W (part 2)

WILL HE CONQUER DEMPSEY? 1923. 2 reels.

WILL MAHONEY IN WHY BE SERIOUS. (Movietone Number) 1928. 1 reel, sd.

Credits: Director, George W. Lane.

WILL MORRISSEY AND MIDGIE MILLER, ASSISTED BY DAVE FERGUSON, JOHN AGEE'S DANCING BULL AND BLACK BOTTOM HORSE, THE VITAPHONE CHORUS, GENE SALZER'S ORCHESTRA IN THE MORRISSEY AND MILLER VITAPHONE REVUE. 1927. 1 reel, sd.

WILL OAKLAND, RADIO ENTERTAINER, ACCOMPANIED BY THE VITAPHONE ORCHESTRA, SINGS DREAMY MELODY [and others] 1927. 1 reel, sd.

WILL OAKLAND, RADIO ENTERTAINER, ACCOMPANIED BY THE VITAPHONE ORCHESTRA, SINGS WHILE WE DANCE TILL DAWN [and others] 1927. 1 reel, sd.

Credits: Producer, Maurice Elvey.

THE WILL OF THE PEOPLE. 1913. 1 reel.

Credits: Bannister Merwin.

WILL OSBORNE & HIS ORCHESTRA. 1935. 1 reel, sd.

Credits: Director, Roy Mack.

WILL OSBORNE AND HIS ORCHESTRA. (Melody Master) 1939. 10 min., sd.

Credits: Director, Roy Mack.

WILL POWER. 1936. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Arthur Ripley; story, John Grey; film editor, Edward Mann.

WILL YOU STOP! Presented by E. W. Hammons. 1937. 1,527 ft., sd.

Credits: Director, William Watson; story, Tim Ryan.

WILLFUL AMBROSE. 1915.

Credits: Producer, Mack Sennett.

WILLIAM BOYD IN THE FRAME. 1930. 1 reel.

WILLIAM FOX MOVIETONE FOLLIES OF 1929. 1929. 14 reels.

Credits: Story and direction by David Butler; review director, Marcel Silver; scenario, William K. Wells; musical conductor, Arthur Kay; words and music, Conrad Mitchell and Gottler.

WILLIAM HALLIGAN AND MARY MULHERN IN SOMEWHERE IN JERSEY. 1929. 1 reel, sd.

WILLIAM HENRY JONES' COURTSHIP. 1914. 1 reel.

Credits: Director, Sidney Drew.

WILLIAM O'NEAL, BROADWAY STAR OF NEW MOON AND THE DESERT SONG [OFFERS] LOLITA [and others]. (Movietone Act) 1929. 1 reel, sd.

WILLIAM TELL. (Hysterical History Comedies) 1924. 1 reel.

Credits: Director, Bryan Foy.

WILLIAM TELL. 1925. 12 reels. Adapted from the drama "Wilhelm Tell" by Schiller.

Credits: Adaptation, Emil Harder.

WILLIAM TELL. (An Oswald Cartoon) Snappy. 1934. 1 reel.

WILLIAM TELL. Special screen arrangement, played by the National Philharmonic Orchestra of the U. S. A. (Paramount Symphonic Series) Symphonic Films, Inc. 1939. 1 reel, sd. From the opera, music by G. Rossini.

Credits: Conducted and directed by Frederick Feher.

WILLIE. 1914. 2 reels.

Credits: Producer, Colin Campbell.

WILLIE AND EUGENE HOWARD IN A NEW SKETCH, A THEATRICAL MANAGER'S OFFICE. 1927. 1 reel.

WILLIE AND EUGENE HOWARD IN MY PEOPLE. 1929. 2 reels.

WILLIE AND EUGENE HOWARD IN PALS. 1927. 1 reel.

WILLIE AND EUGENE HOWARD IN THE MUSIC MAKERS. 1929. 2 reels.

WILLIE GOES TO SEA. 1915. 1 reel.

Credits: Written and produced by Colin Campbell.

WILLIE STAYED SINGLE. 1915. 1 reel.

Credits: Director, Ulysses Davis.

WILLIE'S HAIRCUT. 1914. 1 reel.

Credits: Producer, Norval MacGregor.

WILLMAN AND RUSSELL IN THE SWEET LONG AGO. 1927. 1 reel, sd.

THE WILLOW TREE. Presented by Screen Classics, Inc. 1920. 6 reels. From the play by J. H. Benrimo and Harrison Rhodes.

Credits: Director, Henry Otto; adaptation and scenario, June Mathis.

WILLYS-OVERLAND $100,000 CLUB. 1926. 1 reel.

WILLYS-SIX QUALITY WINS AT PIKES PEAK. 1930. 1 reel.

WILSON WAGE SCALE CALCULATOR. 1939. 6 ft., 16 mm.

THE WILY WEASEL. Snappy. 1937. 1 reel.

Credits: Producer, Walter Lantz; story, Victor McLeod, James Miele; artists, Manuel Moreno, Fred Kopietz, Lester Kline.

WIN! PLACE! OR SHOW! (The Grantland Rice Sportlight) 1938. 1 reel, sd.

Credits: Narrator, Ted Husing.

WIN THAT GIRL. 1928. 6 reels, b&w. From the story "Father and Son" by James Hopper.

Credits: Director, David Butler; scenario, John Stone.

THE WINCHESTER WOMAN. 1919. 6 reels.

Credits: Charles Stokes Wayne; director, Wesley Ruggles; scenario, Arthur Edwin Krows.

THE WIND. 1928. 8 reels, sd., b&w. From the novel by Dorothy Scarborough.

Credits: Producer and director, Victor Seastrom; scenario, Frances Marion; titles, John Colton; film editor, Conrad A. Nervig.

WIND ALONG THE WASTE. SEE Shattered Dreams.

WINDFALL. SEE If I Had a Million.

THE WINDING STAIR. 1925. 6 reels, b&w, tinted sequences. From the story by A. E. W. Mason.

Credits: Director, John Griffith Wray; scenario, Julien La Mothe.

WINDJAMMER. 1937. 7 reels, sd.

Credits: Associate producer, David Howard; director, Ewing Scott; original story, Raoul Haig; screenplay, Dan Jarrett, James Gruen; editor, Robert Crandall; music supervision, Abe Meyer.

THE WINDOW CLEANERS. 1930. 1 reel, sd.

WINDOW SHOPPING. (Scrappy) (A Color Rhapsody) 1938. 1 reel, sd., color.

Credits: Producer, Charles Mintz; director, Sid Marcus; animation, Art Davis, Herb Rothwill; music, Joe de Nat.

THE WINDOW THAT MONSIEUR FORGOT. SEE A Question of Identity.

WINDS OF CHANCE. Presented by Frank Lloyd. 1925. 10 reels. From the story by Rex Beach.

Credits: Director, Frank Lloyd; adaptation, J. G. Hawks.

WINDS OF THE WASTELAND. 1936. 6 reels.

Credits: Producer, Nat Levine; supervision, Paul Malvern; director, Mack V. Wright; screenplay and original story, Joseph Poland.

THE WINDWARD ANCHOR. Laemmle. 1916. 1 reel.

Credits: Scenario and production, Lynn Reynolds.

WINDWARD WAY. (Sportscope, no. 3) 1938. 1 reel, sd.

Credits: Supervision, Frederic Ullman, Jr.; narrator, Joe Bolton; editor, Foster Travis; music, Nathaniel Shilkret.

WINDY. (An Oddity) 1935. 958 ft., sd., b&w.

Credits: Director, Harold S. Bucquet; story, Roy James; screenplay, Richard Goldstone; musical score, David Snell.

WINDY RILEY GOES HOLLYWOOD. (Mermaid Comedies) 1931. 21 min., sd.

Credits: Director, William Goodrich; story, Ken Kling; continuity and dialogue, Ernest Pagano, Jack Townley.

WINE. Universal Jewel. 1924. 7 reels.

Credits: Story, William MacHarg; scenario, Philip Lonergan, Eve Unsell.

THE WINE GIRL. 1918. 5 reels.

Credits: Harvey Gates; director, Stuart Paton.

WINE OF YOUTH. Presented by Louis B. Mayer. 1924. 7 reels. Adapted from the play "Mary the Third" by Rachel Crothers.

Credits: Producer, King Vidor; assistant director, David Howard; scenario, Carey Wilson.

WINE, WOMEN, AND HORSES. 1937. 8 reels, sd. From a novel by W. R. Burnett.

Credits: Director, Louis King; original screenplay, Roy Chanslor.

WINE, WOMEN, AND SAUERKRAUT. Imperial. Presented by William Fox. 1927. 2 reels.

Credits: Supervision, George E. Marshall; director, Jess Robbins; story, Andrew Bennison, Frank Martin.

WINE, WOMEN, AND SONG. 1915. 2 reels.

WINE-WOMEN-BUT NO SONG. 1931. 947 ft., sd.

Credits: Director, Eddie Buzzell; story, Harry Sauber; film editor, Gene Milford.

WING TOY. 1921. 5 reels.

Credits: Director, Howard M. Mitchell; story, Pearl Doles Bell; scenario, Thomas Dixon, Jr.

WINGED CHAMPIONS. (Sportlight) 1936. 1 reel.

Credits: Narrator, Ted Husing.

WINGED DEATH. U. F. A., Berlin. 1927. 1 reel.

Credits: Editor, Edward Bowes.

WINGED HOOFS. (Western Featurette) 1928. 2 reels.

Credits: Director, Lew Collins; story and continuity, L. V. Jefferson.

THE WINGED HORSE. (An Oswald Comedy) Snappy. 1932. 1 reel.

THE WINGED HORSEMAN. Jewel. 1929. 6 reels.

Credits: Director, Arthur Rosson; story and continuity Raymond L. Schrock.

Credits: C. Gardner Sullivan.

THE WINGED IDOL. 1915. 5 reels.

THE WINGED MYSTERY. 1917. 5 reels.

Credits: Director, Jos. De Grasse; story, Archer McMackin; scenario, William Parker.

WINGED PAGEANTRY. (Struggle To Live Series) 1936. 1 reel.

Credits: Associate producers, H. L. Woodard, Stacy R. Woodard.

THE WINGED RIDER. Mustang. 1926. 2 reels.

Credits: Director, Ernst Laemmle; story, Eleanor Fried.

WINGING 'ROUND EUROPE WILL ROGERS. 1927. 1 reel.

Credits: Will Rogers; producer, Carl Stearns Clancy.

WINGING WEST; the Log of the Bremen. 1928. 2 reels.

Credits: Editor, Terry Ramsaye.

Credits: Maurice Stiller.

WINGS. 1929. 13 reels.

Credits: Director, William A. Wellman; story, John Monk Saunders; screenplay, Hope Loring, Louis D. Lighton.

WINGS IN THE DARK. Presented by Adolph Zukor. 1935. 8 reels.

Credits: Director, James Flood; story, Nell Shipman, Philip D. Hurn; screenplay, Jack Kirkland, Frank Partos; adaptation, Dale Van Every, E. H. Robinson.

WINGS OF A CENTURY. (A Century of Progress) 1933. 200 ft.

WINGS OF ADVENTURE. 1930. 6 reels, sd.

Credits: Director, Richard Thorpe; screenplay, Harry Fraser.

WINGS OF MERCY. SEE The Man Who Found Himself.

WINGS OF PROGRESS; Commercial Airplane Reliability Tour for the Edsel B. Ford Trophy. Ford Motion Picture Laboratories. 1926. 1 reel.

WINGS OF THE MORNING. 1919. 6 reels.

Credits: Director, J. Gordon Edwards; story, Louis Tracy; scenario, Charles Kenyon.

WINGS OF THE MORNING. 1937. 7,500 ft., sd. From stories by Donn Byrne.

Credits: Director, Harold D. Schuster; adaptation and screenplay, Tom Geraghty; music director, Muir Mathieson.

WINGS OF THE MORNING. Presented by New World Pictures, Inc. 1937. 7,500 ft., sd. From stories by Donn Byrne.

Credits: Director, Harold D. Schuster; adaptation and screenplay, Tom Geraghty; music director, Muir Mathieson.

WINGS OF THE NAVY. Cosmopolitan. 1939. 10 reels, sd.

Credits: Director, Lloyd Bacon; original screenplay, Michael Fessier.

WINGS OF THE STORM. 1926. 6 reels, b&w, tinted sequences.

Credits: Director, J. G. Blystone; story, Lawrence W. Pedrose; scenario, Dorothy Yost, L. G. Rigby.

WINGS OF YOUTH. 1925. 6 reels, tinted.

Credits: Director, Emmett Flynn; story, Harold P. Mantayne, Bernard McConville; scenario, Bernard McConville.

WINGS OVER ETHIOPIA. Swiss-Praesens Film Co. Presented by Adolph Zukor. 1935. 6 reels.

Credits: Director, L. Wenschler; narration, Garnett Weston.

WINGS OVER HONOLULU. 1937. 8 reels, sd. From the Red Book Magazine story by Mildred Cram.

Credits: Associate producer, E. M. Asher; director, H. C. Potter; screenplay, Isabel Dawn, Boyce DeGaw; film editor, Maurice Wright; music director, Charles Previn.

WINGS OVER MT. EVEREST. Gaumont British. Presented by E. W. Hammons. 1935. 2 reels, sd.

Credits: Directors, Geoffrey Barkas, Ivor Montagu; story and narration, Lowell Thomas; music score, Hubert Bath; music director, Louis Levy; photographers, S. R. Bennett, A. L. Fisher, J. Rosenthal.

WINIFRED, THE SHOP GIRL. 1916. 5 reels. From the novel "The Shop Girl" by C. N. and A. M. Williamson.

Credits: Producer, George D. Baker; picturized by George Plympton.

THE WINKING IDOL. 1926. 2 reels each. © Universal Pictures Corp.

Credits: Director, Francis Ford; story, Charles E. Van Loan; scenario, Arthur Henry Gooden, George Morgan.

1. The Eye of Evil. © 16Jan26; LP22278.

2. Buzzards' Roost. © 22Jan26; LP22317.

3. Crashing Timbers. © 27Jan26; LP22362.

4. Racing for Love. © 2Mar26; LP22451.

5. The Vanishing Bride. © 2Mar26; LP22452.

6. The Torrent of Terror. © 2Mar26; LP22453.

7. Flames of Fear. © 2Mar26; LP22454.

8. The Fight at the Falls. © 2Apr26; LP22573.

9. In Danger of Dynamite. © 2Apr26; LP22574.

10. The Lost Lode. © 2Apr26; LP22575.

THE WINKING PARSON. 1912. 1 reel.

Credits: Page Spencer.

THE WIN(K)SOME WIDOW. 1914. 4 reels.

Credits: Producer, Edmond F. Stratton.

THE WINNAH! 1934. 2 reels, sd.

Credits: Director, Roy Mack; story, A. Dorian Otvos, Eddie Moran, Cyrus Wood.

THE WINNER. 1938. 1 reel, sd.

A WINNER AT 16 TO 1. 1937. For the Seagram Distillers Corp. Filmstrip. 160 frames, sd.

WINNER LOSE ALL. Presented by E. W. Hammons. 1938. 1,709 ft., sd.

Credits: Director, William Watson; story, Billy K. Wells.

WINNER TAKE ALL. 1924. 6 reels, b&w, tinted sequences.

Credits: Director, William S. Van Dyke; story, Ewart Adamson; scenario, Larry Evans.

WINNER TAKE ALL. 1932. 7 reels, sd.

Credits: Director, Roy Del Ruth; story, Gerald Beaumont; adaptation, Robert Lord, Wilson Mizner.

WINNER TAKE ALL. 1939. 5,735 ft., sd.

Credits: Director, Otto Brower; original story, Jerry Cady; screenplay, Frances Hyland, Albert Ray; music director, Samuel Kaylin.

WINNER TAKES ALL. 1918. 5 reels. From the novel "The Rustler of Wind River" by G. W. Ogden.

Credits: Director, Elmer Clifton; adaptation, V. H. Porter.

THE WINNER WINS. 1914. 1 reel.

Credits: Director, W. J. Bauman.

WINNERS OF THE WEST. Universal Special. 1921-22. 2 reels each. © Universal Film Mfg. Co., Inc.

Credits: Producer, Edward Laemmle; story and scenario. Ford Beebe, Robert Dillon.

1. The Power of Gold. © 22Sep21; LP16988.

2. The Blazing Arrow. © 23Sep21; LP17014.

3. Perils of the Plains. © 28Sep21; LP17028.

4. The Flame of Hate. © 7Oct21; LP17072.

5. A Fight for a Fortune. © 14Oct21; LP17101.

6. Buried Alive. © 22Oct21; LP17126.

7. Fires of Fury. © 27Oct21; LP17147.

8. The Pit of Doom. © 5Nov21; LP17170.

9. The Chasm of Peril. © 13Nov21; LP17185.

10. Sands of Fear. © 18Nov21; LP17215.

11. The Poisoned Pool. © 25Nov21; LP17249.

12. A Duel in the Night. © 1Dec21; LP17269.

13. The Web of Fate. © 7Dec21; LP17326.

14. The Trail of Mystery. © 12Dec21; LP17361.

15. Unmasked. © 21Dec21; LP17395.

16. Hidden Gold. © 21Dec21; LP17396.

17. The Cave of Terror. © 31Dec21; LP17428.

18. The End of the Trail. © 4Jan22; LP17438.

WINNERS OF THE WILDERNESS. 1927. 7 reels.

Credits: John Thomas Neville; director, W. S. Van Dyke; continuity, Josephine Chippo; film editor, Conrad A. Nervig.

WINNIE LIGHTNER, BROADWAY'S FAVORITE. 1928. 1 reel, sd.

WINNIE LIGHTNER SINGING TWO SONGS: 1. NAGASAKI BUTTERFLY; 2. EVERYBODY LOVES MY GAL. 1928. 1 reel.

Credits: Director, Marcel G. Silver.

WINNIE LIGHTNER, THE SONG A MINUTE GIRL. 1928. 1 reel, sd.

WINNING A BRIDE. 1919. 2 reels.

Credits: Director, Robert Wells; story, William Pigott; scenario, George Hively.

WINNING A BRIDE. 1924. 2 reels.

Credits: Story, William Pigott; scenario, George Hively.

WINNING A CONTINENT. 1924. 6 reels.

Credits: Gustave S. Preller; adapted and directed by Harold Shaw.

WINNING A CONTINENT. SEE The Voortrekkers.

WINNING AN HEIRESS. Rolma Films, Inc. 1917. 1 reel.

Credits: Director, William Quirk; story and script by Edward MacWade.

WINNING AN HEIRESS. SEE A Nobleman's Triumph.

THE WINNING GIRL. Paramount. Presented by Jesse L. Lasky. 1919. 5 reels.

Credits: Director, Robert G. Vignola; story, George Weston; scenario, Will M. Ritchey.

Credits: Director, William Bertram; story, Bertram George; scenario, Clara S. Beranger.

WINNING HIS WIFE. Universal Special. 1919. 2 reels.

Credits: Director, George W. Terwilliger; story, Katherine Kavanagh; scenario, Calder Johnstone.

THE WINNING MENTAL ATTITUDE. (Educational Film Service, v. 22) 1931. 1 reel.

THE WINNING NUMBER. 1916. 1 reel.

Credits: Written and directed by Clay M. Greene.

THE WINNING OAR. Presented by Samuel Zierler. 1927. 6 reels.

Credits: Director, Bernard McEveety; story and continuity, Arthur Hoerl.

THE WINNING OF BARBARA WORTH. United Artists Corp. Presented by Samuel Goldwyn. 1926. 9 reels. From the novel by Harold Bell Wright.

Credits: Director, Henry King; adaptation, Frances Marion.

THE WINNING OF BEATRICE. 1918. 5 reels.

Credits: Producer, Maxwell Karger; director, Harry L. Franklin; story, May Tully; scenario, June Mathis, Katharine Kavanaugh.

THE WINNING OF MISS CONSTRUE. Gold Seal. 1916. 3 reels.

Credits: Written and produced by Robert Leonard, David Kirkland.

THE WINNING OF SALLY TEMPLE. 1917. 5 reels. Based on the novel by Rupert Sargent Holland.

Credits: Harvey Thew; producer, George H. Melford.

THE WINNING OF THE MOCKING BIRD. 1918. 2 reels. Based on a Wolfville story by Alfred Henry Lewis.

Credits: Director, Allen Watt.

WINNING OUT. (Sid Smith Comedy) 1923. 2 reels.

Credits: Director, Hugh Fay.

THE WINNING PAIR. Gold Seal. 1917. 3 reels.

Credits: Eugene B. Lewis; director, Louis W. Chaudet.

A WINNING PAIR. Century. 1925. 2 reels.

Credits: Written and directed by Charles Lamont.

WINNING PATTERNS. (Grantland Rice Sportlight) 1929. 1 reel.

Credits: John L. Hawkinson.

WINNING PUTTS. (Farrell Golf Series, no. 3) 1931. 1 reel.

Credits: Producer, Terry Ramsaye; director, Clyde Elliott.

THE WINNING STROKE. 1919. 5 reels.

Credits: Director, E. Dillon; story, E. Sedgwick; scenario, E. Sedgwick, R. L. Schrock.

WINNING THE FUTURITY. 1926. 6 reels.

Credits: Director, Scott Dunlop; story, Hunt Stromberg; adaptation, Finis Fox.

WINNING THE OLD MAN OVER. 1915. Split reel.

WINNING THE WIDOW. 1915. 1 reel.

THE WINNING TICKET. 1935. 7 reels, sd., b&w.

Credits: Producers, Jack Cummings, Charles F. Riesner; director, Charles F. Riesner; original story, Robert Pirosh, George Seaton; screenplay, Ralph Spence, Richard Schayer; film editor, Hugh Wynn.

THE WINNING TICKET. (A Captain and the Kids Cartoon) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., sepia. Based on the United Features Comic "The Captain and the Kids."

THE WINNING TRICK. 1914. 1 reel.

Credits: Director, Wilfrid North.

THE WINNING WALLOP. Presented by Sam Sax. 1926. 5 reels.

Credits: Director, Charles Hutchison; story, L. V. Jefferson.

WINNING WINSOME WINNIE. 1915. 1,000 ft.

WINNING WITH WITS. 1922. 5 reels.

Credits: Director, Howard M. Mitchell; story, H. H. Van Loan; adaptation, Jack Strumwasser, Dorothy Yost.

WINS OUT. Snappy. (An Oswald Comedy) 1932. 6 1/3 min.

WINSOME WINNIE'S WAY. 1913. Produced by arrangement with Carolyn Wells. 1 reel.

WINSOR MCCAY AND HIS JERSEY SKEETERS. Powers. 1916. 1 reel.

Credits: Drawn by Winsor McCay.

WINTER. (Silly Symphony) 1930. 1 reel, sd.

WINTER AT THE ZOO. (Easy Aces, no. 5) 1936.

WINTER CARNIVAL. Presented by Walter Wanger. Released through United Artists. 1939. 10 reels, sd. Based on the story "Echoes That Old Refrain" by Corey Ford.

Credits: Director, Charles F. Riesner; story, Budd Schulberg, Maurice Rapf; screenplay, Lester Cole, Budd Schulberg, Maurice Rapf; film editors, Otho Lovering, Dorothy Spencer; music director, Werner Janssen.

A WINTER CITY FAVORITE. SEE A Romantic Adventuress.

WINTER DAYS IN STOCKHOLM, SWEDEN'S BEAUTIFUL CAPITAL. 1916. Split reel.

A WINTER HOLIDAY IN THE BERNESE OBERLAND, SWITZERLAND. 1914. 1 reel.

WINTER MAGIC. (Along the Road to Romance on the Magic Carpet of Movietone) 1935. 1 reel, sd.

Credits: Editor, Lew Lehr.

A WINTER NIGHT. 1938. 1 reel, sd.

WINTER SPORTS. (Sports with Bill Corum, no. 5) 1936. 1 reel.

WINTER THRILLS. (World of Sports) Bray Pictures Corp. 1934. 1 reel, sd.

Credits: Narrator, Ford Bond.

WINTERSET. 1936. 8 reels, sd. From the Guthrie McClintic production of the play by Maxwell Anderson.

Credits: Producer, Pandro S. Berman; director, Alfred Santell; screenplay, Anthony Veiller; editor, William Hamilton; music director, Nathaniel Shilkret.

THE WINTHROP DIAMONDS. 1915. 1 reel.

WIPE YER FEET. 1914. 1 reel.

Credits: Director, Norval MacGregor.

THE WIRE PULLERS. Laemmle. 1916. 1 reel.

Credits: Producer, William Worthington; story, Catherine Carr; scenario, Ben Cohn.

WIRED AND FIRED. (Krazy Kat Cartoon) 1928. 1 reel. From the cartoons of George Herriman.

Credits: Ben Harrison, Manny Gould.

WIRELESS LIZZIE. (Walter Heirs Comedies) Educational. 1926. 2 reels.

Credits: Robert Hall; director, Earle Rodney.

A WIRELESS RESCUE. 1915. 2 reels.

Credits: Director, Theodore Marston.

WIRELESS TELEPHONY. 1924. 1 reel.

WISCONSIN DAIRIES. 1927. 1 reel.

THE WISE BIRDS. 1922. 2 reels.

THE WISE CRACKER. 1923. 2 reels.

Credits: Director, Erle Kenton.

THE WISE DUCK. 1922. 2 reels.

A WISE DUMMY. Joker. 1917. 1 reel.

Credits: Director, Craig Hutchinson; scenario, George Parker.

WISE FLIES. 1930. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

A WISE FOOL. 1921. 7 reels. Adapted from the novel "The Money Master" by Sir Gilbert Parker.

WISE GIRL. 1937. 8 reels, sd.

Credits: Producer, Edward Kaufman; director, Leigh Jason; story, Allan Scott, Charles Norman; screenplay, Allan Scott; editor, Jack Hively.

WISE GIRLS. 1929. 11 reels, sd., b&w. From the play "Kempy" by J. C. Nugent and Elliott Nugent.

Credits: Director, E. Mason Hopper; adaptation and stage direction, J. C. Nugent, Elliott Nugent; film editor, Margaret Booth.

WISE GUISE. SEE Felix the Cat in Wise Guise.

THE WISE GUY. Presented by Frank Lloyd. 1926. 8 reels.

Credits: Jules Furthman; director, Frank Lloyd; scenario, Ada McQuillin; adaptation, Adela Rogers St. Johns.

THE WISE KID. 1922. 5 reels.

Credits: Director, Tod Browning; story, William Slavens McNutt; scenario, Wallace Clifton.

THE WISE LITTLE HEN. (Walt Disney's Silly Symphony, no. 19) 1934. 1 reel, sd.

THE WISE MAN AND THE FOOL. Laemmle. 1916. 2 reels.

Credits: Written and produced by Lynn Reynolds.

WISE OR OTHERWISE. Bluebird. 1926. 1 reel.

Credits: Director, Richard Smith.

WISE QUACKS. (Looney Tunes) 1939. 1 reel, sd.

Credits: Producer, Leon Schlesinger; supervision, Robert Clampett; story, Warren Foster; animation, I. Ellis; music director, Carl W. Stalling.

A WISE SON. SEE Wandering Footsteps.

THE WISE VIRGIN. Peninsula Studios, Inc. Released by Producers Distributing Corp. 1924. 6 reels.

Credits: Supervision and story, Elmer Harris; director, Lloyd Ingraham.

A WISE WAITER. 1916. 1 reel.

Credits: Director, Earl Metcalfe.

THE WISE WIFE. De Mille Pictures Corp. Presented by William C. De Mille. 1927. 7 reels. From the story by Arthur Somers Roche.

Credits: Director, E. Mason Hopper; screenplay, Zelda Sears, Tay Garnett.

WISE WIMMIN. (Educational-Ideal Comedy) 1929. 2 reels.

Credits: Producer, Jack White; director, Stephen Roberts.

WISE WIVES. (Star Comedy) 1919. 1 reel.

Credits: Written and directed by Lyons-Moran.

THE WISECRACKERS. Released by F. B. O. 1927. 2 reels each. © R-C Pictures Corp.

Credits: Directors, Caryl S. Fleming, Gil Pratt, Del Andrews; story, H. C. Witwer; adaptation, Paul Gangelin, Buckleigh Fritz Oxford; supervising editor, James Wilkinson.

1. The Artist's Brawl. © 30Jan27; LP23613.

2. Turkish Howls. © 13Jan27; LP23617.

3. Love at First Fight. © 29Jan27; LP23617.

4. The Oily Boyd. © 7Mar27; LP23730.

5. Cry and Get It. © 27Mar27; LP23829.

6. A Chin He Loved to Touch. © 29Mar27; LP23801.

7. Shy Knees. © 29Mar27; LP23802.

8. Not So Big. © 5Apr27; LP23832.

9. The Better Role. © 9May27; LP23941.

10. A Sock in Time. © 9May27; LP23942.

12. A Kick in the Dark. © 1Jun27; LP24032.

THE WISER SEX. 1932. 8 reels, sd. Based on a play "Her Confessions" by Clyde Fitch.

Credits: Director, Berthold Viertel; screenplay, Harry Hervey, Caroline Francke.

WISHED ON MABEL. 1915.

Credits: Producer, Mack Sennett.

WISHING FOR BUSINESS. 1926. 1 reel.

THE WISHING LAMP. Big U. 1916. 1 reel.

Credits: Producer, H. C. Mathews.

Credits: Picturized by Maurice Tourneur.

THE WISHING RING MAN. 1919. 5 reels. Based on the novel by Margaret Widdemer.

Credits: Director, David Smith; scenario, G. Marion Burton.

THE WISHING STONE. 1935. 1 reel, sd.

Credits: Director, Roy Mack; continuity, Cyrus D. Wood.

THE WIT OF A WOMAN. SEE Moral Courage.

WIT WINS. Presented by Burton King. 1919. 6 reels.

Credits: Director, Burton King; story, Leander De Cordova.

THE WITCH. 1916. For Fox Film Corp. 5 reels.

Credits: Written and produced by Frank Powell.

A WITCH OF SALEM TOWN. Victor. 1915. 2 reels.

Credits: M. B. Havey; director, L. J. Henderson.

Credits: Director, Travers Vale; story, Willard Mack.

WITCHCRAFT. Presented by Jesse L. Lasky. 1916. 5 reels.

Credits: Margaret Turnbull; producer, Frank Reicher; story, R. Ralston Reed.

Credits: Written and produced by Ernest Stern.

THE WITCHING HOUR. 1921. 7 reels. From the play by Augustus Thomas.

Credits: Director, William D. Taylor; scenario, Julia Crawford Ivers.

THE WITCHING HOUR. 1934. 7 reels. From the play by Augustus Thomas.

Credits: Producer, Bayard Veiller; director, Henry Hathaway; screenplay, Anthony Veiller; adaptation, Salisbury Field.

WITH BEST DISHES. Mentone. 1939. 2 reels, sd.

Credits: Director, Milton Schwarzwald; dialogue, Alan Wilson.

WITH BRIDGES BURNED. 1915. 3,000 ft. Adapted from the story by Rex Beach.

Credits: Director, Ashley Miller.

WITH BYRD AT THE SOUTH POLE. 1930. 8 reels, sd.

Credits: Narrator, Floyd Gibbons; editor, Emanuel Cohen.

WITH CLEAR RIGHTS. SEE Across the Great Divide.

WITH FATHER'S HELP. Nestor. 1915. 1 reel.

Credits: Scenario and production by Al. E. Christie; story, A. R. Lloyd.

WITH JOHN P. MEDBURY IN DEATH VALLEY. (Walter Futter's Travelaughs, no. M-315) Presented by Columbia Pictures Corp. 1931. 1 reel, sd.

Credits: Producer, Walter A. Futter; written and spoken by John P. Medbury; film editor, David Miller.

WITH JOHN P. MEDBURY IN TURKEY. (Travelaughs) Presented by Columbia Pictures Corp. 1931. 1 reel, sd.

Credits: Producer, Walter A. Futter; written and spoken by John P. Medbury; film editor, David Miller.

Credits: Producer, Lem B. Parker.

WITH NEATNESS AND DISPATCH. 1918. 5 reels. From the story by Kenneth L. Roberts.

Credits: Producer, Maxwell Karger; director, William S. Davis; scenario, June Mathis, Luther Reed.

WITH PLEASURE. 1931. 2 reels, sd.

WITH SLIGHT VARIATIONS. 1914. 1 reel.

Credits: E. H. Geissinger; director, Charles Ranson.

WITH STANLEY IN AFRICA. Universal Special. 1922. 2 reels each. © Universal Film Mfg. Co., Inc.

Credits: Directors, William J. Craft, Edward Kull; story and scenario, George H. Plympton.

1. The Jaws of the Jungle. © 13Jan22; LP17453.

2. The Grip of the Slavers. © 23Jan22; LP17493.

3. Paths of Peril. © 1Feb22; LP17516.

4. Find Livingstone. © 1Feb22; LP17524.

5. The Flaming Spear. © 11Feb22; LP17551.

6. Lost in the Jungle. © 18Feb22; LP17570.

7. The Trail of the Serpent. © 25Feb22; LP17585.

8. The Pool of Death. © 6Mar22; LP17611.

9. The Menace of the Jungle. © 16Mar22; LP17648.

10. The Ordeal. © 24Mar22; LP17692.

11. The Lion's Prey. © 30Mar22; LP17699.

12. The Forest of Flame. © 5Apr22; LP17732

13. Buried Alive. © 12Apr22; LP17754.

14. The Lair of Death. © 22Apr22; LP17777.

15. The Good Samaritan. © 26Apr22; LP17801.

16. The Slave's Secret. © 5May22; LP17834.

17. The White Tribe. © 10May22; LP17861.

18. Out of the Dark. © 13May22; LP17889.

WITH STOLEN MONEY. 1915. 1,000 ft.

Credits: Producer, Wilbert Melville.

WITH THE AID OF THE LAW. 1915. 1 reel.

Credits: Producer, Tom Mix; story, Marshall E. Gamon.

WITH THE ASSISTANCE OF SHEP. 1913. 1 reel.

Credits: Nolan Gane.

WITH THE CAMERA ON THE FIRING LINE. SEE With the Greek on the Firing Line.

WITH THE EYES OF LOVE. 1914. 1 reel.

Credits: Epes Winthrop Sargent; director, George A. Lessey.

WITH THE EYES OF THE BLIND. 1913. 1 reel.

Credits: Bannister Merwin.

WITH THE HELP OF THE LADIES. 1915. 500 ft.

WITH THE NAVIES OF THE WORLD. (Adventures of the Newsreel Cameraman) 1934. 1 reel, sd.

WITH THE SPIRIT'S HELP. Nestor. 1916. 1 reel.

Credits: Production and scenario, Louis William Chaudet; story, Virginia Kirkley.

WITH THE U. S. ARMY AT SAN FRANCISCO. 1915. Splitreel.

Credits: Producer, John L. Hawkinson.

Credits: Producer, Carl Stearns Clancy.

WITH WILLIAMSON BENEATH THE SEA. Presented by Sol Lesser and Frank R. Wilson. 1932. 6 reels.

Credits: Narrative, production, and direction by J. E. Williamson.

WITHIN AN ACE. 1914. 2 reels.

Credits: Director, Theodore Marston.

Credits: Eugene Manlove Rhodes.

WITHIN THE ENEMY'S LINES. 1913. 2 reels. From "A Captured Santa Claus" by Thomas Nelson Page.

WITHIN THE LAW. 1917. 9 reels. From the play by Bayard Veiller.

Credits: Eugene Mullen; director, William P. S. Earle.

WITHIN THE LAW. First National. Presented by Joseph M. Schenck. 1923. 8 reels. Adapted from the stage play by Bayard Veiller.

Credits: Director, Frank Lloyd; adaptation, Frances Marion.

WITHIN THE LAW. Presented by Metro-Goldwyn-Mayer. 1939. 7 reels, sd., b&w. From the play by Bayard Veiller.

Credits: Director, Gustav Machaty; screenplay, Charles Lederer, Edith Fitzgerald; film editor, George Boemler; music score, William Axt.

WITHIN THE LAW. SEE Paid.

WITHIN THE ROCK. 1934. 7 reels, sd. From the novel by Marie Buxton Martin.

Credits: Supervision, Al Alt; director, Albert Ray; screenplay, Betty Laidlaw, Bob Lively; editor, S. Roy Luby.

WITHIN THESE WALLS. 1937. 1 reel.

WITHOUT A BAND. SEE Bailey and Barnum in Without a Band.

Credits: Paul Sarauw.

Credits: Picturized and produced by James Young.

Credits: Producer, Robert Brunton; director, James Young; story, Rudyard Kipling.

WITHOUT CHILDREN. 1934. 8 reels, sd.

Credits: Director, William Nigh; story, Gertrude Orr.

WITHOUT COMPROMISE. 1922. 6 reels. Based on the novel by Lilian Bennet-Thompson.

Credits: Director, Emmett J. Flynn; scenario, Bernard McConville.

WITHOUT FEAR. 1922. 5 reels.

Credits: Director, Kenneth Webb; story, Paul H. Sloane.

WITHOUT LIMIT. 1921. 7 reels. From the story "Temple Dusk" by Calvin Johnston.

Credits: Adaptation and direction, George D. Baker.

WITHOUT MERCY. Released by Producers Distributing Corp. 1925. 7 reels. Based on the story by John Goodwin [pseud. of Sidney Floyd Gowing].

Credits: Producer and director, George Melford; adaptation, Monte Katterjohn.

WITHOUT ORDERS. 1936. 64 min., sd.

Credits: Associate producer, Cliff Reid; director, Lew Landers; story, Peter B. Kyne; screenplay, J. Robert Bren, Edmund L. Hartmann; editor, Desmond Marquette.

WITHOUT REGRET. Presented by Adolph Zukor. 1935. 8 reels. From the play "Interference" by Roland Pertwee and Harold Dearden.

Credits: Producer, Harold Hurley; supervision, B. P. Fineman; director, Harold Young; screenplay, Doris Anderson, Charles Brackett; film editor, Paul Weatherwax.

Credits: Scenario, Anthony W. Coldewey.

THE WITNESS. 1915. 3 reels.

THE WITNESS CHAIR. 1936. 64 min., sd. From the story by Rita Weiman.

Credits: Associate producer, Cliff Reid; director, George Nicholls, Jr.; screenplay, Rain James, Gertrude Purcell; editor, William Morgan; music director, Roy Webb.

THE WITNESS FOR THE DEFENSE. Paramount-Artcraft. Presented by Adolph Zukor. 1919. 5 reels. Based on the work by A. E. W. Mason.

Credits: Director, George Fitzmaurice; scenario, Ouida Bergere.

THE WITNESS INVISIBLE. SEE The Invisible Witness.

THE WITNESS TO THE WILL. 1913. 2 reels.

Credits: Gordon V. May.

WITNESS TROUBLE. (Vitaphone Variety) 1939. 10 min., sd.

Credits: Director, Lloyd French.

THE WITNESS VANISHES. 1939. 7 reels, sd. From the novel "They Can't Hang Me" by James Ronald.

Credits: Producer, Irving Starr; director, Otis Garrett; screenplay, Robertson White; film editor, Harry Keller.

WITS VS. WITS. 1920. 5 reels.

Credits: Story and direction, Harry Grossman.

WIVES AND OTHER WIVES. 1918. 5 reels.

Credits: Director, Lloyd Ingraham; story and scenario, Stephen Fox.

WIVES AND SWEETHEARTS. (Star Comedy) 1920. 1 reel.

Credits: Written and directed by Eddie Lyons, Lee Moran.

WIVES AND WOMEN. Bluebird. 1926. 1 reel.

WIVES AT AUCTION. 1926. 6 reels.

Credits: Elmer Clifton; adaptation, Lewis Allen Browne.

WIVES, ETC. SEE Charles Ruggles and Company in Wives, etc.

WIVES FOR SALE. (U. F. A. Oddity) U. F. A. 1928. 1 reel.

Credits: Edited and titled by Edward Bowes.

WIVES FOR SALE. (U. F. A. Oddity) 1929. 1 reel.

Credits: Edited and titled by Edward Bowes.

WIVES NEVER KNOW. Presented by Adolph Zukor. 1936. 8 reels.

Credits: Producer, Harlan Thompson; director, Elliott Nugent; story, Keene Thompson; screenplay, Frederick Hazlitt Brennan.

THE WIVES OF MEN. 1915. 2 reels.

WIVES OF MEN. 1918. 7 reels.

Credits: Written and directed by John M. Stahl.

WIVES OF THE RICH. 1916. 3 reels.

Credits: Director, T. N. Heffron.

WIVES UNDER SUSPICION. 1938. 7 reels. Suggested by a play by Myles Connolly.

Credits: Associate producer, Edmund Grainger; director, James Whale; original screenplay, Ladislaus Fedor.

WIVES WON'T WEAKEN. 1928. 2 reels.

Credits: Producer, Jack White; director, Stephen Roberts.

THE WIZARD. 1927. 6 reels. Based on the story "Balaoo" by Gaston Leroux.

Credits: Director, Richard Rosson; story and scenario, Harry O. Hoyt, Andrew Bennison.

THE WIZARD OF OZ. 1925. 7 reels. From the book and play by L. Frank Baum.

Credits: Director, Harry Semon.

THE WIZARD OF OZ. A Victor Fleming production. Presented by Metro-Goldwyn-Mayer. 1939. 10 reels, sd., color. From the book "The Wonderful Wizard of Oz" by L. Frank Baum.

Credits: Producer, Mervyn LeRoy; director, Victor Fleming; screenplay, Noel Langley, Florence Ryerson, Edgar Allan Woolf; adaptation, Noel Langley; film editor, Blanche Sewell; music, Harold Arlen; lyrics, E. Y. Harburg; music director, Herbert Stothart.

THE WIZARD OF THE ANIMALS. 1915. Split reel.

THE WIZARD OF THE JUNGLE. 1913. 2 reels.

THE WIZARD OF THE MANDOLIN. SEE Bernado de Pace in The Wizard of the Mandolin.

WIZARD OF THE SADDLE. Released by F. B. O. Pictures Corp. 1928. 4,805 ft.

Credits: Story and direction, Frank Howard Clark.

WIZARDLAND. (Vagabond Adventure Series, no. 17) 1930. 1 reel, sd.

Credits: Alfred Mannon.

THE WIZARD'S APPRENTICE. United Artists. 1930. 1 reel, sd.

Credits: Producers, Hugo Riesenfeld, William Cameron Menzies; director, Sidney Levee.

WOES OF A WAITRESS. 1914. 1 reel.

Credits: Directors, Maurice Costello, Bob Gaillard.

THE WOES OF A WOMAN. (Star Comedy) 1919. 1 reel.

Credits: Written and directed by Lyons-Moran.

DE WOILD'S CHAMPEEN. 1930. 2 reels, sd.

Credits: Director, Frank Strayer; story and dialogue, Scott Darling.

Credits: Producer, Barry O'Neil.

THE WOLF. 1919. 6 reels. From the play by Eugene Walter.

Credits: Director, James Young; scenario, James Young, Paul Sloane.

THE WOLF AND HIS MATE. Butterfly. 1917. 5 reels.

Credits: Story, Julia Maier; scenario, Doris Schroeder.

WOLF AT THE DOOR. (Scrappy) Presented by Columbia Pictures Corp. 1933. 1 reel, sd.

Credits: Dick Heumor; producer, Charles Mintz; animation, Sid Marcus, Art Davis; music score, Joe De Nat.

WOLF CALL. 1939. 6 reels, sd. From the novel by Jack London.

Credits: Producer, Paul Malvern; director, George Waggner; screenplay, Joseph West; music director, Eddie Kay.

WOLF DOG. Mascot Master. Presented by Nat Levine. 1933. 2 reels each, except no. 1 which is 3 reels, sd.

Credits: Directors, Colbert Clark, Harry Frazer; story, Barney Sarecky, Sherman Lowe; screenplay, Al Martin, Colbert Clark, Wyndham Gittens; film editor, Earl Turner.

1. The Call of the Wilderness.

2. The Shadow of a Crime.

3. The Fugitive.

4. A Dead Man's Hand.

5. Wolf Pack Law.

6. The Gates of Mercy.

7. The Empty Room.

8. Avenging Fangs.

9. Wizard of the Wireless.

10. Accused!

11. The Broken Record.

12. Danger Lights.

WOLF FANGS. 1927. 6 reels.

Credits: Director, Lewis Seiler; story, Elizabeth Pickett; scenario, Seton I. Miller.

THE WOLF HUNTERS. SEE The Trail Beyond.

A WOLF IN CHEAP CLOTHING. Presented by William Fox. 1927. 2 reels.

Credits: Supervision, George E. Marshall; director, Zion Myers; story, Lou Breslow.

THE WOLF IN CHEAP CLOTHING. (Bedtime Story for Grown-Ups) 1932. 1 reel, sd.

Credits: Bert Kalmar, Harry Ruby; director, Eddie Buzzell; film editor, William Lyon.

A WOLF IN CHEAP CLOTHING. (Paul Terry Toons) Presented by E. W. Hammons. 1936. 540 ft., sd.

Credits: Paul Terry, Mannie Davis, George Gordon; scored and conducted by Philip A. Scheib.

WOLF LAW. 1922. 5 reels.

Credits: Director, Stuart Paton; story, Hugh Pendexter; scenario, Charles Sarver.

THE WOLF MAN. 1924. 6 reels.

Credits: Director, Edmund Mortimer; story, Reed Heustis; scenario, Frederick Hatton, Fannie Hatton.

THE WOLF OF DEBT. Imp. 1915. 4 reels.

Credits: Hugh C. Weir; director, Jack Harvey.

THE WOLF OF WALL STREET. 1929. Si., sd.

Credits: Director, Rowland V. Lee; story and screenplay, Doris Anderson.

WOLF SONG. 1929. 6,070 ft., si., 7,021 ft., sd.

Credits: Produced and directed by Victor Fleming; story, Harvey Fergusson; screenplay, John Farrow, Keene Thompson.

WOLF TRACKS. 1920. 2 reels.

Credits: Director, Mack V. Wright; story, A. H. Gooden; scenario, Hope Loring, Mack V. Wright.

THE WOLF TRAPPER. 1923. 2 reels.

Credits: Director, R. N. Bradbury; story and scenario, George Pyper.

WOLF! WOLF! (Oswald) Snappy. 1934. 1 reel.

Credits: Walter Lantz.

Credits: Adaptation and direction, Kenneth Webb.

THE WOLF'S CLAW. SEE The Serpent.

WOLF'S CLOTHING. 1927. 8 reels. Based on a story by Arthur Somers Roche.

Credits: Director, Roy Del Ruth; screenplay, Darryl Francis Zanuck.

THE WOLF'S DAUGHTER. 1914. 2,000 ft.

THE WOLF'S FANGS. (Western Featurette) 1930. 2 reels.

Credits: Director, Josef Levigard; story and continuity, George Morgan.

THE WOLF'S SIDE OF THE STORY. (Terry Toons) Presented by Paul Terry. 1938. 1 reel, sd.

Credits: Director, Connie Rasinski; music, Philip A. Scheib.

WOLF'S TRAIL. (Thrill Feature) 1927. 5 reels.

Credits: Director, Francis Ford; story and continuity, Basil Dickey.

WOLFVILLE STORIES. SEE Dead Shot Baker.

Credits: Director, Mauritz Stiller.

THE WOLVERINE. Presented by Spencer Productions, Inc. 1921. 5 reels. From the novel "The Ranch at the Wolverine" by B. M. Bower [pseud. of Bertha (Muzzy) Sinclair].

Credits: Director, William Bertram; adaptation, Helen Van Upp.

Credits: Director, Joseph A. Golden.

1. The Torture Trap. © title & 60 prints, 17Oct18; descr., 28Oct18; LU12986.

2. The Iron Chair. © title & 40 prints, 17Oct18; descr., 28Oct18; LU12987.

3. Trapping the Traitors. © title & 18 prints, 17Oct18; descr., 28Oct18; LU12988.

4. The Ride to Death. © title & 40 prints, 17Oct18; descr., 28Oct18; LU12989.

5. Through the Flames. © title & 38 prints, 17Oct18; descr., 28Oct18; LU12990.

6. Trails of Treachery. © title & 31 prints, 17Oct18; descr., 28Oct18; LU12991.

7. The Leap of Despair. © title & 28 prints, 17Oct18; descr., 28Oct18; LU12992.

8. In the Hands of the Hun. © title & 30 prints, 21Oct18; descr., 28Oct18; LU13011.

9. Precipice of Death. © title & 34 prints, 21Oct18; descr., 28Oct18; LU13012.

10. When Woman Wars. © title & 32 prints, 21Oct18; descr., 28Oct18; LU13013.

11. Betwixt Heaven and Earth. © title & 34 prints, 21Oct18; descr., 28Oct18; LU13014.

12. The Tower of Tears. © title, descr. & 28 prints, 31Oct18; LU13005.

13. The Huns Hell Trap. © title, descr. & 32 prints, 31Oct18; LU13006.

14. Code of Hate. © title, descr. & 36 prints, 31Oct18; LU13007.

15. The Reward of Patriotism. © title, descr. & 28 prints, 31Oct18; LU13008.

WOLVES OF THE AIR. 1927. 6 reels.

Credits: Director, Francis Ford; story, J. Francis O'Fearna; adaptation and continuity, James Bell Smith.

WOLVES OF THE CITY. 1928. 5 reels.

Credits: Director, Leigh Jason; story, Val Cleveland, Vin Moore.

WOLVES OF THE NIGHT. 1919. 7 reels.

Credits: Director, J. Gordon Edwards; story and scenario, E. Lloyd Sheldon.

WOLVES OF THE NIGHT. 1924. 6 reels.

Credits: Director, J. Gordon Edwards; story and scenario, E. Lloyd Sheldon.

WOLVES OF THE NORTH. 1921. 5 reels.

Credits: Written and produced by Norman Dawn; scenario, Wallace Clifton.

WOLVES OF THE NORTH. 1924. 2 reels each. Adapted from the novel "The Free Trader" by Kathrene and Robert Pinkerton. © Universal Pictures Corp.

Credits: Director, William Duncan; story and continuity, Frank H. Clark.

1. The Fur Pirates. © 28Jul24; LP20426.

2. The Wolf Pack. © 31Jul24; LP20453.

3. The Avalanche. © 31Jul24; LP20452.

4. Passions of War. © 27Sep24; LP20621.

5. The Blizzard. © 27Sep24; LP20622.

6. Flames of Peril. © 1Oct24; LP20643.

7. The Man Hunt. © 1Oct24; LP20644.

8. The Trail of Gold. © 9Oct24; LP20716.

9. A Trick of Fate. © 21Oct24; LP20684.

10. The Stolen Map. © 21Oct24; LP20700.

WOLVES OF THE RAIL. Artcraft. 1918. 5 reels.

Credits: Denison Clift; supervision, Thomas H. Ince; director, William S. Hart.

WOLVES OF THE RANGE. 1918. 2 reels.

Credits: Director, Harry Harvey; story and scenario, Alvin J. Neitz.

WOLVES OF THE RANGE. 1924. 2 reels.

Credits: Story, Alvin J. Neitz.

WOLVES OF THE RANGE. (Western Featurette) 1927. 2 reels.

Credits: Director, Walter Fabian; story and continuity, George W. Pyper.

WOLVES OF THE ROAD. 1925. 5 reels.

Credits: Director, Ward Hayes; story, George W. Pyper.

WOLVES OF THE SEA. 1937. 7 reels, sd.

Credits: Producer, J. D. Kendis; story and direction, Elmer Clifton.

A WOMAN. 1915. 2 reels.

WOMAN. 1918. 7 reels.

Credits: Producer and director, Maurice Tourneur; story, Charles E. Whittaker.

THE WOMAN. SEE

The Secret Call.

The Telephone Girl.

THE WOMAN ACCUSED. 1933. 8 reels, sd. From the Liberty magazine story by Rupert Hughes and others, based on an original screen story by Polan Banks.

Credits: Director, Paul Sloane; screenplay, Bayard Veiller.

A WOMAN AGAINST THE WORLD. 1928. 6 reels.

Credits: Director, George Archainbaud; story, Albert Shelby LeVino; continuity, Gertrude Orr; editor, Desmond O'Brien.

WOMAN AGAINST THE WORLD. 1938. 7 reels, sd.

Credits: Producer, Lew Golder; director, David Selman; scenario, Edgar Edwards; film editor, William Austin.

WOMAN AGAINST WOMAN. 1914.

WOMAN AGAINST WOMAN. Presented by Metro-Goldwyn-Mayer. 1938. 6 reels, sd., b&w. From the story "Enemy Territory" by Margaret Culkin Banning.

Credits: Director, Robert B. Sinclair; screenplay and production, Edward Chodorov; editor, George Boemler; music score, William Axt.

Credits: Director, Harry Davenport; story, Willard Mack; scenario, Frances Marion.

THE WOMAN ALONE. 1936. 8 reels, sd. From the novel "The Secret Agent" by Joseph Conrad.

Credits: Director, Alfred Hitchcock; screenplay, Charles Bennett; continuity, Alma Reville; dialogue, Ian Hay, Helen Simpson; editor, Charles Frend; musical director, Louis Levy.

THE WOMAN ALWAYS PAYS. 1916. 3 reels.

Credits: Joseph A. Roach; director, E. H. Calvert.

WOMAN AND THE LAW. 1918. 7 reels. Based on the De Saules case.

Credits: Direction and scenario, Raoul A. Walsh.

THE WOMAN AND THE PUPPET. 1920. 7 reels.

Credits: Director, Reginald Barker; story, Pierre Louys, Pierre Frondaie; scenario, J. G. Hawks.

THE WOMAN AND THE PUPPET. SEE The Devil is a Woman.

WOMAN AND WIFE. 1918. 5 reels. From "Jane Eyre" by Charlotte Bronté.

Credits: Director, Edward Jose; adaptation, Paul West.

WOMAN AND WINE. SEE The Model.

Credits: Director, Travers Vale; story, Willard Mack.

THE WOMAN BETWEEN. 1931. 9 reels, sd.

Credits: Irving Kaye Davis; director, Victor Schertzinger; adaptation and dialogue, Howard Estabrook.

THE WOMAN BETWEEN FRIENDS. 1918. 5 reels.

Credits: Director, Tom Terriss; story, Robert W. Chambers.

Credits: Director, Eugen Thiele; medical supervision, D. Guttmann; English version, W. K. Hedwig, F. A. Huber; music, Leo Leux.

WOMAN CHASES MAN. Released through United Artists. 1937. 8 reels, sd.

Credits: Director, John Blystone; original story, Lynn Root, Frank Fenton; screenplay, Joseph Anthony, Mannie Seff, David Hertz; film editor, Daniel Mandell; music director, Alfred Newman.

A WOMAN COMMANDS. 1932. 9 reels, sd.

Credits: Producer, Charles R. Rogers; director, Paul L. Stein; original story, Thilde Forster; screenplay, Horace Jackson; music director, Arthur Lange; film editor, Dan Mandell; music, Nacio Herb Brown.

THE WOMAN CONQUERS. First National. Presented by B. P. Schulberg. 1922. 5 reels.

Credits: Director, Tom Forman; story, Violet Clark.

A WOMAN DECIDES. SEE The Delightful Rogue.

THE WOMAN DISPUTED. United Artists. 1928. 9 reels, sd. Based on the stage play by Dennison Clift.

Credits: Producer, Henry King; directors, Henry King, Sam Taylor; scenario adaptation, C. Gardner Sullivan; music score, Hugo Riesenfeld.

WOMAN DOCTOR. 1939. 7 reels, sd.

Credits: Associate producer, Sol C. Siegel; director, Sidney Salkow; original story, Alice Altschuler, Miriam Geiger; screenplay, Joseph Moncure March; film editor, Ernie Nims; music director, Cy Feuer.

THE WOMAN FROM HELL. 1929. 6 reels.

Credits: Produced and directed by A. F. Erickson; story, Lois Leeson, Jaime del Rio, George Scarborough; screenplay, Ray Doyle; adaptation, Charles Kenyon.

THE WOMAN FROM MONTE CARLO. 1932. 7 reels, sd.

Credits: Director, Michael Curtiz; screenplay and dialogue, Harvey Thew.

THE WOMAN FROM MOSCOW. 1928. 6,938 ft. Adapted from the play "Fedora" by Victorien Sardou.

Credits: Producer and director, Ludwig Berger; screenplay, John Farrow.

THE WOMAN GAME. 1920. 5 reels.

Credits: Story, Leighton Osmun, Frank Dazey.

Credits: Director, Roy Neil.

THE WOMAN GIVES. 1920. 6 reels. From the story by Owen Johnson.

Credits: Director, Roy W. Neill.

THE WOMAN GOD CHANGED. 1921. 7 reels.

Credits: Director, Robert G. Vignola; story, Donn Byrne.

THE WOMAN GOD FORGOT. 1917. 6 reels.

Credits: Director, Cecil B. De Mille; story, Jeanie MacPherson.

THE WOMAN GOD SENT. 1920. 6 reels.

Credits: Direction and adaptation, Larry Trimble; story, Sophie Irene Loeb.

THE WOMAN HATER. 1915. 3 reels.

Credits: Written by H. C. Chatfield-Taylor.

THE WOMAN HATER. 1925. 7 reels. From the novel by Ruby M. Ayres.

Credits: Director, James Flood; adaptation, Hope Loring, Louis Duryea Lighton.

WOMAN HATERS. 1934. 2 reels, sd.

Credits: Director, Archie Gottler; story, Jerome Gottler.

THE WOMAN HATER'S BABY. Powers. 1915. 1 reel.

THE WOMAN HE FEARED. Gold Seal. 1916. 3 reels.

Credits: Producer, Harry Millarde; story, E. M. Ingleton.

THE WOMAN HE MARRIED. Presented by Louis B. Mayer. 1922. 7 reels.

Credits: Herbert Bashford; director, Fred Niblo; scenario, Bess Meredyth.

WOMAN HUNGRY. First National and Vitaphone. 1930. 67 min., sd. From the play "The Great Divide" by William Vaughn Moody.

Credits: Director, Clarence Badger; screen version, Howard Estabrook.

THE WOMAN I LOVE. 1929. 7 reels.

Credits: Director, George Melford; story, Irma Stormquist; screenplay, Gordon Rigby; film editor, Jack Kitchen.

THE WOMAN I LOVE. 1937. 10 reels, sd. From the novel "L'Equipage" by Joseph Kessel.

Credits: Producer, Albert Lewis; director, Anatole Litvak; screenplay, Ethel Borden; editor, Henri Rust; music score, Arthur Honegger, Maurice Thiriet; music director, Roy Webb.

THE WOMAN I STOLE. 1933. 7 reels, sd. From the novel "Tampico" by Joseph Hergesheimer.

Credits: Director, Irving Cummings; screenplay, Jo Swerling; film editor, Gene Havlick.

THE WOMAN IN BLACK. 1914.

THE WOMAN IN BLACK. 1914. 4 reels.

THE WOMAN IN BLACK. 1914. 1 reel.

Credits: Directors, Maurice Costello, Robert Gaillard; story, Frank Condon.

THE WOMAN IN BLACK. 1916. 5 reels. Adapted from the play by Wall Spence.

Credits: Adaptation, Klaw and Erlanger.

WOMAN IN DISTRESS. 1937. 8 reels, sd.

Credits: Director, Lynn Shores; story, Edwin Olmstead; screenplay, Albert DeMond; film editor, Byron Robinson.

THE WOMAN IN HIS HOUSE. First National. Presented by Louis B. Mayer. 1920. 7 reels.

Credits: Director, John M. Stahl; story, Frances Irene Reels.

THE WOMAN IN RED. Presented by First National Productions Corp. and the Vitaphone Corp. 1935. 7 reels, sd. Based on the novel "North Shore" by Wallace Irwin.

Credits: Director, Robert Florey; screenplay, Mary McCall, Jr., Peter Milne.

THE WOMAN IN ROOM 13. 1920. 5 reels. From the play by Samuel Shipman and Max Marcin.

Credits: Director, Frank Lloyd.

THE WOMAN IN ROOM 13. 1932. 6,054 ft., sd. Based on the stage play by Samuel Shipman, Max Marcin, and Percival Wilde.

Credits: Director, Henry King; screenplay, Guy Bolton; editor, Al De Gaetano.

THE WOMAN IN THE BOX. 1915. 2 reels.

Credits: Director, Harry Davenport.

A WOMAN IN THE CASE. Victor. 1917. 1 reel.

Credits: W. Warren Schoene; director, Allen Curtis.

THE WOMAN IN THE CASE. SEE The Law and the Woman.

WOMAN IN THE DARK. 1934. 8 reels, sd. From the story by Dashiell Hammett.

Credits: Associate producer, Burt Kelly; director, Phil Rosen; screenplay, Sada Cowan; additional dialogue, Charles Williams, Marcy Klauber; editor, William Thompson.

A WOMAN IN THE NIGHT. 1929. 8 reels. Freely adapted from the novel "Tesha" by Countess Barcynska [pseud. of Marguerite Florence Helene Jarvis Evans].

Credits: Director, Victor Saville; continuity, V. E. Powell.

THE WOMAN IN THE SUITCASE. Paramount-Artcraft. 1919. 6 reels.

Credits: Director, Fred Niblo; story, C. Gardner Sullivan.

A WOMAN IN THE WEB. 1918. 2 reels each. © Vitagraph Co. of America.

Credits: Directors, David Smith; Paul Hurst; story, Albert E. Smith, Cyrus Townsend Brady.

1. Caught in the Web. © 9Mar18; LP12168.

2. The Open Switch. © 12Mar18; LP12169.

3. The Speeding Doom. © 18Mar18; LP12197.

4. The Clutch of Terror. © 20Mar18; LP12207.

5. The Hand of Mystery. © 12Apr18; LP12300.

6. Full Speed Ahead. © 30Apr18; LP12353.

7. The Crater of Death. © 4May18; LP12377.

8. The Plunge of Horror. © 14May18; LP12406.

9. The Fire Trap. © 24May18; LP12453.

10. Out of the Dungeon. © 24May18; LP12454.

11. In the Desert's Grip. © 4Jun18; LP12498.

12. Hurled to Destruction. © 8Jun18; LP12526.

13. The Hidden Menace. © 18Jun18; LP12548.

14. The Crash of Fate. © 26Jun18; LP12611.

15. Out of the Web. © 29Jun18; LP12620.

THE WOMAN IN WHITE. 1929. 7 reels. Based on the novel by Wilkie Collins.

Credits: Produced and directed by Herbert Wilcox; scenario, Herbert Wilcox, Robert Cullen.

THE WOMAN IN WHITE. SEE Tangled Lives.

A WOMAN IS THE JUDGE. 1939. 6 reels, sd.

Credits: Director, Nick Grinde; original screenplay, Karl Brown; film editor, Byron Robinson; music director, M. W. Stoloff.

A WOMAN LAUGHS. 1914. 2 reels.

Credits: Producer, Norval MacGregor.

A WOMAN LIES. SEE Thunder in the Night.

THE WOMAN NEXT DOOR. 1915. 5 reels. Founded on the drama by Owen Davis.

A WOMAN OF AFFAIRS. 1928. 10 reels, b&w.

Credits: Michael Arlen; assistant director, Cedric Gibbons; continuity, Bess Meredyth; film editor, Hugh Wynn.

THE WOMAN OF BRONZE. 1923. 6 reels. Adapted from the novel by Henry Kistemaechers, translated by Paul Kester.

Credits: Producer, Harry Garson; director, King Vidor; adaptation, Hope Loring, Louis Duryea Lighton.

A WOMAN OF CLAY. Laemmle. 1917. 1 reel.

A WOMAN OF EXPERIENCE. 1931. 8 reels, sd., b&w. Adapted from the play "The Registered Woman" by John Farrow.

Credits: Producer, Charles R. Rogers; director, Harry Joe Brown; screenplay and dialogue, John Farrow; film editor, Fred Allen; music director, Arthur Lange.

A WOMAN OF IMPULSE. Paramount. Presented by Adolph Zukor. 1918. 5 reels.

Credits: Director, Edward José; story, Louis K. Anspacher; scenario, Eve Unsell.

THE WOMAN OF IT. 1914. 1,000 ft.

Credits: Producer, Colin Campbell.

THE WOMAN OF IT. SEE His Brother's Wife.

THE WOMAN OF KNOCKALOE. SEE Barbed Wire.

A WOMAN OF LETTERS. 1926. 2 reels.

Credits: Supervision, George E. Marshall; director, Albert Ray; story, Mabel Herbert Urner; adaptation, Catherine Carr.

Credits: Director, Gilbert Hamilton; scenario, J. Clarkson Miller.

THE WOMAN OF MONA DIGGINGS. SEE Judge Not.

THE WOMAN OF MYSTERY, 1914. 4 reels.

Credits: Written and staged by Alice Blaché.

THE WOMAN OF MYSTERY. 1915. 3 reels. From a novel by Georges Ohnet.

Credits: Director, Travers Vale.

A WOMAN OF NO IMPORTANCE. 1922. 5 reels. From the play by Oscar Wilde.

Credits: Director, Denison Clift.

A WOMAN OF PARIS. 1923. 8 reels.

Credits: Written and directed by Charles Chaplin.

Credits: Director, Travers Vale; story, Doty Hobart; scenario, Virginia Tyler Hudson.

A WOMAN OF THE WORLD. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 6,353 ft. From the novel by Carl Van Vechten.

Credits: Director, Malcolm St. Clair; screenplay, Pierre Collings.

THE WOMAN ON THE INDEX. 1919. 5 reels.

Credits: Director, Hobart Henley; story, Lillian Trimble Bradley, George Broadhurst; scenario, Willard Mack.

THE WOMAN ON THE JURY. 1924. 7 reels. From the play by Bernard K. Burns.

Credits: Director, Harry O. Hoyt; scenario, Mary O'Hara.

THE WOMAN ON TRIAL. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 5,960 ft. From the play "Confession" by Ernest Vajda.

Credits: Produced and directed by Muritz Stiller; scenario, Elsie Von Koczain; adaptation, Hope Loring.

Credits: Producer, Lem B. Parker.

THE WOMAN PAYS. 1915. 5 reels.

WOMAN PROOF. Paramount. Presented by Adolph Zukor. 1923. 8 reels.

Credits: Director, Alfred E. Green; story, George Ade.

THE WOMAN RACKET. 1930. 8 reels, sd., b&w. Based on a play by Philip Dunning and Frances Dunning.

Credits: Directors, Robert Ober, Albert Kelley; continuity, Albert Shelby Levino; film editor, Basil Wrangell.

THE WOMAN RACKET. 1930. 8 reels, sd. & si., b&w. Based on a play by Philip Dunning and Frances Dunning.

Credits: Directors, Robert Ober, Albert Kelley; continuity, Albert Shelby Levino; titles, Fred Niblo, Jr.; film editor, Anson Stevenson.

A WOMAN REBELS. 1936. 88 min., sd. From the novel "Portrait of a Rebel" by Netta Syrett.

Credits: Producer, Pandro S. Berman; director, Mark Sandrich; screenplay, Anthony Veiller, Ernest Vajda; music director, Roy Webb.

A WOMAN RECLAIMED. 1915. 1 reel.

Credits: Producer, Joseph W. Smiley.

Credits: Director, W. D. Taylor.

A WOMAN THERE WAS. 1919. 5 reels. From the story "Creation's Tears" by Neje Hopkins.

Credits: Director, J. Gordon Edwards; scenario, Adrian Johnson.

THE WOMAN THOU GAVEST ME. Paramount-Artcraft. Presented by Jesse L. Lasky. 1919. 6 reels. From the story by Hall Caine.

Credits: Director, Hugh Ford; scenario, Beulah Marie Dix.

WOMAN TO WOMAN. 1923. 7 reels. Based on a play by Michael Morton.

Credits: Alfred J. Hitchcock.

WOMAN TO WOMAN. 1929. 9 reels, sd. From the play by Michael Morton.

Credits: Producer, Victor Savelle.

WOMAN TRAP. 1929. 6,384 ft., si. & 6,168 ft., sd. Based on "Brothers" by Edwin Burke.

Credits: Director, William A. Wellman; story, Bartlett Cormack; scenario, Louise Long.

WOMAN TRAP. Presented by Adolph Zukor. 1936. 7 reels, sd.

Credits: Producer, Harold Hurley; supervision, Jack Cunningham; director, Harold Young; story, Charles Brackett; screenplay, Brian Marlow, Eugene Walter; film editor, Richard Currier.

THE WOMAN UNDER COVER. 1919. 6 reels.

Credits: Director, George Siegmann; story, Sada Cowan; scenario, Harvey Thew.

WOMAN WANTED. 1935. 7 reels, b&w, sd.

Credits: Director, George B. Seitz; story, Wilson Collison; screenplay, Leonard Fields, Dave Silverstein; film editor, Ben Lewis.

A WOMAN WENT FORTH. 1915. 2,000 ft.

THE WOMAN WHO DARED. 1915. 5 reels.

Credits: Producer, Walter West; scenario, Aubrey Fitzmaurice.

THE WOMAN WHO DID NOT CARE. 1916. 3 reels.

Credits: Director, Frank Beal.

THE WOMAN WHO DID NOT CARE. 1927. 6 reels. From the novel by Rida Johnson Young.

Credits: Supervision, Carrol Sax, Sam Bischoff; director, Philip Rosen; adaptation and continuity, Marion Orth.

THE WOMAN WHO FOLLOWED ME. Gold Seal. 1916. 2 reels.

Credits: Producers, Robert Leonard, David Kirkland; scenario, Robert Z. Leonard.

THE WOMAN WHO GAVE. 1918. 6 reels.

Credits: Direction and scenario, Kenean Buel; story, Izola Forrester.

THE WOMAN WHO LEARNED. Special Imp. 1916. 1 reel.

THE WOMAN WHO LIED. Victor. 1915. 4 reels.

Credits: Olga Printzlau Clarke; producer, Lucius Henderson.

THE WOMAN WHO PAID. 1915. 1 reel.

A WOMAN WHO SINNED. Released by Film Booking Offices. 1924. 7 reels.

Credits: Written and directed by Finis Fox.

THE WOMAN WHO WALKED ALONE. 1922. 7 reels.

Credits: Director, George Melford; story, John Colton; adaptation, Will M. Ritchey.

THE WOMAN WHO WOULD NOT PAY. (Star Featurette) 1917. 2 reels.

Credits: Scenario and direction, Ruth Ann Baldwin; story, E. M. Ingleton.

WOMAN WISE. 1928. 6 reels.

Credits: Director, Albert Ray; story, Donald McGibney, James Kevin McGuinness; scenario, Randall H. Faye; adaptation, Andrew Bennison.

WOMAN-WISE. 1937. 6,290 ft., sd.

Credits: Director, Allan Dwan; screenplay, Ben Markson; music director, Samuel Kaylin.

THE WOMAN WITH A ROSE. 1915. 3 reels.

THE WOMAN WITH FOUR FACES. Paramount. Presented by Jesse L. Lasky. 1923. 6 reels. From the play by Bayard Veiller.

Credits: Producer and director, Herbert Brenon; adaptation, George Hopkins.

A WOMAN WITHOUT SOUL. 1915. 2 reels.

WOMAN, WOMAN! 1919. 5 reels. From the book "On Desert Altars" by Norma Lorimer.

Credits: Scenario and direction, Keanan Buel.

WOMANHANDLED. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 7 reels. Adapted from the story by Arthur Stringer.

Credits: Director, Gregory La Cava; adaptation, Luther Reed.

WOMANHOOD. 1917. 7 reels.

Credits: J. Stuart Blackton, Cyrus Townsend Brady; supervision, J. Stuart Blackton.

WOMANPOWER. 1926. 6 reels, b&w, tinted sequences.

Credits: Director, Harry Beaumont; story, Harold MacGrath; scenario, Kenneth B. Clarke.

A WOMAN'S EXPERIENCE. 1919. 6 reels. From the play "Agnes" by Paul M. Potter.

Credits: Scenario and direction, Perry N. Vekroff.

A WOMAN'S EYES. Big U. 1916. 1 reel.

Credits: George Marshall, W. B. Pearson; producers, Harry Carey, George Marshall.

A WOMAN'S FAITH. Jewel. 1925. 7 reels. From the novel "Miracle" by Clarence Budington Kelland.

Credits: Director, Edward Laemmle.

A WOMAN'S FOLLY. 1914. 1 reel.

A WOMAN'S FOOL. 1918. 5 reels. From the book "Lin McLean" by Owen Wister.

Credits: Director, Jack Ford; scenario, George Hively.

A WOMAN'S HEART. 1926. 6 reels. From the novel "The Revelations of a Woman's Heart" by Ruth D'Agostino [pseud. of Vivien Grey].

Credits: Director, Phil Rosen.

A WOMAN'S HONOR. 1916. For Fox Film Corp. 5 reels. Adapted from a short story by George L. Knapp.

Credits: Producer, Rowland West; scenario, Donald I. Buchanan.

A WOMAN'S MAN. (Horace in Hollywood Series) Snappy. 1928. 1 reel.

Credits: Story and direction, Edward I. Luddy.

A WOMAN'S MAN. 1934. 8 reels, sd. From the story "The Great God Fourflush" by Adela Rogers St. Johns.

Credits: Producer, Ben Verschleiser; director, Edward T. Ludwig; screenplay, Frances Hyland.

A WOMAN'S PAST. 1915. For Fox Film Corp. 5 reels.

Credits: Producer, Frank Powell; picturized, Rex Ingram.

WOMAN'S PLACE. 1921. 6 reels.

Credits: Producers, John Emerson, Anita Loos; director, Victor Fleming.

Credits: Director, Robert Thornby.

A WOMAN'S RESURRECTION. 1915. 5 reels. Suggested by Leo Tolstoy's book "The Resurrection."

Credits: Picturized by J. Gordon Edwards.

A WOMAN'S REVENGE. 1915. 2,000 ft.

Credits: Mary Rider; director, Langdon West.

Credits: H. K. Ward.

A WOMAN'S SECRET. Released by Allied Producers and Distributors Corp. 1924. 7 reels.

THE WOMAN'S SHARE. 1915. 2 reels.

Credits: Director, Rollin S. Sturgeon.

THE WOMAN'S SIDE. Presented by B. P. Schulberg. 1921. 5 reels.

Credits: Director, J. A. Barry; scenario, Elliott Clawson.

Credits: Director, Barry O'Neill; story, Thompson Buchanan; scenario, Frances Marion.

A WOMAN'S WAY. 1928. 6 reels.

Credits: Producer, Harry Cohn; director, Edmund Mortimer; story, Izola Forrester; adaptation, Elmer Harris; continuity, Will M. Ritchie.

WOMAN'S WEAPONS. Paramount. Presented by Jesse L. Lasky. 1918. 5 reels.

Credits: Director, Robert G. Vignola; story and scenario, Beulah Marie Dix.

A WOMAN'S WIT. 1921. 2 reels.

Credits: Producer, Edward Kull; story and scenario, George Morgan.

A WOMAN'S WOMAN. 1922. 8 reels. From the novel by Mrs. Nalbro Bartley.

Credits: Director, Charles Giblyn; story, Mary Alden; scenario, Raymond Schrock.

THE WOMEN. Presented by Metro-Goldwyn-Mayer. 1939. 14 reels, sd., b&w. From the play by Clare Boothe.

Credits: Producer, Hunt Stromberg; director, George Cukor; screenplay, Anita Loos, Jane Murfin; film editor, Robert J. Kern; music score, Edward Ward, David Snell.

WOMEN AND GOLD. 1925. 6 reels.

Credits: Producer and director, James P. Hogan.

WOMEN ARE LIKE THAT. 1937. 10 reels. From the Saturday Evening Post story by Albert H. Z. Carr.

Credits: Director, Stanley Logan; screenplay, Horace Jackson.

WOMEN ARE TROUBLE. 1936. 6 reels, sd., b&w. From the story by George Harmon Coxe.

Credits: Producers, Lucien Hubbard, Michael Fessier; director, Errol Taggart; screenplay, Michael Fessier; film editor, Conrad Nervig; musical score, Edward Ward.

WOMEN CHASERS. (A Stern Brothers Comedy) 1927. 2 reels. From the cartoons by Rube Goldberg.

Credits: Director, Francis Corby.

WOMEN EVERYWHERE. 1930. 7,500 ft.

Credits: Associate producer, Ned Marin; director, Alexander Korda; story, George Crossmith, Zoltan Korda; continuity and dialogue, Harlan Thompson, Lajos Biro; editor, Harold Schuster.

WOMEN FIRST. Century. 1922. 2 reels.

WOMEN FIRST. 1924. 5 reels.

Credits: Director, Reeves Eason; story, Wilfred Lucas.

THE WOMEN IN HIS LIFE. 1933. 8 reels, sd., b&w.

Credits: Associate producer, Lucien Hubbard; director, George B. Seitz; original screenplay, F. Hugh Herbert; film editor, Conrad A. Nervig.

WOMEN IN PRISON. 1937. 6 reels, sd.

Credits: Director, Lambert Hillyer; story, Mortimer Braus; screenplay, Saul Elkins; film editor, Dick Fantl; music director, Morris Stoloff.

WOMEN IN THE WIND. 1939. 7 reels, sd. From a novel by Francis Walton.

Credits: Director, John Farrow; screenplay, Lee Katz, Albert DeMond.

WOMEN LOVE DIAMONDS. 1927. 7 reels.

Credits: Story, direction, and production, Edmund Goulding; continuity, Lorna Moon, Waldemar Young; film editor, Hugh Wynn.

WOMEN LOVE ONCE. 1931. 8 reels, sd. From the play "Daddy's Gone A-Hunting" by Zoe Akins.

Credits: Director, Edward Goodman; screenplay, Zoe Akins.

Credits: Producer and director, Edward Dillon; story and scenario, Adelaide Heilbron.

WOMEN MEN MARRY. Presented by Headline Pictures Corp. 1931. 7 reels.

Credits: Director, Charles Hutchison; adaptation, John Francis Natteford.

THE WOMEN MEN MARRY. 1937. 6 reels, sd., b&w.

Credits: Producer, Michael Fessier; director, Errol Taggart; story, Matt Taylor; screenplay, Harry Ruskin, Donald Henderson Clarke, James E. Grant; film editor, George Boemler; music score, Edward Ward.

WOMEN MUST DRESS. 1935. 8 reels, sd.

Credits: Producer, Mrs. Wallace Reid; director, Reginald Barker; story and screenplay, Dorothy Reid, Edmund Joseph; editor, Jack Ogilvie.

WOMEN OF ALL NATIONS. 1931. 6,441 ft., sd.

Credits: Director, Raoul Walsh; dialogue, Barry Conners; editor, Jack Dennis.

WOMEN OF GLAMOUR. 1937. 7 reels, sd.

Credits: Director, Gordon Wiles; story, Milton Herbert Gropper; screenplay, Lynn Starling, Mary C. McCall, Jr.; film editor, Otto Meyer; music director, Morris Stoloff.

WOMEN THEY TALK ABOUT. 1928. 6 reels.

Credits: Director, Lloyd Bacon; story, Anthony Coldeway; adaptation, Robert Lord.

WOMEN THEY TALK ABOUT. SEE Claude Gillingwater, Vitaphone Trailer Announcement, Women They Talk About.

WOMEN WHO DARE. Presented by Samuel Zierler. 1928. 6,600 ft.

Credits: Director, Burton King; story, Langdon McCormick; adaptation, Adrian Johnson; editorial supervision, Harry Chandlee.

WOMEN WHO GIVE. 1924. 8 reels. Based on "Cape Cod Folks" by Sarah P. McLean Greene.

Credits: Director, Reginald Barker; adaptation, Bernard McConville and J. G. Hawks; scenario, A. P. Younger.

WOMEN WORKERS OF CEYLON. 1927. 1 reel.

WOMEN'S RIGHTS. 1924. 1 reel.

Credits: Director, William W. Watson.

WOMEN'S WARES. 1927. 6 reels.

Credits: Director, Arthur Gregor; story, E. Morton Hough; continuity, Frances Hyland; film editor, Desmond O'Brien.

Credits: Producer, Bruce Mitchell; scenario, Anthony W. Coldewey.

WON BY A NECK. (Lloyd Hamilton Talking Comedies) 1930. 21 min., sd.

Credits: Director, William Goodrich; story, Tom Whiteley; continuity and dialogue, Harry McCoy, Walter DeLeon.

WON BY A NECK. (Lloyd Hamilton Talking Comedies) 1931. 2 reels.

Credits: Director, William Goodrich; story, Tom Whiteley; continuity and dialogue, Harry McCoy, Walter DeLeon.

WON BY A NOSE. (Rainbow Comedy) 1920. 2 reels.

Credits: Director, F. Windemere.

WON BY GRIT. Gold Seal. 1917. 3 reels.

Credits: Willis Woods; director, George Marshall.

WON BY LAW. Century. 1925. 2 reels.

Credits: Written and directed by E. I. Luddy.

WON BY VALOR. Imp. 1916. 1 reel.

Credits: Catherine Carr; producer, Robert F. Hill.

WON IN THE CLOUDS. (Thrill Picture) 1927. 5 reels.

Credits: Director, Bruce Mitchell; story, Otis Turner; adaptation and continuity, Carl Krusada.

WON: ONE FLIVVER. (Star Comedy) 1921. 1 reel.

Credits: Written and directed by Chuck Reisner.

WON THROUGH MERIT; a Story of the United States Civil Service. 1915. Produced in cooperation with the United States Civil Service Commission. 1 reel.

Credits: Director, Eugene Nowland.

WON WITH A MAKE-UP. Imp. 1916. 1 reel. Adapted from the story by Elliott H. Robinson.

Credits: Producer, Henry Otto.

WONDER BAR. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1934. 10 reels, sd. Based on the play by Géza Herczeg, Karl Farkas, and Robert Katscher.

Credits: Director, Lloyd Bacon; adaptation and screenplay, Earl Baldwin.

THE WONDER CLOTH. 1915. 1,000 ft.

Credits: Producer, Wilbert Melville.

THE WONDER GIRL. (A Grantland Rice Sports-Eye View) 1933. 1 reel, sd.

THE WONDER MAN. 1921. 7 reels.

Credits: Director, John G. Adolfi; story, Daniel Carson Goodman; screen version, Joseph W. Farnham.

WONDER OF WOMEN. 1929. 10 reels. From the novel "The Wife of Stephen Trombolt" by Hermann Sudermann.

Credits: Produced and directed by Clarence Brown; continuity, Bess Meredyth; film editor, William LeVanWay.

A WONDER SPA IN THE ALPS. (Paramount-Burlingham Adventure Pictures) 1919. 1 reel.

Credits: Producer, Frederick Burlingham.

WONDER SPORTS OF THE WORLD. 1933. 1 reel, sd.

Credits: Editor, Bert Frank.

WONDER SPOTS OF AMERICA. 1936. 1 reel, sd., color.

Credits: Producer, Carl Stearns Clancy; narration, Eloise Lownsberry; described by Arthur Hale.

THE WONDERFUL ADVENTURE. 1915. For Fox Film Corporation. 6 reels. Adapted from the book by Wilbur Lawson.

Credits: Producer, Frederick Thomson; adaptation, Rex Ingram.

THE WONDERFUL CHANCE. 1920. 5 reels.

Credits: H. H. VanLoan; director, George Archainbaud; scenario, Mary Murillo, Melville Hammett.

THE WONDERFUL DEVELOPMENT IN FOUR YEARS OF A PRAIRIE INTO ONE OF THE WORLD'S GREATEST LEAD AND ZINC MINING DISTRICTS. SEE Sunny Jim in a Barrel of Gold.

THE WONDERFUL EVENT. (Do Children Count?) 1917. 29 min.

Credits: Director, L. C. Windom; story, Charles Mortimer Peck.

THE WONDERFUL LAMP. SEE Aladdin.

THE WONDERFUL THING. First National. 1921. 7 reels. From the play by Lillian Trimble Bradley and Forrest Halsey.

Credits: Director, Herbert Brenon; adaptation, Herbert Brenon, Clara Beranger.

A WONDERFUL WIFE. 1922. 5 reels.

Credits: Director, Paul Scardon; story, Dolf Wyllarde; scenario, Arthur F. Statter.

THE WONDERFUL WIZARD OF OZ. SEE The Wizard of Oz.

WONDERLAND. (Oswald Cartoon) Snappy. 1931. 1 reel.

Credits: Animated and directed by Walter Lantz, William Nolan.

THE WONDERS OF ANTHRACITE. Presented by the Lehigh Coal and Navigation Co. 1928. 5 reels.

WONDERS OF MAGNETISM. 1915. Split reel.

WONDERS OF THE ORIENT, AS SEEN BY DR. DORSEY. Powers. 1916. 1/2 reel.

WONDERS OF THE SEA. 1922. 5 reels.

WONDERS OF THE SEA. 1923. 5,500 ft.

Credits: Story and production, J. Ernest Williamson.

WONDERS OF THE WORLD. (Walter Futter's Travelaughs) Presented by Columbia Pictures Corp. 1932. 1 reel, sd.

Credits: Producer, Walter A. Futter; written and spoken by John P. Medbury; film editor, Moe G. Miller.

WON'T YOU WORRY. Star Comedy. 1923. 1 reel.

WOOD CHOPPERS. (Aesop Fable) 1929. 1 reel.

Credits: Paul Terry.

Credits: Producer, E. A. Martin.

THE WOOD-NYMPH. 1915. 2 reels.

Credits: Eleanor Talbot Kinkead.

THE WOOD NYMPH. 1916. 5 reels. Adapted from Granville Warwick's novel "Prunella o' the Pines."

Credits: Scenario, Monte Katterjohn.

THE WOOD OF FAIR WATER. (Rothapfel Unit Programme, reel 1) 1919. 1 reel.

WOOD SIMPS. Century. 1921. 2 reels.

Credits: Story and direction, William Watson.

WOODCRAFT FOR BOYS. 1917. 1 reel.

WOODEN MONEY. (Fable, no. 401) 1929. 1 reel.

Credits: Paul Terry, John Foster.

WOODEN SHOES. (Krazy Kat) Presented by Columbia Pictures Corp. 1933. 1 reel, sd. Adapted from George Herriman's cartoon characters.

Credits: Ben Harrison, Manny Gould; producer, Charles Mintz; animation, Al Eugster, Preston Blair; music score, Joe De Nat.

THE WOODEN SOLDIER. (A Laemmle Novelty) Snappy. 1928. 1 reel.

Credits: Director, Jacques Rollens.

WOODLAND. (Paul Terry Toons) Educational Film Exchanges, Inc. 1932. 6 min.

Credits: Frank Moser, Paul Terry.

WOODLAND CAFE. (Walt Disney Silly Symphony) 1937. 1 reel, sd.

WOODLAND PALS. (A Bray Naturgraph) 1933. 7 min.

A WOODLAND PARADISE. 1913. 1 reel.

Credits: Mary Fuller.

THE WOODROW WILSON FILM MEMORIAL; Six Reels of the Real Wilson. 1924. 6 reels.

Credits: Compiler, H. F. Drugan.

THE WOODS ARE FULL OF CUCKOOS. (Merrie Melodies) 1937. 1 reel, sd.

Credits: Producer, Leon Schlesinger; supervision, Frank Tashlin; story, Melvin Millar; animation, Robert Bentley; music score, Carl W. Stalling.

THE WOODS ARE FULL OF 'EM. Victor. 1917. 1 reel.

Credits: Harry Wulze; director, P. C. Hartigan.

Credits: Producer, Fred W. Huntley.

THE WOODWIND CHOIR. 1930. 1 reel.

THE WOODWIND CHOIR. 1938. 1 reel, sd.

THE WOOING OF AUNT JEMIMA. Nestor. 1916. 1 reel.

Credits: Producer, Horace Davey; story, Clifford Howard; scenario, Al. E. Christie.

Credits: Director, Allen Curtis.

THE WOOING OF PRINCESS PAT. 1918. 5 reels.

Credits: Director, William P. S. Earle; story, William Addison Lathrop.

THE WOOING OF RILEY. 1918. 2 reels.

Credits: Director, R. S. Bradbury; story, Alfred Henry Lewis.

WOOL, THE YEAR ROUND FABRIC. Presented by Botany Worsted Mills. 1929. Filmstrip, 71 frames.

WOOLEN GOODS. 1930. 938 ft.

A WORD TO THE WISE. Presented by Willard. 1938. 1 reel, sd.

Credits: Producer, Colin Campbell.

WORDS AND MUSIC. 1929. 5,745 ft.

Credits: Director, James Tinling; story, Frederick Hazlitt Brennan, Jack McEdward; dialogue, Andrew Bennison; staged, Frank Merlin; editor, Ralph Dixon.

WORDS AND MUSIC BY. 1919. 5 reels.

Credits: Director, Scott Dunlap; story, William Charles Lengel; scenario, Charles Kenyon.

WORDS OF LOVE. SEE Julia Sanderson and Frank Crumit in Words of Love.

WORK. 1915. 2 reels.

THE WORK OF RIVERS; Stream Graduation. Produced by Erpi Picture Consultants, Inc., in cooperation with the University of Chicago and the National Park Service. 1935. 1 reel. Sd.

Credits: Carey Croneis.

THE WORK OF THE ATMOSPHERE; Atmospheric Gradation. Produced by Erpi Picture Consultants, Inc., in cooperation with the University of Chicago and the National Park Service. 1935. 1 reel, sd.

Credits: Carey Croneis.

WORK OR FIGHT. 1918. 2 reels.

Credits: Director, Craig Hutchinson.

WORK YOUR WORK SHEET. 1927. 1 reel.

WORKERS OF THE WORLD. (World Adventures, no. 9) 1933. 1 reel, sd.

Credits: E. M. Newman; editor, Bert Frank.

WORKING GIRLS. 1931. 8 reels, sd. From the play "Blind Mice" by Vera Caspary and Winifred Lenihan.

Credits: Director, Dorothy Arzner; screenplay, Zoe Akins.

THE WORKING MAN. Presented by Warner Brothers Pictures, Inc. and The Vitaphone Corp. 1933. 8 reels, sd.

Credits: Director, John G. Adolfi; story, Edgar Franklin [pseud. of Edgar Franklin Stearns]; screenplay, Charles Kenyon, Maude T. Howell.

THE WORKING OF A MIRACLE. 1915. 3,000 ft.

Credits: Director, Ashley Miller.

WORKSHOPS OF OLD MEXICO. (World on Parade, no. 12) 1937. 1 reel.

Credits: Text, Harold McCracken; narrator, Alois Havrilla.

THE WORLD A MILLION YEARS AGO. (A Century of Progress) 1933. 1 reel.

THE WORLD ACCUSES. 1934. 7 reels, sd.

Credits: Director, Charles Lamont; story, Charles Belden.

Credits: Director, Ernest C. Warde; story, Frank Keenan; scenario, Frank Keenan, Jack Cunningham.

Credits: Director, Frank Hall Crane; story, A. B. Himes.

THE WORLD AND HIS WIFE. Cosmopolitan. Paramount-Artcraft. 1920. 6 reels. From Charles F. Nirdlinger's adaptation of the play "El Gran Galeoto" by José Echegaray.

Credits: Director, Robert G. Vignola; scenario, Frances Marion.

THE WORLD AND HIS WIFE. SEE Lovers?

THE WORLD AND ITS WOMAN. 1919. 7 reels.

Credits: Director, Frank Lloyd; story, Thompson Buchanan.

THE WORLD AND THE FLESH. 1932. 8 reels, sd. From a play by Philipp Zeska and Ernst Spitz.

Credits: Director, John Cromwell; screenplay, Oliver H. P. Garrett.

THE WORLD APART. 1917. 5 reels.

Credits: Director, William S. Taylor; story, George Middleton; scenario, Julia Crawford Ivers.

THE WORLD AT HER FEET. Paramount. 1927. 6 reels. From the play "Lawyer Bolbec and Her Husband" by Georges Berr and Maurice Verneuil.

Credits: Director, Luther Reed; scenario, Louise Long; adaptation, Doris Anderson.

THE WORLD CHANGES. 1933. 9 reels, sd. Based on the story "America Kneels" by Sheridan Gibney.

Credits: Director, Mervyn LeRoy; screenplay, Edward Chodorov.

THE WORLD DANCES. (A FitzPatrick M. G. M. Traveltalk) 1932. 1 reel.

Credits: Compiler, James A. FitzPatrick; photographer, B. S. Dawley.

THE WORLD FLIER. (Mack Sennett Brevities) 1931. 9 min., sd., color.

Credits: Director, Del Lord.

THE WORLD MOVES ON. 1934. 9,200 ft., sd.

Credits: Director, John Ford; story, screenplay and dialogue, Reginald Berkeley; music director, Arthur Lange.

A WORLD OF FOLLY. 1920. 5 reels.

Credits: Director, Frank Beal; story, Jane Grogan; scenario, Louis Stevens, Jane Grogan.

A WORLD OF ROCK-RIBBED DARKNESS. 1922. 3 reels.

THE WORLD SERIES GAMES, BOSTON VS. BROOKLYN. 1916. 4 reels.

THE WORLD STRUGGLE FOR OIL. Produced by the Sinclair Consolidated Oil Corp., in cooperation with the U. S. Bureau of Mines. 1923. 7 reels.

THE WORLD TO LIVE IN. 1919. 5 reels.

Credits: Director, Charles Maigne; story, W. Carey Wonderly; scenario, Margaret Turnbull.

A WORLD WITHIN. (Easy Aces, no. 3) 1935. 1 reel.

WORLD WITHOUT END. SEE His Supreme Moment.

THE WORLDLINGS. SEE A Thief in Paradise.

WORLDLY GOODS. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6,055 ft. From the novel by Sophie Kerr.

Credits: Director, Paul Bern; screenplay, A. P. Younger.

WORLDLY GOODS. 1930. 7 reels, sd.

Credits: Producer, Trem Carr; director, Phil Rosen; story, Andrew Soutar; adaptation, Johnnie Grey, Scott Littleton.

THE WORLD'S AFFAIR. (A Scrappy Cartoon) Presented by Columbia Pictures Corp. 1933. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; music score, Joe de Nat.

WORLDS APART. 1921. 6 reels.

Credits: Producer, Alan Crosland; story, John Lynch; scenario by the R. Cecil Smiths.

THE WORLD'S APPLAUSE. 1923. 8 reels.

Credits: Producer and director, William De Mille; written and adapted by Clara Beranger.

WORLD'S CHAMP. 1933. 2 reels, sd.

Credits: Director, Joe Henabery; story, Burnet Hershey.

THE WORLD'S CHAMPION. 1922. 5 reels. Based on the play "The Champion" by Thomas Louden and A. E. Thomas.

Credits: Supervision, Thompson Buchanan; director, Philip Rosen; adaptation, J. E. Nash, Albert Shelly LeVino.

WORLD'S FAIR AND WARMER. (A Thalian Comedy) 1934. 2 reels, sd.

Credits: Director, Jack Towney; screenplay, Warren Wilson, Norman Markwell.

WORLD'S FAIR JUNIOR. (Broadway Brevity) 1939. 20 min., sd.

Credits: Director, Joseph Henabery; story, Burnet Hershey.

THE WORLD'S GREATEST ATHLETES. 1916. 1 reel each.

Credits: Director, Jack H. Herman.

WORLD'S GREATEST THRILLS. 1933. 2 reels.

Credits: Allyn Butterfield.

Credits: Supervision, Jack Reiger.

WORLD'S HEAVYWEIGHT CHAMPIONSHIP BOXING CONTEST BETWEEN JOE LOUIS, OF DETROIT, CHAMPION, AND MAX SCHMELING, OF GERMANY, LEADING CONTENDER, HELD AT YANKEE STADIUM, NEW YORK CITY, JUNE, 1938. © 1938. 35 mm.

Credits: Supervised and edited by Jack Reiger.

WORLD'S HEAVYWEIGHT CHAMPIONSHIP BOXING CONTEST BETWEEN JOE LOUIS, OF DETROIT, WORLD'S CHAMPION AND TONY GALENTO, OF NEW JERSEY, LEADING CONTENDER, HELD AT THE YANKEE STADIUM, NEW YORK CITY, JUNE, 1939. © 1939. Sd., b&w. 35 mm.

THE WORLD'S HEAVYWEIGHT CHAMPIONSHIP CONTEST BETWEEN JACK DEMPSEY AND GEORGES CARPENTIER. Fred C. Quimby, Inc. Presented by G. L. (Tex) Rickard. 1921. 5 reels.

THE WORLD'S PLAYGROUND. (U. F. A. Oddity) UFA. 1928. 1 reel.

Credits: Edited and titled by Edward Bowes.

THE WORLD'S PLAYGROUND. (U. F. A. Oddity) UFA. 1929. 1 reel.

Credits: Edited and titled by Edward Bowes.

THE WORM BURNS. 1935. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Harry Edwards; story, Harry Edwards, Jack Townley; film editor, Tholen Gladden.

THE WORM TURNS. (A Walt Disney Mickey Mouse) 1936. 1 reel, sd.

A WORM'S EYE VIEW. (A Scrappy Cartoon) Presented by Columbia Pictures Corp. 1939. 648 ft., sd.

Credits: Producer, Charles Mintz; story, Art Davis; animation, Sid Marcus; music, Joe De Nat.

WORMWOOD. 1915. For Fox Film Corp. 5 reels. Adapted from the novel by Marie Corelli.

Credits: Adaptation, Garfield Thompson; picturized by Marshall Farnum.

THE WORRIER. SEE Richard Carle in The Worrier.

WORRIES AND WOBBLES. 1917. 1 reel.

Credits: Graham Baker, Lawrence Semon; director, Lawrence Semon.

WORRIES AND WOBBLES. 1920. 1 reel.

Credits: Director, Lawrence Semon; story, Lawrence Semon, Graham Baker.

THE WORST OF FRIENDS. 1916. 3 reels.

Credits: Supervised by Mack Sennett; director, Frank Griffin.

THE WORST WOMAN IN PARIS. 1933. 6,840 ft., sd.

Credits: Written and directed by Monta Bell; adaptation, Marion Dix, Monta Bell; dialogue, Martin Brown.

THE WORTH OF A WOMAN. 1915. 2 reels.

WORTH WHILE. 1916. 3 reels.

Credits: Joseph Byron Totten.

THE WORTHIER MAN. 1915. 1 reel.

Credits: Director, Ulysses Davis.

WOT A NIGHT. (Tom and Jerry Animated Cartoons, no. 1) 1931. 9 min., sd.

Credits: John Foster, George Stallings.

WOTTA NITEMARE. 1939. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, George Germanetti.

WOULD YOU BE WILLING? Presented by Carl Laemmle. 1935. 2 reels, sd.

Credits: Producer, Sam Van Ronkel; director, Alf Goulding; story, Alf Goulding, Walter Hirsch; editor, Harry Marker.

WOULD YOU BELIEVE IT? Black Cat. 1917. 28 min.

Credits: Director, L. C. Windom; story, Charles McQuirk.

WOULD YOU FORGIVE? 1920. 5 reels.

Credits: Director, Scott Dunlap; story and scenario, Jules Furthman.

WOULD YOU FORGIVE? SEE Her Sister's Guilt.

WOULD YOU FORGIVE HER? 1916. 3 reels.

Credits: Producer, Van Dyke Brooke; picturized by Anne Mehring.

WOUNDED HEARTS AND WEDDING RINGS. 1918. 1 reel.

Credits: Montgomery and Rock; director, J. A. Howe.

WRATH. (The Seven Deadly Sins, no. 6) 1917. 5 reels.

Credits: Director, Theodore Marston.

THE WRATH OF CACTUS MOORE. Gold Seal. 1916. 3 reels.

Credits: Directed and written by William V. Mong.

THE WRATH OF LOVE. 1917. For Fox Film Corp. 5 reels.

Credits: Director, James Vincent.

THE WRECK. 1913. 3 reels.

Credits: Director, Ralph Ince.

THE WRECK. 1919. 5 reels.

Credits: Director, Ralph Ince; editors, Mr. and Mrs. George Randolph Chester.

THE WRECK. 1927. 6 reels.

Credits: Director, William J. Craft; story, Dorothy Howell.

THE WRECK. SEE

The Nervous Wreck.

Whoopee.

THE WRECK OF THE HESPERUS. De Mille Pictures Corp. 1927. 7 reels. From the poem by Longfellow.

Credits: Supervision and screenplay, Harry Carr; director, Elmer Clifton; adaptation, John Farrow; film editor, Eleanor Hall.

WRECKAGE. 1925. 6 reels. From the novel "Salvage" by Izola Forrester.

Credits: Producer, Ben Verschleiser; director, Scott R. Dunlap; adaptation, Agnes Parsons.

Credits: Producer, A. Ambrosio.

THE WRECKER. Gainsborough. 1929. 8 reels, si., sd. From the play by Arnold Ridley and Bernard Merivale.

Credits: Director, G. M. Bolvary; screenplay, Angus Macphail.

THE WRECKER. 1933. 8 reels.

Credits: Direction and story, Albert Rogell; screenplay, Jo Swerling; film editor, Dick Cahoon.

WRECKETY WRECKS. (Hal Roach Taxi Boys Comedy) 1933. 2 reels, sd., b&w.

Credits: Director, Del Lord; editor, Richard Currier.

THE WRESTLER. 1925. 2 reels.

Credits: Director, George Marshall; story, Richard Harding Davis; scenario, Harold B. Lipsitz.

A WRESTLER'S BRIDE. 1933. 2 reels.

Credits: Directors, Babe Stafford, Arthur Ripley.

WRESTLING, IT'S A LAUGH. (The Grantland Rice Sportlight) 1937. 1 reel, sd.

Credits: Dialogue, Milton Hocky; narrator, Ted Husing.

WRESTLING SWORDFISH. (Cannibals of the Deep, no. 2) Educational Film Exchanges, Inc. 1931. 8 min.

THE WRIGHT IDEA. Presented by C. C. Burr. 1928. 7 reels.

Credits: Director, Charles Hines; story, Jack Townley.

THE WRITING ON THE WALL. 1916. 5 reels.

Credits: Director, Tefft Johnson.

Credits: Director, J. Cullen Landis; film editor, James Smith.

THE WRONG ADDRESS. Joker. 1915. Split reel.

Credits: George Edwards-Hall.

WRONG AGAIN. 1929. 2 reels, sd., b&w.

Credits: Direction and story, Leo McCarey; editor, Richard Currier.

WRONG BEDS. 1916. 1 reel.

Credits: Producer, Frank Currier.

THE WRONG BIRD. Nestor. 1916. 1 reel.

Credits: Producer, Horace Davey; story, L. V. Jefferson; scenario, Al. E. Christie.

THE WRONG BOTTLE. (An Educational Screen Star Comedy) Presented by E. W. Hammons. 1934. 2 reels, sd.

Credits: Producer, Al Christie; story, Ruth Howard; adaptation, William Watson, Art Jarrett.

THE WRONG COAT. SEE Pleasures of the Rich.

WRONG DIRECTION. 1934. 2 reels, sd.

Credits: Producer, Lou Brock; director, Alf Goulding; story, Joseph A. Fields; film editor, Charles L. Kimball.

THE WRONG DOOR. Bluebird. 1916. 5 reels.

Credits: Producer, Carter De Haven; scenario, Olga Printzlau.

THE WRONG DOOR. SEE Through the Wrong Door.

THE WRONG FLAT. 1914. 1 reel.

Credits: Director, Harry Lambart.

THE WRONG GIRL. 1915. 2 reels.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

THE WRONG GROOM. 1924. 2 reels.

Credits: Director, Eddie Lyons.

THE WRONG HEART. Special Big U. 1916. 1 reel.

Credits: Written and directed by Wallace Reid.

THE WRONG LABEL. Imp. 1915. 1 reel.

Credits: Raymond L. Schrock; producer, Clem Easton.

THE WRONG MAN. Bison. 1917. 3 reels.

Credits: Director, Fred A. Kelsey; story, N. P. Oakes; scenario, Jack Cunningham.

THE WRONG MAN. 1922. 2 reels.

Credits: Director, Fred Kelsey; story, W. P. Oaks; scenario, Jack Cunningham.

THE WRONG MARY WRIGHT. Victor. 1916. 1 reel.

Credits: Director, M. K. Wilson; story, Leah Howard; scenario, Maie Havey.

THE WRONG MISS WRIGHT. 1937. 2 reels, sd.

Credits: Director, Charles Lamont; story and screenplay, Elwood Ullman, Al Giebler.

THE WRONG MR. FOX. 1917. 1 reel.

Credits: Producer, Harry Jackson; story, Victor Moore.

THE WRONG MR. WRIGHT. 1916. 1 reel.

Credits: Director, C. Jay Williams.

THE WRONG MR. WRIGHT. Universal-Jewel. 1927. 7 reels. From the play by George Broadhurst.

Credits: Director, Scott Sidney.

THE WRONG QUEUE. Winkler Pictures, Inc. 1926. 1 reel.

THE WRONG ROAD. 1937. 7 reels, sd.

Credits: Associate producer, Colbert Clark; director, James Cruze; original story, Gordon Rigby; screenplay, Gordon Rigby, Eric Taylor; editors, Murray Seldeen, William Morgan; music director, Alberto Colombo.

THE WRONG ROMANCE. (Superba, no 3) 1937. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Leslie Goodwins; story, Leslie Goodwins, Charles Roberts; film editor, John Lockert.

THE WRONG ROOM. 1939. 19 min., sd.

Credits: Producer, Bert Gilroy; director, Lou Brock; story, Stanley Rauh, Lou Brock; film editor, Frederic Knudtson.

THE WRONG WAY OUT. (A Crime Does Not Pay Subject) Presented by Metro-Goldwyn-Mayer. 1938. 2 reels, sd., b&w.

Credits: Director, Gustav Machaty; original story and screenplay, Karl Kamb.

THE WRONG WOMAN. 1915. 3,000 ft. Adaptation of the play by Fawcett Lomax.

Credits: Director, Richard Ridgely.

Credits: Scenario and direction, Ivan Abramson.

THE WRONG, WRONG TRAIL. 1934. 1 reel.

Credits: Director, Joseph Henabery; story, Eddie Moran.

WRONGORILLA. 1933. 2 reels, sd.

Credits: Director, Alf Goulding; story, Glen Lambert, Jack Henley.

WUTHERING HEIGHTS. Released through United Artists. 1939. 11 reels, sd., b&w. From the novel by Emily Brontë.

Credits: Producer, Samuel Goldwyn; director, William Wyler; screenplay, Charles MacArthur, Ben Hecht; film editor, Daniel Mandell; music, Alfred Newman.

WYNKEN, BLYNKEN AND NOD. (A Walt Disney Silly Symphony) 1938. 1 reel, sd.

WYOMING. 1928. 5 reels, sd., b&w, blue sequences.

Credits: Story and direction, W. S. Van Dyke; continuity, Madeleine Ruthven, Ross B. Willis; film editor, William LeVanway.

WYOMING. SEE The Man from Wyoming.

WYOMING OUTLAW. 1939. 6 reels, sd. Based on characters created by William Colt MacDonald.

Credits: Associate producer, William Berke; director, George Sherman; original story, Jack Natteford; screenplay, Betty Burbridge, Jack Natteford; film editor, Tony Martinelli; music score, William Lava.

THE WYOMING WILDCAT. Released by F. B. O. 1925. 5 reels.

Credits: Percy Heath; director, Robert DeLacey.