Encyclopaedia Britannica, 11th Edition, "Fenton, Edward" to "Finistere" (part 3)

With the Temple Beau Fielding’s dramatic career definitely begins. His father had married again; and his Leiden career had been interrupted for lack of funds. Nominally, he was entitled to an allowance of £200 a year; but this (he was accustomed to say) “any body might pay that would.” Young, handsome, ardent and fond of pleasure, he began that career as a hand-to-mouth playwright around which so much legend has gathered—and gathers. Having—in his own words—no choice but to be a hackney coachman or a hackney writer, he chose the pen; and his inclinations, as well as his opportunities, led him to the stage. From 1730 to 1736 he rapidly brought out a large number of pieces, most of which had merit enough to secure their being acted, but not sufficient to earn a lasting reputation for their author. His chief successes, from a critical point of view, the Author’s Farce (1730) and Tom Thumb (1730, 1731), were burlesques; and he also was fortunate in two translations from Molière, the Mock Doctor (1732) and the Miser (1733). Of the rest (with one or two exceptions, to be mentioned presently) the names need only be recorded. They are The Coffee-House Politician, a comedy (1730); The Letter Writers, a farce (1731); The Grub-Street Opera, a burlesque (1731); The Lottery, a farce (1732); The Modern Husband, a comedy (1732); The Covent Garden Tragedy, a burlesque (1732); The Old Debauchees, a comedy (1732); Deborah; or, a Wife for you all, an after-piece (1733); The Intriguing Chambermaid (from Regnard), a two-act comedy (1734); and Don Quixote in England, a comedy, which had been partly sketched at Leiden.

Don Quixote was produced in 1734, and the list of plays may be here interrupted by an event of which the date has only recently been ascertained, namely, Fielding’s first marriage. This took place on the 28th of November 1734 at St Mary, Charlcornbe, near Bath (Macmillan’s Magazine, April 1907), the lady being a Salisbury beauty, Miss Charlotte Cradock, of whom he had been an admirer, if not a suitor, as far back as 1730. This is a fact which should be taken into consideration in estimating the exact Bohemianism of his London life, for there is no doubt that he was devotedly attached to her. After a fresh farce entitled An Old Man taught Wisdom, and the comparative failure of a new comedy, The Universal Gallant, both produced early in 1735, he seems for a time to have retired with his bride, who came into £1500, to his old home at East Stour. Around this rural seclusion fiction has freely accreted. He is supposed to have lived for three years on the footing of a typical 18th-century country gentleman; to have kept a pack of hounds; to have put his servants into impossible yellow liveries; and generally, by profuse hospitality and reckless expenditure, to have made rapid duck and drake of Mrs Fielding’s modest legacy. Something of this is demonstrably false; much, grossly exaggerated. In any case, he was in London as late as February 1735 (the date of the “Preface” to The Universal Gallant); and early in March 1736 he was back again managing the Haymarket theatre with a so-called “Great Mogul’s Company of English Comedians.”

Upon this new enterprise fortune, at the outset, seemed to smile. The first piece (produced on the 5th of March) was Pasquin, a Dramatick Satire on the Times (a piece akin in its plan to Buckingham’s Rehearsal), which contained, in addition to much admirable burlesque, a good deal of very direct criticism of the shameless political corruption of the Walpole era. Its success was unmistakable; and when, after bringing out the remarkable Fatal Curiosity of George Lillo, its author followed up Pasquin by the Historical Register for the Year 1736, of which the effrontery was even more daring than that of its predecessor, the ministry began to bethink themselves that matters were going too far. How they actually effected their object is obscure: but grounds were speedily concocted for the Licensing Act of 1737, which restricted the number of theatres, rendered the lord chamberlain’s licence an indispensable preliminary to stage representation, and—in a word—effectually put an end to Fielding’s career as a dramatist.

Whether, had that career been prolonged to its maturity, the result would have enriched the theatrical repertoire with a new species of burlesque, or reinforced it with fresh variations on the “wit-traps” of Wycherley and Congreve, is one of those inquiries that are more academic than, profitable. What may be affirmed is, that Fielding’s plays, as we have them, exhibit abundant invention and ingenuity; that they are full of humour and high spirits; that, though they may have been hastily written, they were by no means thoughtlessly constructed; and that, in composing them, their author attentively considered either managerial hints, or the conditions of the market. Against this, one must set the fact that they are often immodest; and that, whatever their intrinsic merit, they have failed to rival in permanent popularity the work of inferior men. Fielding’s own conclusion was, “that he left off writing for the stage, when he ought to have begun”—which can only mean that he himself regarded his plays as the outcome of imitation rather than experience. They probably taught him how to construct Tom Jones; but whether he could ever have written a comedy at the level of that novel, can only be established by a comparison which it is impossible to make, namely, a comparison with Tom Jones of a comedy written at the same age, and in similar circumstances.

Tumble-Down Dick; or, Phaeton in the Suds, Eurydice and Eurydice hissed are the names of three occasional pieces which belong to the last months of Fielding’s career as a Haymarket manager. By this date he was thirty, with a wife and daughter. As a means of support, he reverted to the profession of his maternal grandfather; and, in November 1737, he entered the Middle Temple, being described in the books of the society as “of East Stour in Dorset.” That he set himself strenuously to master his new profession, is admitted; though it is unlikely that he had entirely discarded the irregular habits which had grown upon him in his irresponsible bachelorhood. He also did a good deal of literary work, the best known of which is contained in the Champion, a “News-Journal” of the Spectator type undertaken with James Ralph, whose poem of “Night” is made notorious in the Dunciad. That the Champion was not without merit is undoubted; but the essay-type was for the moment out-worn, and neither Fielding nor his coadjutor could lend it fresh vitality. Fielding contributed papers from the 15th of November 1739 to the 19th of June 1740. On the 20th of June he was called to the bar, and occupied chambers in Pump Court. It is further related that, in the diligent pursuit of his calling, he travelled the Western Circuit, and attended the Wiltshire sessions.

Although, with the Champion, he professed, for the time, to have relinquished periodical literature, he still wrote at intervals, a fact which, taken in connexion with his past reputation as an effective satirist, probably led to his being “unjustly censured” for much that he never produced. But he certainly wrote a poem “Of True Greatness” (1741); a first book of a burlesque epic, the Vernoniad, prompted by Vernon’s expedition of 1739; a vision called the Opposition, and, perhaps, a political sermon entitled the Crisis (1741). Another piece, now known to have been attributed to him by his contemporaries (Hist. MSS. Comm., Rept. 12, App. Pt. ix., p. 204), is the pamphlet entitled An Apology for the Life of Mrs Shamela Andrews, a clever but coarse attack upon the prurient side of Richardson’s Pamela, which had been issued in 1740, and was at the height of its popularity. Shamela followed early in 1741. Richardson, who was well acquainted with Fielding’s four sisters, at that date his neighbours at Hammersmith, confidently attributed it to Fielding (Corr. 1804, iv. 286, and unpublished letter at South Kensington); and there are suggestive points of internal evidence (such as the transformation of Pamela’s “MR B.” into “Mr Booby”) which tend to connect it with the future Joseph Andrews. Fielding, however, never acknowledged it, or referred to it; and a great deal has been laid to his charge that he never deserved (“Preface” to Miscellanies, 1743).

But whatever may be decided in regard to the authorship of Shamela, it is quite possible that it prompted the more memorable Joseph Andrews, which made its appearance in February 1742, and concerning which there is no question. Professing, on his title-page, to imitate Cervantes, Fielding set out to cover Pamela with Homeric ridicule by transferring the heroine’s embarrassments to a hero, supposed to be her brother. Allied to this purpose was a collateral attack upon the slipshod Apology of the playwright Colley Cibber, with whom, for obscure reasons, Fielding had long been at war. But the avowed object of the book fell speedily into the background as its author warmed to his theme. His secondary speedily became his primary characters, and Lady Booby and Joseph Andrews do not interest us now as much as Mrs Slipslop and Parson Adams—the latter an invention that ranges in literature with Sterne’s “Uncle Toby” and Goldsmith’s “Vicar.” Yet more than these and others equally admirable in their round veracity, is the writer’s penetrating outlook upon the frailties and failures of human nature. By the time he had reached his second volume, he had convinced himself that he had inaugurated a new fashion of fiction; and in a “Preface” of exceptional ability, he announced his discovery. Postulating that the epic might be “comic” or “tragic,” prose or verse, he claimed to have achieved what he termed the “Comic Epos in Prose,” of which the action was “ludicrous” rather than “sublime,” and the personages selected from society at large, rather than the restricted ranks of conventional high life. His plan, it will be observed, was happily adapted to his gifts of humour, satire, and above all, irony. That it was matured when it began may perhaps be doubted, but it was certainly matured when it ended. Indeed, except for the plot, which, in his picaresque first idea, had not preceded the conception, Joseph Andrews has all the characteristics of Tom Jones, even (in part) to the initial chapters.

Joseph Andrews had considerable success, and the exact sum paid for it by Andrew Millar, the publisher, according to the assignment now at South Kensington, was £183:11s., one of the witnesses being the author’s friend, William Young, popularly supposed to be the original of Parson Adams. It was with Young that Fielding undertook what, with exception of “a very small share” in the farce of Miss Lucy in Town (1742), constituted his next work, a translation of the Plutus of Aristophanes, which never seems to have justified any similar experiments. Another of his minor works was a Vindication of the Dowager Duchess of Marlborough (1742), then much before the public by reason of the Account of her Life which she had recently put forth. Later in the same year, Garrick applied to Fielding for a play; and a very early effort, The Wedding Day, was hastily patched together, and produced at Drury Lane in February 1743 with no great success. It was, however, included in Fielding’s next important publication, the three volumes of Miscellanies issued by subscription in the succeeding April. These also comprised some early poems, some essays, a Lucianic fragment entitled a Journey from this World to the Next, and, last but not least, occupying the entire final volume, the remarkable performance entitled the History of the Life of the late Mr Jonathan Wild the Great.

It is probable that, in its composition, Jonathan Wild preceded Joseph Andrews. At all events it seems unlikely that Fielding would have followed up a success in a new line by an effort so entirely different in character. Taking for his ostensible hero a well-known thief-taker, who had been hanged in 1725, he proceeds to illustrate, by a mock-heroic account of his progress to Tyburn, the general proposition that greatness without goodness is no better than badness. He will not go so far as to say that all “Human Nature is Newgate with the Mask on”; but he evidently regards the description as fairly applicable to a good many so-called great people. Irony (and especially Irony neat) is not a popular form of rhetoric; and the remorseless pertinacity with which Fielding pursues his demonstration is to many readers discomforting and even distasteful. Yet—in spite of Scott—Jonathan Wild has its softer pages; and as a purely intellectual conception it is not surpassed by any of the author’s works.

His actual biography, both before and after Jonathan Wild, is obscure. There are evidences that he laboured diligently at his profession; there are also evidences of sickness and embarrassment. He had become early a martyr to the malady of his century—gout, and the uncertainties of a precarious livelihood told grievously upon his beautiful wife, who eventually died of fever in his arms, leaving him for the time so stunned and bewildered by grief that his friends feared for his reason. For some years his published productions were unimportant. He wrote “Prefaces” to the David Simple of his sister Sarah in 1744 and 1747; and, in 1745-1746 and 1747-1748, produced two newspapers in the ministerial interest, the True Patriot and the Jacobite’s Journal, both of which are connected with, or derive from, the rebellion of 1745, and were doubtless, when they ceased, the pretext of a pension from the public service money (Journal of a Voyage to Lisbon, “Introduction”). In November 1747 he married his wife’s maid, Mary Daniel, at St Bene’t’s, Paul’s Wharf; and in December 1748, by the interest of his old school-fellow, Lyttelton, he was made a principal justice of peace for Middlesex and Westminster, an office which put him in possession of a house in Bow Street, and £300 per annum “of the dirtiest money upon earth” (ibid.), which might have been more had he condescended to become what was known as a “trading” magistrate.

For some time previously, while at Bath, Salisbury, Twickenham and other temporary resting-places, he had intermittently occupied himself in composing his second great novel, Tom Jones; or, the History of a Foundling. For this, in June 1748, Millar had paid him £600, to which he added £100 more in 1749. In the February of the latter year it was published with a dedication to Lyttelton, to whose pecuniary assistance to the author during the composition it plainly bears witness. In Tom Jones Fielding systematically developed the “new Province of Writing” he had discovered incidentally in Joseph Andrews. He paid closer attention to the construction and evolution of the plot; he elaborated the initial essays to each book which he had partly employed before, and he compressed into his work the flower and fruit of his forty years’ experience of life. He has, indeed, no character quite up to the level of Parson Adams, but his Westerns and Partridges, his Allworthys and Blifils, have the inestimable gift of life. He makes no pretence to produce “models of perfection,” but pictures of ordinary humanity, rather perhaps in the rough than the polished, the natural than the artificial, and his desire is to do this with absolute truthfulness, neither extenuating nor disguising defects and shortcomings. One of the results of this unvarnished naturalism has been to attract more attention to certain of the episodes than their inventor ever intended. But that, in the manners of his time, he had chapter and verse for everything he drew is clear. His sincere purpose was, he declared, “to recommend goodness and innocence,” and his obvious aversions are vanity and hypocrisy. The methods of fiction have grown more sophisticated since his day, and other forms of literary egotism have taken the place of his once famous introductory essays, but the traces of Tom Jones are still discernible in most of our manlier modern fiction.

Meanwhile, its author was showing considerable activity in his magisterial duties. In May 1749, he was chosen chairman of quarter sessions for Westminster; and in June he delivered himself of a weighty charge to the grand jury. Besides other pamphlets, he produced a careful and still readable Enquiry into the Causes of the late Increase of Robbers, &c. (1751), which, among its other merits, was not ineffectual in helping on the famous Gin Act of that year, a practical result to which the “Gin Lane” and “Beer Street” of his friend Hogarth also materially contributed. These duties and preoccupations left their mark on his next fiction, Amelia (1752), which is rather more taken up with social problems and popular grievances than its forerunners. But the leading personage, in whom, as in the Sophia Western of Tom Jones, he reproduced the traits of his first wife, is certainly, as even Johnson admitted, “the most pleasing heroine of all the romances.” The minor characters, too, especially Dr Harrison and Colonel Bath, are equal to any in Tom Jones. The book nevertheless shows signs, not of failure but of fatigue, perhaps of haste—a circumstance heightened by the absence of those “prolegomenous” chapters over which the author had lingered so lovingly in Tom Jones. In 1749 he had been dangerously ill, and his health was visibly breaking. The £1000 which Millar is said to have given for Amelia must have been painfully earned.

Early in 1752 his still indomitable energy prompted him to start a third newspaper, the Covent Garden Journal, which ran from the 4th of January to the 25th of November. It is an interesting contemporary record, and throws a good deal of light on his Bow Street duties. But it has no great literary value, and it unhappily involved him in harassing and undignified hostilities with Smollett, Dr John Hill, Bonnell Thornton and other of his contemporaries. To the following year belong pamphlets on “Provision for the Poor,” and the case of the strange impostor, Elizabeth Canning (1734-1773). By 1754 his own case, as regards health, had grown desperate; and he made matters worse by a gallant and successful attempt to break up a “gang of villains and cut-throats,” who had become the terror of the metropolis. This accomplished, he resigned his office to his half-brother John (afterwards Sir John) Fielding. But it was now too late. After fruitless essay both of Dr Ward’s specifics and the tar-water of Bishop Berkeley, it was felt that his sole chance of prolonging life lay in removal to a warmer climate. On the 26th of June 1754 he accordingly left his little country house at Fordhook, Ealing, for Lisbon, in the “Queen of Portugal,” Richard Veal master. The ship, as often, was tediously wind-bound, and the protracted discomforts of the sick man and his family are narrated at length in the touching posthumous tract entitled the Journal of a Voyage to Lisbon, which, with a fragment of a comment on Bolingbroke’s then recently issued essays, was published in February 1755 “for the Benefit of his [Fielding’s] Wife and Children.” Reaching Lisbon at last in August 1754, he died there two months later (8th October), and was buried in the English cemetery, where a monument was erected to him in 1830. Luget Britannia gremio non dari fovere natum is inscribed upon it.

His estate, including the proceeds of a fair library, only covered his just debts (Athenaeum, 25th Nov. 1905); but his family, a daughter by his first, and two boys and a girl by his second wife, were faithfully cared for by his brother John, and by his friend Ralph Allen of Prior Park, Bath, the Squire Allworthy of Tom Jones. His will (undated) was printed in the Athenaeum for the 1st of February 1890. There is but one absolutely authentic portrait of him, a familiar outline by Hogarth, executed from memory for Andrew Millar’s edition of his works in 1762. It is the likeness of a man broken by ill-health, and affords but faint indication of the handsome Harry Fielding who in his salad days “warmed both hands before the fire of life.” Far too much stress, it is now held, has been laid by his first biographers upon the unworshipful side of his early career. That he was always profuse, sanguine and more or less improvident, is as probable as that he was always manly, generous and sympathetic. But it is also plain that, in his later years, he did much, as father, friend and magistrate, to redeem the errors, real and imputed, of a too-youthful youth.

As a playwright and essayist his rank is not elevated. But as a novelist his place is a definite one. If the Spectator is to be credited with foreshadowing the characters of the novel, Defoe with its earliest form, and Richardson with its first experiments in sentimental analysis, it is to Henry Fielding that we owe its first accurate delineation of contemporary manners. Neglecting, or practically neglecting, sentiment as unmanly, and relying chiefly on humour and ridicule, he set out to draw life precisely as he saw it around him, without blanks or dashes. He was, it may be, for a judicial moralist, too indulgent to some of its frailties, but he was merciless to its meaner vices. For reasons which have been already given, his high-water mark is Tom Jones, which has remained, and remains, a model in its way of the kind he inaugurated.

An essay on Fielding’s life and writings is prefixed to Arthur Murphy’s edition of his works (1762), and short biographies have been written by Walter Scott and William Roscoe. There are also lives by Watson (1807), Lawrence (1855), Austin Dobson (“Men of Letters,” 1883, 1907) and G.M. Godden (1909). An annotated edition of the Journal of a Voyage to Lisbon is included in the “World’s Classics” (1907).

(A. D.)

For a full account of this celebrated case see Howell, State Trials (1813), vol. xix.

FIELDING, WILLIAM STEVENS (1848- ), Canadian journalist and statesman, was born in Halifax, Nova Scotia, on the 24th of November 1848. From 1864 to 1884 he was one of the staff of the Morning Chronicle, the chief Liberal paper of the province, and worked at all departments of newspaper life. In 1882 he entered the local legislature as Liberal member for Halifax, and from 1884 to 1896 was premier and provincial secretary of the province, but in the latter year became finance minister in the Dominion administration of Sir Wilfrid Laurier, and was elected to the House of Commons for Shelburne and Queen’s county. He opposed Confederation in 1864-1867, and as late as 1886 won a provincial election on the promise to advocate the repeal of the British North America Act. His administration as finance minister of Canada was important, since in 1897 he introduced a new tariff, granting to the manufactures of Great Britain a preference, subsequently increased; and later he imposed a special surtax on German imports owing to unfriendly tariff legislation by that country. In 1902 he represented Canada at the Colonial Conference in London.

FIELD-MOUSE, the popular designation of such mouse-like British rodents as are not true or “house” mice. The term thus includes the long-tailed field mouse, Mus (Micromys) sylvaticus, easily recognized by its white belly, and sometimes called the wood-mouse; and the two species of short-tailed field-mice, Microtus agrestis and Evotomys glareolus, together with their representatives in Skomer island and the Orkneys (see Mouse and Vole).

FIELD OF THE CLOTH OF GOLD, the French Camp du drap d’or, the name given to the place between Guînes and Ardres where Henry VIII. of England met Francis I. of France in June 1520. The most elaborate arrangements were made for the accommodation of the two monarchs and their large retinues; and on Henry’s part especially no efforts were spared to make a great impression in Europe by this meeting. Before the castle of Guînes a temporary palace, covering an area of nearly 12,000 sq. yds., was erected for the reception of the English king. It was decorated in the most sumptuous fashion, and like the chapel, served by thirty-five priests, was furnished with a profusion of golden ornaments. Some idea of the size of Henry’s following may be gathered from the fact that in one month 2200 sheep and other viands in a similar proportion were consumed. In the fields beyond the castle, tents to the number of 2800 were erected for less distinguished visitors, and the whole scene was one of the greatest animation. Ladies gorgeously clad, and knights, showing by their dress and bearing their anxiety to revive the glories and the follies of the age of chivalry, jostled mountebanks, mendicants and vendors of all kinds.

Journeying from Calais Henry reached his headquarters at Guînes on the 4th of June 1520, and Francis took up his residence at Ardres. After Cardinal Wolsey, with a splendid train had visited the French king, the two monarchs met at the Val Doré, a spot midway between the two places, on the 7th. The following days were taken up with tournaments, in which both kings took part, banquets and other entertainments, and after Wolsey had said mass the two sovereigns separated on the 24th. This meeting made a great impression on contemporaries, but its political results were very small.

The Ordonnance for the Field is printed by J.S. Brewer in the Calendar of State Papers, Henry VIII. vol. iii. (1867). See also J.S. Brewer, Reign of Henry VIII. (1884).

FIELDS, JAMES THOMAS (1817-1881), American publisher and author, was born in Portsmouth, New Hampshire, on the 31st of December 1817. At the age of seventeen he went to Boston as clerk in a bookseller’s shop. Afterwards he wrote for the newspapers, and in 1835 he read an anniversary poem entitled “Commerce” before the Boston Mercantile Library Association. In 1839 he became junior partner in the publishing and bookselling firm known after 1846 as Ticknor & Fields, and after 1868 as Fields, Osgood & Company. He was the publisher of the foremost contemporary American writers, with whom he was on terms of close personal friendship, and he was the American publisher of some of the best-known British writers of his time, some of whom, also, he knew intimately. The first collected edition of De Quincey’s works (20 vols., 1850-1855) was published by his firm. As a publisher he was characterized by a somewhat rare combination of keen business acumen and sound, discriminating literary taste, and as a man he was known for his geniality and charm of manner. In 1862-1870, as the successor of James Russell Lowell, he edited the Atlantic Monthly. In 1871 Fields retired from business and from his editorial duties, and devoted himself to lecturing and to writing. Of his books the chief were the collection of sketches and essays entitled Underbrush (1877) and the chapters of reminiscence composing Yesterdays with Authors (1871), in which he recorded his personal friendship with Wordsworth, Thackeray, Dickens, Hawthorne and others. He died in Boston on the 24th of April 1881.

His second wife, Annie Adams Fields (b. 1834), whom he married in 1854, published Under the Olive (1880), a book of verses; James T. Fields: Biographical Notes and Personal Sketches (1882); Authors and Friends (1896); The Life and Letters of Harriet Beecher Stowe (1897); and Orpheus (1900).

FIENNES, NATHANIEL (c. 1608-1669) English politician, second son of William, 1st Viscount Saye and Sele, by Elizabeth, daughter of John Temple, of Stow in Buckinghamshire, was born in 1607 or 1608, and educated at Winchester and at New College, Oxford, where as founder’s kin he was admitted a perpetual fellow in 1624. After about five years’ residence he left without taking a degree, travelled abroad, and in Switzerland imbibed or strengthened those religious principles and that hostility to the Laudian church which were to be the chief motive in his future political career. He returned to Scotland in 1639, and established communications with the Covenanters and the Opposition in England, and as member for Banbury in both the Short and Long Parliaments he took a prominent part in the attacks upon the church. He spoke against the illegal canons on the 14th of December 1640, and again on the 9th of February 1641 on the occasion of the reception of the London petition, when he argued against episcopacy as constituting a political as well as a religious danger and made a great impression on the House, his name being added immediately to the committee appointed to deal with church affairs. He took a leading part in the examination into the army plot; was one of the commissioners appointed to attend the king to Scotland in August 1641; and was nominated one of the committee of safety in July 1642. On the outbreak of hostilities he took arms immediately, commanded a troop of horse in the army of Lord Essex, was present at the relief of Coventry in August, and at the fight at Worcester in September, where he distinguished himself, and subsequently at Edgehill. Of the last two engagements he wrote accounts, viz. True and Exact Relation of both the Battles fought by ... Earl of Essex ... against the Bloudy Cavaliers (1642). (See also A Narrative of the Late Battle before Worcester taken by a Gentleman of the Inns of Court from the mouth of Master Fiennes, 1642). In February 1643 Fiennes was sent down to Bristol, arrested Colonel Essex the governor, executed the two leaders of a plot to deliver up the city, and received a commission himself as governor on the 1st of May 1643. On the arrival, however, of Prince Rupert on the 22nd of July the place was in no condition to resist an attack, and Fiennes capitulated. He addressed to Essex a letter in his defence (Thomason Tracts E. 65, 26), drew up for the parliament a Relation concerning the Surrender ... (1643), answered by Prynne and Clement Walker accusing him of treachery and cowardice, to which he opposed Col. Fiennes his Reply.... He was tried at St Albans by the council of war in December, was pronounced guilty of having surrendered the place improperly, and sentenced to death. He was, however, pardoned, and the facility with which Bristol subsequently capitulated to the parliamentary army induced Cromwell and the generals to exonerate him completely. His military career nevertheless now came to an end. He went abroad, and it was some time before he reappeared on the political scene. In September 1647 he was included in the army committee, and on the 3rd of January 1648 he became a member of the committee of safety. He was, however, in favour of accepting the king’s terms at Newport in December, and in consequence was excluded from the House by Pride’s Purge. An opponent of church government in any form, he was no friend to the rigid and tyrannical Presbyterianism of the day, and inclined to Independency and Cromwell’s party. He was a member of the council of state in 1654, and in June 1655 he received the strange appointment of commissioner for the custody of the great seal, for which he was certainly in no way fitted. In the parliament of 1654 he was returned for Oxford county and in that of 1656 for the university, while in January 1658 he was included in Cromwell’s House of Lords. He was in favour of the Protector’s assumption of the royal title and urged his acceptance of it on several occasions. His public career closes with addresses delivered in his capacity as chief commissioner of the great seal at the beginning of the sessions of January 20, 1658, and January 2, 1659, in which the religious basis of Cromwell’s government is especially insisted upon, the feature to which Fiennes throughout his career had attached most value. On the reassembling of the Long Parliament he was superseded; he took no part in the Restoration, and died at Newton Tony in Wiltshire on the 16th of December 1669. Fiennes married (1), Elizabeth, daughter of the famous parliamentarian Sir John Eliot, by whom he had one son, afterwards 3rd Viscount Saye and Sele; and (2), Frances, daughter of Richard Whitehead of Tuderley, Hants, by whom he had three daughters.

Besides the pamphlets already cited, a number of his speeches and other political tracts were published (see Gen. Catalogue, British Museum). Wood also attributed to him Monarchy Asserted (1666) (reprinted in Somers Tracts, vi. 346 [ed. Scott]), but there seems no reason to ascribe to him with Clement Walker the authorship of Sprigge’s Anglia Rediviva.

FIERI FACIAS, usually abbreviated fi. fa. (Lat. “that you cause to be made”), in English law, a writ of execution after judgment obtained in action of debt or damages. It is addressed to the sheriff, and commands him to make good the amount out of the goods of the person against whom judgment has been obtained. (See Execution.)

FIESCHI, GIUSEPPE MARCO (1790-1836), the chief conspirator in the attempt on the life of Louis Philippe in July 1835, was a native of Murato in Corsica. He served under Murat, then returned to Corsica, where he was condemned to ten years’ imprisonment and perpetual surveillance by the police for theft and forgery. After a period of vagabondage he eluded the police and obtained a small post in Paris by means of forged papers; but losing it on account of his suspicious manner of living, he resolved to revenge himself on society. He took lodgings on the Boulevard du Temple, and there, with two members of the Société des Droits de l’Homme, Morey and Pépin by name, contrived an “infernal machine,” constructed with twenty gun barrels, to be fired simultaneously. On the 28th of July 1835, as Louis Philippe was passing along the boulevard to the Bastille, accompanied by his three sons and a numerous staff, the machine was exploded. A ball grazed the king’s forehead, and his horse, with those of the duke of Nemours and of the prince de Joinville, was shot; Marshal Mortier was killed, with seventeen other persons, and many were wounded; but the king and the princes escaped as if by miracle. Fieschi himself was severely wounded by the discharge of his machine, and vainly attempted to escape. The attentions of the most skilful physicians were lavished upon him, and his life was saved for the stroke of justice. On his trial he named his accomplices, displayed much bravado, and expected or pretended to expect ultimate pardon. He was condemned to death, and was guillotined on the 19th of February 1836. Morey and Pépin were also executed, another accomplice was sentenced to twenty years’ imprisonment and one was acquitted. No less than seven plots against the life of Louis Philippe had been discovered by the police within the year, and apologists were not wanting in the revolutionary press for the crime of Fieschi.

See Procès de Fieschi, precédé de sa vie privée, sa condamnation par la Cour des Pairs et celles de ses complices (2 vols., 1836); also P. Thureau-Dangin, Hist, de la monarchie de Juillet (vol. iv. ch. xii., 1884).

FIESCO (de’ Fieschi), GIOVANNI LUIGI (c. 1523-1547), count of Lavagna, was descended from one of the greatest families of Liguria, first mentioned in the 10th century. Among his ancestors were two popes (Innocent IV. and Adrian V.), many cardinals, a king of Sicily, three saints, and many generals and admirals of Genoa and other states. Sinibaldo Fiesco, his father, had been a close friend of Andrea Doria (q.v.), and had rendered many important services to the Genoese republic. On his death in 1532 Giovanni found himself at the age of nine the head of the family and possessor of immense estates. He grew up to be a handsome, intelligent youth, of attractive manners and very ambitious. He married Eleonora Cibò, marchioness of Massa, in 1540, a woman of great beauty and family influence. There were many reasons which inspired his hatred of the Doria family; the almost absolute power wielded by the aged admiral and the insolence of his nephew and heir Giannettino Doria, the commander of the galleys, were galling to him as to many other Genoese, and it is said that Giannettino was the lover of Fiesco’s wife. Moreover, the Fiesco belonged to the French or popular party, while the Doria were aristocrats and Imperialists. When Fiesco determined to conspire against Doria he found friends in many quarters. Pope Paul III. was the first to encourage him, while both Pier Luigi Farnese, duke of Parma, and Francis I. of France gave him much assistance and promised him many advantages. Among his associates in Genoa were his brothers Girolamo and Ottobuono, Verrina and R. Sacco. A number of armed men from the Fiesco fiefs were secretly brought to Genoa, and it was agreed that on the 2nd of January 1547, during the interregnum before the election of the new doge, the galleys in the port should be seized and the city gates held. The first part of the programme was easily carried out, and Giannettino Doria, aroused by the tumult, rushed down to the port and was killed, but Andrea escaped from the city in time. The conspirators attempted to gain possession of the government, but unfortunately for them Giovanni Luigi, while crossing a plank from the quay to one of the galleys, fell into the water and was drowned. The news spread consternation among the Fiesco faction, and Girolamo Fiesco found few adherents. They came to terms with the senate and were granted a general amnesty. Doria returned to Genoa on the 4th thirsting for revenge, and in spite of the amnesty he confiscated the Fiesco estates; Girolamo had shut himself up, with Verrina and Sacco and other conspirators, in his castle of Montobbia, which the Genoese at Doria’s instigation besieged and captured. Girolamo Fiesco and Verrina were tried, tortured and executed; all their estates were seized, some of which, including Torriglia, Doria obtained for himself. Ottobuono Fiesco, who had escaped, was captured eight years afterwards and put to death by Doria’s orders.

There are many accounts of the conspiracy, of which perhaps the best is contained in E. Petit’s André Doria (Paris, 1887), chs. xi. and xii., where all the chief authorities are quoted; see also Calligari, La Congiura del Fiesco (Venice 1892), and Gavazzo, Nuovi documenti sulla congiura del conte Fiesco (Genoa, 1886); E. Bernabò-Brea, in his Sulla congiura di Giovanni Luigi Fieschi, publishes many important documents, while L. Capelloni’s Congiura del Fiesco, edited by Olivieri, and A. Mascardi’s Congiura del conte Giovanni Luigi de’ Fieschi (Antwerp, 1629) may be commended among the earlier works. The Fiesco conspiracy has been the subject of many poems and dramas, of which the most famous is that by Schiller. See also under Doria, Andrea; Farnese.

(L. V.*)

FIESOLE (anc. Faesulae, q.v.), a town and episcopal see of Tuscany, Italy, in the province of Florence, from which it is 3 m. N.E. by electric tramway. Pop. (1901) town 4951, commune 16,816. It is situated on a hill 970 ft. above sea-level, and commands a fine view. The cathedral of S. Romolo is an early and simple example of the Tuscan Romanesque style; it is a small basilica, begun in 1028 and restored in 1256. The picturesque battlemented campanile belongs to 1213. The tomb of the bishop Leonardo Salutati (d. 1466). with a beautiful portrait bust by the sculptor, Mino da Fiesole (1431-1484), is fine. The 13th-century Palazzo Pretorio contains a small museum of antiquities. The Franciscan monastery commands a fine view. The church of S. Maria Primerana has some works of art, and S. Alessandro, which is attributed to the 6th century, contains fifteen ancient columns of cipollino. The inhabitants of Fiesole are largely engaged in straw-plaiting.

Below Fiesole, between it and Florence, lies San Domenico di Fiesole (485 ft.); in the Dominican monastery the painter, Fra Giovanni Angelico da Fiesole (1387-1455), lived until he went to S. Marco at Florence. Here, too, is the Badia di Fiesole, founded in 1028 and re-erected about 1456-1466 by a follower of Brunelleschi. It is an irregular pile of buildings, in fine and simple early Renaissance style; a small part of the original façade of 1028 in black and white marble is preserved. The interior of the Church is decorated with sculptures by pupils of Desiderio da Settignano. The slopes of the hill on which Fiesole stands are covered with fine villas. To the S.E. of Fiesole lies Monte Ceceri (1453 ft.), with quarries of grey pietra serena, largely used in Florence for building. To the E. of this lies the 14th-century castle of Vincigliata restored and fitted up in the medieval style.

FIFE, an eastern county of Scotland, bounded N. by the Firth of Tay, E. by the North Sea, S. by the Firth of Forth, and W. by the shires of Perth, Kinross and Clackmannan. The Isle of May, Inchkeith, Inchcolm, Inchgarvie and the islet of Oxcar belong to the shire. It has an area of 322,844, acres or 504 sq. m. Its coast-line measure 108 m. The Lomond Hills to the S. and S.W. of Falkland, of which West Lomond is 1713 ft. high and East Lomond 1471 ft., Saline Hill (1178 ft.) to the N.W. of Dunfermline, and Benarty (1131 ft.) on the confines of Kinross are the chief heights. Of the rivers the Eden is the longest; formed on the borders of Kinross-shire by the confluence of Beattie Burn and Carmore Burn, it pursues a wandering course for 25 m. N.E., partly through the Howe, or Hollow of Fife, and empties into the North Sea. There is good trout fishing in its upper waters, but weirs prevent salmon from ascending it. The Leven drains the loch of that name and enters the Forth at the town of Leven after flowing eastward for 15 m. There are numerous factories at various points on its banks. The Ore, rising not far from Roscobie Hills to the north of Dunfermline, follows a mainly north-easterly course for 15 m. till it joins the Leven at Windygates. The old loch of Ore which was an expansion of its water was long ago reclaimed. Motray Water finds its source in the parish of Kilmany, a few miles W. by N. of Cupar, makes a bold sweep towards the north-east, and then, taking a southerly turn, enters the head-waters of St Andrews Bay, after a course of 12 m. The principal lochs are Loch Fitty, Loch Gelly, Loch Glow and Loch Lindores; they are small but afford some sport for trout, perch and pike. “Freshwater mussels” occur in Loch Fitty. There are no glens, and the only large valley is the fertile Stratheden, which supplies part of the title of the combined baronies of Stratheden (created 1836) and Campbell (created 1841).

Geology.—Between Damhead and Tayport on the northern side of the low-lying Howe of Fife the higher ground is formed of Lower Old Red Sandstone volcanic rocks, consisting of red and purple porphyrites and andesites and some coarse agglomerates, which, in the neighbourhood of Auchtermuchty, are rounded and conglomeratic. These rocks have a gentle dip towards the S.S.E. They are overlaid unconformably by the soft red sandstones of the Upper Old Red series which underlie the Howe of Fife from Loch Leven to the coast. The quarries in these rocks in Dura Den are famous for fossil fishes. Following the Old Red rocks conformably are the Carboniferous formations which occupy the remainder of the county, and are well exposed on the coast and in the numerous quarries. The Carboniferous rocks include, at the base, the Calciferous Sandstone series of dark shales with thin limestones, sandstones and coals. They are best developed around Fife Ness, between St Andrews and Elie, and again around Burntisland between Kirkcaldy and Inverkeithing Bay. In the Carboniferous Limestone series, which comes next in upward succession, are the valuable gas-coals and ironstones worked in the coal-fields of Dunfermline, Saline, Oakley, Torryburn, Kirkcaldy and Markinch. The true Coal Measures lie in the district around Dysart and Leven, East Wemyss and Kinglassie, and they are separated from the coal-bearing Carboniferous Limestone series by the sandstones and conglomerates of the Millstone Grit, Fourteen seams of coal are found in the Dysart Coal Measures, associated with sandstones, shales and clay ironstones. Fife is remarkably rich in evidences of former volcanic activity. Besides the Old Red Sandstone volcanic rocks previously mentioned, there are many beds of contemporaneous basaltic lavas and tuffs in the Carboniferous rocks; Saline Hill and Knock Hill were the sites of vents, which at that time threw out ashes; these interbedded rocks are well exposed on the shore between Burntisland and and Seafield Tower. There were also many intrusive sheets of dolerite and basalt forced into the lower Carboniferous rocks, and these now play an important part in the scenery of the county. They form the summits of the Lomond Hills and Benarty, and they may be followed from Cult Hill by the Cleish Hills to Blairadam; and again near Dunfermline, Burntisland, Torryburn, Auchtertool and St Andrews. Later, in Permian times, eastern Fife was the seat of further volcanic action, and great numbers of “necks” or vents pierce the Carboniferous rocks; Largo Law is a striking example. In one of these necks on the shore at Kincraig Point is a fine example of columnar basalt; the “Rock and Spindle” near St Andrews is another. Last of all in Tertiary times, east and west rifts in the Old Red Sandstone were filled by basalt dikes. Glacial deposits, ridges of gravel and sand, boulder clay, &c., brought from the N. W., cover much of the older rocks, and traces of old raised beaches are found round the coast and in the Howe cf Fife. In the 25-ft. beach in the East Neuk of Fife is an island sea-cliff with small caves.

Climate and Agriculture.—Since the higher hills all lie in the west, most of the county is exposed to the full force of the east winds from the North Sea, which often, save in the more sheltered areas, check the progress of vegetation. At an elevation of 500 or 600 ft. above the sea harvests are three or four weeks later than in the valleys and low-lying coast-land. The climate, on the whole, is mild, proximity to the sea qualifying the heat in summer and the cold in winter. The average annual rainfall is 31 in., rather less in the East Neuk district and around St Andrews, somewhat more as the hills are approached, late summer and autumn being the wet season. The average temperature for January is 38° F., for July 59.5°, and for the year 47.6°. Four-fifths of the total area is under cultivation, and though the acreage under grain is smaller than it was, the yield of each crop is still extraordinarily good, oats, barley, wheat being the order of acreage. Of the green crops most attention is given to turnips. Potatoes also do well. The acreage under permanent pasture and wood is very considerable. Cattle are mainly kept for feeding purposes, and dairy farming, though attracting more notice, has never been followed more than to supply local markets. Sheep-farming, however, is on the increase, and the raising of horses, especially farm horses, is an important pursuit. They are strong, active and hardy, with a large admixture, or purely, of Clydesdale blood. The ponies, hunters and carriage horses so bred are highly esteemed. The strain of pigs has been improved by the introduction of Berkshires. North of the Eden the soil, though generally thin, is fertile, but the sandy waste of Tents Moor is beyond redemption. From St Andrews southwards all along the coast the land is very productive. That adjacent to the East Neuk consists chiefly of clay and rich loam. From Leven to Inverkeithing it varies from a light sand to a rich clayey loam. Excepting Stratheden and Strathleven, which are mostly rich, fertile loam, the interior is principally cold and stiff clay or thin loam with strong clayey subsoil. Part of the Howe of Fife is light and shingly and covered with heather. Some small peat mosses still exist, and near Lochgelly there is a tract of waste, partly moss and partly heath. The character of the farm management may be judged by its results. The best methods are pursued, and houses, steadings and cottages are all in good order, commodious and comfortable. Rabbits, hares, pheasants and partridges are common in certain districts; roe deer are occasionally seen; wild geese, ducks and teal haunt the lochs; pigeon-houses are fairly numerous; and grouse and blackcock are plentiful on the Lomond moors. The shire is well suited for fox-hunting, and there are packs in both the eastern and the western division of Fife.

Mining.—Next to Lanarkshire, Fife is the largest coal-producing county in Scotland. The coal-field may roughly be divided into the Dunfermline basin (including Halbeath, Lochgelly and Kelty), where the principal house coals are found, and the Wemyss or Dysart basin (including Methil and the hinterland), where gas-coal of the best quality is obtained. Coal is also extensively worked at Culross, Carnock, Falfield, Donibristle, Ladybank, Kilconquhar and elsewhere. Beds of ironstone, limestone, sandstone and shale lie in many places contiguous to the coal. Blackband ironstone is worked at Lochgelly and Oakley, where there are large smelting furnaces. Oil shale is worked at Burntisland and Airdrie near Crail. Among the principal limestone quarries are those at Charlestown, Burntisland and Cults. Freestone of superior quality is quarried at Strathmiglo, Burntisland and Dunfermline. Whinstone of unusual hardness and durability is obtained in nearly every district. Lead has been worked in the Lomond Hills and copper and zinc have been met with, though not in paying quantities. It is of interest to note that in the trap tufa at Elie there have been found pyropes (a variety of dark-red garnet), which are regarded as the most valuable of Scottish precious stones and are sold under the name of Elie rubies.

Other Industries.—The staple manufacture is linen, ranging from the finest damasks to the coarsest ducks and sackings. Its chief seats are at Kirkcaldy and Dunfermline, but it is carried on at many of the inland towns and villages, especially those situated near the Eden and Leven, on the banks of which rivers, as well as at Kirkcaldy, Dunfermline and Ceres, are found the bleaching-greens. Kirkcaldy is famous for its oil-cloth and linoleum. Most of the leading towns possess breweries and tanneries, and the largest distilleries are at Cameron Bridge and Burntisland. Woollen cloth is made to a small extent in several towns, and fishing-net at Kirkcaldy, Largo and West Wemyss. Paper is manufactured at Guardbridge, Markinch and Leslie; earthenware at Kirkcaldy; tobacco at Dunfermline and Kirkcaldy; engineering works and iron foundries are found at Kirkcaldy and Dunfermline; and shipbuilding is carried on at Kinghorn, Dysart, Burntisland, Inverkeithing and Tayport. From Inverkeithing all the way round the coast to Newburgh there are harbours at different points. They are mostly of moderate dimensions, the principal port being Kirkcaldy. The largest salmon fisheries are conducted at Newburgh and the chief seat of the herring fishery is Anstruther, but most of the coast towns take some part in the fishing either off the shore, or at stations farther north, or in the deep sea.

Communications.—The North British railway possesses a monopoly in the shire. From the Forth Bridge the main line follows the coast as far as Dysart and then turns northwards to Ladybank, where it diverges to the north-east for Cupar and the Tay Bridge. From Thornton Junction a branch runs to Dunfermline and another to Methil, and here begins also the coast line for Leven, Crail and St Andrews which touches the main line again at Leuchars Junction; at Markinch a branch runs to Leslie; at Ladybank there are branches to Mawcarse Junction, and to Newburgh and Perth; and at Leuchars Junction a loop line runs to Tayport and Newport, joining the main at Wormit. From the Forth Bridge the system also connects, via Dunfermline, with Alloa and Stirling in the W. and with Kinross and Perth in the N. From Dunfermline there is a branch to Charlestown, which on that account is sometimes called the port of Dunfermline.

Population and Government.—The population was 190,365 in 1891, and 218,840 in 1901, when 844 persons spoke Gaelic and English and 3 Gaelic only. The chief towns are the Anstruthers (pop. in 1901, 4233), Buckhaven (8828), Burntisland (4846), Cowdenbeath (7908), Cupar (4511), Dunfermline (25,250), Dysart (3562), Kelty (3986), Kirkcaldy (34,079), Leslie (3587), Leven (5577), Lochgelly (5472), Lumphinnans (2071), Newport (2869), St Andrews (7621), Tayport (3325) and Wemyss (2522). For parliamentary purposes Fife is divided into an eastern and a western division, each returning one member. It also includes the Kirkcaldy district of parliamentary burghs (comprising Burntisland, Dysart, Kinghorn and Kirkcaldy), and the St Andrews district (the two Anstruthers, Crail, Cupar, Kilrenny, Pittenweem and St Andrews); while Culross, Dunfermline and Inverkeithing are grouped with the Stirling district. As regards education the county is under school-board jurisdiction, and in respect of higher education its equipment is effective. St Andrews contains several excellent schools; at Cupar there is the Bell-Baxter school; at Dunfermline and Kirkcaldy there are high schools and at Anstruther there is the Waid Academy.

History.—In remote times the term Fife was applied to the peninsula lying between the estuaries of the Tay and Forth and separated from the rest of the mainland by the Ochil Hills. Its earliest inhabitants were Picts of the northern branch and their country was long known as Pictavia. Doubtless it was owing to the fact that the territory was long subject to the rule of an independent king that Fife itself came to be called distinctively The Kingdom, a name of which the natives are still proud. The Romans effected no settlement in the province, though it is probable that they temporarily occupied points here and there. In any case the Romans left no impression on the civilization of the natives. With the arrival of the missionaries—especially St Serf, St Kenneth, St Rule, St Adrian, St Moran and St Fillan—and conversion of the Picts went on apace. Interesting memorials of these devout missionaries exist in the numerous coast caves between Dysart and St Andrews and in the crosses and sculptured stones, some doubtless of pre-Christian origin, to be seen at various places. The word Fife, according to Skene, seems to be identical with the Jutland Fibh (pronounced Fife) meaning “forest,” and was probably first used by the Frisians to describe the country behind the coasts of the Forth and Tay, where Frisian tribes are supposed to have settled at the close of the 4th century. The next immigration was Danish, which left lasting traces in many place-names (such as the frequent use of law for hill). An ancient division of the Kingdom into Fife and Fothrif survived for a period for ecclesiastical purposes. The line of demarcation ran from Leven to the east of Cults, thence to the west of Collessie and thence to the east of Auchtermuchty. To the east of this line lay Fife proper. In 1426 the first shire of Kinross was formed, consisting of Kinross and Orwell, and was enlarged to its present dimensions by the transference from Fife of the parishes of Portmoak, Cleish and Tulliebole. Although the county has lain outside of the main stream of Scottish history, its records are far from dull or unimportant. During the reigns of the earlier Stuarts, Dunfermline, Falkland and St Andrews were often the scene of solemn pageantry and romantic episodes. Out of the seventy royal burghs in Scotland no fewer than eighteen are situated in the shire. However, notwithstanding the marked preference of the Stuarts, the Kingdom did not hesitate to play the leading part in the momentous dramas of the Reformation and the Covenant, and by the 18th century the people had ceased to regard the old royal line with any but sentimental interest, and the Jacobite risings of 1715 and 1745 evoked only the most lukewarm support.

See Sir Robert Sibbald, History of the Sheriffdoms of Fife and Kinross; Rev. J.W. Taylor, Historical Antiquities of Fife (1875); A.H. Millar, Fife, Pictorial and Historical (Cupar, 1895); Sheriff Aeneas Mackay, sketch of the History of Fife (Edinburgh, 1890); History of Fife and Kinross (Scottish County History series) (Edinburgh, 1896); John Geddie, The Fringe of Fife (Edinburgh, 1894).

FIFE (Fr. fifre; Med. Ger. Schweizerpfeiff, Feldpfeiff; Ital. ottavino), originally the small primitive cylindrical transverse flute, now the small B♭ military flute, usually conoidal in bore, used in a drum and fife band. The pitch of the fife lies between that of the concert flute and piccolo. The fife, like the flute, is an open pipe, for although the upper end is stopped by means of a cork, an outlet is provided by the embouchure which is never entirely closed by the lips. The six finger-holes of the primitive flute, with the open end of the tube for a key-note, gave the diatonic scale of the fundamental octave; the second octave was produced by overblowing the notes of the fundamental scale an octave higher; part of a third octave was obtained by means of the higher harmonics produced by using certain of the finger-holes as vent-holes. The modern fife has, in addition to the six finger-holes, 4, 5 or 6 keys. Mersenne describes and figures the fife, which had in his day the compass of a fifteenth. The fife, which, he states, differed from the German flute only in having a louder and more brilliant tone and a shorter and narrower bore, was the instrument used by the Swiss with the drum. The sackbut, or serpent, was used as its bass, for, as Mersenne explains, the bass instrument could not be made long enough, nor could the hands reach the holes, although some flutes were actually made with keys and had the tube doubled back as in the bassoon.

The words fife and the Fr. fifre were undoubtedly derived from the Ger. Pfeiff, the fife being called by Praetorius Schweizerpfeiff and Feldpfeiff, while Martin Agricola, writing a century earlier (1529), mentions the transverse flute by the names of Querchpfeiff or Schweizerpfeiff, which Sebastian Virdung writes Zwerchpfeiff. The Old English spelling was phife, phiphe or ffyffe. The fife was in use in England in the middle of the 16th century, for at a muster of the citizens of London in 1540, droumes and ffyffes are mentioned. At the battle of St Quentin (1557) the list of the English army employed states that one trumpet was allowed to each cavalry troop of 100 men, and a drum and fife to each hundred of foot. A drumme and phife were also employed at one shilling per diem for the “Trayne of Artillery.” This was the nucleus of the modern military band, and may be regarded as the first step in its formation. In England the adoption of the fife as a military instrument was due to the initiative of Henry VIII., who sent to Vienna for ten good drums and as many fifers. Ralph Smith gives rules for drummers and fifers who, in addition to the duty of giving signals in peace and war to the company, were expected to be brave, secret and ingenious, and masters of several languages, for they were oft sent to parley with the enemy and were entrusted with honourable but dangerous missions. In 1585 the drum and fife formed part of the furniture for war among the companies of the city of London. Queen Elizabeth (according to Michaud, Biogr. universelle, tome xiii. p. 60) had a peculiar taste for noisy music, and during meals had a concert of twelve trumpets, two kettledrums, with fifes and drums. The fife became such a favourite military instrument during the 16th and 17th centuries in England that it displaced the bagpipe; it was, however, in turn superseded early in the 18th century by the hautboy (see Oboe), introduced from France. In the middle of the 18th century the fife was reintroduced into the British army band by the duke of Cumberland in the Guards in 1745, commemorated by William Hogarth’s picture of the “March of the Guards towards Scotland in 1745,” in which are seen a drummer and fifer; and by Colonel Bedford into the royal regiment of artillery in 1748, at the end of the war, when a Hanoverian fifer, John Ulrich, was brought over from Flanders as instructor. In 1747 the 19th regiment, known as Green Howards, also had the advantage of a Hanoverian fifer as teacher, a youth presented by his colonel to Lieutenant-Colonel Williams commanding the regiment at Bois-le-Duc. Drum and fife bands in a short time became common in all infantry regiments, while among the cavalry the trumpet prevailed.

For the acoustics, construction and origin of the fife see Flute. Illustrations of the fife may be seen in Cowdray’s picture of an encampment at Portsmouth in 1548; in Sandford’s “Coronation Procession of James II.,” and in C.R. Day’s Descriptive Catalogue, pl. i. (F) (description No. 42, p. 27).

(K. S.)

Harmonie universelle (Paris, 1636), bk. v. prop. 9, pp. 241-244.

For an illustration of one of these bass flutes see article Flute, Fig. 2.

Syntagma musicum (Wolfenbüttel, 1618), pp. 40-41 of Reprint.

Musica instrumentalis (Wittenberg, 1529).

Musica getutscht und auszgezogen (Basel, 1511).

See Sir S.D. Scott, The British Army, vol. ii. p. 396.

See H.G. Farmer, Memoirs of the Royal Artillery Band (London, 1904).

Id.

Id.

Stowe’s Chronicles, p. 702.

Grose, Military Antiquities (London, 1801), vol. ii.

See Colonel P. Forbes Macbean, Memoirs of the Royal Regiment of Artillery.

FIFTH MONARCHY MEN, the name of a Puritan sect in England which for a time supported the government of Oliver Cromwell in the belief that it was a preparation for the “fifth monarchy,” that is for the monarchy which should succeed the Assyrian, the Persian, the Greek and the Roman, and during which Christ should reign on earth with His saints for a thousand years. These sectaries aimed at bringing about the entire abolition of the existing laws and institutions, and the substitution of a simpler code based upon the law of Moses. Disappointed at the delay in the fulfilment of their hopes, they soon began to agitate against the government and to vilify Cromwell; but the arrest of their leaders and preachers, Christopher Feake, John Rogers and others, cooled their ardour, and they were, perforce, content to cherish their hopes in secret until after the Restoration. Then, on the 6th of January 1661, a band of fifth monarchy men, headed by a cooper named Thomas Venner, who was one of their preachers, made an attempt to obtain possession of London. Most of them were either killed or taken prisoners, and on the 19th and 21st of January Venner and ten others were executed for high treason. From that time the special doctrines of the sect either died out, or became merged in a milder form of millenarianism, similar to that which exists at the present day.

For the proceedings of the sect see S.R. Gardiner, History of the Commonwealth and Protectorate, passim (London, 1894-1901); and for an account of the rising of 1661 see Sir John Reresby, Memoirs, 1634-1689, edited by J.J. Cartwright (London, 1875).

FIG, the popular name given to plants of the genus Ficus, an extensive group, included in the natural order Moraceae, and characterized by a remarkable development of the pear-shaped receptacle, the edge of which curves inwards, so as to form a nearly closed cavity, bearing the numerous fertile and sterile flowers mingled on its surface. The figs vary greatly in habit,—some being low trailing shrubs, others gigantic trees, among the most striking forms of those tropical forests to which they are chiefly indigenous. They have alternate leaves, and abound in a milky juice, usually acrid, though in a few instances sufficiently mild to be used for allaying thirst. This juice contains caoutchouc in large quantity.

1. Unripe fruit cut lengthwise; about ½ nat. size. 2. Female flower taken from 1; enlarged. 3. Ripe fruit cut lengthwise; about ½ nat. size.

Ficus Carica (figure 1), which yields the well-known figs of commerce, is a bush or small tree—rarely more than 18 or 20 ft. high,—with broad, rough, deciduous leaves, very deeply lobed in the cultivated varieties, but in the wild plant sometimes nearly entire. The green, rough branches bear the solitary, nearly sessile receptacles in the axils of the leaves. The male flowers are placed chiefly in the upper part of the cavity, and in most varieties are few in number. As it ripens, the receptacle enlarges greatly, and the numerous single-seeded pericarps or true fruits become imbedded in it. The fruit of the wild fig never acquires the succulence of the cultivated kinds. The fig seems to be indigenous to Asia Minor and Syria, but now occurs in a wild state in most of the countries around the Mediterranean. From the ease with which the nutritious fruit can be preserved, it was probably one of the earliest objects of cultivation, as may be inferred from the frequent allusions to it in the Hebrew Scriptures. From a passage in Herodotus the fig would seem to have been unknown to the Persians in the days of the first Cyrus; but it must have spread in remote ages over all the districts around the Aegean and Levant. The Greeks are said to have received it from Caria (hence the specific name); but the fruit so improved under Hellenic culture that Attic figs became celebrated throughout the East, and special laws were made to regulate their exportation. From the contemptuous name given to informers against the violation of those enactments, συκοφάνται (σῦκον, φαίνω), our word sycophant is usually derived. The fig was one of the principal articles of sustenance among the Greeks; the Spartans especially used it largely at their public tables. From Hellas, at some prehistoric period, it was transplanted to Italy and the adjacent islands. Pliny enumerates many varieties, and alludes to those from Ebusus (the modern Iviza) as most esteemed by Roman epicures; while he describes those of home growth as furnishing a large portion of the food of the slaves, particularly those employed in agriculture, by whom great quantities were eaten in the fresh state at the periods of fig-harvest. In Latin myths the plant plays an important part. Held sacred to Bacchus, it was employed in religious ceremonies; and the fig-tree that overshadowed the twin founders of Rome in the wolf’s cave, as an emblem of the future prosperity of the race, testified to the high value set upon the fruit by the nations of antiquity. The tree is now cultivated in all the Mediterranean countries, but the larger portion of our supply of figs comes from Asia Minor, the Spanish Peninsula and the south of France. Those of Asiatic Turkey are considered the best. The varieties are extremely numerous, and the fruit is of various colours, from deep purple to yellow, or nearly white. The trees usually bear two crops,—one in the early summer from the buds of the last year, the other in the autumn from those on the spring growth; the latter forms the chief harvest. Many of the immature receptacles drop off from imperfect fertilization, which circumstance has led, from very ancient times, to the practice of caprification. Branches of the wild fig in flower are placed over the cultivated bushes. Certain hymenopterous insects, of the genera Blastophaga and Sycophaga, which frequent the wild fig, enter the minute orifice of the receptacle, apparently to deposit their eggs; conveying thus the pollen more completely to the stigmas, they ensure the fertilization and consequent ripening of the fruit. By some the nature of the process has been questioned, and the better maturation of the fruit attributed merely to the stimulus given by the puncture of the insect, as in the case of the apple; but the arrangement of the unisexual flowers in the fig renders the first theory the more probable. In some districts a straw or small twig is thrust into the receptacle with a similar object. When ripe the figs are picked, and spread out to dry in the sun,—those of better quality being much pulled and extended by hand during the process. Thus prepared, the fruit is packed closely in barrels, rush baskets, or wooden boxes, for commerce. The best kind, known as elemi, are shipped at Smyrna, where the pulling and packing of figs form one of the most important industries of the people.

This fruit still constitutes a large part of the food of the natives of western Asia and southern Europe, both in the fresh and dried state. A sort of cake made by mashing up the inferior kinds serves in parts of the Archipelago as a substitute for bread. Alcohol is obtained from fermented figs in some southern countries; and a kind of wine, still made from the ripe fruit, was known to the ancients, and mentioned by Pliny under the name of sycites. Medicinally the fig is employed as a gentle laxative, when eaten abundantly often proving useful in chronic constipation; it forms a part of the well-known “confection of senna.” The milky juice of the stems and leaves is very acrid, and has been used in some countries for raising blisters. The wood is porous and of little value; though a piece, saturated with oil and spread with emery, is in France a common substitute for a hone.

The fig is grown for its fresh fruit (eaten as an article of dessert) in all the milder parts of Europe, and in the United States, with protection in winter, succeeds as far north as Pennsylvania. The fig was introduced into England by Cardinal Pole, from Italy, early in the 16th century. It lives to a great age, and along the southern coast of England bears fruit abundantly as a standard; but in Scotland and in many parts of England a south wall is indispensable for its successful cultivation out of doors.

Fig trees are propagated by cuttings, which should be put into pots, and placed in a gentle hotbed. They may be obtained more speedily from layers, which should consist of two or three years old shoots, and these, when rooted, will form plants ready to bear fruit the first or second year after planting. The best soil for a fig border is a friable loam, not too rich, but well drained; a chalky subsoil is congenial to the tree, and, to correct the tendency to over-luxuriance of growth, the roots should be confined within spaces surrounded by a wall enclosing an area of about a square yard. The sandy soil of Argenteuil, near Paris, suits the fig remarkably well; but the best trees are those which grow in old quarries, where their roots are free from stagnant water, and where they are sheltered from cold, while exposed to a very hot sun, which ripens the fruit perfectly. The fig succeeds well planted in a paved court against a building with a south aspect.

The fig tree naturally produces two sets of shoots and two crops of fruit in the season. The first shoots generally show young figs in July and August, but these in the climate of England very seldom ripen, and should therefore be rubbed off. The late or midsummer shoots likewise put forth fruit-buds, which, however, do not develop themselves till the following spring; and these form the only crop of figs on which the British gardener can depend.

The fig tree grown as a standard should get very little pruning, the effect of cutting being to stimulate the buds to push shoots too vigorous for bearing. When grown against a wall, it has been recommended that a single stem should be trained to the height of a foot. Above this a shoot should be trained to the right, and another to the left; from these principals two other subdivisions should be encouraged, and trained 15 in. apart; and along these branches, at distances of about 8 in., shoots for bearing, as nearly as possible of equal vigour, should be encouraged. The bearing shoots produced along the leading branches should be trained in at full length, and in autumn every alternate one should be cut back to one eye. In the following summer the trained shoots should bear and ripen fruit, and then be cut back in autumn to one eye, while shoots from the bases of those cut back the previous autumn should be trained for succession. In this way every leading branch will be furnished alternately with bearing and successional shoots.

When protection is necessary, as it may be in severe winters, though it is too often provided in excess, spruce branches have been found to answer the purpose exceedingly well, owing to the fact that their leaves drop off gradually when the weather becomes milder in spring, and when the trees require less protection and more light and air. The principal part requiring protection is the main stem, which is more tender than the young wood.

In forcing, the fig requires more heat than the vine to bring it into leaf. It may be subjected to a temperature of 50° at night, and from 60° to 65 ° C in the day, and this should afterwards be increased to 60° and 65° by night, and 70° to 75° by day, or even higher by sun heat, giving plenty of air at the same time. In this temperature the evaporation from the leaves is very great, and this must be replaced and the wants of the swelling fruit supplied by daily watering, by syringing the foliage, and by moistening the floor, this atmospheric moisture being also necessary to keep down the red spider. When the crop begins to ripen, a moderately dry atmosphere should be maintained, with abundant ventilation when the weather permits.

The fig tree is easily cultivated in pots, and by introducing the plants into heat in succession the fruiting season may be considerably extended. The plants should be potted in turfy loam mixed with charcoal and old mortar rubbish, and in summer top-dressings of rotten manure, with manure water two or three times a week, will be beneficial. While the fruit is swelling, the pots should be plunged in a bed of fermenting leaves.

The following are a few of the best figs; those marked F, are good forcing sorts, and those marked W. suitable for walls:—

Agen: brownish-green, turbinate.

Brown Ischia, F.: chestnut-coloured, roundish-turbinate.

Brown Turkey (Lee’s Perpetual), F., W.: purplish-brown, turbinate.

Brunswick, W.: brownish-green, pyriform.

Col di Signora Bianca, F.: greenish-yellow, pyriform.

Col di Signora Nero: dark chocolate, pyriform.

Early Violet, F.: brownish-purple, roundish.

Grizzly Bourjassotte: chocolate, round.

Grosse Monstreuse de Lipari: pale chestnut, turbinate.

Negro Largo, F.: black, long pyriform.

White Ischia, F.: greenish-yellow, roundish-obovate.

White Marseilles, F., W.: pale green, roundish-obovate.

The sycamore fig, Ficus Sycomorus, is a tree of large size, with heart-shaped leaves, which, from their fancied resemblance to those of the mulberry, gave origin to the name Συκόμορος. From the deep shade cast by its spreading branches, it is a favourite tree in Egypt and Syria, being often planted along roads and near houses. It bears a sweet edible fruit, somewhat like that of the common fig, but produced in racemes on the older boughs. The apex of the fruit is sometimes removed, or an incision made in it, to induce earlier ripening. The ancients, after soaking it in water, preserved it like the common fig. The porous wood is only fit for fuel.

The sacred fig, peepul, or bo, Ficus religiosa, a large tree with heart-shaped, long-pointed leaves on slender footstalks, is much grown in southern Asia. The leaves are used for tanning, and afford lac, and a gum resembling caoutchouc is obtained from the juice; but in India it is chiefly planted with a religious object, being regarded as sacred by both Brahmans and Buddhists. The former believe that the last avatar of Vishnu took place beneath its shade. A gigantic bo, described by Sir J. Emerson Tennent as growing near Anarajapoora, in Ceylon, is, if tradition may be trusted, one of the oldest trees in the world. It is said to have been a branch of the tree under which Gautama Buddha became endued with his divine powers, and has always been held in the greatest veneration. The figs, however, hold as important a place in the religious fables of the East as the ash in the myths of Scandinavia.

Ficus elastica, the India-rubber tree (figure 2), the large, oblong, glossy leaves, and pink buds of which are so familiar in our greenhouses, furnishes most of the caoutchouc obtained from the East Indies. It grows to a large size, and is remarkable for the snake-like roots that extend in contorted masses around the base of the trunk. The small fruit is unfit for food.

Ficus bengalensis, or the Banyan, wild in parts of northern India, but generally planted throughout the country, has a woody stem, branching to a height of 70 to 100 ft. and of vast extent with heart-shaped entire leaves terminating in acute points. Every branch from the main body throws out its own roots, at first in small tender fibres, several yards from the ground; but these continually grow thicker until they reach the surface, when they strike in, increase to large trunks, and become parent trees, shooting out new branches from the top, which again in time suspend their roots, and these, swelling into trunks, produce other branches, the growth continuing as long as the earth contributes her sustenance. On the bank’s of the Nerbudda stood a celebrated tree of this kind, which is supposed to be that described by Nearchus, the admiral of Alexander the Great. This tree once covered an area so immense, that it was known to shelter no fewer than 7000 men, and though much reduced in size by the destructive power of the floods, the remainder was described by James Forbes (1749-1819), in his Oriental Memoirs (1813-1815) as nearly 2000 ft. in circumference, while the trunks large and small exceeded 3000 in number. The tree usually grows from seeds dropped by birds on other trees. The leaf-axil of a palm forms a frequent receptacle for their growth, the palm becoming ultimately strangled by the growth of the fig, which by this time has developed numerous daughter stems which continue to expand and cover ultimately a large area. The famous tree in the Royal Botanic Gardens, Calcutta, began its growth at the end of the 18th century on a sacred date-palm. In 1907 it had nearly 250 aerial roots, the parent trunk was 42 ft. in girth, and its leafy crown had a circumference of 857 ft.; and it was still growing vigorously. Both this tree and F. religiosa cause destruction to buildings, especially in Bengal, from seeds dropped by birds germinating on the walls. The tree yields an inferior rubber, and a coarse rope is prepared from the bark and from the aerial roots.

Of these the case of the Barren Fig-tree (Mark. xi. 12-14, 20-21: compare Matt. xxi. 18-20), which Jesus cursed and which then withered away, has been much discussed among theologians. The difficulty is in Mark xi. 13: “And seeing a fig-tree afar off having leaves, he came, if haply he might find anything thereon; and when he came to it he found nothing but leaves, for the time of figs was not yet.” These last words obviously raise the question whether the expectation of Jesus of finding figs, and his cursing of the tree on finding none, were not unreasonable. Many ingenious solutions have been propounded, by suggested emendations of the text and otherwise, for which consult M’Clintock and Strong’s Cyclopaedia of Biblical Literature (sub “Fig”) and the Encyclopaedia Biblica (“Fig-tree”); the former demurs to the unreasonableness, and contends that the appearance of the leaves at this season (March) indicated a pretentious precocity in this particular fig-tree, so that Jesus was entitled to expect that it would also have fruit, even though the season had not arrived; the Ency. Biblica, on the other hand, supposes that some “early Christian,” confounding parable with history, has misunderstood the parable in Luke xiii. 6-9, and, forgetting that the season was not one for figs, has transformed it here into the narrative of an act of Jesus. The probability seems to be that the words “for the time of figs was not yet” are an unintelligent gloss by an early reader, which has made its way into the text. For authorities see the works mentioned above.

From Lat. caprificus, a wild fig; O. Eng. caprifig.

FIGARO, a famous dramatic character first introduced on the stage by Beaumarchais in the Barbier de Séville, the Mariage de Figaro, and the Folle Journée. The name is said to be an old Spanish and Italian word for a wigmaker, connected with the verb cigarrar, to roll in paper. Many of the traits of the character are to be found in earlier comic types of the Roman and Italian stage, but as a whole the conception was marked by great originality; and Figaro soon, seized the popular imagination, and became the recognized representative of daring, clever and nonchalant roguery and intrigue. Almost immediately after its appearance, Mozart chose the Marriage of Figaro as the subject of an opera, and the Barber of Seville was treated first by Paisiello, and afterwards in 1816 by Rossini. In 1826 the name of the witty rogue was taken by a journal which continued till 1833 to be one of the principal Parisian periodicals, numbering among its contributors such men as Jules Janin, Paul Lacroix, Léon Gozlan, Alphonse Karr, Dr Veron, Jules Sandeau and George Sand. Various abortive attempts were made to restore the Figaro during the next twenty years; and in 1854 the efforts of M. de Villemessant were crowned with success (see Newspapers: France).

See Marc Monnier, Les Aieux de Figaro (1868); H. de Villemessant, Mémoires d’un journaliste (1867).

FIGEAC, a town of south-western France, capital of an arrondissement in the department of Lot, 47 m. E.N.E. of Cahors on the Orléans railway. Pop. (1906) 4330. It is enclosed by an amphitheatre of wooded and vine-clad hills, on the right bank of the Célé, which is here crossed by an old bridge. It is ill-built and the streets are narrow and dirty; on the outskirts shady boulevards have taken the place of the ramparts by which it was surrounded. The town is very rich in old houses of the 13th and 14th centuries; among them may be mentioned the Hôtel de Balène, of the 14th century, used as a prison. Another house, dating from the 15th century, was the birthplace of the Egyptologist J.F. Champollion, in memory of whom the town has erected an obelisk. The principal church is that of St Sauveur, which once belonged to the abbey of Figeac. It was built at the beginning of the 12th century, but restored later; the façade in particular is modern. Notre-Dame du Puy, in the highest part of the town, belongs to the 12th and 13th centuries. It has no transept and its aisles extend completely round the interior. The altar-screen is a fine example of carved woodwork of the end of the 17th century. Of the four obelisks which used to mark the limits of the authority of the abbots of Figeac, those to the south and the west of the town remain. Figeac is the seat of a subprefect and has a tribunal of first instance, and a communal college. Brewing, tanning, printing, cloth-weaving and the manufacture of agricultural implements are among the industries. Trade is in cattle, leather, wool, plums, walnuts and grain, and there are zinc mines in the neighbourhood.

Figeac grew up round an abbey founded by Pippin the Short in the 8th century, and throughout the middle ages it was the property of the monks. At the end of the 16th century the lordship was acquired by King Henry IV.’s minister, the duke of Sully, who sold it to Louis XIII. in 1622.

FIGUEIRA DA FOZ, or Figueira, a seaport of central Portugal, in the district of Coimbra, formerly included in the province of Beira; on the north bank of the river Mondego, at its mouth, and at the terminus of the Lisbon-Figueira and Guarda-Figueira railways. Pop. (1900) 6221. Figueira da Foz is an important fishing-station, and one of the headquarters of the coasting trade in grain, fruit, wine, olive oil, cork and coal; but owing to the bar at the mouth of the Mondego large ships cannot enter. Glass is manufactured, and the city attracts many visitors by its excellent climate and sea-bathing. A residential suburb, the Bairro Novo, exists chiefly for their accommodation, to the north-west of the old town. Figueira is connected by a tramway running 4 m. N. W. with Buarcos (pop. 5033) and with the coal-mines of Cape Mondego. Lavos (pop. 7939), on the south bank of the Mondego, was the principal landing-place of the British troops which came, in 1808, to take part in the Peninsular War. Figueira da Foz received the title and privileges of city by a decree dated the 20th of September 1882.

FIGUERAS, a town of north-eastern Spain, in the province of Gerona, 14 m. S. of the French frontier, on the Barcelona-Perpignan railway. Pop. (1900) 10,714. Figueras is built at the foot of the Pyrenees, and on the northern edge of El Ampurdan, a fertile and well-irrigated plain, which produces wine, olives and rice, and derives its name from the seaport of Ampurias, the ancient Emporiae. The castle of San Fernando, 1 m. N.W., is an irregular pentagonal structure, built by order of Ferdinand VI. (1746-1759), on the site of a Capuchin convent. Owing to its situation, and the rocky nature of the ground over which a besieger must advance, it is still serviceable as the key to the frontier. It affords accommodation for 16,000 men and is well provided with bomb-proof cover. In 1794 Figueras was surrendered to the French, but it was regained in 1795. During the Peninsular War it was taken by the French in 1808, recaptured by the Spaniards in 1811, and retaken by the French in the same year. In 1823, after a long defence, it was once more captured by the French. An annual pilgrimage from Figueras to the chapel of Nuestra Señora de Requesens, 15 m. N., commemorates the deliverance of the town from a severe epidemic of fever in 1612.

FIGULUS, PUBLIUS NIGIDIUS (c. 98-45 B.C.), Roman savant, next to Varro the most learned Roman of the age. He was a friend of Cicero, to whom he gave his support at the time of the Catilinarian conspiracy (Plutarch, Cicero, 20; Cicero, Pro Sulla, xiv. 42). In 58 he was praetor, sided with Pompey in the Civil War, and after his defeat was banished by Caesar, and died in exile. According to Cicero (Timaeus, 1), Figulus endeavoured with some success to revive the doctrines of Pythagoreanism. With this was included mathematics, astronomy and astrology, and even the magic arts. According to Suetonius (Augustus, 94) he foretold the greatness of the future emperor on the day of his birth, and Apuleius (Apologia, 42) records that, by the employment of “magic boys” (magici pueri), he helped to find a sum of money that had been lost. Jerome (the authority for the date of his death) calls him Pythagoricus et magus. The abstruse nature of his studies, the mystical character of his writings, and the general indifference of the Romans to such subjects, caused his works to be soon forgotten. Amongst his scientific, theological and grammatical works mention may be made of De diis, containing an examination of various cults and ceremonials; treatises on divination and the interpretation of dreams; on the sphere, the winds and animals. His Commentarii grammatici in at least 29 books was an ill-arranged collection of linguistic, grammatical and antiquarian notes. In these he expressed the opinion that the meaning of words was natural, not fixed by man. He paid especial attention to orthography, and sought to differentiate the meanings of cases of like ending by distinctive marks (the apex to indicate a long vowel is attributed to him). In etymology he endeavoured to find a Roman explanation of words where possible (according to him frater was = fere alter). Quintilian (Instit. orat. xi, 3. 143) speaks of a rhetorical treatise De gestu by him.

See Cicero, Ad Fam. iv. 13; scholiast on Lucan i. 639; several references in Aulus Gellius; Teuffel, Hist. of Roman Literature, 170; M. Hertz, De N.F. studiis atque operibus (1845); Quaestiones Nigidianae (1890), and edition of the fragments (1889) by A. Swoboda.

FIGURATE NUMBERS, in mathematics. If we take the sum of n terms of the series 1 + 1 + 1 + ..., i.e. n, as the nth term of a new series, we obtain the series 1 + 2 + 3 + ..., the sum of n terms of which is ½n · n + 1. Taking this sum as the nth term, we obtain the series 1 + 3 + 6 + 10 + ..., which has for the sum of n terms n (n + 1) (n + 2) / 3! This sum is taken as the nth term of the next series, and proceeding in this way we obtain series having the following nth terms:—

1, n, n(n + 1)/2!, n(n + 1)(n + 2)/3!, ...n(n+1) ...(n + r − 2)/(r − 1)!.

The numbers obtained by giving n any value in these expressions are of the first, second, third, ... or rth order of figurate numbers.

Pascal treated these numbers in his Traité du triangle arithmetique (1665), using them to develop a theory of combinations and to solve problems in probability. His table is here shown in its simplest form. It is to be noticed that each number is the sum of the numbers immediately above and to the left of it; and that the numbers along a line, termed a base, which cuts off an equal number of units along the top row and column are the coefficients in the binomial expansion of (1 + x)r−1, where r represents the number of units cut off.

The notation n! denotes the product 1 · 2 · 3 · ... n, and is termed “factorial n.”

FIJI (Viti), a British colony consisting of an archipelago in the Pacific Ocean, the most important in Polynesia, between 15° and 20° S., and on and about the meridian of 180°. The islands number about 250, of which some 80 are inhabited. The total land area is 7435 sq. m. (thus roughly equalling that of Wales), and the population is about 121,000. The principal island is Viti Levu, 98 m. in length (E. to W.) and 67 in extreme breadth, with an area of 4112 sq. m. Forty miles N.E. lies Vanua Levu, measuring 117 m. by 30, with an area of 2432 sq. m. Close off the south-eastern shore of Vanua Levu is Taviuni, 26 m. in length by 10 in breadth; Kandavu or Kadavu, 36 m. long and very narrow, is 41 m. S. of Viti Levu, and the three other main islands, lying east of Viti Levu in the Koro Sea, are Koro, Ngau or Gau, and Ovalau. South-east from Vanua Levu a loop of islets extends nearly to 20° S., enclosing the Koro Sea. North-west of Viti Levu lies another chain, the Yasawa or western group; and, finally, the colony includes the island of Rotumah (q.v.), 300 m. N.W. by N. of Vanua Levu.

The formation of the larger islands is volcanic, their surface rugged, their vegetation luxuriant, and their appearance very beautiful; their hills rise often above 3000, and, in the case of a few summits, above 4000 ft., and they contrast strongly with the low coral formation of the smaller members of the group. There is not much level country, except in the coral islets, and certain rich tracts along the coasts of the two large islands, especially near the mouths of the rivers. The large islands have a considerable extent of undulating country, dry and open on their lee sides. Streams and rivers are abundant, the latter very large in proportion to the size of the islands, affording a waterway to the rich districts along their banks. These and the extensive mud flats and deltas at their mouths are often flooded, by which their fertility is increased, though at a heavy cost to the cultivator. The Rewa, debouching through a wide delta at the south-east of Viti Levu, is navigable for small vessels for 40 m. There are also in this island the Navua and Sigatoka (flowing S.), the Nandi (W.), and the Ba (N.W.). The Dreketi, flowing W., is the chief stream of Vanua Levu. It breaches the mountains in a fine valley; for this island consists practically of one long range, whereas the main valleys and ranges separating them in Viti Levu radiate for the most part from a common centre. With few exceptions the islands are surrounded by barriers of coral, broken by openings opposite the mouths of streams. Viti Levu is the most important island not only from its size, but from its fertility, variety of surface, and population, which is over one-third of that of the whole group. The town of Suva lies on an excellent harbour at the south-east of the island, and has been the capital of the colony since 1882, containing the government buildings and other offices. Vanua Levu is less fertile than Viti Levu; it has good anchorages along its entire southern coast. Of the other islands, Taviuni, remarkable for a lake (presumably a crater-lake) at the top of its lofty central ridge, is fertile, but exceptionally devoid of harbours; whereas the well-timbered island of Kandavu has an excellent one. On the eastern shore of Ovalau, an island which contains in a small area a remarkable series of gorge-like valleys between commanding hills, is the town of Levuka, the capital until 1882. It stands partly upon the narrow shore, and partly climbs the rocky slope behind. The chief islands on the west of the chain enclosing the Koro Sea are Koro, Ngau, Moala and Totoya, all productive, affording good anchorage, elevated and picturesque. The eastern islands of the chain are smaller and more numerous, Vanua Batevu (one of the Exploring Group) being a centre of trade. Among others, Mago is remarkable for a subterranean outlet of the waters of the fertile valley in its midst.

The land is of recent geological formation, the principal ranges being composed of igneous rock, and showing traces of much volcanic disturbance. There are boiling springs in Vanua Levu and Ngau, and slight shocks of earthquake are occasionally felt. The tops of many of the mountains, from Kandavu in the S.W., through Nairai and Koro, to the Ringgold group in the N.E., have distinct craters, but their activity has long ceased. The various decomposing volcanic rocks—tufas, conglomerates and basalts—mingled with decayed vegetable matter, and abundantly watered, form a very fertile soil. Most of the high peaks on the larger islands are basaltic, and the rocks generally are igneous, with occasional upheaved coral found sometimes over 1000 ft. above the sea; but certain sedimentary rocks observed on Viti Levu seem to imply a nucleus of land of considerable age. Volcanic activity in the neighbourhood is further shown by the quantities of pumice-stone drifted on to the south coasts of Kandavu and Viti Levu; malachite, antimony and graphite, gold in small quantities, and specular iron-sand occur.

Climate.—The colony is beyond the limits of the perpetual S.E. trades, while not within the range of the N.W. monsoons. From April to November the winds are steady between S.E. and E.N.E., and the climate is cool and dry, after which the weather becomes uncertain and the winds often northerly, this being the wet warm season. In February and March heavy gales are frequent, and hurricanes sometimes occur, causing scarcity by destroying the crops. The rainfall is much greater on the windward than on the lee sides of the islands (about 110 in. at Suva), but the mean temperature is much the same, viz., about 80° F. In the hills the temperature sometimes falls below 50°. The climate, especially from November to April, is somewhat enervating to the Englishman, but not unhealthy. Fevers are hardly known. Dysentery, which is common, and the most serious disease in the islands, is said to have been unknown before the advent of Europeans.

Fauna.—Besides the dog and the pig, which (with the domestic fowl) must have been introduced in early times, the only land mammals are certain species of rats and bats. Insects are numerous, but the species few. Bees have been introduced. The avifauna is not remarkable. Birds of prey are few; the parrot and pigeon tribes are better represented. Fishes, of an Indo-Malay type, are numerous and varied; Mollusca, especially marine, and Crustaceae are also very numerous. These three form an important element in the food supply.

Flora.—The vegetation is mostly of a tropical Indo-Malayan character—thick jungle with great trees covered with creepers and epiphytes. The lee sides of the larger islands, however, have grassy plains suitable for grazing, with scattered trees, chiefly Pandanus, and ferns. The flora has also some Australian and New Zealand affinities (resembling in this respect the New Caledonia and New Hebrides groups), shown especially in these western districts by the Pandanus, by certain acacias and others. At an elevation of about 2000 ft. the vegetation assumes a more mountainous type. Among the many valuable timber trees are the vesi (Afzelia bijuga); the dilo (Calophyllum Inophyllum), the oil from its seeds being much used in the islands, as in India, in the treatment of rheumatism; the dakua (Dammara Vitiensis), allied to the New Zealand kauri, and others. The dakua or Fiji pine, however, has become scarce. Most of the fruit trees are also valuable as timber. The native cloth (masi) is beaten out from the bark of the paper mulberry cultivated for the purpose. Of the palms the cocoanut is by far the most important. The yasi or sandal-wood was formerly a valuable product, but is now rarely found. There are various useful drugs, spices and perfumes; and many plants are cultivated for their beauty, to which the natives are keenly alive. Among the plants used as pot-herbs are several ferns, and two or three Solanums, one of which, S. anthropophagorum, was one of certain plants always cooked with human flesh, which was said to be otherwise difficult of digestion. The use of the kava root, here called yanggona, from which the well-known national beverage is made, is said to have been introduced from Tonga. Of fruit trees, besides the cocoanut, there may be mentioned the many varieties of the bread-fruit, of bananas and plantains, of sugar-cane and of lemon; the wi (Spondias dulcis), the kavika (Eugenia malaccensis), the ivi or Tahitian chestnut (Inocarpus edulis), the pine-apple and others introduced in modern times. Edible roots are especially abundant. The chief staple of life is the yam, the names of several months in the calendar having reference to its cultivation and ripening. The natives use no grain or pulse, but make a kind of bread (mandrai) from this, the taro, and other roots, as well as from the banana (which is the best), the bread-fruit, the ivi, the kavika, the arrowroot, and in times of scarcity the mangrove. This bread is made by burying the materials for months, till the mass is thoroughly fermented and homogeneous, when it is dug up and cooked by baking or steaming. This simple process, applicable to such a variety of substances, is a valuable security against famine.

People.—The Fijians are a people of Melanesian (Papuan) stock much crossed with Polynesians (Tongans and Samoans). They occupy the extreme east limits of Papuan territory and are usually classified as Melanesians; but they are physically superior to the pure examples of that race, combining their dark colour, harsh hirsute skin, crisp hair, which is bleached with lime and worn in an elaborately trained mop, and muscular limbs, with the handsome features and well proportioned bodies of the Polynesians. They are tall and well built. The features are strongly marked, but not unpleasant, the eyes deep set, the beard thick and bushy. The chiefs are fairer, much better-looking, and of a less negroid type of face than the people. This negroid type is especially marked on the west coasts, and still more in the interior of Viti Levu. The Fijians have other characteristics of both Pacific races, e.g. the quick intellect of the fairer, and the savagery and suspicion of the dark. They wear a minimum of covering, but, unlike the Melanesians, are strictly decent, while they are more moral than the Polynesians. They are cleanly and particular about their personal appearance, though, unlike other Melanesians, they care little for ornament, and only the women are tattooed. A partial circumcision is practised, which is exceptional with the Melanesians, nor have these usually an elaborate political and social system like that of Fiji. The status of the women is also somewhat better, those of the upper class having considerable freedom and influence. If less readily amenable to civilizing influences than their neighbours to the eastward, the Fijians show greater force of character and ingenuity. Possessing the arts of both races they practise them with greater skill than either. They understand the principle of division of labour and production, and thus of commerce. They are skilful cultivators and good boat-builders, the carpenters being an hereditary caste; there are also tribes of fishermen and sailors; their mats, baskets, nets, cordage and other fabrics are substantial and tasteful; their pottery, made, like many of the above articles, by women, is far superior to any other in the South Seas; but many native manufactures have been supplanted by European goods.

The Fijians were formerly notorious for cannibalism, which may have had its origin in religion, but long before the first contact with Europeans had degenerated into gluttony. The Fijian’s chief table luxury was human flesh, euphemistically called by him “long pig,” and to satisfy his appetite he would sacrifice even friends and relatives. The Fijians combined with this greediness a savage and merciless nature. Human sacrifices were of daily occurrence. On a chief’s death wives and slaves were buried alive with him. When building a chief’s house a slave was buried alive in the hole dug for each foundation post. At the launching of a war-canoe living men were tied hand and foot between two plantain stems making a human ladder over which the vessel was pushed down into the water. The people acquiesced in these brutal customs, and willingly met their deaths. Affection and a firm belief in a future state, in which the exact condition of the dying is continued, are the Fijians’ own explanations of the custom, once universal, of killing sick or aged relatives. Yet in spite of this savagery the Fijians have always been remarkable for their hospitality, open-handedness and courtesy. They are a sensitive, proud, if vindictive, and boastful people, with good conversational and reasoning powers, much sense of humour, tact and perception of character. Their code of social etiquette is minute and elaborate, and the graduations of rank well marked. These are (1) chiefs, greater and lesser; (2) priests; (3) Mata ni Vanua (lit., eyes of the land), employés, messengers or counsellors; (4) distinguished warriors of low birth; (5) common people; (6) slaves.

The family is the unit of political society. The families are grouped in townships or otherwise (qali) under the lesser chiefs, who again owe allegiance to the supreme chief of the matanitu or tribe. The chiefs are a real aristocracy, excelling the people in physique, skill, intellect and acquirements of all sorts; and the reverence felt for them, now gradually diminishing, was very great, and had something of a religious character. All that a man had belonged to his chief. On the other hand, the chief’s property practically belonged to his people, and they were as ready to give as to take. In a time of famine, a chief would declare the contents of the plantations to be common property. A system of feudal service-tenures (lala) is the institution on which their social and political fabric mainly depended. It allowed the chief to call for the labour of any district, and to employ it in planting, house or canoe-building, supplying food on the occasion of another chief’s visit, &c. This power was often used with much discernment; thus an unpopular chief would redeem his character by calling for some customary service and rewarding it liberally, or a district would be called on to supply labour or produce as a punishment. The privilege might, of course, be abused by needy or unscrupulous chiefs, though they generally deferred somewhat to public opinion; it has now, with similar customary exactions of cloth, mats, salt, pottery, &c. been reduced within definite limits. An allied custom, solevu, enabled a district in want of any particular article to call on its neighbours to supply it, giving labour or something else in exchange. Although, then, the chief is lord of the soil, the inferior chiefs and individual families have equally distinct rights in it, subject to payment of certain dues; and the idea of permanent alienation of land by purchase was never perhaps clearly realized. Another curious custom was that of vasu (lit. nephew). The son of a chief by a woman of rank had almost unlimited rights over the property of his mother’s family, or of her people. In time of war the chief claimed absolute control over life and property. Warfare was carried on with many courteous formalities, and considerable skill was shown in the fortifications. There were well-defined degrees of dependence among the different tribes or districts: the first of these, bati, is an alliance between two nearly equal tribes, but implying a sort of inferiority on one side, acknowledged by military service; the second, qali, implies greater subjection, and payment of tribute. Thus A, being bati to B, might hold C in qali, in which case C was also reckoned subject to B, or might be protected by B for political purposes.

The former religion of the Fijians was a sort of ancestor-worship, had much in common with the creeds of Polynesia, and included a belief in a future existence. There were two classes of gods—the first immortal, of whom Ndengei is the greatest, said to exist eternally in the form of a serpent, but troubling himself little with human or other affairs, and the others had usually only a local recognition. The second rank (who, though far above mortals, are subject to their passions, and even to death) comprised the spirits of chiefs, heroes and other ancestors. The gods entered and spoke through their priests, who thus pronounced on the issue of every enterprise, but they were not represented by idols; certain groves and trees were held sacred, and stones which suggest phallic associations. The priesthood usually was hereditary, and their influence great, and they had generally a good understanding with the chief. The institution of Taboo existed in full force. The mburé or temple was also the council chamber and place of assemblage for various purposes.

The weapons of the Fijians are spears, slings, throwing clubs and bows and arrows. Their houses, of which the framework is timber and the rest lattice and thatch, are ingeniously constructed, with great taste in ornamentation, and are well furnished with mats, mosquito-curtains, baskets, fans, nets and cooking and other utensils. Their canoes, sometimes more than 100 ft. long, are well built. Ever excellent agriculturists, their implements were formerly digging sticks and hoes of turtlebone or flat oyster-shells. In irrigation they showed skill, draining their fields with built watercourses and bamboo pipes. Tobacco, maize, sweet potatoes, yams, kava, taro, beans and pumpkins, are the principal crops.

Fijians are fond of amusements. They have various games, and dancing, story-telling and songs are especially popular. Their poetry has well-defined metres, and a sort of rhyme. Their music is rude, and is said to be always in the major key. They are clever cooks, and for their feasts preparations are sometimes made months in advance, and enormous waste results from them. Mourning is expressed by fasting, by shaving the head and face, or by cutting off the little finger. This last is sometimes done at the death of a rich man in the hope that his family will reward the compliment; sometimes it is done vicariously, as when one chief cuts off the little finger of his dependent in regret or in atonement for the death of another.

A steady, if not a very rapid, decrease in the native population set in after 1875. A terrible epidemic of measles in that year swept away 40,000, or about one-third of the Fijians. Subsequent epidemics have not been attended by anything like this mortality, but there has, however, been a steady decrease, principally among young children, owing to whooping-cough, tuberculosis and croup. Every Fijian child seems to contract yaws at some time in its life, a mistaken notion existing on the part of the parents that it strengthens the child’s physique. Elephantiasis, influenza; rheumatism, and a skin disease, thoko, also occur. One per cent of the natives are lepers. A commission appointed in 1891 to inquire into the causes of the native decrease collected much interesting anthropological information regarding native customs, and provincial inspectors and medical officers were specially appointed to compel the natives to carry out the sanitary reforms recommended by the commission. A considerable sum was also spent in laying on good water to the native villages. The Fijians show no disposition to intermarry with the Indian coolies. The European half-castes are not prolific inter se, and they are subject to a scrofulous taint. The most robust cross in the islands is the offspring of the African negro and the Fijian. Miscegenation with the Micronesians, the only race in the Pacific which is rapidly increasing, is regarded as the most hopeful manner of preserving the native Fijian population. There is a large Indian immigrant population.

Trade, Administration, &c.—The principal industries are the cultivation of sugar and fruits and the manufacture of sugar and copra, and these three are the chief articles of export trade, which is carried on almost entirely with Australia and New Zealand. The fruits chiefly exported are bananas and pineapples. There are also exported maize, vanilla and a variety of fruits in small quantities; pearl and other shells and bêche-de-mer. There is a manufacture of soap from coconut oil; a fair quantity of tobacco is grown, and among other industries may be included boat-building and saw-milling. Regular steamship communications are maintained with Sydney, Auckland and Vancouver. Good bridle-tracks exist in all the larger islands, and there are some macadamized roads, principally in Viti Levu. There is an overland mail service by native runners. The export trade is valued at nearly £600,000 annually, and the imports at £500,000. The annual revenue of the colony is about £140,000 and the expenditure about £125,000. The currency and weights and measures are British. Besides the customs and stamp duties, some £18,000 of the annual revenue is raised from native taxation. The seventeen provinces of the colony (at the head of which is either a European or a roko tui or native official) are assessed annually by the legislative council for a fixed tax in kind. The tax on each province is distributed among districts under officials called bulis, and further among villages within these districts. Any surplus of produce over the assessment is sold to contractors, and the money received is returned to the natives.

Under a reconstruction made in 1904 there is an executive council consisting of the governor and four official members. The legislative council consists of the governor, ten official, six elected and two native members. The native chiefs and provincial representatives meet annually under the presidency of the governor, and their recommendations are submitted for sanction to the legislative council. Suva and Levuka have each a municipal government, and there are native district and village councils. There is an armed native constabulary; and a volunteer and cadet corps in Suva and Levuka.

The majority of the natives are Wesleyan Methodists. The Roman Catholic missionaries have about 3000 adherents; the Church of England is confined to the Europeans and kanakas in the towns; the Indian coolies are divided between Mahommedans and Hindus. There are public schools for Europeans and half-castes in the towns, but there is no provision for the education of the children of settlers in the out-districts. By an ordinance of 1890 provision was made for the constitution of school boards, and the principle was first applied in Suva and Levuka. The missions have established schools in every native village, and most natives are able to read and write their own language. The government has established a native technical school for the teaching of useful handicrafts. The natives show themselves very slow in adopting European habits in food, clothing and house-building.

History.—A few islands in the north-east of the group were first seen by Abel Tasman in 1643. The southernmost of the group, Turtle Island, was discovered by Cook in 1773. Lieutenant Bligh, approaching them in the launch of the “Bounty,” 1789, had a hostile encounter with natives. In 1827 Dumont d’Urville in the “Astrolabe” surveyed them much more accurately, but the first thorough survey was that of the United States exploring expedition in 1840. Up to this time, owing to the evil reputation of the islanders, European intercourse was very limited. The labours of the Wesleyan missionaries, however, must always have a prominent place in any history of Fiji. They came from Tonga in 1835 and naturally settled first in the eastern islands, where the Tongan element, already familiar to them, preponderated. They perhaps identified themselves too closely with their Tongan friends, whose dissolute, lawless, tyrannical conduct led to much mischief; but it should not be forgotten that their position was difficult, and it was mainly through their efforts that many terrible heathen practices were stamped out.

About 1804 some escaped convicts from Australia and runaway sailors established themselves around the east part of Viti Levu, and by lending their services to the neighbouring chiefs probably led to their preponderance over the rest of the group. Na Ulivau, chief of the small island of Mbau, established before his death in 1829 a sort of supremacy, which was extended by his brother Tanoa, and by Tanoa’s son Thakombau, a ruler of considerable capacity. In his time, however, difficulties thickened. The Tongans, who had long frequented Fiji (especially for canoe-building, their own islands being deficient in timber), now came in larger numbers, led by an able and ambitious chief, Maafu, who, by adroitly taking part in Fijian quarrels, made himself chief in the Windward group, threatening Thakombau’s supremacy. He was harassed, too, by an arbitrary demand for £9000 from the American government, for alleged injuries to their consul. Several chiefs who disputed his authority were crushed by the aid of King George of Tonga, who (1855) had opportunely arrived on a visit; but he afterwards, taking some offence, demanded £12,000 for his services. At last Thakombau, disappointed in the hope that his acceptance of Christianity (1854) would improve his position, offered the sovereignty to Great Britain (1859) with the fee simple of 100,000 acres, on condition of her paying the American claims. Colonel Smythe, R.A., was sent out to report on the question, and decided against annexation, but advised that the British consul should be invested with full magisterial powers over his countrymen, a step which would have averted much subsequent difficulty.

Meanwhile Dr B. Seemann’s favourable report on the capabilities of the islands, followed by a time of depression in Australia and New Zealand, led to a rapid increase of settlers—from 200 in 1860 to 1800 in 1869. This produced fresh complications, and an increasing desire among the respectable settlers for a competent civil and criminal jurisdiction. Attempts were made at self-government, and the sovereignty was again offered, conditionally, to England, and to the United States. Finally, in 1871, a “constitutional government” was formed by certain Englishmen under King Thakombau; but this, after incurring heavy debt, and promoting the welfare of neither whites nor natives, came after three years to a deadlock, and the British government felt obliged, in the interest of all parties, to accept the unconditional cession now offered (1874). It had besides long been thought desirable to possess a station on the route between Australia and Panama; it was also felt that the Polynesian labour traffic, the abuses in which had caused much indignation, could only be effectually regulated from a point contiguous to the recruiting field, and the locality where that labour was extensively employed. To this end the governor of Fiji was also created “high commissioner for the western Pacific.” Rotumah (q.v.) was annexed in 1881.

At the time of the British annexation the islands were suffering from commercial depression, following a fall in the price of cotton after the American Civil War. Coffee, tea, cinchona and sugar were tried in turn, with limited success. The coffee was attacked by the leaf disease; the tea could not compete with that grown by the cheap labour of the East; the sugar machinery was too antiquated to withstand the fall in prices consequent on the European sugar bounties. In 1878 the first coolies were imported from India and the cultivation of sugar began to pass into the hands of large companies working with modern machinery. With the introduction of coolies the Fijians began to fall behind in the development of their country. Many of the coolies chose to remain in the colony after the termination of their indentures, and began to displace the European country traders. With a regular and plentiful supply of Indian coolies, the recruiting of kanaka labourers practically ceased. The settlement of European land claims, and the measures taken for the protection of native institutions, caused lively dissatisfaction among the colonists, who laid the blame of the commercial depression at the door of the government; but with returning prosperity this feeling began to disappear. In 1900 the government of New Zealand made overtures to absorb Fiji. The Aborigines Society protested to the colonial office, and the imperial government refused to sanction the proposal.

See Smyth, Ten Months in the Fiji Islands (London, 1864); B. Seemann, Flora Vitiensis (London, 1865); and Viti: Account of a Government Mission in the Vitian or Fijian Islands (1860-1861); W.T. Pritchard, Polynesian Reminiscences (London, 1866); H. Forbes, Two Years in Fiji (London, 1875); Commodore Goodenough, Journal (London, 1876); H.N. Moseley, Notes of a Naturalist in the “Challenger” (London, 1879); Sir A.H. Gordon, Story of a Little War (Edinburgh, privately printed, 1879); J.W. Anderson, Fiji and New Caledonia (London, 1880); C.F. Gordon-Cumming, At Home in Fiji (Edinburgh, 1881); John Horne, A Year in Fiji (London, 1881); H.S. Cooper, Our New Colony, Fiji (London, 1882); S.E. Scholes, Fiji and the Friendly Islands (London, 1882); Princes Albert Victor and George of Wales, Cruise of H. M. S. “Bacchante” (London, 1886); A. Agassiz, The Islands and Coral Reefs of Fiji (Cambridge, Mass., U.S., 1899); H.B. Guppy, Observations of a Naturalist in the Pacific (1896-1899), vol. i.; Vanua Levu, Fiji (Phys. Geog. and Geology) (London, 1903); Lorimer Fison, Tales from Old Fiji (folk-lore, &c.) (London, 1904); B. Thomson, The Fijians (London, 1908).

FILANDER, the name by which the Aru Island wallaby (Macropus brunii) was first described. It occurs in a translation of C. de Bruyn’s Travels (ii. 101) published in 1737.

FILANGIERI, CARLO (1784-1867), prince of Satriano, Neapolitan soldier and statesman, was the son of Gaetano Filangieri (1752-1788), a celebrated philosopher and jurist. At the age of fifteen he decided on a military career, and having obtained an introduction to Napoleon Bonaparte, then first consul, was admitted to the Military Academy at Paris. In 1803 he received a commission in an infantry regiment, and took part in the campaign of 1805 under General Davoust, first in the Low Countries, and later at Ulm, Maria Zell and Austerlitz, where he fought with distinction, was wounded several times and promoted. He returned to Naples as captain on Masséna’s staff to fight the Bourbons and the Austrians in 1806, and subsequently went to Spain, where he followed Jerome Bonaparte in his retreat from Madrid. In consequence of a fatal duel he was sent back to Naples; there he served under Joachim Murat with the rank of general, and fought against the Anglo-Sicilian forces in Calabria and at Messina. On the fall of Napoleon he took part in Murat’s campaign against Eugène Beauharnais, and later in that against Austria, and was severely wounded at the battle of the Panaro (1815). On the restoration of the Bourbon king Ferdinand IV. (I.), Filangieri retained his rank and command, but found the army utterly disorganized and impregnated with Carbonarism. In the disturbances of 1820 he adhered to the Constitutionalist party, and fought under General Pepe (q.v.) against the Austrians. On the reestablishment of the autocracy he was dismissed from the service, and retired to Calabria where he had inherited the princely title and estates of Satriano. In 1831 he was recalled by Ferdinand II. and entrusted with various military reforms. On the outbreak of the troubles of 1848 Filangieri advised the king to grant the constitution, which he did in February 1848, but when the Sicilians formally seceded from the Neapolitan kingdom Filangieri was given the command of an armed force with which to reduce the island to obedience. On the 3rd of September he landed near Messina, and after very severe fighting captured the city. He then advanced southwards, besieged and took Catania, where his troops committed many atrocities, and by May 1849 he had conquered the whole of Sicily, though not without much bloodshed. He remained in Sicily as governor until 1855, when he retired into private life, as he could not carry out the reforms he desired owing to the hostility of Giovanni Cassisi, the minister for Sicily. On the death of Ferdinand II. (22nd of May 1859) the new king Francis II. appointed Filangieri premier and minister of war. He promoted good relations with France, then fighting with Piedmont against the Austrians in Lombardy, and strongly urged on the king the necessity of an alliance with Piedmont and a constitution as the only means whereby the dynasty might be saved. These proposals being rejected, Filangieri resigned office. In May 1860, Francis at last promulgated the constitution, but it was too late, for Garibaldi was in Sicily and Naples was seething with rebellion. On the advice of Liborio Romano, the new prefect of police, Filangieri was ordered to leave Naples. He went to Marseilles with his wife and subsequently to Florence, where at the instance of General La Marmora he undertook to write an account of the Italian army. Although he adhered to the new government he refused to accept any dignity at its hands, and died at his villa of San Giorgio a Cremano near Naples on the 9th of October 1867.

Filangieri was a very distinguished soldier, and a man of great ability; although he changed sides several times he became really attached to the Bourbon dynasty, which he hoped to save by freeing it from its reactionary tendencies and infusing a new spirit into it. His conduct in Sicily was severe and harsh, but he was not without feelings of humanity, and he was an honest man and a good administrator.

His biography has been written by his daughter Teresa Filangieri Fieschi-Ravaschieri, Il Generale Carlo Filangieri (Milan, 1902), an interesting, although somewhat too laudatory volume based on the general’s own unpublished memoirs; for the Sicilian expedition see V. Finocchiaro, La Rivoluzione siciliana del 1848-49 (Catania, 1906, with bibliography), in which Filangieri is bitterly attacked; see also under Naples; Ferdinand IV.; Francis I.; Ferdinand II.; Francis II.

(L. V.*)

FILANGIERI, GAETANO (1752-1788), Italian publicist, was born at Naples on the 18th of August 1752. His father, Caesar, prince of Arianiello, intended him for a military career, which he commenced at the early age of seven, but soon abandoned for the study of the law. At the bar his knowledge and eloquence early secured his success, while his defence of a royal decree reforming abuses in the administration of justice gained him the favour of the king, Charles, afterwards Charles III. of Spain, and led to several honourable appointments at court. The first two books of his great work, La Scienza della legislazione, appeared in 1780. The first book contained an exposition of the rules on which legislation in general ought to proceed, while the second was devoted to economic questions. These two books showed him an ardent reformer, and vehement in denouncing the abuses of his time. He insisted on unlimited free trade, and the abolition of the medieval institutions which impeded production and national well-being. Its success was great and immediate not only in Italy, but throughout Europe at large. In 1783 he married, resigned his appointments at court, and retiring to Cava, devoted himself steadily to the completion of his work. In the same year appeared the third book, relating entirely to the principles of criminal jurisprudence. The suggestion which he made in it as to the need for reform in the Roman Catholic church brought upon him the censure of the ecclesiastical authorities, and it was condemned by the congregation of the Index in 1784. In 1785 he published three additional volumes, making the fourth book of the projected work, and dealing with education and morals. In 1787 he was appointed a member of the supreme treasury council by Ferdinand IV., but his health, impaired by close study and over-work in his new office, compelled his withdrawal to the country at Vico Equense. He died somewhat suddenly on the 21st of July 1788, having just completed the first part of the fifth book of his Scienza. He left an outline of the remainder of the work, which was to have been completed in six books.

La Scienza della legislazione has gone through many editions, and has been translated into most of the languages of Europe. The best Italian edition is in 5 vols. 8vo. (1807). The Milan edition (1822) contains the Opusculi scelti and a life by Donato Tommasi. A French translation appeared in Paris in 7 vols. 8vo. (1786-1798); it was republished in 1822-1824, with the addition of the Opuscles and notes by Benjamin Constant. The Science of Legislation was translated into English by Sir R. Clayton (London, 1806).

FILARIASIS, the name of a disease due to the nematode Filaria sanguinis hominis. A milky appearance of the urine, due to the presence of a substance like chyle, which forms a clot, had been observed from time to time, especially in tropical and subtropical countries; and it was proved by Dr Wucherer of Bahia, and by Dr Timothy Lewis, that this peculiar condition is uniformly associated with the presence in the blood of minute eel-like worms, visible only under the microscope, being the embryo forms of a Filaria (see Nematoda). Sometimes the discharge of lymph takes place at one or more points of the surface of the body, and there is in other cases a condition of naevoid elephantiasis of the scrotum, or lymph-scrotum. More or less of blood may occur along with the chylous fluid in the urine. Both the chyluria and the presence of filariae in the blood are curiously intermittent; it may happen that not a single filaria is to be seen during the daytime, while they swarm in the blood at night, and it has been ingeniously shown by Dr S. Mackenzie that they may be made to disappear if the patient sits up all night, reappearing while he sleeps through the day.

Sir P. Manson proved that mosquitoes imbibe the embryo filariae from the blood of man; and that many of these reach full development within the mosquito, acquiring their freedom when the latter resorts to water, where it dies after depositing its eggs. Mosquitoes would thus be the intermediate host of the filariae, and their introduction into the human body would be through the medium of water (see Parasitic Diseases).

FILDES, SIR LUKE (1844- ), English painter, was born at Liverpool, and trained in the South Kensington and Royal Academy schools. At first a highly successful illustrator, he took rank later among the ablest English painters, with “The Casual Ward” (1874), “The Widower” (1876), “The Village Wedding” (1883), “An Al-fresco Toilette” (1889); and “The Doctor” (1891), now in the National Gallery of British Art. He also painted a number of pictures of Venetian life and many notable portraits, among them the coronation portraits of King Edward VII. and Queen Alexandra. He was elected an associate of the Royal Academy in 1879, and academician in 1887; and was knighted in 1906.

See David Croal Thomson, The Life and Work of Luke Fildes, R.A. (1895).

FILE. 1. A bar of steel having sharp teeth on its surface, and used for abrading or smoothing hard surfaces. (The O. Eng. word is féol, and cognate forms appear in Dutch vijl, Ger. Feile, &c.; the ultimate source is usually taken to be an Indo-European root meaning to mark or scratch, and seen in the Lat. pingere, to paint.) Some uncivilized tribes polish their weapons with such things as rough stones, pieces of shark skin or fishes’ teeth. The operation of filing is recorded in 1 Sam. xiii. 21; and, among other facts, the similarity of the name for the filing instrument among various European peoples points to an early practice of the art. A file differs from a rasp (which is chiefly used for working wood, horn and the like) in having its teeth cut with a chisel whose straight edge extends across its surface, while the teeth of the rasp are formed by solitary indentations of a pointed chisel. According to the form of their teeth, files may be single-cut or double-cut; the former have only one set of parallel ridges (either at right angles or at some other angle with the length); the latter (and more common) have a second set cut at an angle with the first. The double-cut file presents sharp angles to the filed surface, and is better suited for hard metals. Files are classed according to the fineness of their teeth (see Tool), and their shapes present almost endless varieties. Common forms are—the flat file, of parallelogram section, with uniform breadth and thickness, or tapering, or “bellied”; the four-square file, of square section, sometimes with one side “safe,” or left smooth; and the so-called three-square file, having its cross section an equilateral triangle, the half-round file, a segment of a circle, the round or rat-tail file, a circle, which are generally tapered. The float file is like the flat, but single-cut. There are many others. Files vary in length from three-quarters of an inch (watchmakers’) to 2 or 3 ft. and upwards (engineers’). The length is reckoned exclusively of the spike or tang which enters the handle. Most files are tapered; the blunt are nearly parallel, with larger section near the middle; a few are parallel. The rifflers of sculptors and a few other files are curvilinear in their central line.

In manufacturing files, steel blanks are forged from bars which have been sheared or rolled as nearly as possible to the sections required, and after being carefully annealed are straightened, if necessary, and then rendered clean and accurate by grinding or filing. The process of cutting them used to be largely performed by hand, but machines are now widely employed. The hand-cutter, holding in his left hand a short chisel (the edge of which is wider than the width of the file), places it on the blank with an inclination from the perpendicular of 12° or 14°, and beginning near the farther end (the blank is placed with the tang or handle end towards him) strikes it sharply with a hammer. An indentation is thus made, and the steel, slightly thrown up on the side next the tang, forms a ridge. The chisel is then transferred to the uncut surface and slid away from the operator till it encounters the ridge just made; the position of the next cut being thus determined, the chisel is again struck, and so on. The workman seeks to strike the blows as uniformly as possible, and he will make 60 or 80 cuts a minute. If the file is to be single-cut, it is now ready to be hardened, but if it is to be double-cut he proceeds to make the second series or course of cuts, which are generally somewhat finer than the first. Thus the surface is covered with teeth inclined towards the point of the file. If the file is flat and is to be cut on the other side, it is turned over, and a thin plate of pewter placed below it to protect the teeth. Triangular and other files are supported in grooves in lead. In cutting round and half-round files, a straight chisel is applied as tangent to the curve. The round face of a half-round file requires eight, ten or more courses to complete it. Numerous attempts were made, even so far back as the 18th century, to invent machinery for cutting files, but little success was attained till the latter part of the 19th century. In most of the machines the idea was to arrange a metal arm and hand to hold the chisel with a hammer to strike the blow, and so to imitate the manual process as closely as possible. The general principle on which the successful forms are constructed is that the blanks, laid on a moving table, are slowly traversed forward under a rapidly reciprocating chisel or knife.

The filing of a flat surface perfectly true is the test of a good filer; and this is no easy matter to the beginner. The piece to be operated upon is generally fixed about the level of the elbow, the operator standing, and, except in the case of small files, grasping the file with both hands, the handle with the right, the farther end with the left. The great point is to be able to move the file forward with pressure in horizontal straight lines; from the tendency of the hands to move in arcs of circles, the heel and point of the file are apt to be alternately raised. This is partially compensated by the bellied form given to many files (which also counteracts the frequent warping effect of the hardening process, by which one side of a flat file may be rendered concave and useless). In bringing back the file for the next thrust it is nearly lifted off the work. Further, much delicacy and skill are required in adapting the pressure and velocity, ascertaining if foreign matters or filings remain interposed between the file and the work, &c. Files can be cleaned with a piece of the so-called cotton-card (used in combing cotton wool) nailed to a piece of wood. In draw-filing, which is sometimes resorted to to give a neat finish, the file is drawn sideways to and fro over the work. New files are generally used for a time on brass or cast-iron, and when partially worn they are still available for filing wrought iron and steel.

2. A string or thread (through the Fr. fil and file, from Lat. filum, a thread); hence used of a device, originally a cord, wire or spike on which letters, receipts, papers, &c., may be strung for convenient reference. The term has been extended to embrace various methods for the preservation of papers in a particular order, such as expanding books, cabinets, and ingenious improvements on the simple wire file which enable any single document to be readily found and withdrawn without removing the whole series. From the devices used for filing the word is transferred to the documents filed, and thus is used of a catalogue, list, or collection of papers, &c. File is also employed to denote a row of persons or objects arranged one behind the other. In military usage a “file” is the opposite of a “rank,” that is, it is composed of a (variable) number of men aligned from front to rear one behind the other, while a rank contains a number of men aligned from right to left abreast. Thus a British infantry company, in line two deep, one hundred strong, has two ranks of fifty men each, and fifty “files” of two men each. Up to about 1600 infantry companies or battalions were often sixteen deep, one front rank man and the fifteen “coverers” forming a file. The number of ranks and, therefore, of men in the file diminished first to ten (1600), then to six (1630), then to three (1700), and finally to two (about 1808 in the British army, 1888 in the German). Denser formations when employed have been formed, not by altering the order of men within the unit, but by placing several units, one closely behind the other (“doubling” and “trebling” the line of battle, as it used to be called). In the 17th century a file formed a small command under the “file leader,” the whole of the front rank consisting therefore of old soldiers or non-commissioned officers. This use of the word to express a unit of command gave rise to the old-fashioned term “file firing,” to imply a species of fire (equivalent to the modern “independent”) in which each man in the file fired in succession after the file leader, and to-day a corporal or sergeant is still ordered to take one or more files under his charge for independent work. In the above it is to be understood that the men are facing to the front or rear. If they are turned to the right or left so that the company now stands two men broad and fifty deep, it is spoken of as being “in file.” From this come such phrases as “single file” or “Indian file” (one man leading and the rest following singly behind him). The use of verbs “to file” and “to defile,” implying the passage from fighting to marching formation, is to be derived from this rather than from the resemblance of a marching column to a long flexible thread, for in the days when the word was first used the infantry company whether in battle or on the march was a solid rectangle of men, a file often containing even more men than a rank.

This may also be understood as meaning simply “a single file,” but the explanation given above is more probable, as it is essentially a marching and not a fighting formation that is expressed by the phrase.

FILE-FISH, or Trigger-Fish, the names given to fishes of the genus Balistes (and Monacanthus) inhabiting all tropical and subtropical seas. Their body is compressed and not covered with ordinary scales, but with small juxtaposed scutes. Their other principal characteristics consist in the structure of their first dorsal fin (which consists of three spines) and in their peculiar dentition. The first of the three dorsal spines is very strong, roughened in front like a file, and hollowed out behind to receive the second much smaller spine, which, besides, has a projection in front, at its base, fitting into a notch of the first. Thus these two spines can only be raised or depressed simultaneously, in such a manner that the first cannot be forced down unless the second has been previously depressed. The latter has been compared to a trigger, hence the name of Trigger-fish. Also the generic name Balistes and the Italian name of “Pesce balistra” refer to this structure. Both jaws are armed with eight strong incisor-like and sometimes pointed teeth, by which these fishes are enabled, not only to break off pieces of madrepores and other corals on which they feed, but also to chisel a hole into the hard shells of Mollusca, in order to extract the soft parts. In this way they destroy an immense number of molluscs, and become most injurious to the pearl-fisheries. The gradual failure of those fisheries in Ceylon has been ascribed to this cause, although evidently other agencies must have been at work at the same time. The Monacanthi are distinguished from the Balistes in having only one dorsal spine and a velvety covering of the skin. Some 30 different species are known of Balistes and about 50 of Monacanthus. Two species (B. maculatus and capriscus), common in the Atlantic, sometimes wander to the British coasts.

FILELFO, FRANCESCO (1398-1481), Italian humanist, was born in 1398 at Tolentino, in the March of Ancona. When he appeared upon the scene of human life, Petrarch and the students of Florence had already brought the first act in the recovery of classic culture to conclusion. They had created an eager appetite for the antique, had disinterred many important Roman authors, and had freed Latin scholarship to some extent from the barbarism of the middle ages. Filelfo was destined to carry on their work in the field of Latin literature, and to be an important agent in the still unaccomplished recovery of Greek culture. His earliest studies in grammar, rhetoric and the Latin language were conducted at Padua, where he acquired so great a reputation for learning that in 1417 he was invited to teach eloquence and moral philosophy at Venice. According to the custom of that age in Italy, it now became his duty to explain the language, and to illustrate the beauties of the principal Latin authors, Cicero and Virgil being considered the chief masters of moral science and of elegant diction. Filelfo made his mark at once in Venice. He was admitted to the society of the first scholars and the most eminent nobles of that city; and in 1419 he received an appointment from the state, which enabled him to reside as secretary to the consul-general (baylo) of the Venetians in Constantinople. This appointment was not only honourable to Filelfo as a man of trust and general ability, but it also gave him the opportunity of acquiring the most coveted of all possessions at that moment for a scholar—a knowledge of the Greek language. Immediately after his arrival in Constantinople, Filelfo placed himself under the tuition of John Chrysoloras, whose name was already well known in Italy as relative of Manuel, the first Greek to profess the literature of his ancestors in Florence. At the recommendation of Chrysoloras he was employed in several diplomatic missions by the emperor John Palaeologus. Before very long the friendship between Filelfo and his tutor was cemented by the marriage of the former to Theodora, the daughter of John Chrysoloras. He had now acquired a thorough knowledge of the Greek language, and had formed a large collection of Greek manuscripts. There was no reason why he should not return to his native country. Accordingly, in 1427 he accepted an invitation from the republic of Venice, and set sail for Italy, intending to resume his professorial career. From this time forward until the date of his death, Filelfo’s history consists of a record of the various towns in which he lectured, the masters whom he served, the books he wrote, the authors he illustrated, the friendships he contracted, and the wars he waged with rival scholars. He was a man of vast physical energy, of inexhaustible mental activity, of quick passions and violent appetites; vain, restless, greedy of gold and pleasure and fame; unable to stay quiet in one place, and perpetually engaged in quarrels with his compeers.

When Filelfo arrived at Venice with his family in 1427, he found that the city had almost been emptied by the plague, and that his scholars would be few. He therefore removed to Bologna; but here also he was met with drawbacks. The city was too much disturbed with political dissensions to attend to him; so Filelfo crossed the Apennines and settled in Florence. At Florence began one of the most brilliant and eventful periods of his life. During the week he lectured to large audiences of young and old on the principal Greek and Latin authors, and on Sundays he explained Dante to the people in the Duomo. In addition to these labours of the chair, he found time to translate portions of Aristotle, Plutarch, Xenophon and Lysias from the Greek. Nor was he dead to the claims of society. At first he seems to have lived with the Florentine scholars on tolerably good terms; but his temper was so arrogant that Cosimo de’ Medici’s friends were not long able to put up with him. Filelfo hereupon broke out into open and violent animosity; and when Cosimo was exiled by the Albizzi party in 1433, he urged the signoria of Florence to pronounce upon him the sentence of death. On the return of Cosimo to Florence, Filelfo’s position in that city was no longer tenable. His life, he asserted, had been already once attempted by a cut-throat in the pay of the Medici; and now he readily accepted an invitation from the state of Siena. In Siena, however, he was not destined to remain more than four years. His fame as a professor had grown great in Italy, and he daily received tempting offers from princes and republics. The most alluring of these, made him by the duke of Milan, Filippo Maria Visconti, he decided on accepting; and in 1440 he was received with honour by his new master in the capital of Lombardy.

Filelfo’s life at Milan curiously illustrates the multifarious importance of the scholars of that age in Italy. It was his duty to celebrate his princely patrons in panegyrics and epics, to abuse their enemies in libels and invectives, to salute them with encomiastic odes on their birthdays, and to compose poems on their favourite themes. For their courtiers he wrote epithalamial and funeral orations; ambassadors and visitors from foreign states he greeted with the rhetorical lucubrations then so much in vogue. The students of the university he taught in daily lectures, passing in review the weightiest and lightest authors of antiquity, and pouring forth a flood of miscellaneous erudition. Not satisfied with these outlets for his mental energy, Filelfo went on translating from the Greek, and prosecuted a paper warfare with his enemies in Florence. He wrote, moreover, political pamphlets on the great events of Italian history; and when Constantinople was taken by the Turks, he procured the liberation of his wife’s mother by a message addressed in his own name to the sultan. In addition to a fixed stipend of some 700 golden florins yearly, he was continually in receipt of special payments for the orations and poems he produced; so that, had he been a man of frugal habits or of moderate economy, he might have amassed a considerable fortune. As it was, he spent his money as fast as he received it, living in a style of splendour ill befitting a simple scholar, and indulging his taste for pleasure in more than questionable amusements. In consequence of this prodigality, he was always poor. His letters and his poems abound in impudent demands for money from patrons, some of them couched in language of the lowest adulation, and others savouring of literary brigandage.

During the second year of his Milanese residence Filelfo lost his first wife, Theodora. He soon married again; and this time he chose for his bride a young lady of good Lombard family, called Orsina Osnaga. When she died he took in wedlock for the third time a woman of Lombard birth, Laura Magiolini. To all his three wives, in spite of numerous infidelities, he seems to have been warmly attached; and this is perhaps the best trait in a character otherwise more remarkable for arrogance and heat than for any amiable qualities.

On the death of Filippo Maria Visconti, Filelfo, after a short hesitation, transferred his allegiance to Francesco Sforza, the new duke of Milan; and in order to curry favour with this parvenu, he began his ponderous epic, the Sforziad, of which 12,800 lines were written, but which was never published. When Francesco Sforza died, Filelfo turned his thoughts towards Rome. He was now an old man of seventy-seven years, honoured with the friendship of princes, recognized as the most distinguished of Italian humanists, courted by pontiffs, and decorated with the laurel wreath and the order of knighthood by kings. Crossing the Apennines and passing through Florence, he reached Rome in the second week of 1475. The terrible Sixtus IV. now ruled in the Vatican; and from this pope Filelfo had received an invitation to occupy the chair of rhetoric with good emoluments. At first he was vastly pleased with the city and court of Rome; but his satisfaction ere long turned to discontent, and he gave vent to his ill-humour in a venomous satire on the pope’s treasurer, Milliardo Cicala. Sixtus himself soon fell under the ban of his displeasure; and when a year had passed he left Rome never to return. Filelfo reached Milan to find that his wife had died of the plague in his absence, and was already buried. His own death followed speedily. For some time past he had been desirous of displaying his abilities and adding to his fame in Florence. Years had healed the breach between him and the Medicean family; and on the occasion of the Pazzi conspiracy against the life of Lorenzo de’ Medici, he had sent violent letters of abuse to his papal patron Sixtus, denouncing his participation in a plot so dangerous to the security of Italy. Lorenzo now invited him to profess Greek at Florence, and thither Filelfo journeyed in 1481. But two weeks after his arrival he succumbed to dysentery, and was buried at the age of eighty-three in the church of the Annunziata.

Filelfo deserves commemoration among the greatest humanists of the Italian Renaissance, not for the beauty of his style, not for the elevation of his genius, not for the accuracy of his learning, but for his energy, and for his complete adaptation to the times in which he lived. His erudition was large but ill-digested; his knowledge of the ancient authors, if extensive, was superficial; his style was vulgar; he had no brilliancy of imagination, no pungency of epigram, no grandeur of rhetoric. Therefore he has left nothing to posterity which the world would not very willingly let die. But in his own days he did excellent service to learning by his untiring activity, and by the facility with which he used his stores of knowledge. It was an age of accumulation and preparation, when the world was still amassing and cataloguing the fragments rescued from the wrecks of Greece and Rome. Men had to receive the very rudiments of culture before they could appreciate its niceties. And in this work of collection and instruction Filelfo excelled, passing rapidly from place to place, stirring up the zeal for learning by the passion of his own enthusiastic temperament, and acting as a pioneer for men like Poliziano and Erasmus.

All that is worth knowing about Filelfo is contained in Carlo de’ Rosmini’s admirable Vita di Filelfo (Milan, 1808); see also W. Roscoe’s Life of Lorenzo de’ Medici, Vespasiano’s Vite di uomini illustri, and J.A. Symonds’s Renaissance in Italy (1877).

(J. A. S.)

A complete edition of Filelfo’s Greek letters (based on the Codex Trevulzianus) was published for the first time, with French translation, notes and commentaries, by E. Legrand in 1892 at Paris (C. xii. of Publications de l’école des lang. orient.). For further references, especially to monographs, &c., on Filelfo’s life and work, see Ulysse Chevalier, Répertoire des sources hist., bio-bibliographie (Paris, 1905), s.v. Philelphe, François.

FILEY, a seaside resort in the Buckrose parliamentary division of the East Riding of Yorkshire, England, 9-1/2 m. S.E. of Scarborough by a branch of the North Eastern railway. Pop. of urban district (1901) 3003. It stands upon the slope and summit of the cliffs above Filey Bay, which is fringed by a fine sandy beach. The northern horn of the bay is formed by Filey Brigg, a narrow and abrupt promontory, continued seaward by dangerous reefs. The coast-line sweeps hence south-eastward to the finer promontory of Flamborough Head, beyond which is the watering-place of Bridlington. The church of St Oswald at Filey is a fine cruciform building with central tower, Transitional Norman and Early English in date. There are pleasant promenades and good golf links, also a small spa which has fallen into disuse. Filey is in favour with visitors who desire a quiet resort without the accompaniment of entertainment common to the larger watering-places. Roman remains have been discovered on the cliff north of the town; the site was probably important, but nothing is certainly known about it.

FILIBUSTER, a name originally given to the buccaneers (q.v.). The term is derived most probably from the Dutch vry buiter, Ger. Freibeuter, Eng. freebooter, the word changing first into fribustier, and then into Fr. flibustier, Span. filibustero. Flibustier has passed into the French language, and filibustero into the Spanish language, as a general name for a pirate. The term “filibuster” was revived in America to designate those adventurers who, after the termination of the war between Mexico and the United States, organized expeditions within the United States to take part in West Indian and Central American revolutions. From this has sprung the modern use of the word to imply one who engages in private, unauthorized and irregular warfare against any state. In the United States it is colloquially applied to legislators who practise obstruction.

FILICAJA, VINCENZO DA (1642-1707), Italian poet, sprung from an ancient and noble family of Florence, was born in that city on the 30th of December 1642. From an incidental notice in one of his letters, stating the amount of house rent paid during his childhood, his parents must have been in easy circumstances, and the supposition is confirmed by the fact that he enjoyed all the advantages of a liberal education, first under the Jesuits of Florence, and then in the university of Pisa.

At Pisa his mind became stored, not only with the results of patient study in various branches of letters, but with the great historical associations linked with the former glory of the Pisan republic, and with one remarkable institution of which Pisa was the seat. To the tourist who now visits Pisa the banners and emblems of the order of St Stephen are mere matter of curiosity, but they had a serious significance two hundred years ago to the young Tuscan, who knew that these naval crusaders formed the main defence of his country and commerce against the Turkish, Algerine and Tunisian corsairs. After a five years’ residence in Pisa he returned to Florence, where he married Anna, daughter of the senator and marquis Scipione Capponi, and withdrew to a small villa at Figline, not far from the city. Abjuring the thought of writing amatory poetry in consequence of the premature death of a young lady to whom he had been attached, he occupied himself chiefly with literary pursuits, above all the composition of Italian and Latin poetry. His own literary eminence, the opportunities enjoyed by him as a member of the celebrated Academy Della Crusca for making known his critical taste and classical knowledge, and the social relations within the reach of a noble Florentine so closely allied with the great house of Capponi, sufficiently explain the intimate terms on which he stood with such eminent men of letters as Magalotti, Menzini, Gori and Redi. The last-named, the author of Bacchus in Tuscany, was not only one of the most brilliant poets of his time, and a safe literary adviser; he was the court physician, and his court influence was employed with zeal and effect in his friend’s favour. Filicaja’s rural seclusion was owing even more to his straitened means than to his rural tastes. If he ceased at length to pine in obscurity, the change was owing not merely to the fact that his poetical genius, fired by the deliverance of Vienna from the Turks in 1683, poured forth the right strains at the right time, but also to the influence of Redi, who not only laid Filicaja’s verses before his own sovereign, but had them transmitted with the least possible delay to the foreign princes whose noble deeds they sung. The first recompense came, however, not from those princes, but from Christina, the ex-queen of Sweden, who, from her circle of savants and courtiers at Rome, spontaneously and generously announced to Filicaja her wish to bear the expense of educating his two sons, enhancing her kindness by the delicate request that it should remain a secret.

The tide of Filicaja’s fortunes now turned. The grand-duke of Tuscany, Cosmo III., conferred on him an important office, the commissionership of official balloting. He was named governor of Volterra in 1696, where he strenuously exerted himself to raise the tone of public morality. Both there and at Pisa, where he was subsequently governor in 1700, his popularity was so great that on his removal the inhabitants of both cities petitioned for his recall. He passed the close of his life at Florence; the grand-duke raised him to the rank of senator, and he died in that city on the 24th of September 1707. He was buried in the family vault in the church of St Peter, and a monument was erected to his memory by his sole surviving son Scipione Filicaja. In the six celebrated odes inspired by the great victory of Sobieski, Filicaja took a lyrical flight which has placed him at moments on a level with the greatest Italian poets. They are, however, unequal, like all his poetry, reflecting in some passages the native vigour of his genius and purest inspirations of his tastes, whilst in others they are deformed by the affectations of the Seicentisti. When thoroughly natural and spontaneous—as in the two sonnets “Italia, Italia, o tu cui feo la sorte” and “Dov’ è, Italia, il tuo braccio? e a che ti serve;” in the verses “Alla beata Vergine,” “Al divino amore;” in the sonnet “Sulla fede nelle disgrazie”—the truth and beauty of thought and language recall the verse of Petrarch.

Besides the poems published in the complete Venice edition of 1762, several other pieces appeared for the first time in the small Florence edition brought out by Barbera in 1864.

FILIGREE (formerly written filigrain or filigrane; the Ital. filigrana, Fr. filigrane, Span, filigrana, Ger. Drahtgeflecht), jewel work of a delicate kind made with twisted threads usually of gold and silver. The word, which is usually derived from the Lat. filum, thread, and granum, grain, is not found in Ducange, and is indeed of modern origin. According to Prof. Skeat it is derived from the Span. filigrana, from “filar, to spin, and grano, the grain or principal fibre of the material.” Though filigree has become a special branch of jewel work in modern times it was anciently part of the ordinary work of the jeweller. Signor A. Castellani states, in his Memoir on the Jewellery of the Ancients (1861), that all the jewelry of the Etruscans and Greeks (other than that intended for the grave, and therefore of an unsubstantial character) was made by soldering together and so building up the gold rather than by chiselling or engraving the material.

The art may be said to consist in curling, twisting and plaiting fine pliable threads of metal, and uniting them at their points of contact with each other, and with the ground, by means of gold or silver solder and borax, by the help of the blowpipe. Small grains or beads of the same metals are often set in the eyes of volutes, on the junctions, or at intervals at which they will set off the wire-work effectively. The more delicate work is generally protected by framework of stouter wire. Brooches, crosses, earrings and other personal ornaments of modern filigree are generally surrounded and subdivided by bands of square or flat metal, giving consistency to the filling up, which would not otherwise keep its proper shape. Some writers of repute have laid equal stress on the filum and the granum, and have extended the use of the term filigree to include the granulated work of the ancients, even where the twisted wire-work is entirely wanting. Such a wide application of the term is not approved by current usage, according to which the presence of the twisted threads is the predominant fact.

The Egyptian jewellers employed wire, both to lay down on a background and to plait or otherwise arrange à jour. But, with the exception of chains, it cannot be said that filigree work was much practised by them. Their strength lay rather in their cloisonné work and their moulded ornaments. Many examples, however, remain of round plaited gold chains of fine wire, such as are still made by the filigree workers of India, and known as Trichinopoly chains. From some of these are hung smaller chains of finer wire with minute fishes and other pendants fastened to them. In ornaments derived from Phoenician sites, such as Cyprus and Sardinia, patterns of gold wire are laid down with great delicacy on a gold ground, but the art was advanced to its highest perfection in the Greek and Etruscan filigree of the 6th to the 3rd centuries B.C. A number of earrings and other personal ornaments found in central Italy are preserved in the Louvre and in the British Museum. Almost all of them are made of filigree work. Some earrings are in the form of flowers of geometric design, bordered by one or more rims each made up of minute volutes of gold wire, and this kind of ornament is varied by slight differences in the way of disposing the number or arrangement of the volutes. But the feathers and petals of modern Italian filigree are not seen in these ancient designs. Instances occur, but only rarely, in which filigree devices in wire are self-supporting and not applied to metal plates. The museum of the Hermitage at St Petersburg contains an amazingly rich collection of jewelry from the tombs of the Crimea. Many bracelets and necklaces in that collection are made of twisted wire, some in as many as seven rows of plaiting, with clasps in the shape of heads of animals of beaten work. Others are strings of large beads of gold, decorated with volutes, knots and other patterns of wire soldered over the surfaces. (See the Antiquités du Bosphore Cimmérien, by Gille, 1854; reissued by S. Reinach, 1892, in which will be found careful engravings of these objects.) In the British Museum a sceptre, probably that of a Greek priestess, is covered with plaited and netted gold wire, finished with a sort of Corinthian capital and a boss of green glass.

It is probable that in India and various parts of central Asia filigree has been worked from the most remote period without any change in the designs. Whether the Asiatic jewellers were influenced by the Greeks settled on that continent, or merely trained under traditions held in common with them, it is certain that the Indian filigree workers retain the same patterns as those of the ancient Greeks, and work them in the same way, down to the present day. Wandering workmen are given so much gold, coined or rough, which is weighed, heated in a pan of charcoal, beaten into wire, and then worked in the courtyard or verandah of the employer’s house according to the designs of the artist, who weighs the complete work on restoring it and is paid at a specified rate for his labour. Very fine grains or beads and spines of gold, scarcely thicker than coarse hair, projecting from plates of gold are methods of ornamentation still used.

Passing to later times we may notice in many collections of medieval jewel work (such as that in the South Kensington Museum) reliquaries, covers for the gospels, &c., made either in Constantinople from the 6th to the 12th centuries, or in monasteries in Europe, in which Byzantine goldsmiths’ work was studied and imitated. These objects, besides being enriched with precious stones, polished, but not cut into facets, and with enamel, are often decorated with filigree. Large surfaces of gold are sometimes covered with scrolls of filigree soldered on; and corner pieces of the borders of book covers, or the panels of reliquaries, are not unfrequently made up of complicated pieces of plaited work alternating with spaces encrusted with enamel. Byzantine filigree work occasionally has small stones set amongst the curves or knots. Examples of such decoration can be seen in the South Kensington and British Museums.

In the north of Europe the Saxons, Britons and Celts were from an early period skilful in several kinds of goldsmiths’ work. Admirable examples of filigree patterns laid down in wire on gold, from Anglo-Saxon tombs, may be seen in the British Museum—notably a brooch from Dover, and a sword-hilt from Cumberland.

The Irish filigree work is more thoughtful in design and more varied in pattern than that of any period or country that could be named. Its highest perfection must be placed in the 10th and 11th centuries. The Royal Irish Academy in Dublin contains a number of reliquaries and personal jewels, of which filigree is the general and most remarkable ornament. The “Tara” brooch has been copied and imitated, and the shape and decoration of it are well known. Instead of fine curls or volutes of gold thread, the Irish filigree is varied by numerous designs in which one thread can be traced through curious knots and complications, which, disposed over large surfaces, balance one another, but always with special varieties and arrangements difficult to trace with the eye. The long thread appears and disappears without breach of continuity, the two ends generally worked into the head and the tail of a serpent or a monster. The reliquary containing the “Bell of St Patrick” is covered with knotted work in many varieties. A two-handled chalice, called the “Ardagh cup,” found near Limerick in 1868, is ornamented with work of this kind of extraordinary fineness. Twelve plaques on a band round the body of the vase, plaques on each handle and round the foot of the vase have a series of different designs of characteristic patterns, in fine filigree wire work wrought on the front of the repoussé ground. (See a paper by the 3rd earl of Dunraven in Transactions of Royal Irish Academy, xxiv. pt. iii. 1873.)

Much of the medieval jewel work all over Europe down to the 15th century, on reliquaries, crosses, croziers and other ecclesiastical goldsmiths’ work, is set off with bosses and borders of filigree. Filigree work in silver was practised by the Moors of Spain during the middle ages with great skill, and was introduced by them and established all over the Peninsula, whence it was carried to the Spanish colonies in America. The Spanish filigree work of the 17th and 18th centuries is of extraordinary complexity (examples in the Victoria and Albert Museum), and silver filigree jewelry of delicate and artistic design is still made in considerable quantities throughout the country. The manufacture spread over the Balearic Islands, and among the populations that border the Mediterranean. It is still made all over Italy, and in Malta, Albania, the Ionian Islands and many other parts of Greece. That of the Greeks is sometimes on a large scale, with several thicknesses of wires alternating with larger and smaller bosses and beads, sometimes set with turquoises, &c., and mounted on convex plates, making rich ornamental headpieces, belts and breast ornaments. Filigree silver buttons of wire-work and small bosses are worn by the peasants in most of the countries that produce this kind of jewelry. Silver filigree brooches and buttons are also made in Denmark, Norway and Sweden. Little chains and pendants are added to much of this northern work.

Some very curious filigree work was brought from Abyssinia after the capture of Magdala—arm-guards, slippers, cups, &c., some of which are now in the South Kensington Museum. They are made of thin plates of silver, over which the wire-work is soldered. The filigree is subdivided by narrow borders of simple pattern, and the intervening spaces are made up of many patterns, some with grains set at intervals.

A few words must be added as to the granulated work which, as stated above, some writers have classed under the term of filigree, although the twisted wires may be altogether wanting. Such decoration consists of minute globules of gold, soldered to form patterns on a metal surface. Its use is rare in Egypt. (See J. de Morgan, Fouilles à Dahchour, 1894-1895, pl. xii.) It occurs in Cyprus at an early period, as for instance on a gold pendant in the British Museum from Enkomi in Cyprus (10th century B.C.). The pendant is in the form of a pomegranate, and has upon it a pattern of triangles, formed by more than 3000 minute globules separately soldered on. It also occurs on ornaments of the 7th century B.C. from Camirus in Rhodes. But these globules are large, compared with those which are found on Etruscan jewelry. Signor Castellani, who had made the antique jewelry of the Etruscans and Greeks his special study, with the intention of reproducing the ancient models, found it for a long time impossible to revive this particular process of delicate soldering. He overcame the difficulty at last, by the discovery of a traditional school of craftsmen at St Angelo in Vado, by whose help his well-known reproductions were executed.

For examples of antique work the student should examine the gold ornament rooms of the British Museum, the Louvre and the collection in the Victoria and Albert Museum. The last contains a large and very varied assortment of modern Italian, Spanish, Greek and other jewelry made for the peasants of various countries. It also possesses interesting examples of the modern work in granulated gold by Castellani and Giuliano. The Celtic work is well represented in the Royal Irish Academy in Dublin.

FILLAN, SAINT, or Faelan, the name of the two Scottish saints, of Irish origin, whose lives are of a purely legendary character. The St Fillan whose feast is kept on the 20th of June had churches dedicated to his honour at Ballyheyland, Queen’s county, Ireland, and at Loch Earn, Perthshire. The other, who is commemorated on the 9th of January, was specially venerated at Cluain Mavscua, Co. Westmeath, Ireland, and so early as the 8th or 9th century at Strathfillan, Perthshire, Scotland, where there was an ancient monastery dedicated to him, which, like most of the religious houses of early times, was afterwards secularized. The lay-abbot, who was its superior in the reign of William the Lion, held high rank in the Scottish kingdom. This monastery was restored in the reign of Robert Bruce, and became a cell of the abbey of canons regular at Inchaffray. The new foundation received a grant from King Robert, in gratitude for the aid which he was supposed to have obtained from a relic of the saint on the eve of the great victory of Bannockburn. Another relic was the saint’s staff or crozier, which became known as the coygerach or quigrich, and was long in the possession of a family of the name of Jore or Dewar, who were its hereditary guardians. They certainly had it in their custody in the year 1428, and their right was formally recognized by King James III. in 1487. The head of the crozier, which is of silver-gilt with a smaller crozier of bronze inclosed within it, is now deposited in the National Museum of the Society of Antiquaries of Scotland.

The legend of the second of these saints is given in the Bollandist Acta SS. (1643), 9th of January, i. 594-595; A.P. Forbes, Kalendars of Scottish Saints (Edinburgh, 1872), pp. 341-346; D. O’Hanlon’s Lives of Irish Saints (Dublin), n.d. pp. 134-144. See also Historical Notices of St Fillan’s Crozier, by Dr John Stuart (Aberdeen, 1877).

FILLET (through Fr. filet, from the med. Lat. filettum, diminutive of filum, a thread), a band or ribbon used for tying the hair, the Lat. vitta, which was used as a sacrificial emblem, and also worn by vestal virgins, brides and poets. The word is thus applied to anything in the shape of a band or strip, as, in coining, to the metal ribbon from which the blanks are punched. In architecture, a “fillet” is a narrow flat band, sometimes called a “listel,” which is used to separate mouldings one from the other, or to terminate a suite of mouldings as at the top of a cornice. In the fluted column of the Ionic and Corinthian Orders the fillet is employed between the flutes. It is a very important feature in Gothic work, being frequently worked on large mouldings; when placed on the front and sides of the moulding of a rib it has been termed the “keel and wings” of the rib.

In cooking, “fillet” is used of the “undercut” of a sirloin of beef, or of a thick slice of fish or meat; more particularly of a boned and rolled piece of veal or other meat, tied by a “fillet” or string.

FILLMORE, MILLARD (1800-1874), thirteenth president of the United States of America, came of a family of English stock, which had early settled in New England. His father, Nathaniel, in 1795, made a clearing within the limits of what is now the town of Summerhill, Cayuga county, New York, and there Millard Fillmore was born, on the 7th of January 1800. Until he was fifteen he could have acquired only the simplest rudiments of education, and those chiefly from his parents. At that age he was apprenticed to a fuller and clothier, to card wool, and to dye and dress the cloth. Two years before the close of his term, with a promissory note for thirty dollars, he bought the remainder of his time from his master, and at the age of nineteen began to study law. In 1820 he made his way to Buffalo, then only a village, and supported himself by teaching school and aiding the postmaster while continuing his studies.

In 1823 he was admitted to the bar, and began practice at Aurora, New York, to which place his father had removed. Hard study, temperance and integrity gave him a good reputation and moderate success, and in 1827 he was made an attorney and, in 1829, counsellor of the supreme court of the state. Returning to Buffalo in 1830 he formed, in 1832, a partnership with Nathan K. Hall (1810-1874), later a member of Congress and postmaster-general in his cabinet. Solomon G. Haven (1810-1861), member of Congress from 1851 to 1857, joined them in 1836. The firm met with great success. From 1829 to 1832 Fillmore served in the state assembly, and, in the single term of 1833-1835, the national House of Representatives, coming in as anti-Jackson, or in opposition to the administration. From 1837 to 1843, when he declined further service, he again represented his district in the House, this time as a member of the Whig party. In Congress he opposed the annexation of Texas as slave territory, was an advocate of internal improvements and a protective tariff, supported J.Q. Adams in maintaining the right of offering anti-slavery petitions, advocated the prohibition by Congress of the slave trade between the states, and favoured the exclusion of slavery from the District of Columbia. His speech and tone, however, were moderate on these exciting subjects, and he claimed the right to stand free of pledges, and to adjust his opinions and his course by the development of circumstances. The Whigs having the ascendancy in the Twenty-Seventh Congress, he was made chairman of the House Committee of Ways and Means. Against a strong opposition he carried an appropriation of $30,000 to Morse’s telegraph, and reported from his committee the Tariff Bill of 1842. In 1844 he was the Whig candidate for the governorship of New York, but was defeated. In November 1847 he was elected comptroller of the state of New York, and in 1848 he was elected vice-president of the United States on the ticket with Zachary Taylor as president. Fillmore presided over the senate during the exciting debates on the “Compromise Measures of 1850.”

President Taylor died on the 9th of July 1850, and on the next day Fillmore took the oath of office as his successor. The cabinet which he called around him contained Daniel Webster, Thomas Corwin and John J. Crittenden. On the death of Webster in 1852, Edward Everett became secretary of state. Unlike Taylor, Fillmore favoured the “Compromise Measures,” and his signing one of them, the Fugitive Slave Law, in spite of the vigorous protests of anti-slavery men, lost him much of his popularity in the North. Few of his opponents, however, questioned his own full persuasion that the Compromise Measures were vitally necessary to pacify the nation. In 1851 he interposed promptly but ineffectively in thwarting the projects of the “filibusters,” under Narciso Lopez for the invasion of Cuba. Commodore Matthew Calbraith Perry’s expedition, which opened up diplomatic relations with Japan, and the exploration of the valley of the Amazon by Lieutenants William L. Herndon (1813-1857) and Lardner Gibbon also occurred during his term. In the autumn of 1852 he was an unsuccessful candidate for nomination for the presidency by the Whig National Convention, and he went out of office on the 4th of March 1853. In February 1856, while he was travelling abroad, he was nominated for the presidency by the American or Know Nothing party, and later this nomination was also accepted by the Whigs; but in the ensuing presidential election, the last in which the Know Nothings and the Whigs as such took any part, he received the electoral votes of only one state, Maryland. Thereafter he took no public share in political affairs. Fillmore was twice married: in 1826 to Abigail Powers (who died in 1853, leaving him with a son and daughter), and in 1858 to Mrs. Caroline C. Mclntosh. He died at Buffalo on the 8th of March 1874.

In 1907 the Buffalo Historical Society, of which Fillmore was one of the founders and the first president, published the Millard Fillmore Papers (2 vols., vol. x. and xi. of the Society’s publications; edited by F.H. Severance), containing miscellaneous writings and speeches, and official and private correspondence. Most of his correspondence, however, was destroyed in pursuance of a direction in his son’s will.

FILMER, SIR RORERT (d. 1653), English political writer, was the son of Sir Edward Filmer of East Sutton in Kent. He studied at Trinity College, Cambridge, where he matriculated in 1604. Knighted by Charles I. at the beginning of his reign, he was an ardent supporter of the king’s cause, and his house is said to have been plundered by the parliamentarians ten times. He died on the 26th of May 1653.

Filmer was already a middle-aged man when the great controversy between the king and the Commons roused him into literary activity. His writings afford an exceedingly curious example of the doctrines held by the most extreme section of the Divine Right party. Filmer’s theory is founded upon the statement that the government of a family by the father is the true original and model of all government. In the beginning of the world God gave authority to Adam, who had complete control over his descendants, even as to life and death. From Adam this authority was inherited by Noah; and Filmer quotes as not unlikely the tradition that Noah sailed up the Mediterranean and allotted the three continents of the Old World to the rule of his three sons. From Shem, Ham and Japheth the patriarchs inherited the absolute power which they exercised over their families and servants; and from the patriarchs all kings and governors (whether a single monarch or a governing assembly) derive their authority, which is therefore absolute, and founded upon divine right. The difficulty that a man “by the secret will of God may unjustly” attain to power which he has not inherited appeared to Filmer in no way to alter the nature of the power so obtained, for “there is, and always shall be continued to the end of the world, a natural right of a supreme father over every multitude.” The king is perfectly free from all human control. He cannot be bound by the acts of his predecessors, for which he is not responsible; nor by his own, for “impossible it is in nature that a man should give a law unto himself”—a law must be imposed by another than the person bound by it. With regard to the English constitution, he asserted, in his Freeholder’s Grand Inquest touching our Sovereign Lord the King and his Parliament (1648), that the Lords only give counsel to the king, the Commons only “perform and consent to the ordinances of parliament,” and the king alone is the maker of laws, which proceed purely from his will. It is monstrous that the people should judge or depose their king, for they would then be judges in their own cause.

The most complete expression of Filmer’s opinions is given in the Patriarcha, which was published in 1680, many years after his death. His position, however, was sufficiently indicated by the works which he published during his lifetime: the Anarchy of a Limited and Mixed Monarchy (1648), an attack upon a treatise on monarchy by Philip Hunton (1604?-1682), who maintained that the king’s prerogative is not superior to the authority of the houses of parliament; the pamphlet entitled The Power of Kings, and in particular of the King of England (1648), first published in 1680; and his Observations upon Mr Hobbes’s Leviathan, Mr Milton against Salmasius, and H. Grotius De jure belli et pacis, concerning the Originall of Government (1652). Filmer’s theory, owing to the circumstances of the time, obtained a recognition which it is now difficult to understand. Nine years after the publication of the Patriarcha, at the time of the Revolution which banished the Stuarts from the throne, Locke singled out Filmer as the most remarkable of the advocates of Divine Right, and thought it worth while to attack him expressly in the first part of the Treatise on Government, going into all his arguments seriatim, and especially pointing out that even if the first steps of his argument be granted, the rights of the eldest born have been so often set aside that modern kings can claim no such inheritance of authority as he asserted.

FILMY FERNS, a general name for a group of ferns with delicate much-divided leaves and often moss-like growth, belonging to the genera Hymenophyllum, Todea and Trichomanes. They require to be kept in close cases in a cool fernery, and the stones and moss amongst which they are grown must be kept continually moist so that the evaporated water condenses on the very numerous divisions of the leaves.

FILON, PIERRE MARIE AUGUSTIN (1841- ), French man of letters, son of the historian Charles Auguste Désiré Filon (1800-1875), was born in Paris in 1841. His father became professor of history at Douai, and eventually “inspecteur d’académie” in Paris; his principal works were Histoire comparée de France et de l’Angleterre (1832), Histoire de l’Europe au XVIe siècle (1838), La Diplomatie française sous Louis XV (1843), Histoire de l’Italie méridionale (1849), Histoire du sénat romain (1850), Histoire de la démocratie athénienne (1854). Educated at the École normale, Augustin Filon was appointed tutor to the prince imperial and accompanied him to England, where he remained for some years. He is the author of Guy Patin, sa vie, sa correspondance (1862); Nos grands-pères (1887); Prosper Mérimée (1894); Sous la tyrannie (1900). On English subjects he has written chiefly under the pseudonym of Pierre Sandrié, Les Mariages de Londres (1875); Histoire de la littérature anglaise (1883); Le Théâtre anglais (1896), and La Caricature en Angleterre (1902).

FILOSA (A. Lang), one of the two divisions of Rhizopoda, characterized by protoplasm granular at the surface, and fine pseudopodia branching and usually acutely pointed at the tips.

FILTER (a word common in various forms to most European languages, adapted from the medieval Lat. filtrum, felt, a material used as a filtering agent), an arrangement for separating solid matter from liquids. In some cases the operation of filtration is performed for the sake of removing impurities from the filtrate or liquid filtered, as in the purification of water for drinking purposes; in others the aim is to recover and collect the solid matter, as when the chemist filters off a precipitate from the liquid in which it is suspended.

In regard to the purification of water, filtration was long looked upon as merely a mechanical process of straining out the solid particles, whereby a turbid water could be rendered clear. In the course of time it was noticed that certain materials, such as charcoal, had the power to some extent also of softening hard water and of removing organic matter, and at the beginning of the 19th century charcoal, both animal and vegetable, came into use for filtering purposes. Porous carbon blocks, made by strongly heating a mixture of powdered charcoal with oil, resin, &c., were introduced about a generation later, and subsequently various preparations of iron (spongy iron, magnetic oxide) found favour. Innumerable forms of filters made with these and other materials were put on the market, and were extolled as removing impurities of every kind from water, and as affording complete protection against the communication of disease. But whatever merits they had as clarifiers of turbid water, the advent of bacteriology, and the recognition of the fact that the bacteria of certain diseases may be water-borne, introduced a new criterion of effectiveness, and it was perceived that the removal of solid particles, or even of organic impurities (which were realized to be important not so much because they are dangerous to health per se as because their presence affords grounds for suspecting that the water in which they occur has been exposed to circumstances permitting contamination with infective disease), was not sufficient; the filter must also prevent the passage of pathogenic organisms, and so render the water sterile bacteriologically. Examined from this point of view the majority of domestic filters were found to be gravely defective, and even to be worse than useless, since unless they were frequently and thoroughly cleansed, they were liable to become favourable breeding-places for microbes. The first filter which was more or less completely impermeable to bacteria was the Pasteur-Chamberland, which was devised in Pasteur’s laboratory, and is made of dense biscuit porcelain. The filtering medium in this, as in other filters of the same kind, takes the form of a hollow cylinder or “candle,” through the walls of which the water has to pass from the outside to the inside, the candles often being arranged so that they may be directly attached to a tap, whereby the rate of flow, which is apt to be slow, is accelerated by the pressure of the main. But even filters of this type, if they are to be fully relied upon, must be frequently cleaned and sterilized, and great care must be taken that the joints and connexions are watertight, and that the candles are without cracks or flaws. In cases where the water supply is known to be infected, or even where it is merely doubtful, it is wise to have recourse to sterilization by boiling, rather than trust to any filter. Various machines have been constructed to perform this operation, some of them specially designed for the use of troops in the field; those in which economy of fuel is studied have an exchange-heater, by means of which the incoming cold water receives heat from the outgoing hot water, which thus arrives at the point of outflow at a temperature nearly as low as that of the supply. Chemical methods of sterilization have also been suggested, depending on the use of iodine, chlorine, bromine, ozone, potassium permanganate, copper sulphate or chloride and other substances. For the sand-filtration of water on a large scale, in which the presence of a surface film containing zooglaea of bacteria is an essential feature, see Water Supply.

Filtration in the chemical laboratory is commonly effected by the aid of a special kind of unsized paper, which in the more expensive varieties is practically pure cellulose, impurities like ferric oxide, alumina, lime, magnesia and silica having been removed by treatment with hydrochloric and hydrofluoric acids. A circular piece of this paper is folded twice upon itself so as to form a quadrant, one of the folds is pulled out, and the cone thus obtained is supported in a glass or porcelain funnel having an apical angle of 60°. The liquid to be filtered is poured into the cone, preferably down a glass rod upon the sides of the funnel to prevent splashing and to preserve the apex of the filter-paper, and passes through the paper, upon which the solid matter is retained. In the case of liquids containing strong acids or alkalis, which the paper cannot withstand, a plug of carefully purified asbestos or glass-wool (spun glass) is often employed, contained in a bulb blown as an enlargement on a narrow “filter-tube.” To accelerate the rate of filtration various devices are resorted to, such as lengthening the tube below the filtering material, increasing the pressure on the liquid being filtered, or decreasing it in the receiver of the filtrate. R.W. Bunsen may be regarded as the originator of the second method, and it was he who devised the small cone of platinum foil, sometimes replaced by a cone of parchment perforated with pinholes, arranged at the apex of the funnel to serve as a support for the paper, which is apt to burst under the pressure differences. In the so-called “Buchner funnel,” the filtering vessel is cylindrical, and the paper receives support by being laid upon its flat perforated bottom. In filtering into a vacuum the flask receiving the filtrate should be connected to the exhaust through a second flask. The suction may be derived from any form of air-pump; a form often employed where water at fair pressure is available is the jet-pump, which in consequence is known as a filter-pump. Another method of filtering into a vacuum is to immerse a porous jar (“Pukall cell”) in the liquid to be filtered, and attach a suction-pipe to its interior. A filtering arrangement devised by F.C. Gooch, which has come into common use in quantitative analysis where the solid matter has to be submitted to heating or ignition, consists of a crucible having a perforated bottom. By means of a piece of stretched rubber tubing, this crucible is supported in the mouth of an ordinary funnel which is connected with an exhausting apparatus; and water holding in suspension fine scrapings of asbestos, purified by boiling with strong hydrochloric acid and washing with water, is run through it, so that the perforated bottom is covered with a layer of felted asbestos. The crucible is then removed from the rubber support, weighed and replaced; the liquid is filtered through in the ordinary way; and the crucible with its contents is again removed, dried, ignited and weighed. A perforated cone, similarly coated with asbestos and fitted into a conical funnel, is sometimes employed.

In many processes of chemical technology filtration plays an important part. A crude method consists of straining the liquid through cotton or other cloth, either stretched on wooden frames or formed into long narrow bags (“bag-filters”). Occasionally filtration into a vacuum is practised, but more often, as in filter-presses, the liquid is forced under pressure, either hydrostatic or obtained from a force-pump or compressed air, into a series of chambers partitioned off by cloth, which arrests the solids, but permits the passage of the liquid portions. For separating liquids from solids of a fibrous or crystalline character “hydro-extractors” or “centrifugals” are frequently employed. The material is placed in a perforated cage or “basket,” which is enclosed in an outer casing, and when the cage is rapidly rotated by suitable gearing, the liquid portions are forced out into the external casing.

FIMBRIA, GAIUS FLAVIUS (d. 84 B.C.), Roman soldier and a violent partisan of Marius. He was sent to Asia in 86 B.C. as legate to L. Valerius Flaccus, but quarrelled with him and was dismissed. Taking advantage of the absence of Flaccus at Chalcedon and the discontent aroused by his avarice and severity, Fimbria stirred up a revolt and slew Flaccus at Nicomedia. He then assumed the command of the army and obtained several successes against Mithradates, whom he shut up in Pitane on the coast of Aeolis, and would undoubtedly have captured him had Lucullus co-operated with the fleet. Fimbria treated most cruelly all the people of Asia who had revolted from Rome or sided with Sulla. Having gained admission to Ilium by declaring that, as a Roman, he was friendly, he massacred the inhabitants and burnt the place to the ground. But in 84 Sulla crossed over from Greece to Asia, made peace with Mithradates, and turned his arms against Fimbria, who, seeing that there was no chance of escape, committed suicide. His troops were made to serve in Asia till the end of the third Mithradatic War.

See Rome: History; and arts, on Sulla and Marius.

FIMBRIATE (from Lat. fimbriae, fringe), a zoological and botanical term, meaning fringed. In heraldry, “fimbriate” or “fimbriated” refers to a narrow edge or border running round a bearing.

FINALE (Ital. for “end”), a term in music for the concluding movement in an instrumental composition, whether symphony, concerto or sonata, and, in dramatic music, the concerted piece which ends each act. Of instrumental finales, the great choral finale to Beethoven’s 9th symphony, and of operatic finales, that of Mozart’s Nozze di Figaro, to the second act, and to the last act of Verdi’s Falstaff may be mentioned. In the Wagnerian opera the finale has no place.

FINANCE. The term “finance,” which comes into English through French, in its original meaning denoted a payment (finatio). In the later middle ages, especially in Germany, it acquired the sense of usurious or oppressive dealing with money and capital. The specialized use of the word as equivalent to the management of the public expenditure and receipts first became prominent in France during the 16th century and quickly spread to other countries. The plural form (Les Finances) was particularly reserved for this application, while the singular came to denote business activity in respect to monetary dealings (as in the expression la haute finance). For the Germans the phrase “science of finance” (Finanzwissenschaft) refers exclusively to the economy of the state. English and American writers are less definite in their employment of the term, which varies with the convenience of the author.

A work on “finance” may deal with the Money Market or the Stock Exchange; it may treat of banking and credit organization, or it may be devoted to state revenue and expenditure, which is on the whole the prevailing sense. The expressions “science of finance” and “public finance” have been suggested as suitable to delimit the last mentioned application. At all events, the broad sense is quite intelligible. “Financial” means what is concerned with business, and the idea of a balance between effort and return is also prominent. In the present article attention will be directed to “public finance”; for the other aspects of the subject reference may be made (inter alia) to the following:—Banks and Banking; Company; Exchange; Market; Stock Exchange. See also English Finance, and the sections on finance under headings of countries.

Finance, regarded as state house-keeping, or “political economy” (see Economics) in the older sense of the term, deals with (1) the expenditure of the state; (2) state revenues; (3) the balance between expenditure and receipts; (4) the organization which collects and applies the public funds. Each of these large divisions presents a series of problems of which the practical treatment is illustrated in the financial history of the great nations of the world. Thus the amount and character of public expenditure necessarily depends on the functions that the state undertakes to perform—national defence, the maintenance of internal order, and the efficient equipment of the state organization; such are the tasks that all governments have to discharge, and for their cost due provision has to be made. The widening sphere of state activity, so marked a characteristic of modern civilization, involves outlay for what may be best described as “developmental” services. Education, relief of distress, regulation of labour and trade, are duties now in great part performed by public agencies, and their increasing prominence involves augmented expense. The first problem on this side of expenditure is the due balancing of outlay by income. The financier has to “cover” his outlay. There is, further, the duty of establishing a proper proportion between the several forms of expenditure. Not only has there to be a strict control over the total national expense; supervision has to be carried into each department of the state. No one branch of public activity is entitled to make unlimited calls on the state’s revenue. The claims of the “expert” require to be carefully scrutinized. The great financiers have made their reputation quite as much by rigorous control over extravagance in expenditure as by dexterity in devising new forms of revenue. Unfortunately they have not been able to reduce their methods to rule. As yet no more definite principle has been discovered than the somewhat obvious one of measuring the proposed items of outlay (1) against each other, (2) against the sacrifice that additional taxation involves. Of almost equal importance is the rule that the utmost return is to be obtained for the given outlay. The canon of economy is as fundamental in regard to public expenditure as it will appear, later, to be in respect to revenue. Just application of the outlay of the state, so that no class receives undue advantage, and the use of public funds for “reproductive,” in preference to “unproductive” objects, are evident general principles whose difficulty lies in their application to the circumstances of each particular case.

Far greater progress has been made in the formulation of general canons as to the nature, growth and treatment of the public revenues. Historically, there is, first, the tendency towards increase in state income to balance the advance in outlay. A second general feature is the relative decline of the receipts from state property and industries in contrast to the expansion of taxation. Regarded as an organized system, the body of receipts has to be made conformable to certain general conditions. Thus there should be revenue sufficient to meet the public requirements. Otherwise the financial organization has failed in one of its essential purposes. In order continuously to attain this end, the revenue must be flexible, or, as is often said, elastic enough to vary in response to pressure. Frequently recurring deficits are, in themselves, a condemnation of the methods under which they are found. Again, the rule of “economy” in raising revenue, or, in other words, taking as little as possible from the contributors over and above what the state receives, holds good for the whole and for each part of public revenue. In like manner the principle of formal justice has the same claim in respect to revenue as to expenditure. No class of person should bear more than his or its proper share. In fact the special maxims usually placed under the head of taxation have really a wider scope as governing the whole financial system. The recognition of even the most elementary rules has been a very slow process, as the course of financial history abundantly proves. Until the 18th century no scientific treatment of financial problems was attained, though there had been great advances on the administrative side.

A brief description of the historical evolution of the earlier financial forms will be the most effective illustration of this statement. The theory of well-organized public finance is also discussed under Taxation and National Debt.

The earliest forms of public revenue are those obtained from the property of the chief or ruler. Land, cattle and slaves are the principal kinds of wealth, and they are all constituents of the king’s revenue; enforced work contributed by members of the community, and the furnishing commodities on requisition, further aid in the maintenance of the primitive state. Financial organization makes its earliest appearance in the great Eastern monarchies, in which tribute was regularly collected and the oldest and most general form of taxation—that levied on the produce of land—was established. In its normal shape this impost consisted in a given proportion of the yield, or of certain portions of the yield, of the soil; one-fourth as in India, one-fifth as in Egypt, or two separate levies of a tenth as in Palestine, are examples of what may from the last instance be called the “tithe” system. Dues of various kinds were gradually added to the land revenue, until, as in the later Egyptian monarchy, the forms of revenue reached a bewildering complexity. But no Eastern state advanced beyond the condition generally characterized as the “patrimonial,” i.e. an organization on the model of the household. The part played by money economy was small, and it is noticeable that the revenues were collected by the monarch’s servants, the farming out of taxes being completely unknown. Tribute, however, was paid by subject communities as a whole, and was collected by them for transmission to the conquerors.

A much higher stage was reached in the financial methods of the Greek states, or more correctly speaking of Athens, the best-known specimen of the class. Instead of the comparatively simple expedients of the barbarian monarchies, as indicated above, the Athenian city state by degrees developed a rather complex revenue system. Some of the older forms are retained. The city owned public land which was let on lease and the rents were farmed out by auction. A specially valuable property of Athens was the possession of the silver mines at Laurium, which were worked on lease by slave labour. The produce, at first distributed amongst the citizens, was later a part of the state income, and forms the subject of some of the suggestions respecting the revenue in the treatise formerly ascribed to Xenophon. The reverence that attached to the precious metals caused undue exaltation of the services rendered by this property.

One of the characteristics of the ancient state was its extensive control over the persons and property of its citizens. In respect to finance this authority was strikingly manifested in the burdens imposed on wealthy citizens by the requirements of the “liturgies” (λειτουργίαι), which consisted in the provision of a chorus for theatrical performances, or defraying the expenses of the public games, or, finally, the equipment of a ship, “the trierarchy,” which was economically and politically the most important. Athenian statesmanship in the time of Demosthenes was gravely exercised to make this form of contribution more effective. The grouping into classes and the privilege of exchanging property, granted to the contributor against any one whom he believed entitled to take his place, are marks of the defective economic and financial organization of the age.

Amongst taxes strictly so called were the market dues or tolls, which in some cases approximated to excise duties, though in their actual mode of levy they were closely similar to the octrois of modern times. Of greater importance were the customs duties on imports and exports. These at the great period of Athenian history were only 2%. The prohibition of export of corn was an economic rather than a financial provision. In the treatment of her subject allies Athens was more rigorous, general import and export duties of 5% being imposed on their trade. The high cost of carriage, and the need of encouraging commerce in a community relying on external sources for its food supply, help to explain the comparatively low rates adopted. Neither as financial nor as protective expedients were the custom duties of classical societies of much importance.

Direct taxation received much greater expansion. A special levy on the class of resident aliens (μετοίκιον), probably paralleled by a duty on slaves, was in force. A far more important source of revenue was the general tax on property (εἰσφορά), which according to one view existed as early as the time of Solon, who made it a part of his constitutional system. Modern inquiry, however, tends towards the conclusion that it was under the stress of the Peloponnesian War that this impost was introduced (428 B.C.). At first it was only levied at irregular intervals; afterwards, in 378 B.C., it became a permanent tax based on elaborate valuation under which the richer members paid on a larger quota of their capital; in the case of the wealthiest class the taxable quota was taken as one-fifth, smaller fractions being adopted for those belonging to the other divisions. The assessment (τίμημα) included all the property of the contributor, whose accuracy in making full returns was safeguarded by the right given to other citizens to proceed against him for fraudulent under-valuation. A further support was provided in the reform of 378 B.C. by the establishment of the symmories, or groups of tax-paying citizens; the wealthier members of each group being responsible for the tax payments of all the members.

The scanty and obscure references to finance, and to economic matters generally, in classical literature do not elucidate all the details of the system; but the analogies of other countries, e.g. the mode of levying the taille in 18th century France and the “tenth and fifteenth” in medieval England, make it tolerably plain that in the 4th century B.C. the Athenian state had developed a mode of taxation on property which raised those questions of just distribution and effective valuation that present themselves in the latest tax systems of the modern world. Taken together with the liturgies, the “eisphora” placed a very heavy burden on the wealthier citizens, and this financial pressure accounts in great part for the hostility of the rich towards the democratic constitution that facilitated the imposition of graduated taxation and super-taxes—to use modern terms—on the larger incomes. The normal yield of the property tax is reported as 60 talents (£14,400); but on special occasions it reached 200 talents (£48,000), or about one-sixth of the total receipts.

On the administrative side also remarkable advances were made by the entrusting of military expenditure to the “generals,” and in the 4th century B.C. by the appointment of an administrator whose duty it was to distribute the revenue of the state under the directions of the assembly. The absence of settled public law and the influence of direct democracy made a complete ministry of finance impossible.

The Athenian “hegemony” in its earlier and later phases had an important financial side. The confederacy of Delos made provision for the collection of a revenue (φόρος) from the members of the league, which was employed at first for defence against Persian aggression, but afterwards was at the disposal of Athens as the ruling state. The annual collection of 460 talents (£110,400) shows sufficiently the magnitude of the league.

Too little is known of the financial methods of the other Greek states and of the Macedonian kingdoms to allow of any definite account of their position. In the latter, particularly in Egypt, the methods of the earlier rulers probably survived. Their finance, like their social life generally, exhibited a blending of Hellenic and barbarian elements. The older land-taxes were probably accompanied by import dues and taxes on property.

In the infancy of the Roman republic its revenues were of the kind usual in such communities. The public land yielded receipts which may indifferently be regarded as rents or taxes; the citizens contributed their services or commodities, and dues were raised on certain articles coming to market. With the progress of the Roman dominion the financial organization grew in extent. In order to meet the cost of the early wars a special contribution from property (tributum ex censu) was levied at times of emergency, though it was in some cases regarded as an advance to be repaid when the occasion of expense was over. Owing to the great military successes, and the consequent increase of the other sources of revenue, it became feasible to suspend the tributum in 167 B.C., and it was not again levied till after the death of Julius Caesar. From this date the expenses of the Roman state “were undisguisedly supported by the taxation of the provinces.” Neither the state monopolies nor the public land in Italy afforded any appreciable revenue. The other charges that affected Italy were the 5% duty on manumissions, and customs dues on seaborne imports. But with the acquisition of the important provinces of Sicily, Spain and Africa, the formation of a tax system based on the tributes of the dependencies became possible. To a great extent the pre-existing forms of revenue were retained, but were gradually systematized. In legal theory the land of conquered communities passed into the ownership of the Roman state; in practice a revenue was obtained through land taxes in the form of either tithes (decumae) or money payments (stipendia). To the latter were adjoined capitation and trade taxes (the tributum capitis). For pasture land a special rent was paid. In some provinces (e.g. Sicily) payment in produce was preferred, as affording the supply needed for the free distribution of corn at Rome.

The great form of indirect taxation consisted in the customs dues (portoria), which were collected at the provincial boundaries and varied in amount, though the maximum did not exceed 5%. Under the same head were included the town dues (or octrois). Further, the local administration was charged on the district concerned, and requisitions for the public service were frequently made on the provincial communities. Supplies of grain, ships and timber for military use were often demanded.

The methods of levy may be regarded as an additional tax. “Vexation,” as Adam Smith remarks, “though not strictly speaking expense, is certainly equivalent to the expense at which every man would be willing to redeem himself from it”; and the Roman system was extraordinarily vexatious. From an early date the collection of the taxes had been farmed out to companies of contractors (societates vectigales), who became a by-word for rapacity. Being bound to pay a stated sum to the public authorities these publicani naturally aimed at extracting the largest possible amount from the unfortunate provincials, and, as they belonged to the Roman capitalist class, they were able to influence the provincial governors. Undue claims on the part of the tax collectors were aggravated by the extortion of the public officials. The defects of the financial organization were a serious influence in the complex of causes that brought about the fall of the Republic.

One of the reasons that induced the subject populations to accept with pleasure the establishment of the Empire was the improvement in financial treatment that it secured. The corrupt and uneconomical method of farming out the collection of the revenue was, to a great extent, replaced by collection through the officials of the imperial household. The earlier Roman treasury (aerarium) was formally retained for the receipt of revenue from the senatorial provinces, but the officials were appointed by the Princeps and became gradually mere municipal officers. The real centre of finance was the fiscus or imperial treasury, which was under the exclusive control of the ruler (“res fiscales,” says Ulpian, “quasi propriae et privatae principis sunt”), and was administered by officials of his household. Under the Republic the Senate had been the financial authority, with the Censors as finance ministers and the Quaestors as secretaries of the treasury. Never very precise, this system in the 1st century B.C. fell into extreme decay. By means of his freedmen the emperor introduced the more rigorous economy of the Roman household into public finance. The census as a method of valuation was revived; the important and productive land taxes were placed on a more definite footing; while, above all, the substitution of direct collection by state officials for the letting out by auction of the tax-collection to the companies of publicani was made general. Thus some of the most valuable lessons as to the normal evolution of a system of finance are to be learned in this connexion. Of equal, or even greater moment is the failure of the administrative reforms of the Empire to secure lasting improvement, a result due to the absence of constitutional guarantees. The close relation between finance and general policy is most impressively illustrated in this failure of benevolent autocracy.

Viewed broadly, the financial resources of the earlier Empire were obtained from (1) the public land alike of the state and the Princeps; (2) the monopolies, principally of minerals; (3) the land tax; (4) the customs; (5) the taxes on inheritances, on sales and on the purchase of slaves (vectigalia). One result of the establishment of the Principate was the consolidation of the public domain. The old “public land” in Italy had nearly disappeared; but the royal possessions in the conquered provinces and the private properties of the emperor became ultimately a part of the property of the Fiscus. Such land was let either on five-year leases or in perpetuity to coloni. Mines were also taken over for public use and worked by slaves or, in later times, by convict labour. The tendency towards state monopoly became more marked in the closing days of the Empire, the 4th and 5th centuries A.D. Perhaps the most comprehensive of the fiscal reforms of the Empire was the reconstruction of the land tax, based on a census or (to use the French term) cadastre, in which the area, the modes of cultivation and the estimated productiveness of each holding were stated, the average of ten preceding years being taken as the standard. After the reconstruction under Diocletian at the end of the 3rd century A.D., fifteen years (the indictio)—though probably used as early as the time of Hadrian—was recognized as the period for revaluation. With the growing needs of the state this taxation became more rigorous and was one of the great grievances of the population, especially of the sections that were declining in status and passing into the condition of villenage. The portoria, or customs, received a better organization, though the varying rates for different provinces continued. By degrees the older maximum of 5% was exceeded, until in the 4th century 12½% was in some cases levied. Even at this higher rate the facilities for trade were greater than in medieval or (until the revolution in transport) modern times. In spite of certain prejudices against the import of luxuries and the export of gold, there is little indication of the influence of mercantilist or protectionist ideas. The nearest approach to excise was the duty of 1% on all sales, a tax that in Gibbon’s words “has ever been the occasion of clamour and discontent.” The higher charge of 4% on the purchase of slaves, and the still heavier 5% on successions after death, were likewise established at the beginning of the Empire and specially applied to the full citizens. Escheats and lapsed legacies (caduca) were further miscellaneous sources of gain to the state.

Taken as a whole, the financial system of Imperial Rome shows a very high elaboration in form. The patrimonium, the tributa and the vectigalia are divisions parallel to the domaine, the contributions directes and the contributions indirectes of modern French administration; or the English “non-tax” revenue, inland revenue and “customs and excise.” The careful regulations given in the Codes and the Digest show the observance of technical conditions as to assessment and accounting. In substance and spirit, however, Roman finance was essentially backward. Without altogether accepting Merivale’s judgment that “their principles of finance were to the last rude and unphilosophical,” it may be granted that Roman statesmen never seriously faced the questions of just distribution and maximum productiveness in the tax system. Still less did they perceive the connexion between these two aspects of finance. Mechanical uniformity and minute regulation are inadequate substitutes for observance of the canons of equality, certainty and economy in the operation of the tax system. Whether (as has been suggested) an Adam Smith in power could have saved the Empire is doubtful; but he would certainly have remodelled its finance. The most glaring fault was plainly the undue and increasing pressure on the productive classes. Each century saw heavier burdens imposed on the actual workers and on their employers, while expenditure was chiefly devoted to unproductive purposes. The distribution was also unfair as between the different territorial divisions. The capital and certain provincial towns were favoured at the expense of the provinces and the country districts. Again, the cost of collection, though less than under the farming-out system, was far too great. Some alleviation was indeed obtained by the apportionment of contributions amongst the districts liable, leaving to the community to decide as it thought best between its members. The allotment of the land-tax to units (juga) of equal value whatever might be the area, was a contrivance similar in character.

The gradual way in which the several provinces were brought under the general tax system, and the equally gradual extension of Roman citizenship, account further for the irregularity and increased weight of the taxes; as the absence of publicity and the growth of autocracy explain the sense of oppression and the hopelessness of resistance so vividly indicated in the literature of the later Empire. Exemptions at first granted to the citizens were removed, while the cost of local government which continually increased was placed on the middle-class of the towns as represented by the decuriones, or members of the municipalities.

The fact that no ingenuity of modern research has been able to construct a real budget of expenditure and receipt for any part of the long centuries of the Empire is significant as to the secrecy that surrounded the finances, especially in the later period. For at the beginning of the principate Augustus seems to have aimed at a complete estimate of the financial situation, though this may be regarded as due to the influence of the freer republican traditions which the reverence that soon attached to the emperor’s dignity completely extinguished.

In addition to its value as illustrating the difficulties and defects that beset the development of a complex financial organization from the simpler forms of the city and the province, Roman finance is of special importance in consequence of its place as supplying a model or rather a guide for the administration of the states that arose on its ruins. The barbarian invaders, though they were accustomed to contributions to their chiefs and to the payment of commodities as tributes or as penalties, had no acquaintance with the working of a regular system of taxation. The more astute rulers utilized the machinery that they inherited from the Roman government. Under the Franks the land tax and the provincial customs continued as forms of revenue, while beside them the gifts and court fees of Teutonic origin took their place. Similar conditions appear in Theodoric’s administration of Italy. The maintenance of Roman forms and terms is prominent in fiscal administration. But institutions that have lost their life and animating spirit can hardly be preserved for any length of time. All over western Europe the elaborate devices of the census and the stations for the collection of customs crumbled away; taxation as such disappeared, through the hostility of the clergy and the exemptions accorded to powerful subjects. This process of disintegration spread out over centuries. The efforts made from time to time by vigorous rulers to enforce the charges that remained legally due, proved quite ineffectual to restore the older fiscal system. The final result was a complete transformation of the ingredients of revenue. The character of the change may be best indicated as a substitution of private claims for public rights. Thus, the land-tax disappears in the 7th century and only comes into notice in the 9th century in the shape of private customary dues. The customs duties become the tolls and transit charges levied by local potentates on the diminishing trade of the earlier middle ages. This revolution is in accordance with—indeed it is one side of—the movement towards feudalism which was the great feature of this period. Finance is essentially a part of public law and administration. It could, therefore, hold no prominent place in a condition of society which hardly recognized the state, as distinct from the members of the community, united by feudal ties. The same conception may be expressed in another way, viz. by the statement that the kingdoms which succeeded the Roman Empire were organized on the patrimonial basis (i.e. the revenues passed into the hands of the king or, rather, his domestic officials), and thus in fact returned to the condition of pre-classical times. Notwithstanding the differing features in the several countries, retrogression is the common characteristic of European history from the 5th to the 10th century, and it was from the ruder state that this decline created that the rebuilding of social and political organization had to be accomplished. On the financial side the work, as already suggested, was aided by the ideas and institutions inherited from the Roman Empire. This influence was common to all the continental states and indirectly was felt even in England. Each of the great realms has, however, worked out its financial system on lines suitable to its own particular conditions, which are best considered in connexion with the separate national histories.

Running through the different national systems there are some common elements the result not of inheritance merely but still more of necessity, or at the lowest of similarity in environment. Over and above the details of financial development there is a thread of connexion which requires treatment under Finance taken as a whole. As the great aim of this side of public activity is to secure funds for the maintenance of the state’s life and working, the administration which operates for this end is the true nucleus of all national finance. The first sign of revival from the catastrophe of the invasions is the reorganization of the Imperial household under Charlemagne with the intention of establishing a more exact collection of revenue. The later German empire of Otto and the Frederics; the French Capetian monarchy and, in a somewhat different sphere, the medieval Italian and German cities show the same movement. The treasury is the centre towards which the special receipts of the ruler or rulers should be brought, and from it the public wants should be supplied. Feudalism, as the antithesis of this orderly treatment, had to be overthrown before national finance could become established. The development can be traced in the financial history of England, France and the German states; but the advance in the French financial organization of the 15th and 16th centuries affords the best illustration. The gradual unification operates on all the branches of finance,—expenditure, revenue, debt and methods of control. In respect to the first head there is a well-marked “integration” of the modes for meeting the cost of the public services. What were semi-private duties become public tasks, which, with the growing importance of “money-economy,” have to be defrayed by state payments. Thus, the creation of the standing army in France by Charles VII. marks a financial change of the first order. The English navy, though more gradually developed, is an equally good illustration of the movement. All outlay by the state is brought into due co-ordination, and it becomes possible for constitutional government to supervise and direct it. This improvement, due to English initiative, has been adopted amongst the essential forms of financial administration on the continent. The immense importance of this view of public expenditure as representing the consumption of the state in its unified condition is obvious; it has affected, for the most part unconsciously, the conception of all modern peoples as to the functions of the state and the right of the people to direct them.

On the side of receipts a similar unifying process has been accomplished. The almost universal separation between “ordinary” and “extraordinary” receipts, taxation being put under the latter head, has completely ceased. It was, however, the fundamental division for the early French writers on finance, and it survives for England as late as Blackstone’s Commentaries. The idea that the ruler possessed a normal income in certain rents and dues of a quasi-private character, which on emergency he might supplement by calls on the revenues of his subjects, was a bequest of feudalism which gave way before the increasing power of the state. In order to meet the unified public wants, an equally unified public fund was requisite. The great economic changes which depreciated the value of the king’s domain contributed towards the result. Only by well-adjusted taxation was it possible to meet the public necessities. In respect to taxation also there has been a like course of readjustment. Separate charges, assigned for distinct purposes, have been taken into the national exchequer and come to form a part of the general revenue. There has been—taking long periods—a steady absorption of special taxes into more general categories. The replacement of the four direct taxes by the income tax in France, as proposed in 1909, is a very recent example. Equally important is the growth of “direct” taxation. As tax contributions have taken the places of the revenue from land and fees, so, it would seem, are the taxes on commodities likely to be replaced or at least exceeded by the imposts levied on income as such, in the shape either of income taxes proper or of charges on accumulated wealth. The recent history of the several financial systems of the world is decisive on this point. A clearer perception of the conditions under which the effective attainment of revenue is possible is another outcome of financial development. Security, and in particular the absence of arbitrary impositions, combined with convenient modes of collection, have come to be recognized as indispensable auxiliaries in financial administration which further aims at the selection of really productive forms of charge. Unproductiveness is, according to modern standard, the cardinal fault of any particular tax. How great has been the progress in these aspects is best illustrated in the case of English finance, but both French and German fiscal history can supply many instructive examples.

In a third direction the co-ordination of finance has been just as remarkable. Financial adjustment implies the conception of a balance, and this should be found in the relation of outlay and income. Under the pressure of war and other emergencies it has been found impossible to maintain this desirable equilibrium. But the use of the system of credit, and the general establishment of constitutional government, have enabled the difficulty to be surmounted by the creation on a vast scale of national debts. Apart from the special problems that this system of borrowing raises, there is the general one of its aid in making national finance continuous and orderly. Deficits can be transferred to the capital account, and the country’s resources employed most usefully by repaying liabilities contracted in times of extreme need. The growth of this department, parallel with the general progress of finance, is significant of its function.

Finally, in all countries though with diversities due to national peculiarities, the modes of account and control have been brought into a more effective condition. Previous legislative sanction for both expenditure and receipts in all their particular forms is absolutely necessary; so is thorough scrutiny of the actual application of the funds provided. Either by administrative survey or by judicial examination care is taken to see that there has been no improper diversion from the designed purposes. It is only when the varied systems of financial organization are studied in their general bearing, and with regard to what may be called their frame-work, that their essential resemblance is thoroughly realized. Such a real underlying unity is the reason and justification for regarding “public finance” as a distinct subject of study and as an independent division of political science.

Local Finance.—One of the most remarkable features of modern financial development has been the growth of the complementary system of local finance, which in extent and complication bids to rival that of the central authority. Under the constraining power of the Roman Empire the older city states were reduced to the position of municipalities, and their financial administration became dependent on the control of the Emperor—as is abundantly illustrated in the correspondence of Pliny and Trajan. After the fall of the Western Empire, a partial revival of city life, particularly in Italy and Germany, gave some scope for a return to the type of finance presented by the Athenian state. Florence affords an instructive specimen; but the passage from feudalism to the national state under the authority of monarchy made the cities and country districts parts of a larger whole. It is in this condition of subordination that the finance of localities has been framed and effectively organized. Though each great state has adopted its own methods, influenced by historical circumstances and by ideas of policy, there are general resemblances that furnish material for scientific treatment and allow of important generalizations being made.

Amongst these the first to be noticed is the essential subordination of local finance. Alike in expenditure, in forms of receipt, and in methods of administration the central government has the right of directing and supervising the work of municipal and provincial agencies. The modes employed are various, but they all rest on the sovereignty of the state, whether exercised by the central officials or by the courts. A second characteristic is the predominance of the economic element in the several tasks that local administrations have to perform, and the consequent tendency to treat the charges of local finance as payments for services rendered, or, in the usual phrase, to apply the “benefits” principle, in contrast to that of “ability,” which rightly prevails in national finance. Over a great part of municipal administration—particularly that engaged in supplying the needs of the individual citizens—the finance may be assimilated to that of the joint-stock company, with of course the necessary differences, viz. that the association is compulsory; and that dividends are paid, not in money, but in social advantage. The great expansion in recent years of what is known as Municipal Trading has brought this aspect of local finance into prominence. Water supply, transport and lighting have become public services, requiring careful financial management, and still retaining traces of their earlier private character.

Corresponding to the mainly economic nature of local expenditure there is the further limitation imposed on the side of revenue. Unlike the state in this, localities are limited in respect to the amount and form of their taxation. Several distinct influences combine to produce this result. The needs of the central government lead to its retention of the more profitable modes of procuring revenue. No modern country can surrender the chief direct and indirect taxes to the local administrations. Another limiting condition is found in the practical impossibility of levying by local agencies such imposts as the customs and the income-tax in their modern forms. The elaborate machinery that is requisite for covering the national area and securing the revenue against loss can only be provided by an authority that can deal with the whole territory. Hence the very general limitation of local revenues to certain typical forms. Though in some cases municipal taxation is imposed on commodities in the form of octrois or entry duties—as is notably the case in France—yet the prevailing tendency is towards the levy of direct charges on immovable property, which cannot escape by removal outside the tax jurisdiction. In addition to these “land” and “house” taxes, the employment of licence duties on trades, particularly those that are in special need of supervision, is a favourite method. Closely akin are the payments demanded for privileges to industrial undertakings given as “franchises,” very often in connexion with monopolies, e.g. gas-works and tramways. Over and above the peculiar revenues of local bodies there is the further resource—which emphasizes the subordinate position of local finance—of obtaining supplemental revenue from the central treasury, either by taxes additional to the charges of the state, and collected at the same time; or by donations from its funds, in the shape of grants for special services, or assignments of certain parts of the state’s receipts. Great Britain, France and Prussia furnish good examples of these different modes of preserving local administration from financial collapse.

The broad resemblance between the two parts of the entire system of public finance is seen in another direction. To national debts there has been added a great mass of municipal and local indebtedness, which seems likely to equal, or even exceed in magnitude the liabilities of the central governments. But here also the essential limitations of the newer form are easily perceptible. The sovereignty of the state enables it to deal as it thinks best with the public creditor. In its methods of borrowing, in its plans for repayment, or, in extremity, in its power of repudiation it is independent of external control. Local debt on the other hand can only be contracted under the sanction of the appropriate administrative organ of the state. The creditor has the right of claiming the aid of the law against the defaulting municipality; and the amounts, the terms, and the time of duration of local debt are supervised in order to prevent injustice to particular persons or improvidence with regard to the revenue and property of the local units. The chief reason for contracting local debt being the establishment of works that are, directly or indirectly, reproductive, the governing conditions are evidently to be found in the character and probable yield of those businesses. The principles of company investments are fully applicable: the creation of sinking-funds, the fixing the term of each loan to the time at which the return from its employment ceases, and the avoidance of the formation of fictitious capital, become guiding rules from this part of finance, and indicate the connexion with what the commercial world calls “financial operations.”

Finally, there is the same set of problems in respect to accounting and control in local as in central finance. Though the materials are simpler, the need for a well-prepared budget is existent in the case of the city, county or department, if there is to be clear and accurate financial management. Perhaps the greatest weakness of local finance lies in this direction. The public opinion that affects the national budget is unfortunately too often lacking in the most important towns, not excluding those in which political life is highly developed.

Bibliography.—The English literature on finance is rather unsatisfactory; for public finance the available text-books are: Adams, Science of Finance (New York, 1898); Bastable, Public Finance (London, 1892; 3rd ed., 1903); Daniels, Public Finance (New York, 1899), and Plehn, Public Finance (3rd ed., New York, 1909). In French, Leroy-Beaulieu, Traité de la science des finances (1877; 3rd ed., 1908), is the standard work. The German literature is abundant. Roscher, 5th ed. (edited by Gerlach), 1901; Wagner (4 vols.), incomplete; Cohn (1889) and Eheberg (9th ed., 1908) have published works entitled Finanzwissenschaft, dealing with all the aspects of state finance. For Greek financial history Boekh, Staalshaushaltung der Athenen (ed. Fränkel, 1887), is still a standard work. For Rome, Marquardt, Römische Staatsverwaltung, vol. ii., and Humbert, Les Finances et la comptabilité publique chez les Romains, are valuable. Clamageran, Histoire de l’impôt en France (1876), gives the earlier development of French finance. R.H. Patterson, Science of Finance (London, 1868), C.S. Meade, Trust Finance (1903), and E. Carroll, Principles and Practice of Finance, deal with finance in the wider sense of business transactions.

(C. F. B.)

FINCH, FINCH-HATTON. This old English family has had many notable members, and has contributed in no small degree to the peerage. Sir Thomas Finch (d. 1563), who was knighted for his share in suppressing Sir T. Wyatt’s insurrection against Queen Mary, was a soldier of note, and was the son and heir of Sir William Finch, who was knighted in 1513. He was the father of Sir Moyle Finch (d. 1614), who was created a baronet in 1611, and whose widow Elizabeth (daughter of Sir Thomas Heneage) was created a peeress as countess of Maidstone in 1623 and countess of Winchilsea in 1628; and also of Sir Henry Finch (1558-1625), whose son John, Baron Finch of Fordwich (1584-1660), is separately noticed. Thomas, eldest son of Sir Moyle, succeeded his mother as first earl of Winchilsea; and Sir Heneage, the fourth son (d. 1631), was the speaker of the House of Commons, whose son Heneage (1621-1682), lord chancellor, was created earl of Nottingham in 1675. The latter’s second son Heneage (1649-1719) was created earl of Aylesford in 1714. The earldoms of Winchilsea and Nottingham became united in 1729, when the fifth earl of Winchilsea died, leaving no son, and the title passed to his cousin the second earl of Nottingham, the earldom of Nottingham having since then been held by the earl of Winchilsea. In 1826, on the death of the ninth earl of Winchilsea and fifth of Nottingham, his cousin George William Finch-Hatton succeeded to the titles, the additional surname of Hatton (since held in this line) having been assumed in 1764 by his father under the will of an aunt, a daughter of Christopher, Viscount Hatton (1632-1706), whose father was related to the famous Sir Christopher Hatton.

FINCH OF FORDWICH, JOHN FINCH, Baron (1584-1660), generally known as Sir John Finch, English judge, a member of the old family of Finch, was born on the 17th of September 1584, and was called to the bar in 1611. He was returned to parliament for Canterbury in 1614, and became recorder of the same place in 1617. Having attracted the notice of Charles I., who visited Canterbury in 1625, and was received with an address by Finch in his capacity as recorder, he was the following year appointed king’s counsel and attorney-general to the queen and was knighted. In 1628 he was elected speaker of the House of Commons, a post which he retained till its dissolution in 1629. He was the speaker who was held down in his chair by Holles and others on the occasion of Sir John Eliot’s resolution on tonnage and poundage. In 1634 he was appointed chief justice of the court of common pleas, and distinguished himself by the active zeal with which he upheld the king’s prerogative. Notable also was the brutality which characterized his conduct as chief justice, particularly in the cases of William Prynne and John Langton. He presided over the trial of John Hampden, who resisted the payment of ship-money, and he was chiefly responsible for the decision of the judges that ship-money was constitutional. As a reward for his services he was, in 1640, appointed lord keeper, and was also created Baron Finch of Fordwich. He had, however, become so unpopular that one of the first acts of the Long Parliament, which met in the same year was his impeachment. He took refuge in Holland, but had to suffer the sequestration of his estates. When he was allowed to return to England is uncertain, but in 1660 he was one of the commissioners for the trial of the regicides, though he does not appear to have taken much part in the proceedings. He died on the 27th of November 1660 and was buried in St Martin’s church near Canterbury, his peerage becoming extinct.

See Foss, Lives of the Judges; Campbell, Lives of the Chief Justices.

FINCH (Ger. Fink, Lat. Fringilla), a name applied (but almost always in composition—as bullfinch, chaffinch, goldfinch, hawfinch, &c.) to a great many small birds of the order Passeres, and now pretty generally accepted as that of a group or family—the Fringillidae of most ornithologists. Yet it is one the extent of which must be regarded as being uncertain. Many writers have included in it the buntings (Emberizidae), though these seem to be quite distinct, as well as the larks (Alaudidae), the tanagers (Tanagridae), and the weaver-birds (Ploceidae). Others have separated from it the crossbills, under the title of Loxiidae, but without due cause. The difficulty which at this time presents itself in regard to the limits of the Fringillidae arises from our ignorance of the anatomical features, especially those of the head, possessed by many exotic forms.

Taken as a whole, the finches, concerning which no reasonable doubt can exist, are not only little birds with a hard bill, adapted in most cases for shelling and eating the various seeds that form the chief portion of their diet when adult, but they appear to be mainly forms which predominate in and are highly characteristic of the Palaearctic Region; moreover, though some are found elsewhere on the globe, the existence of but very few in the Notogaean hemisphere can as yet be regarded as certain.

But even with this limitation, the separation of the undoubted Fringillidae into groups is a difficult task. Were we merely to consider the superficial character of the form of the bill, the genus Loxia (in its modern sense) would be easily divided not only from the other finches, but from all other birds. The birds of this genus—the crossbills—when their other characters are taken into account, prove to be intimately allied on the one hand to the grosbeaks (Pinicola) and on the other through the redpolls (Aegiothus) to the linnets (Linota)—if indeed these two can be properly separated. The linnets, through the genus Leucosticte, lead to the mountain-finches (Montifringilla), and the redpolls through the siskins (Chrysomitris) to the goldfinches (Carduelis); and these last again to the hawfinches, one group of which (Coccothraustes) is apparently not far distant from the chaffinches (Fringilla proper), and the other (Hesperiphona) seems to be allied to the greenfinches (Ligurinus). Then there is the group of serins (Serinus), to which the canary belongs, that one is in doubt whether to refer to the vicinity of the greenfinches or that of the redpolls. The mountain-finches may be regarded as pointing first to the rock-sparrows (Petronia) and then to the true sparrows (Passer); while the grosbeaks pass into many varied forms and throw out a very well marked form—the bullfinches (Pyrrhula). Some of the modifications of the family are very gradual, and therefore conclusions founded on them are likely to be correct; others are further apart, and the links which connect them, if not altogether missing, can but be surmised. To avoid as much as possible prejudicing the case, we shall therefore take the different groups of Fringillidae which it is convenient to consider in this article in an alphabetical arrangement.

Of the Bullfinches the best known is the familiar bird (Pyrrhula europaea). The varied plumage of the cock—his bright red breast and his grey back, set off by his coal-black head and quills—is naturally attractive; while the facility with which he is tamed, with his engaging disposition in confinement, makes him a popular cage-bird,—to say nothing of the fact (which in the opinion of so many adds to his charms) of his readily learning to “pipe” a tune, or some bars of one. By gardeners the bullfinch has long been regarded as a deadly enemy, from its undoubted destruction of the buds of fruit-trees in spring-time, though whether the destruction is really so much of a detriment is by no means so undoubted. Northern and eastern Europe is inhabited by a larger form (P. major), which differs in nothing but size and more vivid tints from that which is common in the British Isles and western Europe. A very distinct species (P. murina), remarkable for its dull coloration, is peculiar to the Azores, and several others are found in Asia from the Himalayas to Japan. A bullfinch (P. cassini) has been discovered in Alaska, being the first recognition of this genus in the New World.

The Canary (Serinus canarius) is indigenous to the islands whence it takes its name, as well, apparently, as to the neighbouring groups of the Madeiras and Azores, in all of which it abounds. It seems to have been imported into Europe at least as early as the first half of the 16th century, and has since become the commonest of cage-birds. The wild stock is of an olive-green, mottled with dark brown above, and greenish-yellow beneath. All the bright-hued examples we now see in captivity have been induced by carefully breeding from any chance varieties that have shown themselves; and not only the colour, but the build and stature of the bird have in this manner been greatly modified. The ingenuity of “the fancy,” which might seem to have exhausted itself in the production of topknots, feathered feet, and so forth, has brought about a still further change from the original type. It has been found that by a particular treatment, in which the mixing of large quantities of vegetable colouring agents with the food plays an important part, the ordinary “canary yellow” may be intensified so as to verge upon a more or less brilliant flame colour.

Very nearly resembling the canary, but smaller in size, is the Serin (Serinus hortulanus), a species which not long since was very local in Europe, and chiefly known to inhabit the countries bordering on the Mediterranean. It has pushed its way towards the north, and has even been several times taken in England (Yarrell’s Brit. Birds, ed. 4, ii. pp. 111-116). A closely allied species (S. canonicus) is peculiar to Palestine.

The Chaffinches are regarded as the type-form of Fringillidae. The handsome and sprightly Fringilla coelebs is common throughout the whole of Europe. Conspicuous by his variegated plumage, his peculiar call note and his glad song, the cock is almost everywhere a favourite. In Algeria the British chaffinch is replaced by a closely-allied species (F. spodogenia), while in the Atlantic Islands it is represented by two others (F. tintillon and F. teydea)—all of which, while possessing the general appearance of the European bird, are clothed in soberer tints. Another species of true Fringilla is the brambling (F. montifringilla), which has its home in the birch forests of northern Europe and Asia, whence it yearly proceeds, often in flocks of thousands, to pass the winter in more southern countries. This bird is still more beautifully coloured than the chaffinch—especially in summer, when, the brown edges of the feathers being shed, it presents a rich combination of black, white and orange. Even in winter, however, its diversified plumage is sufficiently striking.

With the exception of the single species of bullfinch already noticed as occurring in Alaska, all the above forms of finches are peculiar to the Palaearctic Region.

(A. N.)

About 200 species of these have been described, and perhaps 150 may really exist.

The earliest published description seems to be that of Gesner in 1555 (Orn. p. 234), but he had not seen the bird, an account of which was communicated to him by Raphael Seiler of Augsburg, under the name of Suckeruögele.

See also The Canary Book, by Robert L. Wallace; Canaries and Cage Birds, by W.A. Blackston; and Darwin’s Animals and Plants under Domestication, vol. i. p. 295. An excellent monograph on the wild bird is that by Dr Carl Bolle (Journ. für Orn., 1858, pp. 125-151).

This fanciful trivial name was given by Linnaeus on the supposition (which later observations do not entirely confirm) that in Sweden the hens of the species migrated southward in autumn, leaving the cocks to lead a celibate life till spring. It is certain, however, that in some localities the sexes live apart during the winter.

This call-note, which to many ears sounds like “pink” or “spink,” not only gives the bird a name in many parts of Britain, but is also obviously the origin of the German Fink and the English Finch. The similar Celtic form Pinc is said to have given rise to the Low Latin Pincio, and thence come the Italian Pincione, the Spanish Pinzon, and the French Pinson.

This is especially the ease with F. teydea of the Canary Islands, which from its dark colouring and large size forms a kind of parallel to the Azorean Pyrrhula murina.

FINCHLEY, an urban district in the Hornsey parliamentary division of Middlesex, England, 7 m. N.W. of St Paul’s cathedral, London, on a branch of the Great Northern railway. Pop. (1891) 16,647; (1901) 22,126. A part, adjoining Highgate on the north, lies at an elevation between 300 and 400 ft., while a portion in the Church End district lies lower, in the valley of the Dollis Brook. The pleasant, healthy situation has caused Finchley to become a populous residential district. Finchley Common was formerly one of the most notorious resorts of highwaymen near London; the Great North Road crossed it, and it was a haunt of Dick Turpin and Jack Sheppard, and was still dangerous to cross at night at the close of the 18th century. Sheppard was captured in this neighbourhood in 1724. The Common has not been preserved from the builder. In 1660 George Monk, marching on London immediately before the Restoration, made his camp on the Common, and in 1745 a regular and volunteer force encamped here, prepared to resist the Pretender, who was at Derby. The gathering of this force inspired Hogarth’s famous picture, the “March of the Guards to Finchley.”

FINCK, FRIEDRICH AUGUST VON (1718-1766), Prussian soldier, was born at Strelitz in 1718. He first saw active service in 1734 on the Rhine, as a member of the suite of Duke Anton Ulrich of Brunswick-Wolfenbüttel. Soon after this he transferred to the Austrian service, and thence went to Russia, where he served until the fall of his patron Marshal Münnich put an end to his prospects of advancement. In 1742 he went to Berlin, and Frederick the Great made him his aide-de-camp, with the rank of major. Good service brought him rapid promotion in the Seven Years’ War. After the battle of Kolin (June 18th, 1757) he was made colonel, and at the end of 1757 major-general. At the beginning of 1759 Finck became lieutenant-general, and in this rank commanded a corps at the disastrous battle of Kunersdorf, where he did good service both on the field of battle and (Frederick having in despair handed over to him the command) in the rallying of the beaten Prussians. Later in the year he fought in concert with General Wunsch a widespread combat, called the action of Korbitz (Sept. 21st) in which the Austrians and the contingents of the minor states of the Empire were sharply defeated. For this action Frederick gave Finck the Black Eagle (Seyfarth, Beilagen, ii. 621-630). But the subsequent catastrophe of Maxen (see Seven Years’ War) abruptly put an end to Finck’s active career. Dangerously exposed, and with inadequate forces, Finck received the king’s positive order to march upon Maxen (a village in the Pirna region of Saxony). Unfortunately for himself the general dared not disobey his master, and, cut off by greatly superior numbers, was forced to surrender with some 11,000 men (21st Nov. 1759). After the peace, Frederick sent him before a court-martial, which sentenced him to be cashiered and to suffer a term of imprisonment in a fortress. At the expiry of this term Finck entered the Danish service as general of infantry. He died at Copenhagen in 1766.

He left a work called Gedanken über militärische Gegenstände (Berlin, 1788). See Denkwürdigkeiten der militärischen Gesellschaft, vol. ii. (Berlin, 1802-1805), and the report of the Finck court-martial in Zeitschrift für Kunst, Wissenschaft und Geschichte des Krieges, pt. 81 (Berlin, 1851). There is a life of Finck in MS. in the library of the Great General Staff.

FINCK, HEINRICH (d. c. 1519), German musical composer, was probably born at Bamberg, but nothing is certainly known either of the place or date of his birth. Between 1492 and 1506 he was a musician in, and later possibly conductor of the court orchestra of successive kings of Poland at Warsaw. He held the post of conductor at Stuttgart from 1510 till about 1519, in which year he probably died. His works, mostly part songs and other vocal compositions, show great musical knowledge, and amongst the early masters of the German school he holds a high position. They are found scattered amongst ancient and modern collections of songs and other musical pieces (see R. Eitner, Bibl. der Musiksammelwerke des 16. und 17. Jahrh., Berlin, 1877). The library of Zwickau possesses a work containing a collection of fifty-five songs by Finck, printed about the middle of the 16th century.

FINCK, HERMANN (1527-1558), German composer, the great-nephew of Heinrich Finck, was born on the 21st of March 1527 in Pirna, and died at Wittenberg on the 28th of December 1558. After 1553 he lived at Wittenberg, where he was organist, and there, in 1555, was published his collection of “wedding songs.” Few details of his life have been preserved. His theoretical writing was good, particularly his observations on the art of singing and of making ornamentations in song. His most celebrated work is entitled Practica musica, exempla variorum signorum, proportionum, et canonum, judicium de tonis ac quaedam de arte suaviter et artificiose cantandi continens (Wittenberg, 1556). It is of great historic value, but very rare.

FINDEN, WILLIAM (1787-1852), English line engraver, was born in 1787. He served his apprenticeship to one James Mitan, but appears to have owed far more to the influence of James Heath, whose works he privately and earnestly studied. His first employment on his own account was engraving illustrations for books, and among the most noteworthy of these early plates were Smirke’s illustrations to Don Quixote. His neat style and smooth finish made his pictures very attractive and popular, and although he executed several large plates, his chief work throughout his life was book illustration. His younger brother, Edward Finden, worked in conjunction with him, and so much demand arose for their productions that ultimately a company of assistants was engaged, and plates were produced in increasing numbers, their quality as works of art declining as their quantity rose. The largest plate executed by William Finden was the portrait of King George IV. seated on a sofa, after the painting by Sir Thomas Lawrence. For this work he received two thousand guineas, a sum larger than had ever before been paid for an engraved portrait. Finden’s next and happiest works on a large scale were the “Highlander’s Return” and the “Village Festival,” after Wilkie. Later in life he undertook, in co-operation with his brother, aided by their numerous staff, the publication as well as the production of various galleries of engravings. The first of these, a series of landscape and portrait illustrations to the life and works of Byron, appeared in 1833 and following years, and was very successful. But by his Gallery of British Art (in fifteen parts, 1838-1840), the most costly and best of these ventures, he lost the fruits of all his former success. Finden’s last undertaking was an engraving on a large scale of Hilton’s “Crucifixion.” The plate was bought by the Art Union for £1470. He died in London on the 20th of September 1852.

FINDLATER, ANDREW (1810-1885), Scottish editor, was born in 1810 near Aberdour, Aberdeenshire, the son of a small farmer. By hard study in the evening, after his day’s work on the farm was finished, he qualified himself for entrance at Aberdeen University, and after graduating as M.A. he attended the Divinity classes with the idea of entering the ministry. In 1853 he began that connexion with the firm of W. & R. Chambers which gave direction to his subsequent activity. His first engagement was the editing of a revised edition of their Information for the People (1857). In this capacity he gave evidence of qualities and acquirements that marked him as a suitable editor for Chambers’s Encyclopaedia, then projected, and his was the directing mind that gave it its character. Many of the more important articles were written by him. This work occupied him till 1868, and he afterwards edited a revised edition (1874). He also had charge of other publications for the same firm, and wrote regularly for the Scotsman. In 1864 he was made LL.D. of Aberdeen University. In 1877 he gave up active work for Chambers, but his services were retained as consulting editor. He died in Edinburgh on the 1st of January 1885.

FINDLAY, SIR GEORGE (1829-1893), English railway manager, was of pure Scottish descent, and was born at Rainhill, in Lancashire, on the 18th of May 1829. For some time he attended Halifax grammar school, but left at the age of fourteen, and began to learn practical masonry on the Halifax railway, upon which his father was then employed. Two years later he obtained a situation on the Trent Valley railway works, and when that line was finished in 1847 went up to London. There he was for a short time among the men employed in building locomotive sheds for the London & North-Western railway at Camden Town, and years afterwards, when he had become general manager of that railway, he was able to point out stones which he had dressed with his own hands. For the next two or three years he was engaged in a higher capacity as supervisor of the mining and brickwork of the Harecastle tunnel on the North Staffordshire line, and of the Walton tunnel on the Birkenhead, Lancashire & Cheshire Junction railway. In 1850 the charge of the construction of a section of the Shrewsbury & Hereford line was entrusted to him, and when the line was opened for traffic T. Brassey, the contractor, having determined to work it himself, installed him as manager. In the course of his duties he was brought for the first time into official relations with the London & North-Western railway, which had undertaken to work the Newport, Abergavenny & Hereford line, and he ultimately passed into the service of that company, when in 1862, jointly with the Great Western, it leased the railway of which he was manager. In 1864 he was moved to Euston as general goods manager, in 1872 he became chief traffic manager, and in 1880 he was appointed full general manager; this last post he retained until his death, which occurred on the 26th of March 1893 at Edgware, Middlesex. He was knighted in 1892. Sir George Findlay was the author of a book on the Working and Management of an English Railway (London, 1889), which contains a great deal of information, some of it not easily accessible to the general public, as to English railway practice about the year 1890.

FINDLAY, JOHN RITCHIE (1824-1898), Scottish newspaper owner and philanthropist, was born at Arbroath on the 21st of October 1824, and was educated at Edinburgh University. He entered first the publishing office and then the editorial department of the Scotsman, became a partner in the paper in 1868, and in 1870 inherited the greater part of the property from his great uncle, John Ritchie, the founder. The large increase in the influence and circulation of the paper was in a great measure due to his activity and direction, and it brought him a fortune, which he spent during his lifetime in public benefaction. He presented to the nation the Scottish National Portrait Gallery, opened in Edinburgh in 1889, and costing over £70,000; and he contributed largely to the collections of the Scottish National Gallery. He held numerous offices in antiquarian, educational and charitable societies, showing his keen interest in these matters, but he avoided political office and refused the offer of a baronetcy. The freedom of Edinburgh was given him in 1896. He died at Aberlour, Banffshire, on the 16th of October 1898.

FINDLAY, a city and the county-seat of Hancock county, Ohio, U.S.A., on Blanchard’s Fork of the Auglaize river, about 42 m. S. by W. of Toledo. Pop. (1890) 18,553; (1900) 17,613, (1051 foreign-born); (1910) 14,858. It is served by the Cleveland, Cincinnati, Chicago & St Louis, the Cincinnati, Hamilton & Dayton, the Lake Erie & Western, and the Ohio Central railways, and by three interurban electric railways. Findlay lies about 780 ft. above sea-level on gently rolling ground. The city is the seat of Findlay College (co-educational), an institution of the Church of God, chartered in 1882 and opened in 1886; it has collegiate, preparatory, normal, commercial and theological departments, a school of expression, and a conservatory of music, and in 1907 had 588 students, the majority of whom were in the conservatory of music. Findlay is the centre of the Ohio natural gas and oil region, and lime and building stone abound in the vicinity. Among manufactures are refined petroleum, flour and grist-mill products, glass, boilers, bricks, tile, pottery, bridges, ditching machines, carriages and furniture. The total value of the factory product in 1905 was $2,925,309, an increase of 73.6% since 1900. The municipality owns and operates the water-works. Findlay was laid out as a town in 1821, was incorporated as a village in 1838, and was chartered as a city in 1890. The city was named in honour of Colonel James Findlay (c. 1775-1835), who built a fort here during the war of 1812; he served in this war under General William Hull, and from 1825 to 1833 was a Democratic representative in Congress.

FINE, a word which in all its senses goes back to the Lat. finire, to bring to an end (finis). Thus in the common adjectival meanings of elegant, thin, subtle, excellent, reduced in size, &c., it is in origin equivalent to “finished.” In the various substantival meanings in law, with which this article deals, the common idea underlying them is an end or final settlement of a matter.

A fine, in the ordinary sense, is a pecuniary penalty inflicted for the less serious offences. Fines are necessarily discretionary as to amount; but a maximum is generally fixed when the penalty is imposed by statute. And it is an old constitutional maxim that fines must not be unreasonable. In Magna Carta, c. 111, it is ordained “Liber homo non amercietur pro parvo delicto nisi secundum modum ipsius delicti, et pro magno delicto secundum magnitudinem delicti.”

The term is also applied to payments made to the lord of a manor on the alienation of land held according to the custom of the manor, to payments made by a lessee on a renewal of a lease, and to other similar payments.

Fine also denotes a fictitious suit at law, which played the part of a conveyance of landed property. “A fine,” says Blackstone, “may be described to be an amicable composition or agreement of a suit, either actual or fictitious, by leave of the king or his justices, whereby the lands in question become or are acknowledged to be the right of one of the parties. In its original it was founded on an actual suit commenced at law for the recovery of the possession of land or other hereditaments; and the possession thus gained by such composition was found to be so sure and effectual that fictitious actions were and continue to be every day commenced for the sake of obtaining the same security.” Freehold estates could thus be transferred from one person to another without the formal delivery of possession which was generally necessary to a feoffment. This is one of the oldest devices of the law. A statute of 18 Edward I. describes it as the most solemn and satisfactory of securities, and gives a reason for its name—“Qui quidem finis sic vocatur, eo quod finis et consummatio omnium placitorum esse debet, et hac de causa providebatur.” The action was supposed to be founded on a breach of covenant: the defendant, owning himself in the wrong, makes overtures of compromise, which are authorized by the licentia concordandi; then followed the concord, or the compromise itself. These, then were the essential parts of the performance, which became efficient as soon as they were complete; the formal parts were the notes, or abstract of the proceedings, and the foot of the fine, which recited the final agreement. Fines were said to be of four kinds, according to the purpose they had in view, as, for instance, to convey lands in pursuance of a covenant, to grant revisionary interest only, &c. In addition to the formal record of the proceedings, various statutes required other solemnities to be observed, the great object of which was to give publicity to the transaction. Thus by statutes of Richard III. and Henry VII. the fine had to be openly read and proclaimed in court no less than sixteen times. A statute of Elizabeth required a list of fines to be exposed in the court of common pleas and at assizes. The reason for these formalities was the high and important nature of the conveyance, which, according to the act of Edward I. above mentioned, “precludes not only those which are parties and privies to the fine and their heirs, but all other persons in the world who are of full age, out of prison, of sound memory, and within the four seas, the day of the fine levied, unless they put in their claim on the foot of the fine within a year and a day.” This barring by non-claim was abolished in the reign of Edward III., but restored with an extension of the time to five years in the reign of Henry VII. The effect of this statute, intentional according to Blackstone, unintended and brought about by judicial construction according to others, was that a tenant-in-tail could bar his issue by a fine. A statute of Henry VIII. expressly declares this to be the law. Fines, along with the kindred fiction of recoveries, were abolished by the Fines and Recoveries Act 1833, which substituted a deed enrolled in the court of chancery.

Fines are so generally associated in legal phraseology with recoveries that it may not be inconvenient to describe the latter in the present place. A recovery was employed as a means for evading the strict law of entail. The purchaser or alienee brought an action against the tenant-in-tail, alleging that he had no legal title to the land. The tenant-in-tail brought a third person into court, declaring that he had warranted his title, and praying that he might be ordered to defend the action. This person was called the vouchee, and he, after having appeared to defend the action, takes himself out of the way. Judgment for the lands is given in favour of the plaintiff; and judgment to recover lands of equal value from the vouchee was given to the defendant, the tenant-in-tail. In real action, such lands when recovered would have fallen under the settlement of entail; but in the fictitious recovery the vouchee was a man of straw, and nothing was really recovered from him, while the lands of the tenant-in-tail were effectually conveyed to the successful plaintiff. A recovery differed from a fine, as to form, in being an action carried through to the end, while a fine was settled by compromise, and as to effect, by barring all reversions and remainders in estates tail, while a fine barred the issue only of the tenant. (See also Ejectment; Proclamation.)

Hence called cognizor; the other party, the purchaser, is the cognizee.

FINE ARTS, the name given to a whole group of human activities, which have for their result what is collectively known as Fine Art. The arts which constitute the group are the five greater arts of architecture, sculpture, painting, music and poetry, with a number of minor or subsidiary arts, of which dancing and the drama are among the most ancient and universal. In antiquity the fine arts were not explicitly named, nor even distinctly recognized, as a separate class. In other modern languages besides English they are called by the equivalent name of the beautiful arts (belle arti, beaux arts, schöne Künste). The fine or beautiful arts then, it is usually said, are those among the arts of man which minister, not primarily to his material necessities or conveniences, but to his love of beauty; and if any art fulfils both these purposes at once, still as fulfilling the latter only is it called a fine art. Thus architecture, in so far as it provides shelter and accommodation, is one of the useful or mechanical arts, and one of the fine arts only in so far as its structures impress or give pleasure by the aspect of strength, fitness, harmony and proportion of parts, by disposition and contrast of light and shade, by colour and enrichment, by variety and relation of contours, surfaces and intervals. But this, the commonly accepted account of the matter, does not really cover the ground. The idea conveyed by the words “love of beauty,” even stretched to its widest, can hardly be made to include the love of caricature and the grotesque; and these are admittedly modes of fine art. Even the terrible, the painful, the squalid, the degraded, in a word every variety of the significant, can be so handled and interpreted as to be brought within the province of fine art. A juster and more inclusive, although clumsier, account of the matter might put it that the fine arts are those among the arts of man which spring from his impulse to do or make certain things in certain ways for the sake, first, of a special kind of pleasure, independent of direct utility, which it gives him so to do or make them, and next for the sake of the kindred pleasure which he derives from witnessing or contemplating them when they are so done or made by others.

The nature of this impulse, and the several grounds of these pleasures, are subjects which have given rise to a formidable body of speculation and discussion, the chief phases of which will be found summarized under the heading Aesthetics. In the present article we have only to attend to the concrete processes and results of the artistic activities of man; in other words, we shall submit (1) a definition of fine art in general, (2) a definition and classification of the principal fine arts severally, (3) some observations on their historical development.

I. Of Fine Art in General.

According to the popular and established distinction between art and nature, the idea of Art (q.v.) only includes phenomena of which man is deliberately the cause; while the idea of Nature includes all phenomena, both in man and in the world outside him, which take place without forethought or studied initiative of his own. Art, accordingly, means every regulated operation or dexterity whereby we pursue ends which we know beforehand; and it means nothing but such operations and dexterities. What is true of art generally is of course also true of the special group of the fine arts. One of the essential qualities of all art is premeditation; and when Shelley talks of the skylark’s profuse strains of “unpremeditated art,” he in effect lays emphasis on the fact that it is only by a metaphor that he uses the word art in this case at all; he calls attention to that which (if the songs of birds are as instinctive as we suppose) precisely makes the difference between the skylark’s outpourings and his own. We are slow to allow the title of fine art to natural eloquence, to charm or dignity of manner, to delicacy and tact in social intercourse, and other such graces of life and conduct, since, although in any given case they may have been deliberately cultivated in early life, or even through ancestral generations, they do not produce their full effect until they are so ingrained as to have become unreflecting and spontaneous. When the exigencies of a philosophic scheme lead some writers on aesthetics to include such acts or traits of beautiful and expressive behaviour among the deliberate artistic activities of mankind, we feel that an essential distinction is being sacrificed to the exigencies of a system. That distinction common parlance very justly observes, with its opposition of “art” to “nature” and its phrase of “second nature” for those graces which have become so habitual as to seem instinctive, whether originally the result of discipline or not. When we see a person in all whose ordinary movements there are freedom and beauty, we put down the charm of these with good reason to inherited and inbred aptitudes of which the person has never thought or long since ceased to think, and could not still be thinking without spoiling the charm by self-consciousness; and we call the result a gift of nature. But when we go on to notice that the same person is beautifully and appropriately dressed, since we know that it is impossible to dress without thinking of it, we put down the charm of this to judicious forethought and calculation and call the result a work of art.

The processes then of fine art, like those of all arts properly so called, are premeditated, and the property of every fine art is to give to the person exercising it a special kind of active pleasure, and a special kind of passive or receptive pleasure to the person witnessing the results of such exercise. This latter statement seems to imply that there exist in human societies a separate class producing works of fine art and another class enjoying them. Such an implication, in regard to advanced societies, is near enough the truth to be theoretically admitted (like the analogous assumption in political economy that there exist separate classes of producers and consumers). In developed communities the gifts and calling of the artist constitute in fact a separate profession of the creators or purveyors of fine art, while the rest of the community are its enjoyers or recipients. In the most primitive societies, apparently, this cannot have been so, and we can go back to an original or rudimentary stage of almost every fine art at which the separation between a class of producers or performers and a class of recipients hardly exists. Such an original or rudimentary stage of the dramatic art is presented by children, who will occupy themselves for ever with mimicry and make-believe for their own satisfaction, with small regard or none to the presence or absence of witnesses. The original or rudimentary type of the profession of imitative sculptors or painters is the cave-dweller of prehistoric ages, who, when he rested from his day’s hunting, first took up the bone handle of his weapon, and with a flint either carved it into the shape, or on its surface scratched the outlines, of the animals of the chase. The original or rudimentary type of the architect, considered not as a mere builder but as an artist, is the savage who, when his tribe had taken to live in tents or huts instead of caves, first arranged the skins and timbers of his tent or hut in one way because it pleased his eye, rather than in some other way which was as good for shelter. The original type of the artificer or adorner of implements, considered in the same light, was the other savage who first took it into his head to fashion his club or spear in one way rather than another for the pleasure of the eye only and not for any practical reason, and to ornament it with tufts or markings. In none of these cases, it would seem, can the primitive artist have had much reason for pleasing anybody but himself. Again, the original or rudimentary type of lyric song and dancing arose when the first reveller clapped hands and stamped or shouted in time, in honour of his god, in commemoration of a victory, or in mere obedience to the blind stirring of a rhythmic impulse within him. To some very remote and solitary ancestral savage the presence or absence of witnesses at such a display may in like manner have been indifferent; but very early in the history of the race the primitive dancer and singer joined hands and voices with others of his tribe, while others again sat apart and looked on at the performance, and the rite thus became both choral and social. A primitive type of the instrumental musician is the shepherd who first notched a reed and drew sounds from it while his sheep were cropping. The father of all artists in dress and personal adornment was the first wild man who tattooed himself or bedecked himself with shells and plumes. In both of these latter instances, it may be taken as certain, the primitive artist had the motive of pleasing not himself only, but his mate, or the female whom he desired to be his mate, and in the last instance of all the further motive of impressing his fellow-tribesmen and striking awe or envy into his enemies. The tendency of recent speculation and research concerning the origins of art has been to ascribe the primitive artistic activities of man less and less to individual and solitary impulse, and more and more to social impulse and the desire of sharing and communicating pleasure. (The writer who has gone furthest in developing this view, and on grounds of the most careful study of evidence, has been Dr Yrjö Hirn of Helsingfors.) Whatever relative parts the individual and the social impulses may have in fact played at the outset, it is clear that what any one can enjoy or admire by himself, whether in the way of mimicry, of rhythmical movements or utterances, of imitative or ornamental carving and drawing, of the disposition and adornment of dwelling-places and utensils—the same things, it is clear, others are able also to enjoy or admire with him. And so, with the growth of societies, it came about that one class of persons separated themselves and became the ministers or producers of this kind of pleasures, while the rest became the persons ministered to, the participators in or recipients of the pleasures. Artists are those members of a society who are so constituted as to feel more acutely than the rest certain classes of pleasures which all can feel in their degree. By this fact of their constitution they are impelled to devote their active powers to the production of such pleasures, to the making or doing of some of those things which they enjoy so keenly when they are made and done by others. At the same time the artist does not, by assuming these ministering or creative functions, surrender his enjoying or receptive functions. He continues to participate in the pleasures of which he is himself the cause, and remains a conscious member of his own public. The architect, sculptor, painter, are able respectively to stand off from and appreciate the results of their own labours; the singer enjoys the sound of his own voice, and the musician of his own instrument; the poet, according to his temperament, furnishes the most enthusiastic or the most fastidious reader for his own stanzas. Neither, on the other hand, does the person who is a habitual recipient from others of the pleasures of fine art forfeit the privilege of producing them according to his capabilities, and of becoming, if he has the power, an amateur or occasional artist.

Most of the common properties which have been recognized by consent as peculiar to the group of fine arts will be found on examination to be implied in, or deducible from, the one fundamental character generally claimed for them, namely, that they exist independently of direct practical necessity or utility. Let us take, first, a point relating to the frame of mind of the recipient, as distinguished from the producer, of the pleasures of fine art. It is an observation as old as Aristotle that such pleasures differ from most other pleasures of experience in that they are disinterested, in the sense that they are not such as nourish a man’s body nor add to his riches; they are not such as can gratify him, when he receives them, by the sense of advantage or superiority over his fellow-creatures; they are not such as one human being can in any sense receive exclusively from the object which bestows them. Thus it is evidently characteristic of a beautiful building that its beauty cannot be monopolized, but can be seen and admired by the inhabitants of a whole city and by all visitors for all generations. The same thing is true of a picture or a statue, except in so far as an individual possessor may choose to keep such a possession to himself, in which case his pride in exclusive ownership is a sentiment wholly independent of his pleasure in artistic contemplation. Similarly, music is composed to be sung or played for the enjoyment of many at a time, and for such enjoyment a hundred years hence as much as to-day. Poetry is written to be read by all readers for ever who care for the ideas and feelings of the poet, and can apprehend the meaning and melody of his language. Hence, though we can speak of a class of the producers of fine art, we cannot speak of a class of its consumers, only of its recipients or enjoyers. If we consider other pleasures which might seem to be analogous to those of fine art, but to which common consent yet declines to allow that character, we shall see that one reason is that such pleasures are not in their nature thus disinterested. Thus the sense of smell and taste have pleasures of their own like the senses of sight and hearing, and pleasures neither less poignant nor very much less capable of fine graduation and discrimination than those. Why, then, is the title of fine art not claimed for any skill in arranging and combining them? Why are there no recognized arts of savours and scents corresponding in rank to the arts of forms, colours and sounds—or at least none among Western nations, for in Japan, it seems, there is a recognized and finely regulated social art of the combination and succession of perfumes? An answer commonly given is that sight and hearing are intellectual and therefore higher senses, that through them we have our avenues to all knowledge and all ideas of things outside us; while taste and smell are unintellectual and therefore lower senses, through which few such impressions find their way to us as help to build up our knowledge and our ideas. Perhaps a more satisfactory reason why there are no fine arts of taste and smell—or let us in deference to Japanese modes leave out smell, and say of taste only—is this, that savours yield only private pleasures, which it is not possible to build up into separate and durable schemes such that every one may have the benefit of them, and such as cannot be monopolized or used up. If against this it is contended that what the programme of a performance is in the musical art, the same is a menu in the culinary, and that practically it is no less possible to serve up a thousand times and to a thousand different companies the same dinner than the same symphony, we must fall back upon that still more fundamental form of the distinction between the aesthetic and non-aesthetic bodily senses, upon which the physiological psychologists of the English school lay stress. We must say that the pleasures of taste cannot be pleasures of fine art, because their enjoyment is too closely associated with the most indispensable and the most strictly personal of utilities, eating and drinking. To pass from these lower pleasures to the highest; consider the nature of the delight derived from the contemplation, by the person who is their object, of the signs and manifestations of love. That at least is a beautiful experience; why is the pleasure which it affords not an artistic pleasure either? Why, in order to receive an artistic pleasure from human signs and manifestations of this kind, are we compelled to go to the theatre and see them exhibited in favour of a third person who is not really their object any more than ourselves? This is so, for one reason, evidently, because of the difference between art and nature. Not to art, but to nature and life, belongs love where it is really felt, with its attendant train of vivid hopes, fears, passions and contingencies. To art belongs love displayed where it is not really felt; and in this sphere, along with reality and spontaneousness of the display, and along with its momentous bearings, there disappear all those elements of pleasure in its contemplation which are not disinterested—the elements of personal exultation and self-congratulation, the pride of exclusive possession or acceptance, all these emotions, in short, which are summed up in the lover’s triumphant monosyllable, “Mine.” Thus, from the lowest point of the scale to the highest, we may observe that the element of personal advantage or monopoly in human gratifications seems to exclude, them from the kingdom of fine art. The pleasures of fine art, so far as concerns their passive or receptive part, seem to define themselves as pleasures of gratified contemplation, but of such contemplation only when it is disinterested—which is simply another way of saying, when it is unconcerned with ideas of utility.

Modern speculation has tended in some degree to modify and obscure this old and established view of the pleasures of fine art by urging that the hearer or spectator is not after all so free from self-interest as he seems; that in the act of artistic contemplation he experiences an enhancement or expansion of his being which is in truth a gain of the egoistic kind; that in witnessing a play, for instance, a large part of his enjoyment consists in sympathetically identifying himself with the successful lover or the virtuous hero. All this may be true, but does not really affect the argument, since at the same time he is well aware that every other spectator or auditor present may be similarly engaged with himself. At most the objection only requires us to define a little more closely, and to say that the satisfactions of the ego excluded from among the pleasures of fine art are not these ideal, sympathetic, indirect satisfactions, which every one can share together, but only those which arise from direct, private and incommunicable advantage to the individual.