Contemporary One-Act Plays Papyras Classics

← Contemporary One-Act Plays

Chapter 1

Preface

This collection of one-act plays appears because of an increasingly large demand for such a volume. The plays have been selected and the Introduction prepared to meet the need of the student or teacher who desires to acquaint himself with the one-act play as a specific dramatic form.

The plays included have been selected with this need in mind. Accordingly, emphasis has been placed upon the wholesome and uplifting rather than upon the sordid and the ultra-realistic. The unduly sentimental, the strikingly melodramatic, and the play of questionable moral problems, has been consciously avoided. Comedies, tragedies, farces, and melodramas have been included; but the chief concern has been that each play should be good, dramatic art.

The Dramatic Analysis and Construction of the One-Act Play, which appears in the Introduction, also has been prepared for the student or teacher. This outline-analysis and the plays in this volume are sufficient material, if carefully studied, for an understanding and appreciation of the one-act play.

B. ROLAND LEWIS.

CONTENTS

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Introduction

LIST OF PLAYS

The Twelve-Pound Look Sir James M. Barrie

Tradition George Middleton

The Exchange Althea Thurston

Sam Average Percy Mackaye

Hyacinth Halvey Lady Augusta Gregory

The Gazing Globe Eugene Pillot

The Boor Anton Tchekov

The Last Straw Bosworth Crocker

Manikin and Minikin Alfred Kreymborg

White Dresses Paul Greene

Moonshine Arthur Hopkins

Modesty Paul Hervieu

The Deacon's Hat Jeannette Marks

Where but in America Oscar M. Wolff

A Dollar David Pinski

The Diabolical Circle Beulah Bornstead

The Far-Away Princess Hermann Sudermann

The Stronger August Strindberg

BIBLIOGRAPHIES

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Collections of One-Act Plays

Lists of One-Act Plays

Bibliography of Reference on the One-Act Play

Bibliography on How to Produce Plays