Sidney Lanier⁠

An original nature. Rejects both the genteel tradition and the ideals of the rising middle class. An artist to whom life means beauty.

He revivifies nature—is almost pagan in his adoration of the beauty of the sun and water. A half-personification of the sun-myth. He is essentially religious. To Longfellow and Tennyson nature is pretty embroidery; to Emerson it is a dwelling-place of the oversoul; to Lanier it is an object of adoration. See “The Marshes of Glynn.”

He attacks industrialism—the first of the poets to cry out against it as a deadly blight on life and civilization. See “Corn,” “The Symphony,” “The Jacquerie.”

He seeks a new religion, recognizing a quantitative element.