wayside. In Devonshire, they say that once in seven years it becomes a bird—either the cuckoo or its helpmate, known as the “dinnick,” which is said to follow the cuckoo wherever it goes.——In Aargau, the Plantain is called Irrwurzel, and the peasantry there ascribe to it the power of disordering the wits.——The Greeks called the plant “Lamb’s-tongue,” and no less a personage than Alexander the Great ascribed to it magical properties, and asserted that its root was marvellously potent in the cure of headaches. According to Macer Floridus, a root suspended round the neck prevented scrofula; and Dioscorides affirmed that the water derived from three roots cured the tertian, and from four the quartan ague.——In England, the Plantain or Waybread has always had a high reputation as a vulnerary. Chaucer notices it as an application to wounds, and Shakspeare makes Romeo, when referring to a broken shin, say, “Your Plantain-leaf is excellent for that.” Clare, in his ‘Shepherd’s Calendar,’ recounts the following rustic divination common among the Midland country-folk:—
“Or, trying simple charms and spells,
Which rural superstition tells,
They pull the little blossom threads
From out the Knotweed’s button heads,
And put the husk, with many a smile,
In their white bosoms for awhile.
Then, if they guess aright the swain,
Their love’s sweet fancies try to gain,
’Tis said that ere it lies an hour,
’Twill blossom with a second flower,
And from the bosom’s handkerchief,
Bloom as it ne’er had lost a leaf.”
In Henderson’s ‘Folk Lore of the Northern Counties’ is an account of a curious rustic divination practised in Berwickshire by means of kemps or spikes of the Ribwort Plantain. Two spikes—one to represent the lad, the other the lass—are plucked when in full bloom, and after all the blossom has been carefully removed, the kemps should be wrapped in a Dock-leaf and laid under a stone. If the spikes shall have again blossomed when visited the next morning, the popular belief is that there will be “Aye love between them twae.”——Plantain is held by astrologers to be under the rule of Venus.
PLUM.—The Japanese, once a year, hold a popular festival in honour of the Plum-tree.——To dream of Plums is said to augur but little good to the dreamer: they are the forerunners of ill-health, and prognosticate losses, infidelity, and sickness, and much vexation in the married state.
POLYPODIUM.—According to a German tradition, the Polypodium vulgare sprang from the milk that the goddess Freyja, and after her the Virgin Mary, let fall on the earth.
POMEGRANATE.—The fruit of the Pomegranate has always been highly prized in the East. Rapin says of it:—
“Succeeding fruit attend the blossoms’ fall,
Each represents a crown upon a ball;
A thousand seeds with Tyrian scarlet dyed,
And ranged by nature’s art in cells they hide.”
The Pomegranate was one of the plants assigned to Bacchus, and the origin of the tree is said to be due to a nameless nymph, beloved by Bacchus, to whom a priest had foretold that she should wear a crown. Bacchus kept the letter, but not the spirit of this prophecy, for, instead of espousing the betrayed maiden, he transformed her into a Pomegranate-tree, and twisted up the calyx of the blossom into the crown-like form it has ever since retained. Rapin relates the story as follows:—
“The story’s short how first this fruit obtained
A graceful crown, and was with purple stained.
A royal nymph there was of Tyrian race,
A Moor, indeed, but formed with every grace,
Her native colour knew; yet fate denied
Indulgence equal to her beauty’s pride.
Filled with ambitious thoughts she pressed to know
What gifts the gods would on her charms bestow.
Ravished she heard the ambiguous priest declare
She should a crown and purple garments wear;
Fancied that hence a kingdom must arise,
Deceived by words and flattering prophecies.
For when the god of wine in triumph came,
Laden with Indian spoils to court the dame,
He soon beguiled her with a husband’s name.
Baulked of her hopes, her virgin honour stained,
By favour of her god at last she gained
To be transformed to this imperial plant—
The only honour which the prophet meant.”
Oppian gives another legend as to the origin of the Pomegranate, according to which, a man having lost his first wife, became enamoured of his daughter Side (Greek for Pomegranate-tree): to escape his cruel persecution, the unfortunate young girl killed herself; but the gods, compassionating her, metamorphosed Side into the Pomegranate-tree, and her unnatural father into a sparrow-hawk: so, according to Oppian, the sparrow-hawk will never alight upon the Pomegranate, but always persistently shuns the tree.——According to M. Lenormant, the Pomegranate sprang from the blood of Adgestis. The name Rimmon (Pomegranate) was that given in certain parts of Syria, near Damascus, to the young god, who died but to spring into a new life—reminding one of the story of Adonis.——The great number of seeds which the fruit of the Pomegranate contains has caused it to become the symbol of fecundity, generation, and wealth. Probably on this account the plant was sacred to Juno, the patroness of marriage and riches. In the Isle of Eubœa, there was formerly a statue of this goddess, holding in one hand a sceptre, and in the other a Pomegranate. Prof. De Gubernatis suggests that the uterine form of the opened Pomegranate is the reason why Pausanias, after having said that Juno held a Pomegranate in her hand, adds, that she did not wish to divulge the mystery which appertained to this symbolic fruit. This is also the reason why (according to Cicero) Proserpine did not wish to leave the infernal regions without having eaten the Pomegranate which she plucked from a tree growing in the Elysian Fields. Ceres, inconsolable for the loss of her daughter, had begged Jupiter to release her from the power of Pluto. Jupiter decreed that if Proserpine had not tasted any food in the infernal regions, she might be restored to her mother; but, as Ovid tells us, by an unfortunate mischance,
“As in the garden’s shady walk she strayed,
A fair Pomegranate charmed the simple maid,
Hung in her way, and tempting her to taste,
She plucked the fruit and took a short repast.
Seven times, a seed at once, she eat the food:
The fact Asculaphus had only viewed.
He saw what passed, and, by discovering all,
Detained the ravished nymph in cruel thrall.”
Ceres, enraged, would not permit the earth to yield any fruits till her daughter was restored to her, and Jupiter at last decided that Proserpine should spend six months of the year with her mother, but as she had partaken of the Stygian Pomegranate, she was to stay the other six months with Pluto.——A legend states that from having been planted on the grave of King Eteocles, the fruit of the Pomegranate has ever since exuded blood. Another account relates that the blood of the Pomegranate had its origin in the life-blood of the suicide Menœceus. On account of this blood which seems to flow from its fruit, the Pomegranate has acquired a somewhat sinister signification. As a rule, however, the sanguineous juice and innumerable seeds of the Pomegranate are considered a happy augury of fecundity and abundance.——There is a tradition that the fruit of the Tree of Life presented by Eve to Adam was the Pomegranate. It is also the opinion of some, that Paris adjudged a Pomegranate to Venus, and not an Apple; and that nearly always where the latter fruit is alluded to in legends or popular customs relating to marriage, the Pomegranate is meant.——In Turkey, the bride throws a Pomegranate on the ground, and from the number of seeds which exude from the broken fruit judges of the extent of her future family.——In Dalmatia, it is the custom for a young man, when asking the hand of his bride from her parents, to speak figuratively, and so he vows to transplant into his own garden the beautiful red flowers of the Pomegranate which are then flourishing in the paternal parterre.——In Sicily, they use a branch of the Pomegranate-tree as a divining-rod to discover hidden treasures: it is reported to be unfailing provided that it is manipulated by an expert or by some one who knows the mystical formulary.——Many references to the Pomegranate are to be found in the Bible, where it is usually associated with the idea of fruitfulness. Moses described the promised land as a land of Wheat and Barley, and Vines, and Fig-trees, and Pomegranates; a land of oil-Olive and honey. Solomon speaks of “an orchard of Pomegranates with pleasant fruits.” It was used to flavour wine and meats, and a wine was made from its juice: “I would cause thee to drink of spiced wine of the juice of my Pomegranate” (Canticles viii., 2). The Jews employed the fruit in their religious ceremonials. The capitals of the pillars in the Temple of Jerusalem were covered with carved Pomegranates. On the hem of Aaron’s sacred robe were embroidered, in blue, in purple, and in scarlet, Pomegranates, alternating with golden bells. A similar adornment of the fringes of their robes was affected by the ancient Kings of Persia, who united in their own person the regal and sacerdotal offices.——In Christian art, the Pomegranate depicted as bursting open, and the seeds visible, was an emblem of the future—of hope in immortality. St. Catherine, as the mystical Sposa of Christ, is sometimes represented with a Pomegranate in her hand; and the infant Saviour is often depicted holding this fruit and presenting it to the Virgin.——Moore speaks of the “charmed leaf of pure Pomegranate,” in allusion to the Persian idea as to its purifying attributes. In the ceremonies of the Ghebers (fire-worshippers) round their sacred fire, the Darvo gives them water to drink and Pomegranate-leaf to chew in their mouth, to cleanse them from inward uncleanness.——The Pomegranate was the device of Henry IV., who took it from the Moorish kings of Grenada, with the motto, “Sour, yet sweet.” The crown-like shape of its calyx probably induced Anne of Austria to adopt it, with the motto, “My worth is not in my crown.” The Pomegranate was the emblem of Katherine of Arragon, and in one of the masques held in honour of her marriage with our Henry VIII., a bank of Roses and Pomegranates typified the union of England and Spain. Her daughter, Queen Mary, took the Pomegranate and white and red Roses.——Parkinson tells us that from the rind of the Pomegranate is made writing-ink “which is durable to the world’s end.”——The Athenian matrons, during the Thesmophoria (festivals in honour of Ceres), were expressly forbidden to eat Pomegranates.——To dream of Pomegranates is a fortunate augury, foretelling good fortune and success; to the lover such a dream implies a faithful and accomplished sweetheart, and to the married an increase of riches and children, and great success in trade.
Poor Man’s Parmacetty.—See Shepherd’s Purse.
POPLAR.—In allusion to the reputed origin of this tree, René Rapin, in his poem on Gardens, says:—
“Nor must the Heliads’ fate in silence pass,
Whose sorrow first produced the Poplar race;
Their tears, while at a brother’s grave they mourn,
To golden drops of fragrant Amber turn.”
The Heliades, sisters of the rash Phaëthon (who had yoked the horses to the chariot of the Sun before his fatal drive), on finding his tomb upon the banks of the river Po, became distracted with grief, and for four days and nights kept mournful watch with their disconsolate mother around the grave. Tired out with their exhausting vigil, they endeavoured at length to obtain some repose for their weary limbs, when to their dismay they found them rooted to the ground. The gods, pitying their intense grief, had changed the seven sisters into Poplars, and their tears into Amber. Ovid thus narrates the incident:—
“Each nymph in wild affliction, as she grieves,
Would rend her hair, but fills her hand with leaves;
One sees her limbs transformed, another views
Her arms shot out and branching into boughs,
And now their legs, and breasts, and bodies stood
Crusted with bark and hardening into wood.
Then the bark increased,
Closed in their faces, and their words suppressed.
The new-made trees in tears of Amber run,
Which, hardened into value by the sun,
Distil for ever on the streams below;
The limpid streams their radiant treasure show,
Mixed in the sand; whence the rich drops conveyed
Shine in the dress of the bright Latian maid.”—Addison.