S (part 1)

S. A. KELCHNER'S FOUR SCENE CHRISTMAS AND NEW YEAR'S LEADER. SEE Christmas and New Year's Leader.

Credits: Written and produced by Pierce Kingsley.

S. O. S. COAST GUARD. 1937. 2 reels each, except no. 1 which is 3 reels, sd.

Credits: Associate producer, Sol C. Siegel; supervision, Robert Beche; directors, William Witney, Alan James; original story, Morgan Cox, Ronald Davidson; screenplay, Barry Shipman, Franklyn Adreon.

1. Disaster at Sea.

2. Barrage of Death.

3. The Gas Chamber.

4. The Fatal Shaft.

5. The Mystery Ship.

6. Deadly Cargo.

7. Undersea Terror.

8. The Crash.

9. Wolves at Bay.

10. The Acid Trail.

11. The Sea Battle.

12. The Deadly Circle.

S. O. S. ICEBERG. 1933. 9 reels. Based on an original story by Arnold Fanck.

Credits: Director, Tay Garnett; screenplay, Tom Reed; dialogue, Edwin H. Knopf.

S. O. S. PERILS OF THE SEA. 1925. 6 reels.

Credits: Director, Jas. P. Hogan; story and continuity, Tom J. Hopkins.

SOS—TIDAL WAVE. 1939. 7 reels, sd.

Credits: Associate producer, Armand Schaefer; director, John H. Auer; original story, James Webb; screenplay, Maxwell Shane, Gordon Kahn; film editor, Ernest Nims; music director, Cy Feuer.

THE S. S. MALARIA. 1931. 2 reels, sd.

Credits: Director, Howard Bretherton; story, Harry W. Conn; dialogue staged by Max E. Hayes.

THE SAAR. (Van Beuren Travelog) (Vagabond, no. 4) 1935. 1 reel, sd.

Credits: Text, Russell Spaulding; narration, Alois Havrilla.

THE SABLE LORCHA. 1915. 5 reels. Adapted from the novel by Horace Hazeltine [pseud. of Charles Stokes Wayne].

SABOTAGE. 1939. 8 reels, sd.

Credits: Associate producer, Herman Schlom; director, Harold Young; original screenplay, Lionel Houser, Alice Altschuler; supervising editor, Murray Seldeen; film editor, William Morgan; music director, Cy Feuer.

SACKCLOTH AND SCARLET. Paramount. Presented by Robert Kane. 1925. 7 reels. From the novel by George Gibbs.

Credits: Producer, Henry King; adaptation, Jules Furthman, Julie Herne, Tom Geraghty.

SACRED AND PROFANE LOVE. 1921. 6 reels. From the play by Arnold Bennett.

Credits: Director, William Taylor; scenario, Julia Crawford Ivers.

THE SACRED ARROW CEREMONY OF THE CHEYENNE INDIANS. Dept. of Anthropology, University of Oklahoma. 1934. 20 min., si., 16 mm.

THE SACRED BABOON. (U.F.A. Oddity) U.F.A. 1928. 1 reel, b&w.

Credits: Edited and titled by Edward Bowes.

THE SACRED BRACELET. 1915. 1,000 ft.

Credits: Written and produced by Wilbert Melville.

SACRED CITY OF THE MAYAN INDIANS. (A James A. FitzPatrick Traveltalk) 1936. 616 ft., sd., color.

Credits: Compiled by James A. FitzPatrick.

SACRED FIRES. (Vagabond Adventure Series, no. 7) 1930. 1 reel.

Credits: Tom Terriss.

THE SACRED FLAME. Vitaphone. 1929. 7 reels. From the play by W. Somerset Maugham.

Credits: Director, Archie L. Mayo; adaptation, Harvey Thew.

SACRED FLAME. Trailer. 1929. 1 reel, sd.

THE SACRED FLAME. SEE The Right To Live.

Credits: Supervision, Tom Collins.

SACRED SILENCE. 1919. 5 reels. From the play "The Deserter" by Anna Alice Chapin and Robert Peyton Carter.

Credits: Director, H. Millarde; scenario, Thomas F. Fallon, Howard I. Young.

THE SACRED TIGER OF AGRA. 1915. 1 reel.

Credits: Producer, Lloyd B. Carleton; story, Arthur A. Dennis.

SACRIFICE. 1913. 1 reel.

Credits: Director, Hardee Kirkland.

SACRIFICE. 1917. 5 reels.

Credits: Director, Frank Reicher; story, Charles Kenyon; scenario, Beatrice de Mille, Leighton Osmun.

SACRIFICE. SEE

Drums of Fate.

A Martyr to Conscience.

THE SACRIFICE OF JONATHAN GRAY. Big U. 1915. 3 reels.

Credits: Lucille Chatterton; producer, Murdock MacQuarrie.

THE SACRIFICE OF KATHLEEN. 1913. 2 reels.

Credits: Director, Van Dyke Brooke.

THE SACRIFICE OF THE MASS. 1931. Made in cooperation with the Diocesan Director of Catholic Education at Rochester, N. Y., with the approval of His Excellency, Most Reverend John Francis O'Hern, Bishop of Rochester. 2,174 ft.

SAD BUT TRUE. 1924. 2 reels.

A SAD DOG'S STORY. 1915. 1,000 ft.

Credits: Lee Arthur; director, Richard Ridgely.

THE SAD LITTLE GUINEA PIGS. (A Krazy Kat Cartoon) Presented by Columbia Pictures Corp. 1938. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Ben Harrison; animation, Manny Gould; music, Joe de Nat.

THE SADDLE BUSTER. 1932. 6 reels.

Credits: Director, Fred Allen; story, Cherry Wilson; screenplay, Oliver Drake; film editor, William Clements; music director, Arthur Lange.

SADDLE CHAMPS. (Sportlight) 1934. 1 reel, sd.

Credits: Narrator, Ted Husing.

THE SADDLE GIRTH. 1917. 1 reel.

Credits: Written and produced by Tom Mix.

THE SADDLE HAWK. Gibson. 1925. 6 reels.

Credits: Director, Edward Sedgwick; story and scenario, Edward Sedgwick, Raymond L. Schrock.

THE SADDLE KING. 1920. 2 reels.

Credits: George Moran; producer, Edward Laemmle; scenario, Ford Beebe.

SADDLE MATES. Action Pictures, Inc. Presented by Lester F. Scott, Jr. 1928. 5 reels. Adapted from the story in Western Story magazine by Harrington Strong.

Credits: Director, Richard Thorpe; continuity, Frank L. Inghram.

THE SADDLE TRAMP. Mustang. 1926. 2 reels.

Credits: Director, Victor Nordlinger; story, Cecil Burtis-Hill.

SADIE GOES TO HEAVEN. 1917. 65 min. From the Good Housekeeping magazine story by Dana Burnet.

Credits: Director, W. S. Van Dyke.

SADIE LOVE. Paramount-Artcraft. Presented by Adolph Zukor. 1919. 5 reels. From the play by Avery Hopwood.

Credits: Director, J. S. Robertson; scenario, Clara Beranger.

SADIE MCKEE. 1934. 10 reels, sd., b&w.

Credits: Producer, Lawrence Weingarten; director, Clarence Brown; story, Viña Delmar; screenplay, John Meehan; film editor, Hugh Wynn.

SADIE THOMPSON. Released by United Artists. 1928. 9 reels. Based on the story "Rain" by W. Somerset Maugham, originally published under the title "Miss Thompson."

Credits: Production manager, Pierre Bedard; adaptation and direction, Raoul Walsh; edited and titled by C. Gardner Sullivan.

1. Safari.

2. Safari, Cattle Dipping at Nakura.

3. Safari, Buffalo Charge at Mohokia.

4. Safari, the Hippo Hunt.

5. Safari, Jesters Performing Before King Kasagama, Fort Portal.

6. Safari, Natives Cutting Up Hippo on Lake Albert.

7. Safari, King's Jesters.

8. Safari, Pearson Sitting on Hippo.

9. Safari, Sunrise at Masindi.

10. Safari, Native with Tin Cans for Earrings.

11. Safari, Native Dances.

12. Safari, Jake and Doty Playing in Camp.

13. Safari, Crossing Mbuka River.

14. Safari, Crossing the Mazezle River.

15. Safari, Crossing Lake Albert in Dugout.

16. Safari, Dr. Marshall Returning from Sleeping Sickness Country.

17. Safari, Rippon Falls.

18. Safari, Battle of the Ants.

19. Safari, Colobus Monkey.

20. Safari, Rolling Hippo on Lake Albert.

21. Safari, King Doudi Receiving Food Gifts.

SAFARI IN MANHATTAN. SEE More Than a Secretary.

SAFARI ON WHEELS. 1937. 4 reels.

A SAFE ADVENTURE. 1915. 1 reel.

SAFE IN HELL. 1931. 8 reels, sd.

Credits: Director, William A. Wellman; adaptation and dialogue, Joseph Jackson, Maude Fulton.

SAFE IN JAIL. 1933. 2 reels.

Credits: Director, Lester Neilson; story and dialogue, Edmund Joseph.

SAFE IN THE SAFE. 1916. 2 reels.

SAFE IN THE SAFE. 1922. 2 reels.

Credits: Director, Ed Kennedy.

A SAFE INVESTMENT. 1915. 1 reel.

Credits: Written and produced by Arthur D. Hotaling.

A SAFE INVESTMENT. 1915. 1 reel.

Credits: Director, Sidney Drew.

A SAFE PROPOSITION. 1916. 1 reel.

A SAFE RISK. 1916. 1 reel.

Credits: Producer, Sidney Smith.

SAFEGUARDING QUALITY, CASTING THE CYLINDER BLOCKS. 1927. 1 reel.

SAFEGUARDING QUALITY, THE PROTECTION OF A SLEEVE. 1927.

SAFEGUARDING THE QUALITY OF WILLYS-OVERLAND PRODUCTS. 1927. 1 reel.

THE SAFEST THING ON WHEELS. Presented by Goodrich. 1938. 1 reel, sd.

SAFETY AND SALES. 1936. For Automobile Manufacturers Association. 1 reel, sd.

Credits: Paul G. Hoffman.

SAFETY AT SEA. 1929. 1 reel.

THE SAFETY CURTAIN. 1918. 5 reels. From the novel by Ethel M. Dell.

Credits: Director, Sidney A. Franklin; adaptation, Sidney A. Franklin, Paul West.

A SAFETY DEMONSTRATION. Presented by Goodrich. 1938. 1 reel, sd.

SAFETY FACTORS OF THE NEW SUPERIOR WHIPPET. 1929. 1 reel.

SAFETY FIRST. 1916. 1 reel.

SAFETY FIRST. Powers. 1916. 1/2 reel.

SAFETY FIRST. Metro-Drew. 1917. 1 reel.

Credits: Written and produced by Mr. and Mrs. Sidney Drew.

SAFETY FIRST. Presented by Goodrich. 1938. 1 reel, sd.

SAFETY FIRST AND LAST. Imp. 1915. 1 reel.

Credits: Written and produced by Roy Clements.

SAFETY IN NUMBERS. 1930. 7,074 ft., sd.

Credits: Director, Victor Schertzinger; story, George Marion, Jr., Percy Heath; scenario, Marion Dix; lyrics and music, George Marion, Jr., Richard Whiting.

SAFETY IN NUMBERS. 1937. 1 reel.

SAFETY IN NUMBERS. 1938. 5,250 ft., sd.

Credits: Director, Malcolm St. Clair; original story, Dorothy Manney, Zena George; screenplay, Joseph Hoffman, Karen De Wolf, Robert Chapin; music director, Samuel Kaylin.

SAFETY IN THE AIR. Presented by Adolph Zukor. 1937. Produced with the cooperation of the Bureau of Air Commerce. 1 reel, sd.

Credits: Editor, Leslie M. Roush; narrator, Alois Havrilla; commentator, Justin Herman.

SAFETY IN THE MINE. (Ford Educational Library, Industrial Geography, v. 1) Ford Motion Picture Laboratories. 1921. 1 reel.

SAFETY OF THE WHIPPET. 1927. 1 reel.

SAFETY PAYS. 1924. 2 reels.

Credits: Director, J. A. Norling.

SAFETY PAYS. 1937. Filmstrip, 82 frames, sd.

SAFETY SILVERTOWN STOPS. Presented by Goodrich. 1938. 1 reel, sd.

SAFETY THROUGH SERVICE. 1937. For the Chrysler Corp. 1 reel.

SAFETY WORST. 1915. 1 reel.

SAGA OF BILLY THE KID. SEE Billy the Kid.

SAGA OF DEATH VALLEY. 1939. 6 reels, sd.

Credits: Associate producer and director, Joseph Kane; original story, Karen DeWolf; screenplay, Stuart Anthony, Karen DeWolf; film editor, Lester Orlebeck; music director, Cy Feuer.

SAGA OF RUFFTOWN. SEE Doomed To Win.

THE SAGEBRUSH GAL. 1914. 3 reels.

Credits: Director, Rollin S. Sturgeon.

A SAGEBRUSH GENTLEMAN. 1920. 2 reels.

Credits: Director, Edward Sowders; story and scenario, Karl R. Coolidge.

SAGEBRUSH GOSPEL. 1924. 5 reels.

Credits: Director, Richard Hatton; story and scenario, Carl Coolidge.

SAGEBRUSH SADIE. (An Oswald Cartoon) Snappy. 1928. 1 reel.

Credits: Walt Disney.

SAGEBRUSH SERENADE. 1939. 19 min., sd.

Credits: Producer, Bert Gilroy; director, Charles E. Roberts; story, Charles E. Roberts, George Jeske; film editor, John Lockert.

SAGE-BRUSH TOM. 1915. 1 reel.

Credits: Director, Tom Mix.

SAGEBRUSH TRAIL. (Lone Star Western) 1933. 6 reels, sd.

Credits: Producer, Paul Malvern; director, Armand Schaefer; story, Lindsley Parsons.

THE SAGEBRUSH TROUBADOUR. 1935. 6 reels, sd.

Credits: Supervision, Armand Schaefer; director, Joseph Kane; story, Oliver Drake; screenplay, Oliver Drake, Joseph Poland; film editor, Lester Orlebeck.

A SAGEBRUSH VAGABOND. 1924. 2 reels.

Credits: Director, William Craft; story, Adeline Grace; continuity, Frank H. Clark.

THE SAGEBRUSHER. Presented by Benjamin B. Hampton. 1920. 7 reels. From the novel by Emerson Hough.

Credits: Director, Edward Sloman; scenario, William H. Clifford.

SAHARA BLUES. Century. 1924. 2 reels.

SAID WITH SOAP. SEE Babe Comes Home.

SAILING ALONG. Century. 1924. 2 reels.

Credits: Written and directed by Charles Lamont.

SAILING ALONG. 1938. 8 reels.

Credits: Direction and scenario, Sonnie Hale; original story, Selwyn Jepson; adaptation and dialogue, Lesser Samuels; music director, Louis Levy; editor, Al Barnes.

THE SAILOR. 1921. 2 reels.

Credits: Director, Jack Blystone.

SAILOR BE GOOD. 1933. 8 reels, sd.

Credits: Director, James Cruze; screenplay, Viola Brothers, Ethel Doherty; dialogue, Ralph Spence; film editor, Viola Lawrence.

SAILOR, BEWARE! Educational. (Billy Dooley Comedy) 1927. 2 reels.

Credits: Director, William Watson; story, Hal Conklin.

SAILOR BOY. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Jules White.

SAILOR GEORGE. (A Stern Brothers Comedy) 1928. 2 reels. From the cartoons by George McManus.

Credits: Director, Samuel Newfield.

SAILOR IZZY MURPHY. 1927. 7 reels.

Credits: Director, Henry Lehrman; story, E. T. Lowe, Jr.

SAILOR MAID. 1937. 2 reels.

Credits: Direction and story, Charles Lamont; screenplay, Ewart Adamson.

SAILOR MAIDS. Century. 1924. 2 reels.

Credits: Written and directed by Al Herman.

SAILOR MOUSE. (A Walter Lantz Cartune Comedy) 1938. 1 reel, sd.

Credits: Director, Alex Lovy; story, Victor McLeod; animation, George Grandpre, Frank Tipper.

SAILOR SHORTY. Presented by Adolph Zukor. 1936. 1 reel, sd.

Credits: Narrator, Ernest Chappell; commentator, Justin Herman.

SAILOR SUITS. (Stern Bros. Comedy) 1928. 2 reels. From cartoons by George McManus.

Credits: Director, Gus Meins.

SAILORS, BEWARE. 1933. 2 reels, sd.

Credits: Director, Del Lord; story and adaptation, Ralph Ceder, Scott E. Cleethorpe; editor, Francis Lyon.

SAILOR'S HOLIDAY. 1929. 6 reels, sd.

Credits: Director, Fred Newmeyer; original story, Joseph Franklin Poland; adaptation, Joseph Franklin Poland, Ray Harris.

THE SAILOR'S HOME. (Paul Terry-Toons) 1936. Presented by E. W. Hammons. 566 ft., sd.

Credits: Paul Terry, Mannie Davis, George Gordon; scored and conducted by Philip Scheib.

A SAILOR'S LUCK. 1930. 1 reel, sd.

Credits: Director, Jack Partington.

SAILOR'S LUCK. 1933. 7,110 ft., sd.

Credits: Director, Raoul Walsh; story and screenplay, Marguerite Roberts, Charlotte Miller; additional dialogue, Bert Hanlon, Ben Ryan; editor, Jack Murray.

A SAILOR'S SWEETHEART. 1927. 6 reels.

Credits: Director, Lloyd Bacon; story, George Godfrey; scenario and adaptation, Harvey Gates.

SAILORS' WIVES. 1928. 6 reels.

Credits: Producer, Henry Hobart; director, Joseph E. Henabery; story, Warner Fabian [pseud.]; adaptation and continuity, Bess Meredyth.

ST. ELMO. 1923. 6 reels, b&w, tinted sequences. Based on the story by Augusta J. Evans.

Credits: Director, Jerome Sturm; scenario, Julia Furthman.

ST. HELENA AND ITS MAN OF DESTINY. (A James A. FitzPatrick Traveltalk) 1936. 1 reel, sd., color.

Credits: Photographer, Winton Hoch.

THE SAINT IN LONDON. 1939. 72 min., sd. From the story "The Million Pound Day" by Leslie Charteris.

Credits: Producer, William Sistrom; director, John Paddy Carstairs; screenplay, Lynn Root, Frank Fenton; editor, Douglas Robertson; music director, Harry Acres.

THE SAINT IN NEW YORK. 1938. 8 reels, sd. From the novel by Leslie Charteris.

Credits: Producer, William Sistrom; director, Ben Holmes; screenplay, Charles Kaufman, Mortimer Offner; editor, Harry Marker.

SAINT JOHNSON. SEE Wild West Days.

THE ST. LOUIS BLUES. Presented by Radio Pictures. 1929. 2 reels, sd.

Credits: Supervision, Dick Currier; story and direction, Dudley Murphy; editor, Russell G. Shields.

ST. LOUIS BLUES. 1939. 9 reels, sd.

Credits: Producer, Jeff Lazarus; director, Raoul Walsh; story, Eleanore Griffin, William Rankin; adaptation, Frederick Hazlitt Brennan; screenplay, John C. Moffitt, Malcolm Stuart Boylan; film editor, William Shea.

THE ST. LOUIS KID. Presented by Warner Bros. Productions Corp. and The Vitaphone Corp. 1934. 7 reels, sd.

Credits: Director, Ray Enright.

ST. LOUIS WOMAN. Presented by Showmen's Pictures, Inc. 1934. 8 reels, sd.

Credits: Supervision, Al Alt; director, Albert Ray; story, Elwood Ullman; screenplay, Jack Natteford; music, Betty Laidlaw, Bob Lively.

THE SAINT OF CALAMITY GULCH. SEE Taking a Chance.

THE SAINT STRIKES BACK. 1939. 64 min., sd. From the novel "Angels of Doom" by Leslie Charteris.

Credits: Producer, Robert Sisk; director, John Farrow; screenplay, John Twist; editor, Jack Hively; music director, Roy Webb.

A SAINTED DEVIL. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 9 reels. From the novel "Rope's End" by Rex Beach.

Credits: Producer, Joseph Henabery; adaptation, Forrest Halsey.

THE SAINTLY SINNER. 1916. 5 reels.

Credits: Story, L. H. Button; scenario, Eugene B. Lewis.

THE SAINTLY SINNER. 1917. 5 reels.

Credits: Director, Raymond Wells; story, L. H. Hutton; scenario, Eugene B. Lewis.

THE SAINT'S ADVENTURE. 1917. 75 min.

Credits: Director, Arthur Berthelet; story, James Campbell.

SAINTS AND SINNERS. 1915. 3 reels.

Credits: Director, Van Dyke Brooke.

SAL OF SINGAPORE. 1928. 8 reels. From "The Sentimentalists" by Dale Collins.

Credits: Production manager, R. A. Blaydon; director, Howard Higgin; screenplay, Elliott Clawson; film editor, Claude Berkeley.

THE SALAMANDER. SEE The Enemy Sex.

THE SALE OF A HEART. 1913. 1 reel.

Credits: Directors, Maurice Costello, Robert Gaillord.

SALES SLIPS. (Headliner, no. 4) 1939. 17 min., sd.

Credits: Producer, Bert Gilroy; director, Charles E. Roberts; story, Charles E. Roberts, George Jeske; film editor, Les Millbrook.

THE SALES TALK. 1926. 1 reel.

SALESLADY. 1938. 8 reels, sd. Based on the story "Nothing Down" by Kubec Glasmon.

Credits: Associate producer, Ken Goldsmith; director, Arthur Greville Collins; screenplay, Marion Orth; music, Abe Meyers.

THE SALESMAN. 1923. 2 reels.

Credits: Director, Al St. John.

THE SALESMAN. (Checker Comedies) Pathe Sound Studios, Inc. 1929. 2 reels.

Credits: Produced and directed by George LeMaire; story, Frank Davis; film editor, E. Pfitzenmeier.

THE SALESMAN, AN ECONOMIC FACTOR IN WILLYS-OVERLAND, INC. 1926. 1 reel.

THE SALESMAN AND HIS ASSISTANTS. 1926. 1 reel.

SALESMANAGING YOUR BUSINESS. Audivision, Inc. 1936. For the Plymouth Division of Chrysler Corporation. 1 reel, sd.

THE SALESMAN'S BOX SCORE. 1927. 1 reel.

SALESMANSHIP AHOY. 1935. 2 reels, sd.

Credits: Producer, Lee Marcus; story and direction, Al Boasberg; film editor, John Lockert.

Credits: William Duncan.

SALLY. 1925. 9 reels. Based on Florenz Ziegfeld's musical comedy by Guy Bolton and Jerome Kern.

Credits: Director, Alfred E. Green; screenplay, June Mathis.

SALLY. 1930. 1 hr., 43 min., sd., color. From Florenz Ziegfeld's musical comedy by Guy Bolton, author, and Jerome Kern, composer.

Credits: Director, John Francis Dillon; screen version, Waldemar Young.

SALLY. SEE Look for the Silver Lining.

SALLY ANN'S STRATEGY. 1912. 1 reel.

Credits: Louise Alvord.

SALLY CASTLETON, SOUTHERNER. 1915. 3,000 ft.

Credits: Crittenden Marriott; director, Langdon West.

SALLY FIELDS IN THE HOSTESS. 1927. 1 reel, sd.

SALLY IN A HURRY. 1917. 5 reels.

Credits: Director, Wilfred North; story, A. Van Buren Powell.

Credits: Producer, Colin Campbell.

Credits: Director, Travers Vale.

SALLY IN OUR ALLEY. 1927. 6 reels.

Credits: Producer, Harry Cohn; director, Walter Lang; story, Edward Clark; continuity, Dorothy Howell.

SALLY, IRENE, AND MARY. 1925. 6 reels.

Credits: Producer and director, Edmund Goulding; story, Edward Dowling; scenario, Edmund Goulding.

SALLY, IRENE, AND MARY. 1938. 7,709 ft., sd. Suggested by the stage play by Edward Dowling and Cyrus Wood.

Credits: Director, William A. Seiter; original story, Karl Tunberg, Don Ettlinger; screenplay, Harry Tugend, Jack Yellen; music director, Arthur Lange.

SALLY OF THE SAWDUST. Released by United Artists Corp. 1925. 10 reels. From the play by Dorothy Donnelly.

Credits: Director, D. W. Griffith; screen version, Forrest Halsey.

SALLY OF THE SCANDALS. 1928. 7 reels.

Credits: Director, Lynn Shores; screen story and continuity, Enid Hibbard.

SALLY SHOWS THE WAY. 1921. 5 reels. Based on the story "Annie for Spite" by Fred Jackson.

Credits: Director, James Kirkwood.

SALLY SWING. 1938. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, Gordon Sheehan.

SALLY'S ROMANCE. 1913. 1 reel.

Credits: Bliss Milford.

SALLY'S SHOULDERS. 1928. 7 reels. From the story by Beatrice Burton.

Credits: Direction and continuity, Lynn Shores.

SALMON FISHING. (Ford Educational Library, Industrial Geography) Ford Motion Picture Laboratories. 1922. 1 reel.

SALMON FISHING IN NEW BRUNSWICK, NORTHEASTERN CANADA. 1917. 1 reel.

SALMON FROM THE EGG TO THE TABLE. Powers. 1916. 1/2 reel.

SALOME. 1913. 3 reels.

SALOME. 1918. 8 reels.

Credits: Director, J. Gordon Edwards; scenario, Adrian Johnson.

SALOME. Released by Allied Producers and Distributors Corp. 1922. 6 reels. From the play by Oscar Wilde.

Credits: Director, Charles Bryant; scenario, Peter M. Winters.

SALOME. Released by Allied Producers and Distributors Corp. 1922. 6 reels. From the play by Oscar Wilde.

Credits: Director, Charles Bryant; scenario, Peter M. Winters.

SALOME. SEE A Modern Salome.

SALOME OF THE TENEMENTS. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 7,017 ft. From the novel by Anzia Yezierska.

Credits: Producer, Sidney Olcott; screenplay, Sonya Levien.

SALOME VS. SHENANDOAH. Paramount-Mack Sennett. 1919. 2 reels.

Credits: Directors, Erie Kenton, Ray Grey.

Credits: Adaptation, Paul Armstrong.

SALOMY JANE. Presented by Jesse L. Lasky. 1923. 7 reels. From the story by Bret Harte and the play by Paul Armstrong.

Credits: Producer and director, George Melford; adaptation, Waldemar Young.

SALOMY JANE'S KISS. SEE

Salomy Jane.

Wild Girl.

SALT AIR. 1922. 2 reels.

Credits: Director, Eugene DeRue; scenario, Ralph Ceder.

SALT LAKE CITY, UTAH, AND ITS SURROUNDINGS. 1912. 500 ft.

SALT OF THE EARTH. Perfection Pictures. 1917. 5 reels. From the story by Peter B. Kyne.

SALT OF THE EARTH. SEE Eyes of the Soul.

SALT SHAKERS. Nu-Atlas Productions. Presented by RKO Radio Pictures, Inc. 1938. 11 min., sd.

Credits: Director, Milton Schwarzwald; dialogue, Sands & Wilson; orchestrations, Jack Schaindlin.

SALT WATER BALLADS. 1930. 1 reel.

Credits: Director, Robert C. Bruce; story, Kay Richard Cameron.

SALT WATER DAFFY. 1933. 2 reels, sd.

Credits: Director, Ray McCarey; story, Jack Henley, Glen Lambert.

SALT WATER TUFFY. (Paul Terry Toons) 1930. 1 reel, sd.

Credits: Frank Moser, Paul Terry.

SALTED PEANUTS. 1934. 2 reels, sd.

Credits: Director, Ralph Staub; story, Glen Lambert, Jack Henley.

SALTY MCGUIRE. (Terry Toons) Presented by E. W. Hammons. 1937. 1 reel, sd.

Credits: Paul Terry, Mannie Davis, George Gordon; music, Philip A. Scheib.

A SALTY SAP. (Educational-Christie Comedies) 1926. 2 reels.

Credits: Director, William Watson; story, Sig Herzig.

Credits: Director, Neal Hart; story, Alvin J. Neitz.

SALUTE. (Blue Ribbon Comedies, no. 2) 1925. 2 reels.

SALUTE. 1929. 7,610 ft.

Credits: Director, John Ford; story, Tristram Tupper; screenplay, John Stone; editor, Alex Troffey.

A SALUTE TO THE SUPER-CHIEF. 1938. 1 reel.

SALVAGE. 1921. 6 reels.

SALVAGE. SEE Wreckage.

SALVAGING SAM. 1927. 1 reel.

THE SALVATION HUNTERS. Released by United Artists Corp. 1925. 6 reels.

Credits: Production, story and direction, Josef von Sternberg.

SALVATION JANE. 1927. 6 reels.

Credits: Director, Phil Rosen; story, Maude Fulton; continuity, Doris Schroeder.

SALVATION JOAN. 1916. 7 reels.

Credits: Director, Wilfrid North.

SALVATION NELL. 1921. 7 reels.

Credits: Director, Kenneth Webb; story, Edward Sheldon; screen adaptation, Dorothy Farnum.

SALVATION NELL. First National. 1921. 7 reels.

Credits: Supervision, Whitman Bennett; director, Kenneth Webb; story, Edward Sheldon.

SALVATION NELL. 1931. 8 reels, sd. Sponsored by Henry D. Meyer. From the play by Edward B. Sheldon.

Credits: Producer, Samuel Zierler; director, James Cruze; continuity, Walter Woods; dialogue, Selma Stein; film editor, R. E. Loewinger.

SALVATION SAL. 1913. 1 reel.

Credits: Director, Robert Thornby.

THE SALVING OF JOHN SOMERS. SEE The Bonded Woman.

SAM. SEE The River of Romance.

SAM AND THE BULLY. 1914. Split reel.

SAM COSLOW, THE BROADWAY MINSTREL. 1929. 1 reel, sd.

Credits: Scenario, Lillian Nicholson Shearon.

SAM LOYD'S FAMOUS PUZZLES; the Puzzling Billboard. 1917. 1 reel.

Credits: Sam Loyd.

SAMARANG. 1933. 7 reels.

Credits: Producer, B. F. Zeidman, director, Ward Wing; story, Lori Bara.

SAMARIA. (Pilgrimage to Palestine) Presented by the Holy Land Film Co. 1928. 1 reel.

Credits: F. J. Romell.

SAMBO'S WEDDING DAY. 1919. 2 reels.

Credits: Director, Craig Hutchinson.

SAMMIE JOHNSIN AND HIS WONDERFUL LAMP. Powers. 1916. 1/2 reel.

SAMMIE JOHNSIN AT THE SEASIDE. Powers. 1916. 3/4 reel.

Credits: Pat Sullivan.

SAMMIE JONSIN, HUNTER. Powers. 1916. 1/2 reel.

SAMMIE JOHNSIN MINDS THE BABY. Powers. 1916. 3/4 reel.

SAMMIE JOHNSIN'S LOVE AFFAIR. Powers. 1916. 1/2 reel.

SAMMY COHEN IN WHAT PRICE BURLESQUE. 1929. 1 reel, sd.

SAMMY JOHNSIN GETS A JOB. Powers. 1916. 1/2 reel.

Credits: Pat Sullivan.

SAMMY JOHNSIN IN MEXICO. Powers. 1916. 1/2 reel.

SAMMY JOHNSIN, MAGICIAN. Powers. 1916. 1/2 reel.

Credits: Pat Sullivan.

SAMMY JOHNSIN SLUMBERS NOT. (A Sullivan Cartoon Comedy) Powers. 1916. 1/2 reel.

Credits: Animation, R. Eggeman.

SAMMY JOHNSIN, STRONG MAN. 1916. 1/2 reel.

Credits: Pat Sullivan.

SAMOAN MEMORIES. (Musical World Journeys, no. 2) 1933. 1 reel, sd.

SAMOVAR SERENADE. (Nu-Atlas Musical) Mentone. Presented by RKO Radio Pictures, Inc. 1939. 10 min., sd.

Credits: Director, Milton Schwarzwald; orchestrations, Jack Schaindlin.

SAM'S SWEETHEART. 1915. 1 reel.

Credits: Director, William Humphrey.

SAMSON. 1915. 5 reels. Adapted from the play by Henri Bernstein.

Credits: Director, Edgar Lewis.

SAMSON. SEE Shackles of Gold.

SAN FRANCISCO. 1936. 12 reels, sd., b&w.

Credits: Producers, W. S. Van Dyke, John Emerson, Bernard H. Hyman; story, Robert Hopkins; screenplay, Anita Loos; music director, Herbert Stothart; film editor, Tom Held.

SAN FRANCISCO. SEE Ransom.

SAN FRANCISCO NIGHTS. Presented by Sam Sax. 1928. 7 reels. Based on "The Fruits of Divorce" by Leon de Costa.

Credits: Production manager, Carrol Sax; director, R. William Neill; adaptation and supervision, Harold Shumate; editor, Donald Hayes.

Credits: Supervision, S. S. Hutchinson.

SAN QUENTIN. First National. 1937. 7 reels, sd.

Credits: Director, Lloyd Bacon; story, Robert Tasker, John Bright; screenplay, Peter Milne, Humphrey Cobb; film editor, William Holmes; music director, Leo F. Forbstein.

SANCTUARY. (U. F. A. Oddity) U. F. A. 1928. 1 reel, b&w.

Credits: Edited and titled by Edward Bowes.

SAND! 1919. 5 reels.

Credits: Direction and scenario, Lambert Hillyer; story, Russell A. Boggs.

SAND AND CLAY. 1928. 1,245 ft.

SAND BLIND. 1925. 5 reels.

Credits: Director, Jacques Jaccard; story, William E. Wing.

Credits: Written and produced by William Robert Daly.

SAND, SCAMPS, AND STRATEGY. 1916. 1 reel.

Credits: Producer, Lawrence Semon.

SAND WITCHES AND TEA. (Drug Store Cowboy Series) Snappy. 1928. 1 reel.

Credits: Director, Max Kimmich; story and continuity, George H. Plympton.

SANDERS OF THE RIVER. 1935. 10 reels, sd. Based on the book by Edgar Wallace.

Credits: Producer, Alexander Korda; director, Zoltan Korda; scenario, continuity and dialogue, Lajos Biro, Jeffrey Dell.

SANDFLOW. Buck Jones Productions. 1936. 6 reels, sd.

Credits: Director, Lesley Selander; story, Cherry Wilson; screenplay, Frances Guihan; film editor, Bernard Loftus.

SANDMAN TALES. (A Scrappy Comedy) Presented by Columbia Pictures Corp. 1933. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; musical score, Joe de Nat.

SANDRA. Sawyer-Lubin. Presented by Associated Pictures Corp. 1924. 8 reels. From the novel by Pearl Doles Bell.

Credits: Director, Arthur H. Sawyer.

THE SANDS OF EGYPT. (Vagabond Adventure Series, no. 14) The Van Beuren Corp. 1930. 1 reel, sd.

Credits: Elmer Clifton & Alfred Mannon.

SANDS OF TIME. 1915. 3 reels.

SANDY. Paramount. 1918. 5 reels. Based on the novel by Alice Hegan Rice.

Credits: Director, George H. Melford; scenario, Edith Kennedy.

SANDY. 1926. 8 reels, tinted.

Credits: Director, Harry Beaumont; story, Elenore Meherin; scenario, Eve Unsell.

SANDY AND SHORTY AT THE CIRCUS. 1913. 1 reel.

Credits: Director, Robert Thornby.

SANDY AND SHORTY START SOMETHING. 1914. 1 reel.

Credits: Director, Robert T. Thornby.

SANDY BURKE OF THE U-BAR-U. Released through Goldwyn. 1919. 5 reels.

Credits: J. Allen Dunn; director, Ira M. Lowry.

SANDY GETS SHORTY A JOB. 1913. 1 reel.

Credits: Director, Robert T. Thornby.

SANTA CATALINA. 1937. 1 reel.

SANTA CLAUS VS. CUPID. 1915. 1 reel.

Credits: Alan Crosland; director, Will Louis.

SANTA FE. (Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

SANTA FE PETE. 1925. 5 reels.

Credits: Director, Harry S. Webb; story and supervision, Philip H. White; scenario, Ray Walsh.

SANTA FE STAMPEDE. 1938. 6 reel, sd. Based on characters created by William Colt MacDonald.

Credits: Associate producer, William Berke; director, George Sherman; original story, Luci Ward; screenplay, Luci Ward, Betty Burbridge; film editor, Tony Martinelli; music score, William Lava.

THE SANTA FE TRAIL. 1923. 2 reels each. © Arrow Film Corp.

Credits: Robert Dillon; directors, Robert Dillon, Ashton Dearholt.

1. The Mystery of the Trail. © 26Jul23; LP19235.

2. Kit Carson's Daring Ruse. © 26Jul23; LP19236.

3. The Wagon of Doom. © 23Aug23; LP19341.

4. The Half-Breed's Treachery. © 30Aug23; LP19361.

5. The Gauntlet of Death. © 4Sep23; LP19371.

6. The Ride for Life. © 4Sep23; LP19372.

7. The Chasm of Fate. © 8Sep23; LP19387.

8. The Pueblo of Death. © 18Sep23; LP19407.

9. The Red Menace. © 29Sep23; LP19455.

10. A Duel of Wits. © 5Oct23; LP19474.

11. Buried Alive. © 15Oct23; LP19502.

12. The Cavern of Doom. © 25Oct23; LP19538.

13. Scorching Sands. © 6Nov23; LP19575.

14. Mission Bells. © 19Nov23; LP19630.

15. The End of the Trail. © 6Dec23; LP19680.

THE SANTA FE TRAIL. 1930. 5,839 ft., sd. Based on "Spanish Acres" by Hal G. Evarts.

Credits: Directors, Otto Brower, Edwin H. Knopf; screenplay, Sam Mintz; dialogue, Edward E. Paramore, Jr.

SANTA NOTTE. SEE The Holy Night.

SANTA'S TOY SHOP. 1929. 1 reel, sd.

Credits: Producer, Terry Ramsaye; director, Tom Hogan.

SANTA'S WORKSHOP. (Silly Symphony, no. U. A. 7) 1932. 1 reel, sd.

THE SAP. 1926. 6 reels. Based upon the play by William A. Grew.

Credits: Director, Erie C. Kenton; story, E. T. Lowe, Jr., Philip Klein; adaptation, E. T. Lowe, Jr.

THE SAP. 1929. 9 reels. From the play by William Grew.

Credits: Director, Archie Mayo; adaptation, Robert Lord.

THE SAP. Trailer. 1929. 1 reel, sd.

THE SAP FROM SYRACUSE. 1930. 6,108 ft., sd. Based on the play by John Wray, Jack O'Donnell and John Hayden.

Credits: Director, A. Edward Sutherland; screenplay, Gertrude Purcell.

THE SAP TAKES A WRAP. 1939. 2 reels, sd.

Credits: Director, Del Lord; story, Al Giebler, Elwood Ullman; screenplay, Charley Chase.

THE SAPHEAD. Presented by John L. Golden and Winchell Smith in conjunction with Marcus Loew. 1920. 7 reels.

Credits: Written and produced under the personal supervision of Winchell Smith.

A SAPHEAD'S REVENGE. 1915. 1 reel.

SAPHO. Presented by David Frohman. 1917. 5 reels. Adapted from the story by Alphonse Daudet.

SAPPY SERVICE. (A Paramount-Christie Comedy) 1929. 2 reels.

Credits: Director, Eddie Baker; story, Sig Herzig.

SAPS AND SADDLES. (Tenderfoot Thriller Series) 1928. 2 reels.

Credits: Director, Walter Fabian; story and continuity, Norman Lacey.

SARAH AND SON. 1930. 9 reels, sd. From the novel by Timothy Shea [pseud. of Alden Arthur Knipe].

Credits: Director, Dorothy Arzner; screenplay, Zoe Akins.

SARAH BERNHARDT IN QUEEN ELIZABETH. SEE Queen Elizabeth.

SARAH PADDEN IN ACROSS THE BORDER, WITH FRANK CAMPEAU AND ROY STEWART. 1928. 2 reels, sd.

SARAH PADDEN IN SOUVENIRS. 1928. 1 reel, sd.

Credits: A. H. Giebler; director, Bryan Foy.

SARAH PADDEN IN THE ETERNAL BARRIER. 1927. 1 reel.

Credits: Tom Barry.

SARATOGA. 1937. 10 reels, sd., b&w.

Credits: Producer, Bernard H. Hyman; director, Jack Conway; original story and screenplay, Anita Loos, Robert Hopkins; film editor, Elmo Veron; music score, Elwood Ward.

SARATOGA SUMMERS. (Bill Corum, no. 8) 1937. 1 reel.

THE SARGIE'S PLAYMATE. (Summerville Comedy) 1931. 2 reels.

Credits: Director, Harry J. Edwards; story, Francis J. Martin, James Mulhauser.

SASSY CATS. (Scrappy) Presented by Columbia Pictures Corp. 1933. 1 reel, sd.

Credits: Dick Heumor; producer, Charles Mintz; animation, Sid Marcus, Art Davis; music score, Joe De Nat.

SATAN AND THE WOMAN. Presented by Samuel Zierler. 1928. 6,300 ft. From the story "Courage" by Mary Lanier Magruder.

Credits: Director, Burton King; adaptation, Adrian Johnson; story supervision and titles, Harry Chandlee.

SATAN IN SABLES. 1925. 7 reels.

Credits: Director, James Flood; story, scenario and adaptation, Bradley King.

SATAN JUNIOR. 1919. 5 reels. Adapted from the novel "Diana Ardway" by Van Zo Post.

Credits: Director-general, Maxwell Karger; director, Herbert Blache; scenario, June Mathis.

SATAN MET A LADY. Presented by Warner Bros. Pictures, Inc. and the Vitaphone Corp. 1936. 8 reels. Based on a story by Dashiell Hammett.

Credits: Director, William Dieterle.

SATAN SANDERSON. Rolfe Photoplays, Inc. 1915. 5 reels. From the novel by Hallie Erminie Rives.

Credits: Director, J. W. Noble.

SATAN'S FURY. (Vagabond Adventure Series, no. 10) 1930. 1 reel, sd.

Credits: Elmer Clifton, Alfred Mannon.

SATAN'S PRIVATE DOOR. 1917. 70 min.

Credits: Sam W. Small, Jr.; director, J. Charles Haydon.

SATIN AND CALICO. (Paula Blackton's Country Life Stories) 1917. 1 reel.

Credits: Director, J. Stuart Blackton.

THE SATIN GIRL. 1923. 6 reels.

Credits: Director, Arthur Rosson; story, Adam Hull Shirk; adaptation, Arthur Stratter, George Plympton.

THE SATIN WOMAN. Presented by Sam Sax. 1927. 7 reels.

Credits: Written and directed by Walter Lang; film editor, Edith Wakeling.

SATIRES. SEE John T. Murray and Vivien Oakland in Satires.

SATISFACTION GUARANTEED. SEE Too Many Wives.

SATURDAY. Paramount-Briggs. 1919. 1 reel. Based on "The Days of Real Sport" by Clare A. Briggs.

Credits: Director, John William Kellette; story, Ruth Owen.

SATURDAY. (Hey Fellas Comedies) 1925. 2 reels.

SATURDAY NIGHT. 1922. 9 reels.

Credits: Director, Cecil B. De Mille; story, Jeanie Macpherson.

THE SATURDAY NIGHT KID. 1929. Si. & 6,015 ft., sd.

Credits: Director, A. Edward Sutherland; story, George Abbott, John V. A. Weaver; screenplay, Ethel Doherty; adaptation, Lloyd Corrigan.

THE SATURDAY NIGHT SWING CLUB. 1938. 1 reel, sd.

Credits: Director, Lloyd French.

SATURDAY TO MONDAY. SEE Experimental Marriage.

SATURDAY'S CHILDREN. Presented by Richard A. Rowland. 1929. 8 reels. From the play by Maxwell Anderson.

Credits: Director, Gregory La Cava; screen version, Forrest Halsey.

SATURDAY'S CHILDREN. Trailer. 1929. 1 reel.

SATURDAY'S HEROES. 1937. 6 reels, sd.

Credits: Producer, Robert Sisk; director, Edward Killy; story, George Templeton; screenplay, Paul Yawitz, Charles Kaufman, David Silverstein; editor, Frederic Knudtson.

SATURDAY'S LESSON. (A Hal Roach Our Gang Comedy) Presented by Hal Roach. 1929. 2 reels.

Credits: Production, direction, and story, Robert McGowan; editor, Richard Currier.

SATURDAY'S MILLIONS. 1933. 8 reels.

Credits: Director, Edward Sedgwick; story, Lucian Cary; screenplay, Dale Van Every.

SAUCE AND SENORITAS. 1920. 2 reels.

Credits: Director, Melville Brown; story, Montgomery, Rock.

SAUCE FOR THE GOOSE. 1913. 1 reel.

Credits: Directors, L. Rogers Lytton, James Young.

SAUCE FOR THE GOOSE. 1918. 5 reels. From the play by Geraldine Bonner and Hutcheson Boyd.

Credits: Director, Walter Edwards; adaptation, Julia Crawford Ivers.

SAUCY MADELINE. 1918. 2 reels.

Credits: Director, Richard Jones.

SAUCY SAUSAGES. (Oswald Cartoon) 1929. 1 reel.

Credits: Animation, Ben Clopton.

THE SAVAGE. 1917. 5 reels.

Credits: Elliott J. Clawson; director, Rupert Julian.

THE SAVAGE. 1926. 7 reels. Adapted from the story by Ernst Pascal.

Credits: Supervision, Earl Hudson; director, Fred Newmeyer; scenario, Jane Murfin, Charles Whittaker.

SAVAGE CUSTOMS. (U.F.A. Oddity) U.F.A. 1928. 1 reel.

Credits: Edited and titled by Edward Bowes.

SAVAGE CUSTOMS. (U.F.A. Oddity) UFA. 1928. 1 reel.

Credits: Edited and titled by Edward Bowes.

SAVAGE GOLD. 1933. 67 min., sd.

Credits: Supervision, James C. Bradford; adaptation, Richard Mack.

SAVAGE LOVE. 1924. 2 reels.

Credits: Director, Scott Sidney.

THE SAVAGE WOMAN. Presented by Clara Kimball Young. 1918. 5 reels. From the play "La Fille Sauvage" by François Curel.

Credits: Director, Edmund Mortimer; scenario, Kathryn Stuart.

LA SAVATE. (A Pete Smith Specialty) 1938. 715 ft., sd., b&w.

Credits: Director, David Miller.

SAVE FOOD, SAVE TIME. 1938. 1 reel, sd.

SAVE THE COUPONS. 1915. 1 reel.

Credits: Director, Courtlandt Van Deusen.

SAVE THE PIECES. (A Paramount-Christie Comedy) 1928. 2 reels.

Credits: Director, William Watson; story and scenario, Hal K. Wells.

SAVE THE PIECES. Trailer. 1931. 1 reel, sd.

SAVE WITH PAYNE BEVERLYAIR. 1938. 1 reel, sd.

SAVE WITH SUPERFEX. 1938. 1 reel, sd.

SAVED BY A DREAM. Victor. 1915. 2 reels.

Credits: Director, Harry C. Myers.

SAVED BY A SKIRT. Nestor. 1915. 1 reel.

Credits: Producer, Horace Davey; story, Neal Burns; scenario, Al. E. Christie.

SAVED BY A SONG. Rex. 1916. 2 reels.

Credits: Edgar Wilson Nye; producer, Ben Wilson.

SAVED BY A WATCH. Released through General Film Co. 1914. 1 reel.

Credits: Written and directed by Tom Mix.

SAVED BY GASOLENE. SEE Joe Boko in Saved by Gasolene.

SAVED BY HER HORSE. 1915. 1 reel.

Credits: Producer, Tom Mix.

Credits: Story, William J. Craft.

SAVED BY THE BELLE. 1939. 2 reels, sd.

Credits: Director, Charley Chase; story, Searle Kramer, Elwood Ullman.

SAVED BY THE ENEMY. 1913. 2 reels.

Credits: Milton Nobles.

SAVED BY THEIR CHEE-ILD. 1914. Split reel.

Credits: Producer, Mack Sennett.

SAVED BY WIRELESS. 1915. 2 reels.

Credits: Supervision, Mack Sennett; director, Walter Wright.

SAVED FROM A LIFE OF CRIME. 1914. 2 reels.

Credits: Director, T. Marston.

SAVED FROM A VAMP. 1918. 2 reels.

SAVED FROM DISHONOR. SEE Lejla.

SAVED FROM THE HAREM. 1915. 4 reels.

Credits: Producer, Wilbert Melville.

SAVED FROM THE VAMPIRE. 1915. 1 reel.

Credits: Producer, William Duncan.

SAVING A SAFE. (Jimmy Aubrey Second Series, no. 12) 1925. 2 reels.

SAVING SUSIE FROM THE SEA. 1916. 1 reel.

SAVING THE FAMILY NAME. 1916. 5 reels.

Credits: Evelyn Heath, Lois Weber; directors, Lois Weber, Phillips Smalley.

SAVING THE FAST MAIL. Bison. 1917. 2 reels.

Credits: Written and directed by James D. Davis.

SAVING THE GAME. 1912. 1 reel.

Credits: Charles M. Seay.

SAWDUST. 1923. 5 reels.

Credits: Director, Jack Conway; story, Courtney Riley Cooper; scenario, Harvey Gates.

SAWDUST AND SALOME. 1914. 1 reel.

Credits: Director, Van Dyke Brooke.

THE SAWDUST PARADISE. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 7 reels.

Credits: Director, Luther Reed; story and adaptation, George Manker Watters; screenplay, Louise Long.

THE SAWDUST TRAIL. 1924. 6 reels.

Credits: Director, Edward Sedgwick; story, William Dudley Pelley.

SAWING A LADY IN HALF. 1922. 2 reels.

Credits: John E. Coutts.

THE SAWMILL. 1921. 2 reels.

Credits: Written and directed by Larry Semon, Norman Taurog.

THE SAWMILL FOUR. (Earl Hurd's Pen and Ink Vaudeville Series) 1924. 1 reel.

THE SAW MILL MYSTERY. (Terry Toons) Presented by E. W. Hammons. 1937. 600 ft., sd.

Credits: Paul Terry; scored and conducted by Philip A. Scheib.

SAX APPEAL. 1931. 1 reel.

SAX APPEAL. SEE Felix the Cat in Sax Appeal.

SAXOPHOBIA. Snappy. 1927. 1 reel.

Credits: Director, Max Kimmich; story, Victor Potel; continuity, George H. Plympton.

SAY AH-H! (Educational-Bowers Comedy) 1928. 2 reels.

Credits: Director, H. L. Muller.

SAY GOODBYE AGAIN. SEE Next Time We Love.

SAY IT AGAIN. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 8 reels.

Credits: Director, Gregory La Cava; story, Luther Reed; screenplay, Ray Harris.

SAY IT IN FRENCH. Presented by Adolph Zukor. 1938. 8 reels, sd. Based on a play by Jacques Deval.

Credits: Producer and director, Andrew L. Stone; screenplay, Frederick Jackson; film editor, LeRoy Stone.

SAY IT ISN'T SO. 1933. 2 reels.

Credits: Director, Ralph Staub; story, Richy Craig, Jr.

SAY IT WITH CANDY. 1937. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood, A. Dorian Otvos.

SAY IT WITH DIAMONDS. Released by Film Booking Offices of America. 1923. 2 reels.

Credits: Director, Carter De Haven; story, Victor Gibson, Monty Brice; scenario, Walter P. McNamara.

SAY IT WITH FLOUR. 1925. 2 reels.

Credits: Director, William Campbell.

SAY IT WITH FLOWERS. Fox Film Corp. 1921. 2 reels.

Credits: Director, Al Herman.

SAY IT WITH LOVE. Century. 1925. 2 reels.

Credits: Director, Francis Corby; story, Tad Ross.

SAY IT WITH SABLES. A Frank Capra Production. 1928. 7 reels.

Credits: Producer, Harry Cohn; director, Frank Capra; story, Frank R. Capra, Peter Milne; continuity, Dorothy Howell; film editor, Arthur Roberts.

SAY IT WITH SIGNS. 1934. Filmstrip.

SAY IT WITH SONGS. 1929. 10 reels.

Credits: Director, Lloyd Bacon; story, Darryl Zanuck, Harvey H. Gates; adaptation, Joseph Jackson.

SAY IT WITH SONGS. Trailer. 1929. 1 reel.

SAY UNCLE. (Paramount-Christie Comedy) 1928. 2 reels.

Credits: Director, Arvid Gilstrom; story, Frank Conklin; titles, Al Martin.

SAY YOUNG FELLOW. 1918. 5 reels.

Credits: Story and direction, Joseph Henabery.

Credits: Producer, Oscar Eagle.

SCALING THE ALPS. 1928. 1 reel.

Credits: Paul Terry, Mannie Davis.

SCALING THE JUNGFRAU. Rex. 1916. 1 reel.

SCALP TROUBLE. (Looney Tunes) 1939. 1 reel, sd.

Credits: Story, Ernest Gee; animation, Norman McCabe.

SCAMPS AND SCANDALS. 1919. 2 reels.

Credits: Written and directed by Lawrence Semon.

SCANDAL. Universal Special. 1915. 5 reels.

Credits: Producer, the Smalleys; scenario, Lois Weber.

SCANDAL. 1917. 6 reels. From a story by Cosmo Hamilton.

Credits: Director, Charles Giblyn; scenario, Bess Meredith, Charles Giblyn.

SCANDAL. Jewel. 1929. 7 reels. From the story "The Haunted Lady" by Adela Rogers St. Johns.

Credits: Director, Wesley Ruggles; adaptation and continuity, Paul Schofield.

A SCANDAL AT SEA. 1915. 1 reel.

SCANDAL EVERYWHERE. Victor. 1917. 1 reel.

Credits: Director, Craig Hutchinson; scenario, R. A. Dillon.

SCANDAL FOR SALE. 1932. 8 reels.

Credits: Director, Russell Mack; story, Emile Gauvreau; adaptation and dialogue, Ralph Graves; continuity, Robert Keith.

SCANDAL HOUSE. SEE Slander House.

SCANDAL HUNTERS. Century. 1925. 2 reels.

Credits: Written and directed by Jesse Robbins.

A SCANDAL IN BOHEMIA. Presented by Stoll Picture Productions, Ltd. 1922. 2 reels. From "The Adventures of Sherlock Holmes" by Sir Arthur Conan Doyle.

Credits: Producer and director, Maurice Elvey; scenario, William J. Elliott.

A SCANDAL IN HICKVILLE. 1915. 1 reel.

Credits: Director, Ulysses Davis.

SCANDAL IN THE FAMILY. L-Ko. 1915. 2 reels.

SCANDAL MONGERS. 1918. 5 reels.

Credits: Directors, Lois Weber, Phillips Smalley; story, Lois Weber.

SCANDAL PROOF. 1925. 5 reels, b&w, tinted sequences.

Credits: Director, Edmund Mortimer; story and scenario, Charles Kenyon.

SCANDAL SHEET. 1931. 9 reels, sd.

Credits: Director, John Cromwell; screenplay, Vincent Lawrence, Max Marcin.

SCANDAL SHEET. 1939. 7 reels, sd.

Credits: Director, Nick Grinde; original screenplay, Joseph Carole.

SCANDAL STREET. 1925. 7 reels.

Credits: Director, Whitman Bennett; story, Frank R. Adams.

SCANDAL STREET. Presented by Adolph Zukor. 1938. 7 reels, sd.

Credits: Director, James Hogan; story, Vera Caspary; screenplay, Bertram Millhauser, Eddie Welch; film editor, James Smith.

THE SCAPEGOAT. 1914. 1,000 ft.

Credits: Written and produced by Tom Mix.

THE SCAPEGOAT. 1915. 3 reels.

THE SCAPEGRACE. 1916. 3 reels.

Credits: Supervision, Wilbert Melville; director, Jack Byrne.

THE SCAR. 1915. 3 reels.

Credits: Director, William Humphrey.

Credits: Director, Frank Crane; adaptation, Hamilton Smith.

SCAR HANAN. Released by F. B. O. 1925. 5 reels.

Credits: Directors, Ben Wilson, Eddie Linden, Don Cunliff; story, Yakima Canutt, George W. Pyper; continuity, George W. Pyper.

THE SCAR OF CONSCIENCE. 1915. 1,000 ft.

Credits: Berenice Clyde Flanders; director, Eugene Nowland.

THE SCARAB RING. 1921. 6 reels.

Credits: Director, Edward Jose; story, Harriet Gaylord; scenario, C. Graham Baker.

SCARAMOUCHE. 1923. 10 reels. Based on the novel by Rafael Sabatini.

Credits: Producer and director, Rex Ingram; scenario, Willis Goldbeck.

THE SCARECROW. 1920. 2 reels.

Credits: Producer, Joseph M. Schenck; written and directed by Buster Keaton and Eddie Cline.

THE SCARED CROWS. 1939. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, David Tendlar, William Sturm.

SCARED PINK. (A Paramount-Christie Comedy) 1927. 2 reels.

Credits: Director, William Watson; story, Hal Conklin.

SCARED SILLY. (Educational-Tuxedo Comedy) 1927. 2 reels.

Credits: Producer, Jack White; director, Charles Lamont.

SCARED STIFF. (Lyons-Moran Star Comedy) 1919. 1 reel.

Credits: Director, Lyons-Moran.

SCARED STIFF. Century. 1924. 2 reels.

Credits: Written and directed by Al Herman.

SCARED STIFF. 1931. 2 reels.

Credits: Director, Harry J. Edwards; story, Nick Barrows, Sidney Levee.

SCARED STIFF. SEE The Two Doves.

SCARFACE. United Artists. Presented by Howard Hughes. 1932. 10 reels, sd. From the novel by Armitage Trail.

Credits: Producer, Howard Hawks; screen story, Ben Hecht; continuity and dialogue, Seton I. Miller, John Lee Mahin, W. R. Burnett; film editor, Edward Curtiss; music directors, Adolph Tandler, Gus Arnheim.

SCARFACE. SEE Scarface, Shame of the Nation.

SCARFACE, SHAME OF THE NATION. 1932. 10 reels. From the book "Scarface" by Armitage Trail.

Credits: Director, Howard Hawks; screen story, Ben Hecht; continuity and dialogue, Seton I. Miller, John Lee Makin, W. R. Burnett.

SCARLET AND GOLD. 1926. 5 reels.

Credits: Director, Frank Grandon.

THE SCARLET ARROW. 1927-28. 2 reels each. © Universal Pictures Corp.

Credits: Director, Ray Taylor; story, Frank Howard Clark; scenario, Arthur Henry Gooden.

1. Flames of Courage. © 19Oct27; LP24536.

2. Thundering Death. © 19Oct27; LP24537.

3. Desperate Men. © 19Oct27; LP24538.

4. Wild Bullets. © 12May28; LP25263.

5. The Cave of Hazard. © 28May28; LP25319.

6. Plunge of Peril. © 31May28; LP25331.

7. Fires of Vengeance. © 6Jun28; LP25365.

8. Call of the Northland. © 13Jun28; LP25370.

9. Guardians of the North. © 15Jun28; LP25382.

10. Held by the Law. © 15Jun28; LP25383.

Credits: Director, Neal Hart; story, Arthur Henry Gooden.

1. Wheels of Death.

2. Thundering Hoofs.

3. Waters of Doom.

4. The Battle in the Clouds.

5. Fatal Bullets.

6. Millions at Stake.

7. Desert Fury.

8. The Pledge of Hate.

9. The Devil's Stampede.

10. The End of the Trail.

THE SCARLET BRAND. 1932. 6 reels, sd.

Credits: Producer, Burton King; director, J. P. McGowan; story, dialogue and continuity, Ethel Hill.

THE SCARLET CAR. 1917. 5 reels. Based on the book by Richard Harding Davis.

Credits: Director, Joseph De Grasse; scenario, William Parker.

THE SCARLET CAR. 1923. 5 reels. Based on the novel by Richard Harding Davis.

Credits: Director, Stuart Paton; scenario, George Randolph Chester.

THE SCARLET CHASTITY. 1916. 3 reels.

Credits: Directed and written by Wilbert Melville.

THE SCARLET CRYSTAL. Red Feather. 1917. 5 reels.

Credits: J. Grubb Alexander; producer, Charles Swickard.

THE SCARLET DAREDEVIL. British & Dominions Film Corporation, Ltd. 1929. 7 reels. Adapted from "The Triumph of the Scarlet Pimpernel" by Baroness Orczy.

Credits: Director, T. Hayes Hunter.

SCARLET DAWN. 1932. 7 reels. Based on the novel "Revolt" by Mary McCall, Jr.

Credits: Director, William Dieterle; screenplay, Niven Busch, Erwin Gelsey.

SCARLET DAYS. Paramount-Artcraft. Presented by D. W. Griffith. 1919. 7 reels.

Credits: Director, D. W. Griffith; story and scenario, S. E. V. Taylor.

THE SCARLET DOVE. 1928. 6 reels, sd.

Credits: Story and direction, Arthur Gregor; continuity, John Francis Natteford; editor, Martin G. Cohn.

THE SCARLET DROP. 1918. 5 reels.

Credits: Direction and story, Jack Ford; scenario, George Hively.

THE SCARLET EMPRESS. Presented by Adolph Zukor. 1934. 13 reels, sd. Based on a diary of Catharine the Great, arranged by Manuel Komroff.

Credits: Director, Josef Von Sternberg; music score based on Tschaikowsky and Mendelssohn; music by John M. Leipold, W. Franke Harling.

THE SCARLET HONEYMOON. 1925. 5 reels.

Credits: Director, Allan Hale; story, Fannie Davis; scenario, E. Magnus Ingleton.

THE SCARLET LADY. 1915. 3 reels.

Credits: Director, George Nichols.

THE SCARLET LADY. An Alan Crosland Production. 1928. 7 reels.

Credits: Producer, Harry Cohn; director, Alan Crosland; story, Bess Meredyth; film editor, Frank Atkinson.

THE SCARLET LETTER. 1917. For Fox Film Corp. 5 reels. From the story by Nathaniel Hawthorne.

Credits: Adapted and directed by Carl Harbaugh.

THE SCARLET LETTER. (Herbert Kaufman's Weekly) 1920. 1 reel.

Credits: Herbert Kaufman.

THE SCARLET LETTER. 1926. 9 reels. From the story by Nathaniel Hawthorne.

Credits: Producer and director, Victor Seastrom; adaptation, titles, and scenario, Frances Marion; film editor, Hugh Wynn.

THE SCARLET LETTER. 1934. 8 reels, sd. From the novel by Nathaniel Hawthorne.

Credits: Supervision, Larry Darmour; director, Robert G. Vignola; screenplay, Leonard Fields, David Silverstein; film editor, Charles Harris.

THE SCARLET LILY. Presented by B. P. Schulberg. 1923. 6 reels.

Credits: Director, Victor Schertzinger; story, Fred Sittenham.

THE SCARLET MARK. Victor. 1916. 2 reels. From a story by Amy Vorhaus.

Credits: Catherine Carr; producer, Lucius J. Henderson.

Credits: Directors, Frank Powell and Travers Vale; original story, Frederic Kulz; scenario, Gardiner Hunting.

SCARLET PAGES. 1930. 9 reels.

Credits: Director, Ray Enright.

SCARLET PAGES. Trailer. First National. 1930. 1 reel.

THE SCARLET PIMPERNEL. 1917. 6 reels. Based on the play by the Baroness Orczy.

Credits: Director, Richard Stanton; adaptation, Ben Cohn.

THE SCARLET PIMPERNEL. Released through United Artists. 1935. 11 reels. Based on the story by Baroness Orczy.

Credits: Producer, Alexander Korda; director, Harold Young; story, Robert Sherwood, Arthur Wimperis; scenario, continuity and dialogue, Lajos Biro, Sam Bermann, Robert Sherwood, Arthur Wimperis; collaborator, Baroness Orczy.

SCARLET RIVER. 1933. 6 reels, sd.

Credits: Associate producer, David Lewis; director, Otto Brower; story and screenplay, Harold Shumate; film editor, Fred Kaudston.

THE SCARLET ROAD. Presented by Kleine-Edison Features. 1916. 5 reels.

THE SCARLET ROAD. 1918. 5 reels.

Credits: Director, Edward Le Saint; scenario and story, Charles Kenyon.

THE SCARLET RUNNER. 1916. 2 reels each. © The Vitagraph Co. of America (C. N. & A. M. Williamson, authors).

Credits: Producers, William P. S. Earle, Wally Van [pseud. of Wally Van Nostrand]; director, Wally Van [pseud.]; picturized by George H. Plympton.

1. The Car and His Majesty. © 9Sep16; LP9083.

2. The Masked Ball. © 9Sep16; LP9084.

3. Nuremberg Watch. © 9Sep16; LP9085.

4. The Hidden Prince. © 9Sep16; LP9086.

5. The Jacobean House. © 28Sep16; LP9213.

6. The Red Whiskered Man. © 28Sep16; LP9214.

7. The Mysterious Motor Car. © 28Sep16; LP9212.

8. The Glove and the Ring. © 2Oct16; LP9222.

9. The Gold Cigarette Case. © 17Oct16; LP9337.

10. The Lost Girl. © 17Oct16; LP9338.

11. The Missing Chapter. © 17Oct16; LP9339.

12. The Car and the Girl. © 17Oct16; LP9340.

THE SCARLET SAINT. 1925. 7 reels. Adapted from "The Lady Who Played Fidele" by Gerald Beaumont.

Credits: Supervision, Earl Hudson; director, George Archainbaud.

SCARLET SEAS. Presented by Richard A. Rowland. 1928. 7 reels.

Credits: Producer, John Francis Dillon; story, W. Scott Darling; screenplay, Bradley King.

THE SCARLET SHADOW. 1919. 6 reels.

Credits: Director, Robert Z. Leonard; story, Lorne H. Fontaine, Katherine Leister Robbins; scenario, Harvey F. Thew.

THE SCARLET SIN. Broadway Universal Special. 1915. 4 reels.

Credits: Producer, Otis Turner; story, Olga Printzlau Clark; scenario, James Dayton.

THE SCARLET STREAK. 1925-26. 2 reels each. From the story "Dangers of the Deep" by Leigh Jacobson. © Universal Pictures Corp.

Credits: Director, Henry McRae.

1. The Face in the Crowd. © 14Nov25; LP22002.

2. Masks and Men. © 17Nov25; LP22020.

3. The Rope of Hazard. © 20Nov25; LP22026.

4. The Death Ray. © 24Dec25; LP22177.

5. The Lost Story. © 24Dec25; LP22178.

6. The Plunge of Peril. © 24Dec25; LP22179.

7. The Race of Terror. © 16Jan26; LP22280.

8. The Cable of Courage. © 22Jan26; LP22312.

9. The Dive of Death. © 30Jan26; LP22360.

10. Universal Peace. © 8Feb26; LP22391.

THE SCARLET TRAIL. 1918. 6 reels. From the book "Don't Take a Chance" by Charles Larned Robinson.

Credits: Story and direction, John S. Lawrence.

THE SCARLET WEST. Presented by Frank J. Carroll. 1925. 9 reels.

Credits: Story, A. B. Heath.

THE SCARLET WOMAN. 1916. 6 reels.

Credits: Director, Edward Lawrence; scenario, Aaron Hoffman.

LE SCARPE AL SOLE. 1936. 10 reels, sd. From the book by Paolo Monelli.

Credits: Director, Mario Rossi; scenario, Curt Alexander.

SCARS. 1915. 1 reel.

Credits: Director, Burton L. King.

SCARS AND BARS. 1918. 2 reels.

Credits: Director, Noel Smith.

SCARS AND STRIPES FOREVER. 1916. 2 reels.

SCARS OF JEALOUSY. First National Pictures, Inc. 1923. 7 reels.

Credits: Anthony E. Rudd; supervision, Thomas H. Ince; adaptation and direction, Lambert Hillyer.

SCARY CROWS. (Scrappy) (A Color Rhapsody) 1937. 716 ft., sd., color.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; music, Joe De Nat.

THE SCENARIO SCHOOL. 1924. 2 reels.

Credits: Edited and titled by Ralph Spence.

SCÈNES DE LA VIE DE BOHÈME. SEE La Bohème.

SCENES FROM THE HIGHLAND OF JAMTLAND, SWEDEN. 1916. Split reel.

SCENES IN ICELAND. 1916. 1 reel.

SCENES IN THE CANADIAN ROCKIES. SEE

Canimated Nooz Pictorial.

Mile-a-Minute-Monty.

SCENES OF OTHER DAYS TAKEN IN ATLANTA, GA. 1913. 1 reel.

Credits: Charles M. Seay.

SCENES SELDOM SEEN. 1921. 1 reel.

Credits: Director, Gertrude Emerson; titles, Joseph W. Farnham.

SCENIC OF ALGIERS. 1931. 1 reel.

Credits: Producer, John L. Hawkinson.

THE SCHEMERS. 1913. 1 reel.

Credits: Director, George D. Baker.

THE SCHEMERS. 1916. 3 reels.

Credits: Jos. A. Roach.

THE SCHEMERS. Metro-Drew. 1916. 1 reel.

Credits: Paul Dennon.

Credits: Directed, edited, and produced by Christopher Young.

SCHOOL BEGINS. (Our Gang Comedies) Presented by Hal Roach. 1928. 2 reels, b&w.

Credits: Director, Anthony Mack; story and production, Robert McGowan; titles, H. M. Walker; editor, Richard Currier.

SCHOOL BIRDS. (Terrytoons) Presented by E. W. Hammons. 1937. 1 reel, sd.

Credits: Paul Terry, Mannie Davis, George Gordon; scored and conducted by Philip A. Scheib.

SCHOOL DAYS. 1920. 2 reels.

Credits: Written and directed by Larry Semon, Mort Peebles, and Norman Taurog.

SCHOOL DAYS. 1921. 8 reels.

Credits: Director, William Nigh; story, Walter DeLeon, William Nigh.

SCHOOL DAYS. (A Grantland Rice Sportlight) Presented by Ameédée J. Van Beuren. 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

SCHOOL DAYS. (A Flip the Frog Cartoon) 1932. 1 reel.

SCHOOL DAYS. 1932. 1 reel.

Credits: Director, Dave Fleischer; animation, William Henning, David Tendlar.

SCHOOL DAZE. 1927. 1 reel. From George Herriman's cartoon character, Krazy Kat.

SCHOOL DAZE. SEE Felix the Cat in School Daze.

SCHOOL FOR GIRLS. 1934. 8 reels, sd. Suggested by Our Undisciplined Daughters by Reginald Wright Kauffman.

Credits: Associate producer, M. H. Hoffman, Jr.; director, William Nigh; story, continuity, and dialogue, Albert De Mond; film editor, Mildred Johnston.

A SCHOOL FOR HUSBANDS. 1917. 5 reels.

Credits: Stanilaus Stange; producer, George H. Melford; scenario, Harvey F. Thew.

SCHOOL FOR ROMANCE. 1934. 2 reels.

Credits: Director, Archie Gottler; screenplay, Edward Eliscu, Archie Gottler.

SCHOOL FOR SWING. 1936. 1 reel, sd.

Credits: Director, Milton Schwarzwald.

SCHOOL FOR WIVES. Halperin. 1925. 7 reels. From the novel "The House of Lynch" by Leonard Merrick.

SCHOOL OF DRAMA. SEE Dramatic School.

SCHOOL PALS. 1923. 2 reels.

Credits: Directors, Lou Seiler, Clyde Carruth.

A SCHOOLHOUSE SCANDAL. 1919. 2 reels.

Credits: Director, E. F. Cline; supervision, Hampton Del Ruth.

THE SCHOOLING OF MARY ANN. 1914. 1 reel.

Credits: Producer, Edward J. LeSaint.

SCHOOLS AND SCHOOLS. 1918. 2 reels. Based on a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Martin Justice; adaptation, Katharine Reed.

SCHUBERT'S FRIENDS. (The Melody Master, 3) 1929. 1 reel.

Credits: Written and directed by James A. Fitzpatrick.

SCHUBERT'S INSPIRATION. 1929. 1 reel.

Credits: Written and directed by James A. Fitzpatrick.

SCHUBERT'S MASTERPIECE. (Melody Master, no. 5) 1929. 1 reel.

Credits: Written and directed by James A. Fitzpatrick.

SCHUBERT'S SERENADE. 1928. 1 reel.

Credits: Direction, story, and scenario, Marcel G. Silver.

SCHUBERT'S SERENADE. (A Musical Romance) 1937. 1 reel, sd.

SCHUBERT'S SONGS: SWISS LONGING FOR HOME AND THE SERENADE. 1929. 1 reel, sd.

SCHUBERT'S UNFINISHED SYMPHONY. 1929. 1 reel.

Credits: Written and directed by James A. FitzPatrick.

DAS SCHWARZE LOS. SEE The Black Destiny.

SCIENCE OF LIFE. 1924. 1 reel each. © Bray Screen Products, Inc.

1. Protoplasm—The Beginning of Life. © 1Jun24; MP2672.

2. Reproduction in Lower Forms of Life. © 1Jun24; MP2673.

3. Reproduction in Higher Forms. © 1Jun24; MP2674.

5. How Plants and Animals Cause Disease. © 1Jun24; MP2675.

6. How Disease Is Spread. © 1Jun24; MP2676.

7. How to Prevent Disease. © 1Jun24; MP2677.

8. How the Mosquito Spreads Disease. © 1Jun24; MP2678.

9. The Fly as a Disease Carrier. © 1Jun24; MP2679.

10. Personal Hygiene for Young Women. © 1Jun24; MP2680.

11. Personal Hygiene for Young Men. © 1Jun24; MP2681.

12. General Personal Hygiene. © 1Jun24; MP2682.

THE SCIENCE OF WEATHER PREDICTION. 1924. 1 reel.

A SCIENTIFIC HUSBAND. 1925. 2 reels.

Credits: Director, Bryan Foy; story, Murray Roth.

THE SCOFFER. First National. 1921. 7 reels.

Credits: Producer, Allan Dwan; story, Val Cleveland; adaptation, Lillian Ducey.

SCOOP. SEE That's My Story.

SCORCHED WINGS. Imp. 1916. 3 reels.

Credits: Raymond L. Schrock; producer, Brinsley Shaw.

THE SCORCHING WAY. SEE The Hidden Scar.

THE SCORPION'S STING. Victor. 1916. 3 reels.

SCOTCH. (Mack Sennett Talking Comedies) 1930. 22 min., sd.

Credits: Director, Mack Sennett.

SCOTCH HIGHBALL. (Paul Terry Toons) 1930. 1 reel, sd.

Credits: Frank Moser, Paul Terry.

SCOTCH LOVE. 1930. 1 reel.

SCOTCH VALLEY. SEE Amateur Daddy.

SCOTLAND FOREVER. 1913. 1 reel.

Credits: Director, Harry Lambart.

SCOTLAND, THE BONNIE. (A FitzPatrick Traveltalk) 1933. 1 reel, sd.

Credits: Compiler, James A. FitzPatrick.

SCOTLAND YARD. 1930. 6,750 ft., sd.

Credits: Director, William K. Howard; editor, Jack Murray.

SCOTLAND YARD COMMANDS. Presented by Edward L. Alperson. 1937. 8 reels. Adapted from the novel by Nevil Shute [pseud. of Nevil Shute Norway].

Credits: Producer, Basil Dean; director, James Flood; screenplay, Gerald Fairlie.

THE SCOTS HAVE A WORD FOR IT. 1936. 1 reel, sd.

SCOTTIE FINDS A HOME. (Rainbow Parade Series, no. 12) 1935. 1 reel, sd.

Credits: Director, Burt Gillett.

THE SCOUNDREL. 1935. 8 reels, sd.

Credits: Written, directed, and produced by Ben Hecht and Charles MacArthur.

SCOURING THE SKIES. (Adventures of the Newsreel Cameraman) 1936. 1 reel, sd.

Credits: Editor, Lew Lehr.

SCOUTING CHEVROLET. 1936. Filmstrip, sd.

SCOUTS TO THE RESCUE. 1938-39.

Credits: Directors, Ray Taylor, Alan James; original story, Irving Crump; screenplay, Wyndham Gittens, George Plympton, Basil Dickey, Joseph Poland.

1. Death Rides the Air. © 28Nov38; LP8449.

2. Avalanche of Doom. © 28Nov38; LP8450.

3. Trapped by the Indians. © 5Dec38; LP8470.

4. River of Doom. © 12Dec38; LP8487.

5. Descending Doom. © 12Dec38; LP8488.

6. Ghost Town Menace. © 23Dec38; LP8504.

7. Destroyed by Dynamite. © 31Dec38; LP8546.

8. Thundering Hoofs! © 31Dec38; LP8547.

9. The Fire God Strikes. © 31Dec38; LP8548.

10. The Battle at Ghost Town. © 18Jan39; LP8555.

11. Hurtling Through Space. © 18Jan39; LP8556.

12. The Boy Scouts' Triumph. © 26Jan39; LP8581.

SCRAM. (Hal Roach Comedy) Presented by Hal Roach. 1932. 2 reels, sd.

Credits: Director, Raymond McCarey; dialogue, H. M. Walker; editor, Richard Currier.

SCRAMBLED EGGS. (Cameo Comedy) 1925. 1 reel.

Credits: Director, Jess Robbins.

SCRAMBLED EGGS. (A Walter Lantz Cartune) (A Walter Lantz Peterkin) 1939. 1 reel, sd., color.

Credits: Director, Alex Lovy; story, Elaine Pogány; animation, Frank Tipper, Hicks Lokey.

SCRAMBLED HEARTS. 1917. 1 reel.

A SCRAMBLED HONEYMOON. (Harold Highbrow Series) Snappy. 1927. 1 reel.

Credits: Director, Doran Cox; story, James Madison; continuity, George H. Plympton.

SCRAMBLED LEGS. (News World of Sports) 1937. 1 reel, sd.

Credits: Narrative by Jack Kofoed; described by Dan Seymour.

SCRAMBLED WEDDINGS. 1928. 2 reels.

Credits: Director, N. T. Barrows; story, T. J. Crizer, James Davis.

SCRAMBLED WIVES. First National. 1921. 6 reels. From the play by Adelaide Matthews and Martha M. Stanley.

Credits: Producer, Adolph Klauber; director, Edward H. Griffith; scenario, Gardner Hunting.

SCRAMBLED YEGGS. SEE Felix the Cat in Scrambled Yeggs.

SCRAP IRON. First National. Presented by Arthur S. Kane. 1921. 7 reels. Adapted from the Saturday Evening Post story by Charles E. Van Loan.

Credits: Director, Charles Ray; adaptation, Finis Fox.

A SCRAP OF PAPER. 1914. 2 reels.

A SCRAP OF PAPER. SEE Three Green Eyes.

THE SCRAPPER. Bison. 1917. 2 reels.

Credits: Written and directed by Jack Ford.

THE SCRAPPER. 1922. 4,491 ft. Based on the story "Malloy Compeador" by R. G. Kirk.

Credits: Director, Hobart Henley; scenario, Edward T. Lowe, Jr.

SCRAPPILY MARRIED. Joker. 1916. 1 reel.

Credits: Harry Wulze; director, W. W. Beaudine.

SCRAPPILY MARRIED. 1930. 2 reels, sd.

Credits: Director, A. Leslie Pearce; story, Willson Collison.

THE SCRAPPIN' FOOL. (Western Featurette) 1927. 2 reels.

Credits: Director, Bruce Mitchell; story, L. V. Jefferson; continuity, William Lester.

THE SCRAPPIN' RANGER. 1928. 2 reels.

Credits: Director, Josef Levigard; story and continuity, Grace Cunard.

THE SCRAPPING KID. (Blue Streak Western) 1926. 5 reels.

Credits: Director, Clifford S. Smith; story and scenario, E. Richard Schayer.

SCRAPPY'S ADDED ATTRACTION. (A Scrappy Cartoon) Presented by Columbia Pictures Corp. 1939. 591 ft., sd.

Credits: Producer, Charles Mintz; story, Art Davis; animation, Sid Marcus; music, Joe De Nat.

SCRAPPY'S ART GALLERY. (Scrappy) Presented by Columbia Pictures Corp. 1934. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; musical score, Joe de Nat.

SCRAPPY'S AUTO SHOW. (A Scrappy Cartoon) Presented by Columbia Pictures Corp. 1933. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; musical score, Joe De Nat.

SCRAPPY'S BAND CONCERT. (A Scrappy Cartoon). Presented by Columbia Pictures Corp. 1937. 647 ft., sd.

Credits: Producer, Charles Mintz; story, Allen Rose; animation, Harry Love; music, Joe de Nat.

SCRAPPY'S BIG MOMENT. 1935. 1 reel, sd.

Credits: Story, Ben Harrison; animation, Manny Gould, Al Rose.

SCRAPPY'S BOY SCOUTS. 1936. 668 ft., sd.

Credits: Producer, Charles Mintz; story, Art Davis; animation, Sid Marcus; music, Joe de Nat.

SCRAPPY'S CAMERA TROUBLES. 1936. 612 ft., sd.

Credits: Producer, Charles Mintz; story, Ben Harrison; animation, Manny Gould; music, Joe de Nat.

SCRAPPY'S DOG SHOW. (A Scrappy Cartoon) Presented by Columbia Pictures Corp. 1934. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; musical score, Joe de Nat.

SCRAPPY'S EXPEDITION. (A Scrappy Cartoon) Presented by Columbia Pictures Corp. 1934. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; musical score, Joe de Nat.

SCRAPPY'S GHOST STORY. (Scrappy) Presented by Columbia Pictures Corp. 1935. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Ben Harrison; animation, Manny Gould, Harry Love; music, Joe de Nat.

SCRAPPY'S MUSIC LESSON. (A Scrappy Cartoon) Presented by Columbia Pictures Corp. 1937. 638 ft., sd.

Credits: Producer, Charles Mintz; story, Art Davis; animation, Sid Marcus; music, Joe de Nat.

SCRAPPY'S NEWS FLASHES. (A Scrappy Cartoon) 1937. 565 ft., sd.

Credits: Producer, Charles Mintz; story, Allen Rose; animation, Harry Love; music, Joe de Nat.

SCRAPPY'S PARTY. Presented by Columbia Pictures Corp. 1933. 1 reel, sd.

Credits: Dick Heumor; producer, Charles Mintz; animation, Sid Marcus, Art Davis; music score, Joe de Nat.

SCRAPPY'S PLAYMATES. (A Scrappy Cartoon) Presented by Columbia Pictures Corp. 1938. 562 ft., sd.

Credits: Producer, Charles Mintz; story, Art Davis; animation, Sid Marcus; music, Joe de Nat.

SCRAPPY'S PONY. 1936. 569 ft., sd.

Credits: Producer, Charles Mintz; story, Ben Harrison; animation, Manny Gould; music, Joe de Nat.

SCRAPPY'S RELAY RACE. (A Scrappy Cartoon) Presented by Columbia Pictures Corp. 1934. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; musical score, Joe de Nat.

SCRAPPY'S RODEO. (Scrappy) Presented by Columbia Pictures Corp. 1939. 1 reel, sd.

Credits: Story, Allen Rose; animation, Harry Love, Louie Lilly; music, Joe De Nat.

SCRAPPY'S SIDE SHOW. (A Scrappy Cartoon) Presented by Columbia Pictures Corp. 1939. 594 ft., sd.

Credits: Producer, Charles Mintz; story, Allen Rose; animation, Harry Love, Louie Lilly; music, Joe de Nat.

SCRAPPY'S TELEVISION. (Scrappy) Presented by Columbia Pictures Corp. 1934. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; musical score, Joe de Nat.

SCRAPPY'S THEME SONG. (A Scrappy Cartoon) Presented by Columbia Pictures Corp. 1934. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; musical score, Joe de Nat.

SCRAPPY'S TOY SHOP. (A Scrappy Cartoon) Presented by Columbia Pictures Corp. 1934. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; musical score, Joe de Nat.

SCRAPPY'S TRAILER. Presented by Columbia Pictures Corp. 1935. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Ben Harrison; animation, Manny Gould, Harry Love; music, Joe de Nat.

SCRAPPY'S TRIP TO MARS. (A Scrappy Cartoon) 1938. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Allen Rose; animation, Harry Love; music, Joe de Nat.

SCRATCH-AS-CATCH-CAN. 1931. 2 reels, sd.

Credits: Producer, Louis Brock; director, Mark Sandrich; story, Bobby Clark; adaptation, Johnnie Grey, Mark Sandrich, William Grew; film editor, Ted Cheesman.

SCRATCH MY BACK. 1920. 6 reels.

Credits: Director, Sidney Olcott; story, Rupert Hughes.

SCRATCHED. Imp. 1916. 2 reels.

Credits: Douglas Bronston; director, Fred A. Kelsey.

SCRATCHING THROUGH. (Cameo Comedy) 1926. 1 reel.

A SCREAM IN SOCIETY. (Star Comedy) 1920. 1 reel.

Credits: Director, Vin Moore; story, Maynard Laswell.

A SCREAM IN THE NIGHT. 1919. 6 reels.

Credits: Directors, Burton King, Leander De Cordova; story, Charles A. Logue; editor, John J. Keeley.

THE SCREAMING SHADOW. 1920. 2 reels each. © Frank G. Hall.

Credits: Director, Duke Worne; story, J. Grubb Alexander, Harvey Gates.

1. A Cry in the Dark. © 26Jan20; LP14674.

2. The Virgin of Death. © 26Jan20; LP14675.

3. The Fang of the Beast. © 30Jan20; LP14690.

4. The Black Seven. © 8Mar20; LP14845.

5. The Vapor of Death. © 8Mar20; LP14842.

6. The Hidden Menace. © 23Mar20; LP14915.

7. Into the Depths. © 24Mar20; LP14940.

8. The White Terror. © 4Apr20; LP15116.

9. The Sleeping Death. © 6Apr20; LP15008.

10. The Prey of Mong. © 19Apr20; LP15031.

11. Liquid Fire. © 27Apr20; LP15055.

12. Cold Steel. © 1May20; LP15165.

13. The Fourth Symbol. © 8May20; LP15117.

14. Entombed Alive. © 18May20; LP15141.

15. Unmasked. © 22May20; LP15166.

THE SCREEN FAN. (James Montgomery Flagg's Girls You Know) 1917. 1 reel.

Credits: Director, Jack Eaton.

SCREEN LETTER BOX. 1919. 1 reel each. © Screen Letter Box, Inc.

Credits: Producer, Jack Cohn.

1. © 18Jul19; MP1372.

2. © 28Jul19; MP1386.

3. © 2Aug19; MP1385.

4. © 2Aug19; MP1389.

5. © 13Aug19; MP1395.

6. © 30Aug19; MP1410.

7. © 12Sep19; MP1421.

8. © 18Sep19; MP1429.

1. © title, descr. & 40 prints, 17May22; LU17887.

2. © title, descr. & 16 prints, 17May22; LU17886.

3. © title, descr. & 18 prints, 26Jun22; LU17999.

4. © title, descr. & 20 prints, 26Jun22; LU18000.

5. © title, descr. & 16 prints, 26Jun22; LU17993.

6. © title, descr. & 18 prints, 20Jul22; LU18077.

7. © title, descr. & 16 prints, 9Aug22; LU18132.

8. © title, descr. & 18 prints, 9Aug22; LU18133.

9. © title, descr. & 20 prints, 9Aug22; LU18131.

10. © title, descr. & 20 prints, 11Oct22; LU18304.

11. © title, descr. & 16 prints, 11Oct22; LU18307.

12. © title, descr. & 20 prints, 11Nov22; LU18396.

13. © title, descr. & 20 prints, 11Nov22; LU18397.

14. © title, descr. & 20 prints, 11Nov22; LU18402.

15. © title, descr. & 16 prints, 1Dec22; LU18453.

16. © title, descr. & 16 prints, 11Dec22; LU18530.

17. © title, descr. & 18 prints, 14Dec22; LU18480.

18. © title, descr. & 20 prints, 17Feb23; LU18682.

19. © title, descr. & 20 prints, 17Feb23; LU18683.

20. © title, descr. & 20 prints, 17Feb23; LU18684.

21. © title, descr. & 16 prints, 17Feb23; LU18685.

22. © title, descr. & 18 prints, 17Feb23; LU18686.

23. © title, descr. & 16 prints, 27Feb23; LU18741.

24. © title, descr. & 20 prints, 27Apr23; LU18903.

25. © title, descr. & 20 prints, 27Apr23; LU18904.

26. © title, descr. & 18 prints, 27Apr23; LU18905.

SCREEN SOUVENIRS. 1931-35. 1 reel each, sd.

1. © 17Aug31; MP2736.

2. © 12Sep31; MP2774.

3. © 10Oct31; MP2847.

4. © 7Nov31; MP2900.

5. © 5Dec31; MP2946.

6. © 2Jan32; MP2993.

7. © 30Jan32; MP3084.

8. © 26Feb32; MP3120.

9. © 25Mar32; MP3192.

10. © 21Apr32; MP3250.

11. © 23May32; MP3311.

12. © 16Jun32; MP3352.

[Series] 2, 1932/33.

1. © 4Aug32; MP3440.

2. © 1Sep32; MP3489.

3. © 29Sep32; MP3546.

4. © 27Oct32; MP3606.

5. © 28Nov32; MP3668.

6. © 22Dec32; MP3709.

7. © 19Jan33; MP3767.

[Series] 2, 1932/33.

8. © 16Feb33; MP3830.

9. © 16Mar33; MP3875.

10. © 13Apr33; MP3952.

11. © 11May33; MP4044.

12. © 8Jun33; MP4095.

13. © 7Jul33; MP4151.

[Series] 3, 1933/34.

1. © 25Aug33; MP4241.

2. © 20Sep33; MP4303.

3. © 17Oct33; MP4344.

4. © 17Nov33; MP4396.

5. © 12Dec33; MP4458.

6. © 10Jan34; MP4519.

7. © 7Feb34; MP4560.

8. © 7Mar34; MP4634.

9. © 4Apr34; MP4682.

10. © 2May34; MP4734.

11. © 31May34; MP4773.

12. © 27Jun34; MP4832.

13. © 26Jul34; MP4882.

[Series] 4, 1934/35.

1. © 20Sep34; MP4996.

2. © 30Nov34; MP5130.

3. © 7Feb35; MP5363.

4. © 18Apr35; MP5532.

THE SCREEN TEST. Presented by E. W. Hammons. 1936. 1,670 ft., sd.

Credits: Director, William Watson; story, Parke Levy.

SCREWBALL FOOTBALL. (Merrie Melodies) 1939. 1 reel, sd.

Credits: Story, Melvin Millar; animation, Virgil Ross.

SCRIPT GIRL. 1937. 20 min., sd.

Credits: Director, Roy Mack; story, Jack Henley, Cyrus Wood.

SCROOGE. Presented by Adolph Zukor. 1935. 8 reels. Based on "A Christmas Carol" by Charles Dickens.

Credits: Producer, Julius Hagen-Twickenham; director, Henry Edwards; scenario, H. Fowler Mear.

THE SCRUB LADY. 1917. 2 reels.

Credits: Vincent Bryan.

THE SCULPTOR'S MODEL. 1915. 2 reels.

Credits: Director, George Nicholls.

THE SCULPTURE OF THE LAND BY RIVERS. 1929. 1 reel.

Credits: Edited by Dept. of Geology, Harvard University.

THE SCUTTLERS. 1920. 6 reels. From the story by Clyde C. Westover.

Credits: Director, J. Gordan Edwards.

THE SEA. (Battle for Life) 1932. 9 min., sd.

Credits: Narrator, Gayne Whitman.

THE SEA BAT. 1930. 8 reels, sd., b&w.

Credits: Story, Dorothy Yost; dramatization, Bess Meredyth, John Howard Lawson; film editor, Ira Morgan.

THE SEA BEAST. 1925. 10 reels. From the story "Moby Dick" by Herman Melville.

Credits: Director, Millard Webb; adaptation, Bess Meredyth.

SEA DEVILS. Standard. 1931. 6 reels, sd.

Credits: Director, Joseph Levering; story, Scott Littleton.

SEA DEVILS. 1933. 1 reel, sd.

Credits: Commentator, Frank McHugh.

SEA DEVILS. 1937. 10 reels, sd.

Credits: Producer, Edward Small; director, Ben Stoloff; screenplay, Frank Wead, John Twist, P. J. Wolfson; editor, Arthur Roberts; music director, Roy Webb.

SEA DOGS AND LAND RATS. 1916. 1 reel.

THE SEA FLOWER. 1918. 5 reels.

Credits: Director, Colin Campbell; story, George Hull; scenario, H. Tipton Steck.

SEA FOOD. (Paramount-Christie Comedy) 1928. 2 reels.

Credits: Director, William Watson; story, Sig Herzig.

THE SEA GOD. 1930. 9 reels, sd. From the story "The Lost God" by John Russell, as related in a volume entitled "Where the Pavement Ends."

Credits: Direction & screenplay, George Abbott.

SEA GOIN' SHEIKS. (Rainbow Comedies) Presented by E. B. Derr. 1931. 2 reels, sd., b&w.

Credits: Producer, Fred Lalley; director, Wallace Fox; story, Wallace Fox, Bobby Carney, Si Willis; film editor, Fred Maguire; music director, Francis Gromon.

SEA GOING BIRDS. (Cannibals of the Deep Series, no. 6) 1932. 599 ft.

Credits: Supervision, Mack Sennett.

THE SEA-GULL. 1914. 1 reel.

Credits: Director, Rollin S. Sturgeon.

THE SEA HAWK. 1924. 12 reels. From the novel by Rafael Sabatini.

Credits: Adaptation, J. G. Hawks.

THE SEA HORSE. 1917. 1 reel.

SEA HORSES. 1926. 6,565 ft. From the novel by Francis Brett Young.

Credits: Director, Allan Dwan; scenario, James Shelley Hamilton.

SEA LEGS. Educational. 1925. 2 reels.

Credits: Robert Hall; director, Gilbert Pratt.

SEA LEGS. 1930. 7 reels, sd.

Credits: Director, Victor Heerman; story, George Marion, Jr.; scenario, Marion Dix; film editor, Doris Drought.

THE SEA LILY. Big U. 1916. 1 reel.

Credits: Producer, George Cochrane; story, Burton C. Law; scenario, Calder Johnstone.

THE SEA LION. First National. 1921. 5 reels.

Credits: Emily Johnson; director, Rowland V. Lee; scenario, Joseph Franklin Poland.

SEA MATES. Big U. 1916. 1 reel.

Credits: Written and directed by Francis Powers; scenario, F. M. Wilterwood.

SEA MELODY. (Headliner, no. 1) 1938. 19 min., sd.

Credits: Producer, Bert Gilroy; director, Jean W. Yarbrough; story, Jean W. Yarbrough, Harold Tarshis; film editor, John Lockert.

A SEA MYSTERY. Victor. 1916. 1 reel.

THE SEA NYMPHS. 1914. 2 reels.

Credits: Producer, Mack Sennett.

SEA RACKETEERS. 1937. 7 reels, sd.

Credits: Associate producer, Armand Schaefer; director, Hamilton MacFadden; original screenplay, Dorrell McGowan, Stuart McGowan.

THE SEA RIDER. 1920. 5 reels.

Credits: Director, Edwin L. Hollywood; story, Harry Dittmar; scenario, Fred Schaefer.

Credits: Direction and scenario, E. H. Griffith; story, Wallace MacDonald.

SEA SCAMPS. (Juvenile Comedies) 1926. 2 reels.

Credits: Supervision, Jack White; director, Charles Lamont.

SEA SCOUTS. (A Walt Disney Donald Duck Cartoon) 1939. 1 reel, sd.

SEA SOLDIERS' SWEETIES. (Slim Summerville Comedy) 1932. 19-1/2 min.

Credits: Director, Harry J. Edwards; story, Francis J. Martin, Edward Kaufman.

SEA SORE. 1934. 2 reels, sd.

Credits: Associate producer, Meyer Davis; supervision, Monroe Shaff; director, Joe Nadel; story, Burnet Hershey, Monty Collins, Mat Taylor.

SEA SPIDERS. 1932. 830 ft.

Credits: Explanatory remarks by Gayne Whitman; musical score, William Axt.

SEA SPOILERS. 1936. 7 reels, sd.

Credits: Producer, Trem Carr; director, Frank Strayer; original story, Dorrell McGowan, Stuart E. McGowan; screenplay, George Waggner; film editors, H. T. Fritch, Ray Lockhart; music director, Herman S. Heller.

Credits: Producer, Mack Sennett.

SEA SWORD. 1928. 1 reel.

THE SEA TIGER. 1927. 6 reels. From the story "A Runaway Enchantress" by Mary Heaton Vorse.

Credits: Director, John Francis Dillon; scenario and production, Carey Wilson.

Credits: Director, Victor Sjöström.

Credits: Director, Frank Reicher; story, Howard Irving Young; scenario, Harry O. Hoyt, Hamilton Smith.

THE SEA WOLF. Paramount-Artcraft. Presented by Jesse L. Lasky. 1920. 7 reels. From the novel by Jack London.

Credits: Director, George Melford; scenario, Will M. Richey.

THE SEA WOLF. Presented by John C. Flinn. Released by Producers Distributing Corp. 1926. 7 reels. From the story by Jack London.

Credits: Director, Ralph W. Ince; screenplay, J. Grubb Alexander.

THE SEA WOLF. 1930. 10 reels, sd. From the novel by Jack London.

Credits: Director, Alfred Santell; scenario, Ralph Block; dialogue, S. N. Behrman; editor, Paul Weatherwax.

THE SEA WOMAN. SEE Why Women Love.

THE SEAL OF SILENCE. 1918. 5 reels.

Credits: Director, Thomas R. Mills; story and scenario, William Addison Lathrop.

SEAL SKINNERS. (A Captain and the Kids Cartoon) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., sepia. Based on the United Features comic "The Captain and the Kids."

SEALED ENVELOPE. 1919. 5 reels.

Credits: Director, Douglas Gerrard; story, Andrew Soutar; scenario, Harvey Gates.

SEALED HEARTS. 1919. 5 reels.

Credits: Director, Ralph Ince; story, Eugene Walter, Edmund Goulding; scenario, R. Cecil Smith.

Credits: Adaptation, Frank Condon.

SEALED LIPS. 1925. 6 reels.

Credits: Director, Antonio Gandio; story, Harold Shumate.

SEALED LIPS. 1931. 2 reels. From the story "Dying Lips" by Donald Van Riper.

Credits: Director, Kurt Neumann; screenplay, Samuel Freedman.

THE SEALED OASIS. 1914. 1,000 ft.

Credits: Producer, Edward J. LeSaint.

SEALED ORDERS. (Western Featurette) 1928. 2 reels.

Credits: Director, Josef Levigard; story and continuity, Arthur Henry Gooden.

SEALED ORDERS. SEE Stolen Orders.

THE SEALED PACKAGE. 1914. 1 reel.

Credits: Producer, Thomas Santschi.

SEALED VALLEY. 1915. 5 reels.

SEALING WHACKS. Winkler Pictures, Inc. 1927. 1 reel. Adapted from the George Herriman Krazy Kat cartoons.

SEALS AND WALRUSES. 1933. 1 reel.

SEALSKINS. Presented by Hal Roach. 1932. 1,914 ft.

Credits: Directors, Gil Pratt, Morey Lightfoot; dialogue, H. M. Walker; editor, Richard Currier.

SEARCH FOR BEAUTY. 1934. 8 reels, sd. Based on a play by Schuyler E. Grey and Paul R. Milton.

Credits: Director, Erie C. Kenton; story, David Boehm, Maurine Watkins; screenplay, Frank Butler, Claude Binyon; dialogue, Sam Hellman.

THE SEARCH FOR SANTA CLAUS. Presented by Captain and Mrs. Frank E. Kleinschmidt. 1934. 2 reels, sd.

Credits: Narrators, Jack Edsell, Troy Orr, Wilfred Lucas.

SEARCH FOR THE SPRING. SEE Once to Every Bachelor.

SEAS BENEATH. 1931. 9,100 ft., sd.

Credits: Director, John Ford; story, James Parker; screenplay and dialogue, Dudley Nichols; editor, Frank Hull.

A SEASHORE ROMEO. Rex. 1915. 1 reel.

Credits: Written and produced by Ben Wilson.

SEASHORE SHAPES. Century. 1921. 2 reels.

THE SEASON OF CHILDHOOD. (Do Children Count?) 1917. 25 min.

Credits: Director, L. C. Windom; story. Charles Mortimer Peck.

SEASON TO TASTE. (A Grantland Rice Sportlight) 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

SEASONED GREETINGS. (Broadway Brevities, no. 3) 1933. 2 reels, sd.

Credits: Director, Roy Mack; story, A. Dorian Otvos, Cyrus Wood.

SEASON'S GREETINKS. (A popeye the Sailor Cartoon) 1933. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Roland Crandall.

A SEAT ON THE CURB. 1932. 1 reel, sd.

Credits: Director, Ray Cozine; story, Howard Emmett Rogers; dialogue staged by Max E. Hayes.

THE SEATS OF THE MIGHTY. Presented by World Film Corp. 1914. 7 reels.

Credits: Director, T. Hayes Hunter.

THE SECOND BEGINNING. Big U. 1915. 1 reel.

Credits: Producer, Burton King; scenario, F. McGrew Willis.

SECOND CHILDHOOD. 1914. 1 reel.

Credits: Producer, Norval MacGregor.

SECOND CHILDHOOD. 1931. 1 reel, sd.

SECOND CHILDHOOD. (Hal Roach Comedy) (Our Gang Comedy) 1936. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Louis McManus.

SECOND CHOICE. Vitaphone. 1929. 7 reels.

Credits: Director, Howard Bretherton; story, Elizabeth Alexander; adapted by Joseph Jackson.

SECOND CHOICE. Trailer. 1929. 1 reel, sd.

SECOND FIDDLE. 1939. 7,804 ft., sd.

Credits: Director, Sidney Lanfield; story, George Bradshaw; screenplay, Harry Tugend; music director, Louis Silvers.

THE SECOND FLOOR MYSTERY. 1930. 7 reels. From the story "The Agony Column" by Earl Derr Biggers.

Credits: Director, Roy Del Ruth; screenplay, Joseph Jackson.

THE SECOND FLOOR MYSTERY. Trailer. 1930. 1 reel, sd.

A SECOND-HAND EXCUSE. (Stern Brothers Comedy) (Excuse Maker Series) 1926. 2 reels.

Credits: Director, Francis Corby; story, William Anthony.

SECOND HAND HUSBAND. (An Educational Coronet Comedy) Presented by E. W. Hammons. 1934. 2 reels, sd.

Credits: Producer, Al Christie; story, Harry Blair; adaptation, William Watson, Arthur Jarrett; editor, Barney Rogan.

SECOND HAND KISSES. (Louise Fazenda Series, no. 5) 1931. 2 reels.

Credits: Director, Lewis R. Foster; story and dialogue, E. V. Durling.

SECOND-HAND LOVE. 1923. 5 reels, b&w, tinted sequences.

Credits: Director, William Wellman; story, Shannon Fife; scenario, Charles Kenyon.

SECOND HAND ROSE. 1922. 5 reels.

Credits: Director, Lloyd Ingraham; story, and scenario, A. P. Younger.

SECOND HAND WIFE. 1932. 5,790 ft. From the novel by Kathleen Norris.

Credits: Direction and screenplay, Hamilton McFadden; editor, Alex Troffey.

THE SECOND HONEYMOON. 1930. 6 reels, sd. From the novel by Ruby M. Ayres.

Credits: Producer, Trem Carr; director, Phil Rosen; screenplay, Harry O. Hoyt.

SECOND HONEYMOON. 1937. 7,137 ft., sd. Based on the Red Book Magazine story by Philip Wylie.

Credits: Director, Walter Lang; screenplay, Kathryn Scola, Darrell Ware.

THE SECOND IN COMMAND. 1915. 5 reels.

Credits: Clyde Fitch.

THE SECOND LATCHKEY. SEE My Lady's Latchkey.

THE SECOND LIFE. SEE

Once a Lady.

Three Sinners.

Credits: Producer, Fred Paul.

THE SECOND MRS. TANQUERAY. 1917. 5 reels. From the play by Sir Arthur W. Pinero.

Credits: Director, Fred Paul.

THE SECOND 100 YEARS. 1927. 2 reels, b&w, tinted sequences.

Credits: Director, Fred L. Guiol; titles, H. M. Walker; editor, Richard Currier.

SECOND PARADISE. (Vagabond Adventure Series) The Van Beuren Corp. 1932. 1 reel.

Credits: Supervision, Elmer Clifton; narration, Gayne Whitman.

SECOND RISE AND FALL OF NAPOLEON. SEE The Hundred Days.

THE SECOND SHOT. 1915. 2 reels.

SECOND SIGHT. 1914. 1 reel.

Credits: Director, Ned Finley.

THE SECOND SON. 1915. 3 reels.

A SECOND STORY RINGER. 1916. 1 reel.

SECOND WIFE. 1930. 7 reels, sd. Based on the play "All the King's Men" by Charles Fulton Oursler.

Credits: Director, Russell Mack; screenplay, Hugh Herbert, Bert Glennon.

SECOND WIFE. 1936. 7 reels, sd. Based on the play "All the King's Men" by Fulton Oursler.

Credits: Associate producer, Lee Marcus; director, Edward Kelly; screenplay, Thomas Lennon; music director, Alberto Colombo; editor, George Crone.

SECOND YOUTH. 1924. 6 reels, tinted. From the novel by Allan Updegraff.

Credits: Director, Albert Parker; adaptation, John Lynch.

SECRET AGENT. 1936. 9 reels, sd. From the play by Campbell Dixon based on the novel "Ashenden" by W. Somerset Maugham.

Credits: Director, Alfred Hitchcock; screenplay, Charles Bennett; dialogue, Ian Hay [pseud. of John Hay Beith]; continuity, Alma Reville; additional dialogue, Jesse Lasky, Jr.; editor, Charles Frend; music director, Louis Levy.

THE SECRET AGENT. SEE The Woman Alone.

SECRET AGENT X-9. 1937. 2 reels each. Based on the newspaper feature. © Universal Pictures Co., Inc.

Credits: Directors, Ford Beebe, Cliff Smith; original story and screenplay, Wyndham Gittens, Norman S. Hall, Ray Trampe, Leslie Swabacher.

1. Modern Pirates. © 11Feb37; LP6912.

2. The Ray That Blinds. © 11Feb37; LP6913.

3. The Man of Many Faces. © 2Mar37; LP6961.

4. The Listening Shadow. © 5Apr37; LP7033.

5. False Fires. © 12Apr37; LP7048.

6. The Dragnet. © 19Apr37; LP7071.

7. Sealed Lips. © 26Apr37; LP7090.

8. Exhibit A. © 3May37; LP7115.

9. The Masquerader. © 10May37; LP7125.

10. The Forced Lie. © 17May37; LP7139.

11. The Enemy Camp. © 24May37; LP7150.

12. Crime Does Not Pay. © 1Jun37; LP7180.

SECRET BOOZEHOUNDS. (U. F. A. Oddity) 1929. 1 reel.

Credits: Edited and titled by John Michael Flick.

THE SECRET BRIDE. Presented by Warner Bros. Productions Corp. and The Vitaphone Corp. 1934. 7 reels, sd. Suggested by the play by Leonard Ide.

Credits: Director, William Dieterle; screenplay, Tom Buckingham, F. Hugh Herbert, Mary McCall, Jr.

THE SECRET CALL. 1931. 8 reels, sd. From the play "The Woman" by William C. De Mille.

Credits: Director, Stuart Walker; screenplay, Arthur Kober; scenario, Eve Unsell.

THE SECRET CELLAR. Imp. 1916. 2 reels.

THE SECRET CODE. (Further Exploits of Yorke Norroy) 1923. 2 reels.

Credits: Producer, Raymond Bernard; director, H. Diamont-Berger.

THE SECRET FOE. Laemmle. 1916. 2 reels.

Credits: Written and produced by Lynn Reynolds.

Credits: Producer, Donald MacDonald; scenario, Anthony W. Coldewey.

THE SECRET FOUR. Universal Special. 1921-22. 2 reels each. © Universal Film Mfg. Co., Inc.

Credits: Producers, Perry Vekroff, Albert Russell; story and scenario, Anthony W. Coldeway.

1. Behind the Mask. © 10Dec21; LP17348.

2. The House of Intrigue. © 12Dec21; LP17360.

3. Across the Chasm. © 21Dec21; LP17393.

4. The Dive of Despair. © 24Dec21; LP17394.

5. Black Waters. © 31Dec21; LP17427.

6. The Highway of Fate. © 6Jan22; LP17440.

7. The Creeping Doom. © 18Jan22; LP17471.

8. The Flaming Forest. © 27Jan22; LP17518.

9. The Fight in the Dark. © 2Feb22; LP17519.

10. The Burning Pit. © 10Feb22; LP17541.

11. The Stampede of Death. © 15Feb22; LP17559.

12. Floods of Fury. © 24Feb22; LP17581.

13. The Man Trap. © 2Mar22; LP17605.

14. The Hour of Twelve. © 10Mar22; LP17633.

15. Black Gold. © 16Mar22; LP17649.

THE SECRET GAME. 1917. 5 reels.

Credits: Director, William C. De Mille; story, Marion Fairfax.

THE SECRET GARDEN. Paramount. Presented by Jesse L. Lasky. 1918. 5 reels. Based on the book by Frances Hodgson Burnett.

Credits: Director, G. Butler Clonebaugh; scenario, Marion Fairfax.

THE SECRET GIFT. 1920. 5 reels.

Credits: Producer, Harry L. Franklin; story and scenario, George C. Hull.

THE SECRET HOUR. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 7,194 ft.

Credits: Screenplay, production, and direction, Rowland V. Lee; story, Sidney Howard.

THE SECRET KINGDOM. 1916-17. 2 reels each, except no. 1-2 which are 3 reels.

Credits: Louis Joseph Vance; directors, Theodore Marston, Charles J. Brabin; scenarios, Basil Dickey.

1. The Land of the Intrigue. © 8Nov16; LP9478.

2. Royalty at Red Wing. © 11Nov16; LP9498.

3. The Sealed Packet. © 8Nov16; LP9479.

4. The Honorable Mr. Oxenham. © 8Nov16; LP9480.

5. Carriage Call No. 101. © 10Nov16; LP9487.

6. Human Flotsam. © 16Nov16; LP9535.

7. The Ghost Ship. © 29Nov16; LP9635.

8. Rum Cay. © 2Dec16; LP9645.

9. The Swamp Adder. © 30Dec16; LP9848.

10. A Goat Without Horns. © 30Dec16; LP9849.

11. The White Witch. © 16Jan17; LP10018.

12. Sharks' Nest. © 23Jan17; LP10058.

13. The Tragic Masque. © 16Dec16; LP9739.

14. The Portrait of a King. © 21Nov16; LP9563.

15. The Tocsin. © 11Nov16; LP9499.

SECRET LIVES. SEE I Married a Spy.

SECRET LOVE. Bluebird. 1916. 6 reels.

THE SECRET MAN. Butterfly. 1917. 5 reels.

Credits: Director, Jack Ford; story, George Hively.

THE SECRET NEST. 1914. 1 reel.

THE SECRET OF BLACK CANYON. 1925. 5 reels.

Credits: Director, Ward Hayes; story, W. M. McCormick, P. G. Sleeman.

THE SECRET OF BLACK MOUNTAIN. Falcon Features. 1917. 4 reels. From the story by Jackson Gregory.

Credits: Supervision, H. M. and E. D. Horkheimer; director, Otto Hoffman.

THE SECRET OF DOCTOR KILDARE. Presented by Metro-Goldwyn-Mayer. 1939. 9 reels, sd., b&w.

Credits: Director, Harold S. Bucquet; story, Max Brand [pseud. of Frederick Faust]; screenplay, Willis Goldbeck, Harry Ruskin; film editor, Frank Hull; music, David Snell.

THE SECRET OF EVE. 1917. 5 reels.

Credits: Story, Aaron Hoffman; scenario, Wallace C. Clifton.

THE SECRET OF MADAME BLANCHE. 1933. 9 reels, sd., b&w. From the play "The Lady" by Martin Brown.

Credits: Director, Charles Brabin; screenplay, Frances Goodrich, Albert Hackett; film editor, Blanche Sewall; music, William Axt.

SECRET OF THE BLUE ROOM. 1933. 7 reels.

Credits: Director, Kurt Neumann; story, Erich Philippi; screenplay, William Hurlbut.

THE SECRET OF THE BULB. 1913. 1 reel.

Credits: Director, W. J. Bauman.

THE SECRET OF THE CELLAR. 1915. 1 reel.

SECRET OF THE CHATEAU. Presented by Carl Laemmle. 1934. 7 reels, sd.

Credits: Producer, L. L. Ostrow; director, Richard Thorpe; original story, Lawrence G. Blochman; screenplay, Albert DeMond, Harry Behn; additional dialogue, Llewelyn Hughes; film editor, Harry Marker.

THE SECRET OF THE HILLS, 1921. 5 reels. From the novel by William Garrett.

Credits: Director, Chester Bennett; scenario, E. Magnus Ingleton.

THE SECRET OF THE NIGHT. 1916. 3 reels.

Credits: Edward T. Lowe, Jr.; director, E. H. Calvert.

Credits: Director, Neal Hart; story, Alvin J. Neitz.

THE SECRET OF THE STORM COUNTRY. 1917. 6 reels.

Credits: Director, Charles Miller; story, Grace Miller White; adaptation, Mary Murillo.

THE SECRET OF THE SWAMP. 1916. 5 reels.

Credits: Written and produced by Lynn F. Reynolds.

THE SECRET OF TREASURE ISLAND. 1938. © Columbia Pictures Corp. of California, Ltd.

Credits: Director, Elmer Clifton; story, L. Ron Hubbard; continuity, George Rosener, Elmer Clifton, George Merrick.

1. The Isle of Fear. © 2Mar38; LP7906.

2. The Ghost Talks. © 23Mar38; LP7907.

3. The Phantom Duel. © 29Mar38; LP7919.

4. Buried Alive. © 4Apr38; LP7927.

5. The Girl Who Vanished. © 12Apr38; LP7952.

6. Trapped by the Flood. © 18Apr38; LP7959.

7. The Cannon Roars. © 26Apr38; LP7984.

8. The Circle of Death. © 3May38; LP8004.

9. The Pirate's Revenge. © 11May38; LP8020.

10. The Crash. © 17May38; LP8031.

11. Dynamite. © 23May38; LP8039.

12. The Bridge of Doom. © 6Jun38; LP8067.

13. The Mad Flight. © 13Jun38; LP8077.

14. The Jaws of Destruction. © 21Jun38; LP8096.

15. Justice. © 27Jun38; LP8108.

SECRET ORDERS. Released by F. B. O. 1926. 6 reels.

Credits: Director, Chet Withey; story, Martin Justice; continuity, J. Grubb Alexander.

THE SECRET OUTLAW. 1928. 2 reels.

Credits: Director, Walter Fabian; story and continuity, Bruce Mitchell.

SECRET PATROL. 1936. 6 reels, sd.

Credits: Producer, Peter B. Kyne; director, David Selman; scenario, Robert Watson, J. P. McGowan; film editor, William Austin.

SECRET PERIL. 1918. 2 reels.

Credits: Story, Alvin J. Neitz.

THE SECRET ROOM. 1915. 2 reels.

Credits: Producer, Paul Powell.

SECRET S'CIETY. Paramount-Briggs. 1919. 1 reel. Based on "The Days of Real Sport" by Briggs.

Credits: Director, John Joseph Harvey; story, Ruth Owen.

SECRET SERVANTS. Nestor. 1917. 1 reel.

Credits: Written and directed by William W. Beaudine.

SECRET SERVICE. Paramount-Artcraft. Presented by Jesse L. Lasky. 1919. 6 reels. From the play by William Gillette.

Credits: Director, Hugh Ford; scenario, Beulah Marie Dix.

SECRET SERVICE. 1931. 7 reels, sd. From the stage play by William Gillette.

Credits: Director, J. Walter Ruben; adaptation and dialogue, Bernard Schubert.

SECRET SERVICE. SEE IM Geheimdienst.

SECRET SERVICE OF THE AIR. 1939. 6 reels, sd. Based on material compiled by W. H. Moran.

Credits: Director, Noel Smith; original screenplay, Raymond Schrock.

THE SECRET SEVEN. 1916. 3 reels.

Credits: Director, William Humphrey.

Credits: Producer, Frank Reicher; scenario, Margaret Turnbull.

SECRET SINNERS. 1933. 7 reels, sd.

Credits: Producer and director, Wesley Ford; story and adaptation, F. McGrew Willis; editor, Fred Bain.

THE SECRET SIX. A George Hill-Cosmopolitan Production. 1931. 9 reels, sd., b&w.

Credits: Director, George Hill; story and dialogue, Frances Marion; film editor, Blanche Sewell.

THE SECRET SPRING. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 5,854 ft. From the novel "Koenigsmark" by Pierre Benoit.

Credits: Producer and director, Leonce Perret.

SECRET STRINGS. 1918. 5 reels. Based on an Ainslee's Magazine story by Kate Jordan.

Credits: Supervision, Maxwell Karger; director, John Ince; scenario, June Mathis.

THE SECRET STUDIO. Presented by William Fox. 1927. 6 reels.

Credits: Director, Victor Schertzinger; story, Hazel Livingston; adaptation and scenario, James Kevin McGuinness.

SECRET VALLEY. 1937. 6 reels, sd. Based on a story by Harold Bell Wright.

Credits: Producer, Sol Lesser; director, Howard Bretherton; screenplay and adaptation, Earle Snell, Dan Jarrett, Paul Franklin; film editor, Charles Craft.

THE SECRET WITNESS. 1931. 7 reels, sd. Based on the novel "Murder in the Gilded Cage" by Samuel Spewack.

Credits: Director, Thornton Freeland; screenplay, Samuel Spewack; editor, L. H. Sackin.

Credits: Director, Thomas Ricketts.

SECRETARY PREFERRED. (Van Beuren Miniature, no. 5) RKO-Van Beuren Corp. Presented by Radio Pictures. 1932. 1 reel, sd. From a short story in Liberty Magazine by Frederic Arnold Kummer.

Credits: Adaptation and direction, William Cowen; screenplay, Ruth Todd, Dick Smith; editor, Vera Wade.

SECRETS. First National. 1924. 8 reels. Based on the Sam H. Harris play by Rudolf Besier and May Edginton.

Credits: Director, Frank Borzage.

SECRETS. 1933. 9 reels, sd. From the play by Rudolf Besier and May Edginton.

Credits: Director, Frank Borzage; adapter, Frances Marion.

SECRETS OF A MODEL. 1939. 7 reels, sd.

Credits: Director, Sam Newfield; original screenplay, Sherman Lowe, Arthur St. Claire.

SECRETS OF A NURSE. 1938. 8 reels, sd. Based on the story "West Side Miracle" by Quentin Reynolds.

Credits: Associate producer, Burt Kelly; director, Arthur Lubin; screenplay, Tom Lennon, Lester Cole; film editor, Ed Curtiss.

SECRETS OF A SECRETARY. 1931. 7,062 ft., sd. Based on an original story by Charles Brackett.

Credits: Adapted and directed by George Abbott; screenplay, Dwight Taylor.

SECRETS OF AN ACTRESS. First National. 1938. 8 reels, sd.

Credits: Director, William Keighley; original screenplay, Milton Krims, Rowland Leigh, Julius J. Epstein.

THE SECRETS OF PARIS. Whitman Bennett Studios. Presented by C. C. Burr. 1922. 7 reels. From the novel "The Mysteries of Paris" by Eugene Sue.

Credits: Director, Kenneth Webb; adaptation, Dorothy Farnum.

SECRETS OF SURETÉ. SEE Secrets of the French Police.

SECRETS OF THE FRENCH POLICE. 1932. 6 reels. Based on "Secrets of Sureté" by H. Ashton-Wolfe and "The Lost Empress" by Samuel Ornitz.

Credits: Director, Edward Sutherland; screenplay, Samuel Ornitz, Robert Tasker.

SECRETS OF THE NIGHT. Universal-Jewel. 1924. 7 reels.

Credits: Director, Herbert Blaché; adaptation and scenario, Edward Montagne.

SECRETS OF THE SEA. U.F.A. 1927. 1 reel.

Credits: Editor, Edward Bowes.

THE SECRET'S PRICE. 1915. 1 reel.

Credits: I. A. R. Wylie.

SECURING THE INTERVIEW. 1927. 1 reel.

SEE AMERICA THIRST. 1930. 8 reels.

Credits: Director, William James Craft; story and dialogue, Edward I. Luddy, Vin Moore; adaptation, C. Jerome Horwin.

Credits: Director, J. P. Clark.

SEE MY LAWYER. 1921. 6 reels. From the play by Max Marcin.

Credits: Scenario, W. Scott Darling.

THE SEE-SAW. SEE The Invisible Bond.

SEE, SEE, SENORITA. 1935. 2 reels, sd.

Credits: Director, Joseph Henabery; story, Cyrus Wood.

SEE THE WORLD. (Paul Terry-Toons) 1934. 1 reel.

Credits: Frank Moser, Paul Terry.

SEE UNCLE SOL. Educational Films Corp. of America. Presented by E. W. Hammons. 1937. 1,007 ft., sd.

Credits: Director, Robert Hall; story, Art Jarrett, Marcy Klauber.

SEE YOU IN JAIL. 1927. 6 reels.

Credits: Producer, Ray Rockett; director, Joseph Henabery; story, William H. Clifford.

SEE YOU TONIGHT. 1933. 2 reels, sd.

Credits: Director, William Crowley.

SEED. Presented by Carl Laemmle. 1931. 11 reels. From the novel by Charles G. Norris.

Credits: Producer, Carl Laemmle, Jr.; director, John M. Stahl; screenplay, continuity, and dialogue, Gladys Lehman; editorial supervision, Maurice Pivar.

SEED DISPERSAL. 1931. 1 reel, sd.

SEEDS OF JEALOUSY. Special. Big U. 1916. 1 reel.

SEEDS OF REDEMPTION. Special Rex. 1917. 2 reels.

Credits: Written and directed by Robert F. Hill.

Credits: Producer, Fred W. Huntley.

SEEDS OF VENGEANCE. 1920. 5 reels. From the novel "The Sowing of Alderson Cree" by Margaret Prescott Montague.

Credits: Director, Ollie L. Sellers.

SEEIN' INJUNS. (Whoopee Comedies). Presented by E. B. Derr. 1931. 2 reels, sd., b&w.

Credits: Producer, Fred Lalley; director, Ralph Ceder; story, Paul Gerard Smith; film editor, John Link; music director, Francis Gromon.

SEEIN' STARS. 1936. 1 reel, sd.

Credits: Director, Lloyd French; story, Goodman Ace.

SEEING CEYLON WITH HY MAYER. (Travelaugh) Powers. 1917. 1 reel.

SEEING DOUBLE. 1923. 2 reels.

Credits: Director, Edie Lyons; story, Arthur D. Hotaling.

THE SEEING EYE. Treasure Chest. Presented by E. W. Hammons. 1936. 922 ft.

Credits: Story and narration, Clinton Wunder.

SEEING HELEN HOME. 1930. 1 reel, sd.

Credits: Director, Georgie Hale; story, Walton Butterfield.

SEEING INDIA WITH HOMER CROY. 1915. Split reel.

SEEING IS BELIEVING. Century. 1921. 2 reels.

Credits: Written and directed by Jim Davis.

SEEING NELLIE HOME. Educational Films Corp. of America. Presented by E. W. Hammons. 1935. 998 ft., sd.

Credits: Producer, Al Christie; director, William Watson; story, Art Jarrett.

SEEING RED. 1922. 2 reels.

Credits: Director, Robert North Bradbury; story, Frances Quillan; scenario, Harvey Gates.

SEEING RED. 1925. 2 reels.

Credits: Director, Ernst Laemmle; story, Isadore Bernstein; continuity, Carl Krusada.

SEEING RED. (Broadway Brevity) 1939. 20 min., sd.

Credits: Cyrus D. Wood; director, Roy Mack.

SEEING SAMOA. 1933. 1 reel, sd.

SEEING SAN MARINO. (Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

SEEING SARAH OFF. SEE Sylvia Clark in Seeing Sarah Off. 1930.

SEEING SIGHTS. (A Stern Brothers Comedy) 1928. 2 reels. From cartoons by George McManus.

SEEING SPOTS. (Broadway Brevity) 1939. 20 min., sd.

Credits: Director, Lloyd French; story, Jack Henley, Eddie Forman.

SEEING STARS. 1925. 1 reel.

SEEING STARS. (Educational-Mermaid Comedy) 1927. 2 reels.

Credits: Supervised and produced by Jack White; director, Stephen Roberts.

SEEING STARS. (A Krazy Kat Cartoon) 1932. 1 reel. Adapted from the cartoon character by George Herriman.

Credits: Ben Harrison, Manny Gould; producer, Charles Mintz; animation, Al Rose, Harry Love; musical score, Joe DeNat.

SEEING THE FUNNY SIDE OF THE WORLD WITH HOMER CROY. 1915.

SEEING THINGS. 1917. 1 reel.

Credits: Director, Harry Jackson; story, Edward McWade.

SEEING THINGS. Nestor. 1917. 1 reel.

Credits: Director, Roy Clements; story and scenario, Frederick A. Palmer.

SEEING THINGS. (Okeh Komedy) 1919. 1 reel.

Credits: Written and directed by Al Santell.

SEEING THINGS. 1930. 2 reels, sd.

SEEING'S BELIEVING. 1922. 5 reels.

Credits: Producer and director, Harry Beaumont; story, Rex Taylor; adaptation, Edith Kennedy.

THE SEEKERS. Red Feather. 1916. 5 reels.

Credits: Story, Olga Printzlau; scenario and direction, Otis Turner.

SEEKERS AFTER ROMANCE. 1915. 1 reel.

SEEKING AN INSPIRATION. 1915.

Credits: Producer, Stuart Paton.

SEEKING AN OVERSOUL. 1918. 1 reel.

Credits: Shannon Fife, Katharine Reed; director, Graham Baker.

SEEN FROM THE GALLERY. 1915.

Credits: Charles Ranson.

SEEN THROUGH THE MAKE-UP. 1915. Split reel.

Credits: J. E. Hungerford.

SEGAR ELLIS AND HIS EMBASSY CLUB ORCHESTRA SINGS: HOW CAN I LOVE AGAIN. [and others]. 1929. 1 reel.

SEIN LIEBESLIED (HIS LOVE SONG). 1930. 12 reels.

Credits: Walter Reisch; music and musical direction, Robert Stolz.

SELF-CONDEMNED. 1932. 2 reels, sd. From the records of Nick Harris.

Credits: Producer and director, Spencer Gordon Bennet; screen adaptation, George R. Rogan.

SELF CONTROL. (A Walt Disney Donald Duck) 1938. 1 reel, sd.

SELF DEFENSE. (The Grantland Rice Sound Sportlight) 1930. 1 reel. Si., sd.

Credits: Producer, Jack Eaton.

SELF-DEFENSE. 1933. 7 reels, sd. From "The Just Judge" by Peter B. Kyne.

Credits: Producer, W. T. Lackey; supervision, Trem Carr; director, Phil Rosen; screenplay and dialogue, Tristram Tupper.

A SELF-MADE FAILURE. 1924. 8 reels.

Credits: Director, William Beaudine; story, J. K. McDonald; scenario, V. Clarke, Tex Neal, John Grey.

A SELF MADE FAILURE. 1924. 8 reels.

Credits: Director, William Beaudine; story, J. K. McDonald.

A SELF MADE LADY. 1918. 2 reels.

Credits: Direction, story, and scenario, Henry Lehrman.

A SELF-MADE MAN. 1922. 5 reels. Adapted from the story "Jack Spurlock, Jnr." by George Horace Lorimer.

Credits: Director, Rowland V. Lee; scenario, Rowland V. Lee, Monte M. Katterjohn.

Credits: Director, Travers Vale; story, Henry Albert Phillips.

THE SELF-MADE WIFE. 1923. 5 reels.

Credits: Director, Jack Dillon; story, Elizabeth Alexander.

SELF MEASUREMENT, YOUR PRESENTATION. (Educational Film Service, v. 18) 1930. 1 reel.

THE SELFISH WOMAN. Released by Paramount Pictures Corp. 1916. 5 reels.

Credits: Hector Turnbull.

SELFISH YATES. Presented by Thomas H. Ince. 1918. 5 reels.

Credits: Supervision, Thomas H. Ince; director, William S. Hart; story, C. Gardner Sullivan.

SELL 'EM COWBOY. 1924. 5 reels.

Credits: Director, Ward Hayes; story and continuity, Ben Cohen.

SELL EXTRA STAPLES THE DAY BEFORE A HOLIDAY. SEE The Added Item Makes for Profit.

SELL SAFETY, BRUNSWICK. 1937. For Brunswick Tires. Filmstrip, 74 frames, sd.

SELL SAFETY—DIAMOND TIRES. 1936. For Goodrich Associated Lines. 1 reel, sd.

SELL SAFETY—HOOD TIRES. 1936. For Goodrich Associated Lines. 1 reel, sd.

SELL SAFETY—MILLER TIRES. 1936. For Goodrich Associated Lines. 1 reel, sd.

SELL THE WOMEN AND CHILDREN FIRST. 1928. 1 reel.

SELL UP WITH U. S. ROYALS—SELL AT A PROFIT; U. S. Summer Promotion. 1937. For U. S. Tire Dealers Mutual Corp. Filmstrip, sd.

SELLING. 1930. Filmstrip, 82 frames.

SELLING. 1931. Filmstrip, 92 frames.

SELLING A CAR. SEE Harry Tate in Selling a Car.

SELLING AUTOMOBILES IS SELLING AUTOMOBILES, NEW OR USED. 1930. 1 reel.

SELLING BIG EQUIPMENT. 1937. For Ice Refrigeration Bureau. Filmstrip, sd.

SELLING FORD SERVICE. Ford Motion Picture Laboratories. 1928. 3 reels.

SELLING MORE CANNED GOODS. SEE

Credits and Collections.

SELLING MORE ICE. 1937. For the Ice Refrigeration Bureau. Filmstrip, sd.

THE SELLING POWER OF ENTHUSIASM. 1930. 1 reel.

SELLING RUGS THE RIGHT WAY. 1930. Presented by W. & J. Sloane. Filmstrip, 73 frames.

SELLING SHORTS. (Traveling Man Comedies) 1931. 2 reels, sd., b&w.

Credits: Supervision, Lew Lipton; director, Harry Edwards; story, Nick Barrows, Charles A. Callahan; film editor, John Link.

SELLING SMALL HOMES. 1937. 1 reel.

SELLING THE APPRAISAL. 1927. 1 reel.

SELLING THE GOLDEN PLY. 1936. For B. F. Goodrich Company. 1 reel, sd.

SELLING THE NEW COOLER, THE HOTTEST WAY TO KEEP 'EM COLD. 1934. Filmstrip.

SELLING THE TRIPLE-PROTECTED SILVERTOWN. 1936. 1 reel.

SELLING THE USED CAR. 1927. 1 reel.

SELLING TO WOMEN. Audivision, Inc. 1936. For the Plymouth Division of the Chrysler Corporation. 1 reel, sd.

THE SENATOR. 1915. 5 reels.

SENATOR EDWARD H. FORD (HUMORIST) IN HIS ORIGINAL MONOLOGUE. 1927. 1 reel.

THE SENATOR'S BROTHER. 1914. 3 reels.

Credits: Director, William Humphrey.

SENDING A WIRE. SEE Eddie Green & Co. in Sending a Wire. 1929.

SENOR AMERICANO. (Ken Maynard Western) 1929. 6 reels.

Credits: Director, Harry J. Brown; story, Helmer Bergman, Henry McCarty.

SENOR DAREDEVIL. Presented by Charles R. Rogers. 1926. 7 reels.

Credits: Production management, Harry J. Brown; director, Albert Rogell; story and adaptation, Marion Jackson.

SEÑORA CASADA NECESITA MARIDO (MARRIED LADY NEEDS HUSBAND). 1934. 8 reels, sd. Based on the novel "Mi Segunda Mujer" by Eugenio Heltai.

Credits: Supervision, Gregorio Martinez Sierra; director, James Tinling; screenplay, José López Rubio; music director, Sam Kaylin.

SEÑORITA Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 7 reels.

Credits: Producer and director, Clarence Badger; story, John McDermott; screenplay, John McDermott, Lloyd Corrigan.

Credits: Producer, William Duncan.

SENSATION HUNTERS. 1933. 8 reels, sd. From the story "Cabaret" by Whitman Chambers.

Credits: Supervision, Robert Welsh; producer, Trem Carr; director, Charles Vidor; screenplay, Paul Schofield; dialogue, Albert E. Demond.

SENSATION SEEKERS. Jewel. 1926. 7 reels. From the story "Egypt" by Ernest Pascal.

Credits: Continuity and direction, Lois Weber.

A SENSATIONAL NEW TIRE. Presented by Goodrich. 1938. 1 reel, sd.

A SENSE OF HUMOR. 1913. 1 reel.

Credits: Sydney S. Booth.

A SENTIMENTAL BURGLAR. 1914. 1 reel.

THE SENTIMENTAL LADY. 1915. 5 reels.

SENTIMENTAL TOMMY. 1921. 8 reels. From the stories "Tommy and Grizel" and "Sentimental Tommy" by Sir J. M. Barrie.

Credits: Director, John S. Robertson; scenario, Josephine Lovett.

THE SENTIMENTALIST. SEE His Woman.

THE SENTIMENTALISTS. SEE Sal of Singapore.

SENTINELS OF THE SEA. (Magic Carpet of Movietone) 1934. 1 reel, sd.

SENZA MAMMA. SEE Without a Mother.

SEPARATED SWEETHEARTS. Bluebird. 1926. 1 reel.

Credits: Director, Edgar Kennedy.

SEPARATING FROM SARAH. 1916. 2 reels.

SEPTEMBER IN THE RAIN. (Merrie Melodies) 1937. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, I. Freleng; story, Ted Pierce; animation, Cal Dalton; music score, Carl W. Stalling.

SEPTEMBER MOURNING. 1916. 2 reels.

SEPUTUBA RIVER. SEE Roosevelt Brazilian Expedition.

SEQUOIA. 1935. 7 reels, sd., b&w. Based on the novel "Malibu" by Vance Hoyt.

Credits: Producer, John W. Considine, Jr.; director, Chester M. Franklin; screenplay, Ann Cunningham, Sam Armstrong, Carey Wilson; film editor, Charles Hochberg; music, Herbert Stothart.

SEQUOIA NATIONAL PARK. 1936. 1 reel.

SERAPHINA'S LOVE AFFAIR. 1914. 1 reel.

Credits: George Lessey.

SERENADE. First National. 1921. 7 reels. From the story based upon the Spanish drama "Maria del Carmen" by Felín y Codina.

Credits: Director, R. A. Walsh; scenario, J. T. O'Donohoe.

SERENADE. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 5,209 ft.

Credits: Director, H. D'Abbadie D'Arrast; story, Ernest Vajda.

A SERENADE BY PROXY. 1913. 1 reel.

Credits: A. H. Giebler.

THE SERENADERS IN RED HOT HARMONY. 1929. 1 reel, sd.

SERENE SIAM. (A FitzPatrick Traveltalk) 1937. 810 ft., sd., color.

Credits: Music score, Nathaniel Shilkret; photography, Winton C. Hoch.

SERGE PANINE. 1915. 3 reels.

SERGEANT MADDEN. Presented by Metro-Goldwyn-Mayer. 1939. 8 reels, sd., b&w. Based on the story "A Gun in His Hand" by William A. Ulman, Jr.

Credits: Producer, J. Walter Ruben; director, Josef Von Sternberg; screenplay, Wells Root; film editor, Conrad A. Nervig; music score, William Axt.

SERGEANT MURPHY. 1937. 6 reels.

Credits: Director, B. Reeves Eason; story, Cy Bartlett; screenplay, William Jacobs.

A SERIES OF LESSONS ON THE GAME OF BRIDGE. 1929. 1 reel.

THE SERIES OF TALLULAH FALLS, GEORGIA. 1913. 1 reel.

THE SERPENT. 1916. For Fox Film Corp. 6 reels. From the story "The Wolf's Claw" by Philip Bartholmae.

Credits: Adapted and produced by Raoul A. Walsh.

A SERPENT IN THE HOUSE. Powers. 1916. 1 reel.

Credits: Producer, Robert Daley; scenario, L. V. Jefferson.

THE SERPENTINE. 1927. 1 reel.

THE SERPENT'S TOOTH. 1915. 1 reel.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand]

THE SERVANT GIRL'S LEGACY. 1914. 600 ft.

THE SERVANT IN THE HOUSE. 1920. 9 reels. Based on the play by Charles Rann Kennedy.

Credits: Director, Jack Conway; scenario, Lanier Bartlett.

SERVANT OF THE PEOPLE; the Story of the Constitution of the United States. 1937. 2 reels, sd., b&w.

Credits: Director, Edward Cahn; original play, Joe Sherman, Richard Goldstone, Ray Doyle.

THE SERVANT QUESTION. 1920. 5 reels.

Credits: Story, Dell Henderson.

THE SERVANT QUESTION OUT WEST. 1914. 1 reel.

Credits: Producer, William Duncan.

SERVANTS' ENTRANCE. 1934. 7,553 ft., sd. From the novel by Sigrid Boo.

Credits: Director, Frank Lloyd; screenplay, Samson Raphaelson; music director, Arthur Lange.

SERVE 'EM RIGHT. 1936. 1 reel, sd.

SERVED HOT. (Cameo Comedy) 1929. 1 reel.

Credits: Director, Francis J. Martin.

SERVES YOU RIGHT. 1936. 2 reels, sd.

Credits: Director, Lloyd French; story, Jack Henley, Bob McGowan.

SERVICE. SEE Looking Forward.

SERVICE DE LUXE. 1938. 9 reels, sd.

Credits: Producer, Edmund Grainger; director, Rowland V. Lee; original story, Bruce Manning, Vera Caspery; screenplay, Gertrude Purcell, Leonard Spigelgass; film editor, Ted Kent.

SERVICE FOR LADIES. 1927. 6,170 ft.

Credits: Ernest Vajda, Benjamin Glazer; director, H. D'Abbadie; scenario, Chandler Sprague.

A SERVICE OF LOVE. 1917. 2 reels. From a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, John Robertson; adaptation, Katherine Reed.

SERVICE STRIPES. 1930. 1 reel, sd.

SERVICE THAT MAKES SALES. 1936. 1 reel.

SERVICE WITH A SMILE. 1934. 2 reels, sd.

Credits: Director, Roy Mack; screenplay and dialogue, Eddie Moran, A. Dorian Otvos.

SERVICE WITH A SMILE. (A Betty Boop Cartoon) 1937. 1 reel, sd.

SERVICING DODGE COMMERCIAL CARS AND TRUCKS. 1937. 1 reel, sd.

SERVICING DODGE COMMERCIAL CARS AND TRUCKS, Series M. 1937. 1 reel.

SESSUE HAYAKAWA IN THE MAN WHO LAUGHED LAST. 1929. 2 reels.

SET 'EM UP. 1937. 878 ft., sd.

Credits: Narrative, Jack Kofoed; described by Ford Bond.

SET 'EM UP. (A Pete Smith Specialty) Presented by Metro-Goldwyn-Mayer. 1939. 884 ft., sd., sepia.

Credits: Director, Felix E. Feist; screenplay, E. Maurice Adler; film editor, Philip Anderson.

SET FREE. 1918. 5 reels.

Credits: Direction and scenario, Tod Browning; story, Joseph Franklin Poland.

SET FREE. (Blue Streak Western) 1927. 5 reels.

Credits: Director, Arthur Rosson; story and scenario, Harrison Jacobs.

THE SET-UP. (Blue Streak Western) 1926. 5 reels. From the story "Horse Sense" by L. V. Jefferson.

Credits: Director, Clifford S. Smith; scenario, Harrison Jacobs.

SETH'S SWEETHEART. 1914. 1 reel.

Credits: J. Edward Hungerford; director, Charles Ranson.

SETH'S WOODPILE. 1913. 1 reel.

Credits: Charles H. France.

A SETTING OF AGES. (Post Nature Pictures) 1920. 1 reel.

THE SETTING SON. 1930. 2 reels.

Credits: Director, Lewis R. Foster.

SETTING THE STYLE. 1914. 1 reel.

Credits: Director, George D. Baker.

SETTLED AT THE SEASIDE. 1915.

Credits: Producer, Mack Sennett.

SETTLING THE OHIO VALLEY. (Westward Movement, no. 2) 1920. 1 reel.

Credits: Producer, John L. Hawkinson.

SEVEN CHANCES. Metro Goldwyn. Presented by Joseph M. Schenck. 1925. 6 reels. Based on the comedy by Roi Cooper Megrue produced by David Belasco.

Credits: Screen version, Jean C. Havez, Clyde Bruckman, Joseph A. Mitchell.

SEVEN DAYS. 1914.

SEVEN DAYS. Released by Producers Distributing Corp. 1925. 7 reels. From the play by Avery Hopwood and Mary Roberts Rinehart.

Credits: Director, Scott Sidney; adaptation, Frank Roland Conklin.

SEVEN DAYS LEAVE. 1930. 7,534 ft., sd. Adapted from the story "The Old Lady Shows Her Medals" by Sir James M. Barrie.

Credits: Director, Richard Wallace; adaptation, Dan Totheroh, John Farrow.

SEVEN FACES. 1929. 7,750 ft., sd. From the story "A Friend of Napoleon" by Richard Connell.

Credits: Associate producer, George Middleton; director, Berthold Viertel; editor, Ed. Robbins.

SEVEN FOOTPRINTS TO SATAN. Presented by Richard A. Rowland. 1929. 6 reels. From the story by A. Merritt.

Credits: Director, Benjamin Christensen; screen version, Richard Bee.

SEVEN FOOTPRINTS TO SATAN. SEE Announcement of Creighton Hale in Seven Footprints to Satan.

SEVEN KEYS TO BALDPATE. 1917. 6 reels. From the play by George M. Cohan, founded on the novel by Earl Derr Biggers.

Credits: Director, Hugh Ford.

SEVEN KEYS TO BALDPATE. Paramount. 1925. 6,648 ft. From the novel by Earl Derr

SEVEN KEYS TO BALDPATE. Cont'd Biggers and the stage play by George M. Cohan.

Credits: Director, Fred Newmeyer.

SEVEN KEYS TO BALDPATE. 1930. 8 reels, sd. Based on the novel by Earl Derr Biggers and the stage play by George M. Cohan.

Credits: Director, Reginald Barker; adaptation and continuity, Jane Murfin.

SEVEN KEYS TO BALDPATE. 1935. 8 reels, sd. From the novel by Earl Derr Biggers and the dramatization by George M. Cohan.

Credits: Associate producer, William Sistrom; directors, William Hamilton, Edward Kelly; screenplay, Anthony Veiller, Wallace Smith; editor, Desmond Marquette; music director, Alberto Colombo.

SEVEN MINUTES OF YOUR TIME. SEE Benny Rubin in Seven Minutes of Your Time.

SEVEN OAKS. SEE Jes' Call Me Jim.

1. The Sultan's Necklace. © title, descr. & 59 prints, 12Sep17; LU11380.

2. The Bowstring. © title, descr. & 37 prints, 19Oct17; LU11656.

3. The Air Peril. © title, descr. & 48 prints, 12Sep17; LU11381.

4. Amid the Clouds. © title, descr. & 34 prints, 12Sep17; LU11382.

5. Between Fire and Water. © title, descr. & 42 prints, 12Sep17; LU11383.

6. The Abandoned Mine. © title, descr. & 29 prints, 20Oct17; LU11598.

7. The False Pearl. © title, descr. & 57 prints, 20Oct17; LU11597.

8. The Man Trap. © title, descr. & 42 prints, 20Oct17; LU11596.

9. The Message on the Wire. © title, descr. & 57 prints, 20Oct17; LU11595.

10. The Hold-up. © title, descr. & 40 prints, 20Oct17; LU11594.

11. Gems of Jeopardy. © title, descr. & 36 prints, 5Nov17; LU11661.

12. Buried Alive. © title, descr. & 49 prints, 8Dec17; LU11803.

13. Over the Falls. © title, descr. & 48 prints, 8Dec17; LU11804.

13. © title, descr. & 43 prints, 3Apr18; LU12252.

14. © title, descr. & 25 prints, 3Apr18; LU12253.

15. © title, descr. & 30 prints, 3Apr18; LU12254.

SEVEN SINNERS. 1925. 7 reels.

Credits: Director, Louis Milestone; story and adaptation, Louis Milestone, Darryl Francis Zanuck.

SEVEN SINNERS. 1936. 8 reels.

Credits: Director, Albert De Courville; story, Arnold Ridley, Bernard Merlvale; screenplay, Sidney Gilliat, Frank Launder; additional dialogue, Austin Melford; adaptation, L. Du Garde Peach; editor, M. Gordon; music director, Louis Levy.

THE SEVEN SWANS. 1917. 5 reels.

Credits: Story and direction, J. Searle Dawley.

SEVEN UP LIKES YOU AND YOU AND YOU.... No. 40X-52X. 1938. 1 reel each, sd.

THE SEVEN WONDERS OF WOOL. 1935. Filmstrip, sd.

SEVEN YEARS BAD LUCK. 1913. 1 reel.

Credits: Alice Williams.

SEVEN YEARS BAD LUCK. 1921. 5 reels.

Credits: Written and directed by Max Linder.

SEVENTEEN. Released by Paramount Pictures Corp. 1916. 5 reels. A picturization of the book by Booth Tarkington.

Credits: Director, Robert G. Vignola.

THE SEVENTH DAY. 1915. 1,000 ft.

Credits: K. E. Horton; director, Will Louis.

THE SEVENTH DAY. 1922. 6 reels.

Credits: Porter Emerson Browne; director, Henry King.

SEVENTH HEAVEN. Presented by William Fox. 1927. 12 reels. From the play by Austin Strong.

Credits: Director, Frank Borzage; scenario, Benjamin Glazer.

SEVENTH HEAVEN. 1937. 9,278 ft., sd. Adapted from the stage play by Austin Strong.

Credits: Director, Henry King; screenplay, Melville Baker; music director, Louis Silvers.

SEVENTH HEAVEN. 1937. 9,278 ft., sd. Adapted from the stage play by Austin Strong.

Credits: Director, Henry King; screenplay, Melville Baker; music director, Louis Silvers.

THE SEVENTH SHERIFF. 1923. 5 reels.

Credits: Written and directed by Richard Hatton.

THE SEVENTH SON. 1917. 1 reel.

Credits: Hal Reed.

SEVENTY AND SEVEN. Black Cat. 1917. 2 reels.

70,000 WITNESSES. 1932. 8 reels, sd. From the novel by Cortland Fitzsimmons.

Credits: Producer, Charles R. Rogers; director, Ralph Murphy; screenplay, Garrett Fort, Robert N. Lee; dialogue, P. J. Wolfson, Allen Rivkin.

SEVILLE IN FAIR TIME. (Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

SEWAGE DISPOSAL. 1930. 1 reel.

SEX. Presented by J. Parker Read, Jr. 1920. 7 reels.

Credits: Director, Fred Niblo; story, C. Gardner Sullivan.

THE SEX LIFE OF THE POLYP. SEE Robert Benchley in The Sex Life of the Polyp.

Credits: Scenario and direction by Ivan Abramson; story, Don Dundas.

THE SEYMOUR HOUSE PARTY. 1915. 1 reel.

Credits: Director, George E. Reehm.

SEZ O'REILLY TO MACNAB. Gainsborough. 1937. 9 reels, sd.

Credits: Director, William Beaudine; story, Howard Irving Young; screenplay, Leslie Arliss; dialogue, Marriott Edgar; music director, Louis Levy.

SEZ YOU. Fey Production, Ltd. 1932. 1 reel, sd.

Credits: Director, Lou Breslow; story and dialogue, Ray Mayer; editor, William Austin.

SH! THE OCTOPUS. 1937. 6 reels, sd. From plays by Ralph Spence, Ralph Murphy, and Donald Gallaher.

Credits: Director, William McGann; screenplay, George Bricker; dialogue editor, Hugh Cummings; film editor, Clarence Kolster.

THE SHABBIES. 1915. 2 reels.

Credits: Director, Wilfrid North.

SHACKLE SHOPPING WITH MR. SHEPARD. 1928. 1 reel.

SHACKLES. Big U. 1916. 1 reel.

Credits: Producer, George Cochrane; story, Laura Oakley; scenario, F. McGrew Willis.

SHACKLES OF GOLD. 1922. 6 reels. From the play "Samson" by Henri Bernstein.

Credits: Director, Herbert Brenon; screen version, Paul H. Sloane.

THE SHADOW. Victor. 1916. 1-1/2 reels.

Credits: Director, Allan J. Holubar; scenario, E. B. Lewis.

THE SHADOW. 1937. 6 reels, sd.

Credits: Director, C. C. Coleman, Jr.; story, Milton Raison; screenplay, Arthur T. Horman; film editor, Byron Robinson; music director, Morris Stoloff.

THE SHADOW AND THE SHADE. 1915. 2 reels.

Credits: Director, Edw. J. Le Saint.

THE SHADOW BETWEEN. 1932. 7 reels.

Credits: Direction and scenario, Norman Walker.

SHADOW BOXING (DEFENSIVE). (Models in Motion) 1931. 243 ft.

THE SHADOW LAUGHS. 1933. 8 reels, sd.

Credits: Written and directed by Arthur Hoerl.

Credits: Director, Ray Physioc.

SHADOW OF DOUBT. 1935. 8 reels, sd., b&w. From the story by Arthur Somers Roche.

Credits: Producer, Lucien Hubbard; director, George B. Seitz; screenplay, Wells Root; film editor, Basil Wrangell; synchronized score, Oscar Radin.

THE SHADOW OF FEAR. 1915. 1 reel.

Credits: Director, William Humphrey.

THE SHADOW OF ROSALIE BYRNES. 1920. 5 reels.

Credits: Director, George Archainbaud; story, Grace Sartwell Mason; scenario, R. Cecil Smith.

THE SHADOW OF SUSPICION. 1921. 2 reels.

Credits: Director, Edward Kull; story and scenario, George H. Plympton.

THE SHADOW OF SUSPICION. Mustang. 1925. 2 reels.

Credits: Director, Edward Kull; story and scenario, George H. Plympton.

SHADOW OF THE DRAGON. (Vagabond Adventure Series, no. 23) The Van Beuren Corp. 1931. 1 reel.

THE SHADOW OF THE EAST. 1924. 6 reels.

Credits: Director, George Archainbaud; story, E. M. Hull; scenario, Frederic Hatton, Fannie Hatton.

Credits: Director, Wallace Worsley.

SHADOW OF THE LAW. 1930. 9 reels. From the novel "The Quarry" by John A. Moroso.

Credits: Director, Louis Gasnier; story, Max Marcin; scenario, John Farrow; film editor, Bob Bassler.

THE SHADOW OF THE PAST. 1914. 3 reels.

THE SHADOW OF THE ROPE. SEE Out of the Shadow.

THE SHADOW ON THE WALL. Gotham. 1925. 6 reels. Adapted from the book "The Picture on the Wall" by J. Breckenridge Ellis.

Credits: Director, Reaves Eason; continuity, Elsie Werner.

SHADOW RANCH. 1930. 6 reels.

Credits: Producer, Harry Cohn; director, Louis King.

THE SHADOW SINISTER. Big U. 1916. 1 reel.

Credits: Albert Russell; producer, A. W. Rice.

THE SHADOW STRIKES. Presented by Edward L. Alperson. 1937. 6 reels, sd. Based on the story "The Ghost of the Manor" by Maxwell Grant.

Credits: Producers, Max and Arthur Alexander; director, Lynn Shores; adaptation, Al Martin, Rex Taylor; screenplay, Al Martin.

SHADOW THEORY. 1928. 1 reel. Adapted from Krazy Kat cartoon by George Herriman.

Credits: Ben Harrison, Manny Gould.

A SHADOWED SHADOW. Joker. 1916. 1 reel.

Credits: Jack Byrne; director, William Beaudine.

SHADOWING HENRY. 1917. 1 reel.

Credits: Written and directed by Mr. and Mrs. Drew.

SHADOWLAND SCREEN REVIEW. 1921. 1 reel.

Credits: Editor, Arthur DeVere Storey.

Credits: Scenario, Max Goldberg.

SHADOWS. Goldwyn. 1918. 5 reels.

Credits: Director, Reginald Barker; story, Willard Mack.

SHADOWS. Presented by B. P. Schulberg. 1922. 83 min. Based on the story "Ching, Ching, Chinaman" by Wilbur Daniel Steele.

Credits: Producer and director, Tom Forman; scenario, Eve Unsell, Hope Loring.

SHADOWS. (A Laemmle Novelty) Snappy. 1928. 1 reel.

Credits: Director, Jacques Rollens.

SHADOWS. SEE Head over Heels.

SHADOWS FROM THE PAST. 1915. 4 reels.

Credits: Richard Ridgely.

THE SHADOWS OF A GREAT CITY. 1915. 5 reels.

Credits: Producer and director, John P. McCarthy; story and photoplay, John P. McCarthy, Francis Powers; editor, Fred S. Allen.

Credits: Producer, W. D. Russell.

SHADOWS OF HER PAST. 1918. 2 reels.

Credits: Henry Lehrman.

SHADOWS OF PARIS. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6,549 ft. From the play "Mon Homme" by André Picard and Francis Carco.

Credits: Producer and director, Herbert Brenon; scenario, Eve Unsell; adaptation, Fred Jackson.

SHADOWS OF SING SING. 1933. 7 reels, sd.

Credits: Director, Phil Rosen; story, Katherine Scola, Doris Malloy; screenplay, Albert DeMond; film editor, John Rawlins.

SHADOWS OF SUSPICION. Laemmle. 1916. 1 reel.

Credits: Arthur Maude, Constance Crawley; producer, Donald MacDonald.

SHADOWS OF THE MOULIN ROUGE. 1914. 4 reels.

Credits: Produced and written by Alice Blache.

SHADOWS OF THE NIGHT. 1928. 7 reels, b&w.

Credits: Adaptation and direction, D. Ross Lederman; story, Ted Shane; film editor, Dan Sharits.

SHADOWS OF THE NIGHT. SEE The Gangsters.

SHADOWS OF THE NORTH. 1923. 5 reels.

Credits: Director, Robert F. Hill; story, Edison Marshall; scenario, Paul Schofield.

SHADOWS OF THE ORIENT. 1937. 7 reels, sd.

Credits: Director, Burt Lynwood; original story, L. E. Heifetz; screenplay and adaptation, Charles Francis Royal.

SHADOWS OF THE PAST. 1919. 5 reels.

Credits: Director, Ralph Ince; editors, Mr. and Mrs. George Randolph Chester.

SHADOWS OF THE SEA. Presented by Lewis J. Selznick. 1922. 5 reels.

Credits: Producer and director, Alan Crosland; story, Frank A. Dazey; scenario, Lewis Allen Browne.

SHADOWS OVER SHANGHAI. Released through Grand National. 1938. 7 reels, sd.

Credits: Producer, Franklyn Warner; director, Charles Lamont; original story, Richard B. Sale; screenplay, Joseph Hoffman; film editor, Bernard Loftus.

THE SHADY LADY. 1929. 7 reels. From the story suggested by Leonard Praskins and Richard L. Sharpe.

Credits: Producer, Ralph Black; director, Edward H. Griffith; story and continuity, Jack Jungmeyer; film editor, Doane Harrison.

SHAKE IT UP WITH MORAN & CHALLIS AND THEIR CHEERFUL STEPPERS. 1929. 1 reel, sd.

SHAKE, MR. SHAKESPEARE. 1936. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood.

SHAKE YOUR POWDER PUFF. (Merrie Melodies) 1934. 1 reel, sd.

Credits: Producer, Leon Schlesinger; supervision, Isadore Freleng; animation, Bob McKimson, Bob Clampett; musical score, Bernard B. Brown.

THE SHAKEDOWN. Jewel. 1928. 7 reels.

Credits: Director, William Wyler; story and continuity, Charles A. Logue; adaptation, Clarence Marks.

SHAKEDOWN. 1936. 6 reels.

Credits: Director, David Selman; story, Barry Shipman; screenplay, Grace Neville; film editor, Gene Milford.

SHAKESPEARE WITH TIN EARS. 1933. 2 reels, sd.

Credits: Supervision, Louis Brock; directors, Harry Sweet, Leslie Goodwins; story, Harry Sweet, Hugh Cummings; film editor, Tholan Gladden.

A SHAKY FAMILY TREE. (Star Comedy) 1922. 1 reel.

Credits: Director, William Watson; story and scenario, Lew Lipton.

SHALL CURFEW RING TO-NIGHT? 1914. Split reel.

SHALL WE DANCE. 1937. 12 reels, sd.

Credits: Producer, Pandro S. Berman; director, Mark Sandrich; story, Lee Loeb, Harold Buchman; adaptation, P. J. Wolfson; screenplay, Allan Scott, Ernest Pagano; editor, William Hamilton; music director, Nathaniel Shilkret; music, George Gershwin; lyrics, Ira Gershwin.

Credits: Director, Arthur Ashley.

SHAM. 1921. 5 reels. From the play by Elmer Harris and Geraldine Bonner.

Credits: Director, Thomas N. Heffron.

SHAM POO, THE MAGICIAN. (Headliner Series) 1932. 2 reels, sd.

Credits: Supervision, Louis Brock; director, Harry Sweet; story, Harry Sweet, Hugh Cummings; film editor, Daniel Mandell.

THE SHAM REALITY. Rex. 1916. 1/2 reel.

Credits: Producer, Francis Ford; scenario, Grace Cunard.

SHAME. 1921. 8 reels, b&w, tinted sequences.

Credits: Director, Emmett J. Flynn; story, Max Brand [pseud. of Frederick Faust]; adaptation and scenario, Emmett J. Flynn, Bernard McConville.

THE SHAME OF THE BULLCON. Nestor. 1917. 1 reel.

Credits: Director, Allen Curtis; scenario, Tom Gibson.

SHAMEFUL BEHAVIOR. Preferred. Presented by J. G. Bachmann. 1926. 6 reels. From the novel by Mrs. Belloc Lowndes.

Credits: Director, Albert Kelley; adaptation, George Scarborough; continuity, Douglas Bronston.

SHAMROCK. 1928. 3 reels. Adapted from the sketch by Edgar Allan Woolf.

Credits: Scenario and direction, Marcel G. Silver.

SHAMROCK ALLEY. (Big Boy-Juvenile Comedy) 1927. 2 reels.

Credits: Director, Charles Lamont.

THE SHAMROCK HANDICAP. 1926. 6 reels, tinted.

Credits: Director, John Ford; story, Peter B. Kyne; scenario, John Stone.

SHAMS. SEE Shams of Society.

SHAMS OF SOCIETY. 1921. 6 reels. From "Shams" by Walter McNamara.

Credits: Director, Thomas B. Walsh; story, Walter McNamara; adaptation, Mary Murillo, Kenneth O'Hara.

SHANGHAI. (A Vagabond Adventure Series) 1932. 1 reel.

Credits: Narrator, Gayne Whitman.

SHANGHAI. Presented by Adolph Zukor. 1935. 8 reels.

Credits: Producer, Walter Wanger; director, James Flood; original screenplay, Gene Towne, Graham Baker, Lynn Starling; film editor, Otho Lovering.

SHANGHAI BOUND. 1927. 6 reels.

Credits: Director, Luther Reed; story, E. S. O'Reilly; screenplay, John Goodrich, Ray Harris.

SHANGHAI EXPRESS. 1932. 9 reels. Based on the story by Harry Hervey.

Credits: Director, Josef von Sternberg; screenplay, Jules Furthman.

SHANGHAI LADY. 1929. 7 reels. From the play "Drifting" by John Colton.

Credits: Director, John S. Robertson.

SHANGHAI MADNESS. 1933. 5,700 ft., sd.

Credits: Director, John Blystone; story, Frederick Hazlitt Brennan; adaptation, Austin Parker, Gordon Wong Wellesley; screenplay, Austin Parker; editor, Margaret Clancy.

SHANGHAIED. 1915. 2 reels.

SHANGHAIED. 1927. 7 reels. From an original story "Limehouse Polly" by Edward J. Montagne.

Credits: Director, Ralph Ince; adaptation, J. G. Hawks.

SHANGHAIED. (Walt Disney's Mickey Mouse) 1934. 1 reel.

THE SHANGHAIED BABY. 1915. 3,000 ft.

SHANGHAIED LOVE. 1931. 7 reels, sd. From the story "Then Hell Broke Loose" by Norman Springer.

Credits: Director, George B. Seitz; adaptation and dialogue, Roy Chanslor, Jack Cunningham; film editor, Gene Milford.

SHANGHAIED SHIPMATES. (Looney Tunes) 1936. 1 reel, sd.

Credits: Producer, Leon Schlesinger; supervision, Jack King; animation, Paul Smith, Joe D'Igalo; music, Norman Spencer.

SHANKS AND CHIVALRY. 1916. 1 reel.

Credits: Lawrence Semon, Graham Baker; director, Lawrence Semon.

SHANKS AND CHIVALRY. 1920. 1 reel.

Credits: Director, Lawrence Semon; story, Lawrence Semon, Graham Baker.

THE SHANNONS OF BROADWAY. 1929. 8 reels. From the play by James Gleason.

Credits: Director, Emmett J. Flynn; adaptation, Agnes Christine Johnston.

SHANNONS OF BROADWAY. SEE Goodbye Broadway.

THE SHANTY AT TREMBLING HILL. 1914. 2 reels. Adapted from the Munsey Magazines.

THE SHANTY WHERE SANTA CLAUS LIVES. The Vitaphone Corp. 1933. 1 reel.

SHAPES AND SCRAPES. (Star Comedy) 1920. 1 reel.

Credits: Director, Vin Moore; story, Maynard Laswell.

SHARE AND SHARE ALIKE. 1925. 6 reels.

Credits: Director, Whitman Bennett; story, Reginald Wright Kaufman.

SHARE THE WEALTH. 1936. 2 reels, sd.

Credits: Director, Del Lord; story and screenplay, Preston Black.

THE SHARK. 1920. 5 reels.

Credits: Director, Del Henderson; story and scenario, Thomas F. Fallon.

SHARK FISHING. 1931. 955 ft.

THE SHARK MASTER. 1921. 5 reels.

Credits: Story and production, Fred Leroy Granville; scenario, George Hull.

SHARK MONROE. 1918. 5 reels.

Credits: Story, C. Gardner Sullivan; director, William S. Hart.

SHARKS AND SWORDFISH. (A Fisherman's Paradise Picture) 1931. 1 reel, sd.

Credits: Pete Smith.

Credits: L. DeLorme, H. E. Hancock.

SHARP SHOOTERS. 1928. 6 reels.

Credits: Director, J. G. Blystone; story, Randall H. Faye; scenario, Marion Orth.

SHARP TOOLS. SEE Ethel Grey Terry in Sharp Tools.

SHARPS AND FLATS. SEE

Conlin and Glass in Sharps and Flats.

Krazy Kat in Sharps and Flats.

SHARPSHOOTERS. 1938. 5,746 ft., sd.

Credits: Director, James Tinling; original story, Maurice Rapf, Lester Ziffren; screenplay, Robert Ellis, Helen Logan; music director, Samuel Kaylin.

SHATTERED DREAMS. 1921. 5 reels. Adapted from the novel "Wind Along the Waste" by Maude Annesley.

Credits: Producer, Paul Scardon; adaptation, J. Grubb Alexander.

SHATTERED IDEALS. Special Big U. 1916. 1 reel.

SHATTERED IDOLS. First National. 1921. 6 reels.

Credits: Director, Edward Sloman; story, I. A. R. Wylie; scenario, William V. Mong.

SHATTERED LIVES. Gotham. Presented by Samuel Sax. 1925. 6 reels.

Credits: Story, Victor Gibson; adaptation, direction and continuity, Henry McCarty.

SHATTERED MEMORIES. Gold Seal. 1915. 3 reels.

Credits: Producer, Robert Leonard; scenario, Grant Carpenter.

SHATTERED NERVES. Rex. 1915.

Credits: Anthony P. Kelly; producer, Ben Wilson.

THE SHATTERED TREE. 1914. 2 reels.

Credits: Director, Ben Wilson.

THE SHAUGHRAUN. SEE My Wild Irish Rose.

SHAVE IT WITH MUSIC. 1932. 2 reels, sd.

Credits: Director, Kenneth Webb; story, Raymond W. Peck; music director, Charles A. Prince.

SHAVED IN MEXICO. L-Ko. 1915. 1 reel.

Credits: Director, J. G. Blystone.

SHAW AND LEE IN GOING PLACES. 1930. 1 reel.

SHAW AND LEE, THE BEAU BRUMMELLS. 1928. 1 reel.

Credits: Producer, Will Barker; scenario, Nellie E. Lucoque.

SHE. 1917. For Fox Film Corp. 5 reels. Based on the story by H. Rider Haggard.

Credits: Director, Kenean Buel; adaptation, Mary Murillo.

SHE. 1935. 11 reels, sd. From the novel by H. Rider Haggard.

Credits: Producer, Merian C. Cooper; directors, Irving Pichel, Lansing C. Holden; adaptation, continuity, and dialogue, Ruth Rose; additional dialogue, Dudley Nichols; editor, Ted Cheesman.

SHE ASKED FOR IT. Presented by Adolph Zukor. 1937. 7 reels, sd.

Credits: Producer, B. P. Schulberg; director, Erle C. Kenton; screenplay, Frederick Jackson, Theodore Reeves, Howard Irving Young; film editor, Robert Bischoff; music director, Boris Morros.

SHE COULDN'T HELP IT. 1920. 5 reels. From the novel "In the Bishop's Carriage" by Miriam Michelson and the play by Channing Pollock.

Credits: Scenario, Douglas Bronston.

SHE COULDN'T SAY NO. Trailer. 1929. 1 reel, sd.

SHE COULDN'T SAY NO. 1930. 7 reels.

Credits: Benj. M. Kaye; director, Lloyd Bacon; screenplay and dialogue, Robert Lord, Arthur Caesar.

SHE COULDN'T TAKE IT. 1935. 8 reels, sd.

Credits: Director, Tay Garnett; story, Gene Towne, Graham Baker; screenplay, Oliver H. P. Garrett; film editor, Gene Havlick.

THE SHE-DEVIL. 1918. 6 reels.

Credits: Director, J. Gordon Edwards; story, Neje Hopkins.

SHE DID HER BIT. 1918. 2 reels.

Credits: Director, J. G. Blystone.

SHE DONE HIM RIGHT. Snappy. (Pooch the Pup Cartoon) 1933. 1 reel.

Credits: Direction and animation, Walter Lantz, William Nolan.

SHE DONE HIM WRONG. 1933. 7 reels, sd.

Credits: Director, Lowell Sherman; story, Mae West; screenplay, Harvey Thew, John Bright; music, Ralph Rainger.

SHE GETS HER MAN. Presented by Carl Laemmle. 1935. 7 reels, sd.

Credits: Associate producer, David Diamond; director, William Nigh; story, Aben Kandel, David Diamond; screenplay, Aben Kandel; film editor, Bernard W. Burton.

SHE GOES TO WAR. 1929. 10 reels. Sd. From the novel by Rupert Hughes.

Credits: Produced and directed by Henry King; scenario, Howard Estabrook; adaptation, Fred de Gresac.

A SHE-GOING SAILOR. (Paramount-Christie Comedy) 1928. 2 reels.

Credits: Director, William Watson; story, Frank Conklin; titles, Al Martin.

SHE GOT WHAT SHE WANTED. Released by Tiffany. 1930. 9 reels. From the stage success by George Rosener.

Credits: Producers, James Cruze, Samuel Zierler; director, James Cruze; continuity and dialogue, George Rosener.

SHE HAD TO CHOOSE. 1934. 7 reels, sd.

Credits: Supervision, Larry Darmour; director, Ralph Ceder; original story, Mann Page, Izzola Forrester; adaptation, Houston Branch; editor, Charles Harris.

SHE HAD TO EAT. 1937. 6,698 ft., sd. Based on stories by M. M. Musselman and James Edward Grant.

Credits: Director, Malcolm St. Clair; screenplay, Samuel G. Engel; music, Samuel Kaylin.

SHE HAD TO SAY YES. Presented by First National Pictures, Inc. and the Vitaphone Corp. 1933. 7 reels. Based on the story "Customer's Girl" by John Francis Larkin.

Credits: Director, Busby Berkeley, George Amy; screenplay, Rian James, Don Mullaly.

SHE HIRED A HUSBAND. 1918. 5 reels.

Credits: Director, Jack Dillon; story, Rex Taylor.

SHE KISSED THE MAT. 1920. 1 reel.

SHE LEARNED ABOUT SAILORS. 1934. 9 reels, sd.

Credits: Director, George Marshall; story, Randall H. Faye; screenplay, William Conselman, Henry Johnson; music director, Samuel Kaylin.

SHE LOVED A FIREMAN. 1937. 6 reels, sd.

Credits: Director, John Farrow; original screenplay, Carlton Sand, Morton Grant; dialogue director, Jo Graham; film editor, Thomas Pratt; music and lyrics, M. K. Jerome, Jack Scholl.

SHE LOVED HIM PLENTY. 1918. 2 reels.

Credits: Director, Richard Jones.

SHE LOVED THEM BOTH. Powers. 1915. 1 reel.

Credits: Production and scenario by Sydney Ayres.

SHE LOVES AND LIES. 1919. 5 reels. From the story by Wilkie Collins.

Credits: Scenario, Grant Carpenter.

SHE LOVES ME NOT. Presented by Adolph Zukor. 1934. 9 reels, sd. From the novel by Edward Hope [pseud. of Edward Hope Coffey] and the play by Howard Lindsay.

Credits: Production and screenplay, Benjamin Glazer; director, Elliott Nugent; music, Mack Gordon, Harry Revel.

SHE MADE HER BED. 1934. 8 reels. From the story "Baby in the Ice-Box" by James M. Cain.

Credits: Producer, Charles R. Rogers; director, Ralph Murphy; screenplay, Casey Robinson, Frank R. Adams; adaptation, Richard E. Schayer.

SHE MADE HIM BLUSH. 1920. 1 reel.

SHE MARRIED A COP. 1939. 7 reels, sd.

Credits: Associate producer, Sol C. Siegel; director, Sidney Salkow; original screenplay, Olive Cooper; film editors, Ernest Nims, Murray Seldeen; animation, Leon Schlesinger; songs, Ralph Freed, Burton Lane; music director, Cy Feuer.

SHE MARRIED AN ARTIST. 1937. 8 reels, sd. From the story by Avery Strakosch.

Credits: Producer, Sidney Buchman; director, Marion Gering; screenplay, Gladys Lehman, Delmar Daves; film editor, Viola Lawrence; music director, Morris Stoloff.

SHE MARRIED HER BOSS. 1935. 9 reels, sd.

Credits: Director, Gregory LaCava; story, Thyra Samter Winslow; screenplay, Sidney Buchman; film editor, Richard Cahoon.

SHE MARRIED HER HUSBAND. Special Victor. 1917. 2 reels.

Credits: J. Grubb Alexander; director, Matt Moore.

Credits: Written and directed by Twede-Dan [pseud. of F. Perez].

SHE OF THE TRIPLE CHEVRON. SEE Over the Border.

SHE OUTDONE HIM. 1933. 2 reels, sd.

Credits: Supervision, Louis Brock; director, Harry Sweet; story, Harry Sweet, Hugh Cummings; film editor, John Lockert.

SHE REMINDS ME OF YOU. 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, William Sturm.

SHE SERVED HIM RIGHT. (A Bed-Time Story for Grown-Ups) 1931. 1 reel, sd.

Credits: Director, Eddie Buzzell; story, Paul Gerard Smith; film editor, William Lyon.

SHE SIGHED BY THE SEASIDE. Associated Producers. 1921. 2 reels.

Credits: Supervision, Mack Sennett; director, Erle Kenton.

SHE SNOOPS TO CONQUER. (Manhattan Comedies) 1931. 2 reels, sd., b&w.

Credits: Director, Fred Guiol; story and adaptation, Ewart Adamson; film editor, Russel Schoengarth.

SHE TOOK A CHANCE. 1915. 1 reel.

Credits: Director, C. Jay Williams.

SHE TROUPES TO CONQUER. Released by F. B. O. (Beauty Parlor Series, no. 12) 1927. 2 reels.

Credits: Director, Edward I. Luddy; story, H. C. Witwer; adaptation, Tom McNamara; continuity, Jean DuPont; supervising editor, James Wilkinson.

SHE WANTED A FORD. 1916. 1 reel.

SHE WANTED A MILLIONAIRE. 1932. 6,650 ft., sd.

Credits: Director, John Blystone; story and continuity, Sonya Levien; screenplay, William Anthony McGuire; editor, Louis Loeffler.

SHE WANTED TO BE A WIDOW. 1915. 1 reel.

Credits: Director, Norval MacGregor.

SHE WAS A LADY. 1934. 7,033 ft., sd. Based on the novel by Elisabeth Cobb.

Credits: Director, Hamilton MacFadden; screenplay, Gertrude Purcell; music director, Louis de Francesco.

SHE WAS AN ACROBAT'S DAUGHTER. (Merrie Melodies) 1937. 1 reel.

Credits: Producer, Leon Schlesinger; animation, Bob McKimson, A. C. Gamer.

SHE WAS SOME VAMPIRE. Joker. 1916. 1 reel.

Credits: Written and produced by Allen Curtis.

SHE WAS THE OTHER. 1914. 400 ft.

SHE WASN'T HUNGRY—BUT. Nestor. 1918. 1 reel.

SHE WENT FOR A TRAMP. 1931. 2 reels, sd.

Credits: Production, story, and direction, Lou Brock; adaptation and dialogue, Lloyd French, Mauri Grashin.

SHE WHO GETS SLAPPED. 1930. 1 reel, sd.

SHE WHO LAST LAUGHS. 1916. 1 reel.

Credits: Producer, Lawrence Semon.

SHE WINKED. Joker. 1915. Split reel.

Credits: Written and produced by Arthur McMackin.

THE SHE-WOLF. 1931. 9 reels. Based on the stage play "Mother's Millions" by Howard McKent Barnes.

Credits: Director, James Flood; adaptation and screenplay, Winifred Dunn.

SHE WOLVES. 1925. 6 reels, tinted. From David Belasco's stage play "The Man in Evening Clothes" by André Picard and Yves Mirande, adapted by Ruth Chatterton.

Credits: Director, Maurice Elvey; scenario, Dorothy Yost.

SHE WON THE PRIZE. 1916. 1 reel.

Credits: Director, George D. Baker.

SHE WRONGED HIM RIGHT. (A Betty Boop Cartoon) 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Roland Crandall, Thomas Johnson.

SHE WROTE A PLAY AND PLAYED IT. Joker. 1916. 1 reel.

Credits: Producer, Allen Curtis; scenario, Ben Cohn.

SHEBA. SEE Playing Around.

SHEBO. SEE Miss Nobody.

SHEEP. 1934. 1 reel.

THE SHEEP RUNNERS. 1914. 1 reel.

Credits: Producer, Marshall Farnum.

SHEEP SKINNED. 1929. 1 reel.

Credits: Producer, Charles B. Mintz; animation, Ben Harrison and Manny Gould.

SHEEP'S CLOTHING. 1914. 2 reels. Adapted from the novel by Louis Joseph Vance.

SHEEZA BEAR. SEE A Hot Time in Iceland.

THE SHEIK. 1921. 8 reels. Adapted from the novel by Edith M. Hull.

Credits: Director, George Melford; adaptation, Monte M. Katterjohn.

THE SHEIK OF ARABY. 1922. 5 reels. From the story "The Man Who Turned White" by F. McGrew Willis.

Credits: Director, Park Frame.

THE SHEIK STEPS OUT. 1937. 7 reels, sd.

Credits: Associate producer, Herman Schlom; director, Irving Pichel; original story and screenplay, Adele Buffington; additional dialogue, Gordon Kahn; film editor, Ernest Nims.

SHEIK TO SHEIK. 1936. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood, A. Dorian Otvos.

THE SHEIK'S WIFE. 1922. 6 reels.

Credits: Producer, Harilal C. Triwedi; written and directed by Henry Roussell.

SHELL-FISHING. 1938. 1 reel, sd.

THE SHELL GAME. 1918. 5 reels. Based on the story "Good Will and Almond Shells" by Kenneth L. Roberts.

Credits: Supervision, Maxwell Karger; adapted and directed by George D. Baker.

SHELL SOCKED. (Jimmie Adams Comedies) Educational Film Exchanges, Inc. 1926. 2 reels.

Credits: Director, Walter Graham; story, Frank Conklin.

SHELLS AND SHIVERS. 1917. 1 reel.

Credits: Graham Baker, Lawrence Semon; director, Lawrence Semon.

SHELLS AND SHIVERS. 1920. 1 reel.

Credits: Director, Lawrence Semon; story, Lawrence Semon, Graham Baker.

SHELTER. 1937. 1 reel.

SHELTERED DAUGHTERS. 1921. 5 reels.

Credits: Director, Edward Dillon; story, George Bronson Howard; scenario, Clara Beranger.

THE SHEPHERD KING. 1923. 9 reels. Based on the play by Wright Lorimer and Arnold Reeves.

Credits: Producer and director, J. Gordon Edwards; scenario, Virginia Tracey.

THE SHEPHERD OF THE HILLS. Presented by Richard A. Rowland. 1927. 9 reels. From the story by Harold Bell Wright.

Credits: Producer, Charles R. Rogers; director, Albert Rogell; adaptation and continuity, Marion Jackson.

THE SHEPPER-NEWFOUNDER. SEE Part Time Wife.

SHERIFF NELL'S COMEBACK. 1920. 2 reels.

Credits: Supervision, Hamilton Del Ruth; director, Eddie Cline.

SHERIFF NELL'S TUSSLE. (Paramount-Mack Sennett Comedy) 1918. 2 reels.

Credits: Director, William Campbell.

Credits: Robert North Bradbury, Frank Howard Clark.

THE SHERIFF OF PINE MOUNTAIN. Rex. 1916. 2 reels.

Credits: William Addison Lathrop; producer, Ben Wilson.

THE SHERIFF OF RED ROCK GULCH. Big U. 1915. 2 reels.

Credits: Producer, Murdock MacQuarrie; scenario, James Dayton.

THE SHERIFF OF SUN-DOG. 1922. 5 reels. From the story by W. C. Tuttle in the Adventure Magazine.

Credits: Director, Lewis King.

THE SHERIFF OF WILLOW GULCH. 1914. 1 reel.

THE SHERIFF'S BLUNDER. 1916. 2 reels.

Credits: Written and directed by Tom Mix.

THE SHERIFF'S DILEMMA. 1915. 1 reel.

THE SHERIFF'S DUTY. 1916. 1 reel.

Credits: Written and produced by Tom Mix.

THE SHERIFF'S OATH. 1920. 2 reels.

Credits: Director, Phillip Rosen; story, Paul Annitzer.

THE SHERIFF'S REWARD. 1914. 1,000 ft.

Credits: Written and produced by Tom Mix.

THE SHERIFF'S SON. Paramount. Presented by Thomas H. Ince. 1919. 5 reels. From the story by William MacLeod Raine.

Credits: Supervision, Thomas H. Ince; director, Victor L. Schertzinger; scenario, J. G. Hawks.

THE SHERIFF'S STORY. 1915. 1 reel.

THE SHERIFF'S TRAP. 1915. 1 reel.

SHERLOCK AMBROSE. 1918. 2 reels.

Credits: Director, W. S. Fredericks.

Credits: Written and produced by Bruce Mitchell.

SHERLOCK BROWN. 1921. 5 reels.

Credits: Produced, written, and directed by Bayard Veiller; scenario, Leonore Coffee.

SHERLOCK HOLMES. 1916. 7 reels.

Credits: William Gillette; director, Arthur Berthelet.

SHERLOCK HOLMES. 1922. 9 reels. Adapted from William Gillette's play based on the stories by Sir Arthur Conan Doyle.

Credits: Director, Albert Parker.

SHERLOCK HOLMES. 1932. 6,400 ft.

Credits: Director, William K. Howard; editor, Margaret Clancy.

SHERLOCK HOLMES' FATAL HOUR. 1931. 8 reels, sd. Adapted from "The Final Problem" and "The Empty House" by Sir Arthur Conan Doyle.

Credits: Director, Leslie S. Hiscott; screen adaptation, Cyril Twyford; editor, Jack Harris.

THE SHERLOCK HOLMES GIRL. 1913. 1 reel.

Credits: Bliss Milford.

SHERLOCK, JR. Metro. 1924. 5 reels.

Credits: Director, Buster Keaton; written and adapted by Clyde Bruckman, Jean Havey, Joe Mitchell.

SHERLOCK'S HOME. 1932. 2 reels.

Credits: Director, Alf Goulding; story, Jack Henley, Glen Lambert.

SHERMAN SAID IT. (Hal Roach Comedy) (A Charley Chase Comedy) Presented by Hal Roach. 1933. 2 reels, sd., b&w.

Credits: Director, Charles Parrott; film editor, William Terhune.

SHERMAN WAS RIGHT. (Paul Terry Toons) 1932. 6 min.

Credits: Frank Moser and Paul Terry.

Credits: Adaptation, Frances Guihan.

SHERRY LOUISE MARSHALL [and] THE THREE BAD BOYS. 1927. 1 reel.

Credits: Director, Bryan Foy.

SHE'S A BOY. (Big Boy-Juvenile Comedy) 1927. 2 reels.

Credits: Supervision, Jack White; director, Charles Lamont.

Credits: Scenario, Bruce Mitchell.

SHE'S A HE. Century. 1923. 2 reels.

SHE'S A HE. (A Sunny Jim Comedy) 1930. 2 reels.

Credits: Director, Sam Newfield.

SHE'S A NATURAL. 1936. For Borden Sales Co. 1 reel, sd.

SHE'S A PIPPIN. 1928. 2 reels. From the cartoon by Rube Goldberg.

SHE'S A PRINCE. (Blue Ribbon Comedy, no. 9) 1926. 2 reels.

SHE'S A SHEIK. 1927. 5,931 ft.

Credits: Produced and directed by Clarence Badger; story, John McDermott; screenplay, Lloyd Corrigan, Grover Jones.

SHE'S DANGEROUS. 1937. 7 reels, sd.

Credits: Associate producer, E. M. Asher; directors, Lewis R. Foster, Milton Carruth; original story, Murray Roth, Ben Ryan; screenplay, Lionel Houser, Albert R. Perkins.

SHE'S EVERYWHERE. 1919. 2 reels.

Credits: Director, George W. Terwilliger; story, Jack Larric; scenario, Calder Johnston.

SHE'S GOT EVERYTHING. 1938. 8 reels, sd.

Credits: Producer, Albert Lewis; director, Joseph Santley; screenplay, Harry Segall, Maxwell Shane; editor, Frederic Knudtson; music director, Frank Tours.

SHE'S MY BABY. 1927. 6 reels.

Credits: Director, Fred Windermere.

SHE'S MY COUSIN. (Stern Brothers Comedy) (Excuse Maker Series) 1926. 2 reels.

Credits: Director, Francis Corby; story, William Anthony.

SHE'S MY DAISY. (A Harry Lauder Subject) Welsh-Pearson-Gainsborough. 1931. 1 reel, sd.

SHE'S MY GIRL! (A Stern Brothers Comedy) 1928. 2 reels. From the cartoons by George McManus.

Credits: Director, Samuel Newfield.

SHE'S MY LILLY, I'M HER WILLIE. Presented by E. W. Hammons. 1934. 1,978 ft., sd.

Credits: Producer, Al Christie; story, William Watson, Bert Granet.

SHE'S MY WEAKNESS. 1930. 8 reels, sd. From the play "Tommy" by Howard Lindsay and Bertrand Robinson.

Credits: Associate producer, Henry Hobart; director, Melville Brown; screenplay, J. Walter Ruben.

SH-H! DON'T WAKE THE BABY. Rex. 1915. 1 reel.

Credits: Dorothy Donnell Calhoun; producer, Ben Wilson.

SHIELD OF HONOR. Jewel. 1927. 6 reels.

Credits: Director, Emory Johnson; story, Emilie Johnson; continuity, Leigh Jacobson, Gladys Lehman.

SHIFTING SHADOWS. (Is Marriage Sacred?) 1917. 2 reels.

Credits: Charles Mortimer Peck; director, E. H. Calvert.

SHIFTS. Snappy. 1931. 1 reel.

Credits: Director, Albert Kelley; story, Knute Rockne.

THE SHIFTY SHOPLIFTER. Nestor. 1918. 1 reel.

Credits: Director, Allen Curtis; scenario, W. Warren Schoene.

A SHILLING FOR CANDLES. SEE The Girl Was Young.

SHIMMIE SHIVERS and LAMPOONS. (Goldwyn-Bray Comic) 1920. 1 reel.

THE SHINDIG. (Mickey Mouse Cartoon) 1930. 1 reel.

SHINE ON HARVEST MOON. 1932. 1 reel.

Credits: Director, Dave Fleischer; animation, James H. Culhane, Reuben Timinsky.

SHINE ON HARVEST MOON. 1938. 6 reels, sd.

Credits: Associate producer, Charles E. Ford; director, Joe Kane; original screenplay, Jack Natteford; film editor, Lester Orlebeck; music director, Cy Feuer.

SHINES AND MONKEYSHINES. 1918. 1 reel.

Credits: Montgomery and Rock; director, J. A. Howe.

THE SHINING HOUR. A Frank Borzage Production. Presented by Metro-Goldwyn-Mayer. 1938. 8 reels, sd., b&w. Based on the play by Keith Winter.

Credits: Producer, Joseph L. Mankiewicz; director, Frank Borzage; screenplay, Jane Murfin, Ogden Nash; film editor, Frank E. Hull; music score, Franz Waxman.

SHIP A HOOEY! 1932. 22 min., sd.

Credits: Producer, Al Christie; director, Harry J. Edwards; story and dialogue, Carl Harbaugh.

Credits: Written and directed by Charles Parrott.

SHIP AHOY. Paramount-St. John. Presented by J. and S. Warner. 1920. 2 reels.

Credits: Director, Frank C. Griffin.

SHIP AHOY! 1924. 1 reel.

Credits: Director, Slim Summerville; story, Richard Smith.

SHIP AHOY. 1929. 3 reels, sd., b&w.

SHIP AHOY. 1930. 1 reel.

Credits: John Foster.

SHIP AHOY. SEE Arthur Pat West in Ship Ahoy.

SHIP CAFE. Presented by Adolph Zukor. 1935. 7 reels.

Credits: Harlan Thompson, Herbert Fields; producer, Harold Hurley; director, Robert Florey; film editor, James Smith; music and lyrics, Ray Noble, Harlan Thompson, Lewis E. Gensler.

A SHIP COMES IN. De Mille Studio. 1928. 7 reels.

Credits: Director, William K. Howard; original story, Julien Josephson; continuity, Sonya Levien, Julien Josephson; titles, John Krafft; film editor, Barbara Hunter.

THE SHIP FROM SHANGHAI. 1930. 8 reels, sd., b&w. From the novel "Ordeal" by Dale Collins.

Credits: Director, Charles Brabin; screenplay, John Howard Lawson; film editor, Grant Whytock.

Credits: Producer, Max O. Miller; director, Charles Miller.

THE SHIP OF THE DESERT. 1933. 1 reel.

THE SHIP OF WANTED MEN. Presented by Showmens Pictures, Inc. Screencraft. 1933. 7 reels.

Credits: Supervision, Al Alt; director, Lew Collins; original story, Ethel Hill; continuity and dialogue, Joseph O'Donnell and Lew Collins.

SHIP, OY, OY. Nestor. 1918. 1 reel.

Credits: Director, Allen Curtis; scenario, Tom Gibson.

SHIP SHAPE. (Cameo Comedy) 1925. 1 reel.

THE SHIP THAT DIED. (An Historical Mystery) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Jacques Tourneur; screenplay, George Sayre; narrator, John Nesbitt; historical compilations, Charles E. Whittaker.

SHIP MATES. (Educational-Lupino Lane Talking Comedies) Presented by E. W. Hammons. 1929. 2 reels.

Credits: Director, Henry W. George.

SHIPMATES. 1931. 8 reels, sd., b&w. Based on the story "Maskee" by Ernest Paynter.

Credits: Producer, Harry Pollard; adaptation, Lou Edelman, Delmer Daves; continuity, Raymond L. Schrock, Lieut. Comdr. Wead; dialogue, Malcolm Stuart Boylan, Delmer Daves; film editor, William Le Vanway.

SHIPMATES. SEE Taming the Wild.

SHIPMATES FOREVER. 1935. 12 reels.

Credits: Director, Frank Borzage; story and screenplay, Delmer Daves; music and lyrics, Harry Warren, Al Dublin.

SHIPPING LIVE FISH IN SEALED BOTTLES. 1917. 1 reel. Photographed at the New York Aquarium under the auspices of the New York Zoological Society.

SHIPWRECK. (Oswald Cartoon) Snappy. 1931. 1 reel.

Credits: Animated and directed by Walter Lantz and William Nolan.

SHIPWRECKED. Presented by John C. Flinn. Released by Producers Distributing Corp. 1926. 7 reels. From the play by Langdon McCormick.

Credits: Director, Joseph Henabery; scenario, Harold Shumate; adaptation, Finis Fox.

SHIPWRECKED AMONG ANIMALS. 1921. 2 reels.

Credits: Written and directed by Alf Goulding.

SHIPWRECKED AMONG CANNIBALS. Jewel. 1920. 6 reels.

Credits: Director, William F. Alder.

SHIPWRECKED BROTHERS. (Paul Terry-Toons) Educational Pictures. Presented by E. W. Hammons. 1933. 523 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Phillip A. Scheib.

SHIR HASHIRIM (SONG OF SONGS). 1935. 9 reels, sd.

Credits: Direction and screenplay, Henry Lynn; story, Anshel Schorr.

SHIRLEY KAYE. 1917. 5 reels. From the play by Hulbert Footner.

Credits: Director, Joseph Kaufman; scenario, Margaret Turnbull.

SHIRLEY OF THE CIRCUS. Fox Film Corp. 1922. 5 reels.

Credits: Director, Rowland V. Lee; story and scenario, Robert N. Lee.

SHIVER ME TIMBERS! 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, William Sturm.

SHIVER MY TIMBERS. (Our Gang Comedies) (A Hal Roach Comedy) 1931. 2 reels, sd., b&w.

Credits: Producer and director, Robert McGowan; dialogue, H. M. Walker; editor, Richard Currier.

SHIVERING SHAKESPEARE. (Our Gang Comedies) Presented by Hal Roach. 1929. 2 reels, sd., b&w.

Credits: Production, supervision, and story, Robert McGowan; director, Anthony Mack.

SHIVERS. 1934. 2 reels, sd.

Credits: Written and directed by Arthur Ripley; screenplay, John Grey; film editor, William A. Lyon.

THE SHOCK. Jewel. 1923. 7 reels.

Credits: Director, Lambert Hillyer; story, William Dudley Pelley.

SHOCK. 1934. 7 reels, sd.

Credits: Producer, George Yohalem; original story and direction, Roy J. Pomeroy; screenplay, Madeleine Ruthven; editor, Jack Ogilvie.

THE SHOCK PUNCH. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 8,151 ft. From the story by John Monk Saunders.

Credits: Director, Paul Sloane; screenplay, Luther Reed.

A SHOCKING NIGHT. 1920. 5 reels.

Credits: Producers, Lyons-Moran; story, Edgar Franklin; scenario, C. B. Hoadley.

THE SHOCKS OF DOOM. 1919. 2 reels.

Credits: Director, Henry Houry; story, O. Henry [pseud. of William Sydney Porter].

SHOD WITH FIRE. 1920. 5 reels.

Credits: Director, Emmett Flynn; story, Harold Titus; scenario, J. Anthony Roach.

SHODDY, THE TAILOR. 1,000 ft. 1915.

SHOEIN' HOSSES. 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, David Tendlar.

THE SHOEMAKER AND THE ELVES. (Color Rhapsody) Presented by Columbia Pictures Corp. 1934. 812 ft., sd., color.

Credits: Producer, Charles Mintz; story, Art Davis; animation, Sid Marcus; music, Joe de Nat.

THE SHOEMAKER OF KOPENICK. SEE Captain Jinks the Cobbler.

SHOES. 1916. 5 reels.

Credits: Producers, the Smalleys; adapted and directed by Lois Weber; story by Stella Wynne Herron.

SHOES. 1925. 2 reels. From the story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Daniel Keefe; adaptation, Beatrice Van.

SHOES WITH RHYTHM. Mentone. 1937. 1 reel, sd.

Credits: Director, Milton Schwarzwald.

SHOESTRING. SEE New Faces of 1937.

SHOESTRING FOLLIES. 1935. 2 reels, sd.

Credits: Director, Roy Mack; story, A. Dorian Otvos, Eddie Moran.

SHOO FLY. (Chronicles of Bloom Center) 1915. 2 reels.

Credits: Director, Burton L. King.

SHOOSH. 1927. 2 reels.

Credits: Directors, Charley Bowers, H. L. Muller; story, Charles Bowers, H. L. Muller, Ted Sears.

THE SHOOT 'EM UP KID. Mustang. 1926. 2 reels.

Credits: Director, Hoot Gibson; story, Carol Holloway; scenario, William Lester.

SHOOT THE WORKS. Presented by Adolph Zukor. 1934. 9 reels, sd. From a play by Ben Hecht and Gene Fowler.

Credits: Producer, Albert Lewis; director, Wesley Ruggles; screenplay, Howard J. Green, Claude Binyon.

SHOOTIN' 'EM UP. 1923. 2 reels.

Credits: Director, Jay Marchant; story and scenario, Ben Cohn.

SHOOTIN' FOR LOVE. 1923. 5 reels.

Credits: Director, Edward Sedgwick; story, Raymond L. Schrock, Edward Sedgwick.

SHOOTIN' IRONS. 1927. 5,179 ft.

Credits: J. Walter Ruben, Sam Mintz; director, Richard Rosson; story, Richard Allen Gates.

THE SHOOTIN' KID. 1920. 2 reels.

Credits: Director, Ed Hoot Gibson; scenario, George W. Pyper.

SHOOTIN' WILD. Mustang. 1925. 2 reels.

Credits: Director, Vin Moore; story, W. C. Tuttle.

Credits: Producer, John L. Hawkinson.

SHOOTING BIG GAME WITH A CAMERA. 1933. 8 reels.

SHOOTING FOR PAR. 1939. 1 reel, sd.

Credits: Producer, Truman Talley; described by Ed Thorgersen; arranged by Raoul Marlo.

SHOOTING HIS 'ART OUT. 1916. 2 reels.

Credits: Producer, David Kirkland.

THE SHOOTING OF DAN MCGREW. 1915. 5 reels. From the poem by Robert W. Service.

THE SHOOTING OF DAN MCGREW. Sawyer-Lubin Special. 1924. 6 reels. Based on the poem by Robert W. Service.

Credits: Supervision, Arthur H. Sawyer; director, Clarence Badger; adaptation, Winifred Dunn.

THE SHOOTING OF DAN THE DUCK. (Educational's Comedies) (Mermaid Comedies) 1931. 20 min., sd.

Credits: Director, Arvid E. Gillstrom; story, Harry McCoy, Jimmy Star; continuity and dialogue, Ernest Pazano, Jack Townley.

THE SHOOTING PARTY. 1918. 2 reels.

THE SHOOTING STAR. 1917. 1 reel.

SHOOTING STRAIGHT. 1930. 8 reels, sd. From an original story by Barney A. Sarecky.

Credits: Supervision, Louis Sarecky; director, George Archainbaud; screenplay and dialogue, J. Walter Ruben; adaptation, Wallace Smith.

SHOOTING THE BULL. (Stern Brothers Comedy) 1928. 2 reels. From the cartoons by Rube Goldberg.

Credits: Director, Gus Meins.

SHOOTING THE RECORD BREAKERS. (Adventures of the Newsreel Cameraman) 1935. 1 reel, sd.

Credits: Editor, Lew Lehr.

SHOOTING UP THE MOVIES. 1916. 2 reels.

Credits: Written and directed by Tom Mix.

SHOOTING WILD. (Cameo Comedy) 1927. 1 reel.

Credits: Director, Mark Sandrich.

SHOP TALK. 1936. 2 reels, sd.

Credits: Director, Lloyd French; story, Burnet Hershey, Jack Henley.

THE SHOP GIRL. SEE Winifred, the Shop Girl.

SHOPGIRL'S EVIDENCE. 1938. 2 reels, sd.

Credits: Director, Joseph Henabery; screenplay, Ira Genet.

SHOPPING WITH WIFIE. (Educational-Mack Sennett Andy Clyde Comedies) 1932. 20 min.

Credits: Director, Babe Stafford; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy, Lew Foster.

SHOPWORN. 1932. 8 reels.

Credits: Director, Nicholas Grinde; story, Sarah Y. Mason; dialogue, Jo Swerling, Robert Riskin; film editor, Gene Havelick.

THE SHOPWORN ANGEL. 1929. 8 reels. Sd. & si. From the story by Dana Burnet.

Credits: Director, Richard Wallace; adaptation, Howard Esterbook, Albert Shelby LeVino.

THE SHOPWORN ANGEL. Presented by Metro-Goldwyn-Mayer. 1938. 9 reels, sd., b&w. Based on a story by Dana Burnet.

Credits: Producer, Joseph L. Monkiewicz; director, H. C. Potter; screenplay, Waldo Salt; film editor, W. Donn Hayes; music score, Edward Ward.

SHORE ACRES. Screen Classics, Inc. 1920. 6 reels. From the play by James A. Herne.

Credits: Director, Rex Ingram; adaptation and scenario, Arthur J. Zellner.

SHORE ENOUGH. (Krazy Kat) 1926. 1 reel.

Credits: Bill Nolan.

SHORE LEAVE. First National. 1925. 7 reels. From the play by Hubert Osborne.

Credits: Producer, John S. Robertson; scenario, Josephine Lovett.

SHORE LEAVE. SEE

Follow the Fleet.

Hit the Deck.

SHORE LINES AND SHORE DEVELOPMENT. 1929. 1 reel.

Credits: Edited by Dept. of Geology, Harvard University.

SHORE SHY. (Educational-Christie Comedies) 1926. 2 reels.

Credits: Director, William Watson; story, Frank Roland Conklin.

THE SHORN LAMB. SEE Strangers in Love.

SHORT AND SWEET. (Star Comedy) 1921. 1 reel.

SHORT CHANGE. (Walter Heirs Comedies) Educational. 1924. 2 reels.

Credits: Jack Jevne; director, Archie Mayo.

A SHORT CIRCUIT. 1927. 1 reel.

Credits: Paul Terry and John Foster.

A SHORT LIFE AND A MERRY ONE. 1913. 1 reel.

SHORT PANTS. (Bull's Eye Comedy) 1925. 1 reel.

Credits: Director, W. Scott Darling.

SHORT SKIRTS. 1921. 5 reels.

Credits: Producer, Harry B. Harris; story, Alice Tildesley; scenario, Doris Schroeder.

SHORT SKIRTS AND DEEP WATER. Joker. 1917. 1 reel.

Credits: Story and direction, Allen Curtis; adapted by Tom Gibson.

SHORT SOCKS. (A Paramount-Christie Comedy) 1927. 2 reels.

Credits: Frank Conklin; director, Harold H. Beaudine; story, Sig Herzig; titles, Al Martin.

Credits: Producer, Charles H. France.

A SHORT TAIL. 1927. 2 reels.

Credits: Producer, Charles B. Mintz; written and directed by Hal Sintzenich.

SHORT WEIGHT. Century. 1922. 2 reels.

Credits: Written and directed by Alf T. Goulding.

SHORTS. Treasure Chest. Educational Film Corp. of America. Presented by E. W. Hammons. 1933. 1 reel, sd.

Credits: Director, Charles Judels; narrator, Johnny Woods; dialogue, William K. Wells; original music, James Hanley, Benny Davis.

SHORTY. 1914. 1 reel.

Credits: J. A. Dorward; director, Ashley Miller.

SHORTY AT CONEY ISLAND. 1936. 1 reel, sd.

Credits: Editors, Fred Waller, Leslie M. Roush; commentator, Justin Herman.

SHORTY AT THE SEASHORE. (Paramount Varieties) Presented by Adolph Zukor. 1936. 1 reel, sd.

Credits: Commentary, Justin Herman; narrator, Harry Von Zell.

SHORTY GOES SOUTH. Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Editors, Fred Waller, Leslie M. Roush; commentary, Justin Herman.

SHORTY ON THE FARM. Presented by Adolph Zukor. 1935. 1 reel, sd.

SHORTY'S LONG SUIT, STILL SMALL VOICE, and SQUIRREL FOOD. 1920. 2 reels.

Credits: Producer, Ward Lascelle; directors, G. Cooper, W. Hayes.

THE SHOT. Powers. 1915. 2 reels.

Credits: Producer, Carl M. LeVinness; scenario, Vincent Charles.

A SHOT IN THE DARK. Rex. 1915. 1 reel.

Credits: Dwight Cleveland; producer, Ben Wilson.

A SHOT IN THE DARK. 1935. 7 reels, sd. From the story "The Dartmouth Murders" by Clifford Orr.

Credits: Director, Charles Lamont; adaptation and screenplay, Charles S. Belden.

SHOT IN THE DUMBWAITER. 1918. 1 reel.

Credits: Directors, Eddie Lyons, Lee Moran; story, Leslie T. Peacocke.

SHOT IN THE EXCITEMENT. 1914.

Credits: Producer, Mack Sennett.

SHOT IN THE WEST. Nestor. 1917. 1 reel.

Credits: Director, Louis William Chaudet; scenario, C. B. Hoadley.

SHOTGUN JONES. 1914. 2 reels.

Credits: Producer, Colin Campbell.

Credits: Written and produced by William Duncan.

SHOTGUN PASS. 1931. 6 reels.

Credits: Director, J. P. McGowan; story and dialogue, Robert Quigley; film editor, S. Ray Luby.

A SHOT-GUN WEDDING. Century. 1920. 2 reels.

Credits: Written and directed by Fred C. Fishback.

A SHOTGUN WEDDING. (Educational's Comedies) (Vanity Comedies) 1931. 20 min., sd.

Credits: Director, William Watson; story and dialogue, Walter DeLeon, Neal Burns.

SHOTGUNS THAT KICK. 1914. 1 reel.

Credits: Producer, Mack Sennett.

SHOULD A GIRL MARRY? 1939. 7 reels, sd.

Credits: Producer, E. B. Derr; director, Lambert Hillyer; screenplay, David Silverstein, Gayl Newberry.

SHOULD A HUSBAND FORGIVE? 1919. 7 reels.

Credits: Story, scenario, and direction, R. A. Walsh.

SHOULD A MOTHER TELL? 1915. 5 reels.

Credits: Director, J. Gordon Edwards; scenario adapted by Rex Ingram.

SHOULD A WOMAN TELL? Screen Classics, Inc. 1919. 6 reels.

Credits: Supervision, Maxwell Karger; director, John E. Ince; original story, Finis Fox.

SHOULD BRIDES MARRY? (Broadway Comedy, no. 3) 1921. 2 reels.

Credits: Director, Ward Hayes.

SHOULD CROONERS MARRY? (Warren-Doane Comedy) 1933. 2 reels.

Credits: Director, George Stevens; story, James W. Horne, Fred Guiol.

SHOULD DUMMIES WED? 1920. 2 reels.

Credits: Supervision, Hampton Del Ruth; director, Roy Del Ruth.

SHOULD HUSBANDS DO HOUSEWORK? (Star Comedy) 1921. 1 reel.

Credits: Director, William Watson; scenario, Vincent Bryan.

SHOULD HUSBANDS MIND BABIES? (Star Comedy) 1921. 1 reel.

Credits: Producer, William Watson; story, Vincent Bryan.

SHOULD HUSBANDS WORK? 1939. 7 reels, sd.

Credits: Associate producer, Sol C. Siegel; director, Gus Meins; original screenplay, Jack Townley, Taylor Caven; supervising editor, Murray Seldeen; film editor, William Morgan; music director, Cy Feuer.

SHOULD LADIES BEHAVE. 1933. 9 reels, sd., b&w. From the play "The Vinegar Tree" by Paul Osborn.

Credits: Producer, Lawrence Weingarten; director, Harry Beaumont; screenplay, Bella Spewack, Samuel Spewack; film editor, Hugh Wynn.

SHOULD MARRIED MEN GO HOME. Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Director, James Parrott; story and supervision, Leo McCarey; editor, Richard Currier.

SHOULD POKER PLAYERS MARRY? 1924. 1 reel.

SHOULD SCOTCHMEN MARRY? 1928. 2 reels.

Credits: Directors, William Holland, Gus Meins; story, Frank R. Conklin.

SHOULD SHE HAVE TOLD? Gold Seal. 1916. 3 reels.

Credits: Written and directed by John McDermott.

SHOULD STEPMOTHERS TRIFLE. (Star Comedy) 1921. 1 reel.

Credits: Director, William Watson; scenario, W. Scott Darling.

SHOULD TAILORS TRIFLE? Century. 1920. 2 reels.

Credits; Written and directed by Thomas Buckingham.

SHOULD WAITERS MARRY? (Rainbow Comedy) 1920. 2 reels.

Credits: Written and directed by Thomas Buckingham.

SHOULD WATCHMEN SLEEP. (Star Comedy) 1922. 1 reel.

Credits: Director, William Watson.

SHOULD WE EAT PIE? Powers. 1915. Split reel.

Credits: Producer, Curtis Benton.

SHOULD WILLIAM TELL? 1923. 1 reel.

SHOULD WIVES WORK? 1937. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Leslie Goodwins; story, Leslie Goodwins, George Jeske; film editor, Les Millbrook.

SHOULD WOMEN DRIVE? Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Supervising director, Leo McCarey; director, Hal Yates; titles, H. M. Walker; editor, Richard Currier.

SHOULDER ARMS. 1918. 3 reels.

Credits: Story, Charles Chaplin.

SHOULDER TO SHOULDER. 1936. For Plymouth Division of the Chrysler Corp. 1 reel, sd.

SHOVE OFF. 1931. 2 reels, sd.

Credits: Director, Edward Cline; story, Albert Ray.

THE SHOW. (Out of the Inkwell) 1922. 1 reel.

Credits: Drawn by Max Fleischer; director, Dave Fleischer.

THE SHOW. 1922. 2 reels.

Credits: Written and directed by Larry Semon, Norman Taurog.

THE SHOW. 1927. 7 reels. Based on the novel "The Day of Souls" by Charles Tenney Jackson.

Credits: Producer and director, Tod Browning; screenplay, Waldemar Young; film editor, Errol Taggart.

SHOW BOAT. Jewel. 1929. 12 reels. From the novel by Edna Ferber.

Credits: Director, Arch Heath.

THE SHOW BOAT. (Organlogue, no. 14) 1931. 1 reel.

Credits: Narration, Norman Brokenshire.

SHOW BOAT. Presented by Carl Laemmle. 1936. 12 reels, sd. From the novel by Edna Ferber and the musical play by Oscar Hammerstein II and Jerome Kern.

Credits: Producer, Carl Laemmle, Jr.; director, James Whale; screenplay and lyrics, Oscar Hammerstein II; film editor, Milton Carruth; music director, Victor Baravelle.

SHOW BUSINESS. (Hal Roach Comedy) Presented by Hal Roach. 1932. 2 reels, sd.

Credits: Director, Jules White; dialogue, H. M. Walker; editor, Richard Currier.

THE SHOW COWPUNCHER. Mustang. 1926. 2 reels.

Credits: Director, Victor Nordlinger; story and scenario, Leigh Jacobson.

THE SHOW-DOWN. 1917. 5 reels.

Credits: Lynn F. Reynolds, Waldemar Young; director, Lynn F. Reynolds.

THE SHOW-DOWN. 1921. 2 reels.

Credits: Producer, William J. Craft; story and scenario, William E. Wing.

THE SHOW DOWN. Mustang. 1925. 2 reels.

Credits: Director, William J. Craft; story and scenario, William E. Wing.

THE SHOWDOWN. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 8 reels. From the story "Wildcat" by Houston Branch.

Credits: Director, Victor Schertzinger; adaptation, Hope Loring; continuity, Hope Loring, Ethel Doherty.

SHOW FOLKS. 1928. 8 reels.

Credits: Producer, Ralph Block; director, Paul L. Stein; story, Philip Dunning; screenplay, Jack Jungmeyer, George Dromgold.

SHOW FOR SALE. Mentone. 1937. 2 reels, sd.

Credits: Director, Milton Schwarzwald; dialogue, Sands & Marko.

THE SHOW GIRL. Presented by W. Ray Johnston. 1927. 6 reels.

Credits: Producer, Trem Carr; director, Charles J. Hunt; story, H. H. Van Loan.

SHOW GIRL. Presented by Richard A. Rowland. 1928. 7 reels. From the novel by J. P. McEvoy.

Credits: Producer, Alfred Santell.

SHOWGIRL IN HOLLYWOOD. First National and Vitaphone. 1930. 9 reels, sd., b&w, color sequences. Based on the story by J. P. McEvoy.

Credits: Producer, Robert Lord; director, Mervyn Le Roy; adaptation, Harvey Thew; film editor, Pete Fritch; music, Green and Stept.

SHOW GIRL IN HOLLYWOOD. Trailer. 1930. 1 reel, sd.

THE SHOW GOES ON. 1938. 8 reels. Adapted from the story by Nicholas Farkas. Released in England under the title "The Three Maxims."

Credits: Producer and director, Herbert Wilcox; screenplay, Herman Mankiewicz.

SHOW KIDS. 1934. 2 reels, sd.

Credits: Director, Ralph Staub; screenplay and dialogue, Joe Traub.

SHOW ME THE WAY TO GO HOME. 1932. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

SHOW ME YOUR SAMPLES. (Star Comedy) 1921. 1 reel.

Credits: Story and direction, Craig Hutchinson; scenario, W. Scott Darling.

THE SHOW OF SHOWS. Vitaphone. 1929. 15 reels, sd.

Credits: Supervision, Daryl Francis Zanuck; director, John G. Adolfi.

THE SHOW OFF. Paramount. 1926. 7 reels. From the comedy by George Kelly.

Credits: Director, Malcolm St. Clair; screenplay, Pierre Collings.

THE SHOW-OFF. 1934. 8 reels, sd. From the play by George Kelly.

Credits: Producer, Lucien Hubbard; director, Charles F. Riesner; screenplay, Herman J. Mankiewicz; film editor, William S. Gray.

THE SHOW-OFF. SEE Men Are Like That.

SHOW PEOPLE. 1928. 9 reels, b&w.

Credits: Producers, Marion Davies, King Vidor; director, King Vidor; treatment, Agnes Christine Johnston, Laurence Stallings; continuity, Wanda Tuchock.

SHOW THEM NO MERCY. 1935. 6,838 ft., sd.

Credits: Kubec Glasmon; director, George Marshall; adaptation, Henry Lehrman; music director, David Buttolph.

THE SHOW VOTE. (Krazy Kat Cartoon) 1928. 1 reel. Based on cartoons by George Herriman.

Credits: Adaptation, Ben Harrison, Manny Gould.

A SHOWER OF SLIPPERS. 1913. 1 reel.

Credits: Elizabeth A. Bull.

SHOWING OFF. (Stern Brothers Comedy) (Keeping Up With the Joneses) 1927. 2 reels. From the cartoons by Pop Momand [pseud.]

Credits: Director, Gus Meins.

SHOWING OFF. (Scrappy Cartoon) 1931. 1 reel, sd.

Credits: Dick Heumor; producer, Charles Mintz; animation, Sid Marcus; musical score, Joe De Nat.

THE SHOWMAN. (Toby the Pup Series) Winkler Film Corp. 1930. 1 reel.

THE SHRIEK. (An Oswald Cartoon) Snappy. 1933. 1 reel.

A SHRIEK IN THE NIGHT. Victor. 1915. 2 reels.

Credits: Written and produced by Jacques Jaccard.

A SHRIEK IN THE NIGHT. 1933. 8 reels, sd.

Credits: Director, Albert Ray; story, Kurt Kempler; screenplay, Frances Hyland.

THE SHRIEK OF ARABY. 1923. 5 reels.

Credits: Director, F. Richard Jones; film editor, Allen McNeil.

THE SHRIMP. (A Hal Roach Comedy) Presented by Hal Roach. 1930. 2 reels, sd., b&w.

Credits: Director, Charley Rogers; story, H. M. Walker; film editor, Richard Currier.

SHRIMP FISHING. (Ford Educational Library, Industrial Geography, v. 1) Ford Motion Picture Laboratories. 1921. 1 reel.

SHRIMPS FOR A DAY. (Hal Roach Comedy) (Our Gang Comedy) Presented by Hal Roach. 1935. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Louis McManus.

SHUFFLE OFF TO BUFFALO. (Merrie Melodies, no. 11) 1933. 1 reel, sd.

Credits: Associate producer, Leon Schlesinger; drawings, Isadore Freleng, Paul Smith; music score, Frank Marsales.

Credits: Producer, George L. Tucker.

THE SHULAMITE. SEE Under the Lash.

SHUTTING THE DOOR ON JOE MECHANICAL. 1937. For Ice Refrigeration Bureau. Filmstrip, sd.

THE SHUTTLE. 1918. Based on a novel by Frances Hodgson Burnett.

Credits: Director, Rollin S. Sturgeon; scenario, Margaret Turnbull, Harvey Thew.

SI AND SUE ACROBATS. 1915. 600 ft.

SI SI SENOR. (Ideal Talking Comedies) 1930. 20 min., sd.

Credits: Director, William Goodrich.

SIBERIA. 1926. 7 reels, tinted.

Credits: Director, Victor Schertzinger; story, Bartley Campbell; scenario, Eve Unsell; adaptation, Nicholas A. Dunaev.

SIBERIA. 1937. 2 reels.

SIC 'EM BROWNIE. Presented by Century Comedies. 1922. 2 reels.

Credits: Written and directed by Alfred T. Goulding.

SIC 'EM SAM! 1918. 1 reel.

Credits: Director, Albert Parker; story, Ted Reed.

SICK ABED. Paramount-Artcraft. Presented by Jesse L. Lasky. 1920. 5 reels. From the play by Ethel Watts Mumford.

Credits: Director, Sam Wood; scenario, Clara Genevieve Kennedy.

SICK CYLINDERS. Snappy. 1928. 1 reel.

Credits: Animation, Hugh Harman, Ben Clopton.

THE SIDESHOW. 1929. 7 reels.

Credits: Producer, Jack Cohn; director, Erle C. Kenton; story and continuity, Howard J. Green.

SIDE SHOW. 1931. 7 reels, sd.

Credits: Director, Roy Del Ruth; screenplay, Arthur Caesar, Raymond Enright.

THE SIDE SHOW. SEE Born and Lawrence in The Side Show.

SIDE SHOW FAKIR. Mentone. 1938. 2 reels, sd.

Credits: Director, Milton Schwarzwald.

THE SIDE SHOW OF LIFE. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 8 reels. From the novel "The Mountebank" by William J. Locke and the play by Ernest Denny.

Credits: Producer and director, Herbert Brenon; screenplay, Willis Goldbeck, Julie Hern.

SIDE STREET. Radio. 1929. 7 reels, sd.

Credits: Director, Mal St. Clair; story and dialogue, Mal St. Clair, George O'Hara; musical numbers, Oscar Levant, Sidney Clare.

SIDE STREET. Radio. 1929. 7 reels, sd.

Credits: Director, Mal St. Clair; story and dialogue, Mal St. Clair, George O'Hara; musical numbers, Oscar Levant, Sidney Clare.

SIDE STREETS. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1934. 7 reels. Based on the story "Fur Coats" by Ann Garrick and Ethel Hill.

Credits: Director, Alfred E. Green; screenplay, Manuel Seff.