Dramatic Technique Papyras Classics

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Chapter 34

Act II, Scene 2. Samuel French, New York

Plays, vol. II, pp. 150-51. J. Tonson. London, 1730.

The Foundations of a National Drama, p. 23. H. A. Jones. George H. Doran Company, New York.

Concerning Humour in Comedy. A Letter. European Theories of the Drama, pp. 213-214. Ed. B. H. Clark. Stewart and Kidd Co., Cincinnati.

The Devonshire Hamlets, p. 28.

Belles-Lettres Series, pp. 271-273. A. Bates, ed. D.C. Heath & Co., Boston.

Plays of Oscar Wilde, vol. 1, Lady Windermere’s Fan. J. W. Luce & Co., Boston.

Idem, vol. II. The Importance of Being Earnest.

Plays of Oscar Wilde, vol. 1. J. W. Luce & Co., Boston.

Walter H. Baker Co., Boston.

Dramatic Works, vol. II, pp. 222-223. London, 1773.

Geo. Villiers, Duke of Buckingham. Selected Dramas of John Dryden, with The Rehearsal, p. 399. G.R. Noyes, ed. Scott, Freeman & Co.

Richard the Second, Act IV. Scene 1.

Twelfth Night, Act I, Scene 5.

Plays of Oscar Wilde, vol. II. J. W. Luce & Co., Boston.

Dramatic Works of William Congreve, vol. II. pp. 111-117. S. Crowder, London, 1773.

J. W. Luce & Co., Boston.

The Letters of Henrik Ibsen, p. 269. Letter to Edmund Gosse, January 15, 1874. Fox, Duffield & Co., New York.