II

WHEN as the chill Charokko blows,
And Winter tells a heavy tale;
When pyes and daws and rooks and crows
Sit cursing of the frosts and snows;
Then give me ale.

Ale in a Saxon rumkin then,
Such as will make grimalkin prate;
Bids valour burgeon in tall men,
Quickens the poet's wit and pen,
Despises fate.

Ale, that the absent battle fights,
And frames the march of Swedish drum,
Disputes with princes, laws, and rights,
What 's done and past tells mortal wights,
And what 's to come.

Ale, that the plowman's heart up-keeps
And equals it with tyrants' thrones,
That wipes the eye that over-weeps,
And lulls in sure and dainty sleeps
Th' o'er-wearied bones.

Grandchild of Ceres, Bacchus' daughter,
Wine's emulous neighbour, though but stale,
Ennobling all the nymphs of water,
And filling each man's heart with laughter—
Ha! give me ale!

Charokko] Scirocco.

Ballads and Songs By Unknown Authors. 17th Cent.

391. Love will find out the Way

OVER the mountains
And over the waves,
Under the fountains
And under the graves;
Under floods that are deepest,
Which Neptune obey,
Over rocks that are steepest,
Love will find out the way.

When there is no place
For the glow-worm to lie,
When there is no space
For receipt of a fly;
When the midge dares not venture
Lest herself fast she lay,
If Love come, he will enter
And will find out the way.

You may esteem him
A child for his might;
Or you may deem him
A coward for his flight;
But if she whom Love doth honour
Be conceal'd from the day—
Set a thousand guards upon her,
Love will find out the way.

Some think to lose him
By having him confined;
And some do suppose him,
Poor heart! to be blind;
But if ne'er so close ye wall him,
Do the best that ye may,
Blind Love, if so ye call him,
He will find out his way.

You may train the eagle
To stoop to your fist;
Or you may inveigle
The Phoenix of the east;
The lioness, you may move her
To give over her prey;
But you'll ne'er stop a lover—
He will find out the way.

If the earth it should part him,
He would gallop it o'er;
If the seas should o'erthwart him,
He would swim to the shore;
Should his Love become a swallow,
Through the air to stray,
Love will lend wings to follow,
And will find out the way.

There is no striving
To cross his intent;
There is no contriving
His plots to prevent;
But if once the message greet him
That his True Love doth stay,
If Death should come and meet him,
Love will find out the way!

Ballads and Songs By Unknown Authors. 17th Cent.

392. Phillada flouts Me

O WHAT a plague is love!
How shall I bear it?
She will inconstant prove,
I greatly fear it.
She so torments my mind
That my strength faileth,
And wavers with the wind
As a ship saileth.
Please her the best I may,
She loves still to gainsay;
Alack and well-a-day!
Phillada flouts me.

At the fair yesterday
She did pass by me;
She look'd another way
And would not spy me:
I woo'd her for to dine,
But could not get her;
Will had her to the wine—
He might entreat her.
With Daniel she did dance,
On me she look'd askance:
O thrice unhappy chance!
Phillada flouts me.

Fair maid, be not so coy,
Do not disdain me!
I am my mother's joy:
Sweet, entertain me!
She'll give me, when she dies,
All that is fitting:
Her poultry and her bees,
And her goose sitting,
A pair of mattrass beds,
And a bag full of shreds;
And yet, for all this guedes,
Phillada flouts me!

She hath a clout of mine
Wrought with blue coventry,
Which she keeps for a sign
Of my fidelity:
But i' faith, if she flinch
She shall not wear it;
To Tib, my t'other wench,
I mean to bear it.
And yet it grieves my heart
So soon from her to part:
Death strike me with his dart!
Phillada flouts me.

Thou shalt eat crudded cream
All the year lasting,
And drink the crystal stream
Pleasant in tasting;
Whig and whey whilst thou lust,
And bramble-berries,
Pie-lid and pastry-crust,
Pears, plums, and cherries.
Thy raiment shall be thin,
Made of a weevil's skin—
Yet all 's not worth a pin!
Phillada flouts me.

In the last month of May
I made her posies;
I heard her often say
That she loved roses.
Cowslips and gillyflowers
And the white lily
I brought to deck the bowers
For my sweet Philly.
But she did all disdain,
And threw them back again;
Therefore 'tis flat and plain
Phillada flouts me.

Fair maiden, have a care,
And in time take me;
I can have those as fair
If you forsake me:
For Doll the dairy-maid
Laugh'd at me lately,
And wanton Winifred
Favours me greatly.
One throws milk on my clothes,
T'other plays with my nose;
What wanting signs are those?
Phillada flouts me.

I cannot work nor sleep
At all in season:
Love wounds my heart so deep
Without all reason.
I 'gin to pine away
In my love's shadow,
Like as a fat beast may,
Penn'd in a meadow.
I shall be dead, I fear,
Within this thousand year:
And all for that my dear
Phillada flouts me.

guedes] goods, property of any kind.

William Strode. 1602-1645

393. Chloris in the Snow

I SAW fair Chloris walk alone,
When feather'd rain came softly down,
As Jove descending from his Tower
To court her in a silver shower:
The wanton snow flew to her breast,
Like pretty birds into their nest,
But, overcome with whiteness there,
For grief it thaw'd into a tear:
Thence falling on her garments' hem,
To deck her, froze into a gem.

Thomas Stanley. 1625-1678

394. The Relapse

O TURN away those cruel eyes,
The stars of my undoing!
Or death, in such a bright disguise,
May tempt a second wooing.

Punish their blind and impious pride,
Who dare contemn thy glory;
It was my fall that deified
Thy name, and seal'd thy story.

Yet no new sufferings can prepare
A higher praise to crown thee;
Though my first death proclaim thee fair,
My second will unthrone thee.

Lovers will doubt thou canst entice
No other for thy fuel,
And if thou burn one victim twice,
Both think thee poor and cruel.

Thomas D'Urfey. 1653-1723

395. Chloe Divine

CHLOE 's a Nymph in flowery groves,
A Nereid in the streams;
Saint-like she in the temple moves,
A woman in my dreams.

Love steals artillery from her eyes,
The Graces point her charms;
Orpheus is rivall'd in her voice,
And Venus in her arms.

Never so happily in one
Did heaven and earth combine:
And yet 'tis flesh and blood alone
That makes her so divine.

Charles Cotton. 1630-1687

396. To Coelia

WHEN, Coelia, must my old day set,
And my young morning rise
In beams of joy so bright as yet
Ne'er bless'd a lover's eyes?
My state is more advanced than when
I first attempted thee:
I sued to be a servant then,
But now to be made free.

I've served my time faithful and true,
Expecting to be placed
In happy freedom, as my due,
To all the joys thou hast:
Ill husbandry in love is such
A scandal to love's power,
We ought not to misspend so much
As one poor short-lived hour.

Yet think not, sweet! I'm weary grown,
That I pretend such haste;
Since none to surfeit e'er was known
Before he had a taste:
My infant love could humbly wait
When, young, it scarce knew how
To plead; but grown to man's estate,
He is impatient now.

Katherine Philips ('Orinda'). 1631-1664

397. To One persuading a Lady to Marriage

FORBEAR, bold youth; all 's heaven here,
And what you do aver
To others courtship may appear,
'Tis sacrilege to her.
She is a public deity;
And were 't not very odd
She should dispose herself to be
A petty household god?

First make the sun in private shine
And bid the world adieu,
That so he may his beams confine
In compliment to you:
But if of that you do despair,
Think how you did amiss
To strive to fix her beams which are
More bright and large than his.

John Dryden. 1631-1700

398. Ode
To the Pious Memory of the accomplished young lady,
Mrs. Anne Killigrew, excellent in the two sister arts of Poesy and
Painting

THOU youngest virgin-daughter of the skies,
Made in the last promotion of the blest;
Whose palms, new pluck'd from Paradise,
In spreading branches more sublimely rise,
Rich with immortal green above the rest:
Whether, adopted to some neighbouring star,
Thou roll'st above us, in thy wandering race,
Or, in procession fixt and regular,
Mov'd with the heaven's majestic pace;
Or, call'd to more superior bliss,
Thou tread'st with seraphims the vast abyss:
Whatever happy region is thy place,
Cease thy celestial song a little space;
Thou wilt have time enough for hymns divine,
Since Heaven's eternal year is thine.
Hear, then, a mortal Muse thy praise rehearse,
In no ignoble verse;
But such as thy own voice did practise here,
When thy first-fruits of Poesy were given,
To make thyself a welcome inmate there;
While yet a young probationer,
And candidate of heaven.

If by traduction came thy mind,
Our wonder is the less, to find
A soul so charming from a stock so good;
Thy father was transfus'd into thy blood:
So wert thou born into the tuneful strain,
An early, rich, and inexhausted vein.
But if thy pre-existing soul
Was form'd at first with myriads more,
It did through all the mighty poets roll
Who Greek or Latin laurels wore,
And was that Sappho last, which once it was before.
If so, then cease thy flight, O heaven-born mind!
Thou hast no dross to purge from thy rich ore:
Nor can thy soul a fairer mansion find,
Than was the beauteous frame she left behind:
Return, to fill or mend the quire of thy celestial kind.

May we presume to say, that, at thy birth,
New joy was sprung in heaven as well as here on earth?
For sure the milder planets did combine
On thy auspicious horoscope to shine,
And even the most malicious were in trine.
Thy brother-angels at thy birth
Strung each his lyre, and tun'd it high,
That all the people of the sky
Might know a poetess was born on earth;
And then, if ever, mortal ears
Had heard the music of the spheres.
And if no clust'ring swarm of bees
On thy sweet mouth distill'd their golden dew,
'Twas that such vulgar miracles
Heaven had not leisure to renew:
For all the blest fraternity of love
Solemniz'd there thy birth, and kept thy holiday above.

O gracious God! how far have we
Profan'd thy heavenly gift of Poesy!
Made prostitute and profligate the Muse,
Debas'd to each obscene and impious use,
Whose harmony was first ordain'd above,
For tongues of angels and for hymns of love!
O wretched we! why were we hurried down
This lubrique and adulterate age
(Nay, added fat pollutions of our own),
To increase the streaming ordures of the stage?
What can we say to excuse our second fall?
Let this thy Vestal, Heaven, atone for all!
Her Arethusian stream remains unsoil'd,
Unmixt with foreign filth, and undefil'd;
Her wit was more than man, her innocence a child.

Art she had none, yet wanted none,
For Nature did that want supply:
So rich in treasures of her own,
She might our boasted stores defy:
Such noble vigour did her verse adorn,
That it seem'd borrow'd, where 'twas only born.
Her morals, too, were in her bosom bred,
By great examples daily fed,
What in the best of books, her father's life, she read.
And to be read herself she need not fear;
Each test, and every light, her Muse will bear,
Though Epictetus with his lamp were there.
Even love (for love sometimes her Muse exprest)
Was but a lambent flame which play'd about her breast,
Light as the vapours of a morning dream;
So cold herself, whilst she such warmth exprest,
'Twas Cupid bathing in Diana's stream….

Now all those charms, that blooming grace,
The well-proportion'd shape, and beauteous face,
Shall never more be seen by mortal eyes;
In earth the much-lamented virgin lies.
Not wit, nor piety could fate prevent;
Nor was the cruel destiny content
To finish all the murder at a blow,
To sweep at once her life and beauty too;
But, like a harden'd felon, took a pride
To work more mischievously slow,
And plunder'd first, and then destroy'd.
O double sacrilege on things divine,
To rob the relic, and deface the shrine!
But thus Orinda died:
Heaven, by the same disease, did both translate;
As equal were their souls, so equal was their fate.

Meantime, her warlike brother on the seas
His waving streamers to the winds displays,
And vows for his return, with vain devotion, pays.
Ah, generous youth! that wish forbear,
The winds too soon will waft thee here!
Slack all thy sails, and fear to come,
Alas, thou know'st not, thou art wreck'd at home!
No more shalt thou behold thy sister's face,
Thou hast already had her last embrace.
But look aloft, and if thou kenn'st from far,
Among the Pleiads a new kindl'd star,
If any sparkles than the rest more bright,
'Tis she that shines in that propitious light.

When in mid-air the golden trump shall sound,
To raise the nations under ground;
When, in the Valley of Jehoshaphat,
The judging God shall close the book of Fate,
And there the last assizes keep
For those who wake and those who sleep;
When rattling bones together fly
From the four corners of the sky;
When sinews o'er the skeletons are spread,
Those cloth'd with flesh, and life inspires the dead;
The sacred poets first shall hear the sound,
And foremost from the tomb shall bound,
For they are cover'd with the lightest ground;
And straight, with inborn vigour, on the wing,
Like mounting larks, to the new morning sing.
There thou, sweet Saint, before the quire shalt go,
As harbinger of Heaven, the way to show,
The way which thou so well hast learn'd below.

John Dryden. 1631-1700

399. A Song for St. Cecilia's Day, 1687

FROM harmony, from heavenly harmony,
This universal frame began:
When nature underneath a heap
Of jarring atoms lay,
And could not heave her head,
The tuneful voice was heard from high,
'Arise, ye more than dead!'
Then cold, and hot, and moist, and dry,
In order to their stations leap,
And Music's power obey.
From harmony, from heavenly harmony,
This universal frame began:
From harmony to harmony
Through all the compass of the notes it ran,
The diapason closing full in Man.

What passion cannot Music raise and quell?
When Jubal struck the chorded shell,
His listening brethren stood around,
And, wondering, on their faces fell
To worship that celestial sound:
Less than a God they thought there could not dwell
Within the hollow of that shell,
That spoke so sweetly, and so well.
What passion cannot Music raise and quell?

The trumpet's loud clangour
Excites us to arms,
With shrill notes of anger,
And mortal alarms.
The double double double beat
Of the thundering drum
Cries Hark! the foes come;
Charge, charge, 'tis too late to retreat!

The soft complaining flute,
In dying notes, discovers
The woes of hopeless lovers,
Whose dirge is whisper'd by the warbling lute.

Sharp violins proclaim
Their jealous pangs and desperation,
Fury, frantic indignation,
Depth of pains, and height of passion,
For the fair, disdainful dame.

But O, what art can teach,
What human voice can reach,
The sacred organ's praise?
Notes inspiring holy love,
Notes that wing their heavenly ways
To mend the choirs above.

Orpheus could lead the savage race;
And trees unrooted left their place,
Sequacious of the lyre;
But bright Cecilia rais'd the wonder higher:
When to her organ vocal breath was given,
An angel heard, and straight appear'd
Mistaking Earth for Heaven.