Threnos

BEAUTY, truth, and rarity,
Grace in all simplicity,
Here enclosed in cinders lie.

Death is now the phoenix' nest;
And the turtle's loyal breast
To eternity doth rest,

Leaving no posterity:
'Twas not their infirmity,
It was married chastity.

Truth may seem, but cannot be;
Beauty brag, but 'tis not she;
Truth and beauty buried be.

To this urn let those repair
That are either true or fair;
For these dead birds sigh a prayer.

can] knows.

William Shakespeare. 1564-1616

145. Sonnets i

SHALL I compare thee to a Summer's day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And Summer's lease hath all too short a date:
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimm'd;
And every fair from fair sometime declines,
By chance or nature's changing course untrimm'd:
But thy eternal Summer shall not fade
Nor lose possession of that fair thou owest;
Nor shall Death brag thou wanderest in his shade,
When in eternal lines to time thou growest:
So long as men can breathe, or eyes can see,
So long lives this, and this gives life to thee.

William Shakespeare. 1564-1616

146. Sonnets ii

WHEN, in disgrace with Fortune and men's eyes,
I all alone beweep my outcast state,
And trouble deaf heaven with my bootless cries,
And look upon myself, and curse my fate,
Wishing me like to one more rich in hope,
Featured like him, like him with friends possest,
Desiring this man's art and that man's scope,
With what I most enjoy contented least;
Yet in these thoughts myself almost despising—
Haply I think on thee: and then my state,
Like to the Lark at break of day arising
From sullen earth, sings hymns at Heaven's gate;
For thy sweet love rememb'red such wealth brings
That then I scorn to change my state with Kings.

William Shakespeare. 1564-1616

147. Sonnets iii

WHEN to the Sessions of sweet silent thought
I summon up remembrance of things past,
I sigh the lack of many a thing I sought,
And with old woes new wail my dear time's waste:
Then can I drown an eye, unused to flow,
For precious friends hid in death's dateless night,
And weep afresh love's long-since-cancell'd woe,
And moan th' expense of many a vanish'd sight:
Then can I grieve at grievances foregone,
And heavily from woe to woe tell o'er
The sad account of fore-bemoaned moan,
Which I new pay as if not paid before.
But if the while I think on thee, dear friend,
All losses are restored and sorrows end.

William Shakespeare. 1564-1616

148. Sonnets iv

THY bosom is endeared with all hearts
Which I, by lacking, have supposed dead:
And there reigns Love, and all Love's loving parts,
And all those friends which I thought buried.
How many a holy and obsequious tear
Hath dear religious love stol'n from mine eye,
As interest of the dead!—which now appear
But things removed that hidden in thee lie.
Thou art the grave where buried love doth live,
Hung with the trophies of my lovers gone,
Who all their parts of me to thee did give:
—That due of many now is thine alone:
Their images I loved I view in thee,
And thou, all they, hast all the all of me.

William Shakespeare. 1564-1616

149. Sonnets v

WHAT is your substance, whereof are you made,
That millions of strange shadows on you tend?
Since every one hath, every one, one shade,
And you, but one, can every shadow lend.
Describe Adonis, and the counterfeit
Is poorly imitated after you;
On Helen's cheek all art of beauty set,
And you in Grecian tires are painted new:
Speak of the spring and foison of the year,
The one doth shadow of your beauty show,
The other as your bounty doth appear;
And you in every blessed shape we know.
In all external grace you have some part,
But you like none, none you, for constant heart.

foison] plenty.

William Shakespeare. 1564-1616

150. Sonnets vi

O HOW much more doth beauty beauteous seem
By that sweet ornament which truth doth give!
The Rose looks fair, but fairer we it deem
For that sweet odour which doth in it live.
The Canker-blooms have full as deep a dye
As the perfumed tincture of the Roses,
Hang on such thorns, and play as wantonly
When summer's breath their masked buds discloses:
But—for their virtue only is their show—
They live unwoo'd and unrespected fade,
Die to themselves. Sweet Roses do not so;
Of their sweet deaths are sweetest odours made.
And so of you, beauteous and lovely youth,
When that shall vade, my verse distils your truth.

William Shakespeare. 1564-1616

151. Sonnets vii

BEING your slave, what should I do but tend
Upon the hours and times of your desire?
I have no precious time at all to spend,
Nor services to do, till you require.
Nor dare I chide the world-without-end hour
Whilst I, my sovereign, watch the clock for you,
Nor think the bitterness of absence sour
When you have bid your servant once adieu;
Nor dare I question with my jealous thought
Where you may be, or your affairs suppose,
But, like a sad slave, stay and think of nought
Save, where you are how happy you make those!
So true a fool is love, that in your Will,
Though you do any thing, he thinks no ill.

William Shakespeare. 1564-1616

152. Sonnets viii

THAT time of year thou may'st in me behold
When yellow leaves, or none, or few, do hang
Upon those boughs which shake against the cold—
Bare ruin'd choirs where late the sweet birds sang,
In me thou see'st the twilight of such day
As after Sunset fadeth in the West,
Which by and by black night doth take away,
Death's second self, that seals up all in rest.
In me thou see'st the glowing of such fire
That on the ashes of his youth doth lie,
As the death-bed whereon it must expire,
Consumed with that which it was nourish'd by.
This thou perceiv'st, which makes thy love more strong
To love that well which thou must leave ere long.

William Shakespeare. 1564-1616

153. Sonnets ix

FAREWELL! thou art too dear for my possessing,
And like enough thou know'st thy estimate:
The charter of thy worth gives thee releasing;
My bonds in thee are all determinate.
For how do I hold thee but by thy granting?
And for that riches where is my deserving?
The cause of this fair gift in me is wanting,
And so my patent back again is swerving.
Thyself thou gav'st, thy own worth then not knowing,
Or me, to whom thou gav'st it, else mistaking;
So thy great gift, upon misprision growing,
Comes home again, on better judgment making.
Thus have I had thee, as a dream doth flatter
In sleep a King; but waking, no such matter.

William Shakespeare. 1564-1616

154. Sonnets x

THEN hate me when thou wilt; if ever, now;
Now, while the world is bent my deeds to cross,
Join with the spite of fortune, make me bow,
And do not drop in for an after loss:
Ah! do not, when my heart hath 'scaped this sorrow,
Come in the rearward of a conquer'd woe;
Give not a windy night a rainy morrow,
To linger out a purposed overthrow.
If thou wilt leave me, do not leave me last,
When other petty griefs have done their spite,
But in the onset come: so shall I taste
At first the very worst of fortune's might;
And other strains of woe, which now seem woe,
Compared with loss of thee will not seem so!

William Shakespeare. 1564-1616

155. Sonnets xi

THEY that have power to hurt and will do none,
That do not do the thing they most do show,
Who, moving others, are themselves as stone,
Unmoved, cold, and to temptation slow—
They rightly do inherit heaven's graces,
And husband nature's riches from expense;
They are the Lords and owners of their faces,
Others, but stewards of their excellence.
The summer's flower is to the summer sweet,
Though to itself it only live and die;
But if that flower with base infection meet,
The basest weed outbraves his dignity:
For sweetest things turn sourest by their deeds;
Lilies that fester smell far worse than weeds.

William Shakespeare. 1564-1616

156. Sonnets xii

HOW like a Winter hath my absence been
From thee, the pleasure of the fleeting year!
What freezings have I felt, what dark days seen,
What old December's bareness everywhere!
And yet this time removed was summer's time;
The teeming Autumn, big with rich increase,
Bearing the wanton burden of the prime
Like widow'd wombs after their Lord's decease:
Yet this abundant issue seem'd to me
But hope of orphans and unfather'd fruit;
For Summer and his pleasures wait on thee,
And, thou away, the very birds are mute:
Or if they sing, 'tis with so dull a cheer
That leaves look pale, dreading the Winter 's near.

William Shakespeare. 1564-1616

157. Sonnets xiii

FROM you have I been absent in the spring,
When proud-pied April, dress'd in all his trim,
Hath put a spirit of youth in everything,
That heavy Saturn laugh'd and leap'd with him.
Yet nor the lays of birds, nor the sweet smell
Of different flowers in odour and in hue,
Could make me any summer's story tell,
Or from their proud lap pluck them where they grew;
Nor did I wonder at the Lily's white,
Nor praise the deep vermilion in the Rose;
They were but sweet, but figures of delight,
Drawn after you, you pattern of all those.
Yet seem'd it Winter still, and, you away,
As with your shadow I with these did play.

William Shakespeare. 1564-1616

158. Sonnets xiv

MY love is strengthen'd, though more weak in seeming;
I love not less, though less the show appear:
That love is merchandised whose rich esteeming
The owner's tongue doth publish everywhere.
Our love was new, and then but in the spring,
When I was wont to greet it with my lays;
As Philomel in summer's front doth sing
And stops her pipe in growth of riper days:
Not that the summer is less pleasant now
Than when her mournful hymns did hush the night,
But that wild music burthens every bough,
And sweets grown common lose their dear delight.
Therefore, like her, I sometime hold my tongue,
Because I would not dull you with my song.

William Shakespeare. 1564-1616

159. Sonnets xv

TO me, fair friend, you never can be old;
For as you were when first your eye I eyed,
Such seems your beauty still. Three Winters cold
Have from the forests shook three Summers' pride;
Three beauteous springs to yellow Autumn turn'd
In process of the seasons have I seen,
Three April perfumes in three hot Junes burn'd,
Since first I saw you fresh, which yet are green.
Ah! yet doth beauty, like a dial-hand,
Steal from his figure, and no pace perceived;
So your sweet hue, which methinks still doth stand,
Hath motion, and mine eye may be deceived:
For fear of which, hear this, thou age unbred:
Ere you were born was beauty's summer dead.

William Shakespeare. 1564-1616

160. Sonnets xvi

WHEN in the chronicle of wasted time
I see descriptions of the fairest wights,
And beauty making beautiful old rime
In praise of Ladies dead and lovely Knights;
Then, in the blazon of sweet beauty's best,
Of hand, of foot, of lip, of eye, of brow,
I see their antique pen would have exprest
Even such a beauty as you master now.
So all their praises are but prophecies
Of this our time, all you prefiguring;
And for they look'd but with divining eyes,
They had not skill enough your worth to sing:
For we, which now behold these present days,
Have eyes to wonder, but lack tongues to praise.

William Shakespeare. 1564-1616

161. Sonnets xvii

O NEVER say that I was false of heart,
Though absence seem'd my flame to qualify!
As easy might I from myself depart,
As from my soul, which in thy breast doth lie:
That is my home of love; if I have ranged,
Like him that travels I return again,
Just to the time, not with the time exchanged,
So that myself bring water for my stain.
Never believe, though in my nature reign'd
All frailties that besiege all kinds of blood,
That it could so prepost'rously be stain'd,
To leave for nothing all thy sum of good:
For nothing this wide Universe I call,
Save thou, my Rose; in it thou art my all.

William Shakespeare. 1564-1616

162. Sonnets xviii

LET me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove:
O, no! it is an ever-fixed mark,
That looks on tempests and is never shaken;
It is the star to every wand'ring bark,
Whose worth 's unknown, although his height be taken.
Love 's not Time's fool, though rosy lips and cheeks
Within his bending sickle's compass come;
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom:—
If this be error and upon me proved,
I never writ, nor no man ever loved.

William Shakespeare. 1564-1616

163. Sonnets xix

TH' expense of Spirit in a waste of shame
Is lust in action; and till action, lust
Is perjured, murderous, bloody, full of blame,
Savage, extreme, rude, cruel, not to trust;
Enjoy'd no sooner but despised straight;
Past reason hunted; and, no sooner had,
Past reason hated, as a swallow'd bait
On purpose laid to make the taker mad:
Mad in pursuit, and in possession so;
Had, having, and in quest to have, extreme;
A bliss in proof, and proved, a very woe;
Before, a joy proposed; behind, a dream.
All this the world well knows; yet none knows well
To shun the heaven that leads men to this hell.

William Shakespeare. 1564-1616

164. Sonnets xx

POOR soul, the centre of my sinful earth—
My sinful earth these rebel powers array—
Why dost thou pine within and suffer dearth,
Painting thy outward walls so costly gay?
Why so large cost, having so short a lease,
Dost thou upon thy fading mansion spend?
Shall worms, inheritors of this excess,
Eat up thy charge? Is this thy body's end?
Then, soul, live thou upon thy servant's loss,
And let that pine to aggravate thy store;
Buy terms divine in selling hours of dross;
Within be fed, without be rich no more:
So shalt thou feed on Death, that feeds on men;
And Death once dead, there 's no more dying then.

Richard Rowlands. 1565-1630?

165. Lullaby

UPON my lap my sovereign sits
And sucks upon my breast;
Meantime his love maintains my life
And gives my sense her rest.
Sing lullaby, my little boy,
Sing lullaby, mine only joy!

When thou hast taken thy repast,
Repose, my babe, on me;
So may thy mother and thy nurse
Thy cradle also be.
Sing lullaby, my little boy,
Sing lullaby, mine only joy!

I grieve that duty doth not work
All that my wishing would;
Because I would not be to thee
But in the best I should.
Sing lullaby, my little boy,
Sing lullaby, mine only joy!

Yet as I am, and as I may,
I must and will be thine,
Though all too little for thyself
Vouchsafing to be mine.
Sing lullaby, my little boy,
Sing lullaby, mine only joy!

Thomas Nashe. 1567-1601

166. Spring

SPRING, the sweet Spring, is the year's pleasant king;
Then blooms each thing, then maids dance in a ring,
Cold doth not sting, the pretty birds do sing—
Cuckoo, jug-jug, pu-we, to-witta-woo!

The palm and may make country houses gay,
Lambs frisk and play, the shepherds pipe all day,
And we hear aye birds tune this merry lay—
Cuckoo, jug-jug, pu-we, to-witta-woo!

The fields breathe sweet, the daisies kiss our feet,
Young lovers meet, old wives a-sunning sit,
In every street these tunes our ears do greet—
Cuckoo, jug-jug, pu-we, to-witta-woo!
Spring, the sweet Spring!

Thomas Nashe. 1567-1601

167. In Time of Pestilence 1593

ADIEU, farewell earth's bliss!
This world uncertain is:
Fond are life's lustful joys,
Death proves them all but toys.
None from his darts can fly;
I am sick, I must die—
Lord, have mercy on us!

Rich men, trust not in wealth,
Gold cannot buy you health;
Physic himself must fade;
All things to end are made;
The plague full swift goes by;
I am sick, I must die—
Lord, have mercy on us!

Beauty is but a flower
Which wrinkles will devour;
Brightness falls from the air;
Queens have died young and fair;
Dust hath closed Helen's eye;
I am sick, I must die—
Lord, have mercy on us!

Strength stoops unto the grave,
Worms feed on Hector brave;
Swords may not fight with fate;
Earth still holds ope her gate;
Come, come! the bells do cry;
I am sick, I must die—
Lord, have mercy on us!

Wit with his wantonness
Tasteth death's bitterness;
Hell's executioner
Hath no ears for to hear
What vain art can reply;
I am sick, I must die—
Lord, have mercy on us!

Haste therefore each degree
To welcome destiny;
Heaven is our heritage,
Earth but a player's stage.
Mount we unto the sky;
I am sick, I must die—
Lord, have mercy on us!

Thomas Campion. 1567?-1619

168. Cherry-Ripe

THERE is a garden in her face
Where roses and white lilies blow;
A heavenly paradise is that place,
Wherein all pleasant fruits do flow:
There cherries grow which none may buy
Till 'Cherry-ripe' themselves do cry.

Those cherries fairly do enclose
Of orient pearl a double row,
Which when her lovely laughter shows,
They look like rose-buds fill'd with snow;
Yet them nor peer nor prince can buy
Till 'Cherry-ripe' themselves do cry.

Her eyes like angels watch them still;
Her brows like bended bows do stand,
Threat'ning with piercing frowns to kill
All that attempt with eye or hand
Those sacred cherries to come nigh,
Till 'Cherry-ripe' themselves do cry.

Thomas Campion. 1567?-1619

169. Laura

ROSE-CHEEK'D Laura, come;
Sing thou smoothly with thy beauty's
Silent music, either other
Sweetly gracing.

Lovely forms do flow
From concent divinely framed:
Heaven is music, and thy beauty's
Birth is heavenly.

These dull notes we sing
Discords need for helps to grace them;
Only beauty purely loving
Knows no discord;

But still moves delight,
Like clear springs renew'd by flowing,
Ever perfect, ever in them-
selves eternal.

Thomas Campion. 1567?-1619

170. Devotion i

FOLLOW thy fair sun, unhappy shadow!
Though thou be black as night,
And she made all of light,
Yet follow thy fair sun, unhappy shadow!

Follow her, whose light thy light depriveth!
Though here thou liv'st disgraced,
And she in heaven is placed,
Yet follow her whose light the world reviveth!

Follow those pure beams, whose beauty burneth!
That so have scorched thee
As thou still black must be,
Till her kind beams thy black so brightness turneth.

Follow her, while yet her glory shineth!
There comes a luckless night
That will dim all her light;
And this the black unhappy shade divineth.

Follow still, since so thy fates ordained!
The sun must have his shade,
Till both at once do fade,—
The sun still proud, the shadow still disdained.

Thomas Campion. 1567?-1619

171. Devotion ii

FOLLOW your saint, follow with accents sweet!
Haste you, sad notes, fall at her flying feet!
There, wrapt in cloud of sorrow, pity move,
And tell the ravisher of my soul I perish for her love:
But if she scorns my never-ceasing pain,
Then burst with sighing in her sight, and ne'er return again!

All that I sung still to her praise did tend;
Still she was first, still she my songs did end;
Yet she my love and music both doth fly,
The music that her echo is and beauty's sympathy:
Then let my notes pursue her scornful flight!
It shall suffice that they were breathed and died for her delight.

Thomas Campion. 1567?-1619

172. Vobiscum est Iope

WHEN thou must home to shades of underground,
And there arrived, a new admired guest,
The beauteous spirits do engirt thee round,
White Iope, blithe Helen, and the rest,
To hear the stories of thy finish'd love
From that smooth tongue whose music hell can move;

Then wilt thou speak of banqueting delights,
Of masques and revels which sweet youth did make,
Of tourneys and great challenges of knights,
And all these triumphs for thy beauty's sake:
When thou hast told these honours done to thee,
Then tell, O tell, how thou didst murder me!

Thomas Campion. 1567?-1619

173. A Hymn in Praise of Neptune

OF Neptune's empire let us sing,
At whose command the waves obey;
To whom the rivers tribute pay,
Down the high mountains sliding:
To whom the scaly nation yields
Homage for the crystal fields
Wherein they dwell:
And every sea-dog pays a gem
Yearly out of his wat'ry cell
To deck great Neptune's diadem.

The Tritons dancing in a ring
Before his palace gates do make
The water with their echoes quake,
Like the great thunder sounding:
The sea-nymphs chant their accents shrill,
And the sirens, taught to kill
With their sweet voice,
Make ev'ry echoing rock reply
Unto their gentle murmuring noise
The praise of Neptune's empery.

Thomas Campion. 1567?-1619

174. Winter Nights

NOW winter nights enlarge
The number of their hours,
And clouds their storms discharge
Upon the airy towers.
Let now the chimneys blaze
And cups o'erflow with wine;
Let well-tuned words amaze
With harmony divine.
Now yellow waxen lights
Shall wait on honey love,
While youthful revels, masques, and courtly sights
Sleep's leaden spells remove.

This time doth well dispense
With lovers' long discourse;
Much speech hath some defence,
Though beauty no remorse.
All do not all things well;
Some measures comely tread,
Some knotted riddles tell,
Some poems smoothly read.
The summer hath his joys,
And winter his delights;
Though love and all his pleasures are but toys,
They shorten tedious nights.

Thomas Campion. 1567?-1619

175. Integer Vitae

THE man of life upright,
Whose guiltless heart is free
From all dishonest deeds,
Or thought of vanity;

The man whose silent days
In harmless joys are spent,
Whom hopes cannot delude,
Nor sorrow discontent;

That man needs neither towers
Nor armour for defence,
Nor secret vaults to fly
From thunder's violence:

He only can behold
With unaffrighted eyes
The horrors of the deep
And terrors of the skies.

Thus, scorning all the cares
That fate or fortune brings,
He makes the heaven his book,
His wisdom heavenly things;

Good thoughts his only friends,
His wealth a well-spent age,
The earth his sober inn
And quiet pilgrimage.

Thomas Campion. 1567?-1619

176. O come quickly!

NEVER weather-beaten sail more willing bent to shore,
Never tired pilgrim's limbs affected slumber more,
Than my wearied sprite now longs to fly out of my troubled breast:
O come quickly, sweetest Lord, and take my soul to rest!

Ever blooming are the joys of heaven's high Paradise,
Cold age deafs not there our ears nor vapour dims our eyes:
Glory there the sun outshines; whose beams the Blessed only see:
O come quickly, glorious Lord, and raise my sprite to Thee!

John Reynolds. 16th Cent.

177. A Nosegay

SAY, crimson Rose and dainty Daffodil,
With Violet blue;
Since you have seen the beauty of my saint,
And eke her view;
Did not her sight (fair sight!) you lonely fill,
With sweet delight
Of goddess' grace and angels' sacred teint
In fine, most bright?

Say, golden Primrose, sanguine Cowslip fair,
With Pink most fine;
Since you beheld the visage of my dear,
And eyes divine;
Did not her globy front, and glistering hair,
With cheeks most sweet,
So gloriously like damask flowers appear,
The gods to greet?

Say, snow-white Lily, speckled Gillyflower,
With Daisy gay;
Since you have viewed the Queen of my desire,
In her array;
Did not her ivory paps, fair Venus' bower,
With heavenly glee,
A Juno's grace, conjure you to require
Her face to see?

Say Rose, say Daffodil, and Violet blue,
With Primrose fair,
Since ye have seen my nymph's sweet dainty face
And gesture rare,
Did not (bright Cowslip, blooming Pink) her view
(White Lily) shine—
(Ah, Gillyflower, ah Daisy!) with a grace
Like stars divine?

teint] tint, hue.

Sir Henry Wotton. 1568-1639

178. Elizabeth of Bohemia

YOU meaner beauties of the night,
That poorly satisfy our eyes
More by your number than your light,
You common people of the skies;
What are you when the moon shall rise?

You curious chanters of the wood,
That warble forth Dame Nature's lays,
Thinking your passions understood
By your weak accents; what 's your praise
When Philomel her voice shall raise?

You violets that first appear,
By your pure purple mantles known
Like the proud virgins of the year,
As if the spring were all your own;
What are you when the rose is blown?

So, when my mistress shall be seen
In form and beauty of her mind,
By virtue first, then choice, a Queen,
Tell me, if she were not design'd
Th' eclipse and glory of her kind.

Sir Henry Wotton. 1568-1639

179. The Character of a Happy Life

HOW happy is he born and taught
That serveth not another's will;
Whose armour is his honest thought,
And simple truth his utmost skill!

Whose passions not his masters are;
Whose soul is still prepared for death,
Untied unto the world by care
Of public fame or private breath;

Who envies none that chance doth raise,
Nor vice; who never understood
How deepest wounds are given by praise;
Nor rules of state, but rules of good;

Who hath his life from rumours freed;
Whose conscience is his strong retreat;
Whose state can neither flatterers feed,
Nor ruin make oppressors great;

Who God doth late and early pray
More of His grace than gifts to lend;
And entertains the harmless day
With a religious book or friend;

—This man is freed from servile bands
Of hope to rise or fear to fall:
Lord of himself, though not of lands,
And having nothing, yet hath all.

Sir Henry Wotton. 1568-1639

180. Upon the Death of Sir Albert Morton's Wife

HE first deceased; she for a little tried
To live without him, liked it not, and died.

Sir John Davies. 1569-1626

181. Man

I KNOW my soul hath power to know all things,
Yet she is blind and ignorant in all:
I know I'm one of Nature's little kings,
Yet to the least and vilest things am thrall.

I know my life 's a pain and but a span;
I know my sense is mock'd in everything;
And, to conclude, I know myself a Man—
Which is a proud and yet a wretched thing.

Sir Robert Ayton. 1570-1638

182. To His Forsaken Mistress

I DO confess thou'rt smooth and fair,
And I might have gone near to love thee,
Had I not found the slightest prayer
That lips could move, had power to move thee;
But I can let thee now alone
As worthy to be loved by none.

I do confess thou'rt sweet; yet find
Thee such an unthrift of thy sweets,
Thy favours are but like the wind
That kisseth everything it meets:
And since thou canst with more than one,
Thou'rt worthy to be kiss'd by none.

The morning rose that untouch'd stands
Arm'd with her briers, how sweet she smells!
But pluck'd and strain'd through ruder hands,
Her sweets no longer with her dwells:
But scent and beauty both are gone,
And leaves fall from her, one by one.

Such fate ere long will thee betide
When thou hast handled been awhile,
With sere flowers to be thrown aside;
And I shall sigh, while some will smile,
To see thy love to every one
Hath brought thee to be loved by none.

Sir Robert Ayton. 1570-1638

183. To an Inconstant One

I LOVED thee once; I'll love no more—
Thine be the grief as is the blame;
Thou art not what thou wast before,
What reason I should be the same?
He that can love unloved again,
Hath better store of love than brain:
God send me love my debts to pay,
While unthrifts fool their love away!

Nothing could have my love o'erthrown
If thou hadst still continued mine;
Yea, if thou hadst remain'd thy own,
I might perchance have yet been thine.
But thou thy freedom didst recall
That it thou might elsewhere enthral:
And then how could I but disdain
A captive's captive to remain?

When new desires had conquer'd thee
And changed the object of thy will,
It had been lethargy in me,
Not constancy, to love thee still.
Yea, it had been a sin to go
And prostitute affection so:
Since we are taught no prayers to say
To such as must to others pray.

Yet do thou glory in thy choice—
Thy choice of his good fortune boast;
I'll neither grieve nor yet rejoice
To see him gain what I have lost:
The height of my disdain shall be
To laugh at him, to blush for thee;
To love thee still, but go no more
A-begging at a beggar's door.

Ben Jonson. 1573-1637

184. Hymn to Diana

QUEEN and huntress, chaste and fair,
Now the sun is laid to sleep,
Seated in thy silver chair,
State in wonted manner keep:
Hesperus entreats thy light,
Goddess excellently bright.

Earth, let not thy envious shade
Dare itself to interpose;
Cynthia's shining orb was made
Heaven to clear when day did close:
Bless us then with wished sight,
Goddess excellently bright.

Lay thy bow of pearl apart,
And thy crystal-shining quiver;
Give unto the flying hart
Space to breathe, how short soever:
Thou that mak'st a day of night—
Goddess excellently bright.

Ben Jonson. 1573-1637

185. To Celia

DRINK to me only with thine eyes,
And I will pledge with mine;
Or leave a kiss but in the cup
And I'll not look for wine.
The thirst that from the soul doth rise
Doth ask a drink divine;
But might I of Jove's nectar sup,
I would not change for thine.

I sent thee late a rosy wreath,
Not so much honouring thee
As giving it a hope that there
It could not wither'd be;
But thou thereon didst only breathe,
And sent'st it back to me;
Since when it grows, and smells, I swear,
Not of itself but thee!

Ben Jonson. 1573-1637

186. Simplex Munditiis

STILL to be neat, still to be drest,
As you were going to a feast;
Still to be powder'd, still perfumed:
Lady, it is to be presumed,
Though art's hid causes are not found,
All is not sweet, all is not sound.

Give me a look, give me a face
That makes simplicity a grace;
Robes loosely flowing, hair as free:
Such sweet neglect more taketh me
Than all th' adulteries of art;
They strike mine eyes, but not my heart.

Ben Jonson. 1573-1637

187. The Shadow

FOLLOW a shadow, it still flies you;
Seem to fly it, it will pursue:
So court a mistress, she denies you;
Let her alone, she will court you.
Say, are not women truly, then,
Styled but the shadows of us men?

At morn and even, shades are longest;
At noon they are or short or none:
So men at weakest, they are strongest,
But grant us perfect, they're not known.
Say, are not women truly, then,
Styled but the shadows of us men?

Ben Jonson. 1573-1637

188. The Triumph

SEE the Chariot at hand here of Love,
Wherein my Lady rideth!
Each that draws is a swan or a dove,
And well the car Love guideth.
As she goes, all hearts do duty
Unto her beauty;
And enamour'd do wish, so they might
But enjoy such a sight,
That they still were to run by her side,
Through swords, through seas, whither she would ride.

Do but look on her eyes, they do light
All that Love's world compriseth!
Do but look on her hair, it is bright
As Love's star when it riseth!
Do but mark, her forehead's smoother
Than words that soothe her;
And from her arch'd brows such a grace
Sheds itself through the face,
As alone there triumphs to the life
All the gain, all the good, of the elements' strife.

Have you seen but a bright lily grow
Before rude hands have touch'd it?
Have you mark'd but the fall of the snow
Before the soil hath smutch'd it?
Have you felt the wool of beaver,
Or swan's down ever?
Or have smelt o' the bud o' the brier,
Or the nard in the fire?
Or have tasted the bag of the bee?
O so white, O so soft, O so sweet is she!

Ben Jonson. 1573-1637

189. An Elegy

THOUGH beauty be the mark of praise,
And yours of whom I sing be such
As not the world can praise too much,
Yet 'tis your Virtue now I raise.

A virtue, like allay so gone
Throughout your form as, though that move
And draw and conquer all men's love,
This subjects you to love of one.

Wherein you triumph yet—because
'Tis of your flesh, and that you use
The noblest freedom, not to choose
Against or faith or honour's laws.

But who should less expect from you?
In whom alone Love lives again:
By whom he is restored to men,
And kept and bred and brought up true.

His falling temples you have rear'd,
The wither'd garlands ta'en away;
His altars kept from that decay
That envy wish'd, and nature fear'd:

And on them burn so chaste a flame,
With so much loyalty's expense,
As Love to acquit such excellence
Is gone himself into your name.

And you are he—the deity
To whom all lovers are design'd
That would their better objects find;
Among which faithful troop am I—

Who as an off'ring at your shrine
Have sung this hymn, and here entreat
One spark of your diviner heat
To light upon a love of mine.

Which if it kindle not, but scant
Appear, and that to shortest view;
Yet give me leave to adore in you
What I in her am grieved to want!

allay] alloy.

Ben Jonson. 1573-1637

190. A Farewell to the World

FALSE world, good night! since thou hast brought
That hour upon my morn of age;
Henceforth I quit thee from my thought,
My part is ended on thy stage.

Yes, threaten, do. Alas! I fear
As little as I hope from thee:
I know thou canst not show nor bear
More hatred than thou hast to me.

My tender, first, and simple years
Thou didst abuse and then betray;
Since stir'd'st up jealousies and fears,
When all the causes were away.

Then in a soil hast planted me
Where breathe the basest of thy fools;
Where envious arts professed be,
And pride and ignorance the schools;

Where nothing is examined, weigh'd,
But as 'tis rumour'd, so believed;
Where every freedom is betray'd,
And every goodness tax'd or grieved.

But what we're born for, we must bear:
Our frail condition it is such
That what to all may happen here,
If 't chance to me, I must not grutch.

Else I my state should much mistake
To harbour a divided thought
From all my kind—that, for my sake,
There should a miracle be wrought.

No, I do know that I was born
To age, misfortune, sickness, grief:
But I will bear these with that scorn
As shall not need thy false relief.

Nor for my peace will I go far,
As wanderers do, that still do roam;
But make my strengths, such as they are,
Here in my bosom, and at home.

Ben Jonson. 1573-1637

191. The Noble Balm

HIGH-SPIRITED friend,
I send nor balms nor cor'sives to your wound:
Your fate hath found
A gentler and more agile hand to tend
The cure of that which is but corporal;
And doubtful days, which were named critical,
Have made their fairest flight
And now are out of sight.
Yet doth some wholesome physic for the mind
Wrapp'd in this paper lie,
Which in the taking if you misapply,
You are unkind.

Your covetous hand,
Happy in that fair honour it hath gain'd,
Must now be rein'd.
True valour doth her own renown command
In one full action; nor have you now more
To do, than be a husband of that store.
Think but how dear you bought
This fame which you have caught:
Such thoughts will make you more in love with truth.
'Tis wisdom, and that high,
For men to use their fortune reverently,
Even in youth.

Ben Jonson. 1573-1637

192. On Elizabeth L. H. Epitaphs: i

WOULDST thou hear what Man can say
In a little? Reader, stay.
Underneath this stone doth lie
As much Beauty as could die:
Which in life did harbour give
To more Virtue than doth live.
If at all she had a fault,
Leave it buried in this vault.
One name was Elizabeth,
The other, let it sleep with death:
Fitter, where it died, to tell
Than that it lived at all. Farewell.

Ben Jonson. 1573-1637

193. On Salathiel Pavy A child of Queen Elizabeth's Chapel Epitaphs: ii

WEEP with me, all you that read
This little story;
And know, for whom a tear you shed
Death's self is sorry.
'Twas a child that so did thrive
In grace and feature,
As Heaven and Nature seem'd to strive
Which own'd the creature.
Years he number'd scarce thirteen
When Fates turn'd cruel,
Yet three fill'd zodiacs had he been
The stage's jewel;
And did act (what now we moan)
Old men so duly,
As sooth the Parcae thought him one,
He play'd so truly.
So, by error, to his fate
They all consented;
But, viewing him since, alas, too late!
They have repented;
And have sought, to give new birth,
In baths to steep him;
But, being so much too good for earth,
Heaven vows to keep him.

Ben Jonson. 1573-1637

194. A Part of an Ode to the Immortal Memory and Friendship of that noble pair, Sir Lucius Cary and Sir H. Morison

IT is not growing like a tree
In bulk, doth make man better be;
Or standing long an oak, three hundred year,
To fall a log at last, dry, bald, and sere:
A lily of a day
Is fairer far in May,
Although it fall and die that night;
It was the plant and flower of light.
In small proportions we just beauties see;
And in short measures, life may perfect be.

Call, noble Lucius, then for wine,
And let thy looks with gladness shine:
Accept this garland, plant it on thy head,
And think—nay, know—thy Morison 's not dead.
He leap'd the present age,
Possest with holy rage
To see that bright eternal Day
Of which we Priests and Poets say
Such truths as we expect for happy men;
And there he lives with memory—and Ben

Jonson: who sung this of him, ere he went
Himself to rest,
Or tast a part of that full joy he meant
To have exprest
In this bright Asterism
Where it were friendship's schism—
Were not his Lucius long with us to tarry—
To separate these twy
Lights, the Dioscuri,
And keep the one half from his Harry.
But fate doth so alternate the design,
Whilst that in Heav'n, this light on earth must shine.

And shine as you exalted are!
Two names of friendship, but one star:
Of hearts the union: and those not by chance
Made, or indenture, or leased out to advance
The profits for a time.
No pleasures vain did chime
Of rimes or riots at your feasts,
Orgies of drink or feign'd protests;
But simple love of greatness and of good,
That knits brave minds and manners more than blood.

This made you first to know the Why
You liked, then after, to apply
That liking, and approach so one the t'other
Till either grew a portion of the other:
Each styled by his end
The copy of his friend.
You lived to be the great surnames
And titles by which all made claims
Unto the Virtue—nothing perfect done
But as a CARY or a MORISON.

And such the force the fair example had
As they that saw
The good, and durst not practise it, were glad
That such a law
Was left yet to mankind,
Where they might read and find
FRIENDSHIP indeed was written, not in words,
And with the heart, not pen,
Of two so early men,
Whose lines her rules were and records:
Who, ere the first down bloomed on the chin,
Had sow'd these fruits, and got the harvest in.

John Donne. 1573-1631

195. Daybreak

STAY, O sweet and do not rise!
The light that shines comes from thine eyes;
The day breaks not: it is my heart,
Because that you and I must part.
Stay! or else my joys will die
And perish in their infancy.

John Donne. 1573-1631

196. Song

GO and catch a falling star,
Get with child a mandrake root,
Tell me where all past years are,
Or who cleft the Devil's foot;
Teach me to hear mermaids singing,
Or to keep off envy's stinging,
And find
What wind
Serves to advance an honest mind.

If thou be'st born to strange sights,
Things invisible to see,
Ride ten thousand days and nights
Till Age snow white hairs on thee;
Thou, when thou return'st, wilt tell me
All strange wonders that befell thee,
And swear
No where
Lives a woman true and fair.

If thou find'st one, let me know;
Such a pilgrimage were sweet.
Yet do not; I would not go,
Though at next door we might meet.
Though she were true when you met her,
And last till you write your letter,
Yet she
Will be
False, ere I come, to two or three.

John Donne. 1573-1631

197. That Time and Absence proves Rather helps than hurts to loves

ABSENCE, hear thou my protestation
Against thy strength,
Distance and length:
Do what thou canst for alteration,
For hearts of truest mettle
Absence doth join and Time doth settle.

Who loves a mistress of such quality,
His mind hath found
Affection's ground
Beyond time, place, and all mortality.
To hearts that cannot vary
Absence is present, Time doth tarry.

My senses want their outward motion
Which now within
Reason doth win,
Redoubled by her secret notion:
Like rich men that take pleasure
In hiding more than handling treasure.

By Absence this good means I gain,
That I can catch her
Where none can watch her,
In some close corner of my brain:
There I embrace and kiss her,
And so enjoy her and none miss her.

John Donne. 1573-1631

198. The Ecstasy

WHERE, like a pillow on a bed,
A pregnant bank swell'd up, to rest
The violet's reclining head,
Sat we two, one another's best.

Our hands were firmly cemented
By a fast balm which thence did spring;
Our eye-beams twisted, and did thread
Our eyes upon one double string.

So to engraft our hands, as yet
Was all the means to make us one;
And pictures in our eyes to get
Was all our propagation.

As 'twixt two equal armies Fate
Suspends uncertain victory,
Our souls—which to advance their state
Were gone out—hung 'twixt her and me.

And whilst our souls negotiate there,
We like sepulchral statues lay;
All day the same our postures were,
And we said nothing, all the day.

John Donne. 1573-1631

199. The Dream

DEAR love, for nothing less than thee
Would I have broke this happy dream;
It was a theme
For reason, much too strong for fantasy.
Therefore thou waked'st me wisely; yet
My dream thou brok'st not, but continued'st it.
Thou art so true that thoughts of thee suffice
To make dreams truths and fables histories;
Enter these arms, for since thou thought'st it best
Not to dream all my dream, let 's act the rest.

As lightning, or a taper's light,
Thine eyes, and not thy noise, waked me;
Yet I thought thee—
For thou lov'st truth—an angel, at first sight;
But when I saw thou saw'st my heart,
And knew'st my thoughts beyond an angel's art,
When thou knew'st what I dreamt, when thou knew'st when
Excess of joy would wake me, and cam'st then,
I must confess it could not choose but be
Profane to think thee anything but thee.

Coming and staying show'd thee thee,
But rising makes me doubt that now
Thou art not thou.
That Love is weak where Fear 's as strong as he;
'Tis not all spirit pure and brave
If mixture it of Fear, Shame, Honour have.
Perchance as torches, which must ready be,
Men light and put out, so thou deal'st with me.
Thou cam'st to kindle, go'st to come: then I
Will dream that hope again, but else would die.

John Donne. 1573-1631

200. The Funeral

WHOEVER comes to shroud me, do not harm
Nor question much
That subtle wreath of hair about mine arm;
The mystery, the sign you must not touch,
For 'tis my outward soul,
Viceroy to that which, unto heav'n being gone,
Will leave this to control
And keep these limbs, her provinces, from dissolution.

For if the sinewy thread my brain lets fall
Through every part
Can tie those parts, and make me one of all;
Those hairs, which upward grew, and strength and art
Have from a better brain,
Can better do 't: except she meant that I
By this should know my pain,
As prisoners then are manacled, when they're condemn'd to die.

Whate'er she meant by 't, bury it with me,
For since I am
Love's martyr, it might breed idolatry
If into other hands these reliques came.
As 'twas humility
T' afford to it all that a soul can do,
So 'tis some bravery
That, since you would have none of me, I bury some of you.

John Donne. 1573-1631

201. A Hymn to God the Father

WILT Thou forgive that sin where I begun,
Which was my sin, though it were done before?
Wilt Thou forgive that sin through which I run,
And do run still, though still I do deplore?
When Thou hast done, Thou hast not done;
For I have more.

Wilt Thou forgive that sin which I have won
Others to sin, and made my sins their door?
Wilt Thou forgive that sin which I did shun
A year or two, but wallow'd in a score?
When Thou hast done, Thou hast not done;
For I have more.

I have a sin of fear, that when I've spun
My last thread, I shall perish on the shore;
But swear by Thyself that at my death Thy Son
Shall shine as He shines now and heretofore:
And having done that, Thou hast done;
I fear no more.

John Donne. 1573-1631

202. Death

DEATH, be not proud, though some have called thee
Mighty and dreadful, for thou art not so:
For those whom thou think'st thou dost overthrow
Die not, poor Death; nor yet canst thou kill me.
From Rest and Sleep, which but thy picture be,
Much pleasure, then from thee much more must flow;
And soonest our best men with thee do go—
Rest of their bones and souls' delivery!
Thou'rt slave to fate, chance, kings, and desperate men,
And dost with poison, war, and sickness dwell;
And poppy or charms can make us sleep as well
And better than thy stroke. Why swell'st thou then?
One short sleep past, we wake eternally,
And Death shall be no more: Death, thou shalt die!

Richard Barnefield. 1574-1627

203. Philomel

AS it fell upon a day
In the merry month of May,
Sitting in a pleasant shade
Which a grove of myrtles made,
Beasts did leap and birds did sing,
Trees did grow and plants did spring;
Everything did banish moan
Save the Nightingale alone:
She, poor bird, as all forlorn
Lean'd her breast up-till a thorn,
And there sung the dolefull'st ditty,
That to hear it was great pity.
Fie, fie, fie! now would she cry;
Tereu, Tereu! by and by;
That to hear her so complain
Scarce I could from tears refrain;
For her griefs so lively shown
Made me think upon mine own.
Ah! thought I, thou mourn'st in vain,
None takes pity on thy pain:
Senseless trees they cannot hear thee,
Ruthless beasts they will not cheer thee:
King Pandion he is dead,
All thy friends are lapp'd in lead;
All thy fellow birds do sing
Careless of thy sorrowing:
Even so, poor bird, like thee,
None alive will pity me.

Thomas Dekker. 1575-1641

204. Sweet Content

ART thou poor, yet hast thou golden slumbers?
O sweet content!
Art thou rich, yet is thy mind perplex'd?
O punishment!
Dost thou laugh to see how fools are vex'd
To add to golden numbers golden numbers?
O sweet content! O sweet, O sweet content!
Work apace, apace, apace, apace;
Honest labour bears a lovely face;
Then hey nonny nonny—hey nonny nonny!

Canst drink the waters of the crisped spring?
O sweet content!
Swim'st thou in wealth, yet sink'st in thine own tears?
O punishment!
Then he that patiently want's burden bears,
No burden bears, but is a king, a king!
O sweet content! O sweet, O sweet content!
Work apace, apace, apace, apace;
Honest labour bears a lovely face;
Then hey nonny nonny—hey nonny nonny!

Thomas Heywood. 157?-1650

205. Matin Song

PACK, clouds, away! and welcome, day!
With night we banish sorrow.
Sweet air, blow soft; mount, lark, aloft
To give my Love good-morrow!
Wings from the wind to please her mind,
Notes from the lark I'll borrow:
Bird, prune thy wing! nightingale, sing!
To give my Love good-morrow!
To give my Love good-morrow
Notes from them all I'll borrow.

Wake from thy nest, robin red-breast!
Sing, birds, in every furrow!
And from each bill let music shrill
Give my fair Love good-morrow!
Blackbird and thrush in every bush,
Stare, linnet, and cocksparrow,
You pretty elves, among yourselves
Sing my fair Love good-morrow!
To give my Love good-morrow!
Sing, birds, in every furrow!

stare] starling.

Thomas Heywood. 157?-1650

206. The Message

YE little birds that sit and sing
Amidst the shady valleys,
And see how Phillis sweetly walks
Within her garden-alleys;
Go, pretty birds, about her bower;
Sing, pretty birds, she may not lower;
Ah me! methinks I see her frown!
Ye pretty wantons, warble.

Go tell her through your chirping bills,
As you by me are bidden,
To her is only known my love,
Which from the world is hidden.
Go, pretty birds, and tell her so,
See that your notes strain not too low,
For still methinks I see her frown;
Ye pretty wantons, warble.

Go tune your voices' harmony
And sing, I am her lover;
Strain loud and sweet, that every note
With sweet content may move her:
And she that hath the sweetest voice,
Tell her I will not change my choice:
—Yet still methinks I see her frown!
Ye pretty wantons, warble.

O fly! make haste! see, see, she falls
Into a pretty slumber!
Sing round about her rosy bed
That waking she may wonder:
Say to her, 'tis her lover true
That sendeth love to you, to you!
And when you hear her kind reply,
Return with pleasant warblings.

John Fletcher. 1579-1625

207. Sleep

COME, Sleep, and with thy sweet deceiving
Lock me in delight awhile;
Let some pleasing dreams beguile
All my fancies; that from thence
I may feel an influence
All my powers of care bereaving!

Though but a shadow, but a sliding,
Let me know some little joy!
We that suffer long annoy
Are contented with a thought
Through an idle fancy wrought:
O let my joys have some abiding!

John Fletcher. 1579-1625

208. Bridal Song

CYNTHIA, to thy power and thee
We obey.
Joy to this great company!
And no day
Come to steal this night away
Till the rites of love are ended,
And the lusty bridegroom say,
Welcome, light, of all befriended!

Pace out, you watery powers below;
Let your feet,
Like the galleys when they row,
Even beat;
Let your unknown measures, set
To the still winds, tell to all
That gods are come, immortal, great,
To honour this great nuptial!

John Fletcher. 1579-1625

209. Aspatia's Song

LAY a garland on my herse
Of the dismal yew;
Maidens, willow branches bear;
Say, I died true.

My love was false, but I was firm
From my hour of birth.
Upon my buried body lie
Lightly, gentle earth!

John Fletcher. 1579-1625

210. Hymn to Pan

SING his praises that doth keep
Our flocks from harm.
Pan, the father of our sheep;
And arm in arm
Tread we softly in a round,
Whilst the hollow neighbouring ground
Fills the music with her sound.

Pan, O great god Pan, to thee
Thus do we sing!
Thou who keep'st us chaste and free
As the young spring:
Ever be thy honour spoke
From that place the morn is broke
To that place day doth unyoke!

John Fletcher. 1579-1625

211. Away, Delights

AWAY, delights! go seek some other dwelling,
For I must die.
Farewell, false love! thy tongue is ever telling
Lie after lie.
For ever let me rest now from thy smarts;
Alas, for pity go
And fire their hearts
That have been hard to thee! Mine was not so.

Never again deluding love shall know me,
For I will die;
And all those griefs that think to overgrow me
Shall be as I:
For ever will I sleep, while poor maids cry—
'Alas, for pity stay,
And let us die
With thee! Men cannot mock us in the clay.'

John Fletcher. 1579-1625

212. Love's Emblems

NOW the lusty spring is seen;
Golden yellow, gaudy blue,
Daintily invite the view:
Everywhere on every green
Roses blushing as they blow,
And enticing men to pull,
Lilies whiter than the snow,
Woodbines of sweet honey full:
All love's emblems, and all cry,
'Ladies, if not pluck'd, we die.'

Yet the lusty spring hath stay'd;
Blushing red and purest white
Daintily to love invite
Every woman, every maid:
Cherries kissing as they grow,
And inviting men to taste,
Apples even ripe below,
Winding gently to the waist:
All love's emblems, and all cry,
'Ladies, if not pluck'd, we die.'

John Fletcher. 1579-1625

213. Hear, ye Ladies

HEAR, ye ladies that despise
What the mighty Love has done;
Fear examples and be wise:
Fair Callisto was a nun;
Leda, sailing on the stream
To deceive the hopes of man,
Love accounting but a dream,
Doted on a silver swan;
Danae, in a brazen tower,
Where no love was, loved a shower.

Hear, ye ladies that are coy,
What the mighty Love can do;
Fear the fierceness of the boy:
The chaste Moon he makes to woo;
Vesta, kindling holy fires,
Circled round about with spies,
Never dreaming loose desires,
Doting at the altar dies;
Ilion, in a short hour, higher
He can build, and once more fire.

John Fletcher. 1579-1625

214. God Lyaeus

GOD Lyaeus, ever young,
Ever honour'd, ever sung,
Stain'd with blood of lusty grapes,
In a thousand lusty shapes
Dance upon the mazer's brim,
In the crimson liquor swim;
From thy plenteous hand divine
Let a river run with wine:
God of youth, let this day here
Enter neither care nor fear.

mazer] a bowl of maple-wood.

John Fletcher. 1579-1625

215. Beauty Clear and Fair

BEAUTY clear and fair,
Where the air
Rather like a perfume dwells;
Where the violet and the rose
Their blue veins and blush disclose,
And come to honour nothing else:

Where to live near
And planted there
Is to live, and still live new;
Where to gain a favour is
More than light, perpetual bliss—
Make me live by serving you!

Dear, again back recall
To this light,
A stranger to himself and all!
Both the wonder and the story
Shall be yours, and eke the glory;
I am your servant, and your thrall.

John Fletcher. 1579-1625

216. Melancholy

HENCE, all you vain delights,
As short as are the nights
Wherein you spend your folly!
There 's naught in this life sweet,
If men were wise to see't,
But only melancholy—
O sweetest melancholy!
Welcome, folded arms and fixed eyes,
A sight that piercing mortifies,
A look that 's fasten'd to the ground,
A tongue chain'd up without a sound!

Fountain-heads and pathless groves,
Places which pale passion loves!
Moonlight walks, when all the fowls
Are warmly housed, save bats and owls!
A midnight bell, a parting groan—
These are the sounds we feed upon:
Then stretch our bones in a still gloomy valley,
Nothing 's so dainty sweet as lovely melancholy.

John Fletcher. 1579-1625

217. Weep no more

WEEP no more, nor sigh, nor groan,
Sorrow calls no time that 's gone:
Violets pluck'd, the sweetest rain
Makes not fresh nor grow again.
Trim thy locks, look cheerfully;
Fate's hid ends eyes cannot see.
Joys as winged dreams fly fast,
Why should sadness longer last?
Grief is but a wound to woe;
Gentlest fair, mourn, mourn no moe.

John Webster. ?-1630?

218. A Dirge

CALL for the robin-redbreast and the wren,
Since o'er shady groves they hover,
And with leaves and flowers do cover
The friendless bodies of unburied men.
Call unto his funeral dole
The ant, the field-mouse, and the mole,
To rear him hillocks that shall keep him warm,
And (when gay tombs are robb'd) sustain no harm;
But keep the wolf far thence, that 's foe to men,
For with his nails he'll dig them up again.

dole] lamentation.

John Webster. ?-1630?

219. The Shrouding of the Duchess of Malfi

HARK! Now everything is still,
The screech-owl and the whistler shrill,
Call upon our dame aloud,
And bid her quickly don her shroud!

Much you had of land and rent;
Your length in clay 's now competent:
A long war disturb'd your mind;
Here your perfect peace is sign'd.

Of what is 't fools make such vain keeping?
Sin their conception, their birth weeping,
Their life a general mist of error,
Their death a hideous storm of terror.
Strew your hair with powders sweet,
Don clean linen, bathe your feet,

And—the foul fiend more to check—
A crucifix let bless your neck:
'Tis now full tide 'tween night and day;
End your groan and come away.

John Webster. ?-1630?

220. Vanitas Vanitatum

ALL the flowers of the spring
Meet to perfume our burying;
These have but their growing prime,
And man does flourish but his time:
Survey our progress from our birth—
We are set, we grow, we turn to earth.
Courts adieu, and all delights,
All bewitching appetites!
Sweetest breath and clearest eye
Like perfumes go out and die;
And consequently this is done
As shadows wait upon the sun.
Vain the ambition of kings
Who seek by trophies and dead things
To leave a living name behind,
And weave but nets to catch the wind.

William Alexander, Earl of Stirling. 1580?-1640

221. Aurora

O HAPPY Tithon! if thou know'st thy hap,
And valuest thy wealth, as I my want,
Then need'st thou not—which ah! I grieve to grant—
Repine at Jove, lull'd in his leman's lap:
That golden shower in which he did repose—
One dewy drop it stains
Which thy Aurora rains
Upon the rural plains,
When from thy bed she passionately goes.

Then, waken'd with the music of the merles,
She not remembers Memnon when she mourns:
That faithful flame which in her bosom burns
From crystal conduits throws those liquid pearls:
Sad from thy sight so soon to be removed,
She so her grief delates.
—O favour'd by the fates
Above the happiest states,
Who art of one so worthy well-beloved!

Phineas Fletcher. 1580-1650

222. A Litany

DROP, drop, slow tears,
And bathe those beauteous feet
Which brought from Heaven
The news and Prince of Peace:
Cease not, wet eyes,
His mercy to entreat;
To cry for vengeance
Sin doth never cease.
In your deep floods
Drown all my faults and fears;
Nor let His eye
See sin, but through my tears.

Sir John Beaumont. 1583-1627

223. Of his Dear Son, Gervase

DEAR Lord, receive my son, whose winning love
To me was like a friendship, far above
The course of nature or his tender age;
Whose looks could all my bitter griefs assuage:
Let his pure soul, ordain'd seven years to be
In that frail body which was part of me,
Remain my pledge in Heaven, as sent to show
How to this port at every step I go.

William Drummond, of Hawthornden. 1585-1649

224. Invocation

PHOEBUS, arise!
And paint the sable skies
With azure, white, and red;
Rouse Memnon's mother from her Tithon's bed,
That she thy career may with roses spread;
The nightingales thy coming each-where sing;
Make an eternal spring!
Give life to this dark world which lieth dead;
Spread forth thy golden hair
In larger locks than thou wast wont before,
And emperor-like decore
With diadem of pearl thy temples fair:
Chase hence the ugly night
Which serves but to make dear thy glorious light.
This is that happy morn,
That day, long wished day
Of all my life so dark
(If cruel stars have not my ruin sworn
And fates not hope betray),
Which, only white, deserves
A diamond for ever should it mark:
This is the morn should bring into this grove
My Love, to hear and recompense my love.
Fair King, who all preserves,
But show thy blushing beams,
And thou two sweeter eyes
Shalt see than those which by Peneus' streams
Did once thy heart surprise:
Nay, suns, which shine as clear
As thou when two thou did to Rome appear.
Now, Flora, deck thyself in fairest guise:
If that ye, winds, would hear
A voice surpassing far Amphion's lyre,
Your stormy chiding stay;
Let zephyr only breathe
And with her tresses play,
Kissing sometimes these purple ports of death.

The winds all silent are;
And Phoebus in his chair
Ensaffroning sea and air
Makes vanish every star:
Night like a drunkard reels
Beyond the hills to shun his flaming wheels:
The fields with flowers are deck'd in every hue,
The clouds bespangle with bright gold their blue:
Here is the pleasant place—
And everything, save Her, who all should grace.

William Drummond, of Hawthornden. 1585-1649

225. Madrigal

LIKE the Idalian queen,
Her hair about her eyne,
With neck and breast's ripe apples to be seen,
At first glance of the morn
In Cyprus' gardens gathering those fair flow'rs
Which of her blood were born,
I saw, but fainting saw, my paramours.
The Graces naked danced about the place,
The winds and trees amazed
With silence on her gazed,
The flowers did smile, like those upon her face;
And as their aspen stalks those fingers band,
That she might read my case,
A hyacinth I wish'd me in her hand.

paramours] = sing. paramour. band] bound.

William Drummond, of Hawthornden. 1585-1649

226. Spring Bereaved 1

THAT zephyr every year
So soon was heard to sigh in forests here,
It was for her: that wrapp'd in gowns of green
Meads were so early seen,
That in the saddest months oft sung the merles,
It was for her; for her trees dropp'd forth pearls.
That proud and stately courts
Did envy those our shades and calm resorts,
It was for her; and she is gone, O woe!
Woods cut again do grow,
Bud doth the rose and daisy, winter done;
But we, once dead, no more do see the sun.

William Drummond, of Hawthornden. 1585-1649

227. Spring Bereaved 2

SWEET Spring, thou turn'st with all thy goodly train,
Thy head with flames, thy mantle bright with flow'rs:
The zephyrs curl the green locks of the plain,
The clouds for joy in pearls weep down their show'rs.
Thou turn'st, sweet youth, but ah! my pleasant hours
And happy days with thee come not again;
The sad memorials only of my pain
Do with thee turn, which turn my sweets in sours.
Thou art the same which still thou wast before,
Delicious, wanton, amiable, fair;
But she, whose breath embalm'd thy wholesome air,
Is gone—nor gold nor gems her can restore.
Neglected virtue, seasons go and come,
While thine forgot lie closed in a tomb.

William Drummond, of Hawthornden. 1585-1649

228. Spring Bereaved 3

ALEXIS, here she stay'd; among these pines,
Sweet hermitress, she did alone repair;
Here did she spread the treasure of her hair,
More rich than that brought from the Colchian mines.
She set her by these musked eglantines,
—The happy place the print seems yet to bear:
Her voice did sweeten here thy sugar'd lines,
To which winds, trees, beasts, birds, did lend their ear.
Me here she first perceived, and here a morn
Of bright carnations did o'erspread her face;
Here did she sigh, here first my hopes were born,
And I first got a pledge of promised grace:
But ah! what served it to be happy so?
Sith passed pleasures double but new woe?

William Drummond, of Hawthornden. 1585-1649

229. Her Passing

THE beauty and the life
Of life's and beauty's fairest paragon
—O tears! O grief!—hung at a feeble thread
To which pale Atropos had set her knife;
The soul with many a groan
Had left each outward part,
And now did take his last leave of the heart:
Naught else did want, save death, ev'n to be dead;
When the afflicted band about her bed,
Seeing so fair him come in lips, cheeks, eyes,
Cried, 'Ah! and can Death enter Paradise?'

William Drummond, of Hawthornden. 1585-1649

230. Inexorable

MY thoughts hold mortal strife;
I do detest my life,
And with lamenting cries
Peace to my soul to bring
Oft call that prince which here doth monarchise:
—But he, grim-grinning King,
Who caitiffs scorns, and doth the blest surprise,
Late having deck'd with beauty's rose his tomb,
Disdains to crop a weed, and will not come.

William Drummond, of Hawthornden. 1585-1649

231. Change should breed Change

NEW doth the sun appear,
The mountains' snows decay,
Crown'd with frail flowers forth comes the baby year.
My soul, time posts away;
And thou yet in that frost
Which flower and fruit hath lost,
As if all here immortal were, dost stay.
For shame! thy powers awake,
Look to that Heaven which never night makes black,
And there at that immortal sun's bright rays,
Deck thee with flowers which fear not rage of days!

William Drummond, of Hawthornden. 1585-1649

232. Saint John Baptist

THE last and greatest Herald of Heaven's King,
Girt with rough skins, hies to the deserts wild,
Among that savage brood the woods forth bring,
Which he than man more harmless found and mild.
His food was locusts, and what young doth spring
With honey that from virgin hives distill'd;
Parch'd body, hollow eyes, some uncouth thing
Made him appear, long since from earth exiled.
There burst he forth: 'All ye, whose hopes rely
On God, with me amidst these deserts mourn;
Repent, repent, and from old errors turn!'
—Who listen'd to his voice, obey'd his cry?
Only the echoes, which he made relent,
Rung from their marble caves 'Repent! Repent!'

Giles Fletcher. 158?-1623

233. Wooing Song

LOVE is the blossom where there blows
Every thing that lives or grows:
Love doth make the Heav'ns to move,
And the Sun doth burn in love:
Love the strong and weak doth yoke,
And makes the ivy climb the oak,
Under whose shadows lions wild,
Soften'd by love, grow tame and mild:
Love no med'cine can appease,
He burns the fishes in the seas:
Not all the skill his wounds can stench,
Not all the sea his fire can quench.
Love did make the bloody spear
Once a leavy coat to wear,
While in his leaves there shrouded lay
Sweet birds, for love that sing and play
And of all love's joyful flame
I the bud and blossom am.
Only bend thy knee to me,
Thy wooing shall thy winning be!

See, see the flowers that below
Now as fresh as morning blow;
And of all the virgin rose
That as bright Aurora shows;
How they all unleaved die,
Losing their virginity!
Like unto a summer shade,
But now born, and now they fade.
Every thing doth pass away;
There is danger in delay:
Come, come, gather then the rose,
Gather it, or it you lose!
All the sand of Tagus' shore
Into my bosom casts his ore:
All the valleys' swimming corn
To my house is yearly borne:
Every grape of every vine
Is gladly bruised to make me wine:
While ten thousand kings, as proud,
To carry up my train have bow'd,
And a world of ladies send me
In my chambers to attend me:
All the stars in Heav'n that shine,
And ten thousand more, are mine:
Only bend thy knee to me,
Thy wooing shall thy winning be!

Francis Beaumont. 1586-1616

234. On the Tombs in Westminster Abbey

MORTALITY, behold and fear!
What a change of flesh is here!
Think how many royal bones
Sleep within this heap of stones:
Here they lie had realms and lands,
Who now want strength to stir their hands:
Where from their pulpits seal'd with dust
They preach, 'In greatness is no trust.'
Here 's an acre sown indeed
With the richest, royall'st seed
That the earth did e'er suck in
Since the first man died for sin:
Here the bones of birth have cried—
'Though gods they were, as men they died.'
Here are sands, ignoble things,
Dropt from the ruin'd sides of kings;
Here 's a world of pomp and state,
Buried in dust, once dead by fate.

John Ford. 1586-1639

235. Dawn

FLY hence, shadows, that do keep
Watchful sorrows charm'd in sleep!
Tho' the eyes be overtaken,
Yet the heart doth ever waken
Thoughts chain'd up in busy snares
Of continual woes and cares:
Love and griefs are so exprest
As they rather sigh than rest.
Fly hence, shadows, that do keep
Watchful sorrows charm'd in sleep!

George Wither. 1588-1667

236. I loved a Lass

I LOVED a lass, a fair one,
As fair as e'er was seen;
She was indeed a rare one,
Another Sheba Queen:
But, fool as then I was,
I thought she loved me too:
But now, alas! she 's left me,
Falero, lero, loo!

Her hair like gold did glister,
Each eye was like a star,
She did surpass her sister,
Which pass'd all others far;
She would me honey call,
She'd—O she'd kiss me too!
But now, alas! she 's left me,
Falero, lero, loo!

Many a merry meeting
My love and I have had;
She was my only sweeting,
She made my heart full glad;
The tears stood in her eyes
Like to the morning dew:
But now, alas! she 's left me,
Falero, lero, loo!

Her cheeks were like the cherry,
Her skin was white as snow;
When she was blithe and merry
She angel-like did show;
Her waist exceeding small,
The fives did fit her shoe:
But now, alas! she 's left me,
Falero, lero, loo!

In summer time or winter
She had her heart's desire;
I still did scorn to stint her
From sugar, sack, or fire;
The world went round about,
No cares we ever knew:
But now, alas! she 's left me,
Falero, lero, loo!

To maidens' vows and swearing
Henceforth no credit give;
You may give them the hearing,
But never them believe;
They are as false as fair,
Unconstant, frail, untrue:
For mine, alas! hath left me,
Falero, lero, loo!

George Wither. 1588-1667

237. The Lover's Resolution

SHALL I, wasting in despair,
Die because a woman 's fair?
Or make pale my cheeks with care
'Cause another's rosy are?
Be she fairer than the day,
Or the flow'ry meads in May,
If she think not well of me,
What care I how fair she be?

Shall my silly heart be pined
'Cause I see a woman kind?
Or a well disposed nature
Joined with a lovely feature?
Be she meeker, kinder, than
Turtle-dove or pelican,
If she be not so to me,
What care I how kind she be?

Shall a woman's virtues move
Me to perish for her love?
Or her well-deservings known
Make me quite forget my own?
Be she with that goodness blest
Which may merit name of Best,
If she be not such to me,
What care I how good she be?

'Cause her fortune seems too high,
Shall I play the fool and die?
She that bears a noble mind,
If not outward helps she find,
Thinks what with them he would do
That without them dares her woo;
And unless that mind I see,
What care I how great she be?

Great, or good, or kind, or fair,
I will ne'er the more despair;
If she love me, this believe,
I will die ere she shall grieve;
If she slight me when I woo,
I can scorn and let her go;
For if she be not for me,
What care I for whom she be?

George Wither. 1588-1667

238. The Choice

ME so oft my fancy drew
Here and there, that I ne'er knew
Where to place desire before
So that range it might no more;
But as he that passeth by
Where, in all her jollity,
Flora's riches in a row
Do in seemly order grow,
And a thousand flowers stand
Bending as to kiss his hand;
Out of which delightful store
One he may take and no more;
Long he pausing doubteth whether
Of those fair ones he should gather.

First the Primrose courts his eyes,
Then the Cowslip he espies;
Next the Pansy seems to woo him,
Then Carnations bow unto him;
Which whilst that enamour'd swain
From the stalk intends to strain,
(As half-fearing to be seen)
Prettily her leaves between
Peeps the Violet, pale to see
That her virtues slighted be;
Which so much his liking wins
That to seize her he begins.

Yet before he stoop'd so low
He his wanton eye did throw
On a stem that grew more high,
And the Rose did there espy.
Who, beside her previous scent,
To procure his eyes content
Did display her goodly breast,
Where he found at full exprest
All the good that Nature showers
On a thousand other flowers;
Wherewith he affected takes it,
His beloved flower he makes it,
And without desire of more
Walks through all he saw before.

So I wand'ring but erewhile
Through the garden of this Isle,
Saw rich beauties, I confess,
And in number numberless.
Yea, so differing lovely too,
That I had a world to do
Ere I could set up my rest,
Where to choose and choose the best.

Thus I fondly fear'd, till Fate
(Which I must confess in that
Did a greater favour to me
Than the world can malice do me)
Show'd to me that matchless flower,
Subject for this song of our;
Whose perfection having eyed,
Reason instantly espied
That Desire, which ranged abroad,
There would find a period:
And no marvel if it might,
For it there hath all delight,
And in her hath nature placed
What each several fair one graced.

Let who list, for me, advance
The admired flowers of France,
Let who will praise and behold
The reserved Marigold;
Let the sweet-breath'd Violet now
Unto whom she pleaseth bow;
And the fairest Lily spread
Where she will her golden head;
I have such a flower to wear
That for those I do not care.

Let the young and happy swains
Playing on the Britain plains
Court unblamed their shepherdesses,
And with their gold curled tresses
Toy uncensured, until I
Grudge at their prosperity.

Let all times, both present, past,
And the age that shall be last,
Vaunt the beauties they bring forth.
I have found in one such worth,
That content I neither care
What the best before me were;
Nor desire to live and see
Who shall fair hereafter be;
For I know the hand of Nature
Will not make a fairer creature.

George Wither. 1588-1667

239. A Widow's Hymn

HOW near me came the hand of Death,
When at my side he struck my dear,
And took away the precious breath
Which quicken'd my beloved peer!
How helpless am I thereby made!
By day how grieved, by night how sad!
And now my life's delight is gone,
—Alas! how am I left alone!

The voice which I did more esteem
Than music in her sweetest key,
Those eyes which unto me did seem
More comfortable than the day;
Those now by me, as they have been,
Shall never more be heard or seen;
But what I once enjoy'd in them
Shall seem hereafter as a dream.

Lord! keep me faithful to the trust
Which my dear spouse reposed in me:
To him now dead preserve me just
In all that should performed be!
For though our being man and wife
Extendeth only to this life,
Yet neither life nor death should end
The being of a faithful friend.

peer] companion.

William Browne, of Tavistock. 1588-1643

240. A Welcome

WELCOME, welcome! do I sing,
Far more welcome than the spring;
He that parteth from you never
Shall enjoy a spring for ever.

He that to the voice is near
Breaking from your iv'ry pale,
Need not walk abroad to hear
The delightful nightingale.
Welcome, welcome, then…

He that looks still on your eyes,
Though the winter have begun
To benumb our arteries,
Shall not want the summer's sun.
Welcome, welcome, then…

He that still may see your cheeks,
Where all rareness still reposes,
Is a fool if e'er he seeks
Other lilies, other roses.
Welcome, welcome, then…

He to whom your soft lip yields,
And perceives your breath in kissing,
All the odours of the fields
Never, never shall be missing.
Welcome, welcome, then…

He that question would anew
What fair Eden was of old,
Let him rightly study you,
And a brief of that behold.
Welcome, welcome, then…

William Browne, of Tavistock. 1588-1643

241. The Sirens' Song

STEER, hither steer your winged pines,
All beaten mariners!
Here lie Love's undiscover'd mines,
A prey to passengers—
Perfumes far sweeter than the best
Which make the Phoenix' urn and nest.
Fear not your ships,
Nor any to oppose you save our lips;
But come on shore,
Where no joy dies till Love hath gotten more.

For swelling waves our panting breasts,
Where never storms arise,
Exchange, and be awhile our guests:
For stars gaze on our eyes.
The compass Love shall hourly sing,
And as he goes about the ring,
We will not miss
To tell each point he nameth with a kiss.
—Then come on shore,
Where no joy dies till Love hath gotten more.

William Browne, of Tavistock. 1588-1643

242. The Rose

A ROSE, as fair as ever saw the North,
Grew in a little garden all alone;
A sweeter flower did Nature ne'er put forth,
Nor fairer garden yet was never known:
The maidens danced about it morn and noon,
And learned bards of it their ditties made;
The nimble fairies by the pale-faced moon
Water'd the root and kiss'd her pretty shade.
But well-a-day!—the gardener careless grew;
The maids and fairies both were kept away,
And in a drought the caterpillars threw
Themselves upon the bud and every spray.
God shield the stock! If heaven send no supplies,
The fairest blossom of the garden dies.

William Browne, of Tavistock. 1588-1643

243. Song

FOR her gait, if she be walking;
Be she sitting, I desire her
For her state's sake; and admire her
For her wit if she be talking;
Gait and state and wit approve her;
For which all and each I love her.

Be she sullen, I commend her
For a modest. Be she merry,
For a kind one her prefer I.
Briefly, everything doth lend her
So much grace, and so approve her,
That for everything I love her.

William Browne, of Tavistock. 1588-1643

244. Memory

SO shuts the marigold her leaves
At the departure of the sun;
So from the honeysuckle sheaves
The bee goes when the day is done;
So sits the turtle when she is but one,
And so all woe, as I since she is gone.

To some few birds kind Nature hath
Made all the summer as one day:
Which once enjoy'd, cold winter's wrath
As night they sleeping pass away.
Those happy creatures are, that know not yet
The pain to be deprived or to forget.

I oft have heard men say there be
Some that with confidence profess
The helpful Art of Memory:
But could they teach Forgetfulness,
I'd learn; and try what further art could do
To make me love her and forget her too.

William Browne, of Tavistock. 1588-1643

245. In Obitum M.S. Xo Maij, 1614 Epitaphs

MAY! Be thou never graced with birds that sing,
Nor Flora's pride!
In thee all flowers and roses spring,
Mine only died.

William Browne, of Tavistock. 1588-1643

246. On the Countess Dowager of Pembroke Epitaphs

UNDERNEATH this sable herse
Lies the subject of all verse:
Sidney's sister, Pembroke's mother:
Death, ere thou hast slain another
Fair and learn'd and good as she,
Time shall throw a dart at thee.

Robert Herrick. 1591-1674

247. Corinna's going a-Maying

GET up, get up for shame! The blooming morn
Upon her wings presents the god unshorn.
See how Aurora throws her fair
Fresh-quilted colours through the air:
Get up, sweet slug-a-bed, and see
The dew bespangling herb and tree!
Each flower has wept and bow'd toward the east
Above an hour since, yet you not drest;
Nay! not so much as out of bed?
When all the birds have matins said
And sung their thankful hymns, 'tis sin,
Nay, profanation, to keep in,
Whereas a thousand virgins on this day
Spring sooner than the lark, to fetch in May.

Rise and put on your foliage, and be seen
To come forth, like the spring-time, fresh and green,
And sweet as Flora. Take no care
For jewels for your gown or hair:
Fear not; the leaves will strew
Gems in abundance upon you:
Besides, the childhood of the day has kept,
Against you come, some orient pearls unwept.
Come, and receive them while the light
Hangs on the dew-locks of the night:
And Titan on the eastern hill
Retires himself, or else stands still
Till you come forth! Wash, dress, be brief in praying:
Few beads are best when once we go a-Maying.

Come, my Corinna, come; and coming, mark
How each field turns a street, each street a park,
Made green and trimm'd with trees! see how
Devotion gives each house a bough
Or branch! each porch, each door, ere this,
An ark, a tabernacle is,
Made up of white-thorn neatly interwove,
As if here were those cooler shades of love.
Can such delights be in the street
And open fields, and we not see 't?
Come, we'll abroad: and let 's obey
The proclamation made for May,
And sin no more, as we have done, by staying;
But, my Corinna, come, let 's go a-Maying.

There 's not a budding boy or girl this day
But is got up and gone to bring in May.
A deal of youth ere this is come
Back, and with white-thorn laden home.
Some have despatch'd their cakes and cream,
Before that we have left to dream:
And some have wept and woo'd, and plighted troth,
And chose their priest, ere we can cast off sloth:
Many a green-gown has been given,
Many a kiss, both odd and even:
Many a glance, too, has been sent
From out the eye, love's firmament:
Many a jest told of the keys betraying
This night, and locks pick'd: yet we're not a-Maying!

Come, let us go, while we are in our prime,
And take the harmless folly of the time!
We shall grow old apace, and die
Before we know our liberty.
Our life is short, and our days run
As fast away as does the sun.
And, as a vapour or a drop of rain,
Once lost, can ne'er be found again,
So when or you or I are made
A fable, song, or fleeting shade,
All love, all liking, all delight
Lies drown'd with us in endless night.
Then, while time serves, and we are but decaying,
Come, my Corinna, come, let 's go a-Maying.

beads] prayers. green-gown] tumble on the grass.

Robert Herrick. 1591-1674

248. To the Virgins, to make much of Time

GATHER ye rosebuds while ye may,
Old Time is still a-flying:
And this same flower that smiles to-day
To-morrow will be dying.

The glorious lamp of heaven, the sun,
The higher he 's a-getting,
The sooner will his race be run,
And nearer he 's to setting.

That age is best which is the first,
When youth and blood are warmer;
But being spent, the worse, and worst
Times still succeed the former.

Then be not coy, but use your time,
And while ye may, go marry:
For having lost but once your prime,
You may for ever tarry.

Robert Herrick. 1591-1674

249. To the Western Wind

SWEET western wind, whose luck it is,
Made rival with the air,
To give Perenna's lip a kiss,
And fan her wanton hair:

Bring me but one, I'll promise thee,
Instead of common showers,
Thy wings shall be embalm'd by me,
And all beset with flowers.

Robert Herrick. 1591-1674

250. To Electra

I DARE not ask a kiss,
I dare not beg a smile,
Lest having that, or this,
I might grow proud the while.

No, no, the utmost share
Of my desire shall be
Only to kiss that air
That lately kissed thee.

Robert Herrick. 1591-1674

251. To Violets

WELCOME, maids of honour!
You do bring
In the spring,
And wait upon her.

She has virgins many,
Fresh and fair;
Yet you are
More sweet than any.

You're the maiden posies,
And so graced
To be placed
'Fore damask roses.

Yet, though thus respected,
By-and-by
Ye do lie,
Poor girls, neglected.

Robert Herrick. 1591-1674

252. To Daffodils

FAIR daffodils, we weep to see
You haste away so soon;
As yet the early-rising sun
Has not attain'd his noon.
Stay, stay
Until the hasting day
Has run
But to the evensong;
And, having pray'd together, we
Will go with you along.

We have short time to stay, as you,
We have as short a spring;
As quick a growth to meet decay,
As you, or anything.
We die
As your hours do, and dry
Away
Like to the summer's rain;
Or as the pearls of morning's dew,
Ne'er to be found again.

Robert Herrick. 1591-1674

253. To Blossoms

FAIR pledges of a fruitful tree,
Why do ye fall so fast?
Your date is not so past
But you may stay yet here awhile
To blush and gently smile,
And go at last.

What! were ye born to be
An hour or half's delight,
And so to bid good night?
'Twas pity Nature brought you forth
Merely to show your worth
And lose you quite.

But you are lovely leaves, where we
May read how soon things have
Their end, though ne'er so brave:
And after they have shown their pride
Like you awhile, they glide
Into the grave.

Robert Herrick. 1591-1674

254. The Primrose

ASK me why I send you here
This sweet Infanta of the year?
Ask me why I send to you
This primrose, thus bepearl'd with dew?
I will whisper to your ears:—
The sweets of love are mix'd with tears.

Ask me why this flower does show
So yellow-green, and sickly too?
Ask me why the stalk is weak
And bending (yet it doth not break)?
I will answer:—These discover
What fainting hopes are in a lover.

Robert Herrick. 1591-1674

255. The Funeral Rites of the Rose

THE Rose was sick and smiling died;
And, being to be sanctified,
About the bed there sighing stood
The sweet and flowery sisterhood:
Some hung the head, while some did bring,
To wash her, water from the spring;
Some laid her forth, while others wept,
But all a solemn fast there kept:
The holy sisters, some among,
The sacred dirge and trental sung.
But ah! what sweet smelt everywhere,
As Heaven had spent all perfumes there.
At last, when prayers for the dead
And rites were all accomplished,
They, weeping, spread a lawny loom,
And closed her up as in a tomb.

trental] services for the dead, of thirty masses.

Robert Herrick. 1591-1674

256. Cherry-Ripe

CHERRY-RIPE, ripe, ripe, I cry,
Full and fair ones; come and buy.
If so be you ask me where
They do grow, I answer: There
Where my Julia's lips do smile;
There 's the land, or cherry-isle,
Whose plantations fully show
All the year where cherries grow.

Robert Herrick. 1591-1674

257. A Meditation for his Mistress

YOU are a tulip seen to-day,
But, dearest, of so short a stay
That where you grew scarce man can say.

You are a lovely July-flower,
Yet one rude wind or ruffling shower
Will force you hence, and in an hour.

You are a sparkling rose i' th' bud,
Yet lost ere that chaste flesh and blood
Can show where you or grew or stood.

You are a full-spread, fair-set vine,
And can with tendrils love entwine,
Yet dried ere you distil your wine.

You are like balm enclosed well
In amber or some crystal shell,
Yet lost ere you transfuse your smell.

You are a dainty violet,
Yet wither'd ere you can be set
Within the virgin's coronet.

You are the queen all flowers among;
But die you must, fair maid, ere long,
As he, the maker of this song.

Robert Herrick. 1591-1674

258. Delight in Disorder

A SWEET disorder in the dress
Kindles in clothes a wantonness:
A lawn about the shoulders thrown
Into a fine distraction:
An erring lace, which here and there
Enthrals the crimson stomacher:
A cuff neglectful, and thereby
Ribbands to flow confusedly:
A winning wave, deserving note,
In the tempestuous petticoat:
A careless shoe-string, in whose tie
I see a wild civility:
Do more bewitch me than when art
Is too precise in every part.

Robert Herrick. 1591-1674

259. Upon Julia's Clothes

WHENAS in silks my Julia goes,
Then, then, methinks, how sweetly flows
The liquefaction of her clothes!

Next, when I cast mine eyes and see
That brave vibration each way free,
—O how that glittering taketh me!

Robert Herrick. 1591-1674

260. The Bracelet: To Julia

WHY I tie about thy wrist,
Julia, this silken twist;
For what other reason is 't
But to show thee how, in part,
Thou my pretty captive art?
But thy bond-slave is my heart:
'Tis but silk that bindeth thee,
Knap the thread and thou art free;
But 'tis otherwise with me:
—I am bound and fast bound, so
That from thee I cannot go;
If I could, I would not so.

Robert Herrick. 1591-1674

261. To Daisies, not to shut so soon

SHUT not so soon; the dull-eyed night
Has not as yet begun
To make a seizure on the light,
Or to seal up the sun.

No marigolds yet closed are,
No shadows great appear;
Nor doth the early shepherd's star
Shine like a spangle here.

Stay but till my Julia close
Her life-begetting eye,
And let the whole world then dispose
Itself to live or die.

Robert Herrick. 1591-1674

262. The Night-piece: To Julia

HER eyes the glow-worm lend thee,
The shooting stars attend thee;
And the elves also,
Whose little eyes glow
Like the sparks of fire, befriend thee.

No Will-o'-the-wisp mislight thee,
Nor snake or slow-worm bite thee;
But on, on thy way
Not making a stay,
Since ghost there 's none to affright thee.

Let not the dark thee cumber:
What though the moon does slumber?
The stars of the night
Will lend thee their light
Like tapers clear without number.

Then, Julia, let me woo thee,
Thus, thus to come unto me;
And when I shall meet
Thy silv'ry feet,
My soul I'll pour into thee.

Robert Herrick. 1591-1674

263. To Music, to becalm his Fever

CHARM me asleep, and melt me so
With thy delicious numbers,
That, being ravish'd, hence I go
Away in easy slumbers.
Ease my sick head,
And make my bed,
Thou power that canst sever
From me this ill,
And quickly still,
Though thou not kill
My fever.

Thou sweetly canst convert the same
From a consuming fire
Into a gentle licking flame,
And make it thus expire.
Then make me weep
My pains asleep;
And give me such reposes
That I, poor I,
May think thereby
I live and die
'Mongst roses.

Fall on me like the silent dew,
Or like those maiden showers
Which, by the peep of day, do strew
A baptim o'er the flowers.
Melt, melt my pains
With thy soft strains;
That, having ease me given,
With full delight
I leave this light,
And take my flight
For Heaven.

Robert Herrick. 1591-1674

264. To Dianeme

SWEET, be not proud of those two eyes
Which starlike sparkle in their skies;
Nor be you proud that you can see
All hearts your captives, yours yet free;
Be you not proud of that rich hair
Which wantons with the love-sick air;
Whenas that ruby which you wear,
Sunk from the tip of your soft ear,
Will last to be a precious stone
When all your world of beauty's gone.

Robert Herrick. 1591-1674

265. To Oenone

WHAT conscience, say, is it in thee,
When I a heart had one,
To take away that heart from me,
And to retain thy own?

For shame or pity now incline
To play a loving part;
Either to send me kindly thine,
Or give me back my heart.

Covet not both; but if thou dost
Resolve to part with neither,
Why, yet to show that thou art just,
Take me and mine together!

Robert Herrick. 1591-1674

266. To Anthea, who may command him Anything

BID me to live, and I will live
Thy Protestant to be;
Or bid me love, and I will give
A loving heart to thee.

A heart as soft, a heart as kind,
A heart as sound and free
As in the whole world thou canst find,
That heart I'll give to thee.

Bid that heart stay, and it will stay
To honour thy decree:
Or bid it languish quite away,
And 't shall do so for thee.

Bid me to weep, and I will weep
While I have eyes to see:
And, having none, yet will I keep
A heart to weep for thee.

Bid me despair, and I'll despair
Under that cypress-tree:
Or bid me die, and I will dare
E'en death to die for thee.

Thou art my life, my love my heart,
The very eyes of me:
And hast command of every part
To live and die for thee.

Robert Herrick. 1591-1674

267. To the Willow-tree

THOU art to all lost love the best,
The only true plant found,
Wherewith young men and maids distrest,
And left of love, are crown'd.

When once the lover's rose is dead,
Or laid aside forlorn:
Then willow-garlands 'bout the head
Bedew'd with tears are worn.

When with neglect, the lovers' bane,
Poor maids rewarded be
For their love lost, their only gain
Is but a wreath from thee.

And underneath thy cooling shade,
When weary of the light,
The love-spent youth and love-sick maid
Come to weep out the night.

Robert Herrick. 1591-1674

268. The Mad Maid's Song

GOOD-MORROW to the day so fair,
Good-morning, sir, to you;
Good-morrow to mine own torn hair
Bedabbled with the dew.

Good-morning to this primrose too,
Good-morrow to each maid
That will with flowers the tomb bestrew
Wherein my love is laid.

Ah! woe is me, woe, woe is me!
Alack and well-a-day!
For pity, sir, find out that bee
Which bore my love away.

I'll seek him in your bonnet brave,
I'll seek him in your eyes;
Nay, now I think they've made his grave
I' th' bed of strawberries.

I'll seek him there; I know ere this
The cold, cold earth doth shake him;
But I will go, or send a kiss
By you, sir, to awake him.

Pray hurt him not; though he be dead,
He knows well who do love him,
And who with green turfs rear his head,
And who do rudely move him.

He 's soft and tender (pray take heed);
With bands of cowslips bind him,
And bring him home—but 'tis decreed
That I shall never find him!

Robert Herrick. 1591-1674

269. Comfort to a Youth that had lost his Love

WHAT needs complaints,
When she a place
Has with the race
Of saints?

In endless mirth
She thinks not on
What 's said or done
In Earth.

She sees no tears,
Or any tone
Of thy deep groan
She hears:

Nor does she mind
Or think on 't now
That ever thou
Wast kind;

But changed above,
She likes not there,
As she did here,
Thy love.

Forbear therefore,
And lull asleep
Thy woes, and weep
No more.

Robert Herrick. 1591-1674

270. To Meadows

YE have been fresh and green,
Ye have been fill'd with flowers,
And ye the walks have been
Where maids have spent their hours.

You have beheld how they
With wicker arks did come
To kiss and bear away
The richer cowslips home.

You've heard them sweetly sing,
And seen them in a round:
Each virgin like a spring,
With honeysuckles crown'd.

But now we see none here
Whose silv'ry feet did tread
And with dishevell'd hair
Adorn'd this smoother mead.

Like unthrifts, having spent
Your stock and needy grown,
You're left here to lament
Your poor estates, alone.

Robert Herrick. 1591-1674

271. A Child's Grace

HERE a little child I stand
Heaving up my either hand;
Cold as paddocks though they be,
Here I lift them up to Thee,
For a benison to fall
On our meat and on us all. Amen.

paddocks] frogs.

Robert Herrick. 1591-1674

272. Epitaph upon a Child that died

HERE she lies, a pretty bud,
Lately made of flesh and blood:
Who as soon fell fast asleep
As her little eyes did peep.
Give her strewings, but not stir
The earth that lightly covers her.

Robert Herrick. 1591-1674

273. Another

HERE a pretty baby lies
Sung asleep with lullabies:
Pray be silent and not stir
Th' easy earth that covers her.

Robert Herrick. 1591-1674

274. His Winding-sheet

COME thou, who are the wine and wit
Of all I've writ:
The grace, the glory, and the best
Piece of the rest.
Thou art of what I did intend
The all and end;
And what was made, was made to meet
Thee, thee, my sheet.
Come then and be to my chaste side
Both bed and bride:
We two, as reliques left, will have
Once rest, one grave:
And hugging close, we will not fear
Lust entering here:
Where all desires are dead and cold
As is the mould;
And all affections are forgot,
Or trouble not.
Here, here, the slaves and prisoners be
From shackles free:
And weeping widows long oppress'd
Do here find rest.
The wronged client ends his laws
Here, and his cause.
Here those long suits of Chancery lie
Quiet, or die:
And all Star-Chamber bills do cease
Or hold their peace.
Here needs no Court for our Request
Where all are best,
All wise, all equal, and all just
Alike i' th' dust.
Nor need we here to fear the frown
Of court or crown:
Where fortune bears no sway o'er things,
There all are kings.
In this securer place we'll keep
As lull'd asleep;
Or for a little time we'll lie
As robes laid by;
To be another day re-worn,
Turn'd, but not torn:
Or like old testaments engross'd,
Lock'd up, not lost.
And for a while lie here conceal'd,
To be reveal'd
Next at the great Platonick year,
And then meet here.

Platonick year] the perfect or cyclic year, when the sun, moon, and five planets end their revolutions together and start anew. See Timaeus, p. 39.

Robert Herrick. 1591-1674

275. Litany to the Holy Spirit

IN the hour of my distress,
When temptations me oppress,
And when I my sins confess,
Sweet Spirit, comfort me!

When I lie within my bed,
Sick in heart and sick in head,
And with doubts discomforted,
Sweet Spirit, comfort me!

When the house doth sigh and weep,
And the world is drown'd in sleep,
Yet mine eyes the watch do keep,
Sweet Spirit, comfort me!

When the passing bell doth toll,
And the Furies in a shoal
Come to fright a parting soul,
Sweet Spirit, comfort me!

When the tapers now burn blue,
And the comforters are few,
And that number more than true,
Sweet Spirit, comfort me!

When the priest his last hath pray'd,
And I nod to what is said,
'Cause my speech is now decay'd,
Sweet Spirit, comfort me!

When, God knows, I'm toss'd about
Either with despair or doubt;
Yet before the glass be out,
Sweet Spirit, comfort me!

When the tempter me pursu'th
With the sins of all my youth,
And half damns me with untruth,
Sweet Spirit, comfort me!

When the flames and hellish cries
Fright mine ears and fright mine eyes,
And all terrors me surprise,
Sweet Spirit, comfort me!

When the Judgment is reveal'd,
And that open'd which was seal'd,
When to Thee I have appeal'd,
Sweet Spirit, comfort me!

Francis Quarles. 1592-1644

276. A Divine Rapture

E'EN like two little bank-dividing brooks,
That wash the pebbles with their wanton streams,
And having ranged and search'd a thousand nooks,
Meet both at length in silver-breasted Thames,
Where in a greater current they conjoin:
So I my Best-beloved's am; so He is mine.

E'en so we met; and after long pursuit,
E'en so we joined; we both became entire;
No need for either to renew a suit,
For I was flax, and He was flames of fire:
Our firm-united souls did more than twine;
So I my Best-beloved's am; so He is mine.

If all those glittering Monarchs, that command
The servile quarters of this earthly ball,
Should tender in exchange their shares of land,
I would not change my fortunes for them all:
Their wealth is but a counter to my coin:
The world 's but theirs; but my Beloved's mine.

Francis Quarles. 1592-1644

277. Respice Finem Epigram

MY soul, sit thou a patient looker-on;
Judge not the play before the play is done:
Her plot hath many changes; every day
Speaks a new scene; the last act crowns the play.

Henry King, Bishop of Chichester. 1592-1669

278. A Contemplation upon Flowers

BRAVE flowers—that I could gallant it like you,
And be as little vain!
You come abroad, and make a harmless show,
And to your beds of earth again.
You are not proud: you know your birth:
For your embroider'd garments are from earth.

You do obey your months and times, but I
Would have it ever Spring:
My fate would know no Winter, never die,
Nor think of such a thing.
O that I could my bed of earth but view
And smile, and look as cheerfully as you!

O teach me to see Death and not to fear,
But rather to take truce!
How often have I seen you at a bier,
And there look fresh and spruce!
You fragrant flowers! then teach me, that my breath
Like yours may sweeten and perfume my death.

Henry King, Bishop of Chichester. 1592-1669

279. A Renunciation

WE, that did nothing study but the way
To love each other, with which thoughts the day
Rose with delight to us and with them set,
Must learn the hateful art, how to forget.
We, that did nothing wish that Heaven could give
Beyond ourselves, nor did desire to live
Beyond that wish, all these now cancel must,
As if not writ in faith, but words and dust.
Yet witness those clear vows which lovers make,
Witness the chaste desires that never brake
Into unruly heats; witness that breast
Which in thy bosom anchor'd his whole rest—
'Tis no default in us: I dare acquite
Thy maiden faith, thy purpose fair and white
As thy pure self. Cross planets did envy
Us to each other, and Heaven did untie
Faster than vows could bind. Oh, that the stars,
When lovers meet, should stand opposed in wars!

Since then some higher Destinies command,
Let us not strive, nor labour to withstand
What is past help. The longest date of grief
Can never yield a hope of our relief:
Fold back our arms; take home our fruitless loves,
That must new fortunes try, like turtle-doves
Dislodged from their haunts. We must in tears
Unwind a love knit up in many years.
In this last kiss I here surrender thee
Back to thyself.—So, thou again art free:
Thou in another, sad as that, resend
The truest heart that lover e'er did lend.
Now turn from each: so fare our sever'd hearts
As the divorced soul from her body parts.

Henry King, Bishop of Chichester. 1592-1669

280. Exequy on his Wife

ACCEPT, thou shrine of my dead saint,
Instead of dirges this complaint;
And for sweet flowers to crown thy herse
Receive a strew of weeping verse
From thy grieved friend, whom thou might'st see
Quite melted into tears for thee.
Dear loss! since thy untimely fate,
My task hath been to meditate
On thee, on thee! Thou art the book,
The library whereon I look,
Tho' almost blind. For thee, loved clay,
I languish out, not live, the day….
Thou hast benighted me; thy set
This eve of blackness did beget,
Who wast my day (tho' overcast
Before thou hadst thy noontide past):
And I remember must in tears
Thou scarce hadst seen so many years
As day tells hours. By thy clear sun
My love and fortune first did run;
But thou wilt never more appear
Folded within my hemisphere,
Since both thy light and motion,
Like a fled star, is fall'n and gone,
And 'twixt me and my soul's dear wish
The earth now interposed is….
I could allow thee for a time
To darken me and my sad clime;
Were it a month, a year, or ten,
I would thy exile live till then,
And all that space my mirth adjourn—
So thou wouldst promise to return,
And putting off thy ashy shroud
At length disperse this sorrow's cloud.
But woe is me! the longest date
Too narrow is to calculate
These empty hopes: never shall I
Be so much blest as to descry
A glimpse of thee, till that day come
Which shall the earth to cinders doom,
And a fierce fever must calcine
The body of this world—like thine,
My little world! That fit of fire
Once off, our bodies shall aspire
To our souls' bliss: then we shall rise
And view ourselves with clearer eyes
In that calm region where no night
Can hide us from each other's sight.
Meantime thou hast her, earth: much good
May my harm do thee! Since it stood
With Heaven's will I might not call
Her longer mine, I give thee all
My short-lived right and interest
In her whom living I loved best.
Be kind to her, and prithee look
Thou write into thy Doomsday book
Each parcel of this rarity
Which in thy casket shrined doth lie,
As thou wilt answer Him that lent—
Not gave—thee my dear monument.
So close the ground, and 'bout her shade
Black curtains draw: my bride is laid.
Sleep on, my Love, in thy cold bed
Never to be disquieted!
My last good-night! Thou wilt not wake
Till I thy fate shall overtake:
Till age, or grief, or sickness must
Marry my body to that dust
It so much loves; and fill the room
My heart keeps empty in thy tomb.
Stay for me there: I will not fail
To meet thee in that hollow vale.
And think not much of my delay:
I am already on the way,
And follow thee with all the speed
Desire can make, or sorrows breed.
Each minute is a short degree
And every hour a step towards thee….
'Tis true—with shame and grief I yield—
Thou, like the van, first took'st the field;
And gotten hast the victory
In thus adventuring to die
Before me, whose more years might crave
A just precedence in the grave.
But hark! my pulse, like a soft drum,
Beats my approach, tells thee I come;
And slow howe'er my marches be
I shall at last sit down by thee.
The thought of this bids me go on
And wait my dissolution
With hope and comfort. Dear—forgive
The crime—I am content to live
Divided, with but half a heart,
Till we shall meet and never part.

George Herbert. 1593-1632

281. Virtue

SWEET day, so cool, so calm, so bright!
The bridal of the earth and sky—
The dew shall weep thy fall to-night;
For thou must die.

Sweet rose, whose hue angry and brave
Bids the rash gazer wipe his eye,
Thy root is ever in its grave,
And thou must die.

Sweet spring, full of sweet days and roses,
A box where sweets compacted lie,
My music shows ye have your closes,
And all must die.

Only a sweet and virtuous soul,
Like season'd timber, never gives;
But though the whole world turn to coal,
Then chiefly lives.

George Herbert. 1593-1632

282. Easter

I GOT me flowers to straw Thy way,
I got me boughs off many a tree;
But Thou wast up by break of day,
And brought'st Thy sweets along with Thee.

Yet though my flowers be lost, they say
A heart can never come too late;
Teach it to sing Thy praise this day,
And then this day my life shall date.

George Herbert. 1593-1632

283. Discipline

THROW away Thy rod,
Throw away Thy wrath;
O my God,
Take the gentle path!

For my heart's desire
Unto Thine is bent:
I aspire
To a full consent.

Not a word or look
I affect to own,
But by book,
And Thy Book alone.

Though I fail, I weep;
Though I halt in pace,
Yet I creep
To the throne of grace.

Then let wrath remove;
Love will do the deed;
For with love
Stony hearts will bleed.

Love is swift of foot;
Love 's a man of war,
And can shoot,
And can hit from far.

Who can 'scape his bow?
That which wrought on Thee,
Brought Thee low,
Needs must work on me.

Throw away Thy rod;
Though man frailties hath,
Thou art God:
Throw away Thy wrath!

George Herbert. 1593-1632

284. A Dialogue

Man. SWEETEST Saviour, if my soul
Were but worth the having,
Quickly should I then control
Any thought of waving.
But when all my care and pains
Cannot give the name of gains
To Thy wretch so full of stains,
What delight or hope remains?

Saviour. What, child, is the balance thine,
Thine the poise and measure?
If I say, 'Thou shalt be Mine,'
Finger not My treasure.
What the gains in having thee
Do amount to, only He
Who for man was sold can see;
That transferr'd th' accounts to Me.

Man. But as I can see no merit
Leading to this favour,
So the way to fit me for it
Is beyond my savour.
As the reason, then, is Thine,
So the way is none of mine;
I disclaim the whole design;
Sin disclaims and I resign.

Saviour. That is all: if that I could
Get without repining;
And My clay, My creature, would
Follow My resigning;
That as I did freely part
With My glory and desert,
Left all joys to feel all smart——

Man. Ah, no more! Thou break'st my heart!

savour] savoir, knowing.

George Herbert. 1593-1632

285. The Pulley

WHEN God at first made Man,
Having a glass of blessings standing by—
Let us (said He) pour on him all we can;
Let the world's riches, which dispersed lie,
Contract into a span.

So strength first made a way,
Then beauty flow'd, then wisdom, honour, pleasure:
When almost all was out, God made a stay,
Perceiving that, alone of all His treasure,
Rest in the bottom lay.

For if I should (said He)
Bestow this jewel also on My creature,
He would adore My gifts instead of Me,
And rest in Nature, not the God of Nature:
So both should losers be.

Yet let him keep the rest,
But keep them with repining restlessness;
Let him be rich and weary, that at least,
If goodness lead him not, yet weariness
May toss him to My breast.

George Herbert. 1593-1632

286. Love

LOVE bade me welcome; yet my soul drew back,
Guilty of dust and sin.
But quick-eyed Love, observing me grow slack
From my first entrance in,
Drew nearer to me, sweetly questioning
If I lack'd anything.

'A guest,' I answer'd, 'worthy to be here:'
Love said, 'You shall be he.'
'I, the unkind, ungrateful? Ah, my dear,
I cannot look on Thee.'
Love took my hand and smiling did reply,
'Who made the eyes but I?'

'Truth, Lord; but I have marr'd them: let my shame
Go where it doth deserve.'
'And know you not,' says Love, 'Who bore the blame?'
'My dear, then I will serve.'
'You must sit down,' says Love, 'and taste my meat.'
So I did sit and eat.

James Shirley. 1596-1666

287. A Hymn

O FLY, my Soul! What hangs upon
Thy drooping wings,
And weighs them down
With love of gaudy mortal things?

The Sun is now i' the east: each shade
As he doth rise
Is shorter made,
That earth may lessen to our eyes.

O be not careless then and play
Until the Star of Peace
Hide all his beams in dark recess!
Poor pilgrims needs must lose their way,
When all the shadows do increase.

James Shirley. 1596-1666

288. Death the Leveller

THE glories of our blood and state
Are shadows, not substantial things;
There is no armour against Fate;
Death lays his icy hand on kings:
Sceptre and Crown
Must tumble down,
And in the dust be equal made
With the poor crooked scythe and spade.

Some men with swords may reap the field,
And plant fresh laurels where they kill:
But their strong nerves at last must yield;
They tame but one another still:
Early or late
They stoop to fate,
And must give up their murmuring breath
When they, pale captives, creep to death.

The garlands wither on your brow,
Then boast no more your mighty deeds!
Upon Death's purple altar now
See where the victor-victim bleeds.
Your heads must come
To the cold tomb:
Only the actions of the just
Smell sweet and blossom in their dust.

Thomas Carew. 1595?-1639?

289. Song

ASK me no more where Jove bestows,
When June is past, the fading rose;
For in your beauty's orient deep
These flowers, as in their causes, sleep.

Ask me no more whither do stray
The golden atoms of the day;
For in pure love heaven did prepare
Those powders to enrich your hair.

Ask me no more whither doth haste
The nightingale when May is past;
For in your sweet dividing throat
She winters and keeps warm her note.

Ask me no more where those stars 'light
That downwards fall in dead of night;
For in your eyes they sit, and there
Fixed become as in their sphere.

Ask me no more if east or west
The Phoenix builds her spicy nest;
For unto you at last she flies,
And in your fragrant bosom dies.

Thomas Carew. 1595?-1639?

290. Persuasions to Joy: a Song

IF the quick spirits in your eye
Now languish and anon must die;
If every sweet and every grace
Must fly from that forsaken face;
Then, Celia, let us reap our joys
Ere Time such goodly fruit destroys.

Or if that golden fleece must grow
For ever free from aged snow;
If those bright suns must know no shade,
Nor your fresh beauties ever fade;
Then fear not, Celia, to bestow
What, still being gather'd, still must grow.

Thus either Time his sickle brings
In vain, or else in vain his wings.

Thomas Carew. 1595?-1639?

291. To His Inconstant Mistress

WHEN thou, poor Excommunicate
From all the joys of Love, shalt see
The full reward and glorious fate
Which my strong faith shall purchase me,
Then curse thine own inconstancy!

A fairer hand than thine shall cure
That heart which thy false oaths did wound;
And to my soul a soul more pure
Than thine shall by Love's hand be bound,
And both with equal glory crown'd.

Then shalt thou weep, entreat, complain
To Love, as I did once to thee;
When all thy tears shall be as vain
As mine were then: for thou shalt be
Damn'd for thy false apostasy.

Thomas Carew. 1595?-1639?

292. The Unfading Beauty

HE that loves a rosy cheek,
Or a coral lip admires,
Or from star-like eyes doth seek
Fuel to maintain his fires:
As old Time makes these decay,
So his flames must waste away.

But a smooth and steadfast mind,
Gentle thoughts and calm desires,
Hearts with equal love combined,
Kindle never-dying fires.
Where these are not, I despise
Lovely cheeks or lips or eyes.

Thomas Carew. 1595?-1639?

293. Ingrateful Beauty threatened

KNOW, Celia, since thou art so proud,
'Twas I that gave thee thy renown.
Thou hadst in the forgotten crowd
Of common beauties lived unknown,
Had not my verse extoll'd thy name,
And with it imp'd the wings of Fame.

That killing power is none of thine;
I gave it to thy voice and eyes;
Thy sweets, thy graces, all are mine;
Thou art my star, shin'st in my skies;
Then dart not from thy borrow'd sphere
Lightning on him that fix'd thee there.

Tempt me with such affrights no more,
Lest what I made I uncreate;
Let fools thy mystic form adore,
I know thee in thy mortal state.
Wise poets, that wrapt Truth in tales,
Knew her themselves through all her veils.

imp'd] grafted with new feathers.

Thomas Carew. 1595?-1639?

294. Epitaph On the Lady Mary Villiers

THE Lady Mary Villiers lies
Under this stone; with weeping eyes
The parents that first gave her birth,
And their sad friends, laid her in earth.
If any of them, Reader, were
Known unto thee, shed a tear;
Or if thyself possess a gem
As dear to thee, as this to them,
Though a stranger to this place,
Bewail in theirs thine own hard case:
For thou perhaps at thy return
May'st find thy Darling in an urn.

Thomas Carew. 1595?-1639?

295. Another

THIS little vault, this narrow room,
Of Love and Beauty is the tomb;
The dawning beam, that 'gan to clear
Our clouded sky, lies darken'd here,
For ever set to us: by Death
Sent to enflame the World Beneath.
'Twas but a bud, yet did contain
More sweetness than shall spring again;
A budding Star, that might have grown
Into a Sun when it had blown.
This hopeful Beauty did create
New life in Love's declining state;
But now his empire ends, and we
From fire and wounding darts are free;
His brand, his bow, let no man fear:
The flames, the arrows, all lie here.

Jasper Mayne. 1604-1672

296. Time

TIME is the feather'd thing,
And, whilst I praise
The sparklings of thy looks and call them rays,
Takes wing,
Leaving behind him as he flies
An unperceived dimness in thine eyes.
His minutes, whilst they're told,
Do make us old;
And every sand of his fleet glass,
Increasing age as it doth pass,
Insensibly sows wrinkles there
Where flowers and roses do appear.
Whilst we do speak, our fire
Doth into ice expire,
Flames turn to frost;
And ere we can
Know how our crow turns swan,
Or how a silver snow
Springs there where jet did grow,
Our fading spring is in dull winter lost.
Since then the Night hath hurl'd
Darkness, Love's shade,
Over its enemy the Day, and made
The world
Just such a blind and shapeless thing
As 'twas before light did from darkness spring,
Let us employ its treasure
And make shade pleasure:
Let 's number out the hours by blisses,
And count the minutes by our kisses;
Let the heavens new motions feel
And by our embraces wheel;
And whilst we try the way
By which Love doth convey
Soul unto soul,
And mingling so
Makes them such raptures know
As makes them entranced lie
In mutual ecstasy,
Let the harmonious spheres in music roll!

William Habington. 1605-1654

297. To Roses in the Bosom of Castara

YE blushing virgins happy are
In the chaste nunnery of her breasts—
For he'd profane so chaste a fair,
Whoe'er should call them Cupid's nests.

Transplanted thus how bright ye grow!
How rich a perfume do ye yield!
In some close garden cowslips so
Are sweeter than i' th' open field.

In those white cloisters live secure
From the rude blasts of wanton breath!—
Each hour more innocent and pure,
Till you shall wither into death.

Then that which living gave you room,
Your glorious sepulchre shall be.
There wants no marble for a tomb
Whose breast hath marble been to me.

William Habington. 1605-1654

298. Nox Nocti Indicat Scientiam

WHEN I survey the bright
Celestial sphere;
So rich with jewels hung, that Night
Doth like an Ethiop bride appear:

My soul her wings doth spread
And heavenward flies,
Th' Almighty's mysteries to read
In the large volumes of the skies.

For the bright firmament
Shoots forth no flame
So silent, but is eloquent
In speaking the Creator's name.

No unregarded star
Contracts its light
Into so small a character,
Removed far from our human sight,

But if we steadfast look
We shall discern
In it, as in some holy book,
How man may heavenly knowledge learn.

It tells the conqueror
That far-stretch'd power,
Which his proud dangers traffic for,
Is but the triumph of an hour:

That from the farthest North,
Some nation may,
Yet undiscover'd, issue forth,
And o'er his new-got conquest sway:

Some nation yet shut in
With hills of ice
May be let out to scourge his sin,
Till they shall equal him in vice.

And then they likewise shall
Their ruin have;
For as yourselves your empires fall,
And every kingdom hath a grave.

Thus those celestial fires,
Though seeming mute,
The fallacy of our desires
And all the pride of life confute:—

For they have watch'd since first
The World had birth:
And found sin in itself accurst,
And nothing permanent on Earth.

Thomas Randolph. 1605-1635

299. A Devout Lover

I HAVE a mistress, for perfections rare
In every eye, but in my thoughts most fair.
Like tapers on the altar shine her eyes;
Her breath is the perfume of sacrifice;
And wheresoe'er my fancy would begin,
Still her perfection lets religion in.
We sit and talk, and kiss away the hours
As chastely as the morning dews kiss flowers:
I touch her, like my beads, with devout care,
And come unto my courtship as my prayer.

Thomas Randolph. 1605-1635

300. An Ode to Master Anthony Stafford to hasten Him into the Country

COME, spur away,
I have no patience for a longer stay,
But must go down
And leave the chargeable noise of this great town:
I will the country see,
Where old simplicity,
Though hid in gray,
Doth look more gay
Than foppery in plush and scarlet clad.
Farewell, you city wits, that are
Almost at civil war—
'Tis time that I grow wise, when all the world grows mad.

More of my days
I will not spend to gain an idiot's praise;
Or to make sport
For some slight Puisne of the Inns of Court.
Then, worthy Stafford, say,
How shall we spend the day?
With what delights
Shorten the nights?
When from this tumult we are got secure,
Where mirth with all her freedom goes,
Yet shall no finger lose;
Where every word is thought, and every thought is pure?

There from the tree
We'll cherries pluck, and pick the strawberry;
And every day
Go see the wholesome country girls make hay,
Whose brown hath lovelier grace
Than any painted face
That I do know
Hyde Park can show:
Where I had rather gain a kiss than meet
(Though some of them in greater state
Might court my love with plate)
The beauties of the Cheap, and wives of Lombard Street.

But think upon
Some other pleasures: these to me are none.
Why do I prate
Of women, that are things against my fate!
I never mean to wed
That torture to my bed:
My Muse is she
My love shall be.
Let clowns get wealth and heirs: when I am gone
And that great bugbear, grisly Death,
Shall take this idle breath,
If I a poem leave, that poem is my son.

Of this no more!
We'll rather taste the bright Pomona's store.
No fruit shall 'scape
Our palates, from the damson to the grape.
Then, full, we'll seek a shade,
And hear what music 's made;
How Philomel
Her tale doth tell,
And how the other birds do fill the quire;
The thrush and blackbird lend their throats,
Warbling melodious notes;
We will all sports enjoy which others but desire.

Ours is the sky,
Where at what fowl we please our hawk shall fly:
Nor will we spare
To hunt the crafty fox or timorous hare;
But let our hounds run loose
In any ground they'll choose;
The buck shall fall,
The stag, and all.
Our pleasures must from their own warrants be,
For to my Muse, if not to me,
I'm sure all game is free:
Heaven, earth, are all but parts of her great royalty.

And when we mean
To taste of Bacchus' blessings now and then,
And drink by stealth
A cup or two to noble Barkley's health,
I'll take my pipe and try
The Phrygian melody;
Which he that hears,
Lets through his ears
A madness to distemper all the brain:
Then I another pipe will take
And Doric music make,
To civilize with graver notes our wits again.

Sir William Davenant. 1606-1668

301. Aubade

THE lark now leaves his wat'ry nest,
And climbing shakes his dewy wings.
He takes this window for the East,
And to implore your light he sings—
Awake, awake! the morn will never rise
Till she can dress her beauty at your eyes.

The merchant bows unto the seaman's star,
The ploughman from the sun his season takes,
But still the lover wonders what they are
Who look for day before his mistress wakes.
Awake, awake! break thro' your veils of lawn!
Then draw your curtains, and begin the dawn!

Sir William Davenant. 1606-1668

302. To a Mistress Dying

Lover. YOUR beauty, ripe and calm and fresh
As eastern summers are,
Must now, forsaking time and flesh,
Add light to some small star.

Philosopher. Whilst she yet lives, were stars decay'd,
Their light by hers relief might find;
But Death will lead her to a shade
Where Love is cold and Beauty blind.

Lover. Lovers, whose priests all poets are,
Think every mistress, when she dies,
Is changed at least into a star:
And who dares doubt the poets wise?

Philosopher. But ask not bodies doom'd to die
To what abode they go;
Since Knowledge is but Sorrow's spy,
It is not safe to know.

Sir William Davenant. 1606-1668

303. Praise and Prayer

PRAISE is devotion fit for mighty minds,
The diff'ring world's agreeing sacrifice;
Where Heaven divided faiths united finds:
But Prayer in various discord upward flies.

For Prayer the ocean is where diversely
Men steer their course, each to a sev'ral coast;
Where all our interests so discordant be
That half beg winds by which the rest are lost.

By Penitence when we ourselves forsake,
'Tis but in wise design on piteous Heaven;
In Praise we nobly give what God may take,
And are, without a beggar's blush, forgiven.

Edmund Waller. 1606-1687

304. On a Girdle

THAT which her slender waist confined
Shall now my joyful temples bind;
No monarch but would give his crown
His arms might do what this has done.

It was my Heaven's extremest sphere,
The pale which held that lovely deer:
My joy, my grief, my hope, my love,
Did all within this circle move.

A narrow compass! and yet there
Dwelt all that 's good, and all that 's fair!
Give me but what this ribband bound,
Take all the rest the sun goes round!

Edmund Waller. 1606-1687

305. Go, lovely Rose

GO, lovely Rose—
Tell her that wastes her time and me,
That now she knows,
When I resemble her to thee,
How sweet and fair she seems to be.

Tell her that 's young,
And shuns to have her graces spied,
That hadst thou sprung
In deserts where no men abide,
Thou must have uncommended died.

Small is the worth
Of beauty from the light retired:
Bid her come forth,
Suffer herself to be desired,
And not blush so to be admired.

Then die—that she
The common fate of all things rare
May read in thee;
How small a part of time they share
That are so wondrous sweet and fair!

Edmund Waller. 1606-1687

306. Old Age

THE seas are quiet when the winds give o'er;
So calm are we when passions are no more.
For then we know how vain it was to boast
Of fleeting things, so certain to be lost.
Clouds of affection from our younger eyes
Conceal that emptiness which age descries.

The soul's dark cottage, batter'd and decay'd,
Lets in new light through chinks that Time hath made:
Stronger by weakness, wiser men become
As they draw near to their eternal home.
Leaving the old, both worlds at once they view
That stand upon the threshold of the new.

John Milton. 1608-1674

307. Hymn on the Morning of Christ's Nativity

IT was the Winter wilde,
While the Heav'n-born-childe,
All meanly wrapt in the rude manger lies;
Nature in aw to him
Had doff't her gawdy trim,
With her great Master so to sympathize:
It was no season then for her
To wanton with the Sun her lusty Paramour.

Only with speeches fair
She woo's the gentle Air
To hide her guilty front with innocent Snow,
And on her naked shame,
Pollute with sinfull blame,
The Saintly Vail of Maiden white to throw,
Confounded, that her Makers eyes
Should look so neer upon her foul deformities.

But he her fears to cease,
Sent down the meek-eyd Peace,
She crown'd with Olive green, came softly sliding
Down through the turning sphear
His ready Harbinger,
With Turtle wing the amorous clouds dividing,
And waving wide her mirtle wand,
She strikes a universall Peace through Sea and Land.

No War, or Battails sound
Was heard the World around,
The idle spear and shield were high up hung;
The hooked Chariot stood
Unstain'd with hostile blood,
The Trumpet spake not to the armed throng,
And Kings sate still with awfull eye,
As if they surely knew their sovran Lord was by.

But peacefull was the night
Wherin the Prince of light
His raign of peace upon the earth began:
The Windes with wonder whist,
Smoothly the waters kist,
Whispering new joyes to the milde Ocean,
Who now hath quite forgot to rave,
While Birds of Calm sit brooding on the charmeed wave.

The Stars with deep amaze
Stand fixt in stedfast gaze,
Bending one way their pretious influence,
And will not take their flight,
For all the morning light,
Or Lucifer that often warn'd them thence;
But in their glimmering Orbs did glow,
Untill their Lord himself bespake, and bid them go.

And though the shady gloom
Had given day her room,
The Sun himself with-held his wonted speed,
And hid his head for shame,
As his inferiour flame,
The new enlightn'd world no more should need;
He saw a greater Sun appear
Then his bright Throne, or burning Axletree could bear.

The Shepherds on the Lawn,
Or ere the point of dawn,
Sate simply chatting in a rustick row;
Full little thought they than,
That the mighty Pan
Was kindly com to live with them below;
Perhaps their loves, or els their sheep,
Was all that did their silly thoughts so busie keep.

When such musick sweet
Their hearts and ears did greet,
As never was by mortall finger strook,
Divinely-warbled voice
Answering the stringed noise,
As all their souls in blisfull rapture took
The Air such pleasure loth to lose,
With thousand echo's still prolongs each heav'nly close.

Nature that heard such sound
Beneath the hollow round
Of Cynthia's seat, the Airy region thrilling,
Now was almost won
To think her part was don,
And that her raign had here its last fulfilling;
She knew such harmony alone
Could hold all Heav'n and Earth in happier union.

At last surrounds their sight
A Globe of circular light,
That with long beams the shame-fac't night array'd,
The helmed Cherubim
And sworded Seraphim,
Are seen in glittering ranks with wings displaid,
Harping in loud and solemn quire,
With unexpressive notes to Heav'ns new-born Heir.

Such musick (as 'tis said)
Before was never made,
But when of old the sons of morning sung,
While the Creator Great
His constellations set,
And the well-ballanc't world on hinges hung,
And cast the dark foundations deep,
And bid the weltring waves their oozy channel keep.

Ring out ye Crystall sphears,
Once bless our human ears,
(If ye have power to touch our senses so)
And let your silver chime
Move in melodious time;
And let the Base of Heav'ns deep Organ blow
And with your ninefold harmony
Make up full consort to th'Angelike symphony.

For if such holy Song
Enwrap our fancy long,
Time will run back, and fetch the age of gold,
And speckl'd vanity
Will sicken soon and die,
And leprous sin will melt from earthly mould,
And Hell it self will pass away,
And leave her dolorous mansions to the peering day.

Yea Truth, and Justice then
Will down return to men,
Th'enameld Arras of the Rain-bow wearing,
And Mercy set between,
Thron'd in Celestiall sheen,
With radiant feet the tissued clouds down stearing,
And Heav'n as at som festivall,
Will open wide the Gates of her high Palace Hall.

But wisest Fate sayes no,
This must not yet be so,
The Babe lies yet in smiling Infancy,
That on the bitter cross
Must redeem our loss;
So both himself and us to glorifie:
Yet first to those ychain'd in sleep,
The wakefull trump of doom must thunder through the deep,

With such a horrid clang
As on mount Sinai rang
While the red fire, and smouldring clouds out brake:
The aged Earth agast
With terrour of that blast,
Shall from the surface to the center shake;
When at the worlds last session,
The dreadfull Judge in middle Air shall spread his throne.

And then at last our bliss
Full and perfect is,
But now begins; for from this happy day
Th'old Dragon under ground
In straiter limits bound,
Not half so far casts his usurped sway,
And wrath to see his Kingdom fail,
Swindges the scaly Horrour of his foulded tail.

The Oracles are dumm,
No voice or hideous humm
Runs through the arched roof in words deceiving.
Apollo from his shrine
Can no more divine,
With hollow shreik the steep of Delphos leaving.
No nightly trance, or breathed spell,
Inspire's the pale-ey'd Priest from the prophetic cell.

The lonely mountains o're,
And the resounding shore,
A voice of weeping heard, and loud lament;
From haunted spring, and dale
Edg'd with poplar pale,
The parting Genius is with sighing sent,
With flowre-inwov'n tresses torn
The Nimphs in twilight shade of tangled thickets mourn.

In consecrated Earth,
And on the holy Hearth,
The Lars, and Lemures moan with midnight plaint,
In Urns, and Altars round,
A drear, and dying sound
Affrights the Flamins at their service quaint;
And the chill Marble seems to sweat,
While each peculiar power forgoes his wonted seat

Peor, and Baalim,
Forsake their Temples dim,
With that twise-batter'd god of Palestine,
And mooned Ashtaroth,
Heav'ns Queen and Mother both,
Now sits not girt with Tapers holy shine,
The Libyc Hammon shrinks his horn,
In vain the Tyrian Maids their wounded Thamuz mourn.

And sullen Moloch fled,
Hath left in shadows dred,
His burning Idol all of blackest hue,
In vain with Cymbals ring,
They call the grisly king,
In dismall dance about the furnace blue;
The brutish gods of Nile as fast,
Isis and Orus, and the Dog Anubis hast.

Nor is Osiris seen
In Memphian Grove, or Green,
Trampling the unshowr'd Grasse with lowings loud:
Nor can he be at rest
Within his sacred chest,
Naught but profoundest Hell can be his shroud,
In vain with Timbrel'd Anthems dark
The sable-stoled Sorcerers bear his worshipt Ark.

He feels from Juda's Land
The dredded Infants hand,
The rayes of Bethlehem blind his dusky eyn;
Nor all the gods beside,
Longer dare abide,
Not Typhon huge ending in snaky twine:
Our Babe to shew his Godhead true,
Can in his swadling bands controul the damned crew.

So when the Sun in bed,
Curtain'd with cloudy red,
Pillows his chin upon an Orient wave,
The flocking shadows pale,
Troop to th'infernall jail,
Each fetter'd Ghost slips to his severall grave,
And the yellow-skirted Fayes,
Fly after the Night-steeds, leaving their Moon-lov'd maze.

But see the Virgin blest,
Hath laid her Babe to rest.
Time is our tedious Song should here have ending,
Heav'ns youngest teemed Star,
Hath fixt her polisht Car,
Her sleeping Lord with Handmaid Lamp attending:
And all about the Courtly Stable,
Bright-harnest Angels sit in order serviceable.

John Milton. 1608-1674

308. On Time

FLY envious Time, till thou run out thy race,
Call on the lazy leaden-stepping hours,
Whose speed is but the heavy Plummets pace;
And glut thy self with what thy womb devours,
Which is no more then what is false and vain,
And meerly mortal dross;
So little is our loss,
So little is thy gain.
For when as each thing bad thou hast entomb'd,
And last of all, thy greedy self consum'd,
Then long Eternity shall greet our bliss
With an individual kiss;
And Joy shall overtake us as a flood,
When every thing that is sincerely good
And perfectly divine,
With Truth, and Peace, and Love shall ever shine
About the supreme Throne
Of him, t'whose happy-making sight alone,
When once our heav'nly-guided soul shall clime,
Then all this Earthy grosnes quit,
Attir'd with Stars, we shall for ever sit,
Triumphing over Death, and Chance, and thee O Time.

John Milton. 1608-1674

309. At a Solemn Musick

BLEST pair of Sirens, pledges of Heav'ns joy,
Sphear-born harmonious Sisters, Voice, and Vers,
Wed your divine sounds, and mixt power employ
Dead things with inbreath'd sense able to pierce,
And to our high-rais'd phantasie present,
That undisturbed Song of pure content,
Ay sung before the saphire-colour'd throne
To him that sits theron
With Saintly shout, and solemn Jubily,
Where the bright Seraphim in burning row
Their loud up-lifted Angel trumpets blow,
And the Cherubick host in thousand quires
Touch their immortal Harps of golden wires,
With those just Spirits that wear victorious Palms,
Hymns devout and holy Psalms
Singing everlastingly;
That we on Earth with undiscording voice
May rightly answer that melodious noise;
As once we did, till disproportion'd sin
Jarr'd against natures chime, and with harsh din
Broke the fair musick that all creatures made
To their great Lord, whose love their motion sway'd
In perfect Diapason, whilst they stood
In first obedience, and their state of good.
O may we soon again renew that Song,
And keep in tune with Heav'n, till God ere long
To his celestial consort us unite,
To live with him, and sing in endles morn of light.

John Milton. 1608-1674

310. L'Allegro

HENCE loathed Melancholy
Of Cerberus and blackest midnight born,
In Stygian Cave forlorn
'Mongst horrid shapes, and shreiks, and sights unholy.
Find out som uncouth cell,
Where brooding darknes spreads his jealous wings,
And the night-Raven sings;
There, under Ebon shades, and low-brow'd Rocks,
As ragged as thy Locks,
In dark Cimmerian desert ever dwell.
But com thou Goddes fair and free,
In Heav'n ycleap'd Euphrosyne,
And by men, heart-easing Mirth,
Whom lovely Venus, at a birth
With two sister Graces more
To Ivy-crowned Bacchus bore;
Or whether (as som Sager sing)
The frolick Wind that breathes the Spring,
Zephir with Aurora playing,
As he met her once a Maying,
There on Beds of Violets blew,
And fresh-blown Roses washt in dew,
Fill'd her with thee a daughter fair,
So bucksom, blith, and debonair.
Haste thee nymph, and bring with thee
Jest and youthful Jollity,
Quips and Cranks, and wanton Wiles,
Nods, and Becks, and Wreathed Smiles,
Such as hang on Hebe's cheek,
And love to live in dimple sleek;
Sport that wrincled Care derides,
And Laughter holding both his sides.
Com, and trip it as ye go
On the light fantastick toe,
And in thy right hand lead with thee,
The Mountain Nymph, sweet Liberty;
And if I give thee honour due,
Mirth, admit me of thy crue
To live with her, and live with thee,
In unreproved pleasures free;
To hear the Lark begin his flight,
And singing startle the dull night,
From his watch-towre in the skies,
Till the dappled dawn doth rise;
Then to com in spight of sorrow,
And at my window bid good morrow,
Through the Sweet-Briar, or the Vine,
Or the twisted Eglantine.
While the Cock with lively din,
Scatters the rear of darknes thin,
And to the stack, or the Barn dore,
Stoutly struts his Dames before,
Oft list'ning how the Hounds and horn
Chearly rouse the slumbring morn,
From the side of som Hoar Hill,
Through the high wood echoing shrill.
Som time walking not unseen
By Hedge-row Elms, on Hillocks green,
Right against the Eastern gate,
Wher the great Sun begins his state,
Rob'd in flames, and Amber light,
The clouds in thousand Liveries dight.
While the Plowman neer at hand,
Whistles ore the Furrow'd Land,
And the Milkmaid singeth blithe,
And the Mower whets his sithe,
And every Shepherd tells his tale
Under the Hawthorn in the dale.
Streit mine eye hath caught new pleasures
Whilst the Lantskip round it measures,
Russet Lawns, and Fallows Gray,
Where the nibling flocks do stray,
Mountains on whose barren brest
The labouring clouds do often rest:
Meadows trim with Daisies pide,
Shallow Brooks, and Rivers wide.
Towers, and Battlements it sees
Boosom'd high in tufted Trees,
Wher perhaps som beauty lies,
The Cynosure of neighbouring eyes.
Hard by, a Cottage chimney smokes,
From betwixt two aged Okes,
Where Corydon and Thyrsis met,
Are at their savory dinner set
Of Hearbs, and other Country Messes,
Which the neat-handed Phillis dresses;
And then in haste her Bowre she leaves,
With Thestylis to bind the Sheaves;
Or if the earlier season lead
To the tann'd Haycock in the Mead,
Som times with secure delight
The up-land Hamlets will invite,
When the merry Bells ring round,
And the jocond rebecks sound
To many a youth, and many a maid,
Dancing in the Chequer'd shade;
And young and old com forth to play
On a Sunshine Holyday,
Till the live-long day-light fail,
Then to the Spicy Nut-brown Ale,
With stories told of many a feat,
How Faery Mab the junkets eat,
She was pincht, and pull'd the sed,
And he by Friars Lanthorn led
Tells how the drudging Goblin swet,
To ern his Cream-bowle duly set,
When in one night, ere glimps of morn,
His shadowy Flale hath thresh'd the Corn
That ten day-labourers could not end,
Then lies him down the Lubbar Fend,
And stretch'd out all the Chimney's length,
Basks at the fire his hairy strength;
And Crop-full out of dores he flings,
Ere the first Cock his Mattin rings.
Thus don the Tales, to bed they creep,
By whispering Windes soon lull'd asleep.
Towred Cities please us then,
And the busie humm of men,
Where throngs of Knights and Barons bold,
In weeds of Peace high triumphs hold,
With store of Ladies, whose bright eies
Rain influence, and judge the prise
Of Wit, or Arms, while both contend
To win her Grace, whom all commend.
There let Hymen oft appear
In Saffron robe, with Taper clear,
And pomp, and feast, and revelry,
With mask, and antique Pageantry,
Such sights as youthfull Poets dream
On Summer eeves by haunted stream.
Then to the well-trod stage anon,
If Jonsons learned Sock be on,
Or sweetest Shakespear fancies childe,
Warble his native Wood-notes wilde,
And ever against eating Cares,
Lap me in soft Lydian Aires,
Married to immortal verse
Such as the meeting soul may pierce
In notes, with many a winding bout
Of lincked sweetnes long drawn out,
With wanton heed, and giddy cunning,
The melting voice through mazes running;
Untwisting all the chains that ty
The hidden soul of harmony.
That Orpheus self may heave his head
From golden slumber on a bed
Of heapt Elysian flowres, and hear
Such streins as would have won the ear
Of Pluto, to have quite set free
His half regain'd Eurydice.
These delights, if thou canst give,
Mirth with thee, I mean to live.

John Milton. 1608-1674

311. Il Penseroso

HENCE vain deluding joyes,
The brood of folly without father bred,
How little you bested,
Or fill the fixed mind with all your toyes;
Dwell in som idle brain,
And fancies fond with gaudy shapes possess,
As thick and numberless
As the gay motes that people the Sun Beams,
Or likest hovering dreams
The fickle Pensioners of Morpheus train.
But hail thou Goddes, sage and holy,
Hail divinest Melancholy,
Whose Saintly visage is too bright
To hit the Sense of human sight;
And therfore to our weaker view,
Ore laid with black staid Wisdoms hue.
Black, but such as in esteem,
Prince Memnons sister might beseem,
Or that Starr'd Ethiope Queen that strove
To set her beauties praise above
The Sea Nymphs, and their powers offended.
Yet thou art higher far descended,
Thee bright-hair'd Vesta long of yore,
To solitary Saturn bore;
His daughter she (in Saturns raign,
Such mixture was not held a stain)
Oft in glimmering Bowres, and glades
He met her, and in secret shades
Of woody Ida's inmost grove,
Whilst yet there was no fear of Jove.
Com pensive Nun, devout and pure,
Sober, stedfast, and demure,
All in a robe of darkest grain,
Flowing with majestick train,
And sable stole of Cipres Lawn,
Over thy decent shoulders drawn.
Com, but keep thy wonted state,
With eev'n step, and musing gate,
And looks commercing with the skies,
Thy rapt soul sitting in thine eyes:
There held in holy passion still,
Forget thy self to Marble, till
With a sad Leaden downward cast,
Thou fix them on the earth as fast.
And joyn with thee calm Peace, and Quiet,
Spare Fast, that oft with gods doth diet,
And hears the Muses in a ring,
Ay round about Joves Altar sing.
And adde to these retired Leasure,
That in trim Gardens takes his pleasure;
But first, and chiefest, with thee bring,
Him that yon soars on golden wing,
Guiding the fiery-wheeled throne,
The Cherub Contemplation,
And the mute Silence hist along,
'Less Philomel will daign a Song,
In her sweetest, saddest plight,
Smoothing the rugged brow of night,
While Cynthia checks her Dragon yoke,
Gently o're th'accustom'd Oke;
Sweet Bird that shunn'st the noise of folly,
Most musicall, most melancholy!
Thee Chauntress oft the Woods among,
I woo to hear thy eeven-Song;
And missing thee, I walk unseen
On the dry smooth-shaven Green.
To behold the wandring Moon,
Riding neer her highest noon,
Like one that had bin led astray
Through the Heav'ns wide pathles way;
And oft, as if her head she bow'd,
Stooping through a fleecy cloud.
Oft on a Plat of rising ground,
I hear the far-off Curfeu sound,
Over som wide-water'd shoar,
Swinging slow with sullen roar;
Or if the Ayr will not permit,
Som still removed place will fit,
Where glowing Embers through the room
Teach light to counterfeit a gloom,
Far from all resort of mirth,
Save the Cricket on the hearth,
Or the Belmans drousie charm,
To bless the dores from nightly harm:
Or let my Lamp at midnight hour,
Be seen in som high lonely Towr,
Where I may oft out-watch the Bear,
With thrice great Hermes, or unsphear
The spirit of Plato to unfold
What Worlds, or what vast Regions hold
The immortal mind that hath forsook
Her mansion in this fleshly nook:
And of those Daemons that are found
In fire, air, flood, or under ground,
Whose power hath a true consent
With Planet, or with Element.
Som time let Gorgeous Tragedy
In Scepter'd Pall com sweeping by,
Presenting Thebs, or Pelops line,
Or the tale of Troy divine.
Or what (though rare) of later age,
Ennobled hath the Buskind stage.
But, O sad Virgin, that thy power
Might raise Musaeus from his bower
Or bid the soul of Orpheus sing
Such notes as warbled to the string,
Drew Iron tears down Pluto's cheek,
And made Hell grant what Love did seek.
Or call up him that left half told
The story of Cambuscan bold,
Of Camball, and of Algarsife,
And who had Canace to wife,
That own'd the vertuous Ring and Glass,
And of the wondrous Hors of Brass,
On which the Tartar King did ride;
And if ought els, great Bards beside,
In sage and solemn tunes have sung,
Of Turneys and of Trophies hung;
Of Forests, and inchantments drear,
Where more is meant then meets the ear.
Thus night oft see me in thy pale career,
Till civil-suited Morn appeer,
Not trickt and frounc't as she was wont,
With the Attick Boy to hunt,
But Cherchef't in a comly Cloud,
While rocking Winds are Piping loud,
Or usher'd with a shower still,
When the gust hath blown his fill,
Ending on the russling Leaves,
With minute drops from off the Eaves.
And when the Sun begins to fling
His flaring beams, me Goddes bring
To arched walks of twilight groves,
And shadows brown that Sylvan loves,
Of Pine, or monumental Oake,
Where the rude Ax with heaved stroke,
Was never heard the Nymphs to daunt,
Or fright them from their hallow'd haunt.
There in close covert by som Brook,
Where no profaner eye may look,
Hide me from Day's garish eie,
While the Bee with Honied thie,
That at her flowry work doth sing,
And the Waters murmuring
With such consort as they keep,
Entice the dewy-feather'd Sleep;
And let som strange mysterious dream,
Wave at his Wings in Airy stream,
Of lively portrature display'd,
Softly on my eye-lids laid.
And as I wake, sweet musick breath
Above, about, or underneath,
Sent by som spirit to mortals good,
Or th'unseen Genius of the Wood.
But let my due feet never fail,
To walk the studious Cloysters pale,
And love the high embowed Roof,
With antick Pillars massy proof,
And storied Windows richly dight,
Casting a dimm religious light.
There let the pealing Organ blow,
To the full voic'd Quire below,
In Service high, and Anthems cleer,
As may with sweetnes, through mine ear,
Dissolve me into extasies,
And bring all Heav'n before mine eyes.
And may at last my weary age
Find out the peacefull hermitage,
The Hairy Gown and Mossy Cell,
Where I may sit and rightly spell
Of every Star that Heav'n doth shew,
And every Herb that sips the dew;
Till old experience do attain
To somthing like Prophetic strain.
These pleasures Melancholy give,
And I with thee will choose to live.

John Milton. 1608-1674

312. From 'Arcades'

O'RE the smooth enameld green
Where no print of step hath been,
Follow me as I sing,
And touch the warbled string.
Under the shady roof
Of branching Elm Star-proof,
Follow me,
I will bring you where she sits
Clad in splendor as befits
Her deity.
Such a rural Queen
All Arcadia hath not seen.

John Milton. 1608-1674

313. From 'Comus' i

THE Star that bids the Shepherd fold,
Now the top of Heav'n doth hold,
And the gilded Car of Day,
His glowing Axle doth allay
In the steep Atlantick stream,
And the slope Sun his upward beam
Shoots against the dusky Pole,
Pacing toward the other gole
Of his Chamber in the East.
Mean while welcom Joy, and Feast,
Midnight shout, and revelry,
Tipsie dance, and Jollity.
Braid your Locks with rosie Twine
Dropping odours, dropping Wine.
Rigor now is gon to bed,
And Advice with scrupulous head,
Strict Age, and sowre Severity,
With their grave Saws in slumber ly.
We that are of purer fire
Imitate the Starry Quire,
Who in their nightly watchfull Sphears,
Lead in swift round the Months and Years.
The Sounds, and Seas with all their finny drove
Now to the Moon in wavering Morrice move,
And on the Tawny Sands and Shelves,
Trip the pert Fairies and the dapper Elves;
By dimpled Brook, and Fountain brim,
The Wood-Nymphs deckt with Daisies trim,
Their merry wakes and pastimes keep:
What hath night to do with sleep?
Night hath better sweets to prove,
Venus now wakes, and wak'ns Love….
Com, knit hands, and beat the ground,
In a light fantastick round.

John Milton. 1608-1674

314. From' Comus' ii. Echo

SWEET Echo, sweetest Nymph that liv'st unseen
Within thy airy shell
By slow Meander's margent green,
And in the violet imbroider'd vale
Where the love-lorn Nightingale
Nightly to thee her sad Song mourneth well.
Canst thou not tell me of a gentle Pair
That likest thy Narcissus are?
O if thou have
Hid them in som flowry Cave,
Tell me but where
Sweet Queen of Parly, Daughter of the Sphear!
So maist thou be translated to the skies,
And give resounding grace to all Heav'ns Harmonies!

John Milton. 1608-1674

315. From' Comus' iii. Sabrina

The Spirit sings: SABRINA fair
Listen where thou art sitting
Under the glassie, cool, translucent wave,
In twisted braids of Lillies knitting
The loose train of thy amber-dropping hair,
Listen for dear honour's sake,
Goddess of the silver lake,
Listen and save!

Listen and appear to us,
In name of great Oceanus,
By the earth-shaking Neptune's mace,
And Tethys grave majestick pace,
By hoary Nereus wrincled look,
And the Carpathian wisards hook,
By scaly Tritons winding shell,
And old sooth-saying Glaucus spell,
By Leucothea's lovely hands,
And her son that rules the strands,
By Thetis tinsel-slipper'd feet,
And the Songs of Sirens sweet,
By dead Parthenope's dear tomb,
And fair Ligea's golden comb,
Wherwith she sits on diamond rocks
Sleeking her soft alluring locks,
By all the Nymphs that nightly dance
Upon thy streams with wily glance,
Rise, rise, and heave thy rosie head
From thy coral-pav'n bed,
And bridle in thy headlong wave,
Till thou our summons answered have.
Listen and save!

Sabrina replies: By the rushy-fringed bank,
Where grows the Willow and the Osier dank,
My sliding Chariot stayes,
Thick set with Agat, and the azurn sheen
Of Turkis blew, and Emrauld green
That in the channell strayes,
Whilst from off the waters fleet
Thus I set my printless feet
O're the Cowslips Velvet head,
That bends not as I tread,
Gentle swain at thy request
I am here.

John Milton. 1608-1674

316. From 'Comus' iv

The Spirit epiloguizes: TO the Ocean now I fly,
And those happy climes that ly
Where day never shuts his eye,
Up in the broad fields of the sky:
There I suck the liquid ayr
All amidst the Gardens fair
Of Hesperus, and his daughters three
That sing about the golden tree:
Along the crisped shades and bowres
Revels the spruce and jocond Spring,
The Graces, and the rosie-boosom'd Howres,
Thither all their bounties bring,
That there eternal Summer dwels,
And West winds, with musky wing
About the cedar'n alleys fling
Nard, and Cassia's balmy smels.
Iris there with humid bow,
Waters the odorous banks that blow
Flowers of more mingled hew
Than her purfl'd scarf can shew,
And drenches with Elysian dew
(List mortals, if your ears be true)
Beds of Hyacinth, and roses
Where young Adonis oft reposes,
Waxing well of his deep wound
In slumber soft, and on the ground
Sadly sits th' Assyrian Queen;
But far above in spangled sheen
Celestial Cupid her fam'd son advanc't,
Holds his dear Psyche sweet intranc't
After her wandring labours long,
Till free consent the gods among
Make her his eternal Bride,
And from her fair unspotted side
Two blissful twins are to be born,
Youth and Joy; so Jove hath sworn.
But now my task is smoothly don,
I can fly, or I can run
Quickly to the green earths end,
Where the bow'd welkin slow doth bend,
And from thence can soar as soon
To the corners of the Moon.
Mortals that would follow me,
Love vertue, she alone is free.
She can teach ye how to clime
Higher then the Spheary chime;
Or if Vertue feeble were,
Heav'n it self would stoop to her.

John Milton. 1608-1674

317. Lycidas
A Lament for a friend drowned in his passage from
Chester on the Irish Seas, 1637

YET once more, O ye Laurels, and once more
Ye Myrtles brown, with Ivy never-sear,
I com to pluck your Berries harsh and crude,
And with forc'd fingers rude,
Shatter your leaves before the mellowing year.
Bitter constraint, and sad occasion dear,
Compels me to disturb your season due:
For Lycidas is dead, dead ere his prime
Young Lycidas, and hath not left his peer:
Who would not sing for Lycidas? he knew
Himself to sing, and build the lofty rhyme.
He must not flote upon his watry bear
Unwept, and welter to the parching wind,
Without the meed of som melodious tear.
Begin, then, Sisters of the sacred well,
That from beneath the seat of Jove doth spring,
Begin, and somwhat loudly sweep the string.
Hence with denial vain, and coy excuse,
So may som gentle Muse
With lucky words favour my destin'd Urn,
And as he passes turn,
And bid fair peace be to my sable shrowd.
For we were nurst upon the self-same hill,
Fed the same flock, by fountain, shade, and rill.
Together both, ere the high Lawns appear'd
Under the opening eye-lids of the morn,
We drove a field, and both together heard
What time the Gray-fly winds her sultry horn,
Batt'ning our flocks with the fresh dews of night,
Oft till the Star that rose, at Ev'ning, bright
Toward Heav'ns descent had slop'd his westering wheel.
Mean while the Rural ditties were not mute,
Temper'd to th'Oaten Flute;
Rough Satyrs danc'd, and Fauns with clov'n heel,
From the glad sound would not be absent long,
And old Damaetas lov'd to hear our song.
But O the heavy change, now thou art gon,
Now thou art gon, and never must return!
Thee Shepherd, thee the Woods, and desert Caves,
With wilde Thyme and the gadding Vine o'regrown,
And all their echoes mourn.
The Willows, and the Hazle Copses green,
Shall now no more be seen,
Fanning their joyous Leaves to thy soft layes.
As killing as the Canker to the Rose,
Or Taint-worm to the weanling Herds that graze,
Or Frost to Flowers, that their gay wardrop wear,
When first the White thorn blows;
Such, Lycidas, thy loss to Shepherds ear.
Where were ye Nymphs when the remorseless deep
Clos'd o're the head of your lov'd Lycidas?
For neither were ye playing on the steep,
Where your old Bards, the famous Druids ly,
Nor on the shaggy top of Mona high,
Nor yet where Deva spreads her wisard stream:
Ay me, I fondly dream!
Had ye bin there—for what could that have don?
What could the Muse her self that Orpheus bore,
The Muse her self, for her inchanting son
Whom Universal nature did lament,
When by the rout that made the hideous roar,
His goary visage down the stream was sent,
Down the swift Hebrus to the Lesbian shore.
Alas! what boots it with uncessant care
To tend the homely slighted Shepherds trade,
And strictly meditate the thankles Muse,
Were it not better don as others use,
To sport with Amaryllis in the shade,
Or with the tangles of Neaera's hair?
Fame is the spur that the clear spirit doth raise
(That last infirmity of Noble mind)
To scorn delights, and live laborious dayes;
But the fair Guerdon when we hope to find,
And think to burst out into sudden blaze,
Comes the blind Fury with th'abhorred shears,
And slits the thin spun life. But not the praise,
Phoebus repli'd, and touch'd my trembling ears;
Fame is no plant that grows on mortal soil,
Nor in the glistering foil
Set off to th'world, nor in broad rumour lies,
But lives and spreds aloft by those pure eyes,
And perfet witnes of all judging Jove;
As he pronounces lastly on each deed,
Of so much fame in Heav'n expect thy meed.
O fountain Arethuse, and thou honour'd floud,
Smooth-sliding Mincius, crown'd with vocall reeds,
That strain I heard was of a higher mood:
But now my Oate proceeds,
And listens to the Herald of the Sea
That came in Neptune's plea,
He ask'd the Waves, and ask'd the Fellon winds,
What hard mishap hath doom'd this gentle swain?
And question'd every gust of rugged wings
That blows from off each beaked Promontory,
They knew not of his story,
And sage Hippotades their answer brings,
That not a blast was from his dungeon stray'd,
The Ayr was calm, and on the level brine,
Sleek Panope with all her sisters play'd.
It was that fatall and perfidious Bark
Built in th'eclipse, and rigg'd with curses dark,
That sunk so low that sacred head of thine.
Next Camus, reverend Sire, went footing slow,
His Mantle hairy, and his Bonnet sedge,
Inwrought with figures dim, and on the edge
Like to that sanguine flower inscrib'd with woe.
Ah; Who hath reft (quoth he) my dearest pledge?
Last came, and last did go,
The Pilot of the Galilean lake,
Two massy Keyes he bore of metals twain,
(The Golden opes, the Iron shuts amain)
He shook his Miter'd locks, and stern bespake,
How well could I have spar'd for thee, young swain,
Anow of such as for their bellies sake,
Creep and intrude, and climb into the fold?
Of other care they little reck'ning make,
Then how to scramble at the shearers feast,
And shove away the worthy bidden guest.
Blind mouthes! that scarce themselves know how to hold
A Sheep-hook, or have learn'd ought els the least
That to the faithfull Herdmans art belongs!
What recks it them? What need they? They are sped;
And when they list, their lean and flashy songs
Grate on their scrannel Pipes of wretched straw,
The hungry Sheep look up, and are not fed,
But swoln with wind, and the rank mist they draw,
Rot inwardly, and foul contagion spread:
Besides what the grim Woolf with privy paw
Daily devours apace, and nothing sed,
But that two-handed engine at the door,
Stands ready to smite once, and smite no more.
Return Alpheus, the dread voice is past,
That shrunk thy streams; Return Sicilian Muse,
And call the Vales, and bid them hither cast
Their Bels, and Flourets of a thousand hues.
Ye valleys low where the milde whispers use,
Of shades and wanton winds, and gushing brooks,
On whose fresh lap the swart Star sparely looks,
Throw hither all your quaint enameld eyes,
That on the green terf suck the honied showres,
And purple all the ground with vernal flowres.
Bring the rathe Primrose that forsaken dies.
The tufted Crow-toe, and pale Gessamine,
The white Pink, and the Pansie freakt with jeat,
The glowing Violet.
The Musk-rose, and the well attir'd Woodbine.
With Cowslips wan that hang the pensive hed,
And every flower that sad embroidery wears:
Bid Amaranthus all his beauty shed,
And Daffadillies fill their cups with tears,
To strew the Laureat Herse where Lycid lies.
For so to interpose a little ease,
Let our frail thoughts dally with false surmise.
Ay me! Whilst thee the shores, and sounding Seas
Wash far away, where ere thy bones are hurld,
Whether beyond the stormy Hebrides,
Where thou perhaps under the whelming tide
Visit'st the bottom of the monstrous world;
Or whether thou to our moist vows deny'd,
Sleep'st by the fable of Bellerus old,
Where the great vision of the guarded Mount
Looks toward Namancos and Bayona's hold;
Look homeward Angel now, and melt with ruth.
And, O ye Dolphins, waft the haples youth.
Weep no more, woful Shepherds weep no more,
For Lycidas your sorrow is not dead,
Sunk though he be beneath the watry floar,
So sinks the day-star in the Ocean bed,
And yet anon repairs his drooping head,
And tricks his beams, and with new spangled Ore,
Flames in the forehead of the morning sky:
So Lycidas sunk low, but mounted high,
Through the dear might of him that walk'd the waves
Where other groves, and other streams along,
With Nectar pure his oozy Lock's he laves,
And hears the unexpressive nuptiall Song,
In the blest Kingdoms meek of joy and love.
There entertain him all the Saints above,
In solemn troops, and sweet Societies
That sing, and singing in their glory move,
And wipe the tears for ever from his eyes.
Now Lycidas the Shepherds weep no more;
Hence forth thou art the Genius of the shore,
In thy large recompense, and shalt be good
To all that wander in that perilous flood.
Thus sang the uncouth Swain to th'Okes and rills,
While the still morn went out with Sandals gray,
He touch'd the tender stops of various Quills,
With eager thought warbling his Dorick lay:
And now the Sun had stretch'd out all the hills,
And now was dropt into the Western bay;
At last he rose, and twitch'd his Mantle blew:
To morrow to fresh Woods, and Pastures new.

John Milton. 1608-1674

318. On His Blindness

WHEN I consider how my light is spent
E're half my days, in this dark world and wide,
And that one Talent which is death to hide,
Lodg'd with me useless, though my Soul more bent
To serve therewith my Maker, and present
My true account, least he returning chide,
Doth God exact day-labour, light deny'd,
I fondly ask; But patience to prevent
That murmur, soon replies, God doth not need
Either man's work or his own gifts, who best
Bear his milde yoak, they serve him best, his State
Is Kingly. Thousands at his bidding speed
And post o're Land and Ocean without rest:
They also serve who only stand and waite.

John Milton. 1608-1674

319. To Mr. Lawrence

LAWRENCE of vertuous Father vertuous Son,
Now that the Fields are dank, and ways are mire,
Where shall we sometimes meet, and by the fire
Help wast a sullen day; what may be won
From the hard Season gaining: time will run
On smoother, till Favonius re-inspire
The frozen earth; and cloth in fresh attire
The Lillie and Rose, that neither sow'd nor spun.
What neat repast shall feast us, light and choice,
Of Attick tast, with Wine, whence we may rise
To hear the Lute well toucht, or artfull voice
Warble immortal Notes and Tuskan Ayre?
He who of those delights can judge, and spare
To interpose them oft, is not unwise.

John Milton. 1608-1674

320. To Cyriack Skinner

CYRIACK, whose Grandsire on the Royal Bench
Of Brittish Themis, with no mean applause
Pronounc't and in his volumes taught our Lawes,
Which others at their Barr so often wrench:
To day deep thoughts resolve with me to drench
In mirth, that after no repenting drawes;
Let Euclid rest and Archimedes pause,
And what the Swede intend, and what the French.
To measure life, learn thou betimes, and know
Toward solid good what leads the nearest way;
For other things mild Heav'n a time ordains,
And disapproves that care, though wise in show,
That with superfluous burden loads the day,
And when God sends a cheerful hour, refrains.

John Milton. 1608-1674

321. On His Deceased Wife

METHOUGHT I saw my late espoused Saint
Brought to me like Alcestis from the grave,
Whom Joves great Son to her glad Husband gave,
Rescu'd from death by force though pale and faint.
Mine as whom washt from spot of child-bed taint,
Purification in the old Law did save,
And such, as yet once more I trust to have
Full sight of her in Heaven without restraint,
Came vested all in white, pure as her mind:
Her face was vail'd, yet to my fancied sight,
Love, sweetness, goodness, in her person shin'd
So clear, as in no face with more delight.
But O as to embrace me she enclin'd
I wak'd, she fled, and day brought back my night.

John Milton. 1608-1674

322. Light

HAIL holy light, ofspring of Heav'n first-born,
Or of th' Eternal Coeternal beam
May I express thee unblam'd? since God is light,
And never but in unapproached light
Dwelt from Eternitie, dwelt then in thee,
Bright effluence of bright essence increate.
Or hear'st thou rather pure Ethereal stream,
Whose Fountain who shall tell? before the Sun,
Before the Heavens thou wert, and at the voice
Of God, as with a Mantle didst invest
The rising world of waters dark and deep,
Won from the void and formless infinite.
Thee I re-visit now with bolder wing,
Escap't the Stygian Pool, though long detain'd
In that obscure sojourn, while in my flight
Through utter and through middle darkness borne
With other notes then to th' Orphean Lyre
I sung of Chaos and Eternal Night,
Taught by the heav'nly Muse to venture down
The dark descent, and up to reascend,
Though hard and rare: thee I revisit safe,
And feel thy sovran vital Lamp; but thou
Revisit'st not these eyes, that rowle in vain
To find thy piercing ray, and find no dawn;
So thick a drop serene hath quencht thir Orbs,
Or dim suffusion veild. Yet not the more
Cease I to wander where the Muses haunt
Cleer Spring, or shadie Grove, or Sunnie Hill,
Smit with the love of sacred song; but chief
Thee Sion and the flowrie Brooks beneath
That wash thy hallowd feet, and warbling flow,
Nightly I visit: nor somtimes forget
Those other two equal'd with me in Fate,
So were I equal'd with them in renown.
Blind Thamyris and blind Maeonides,
And Tiresias and Phineus Prophets old.
Then feed on thoughts, that voluntarie move
Harmonious numbers; as the wakeful Bird
Sings darkling, and in shadiest Covert hid
Tunes her nocturnal Note. Thus with the Year
Seasons return, but not to me returns
Day, or the sweet approach of Ev'n or Morn,
Or sight of vernal bloom, or Summers Rose,
Or flocks, or herds, or human face divine;
But cloud in stead, and ever-during dark
Surrounds me, from the chearful waies of men
Cut off, and for the Book of knowledg fair
Presented with a Universal blanc
Of Natures works to mee expung'd and ras'd,
And wisdome at one entrance quite shut out.
So much the rather thou Celestial light
Shine inward, and the mind through all her powers
Irradiate, there plant eyes, all mist from thence
Purge and disperse, that I may see and tell
Of things invisible to mortal sight.

John Milton. 1608-1674

323. From 'Samson Agonistes' i

OH how comely it is and how reviving
To the Spirits of just men long opprest!
When God into the hands of thir deliverer
Puts invincible might
To quell the mighty of the Earth, th' oppressour,
The brute and boist'rous force of violent men
Hardy and industrious to support
Tyrannic power, but raging to pursue
The righteous and all such as honour Truth;
He all thir Ammunition
And feats of War defeats
With plain Heroic magnitude of mind
And celestial vigour arm'd,
Thir Armories and Magazins contemns,
Renders them useless, while
With winged expedition
Swift as the lightning glance he executes
His errand on the wicked, who surpris'd
Lose thir defence distracted and amaz'd.

John Milton. 1608-1674

324. From 'Samson Agonistes' ii

ALL is best, though we oft doubt,
What th' unsearchable dispose
Of highest wisdom brings about,
And ever best found in the close.
Oft he seems to hide his face,
But unexpectedly returns
And to his faithful Champion hath in place
Bore witness gloriously; whence Gaza mourns
And all that band them to resist
His uncontroulable intent.
His servants he with new acquist
Of true experience from this great event
With peace and consolation hath dismist,
And calm of mind all passion spent.

Sir John Suckling. 1609-1642

325. A Doubt of Martyrdom

O FOR some honest lover's ghost,
Some kind unbodied post
Sent from the shades below!
I strangely long to know
Whether the noble chaplets wear
Those that their mistress' scorn did bear
Or those that were used kindly.

For whatsoe'er they tell us here
To make those sufferings dear,
'Twill there, I fear, be found
That to the being crown'd
T' have loved alone will not suffice,
Unless we also have been wise
And have our loves enjoy'd.

What posture can we think him in
That, here unloved, again
Departs, and 's thither gone
Where each sits by his own?
Or how can that Elysium be
Where I my mistress still must see
Circled in other's arms?

For there the judges all are just,
And Sophonisba must
Be his whom she held dear,
Not his who loved her here.
The sweet Philoclea, since she died,
Lies by her Pirocles his side,
Not by Amphialus.

Some bays, perchance, or myrtle bough
For difference crowns the brow
Of those kind souls that were
The noble martyrs here:
And if that be the only odds
(As who can tell?), ye kinder gods,
Give me the woman here!

Sir John Suckling. 1609-1642

326. The Constant Lover

OUT upon it, I have loved
Three whole days together!
And am like to love three more,
If it prove fair weather.

Time shall moult away his wings
Ere he shall discover
In the whole wide world again
Such a constant lover.

But the spite on 't is, no praise
Is due at all to me:
Love with me had made no stays,
Had it any been but she.

Had it any been but she,
And that very face,
There had been at least ere this
A dozen dozen in her place.

Sir John Suckling. 1609-1642

327. Why so Pale and Wan?

WHY so pale and wan, fond lover?
Prithee, why so pale?
Will, when looking well can't move her,
Looking ill prevail?
Prithee, why so pale?

Why so dull and mute, young sinner?
Prithee, why so mute?
Will, when speaking well can't win her,
Saying nothing do 't?
Prithee, why so mute?

Quit, quit for shame! This will not move;
This cannot take her.
If of herself she will not love,
Nothing can make her:
The devil take her!

Sir John Suckling. 1609-1642

328. When, Dearest, I but think of Thee

WHEN, dearest, I but think of thee,
Methinks all things that lovely be
Are present, and my soul delighted:
For beauties that from worth arise
Are like the grace of deities,
Still present with us, tho' unsighted.

Thus while I sit and sigh the day
With all his borrow'd lights away,
Till night's black wings do overtake me,
Thinking on thee, thy beauties then,
As sudden lights do sleepy men,
So they by their bright rays awake me.

Thus absence dies, and dying proves
No absence can subsist with loves
That do partake of fair perfection:
Since in the darkest night they may
By love's quick motion find a way
To see each other by reflection.

The waving sea can with each flood
Bathe some high promont that hath stood
Far from the main up in the river:
O think not then but love can do
As much! for that 's an ocean too,
Which flows not every day, but ever!

Sir Richard Fanshawe. 1608-1666

329. A Rose

BLOWN in the morning, thou shalt fade ere noon.
What boots a life which in such haste forsakes thee?
Thou'rt wondrous frolic, being to die so soon,
And passing proud a little colour makes thee.
If thee thy brittle beauty so deceives,
Know then the thing that swells thee is thy bane;
For the same beauty doth, in bloody leaves,
The sentence of thy early death contain.
Some clown's coarse lungs will poison thy sweet flower,
If by the careless plough thou shalt be torn;
And many Herods lie in wait each hour
To murder thee as soon as thou art born—
Nay, force thy bud to blow—their tyrant breath
Anticipating life, to hasten death!

William Cartwright. 1611-1643

330. To Chloe Who for his sake wished herself younger

THERE are two births; the one when light
First strikes the new awaken'd sense;
The other when two souls unite,
And we must count our life from thence:
When you loved me and I loved you
Then both of us were born anew.

Love then to us new souls did give
And in those souls did plant new powers;
Since when another life we live,
The breath we breathe is his, not ours:
Love makes those young whom age doth chill,
And whom he finds young keeps young still.

William Cartwright. 1611-1643

331. Falsehood

STILL do the stars impart their light
To those that travel in the night;
Still time runs on, nor doth the hand
Or shadow on the dial stand;
The streams still glide and constant are:
Only thy mind
Untrue I find,
Which carelessly
Neglects to be
Like stream or shadow, hand or star.

Fool that I am! I do recall
My words, and swear thou'rt like them all,
Thou seem'st like stars to nourish fire,
But O how cold is thy desire!
And like the hand upon the brass
Thou point'st at me
In mockery;
If I come nigh
Shade-like thou'lt fly,
And as the stream with murmur pass.

William Cartwright. 1611-1643

332. On the Queen's Return from the Low Countries

HALLOW the threshold, crown the posts anew!
The day shall have its due.
Twist all our victories into one bright wreath,
On which let honour breathe;
Then throw it round the temples of our Queen!
'Tis she that must preserve those glories green.

When greater tempests than on sea before
Received her on the shore;
When she was shot at 'for the King's own good'
By legions hired to blood;
How bravely did she do, how bravely bear!
And show'd, though they durst rage, she durst not fear.

Courage was cast about her like a dress
Of solemn comeliness:
A gather'd mind and an untroubled face
Did give her dangers grace:
Thus, arm'd with innocence, secure they move
Whose highest 'treason' is but highest love.

William Cartwright. 1611-1643

333. On a Virtuous Young Gentlewoman that died suddenly

SHE who to Heaven more Heaven doth annex,
Whose lowest thought was above all our sex,
Accounted nothing death but t' be reprieved,
And died as free from sickness as she lived.
Others are dragg'd away, or must be driven,
She only saw her time and stept to Heaven;
Where seraphims view all her glories o'er,
As one return'd that had been there before.
For while she did this lower world adorn,
Her body seem'd rather assumed than born;
So rarified, advanced, so pure and whole,
That body might have been another's soul;
And equally a miracle it were
That she could die, or that she could live here.

James Graham, Marquis of Montrose. 1612-1650

334. I'll never love Thee more

MY dear and only Love, I pray
That little world of thee
Be govern'd by no other sway
Than purest monarchy;
For if confusion have a part
(Which virtuous souls abhor),
And hold a synod in thine heart,
I'll never love thee more.

Like Alexander I will reign,
And I will reign alone;
My thoughts did evermore disdain
A rival on my throne.
He either fears his fate too much,
Or his deserts are small,
That dares not put it to the touch,
To gain or lose it all.

And in the empire of thine heart,
Where I should solely be,
If others do pretend a part
Or dare to vie with me,
Or if Committees thou erect,
And go on such a score,
I'll laugh and sing at thy neglect,
And never love thee more.

But if thou wilt prove faithful then,
And constant of thy word,
I'll make thee glorious by my pen
And famous by my sword;
I'll serve thee in such noble ways
Was never heard before;
I'll crown and deck thee all with bays,
And love thee more and more.

Thomas Jordan. 1612?-1685

335. Coronemus nos Rosis antequam marcescant

LET us drink and be merry, dance, joke, and rejoice,
With claret and sherry, theorbo and voice!
The changeable world to our joy is unjust,
All treasure 's uncertain,
Then down with your dust!
In frolics dispose your pounds, shillings, and pence,
For we shall be nothing a hundred years hence.

We'll sport and be free with Moll, Betty, and Dolly,
Have oysters and lobsters to cure melancholy:
Fish-dinners will make a man spring like a flea,
Dame Venus, love's lady,
Was born of the sea;
With her and with Bacchus we'll tickle the sense,
For we shall be past it a hundred years hence.

Your most beautiful bride who with garlands is crown'd
And kills with each glance as she treads on the ground,
Whose lightness and brightness doth shine in such splendour
That none but the stars
Are thought fit to attend her,
Though now she be pleasant and sweet to the sense,
Will be damnable mouldy a hundred years hence.

Then why should we turmoil in cares and in fears,
Turn all our tranquill'ty to sighs and to tears?
Let 's eat, drink, and play till the worms do corrupt us,
'Tis certain, Post mortem
Nulla voluptas.
For health, wealth and beauty, wit, learning and sense,
Must all come to nothing a hundred years hence.

Richard Crashaw. 1613?-1649

336. Wishes to His Supposed Mistress

WHOE'ER she be—
That not impossible She
That shall command my heart and me:

Where'er she lie,
Lock'd up from mortal eye
In shady leaves of destiny:

Till that ripe birth
Of studied Fate stand forth,
And teach her fair steps to our earth:

Till that divine
Idea take a shrine
Of crystal flesh, through which to shine:

Meet you her, my Wishes,
Bespeak her to my blisses,
And be ye call'd my absent kisses.

I wish her Beauty,
That owes not all its duty
To gaudy tire, or glist'ring shoe-tie:

Something more than
Taffata or tissue can,
Or rampant feather, or rich fan.

A Face, that 's best
By its own beauty drest,
And can alone commend the rest.

A Face, made up
Out of no other shop
Than what Nature's white hand sets ope.

A Cheek, where youth
And blood, with pen of truth,
Write what the reader sweetly ru'th.

A Cheek, where grows
More than a morning rose,
Which to no box his being owes.

Lips, where all day
A lover's kiss may play,
Yet carry nothing thence away.

Looks, that oppress
Their richest tires, but dress
And clothe their simplest nakedness.

Eyes, that displace
The neighbour diamond, and outface
That sunshine by their own sweet grace.

Tresses, that wear
Jewels but to declare
How much themselves more precious are:

Whose native ray
Can tame the wanton day
Of gems that in their bright shades play.

Each ruby there,
Or pearl that dare appear,
Be its own blush, be its own tear.

A well-tamed Heart,
For whose more noble smart
Love may be long choosing a dart.

Eyes, that bestow
Full quivers on love's bow,
Yet pay less arrows than they owe.

Smiles, that can warm
The blood, yet teach a charm,
That chastity shall take no harm.

Blushes, that bin
The burnish of no sin,
Nor flames of aught too hot within.

Joys, that confess
Virtue their mistress,
And have no other head to dress.

Fears, fond and slight
As the coy bride's, when night
First does the longing lover right.

Days, that need borrow
No part of their good-morrow
From a fore-spent night of sorrow.

Days, that in spite
Of darkness, by the light
Of a clear mind, are day all night.

Nights, sweet as they,
Made short by lovers' play,
Yet long by th' absence of the day.

Life, that dares send
A challenge to his end,
And when it comes, say, 'Welcome, friend!'

Sydneian showers
Of sweet discourse, whose powers
Can crown old Winter's head with flowers.

Soft silken hours,
Open suns, shady bowers;
'Bove all, nothing within that lowers.

Whate'er delight
Can make Day's forehead bright,
Or give down to the wings of Night.

I wish her store
Of worth may leave her poor
Of wishes; and I wish—no more.

Now, if Time knows
That Her, whose radiant brows
Weave them a garland of my vows;

Her, whose just bays
My future hopes can raise,
A trophy to her present praise;

Her, that dares be
What these lines wish to see;
I seek no further, it is She.

'Tis She, and here,
Lo! I unclothe and clear
My Wishes' cloudy character.

May she enjoy it
Whose merit dare apply it,
But modesty dares still deny it!

Such worth as this is
Shall fix my flying Wishes,
And determine them to kisses.

Let her full glory,
My fancies, fly before ye;
Be ye my fictions—but her story.

Richard Crashaw. 1613?-1649

337. The Weeper

HAIL, sister springs,
Parents of silver-footed rills!
Ever bubbling things,
Thawing crystal, snowy hills!
Still spending, never spent; I mean
Thy fair eyes, sweet Magdalene.

Heavens thy fair eyes be;
Heavens of ever-falling stars;
'Tis seed-time still with thee,
And stars thou sow'st whose harvest dares
Promise the earth to countershine
Whatever makes Heaven's forehead fine.

Every morn from hence
A brisk cherub something sips
Whose soft influence
Adds sweetness to his sweetest lips;
Then to his music: and his song
Tastes of this breakfast all day long.

When some new bright guest
Takes up among the stars a room,
And Heaven will make a feast,
Angels with their bottles come,
And draw from these full eyes of thine
Their Master's water, their own wine.

The dew no more will weep
The primrose's pale cheek to deck;
The dew no more will sleep
Nuzzled in the lily's neck:
Much rather would it tremble here,
And leave them both to be thy tear.

When sorrow would be seen
In her brightest majesty,
—For she is a Queen—
Then is she drest by none but thee:
Then and only then she wears
Her richest pearls—I mean thy tears.

Not in the evening's eyes,
When they red with weeping are
For the Sun that dies,
Sits Sorrow with a face so fair.
Nowhere but here did ever meet
Sweetness so sad, sadness so sweet.

Does the night arise?
Still thy tears do fall and fall.
Does night lose her eyes?
Still the fountain weeps for all.
Let day and night do what they will,
Thou hast thy task, thou weepest still.

Not So long she lived
Will thy tomb report of thee;
But So long she grieved:
Thus must we date thy memory.
Others by days, by months, by years,
Measure their ages, thou by tears.

Say, ye bright brothers,
The fugitive sons of those fair eyes
Your fruitful mothers,
What make you here? What hopes can 'tice
You to be born? What cause can borrow
You from those nests of noble sorrow?

Whither away so fast
For sure the sordid earth
Your sweetness cannot taste,
Nor does the dust deserve your birth.
Sweet, whither haste you then? O say,
Why you trip so fast away?

We go not to seek
The darlings of Aurora's bed,
The rose's modest cheek,
Nor the violet's humble head.
No such thing: we go to meet
A worthier object—our Lord's feet.

Richard Crashaw. 1613?-1649

338. A Hymn to the Name and Honour of the Admirable Saint Teresa

LOVE, thou are absolute, sole Lord
Of life and death. To prove the word,
We'll now appeal to none of all
Those thy old soldiers, great and tall,
Ripe men of martyrdom, that could reach down
With strong arms their triumphant crown:
Such as could with lusty breath
Speak loud, unto the face of death,
Their great Lord's glorious name; to none
Of those whose spacious bosoms spread a throne
For love at large to fill. Spare blood and sweat:
We'll see Him take a private seat,
And make His mansion in the mild
And milky soul of a soft child.
Scarce has she learnt to lisp a name
Of martyr, yet she thinks it shame
Life should so long play with that breath
Which spent can buy so brave a death.
She never undertook to know
What death with love should have to do.
Nor has she e'er yet understood
Why, to show love, she should shed blood;
Yet, though she cannot tell you why,
She can love, and she can die.
Scarce has she blood enough to make
A guilty sword blush for her sake;
Yet has a heart dares hope to prove
How much less strong is death than love….

Since 'tis not to be had at home,
She'll travel for a martyrdom.
No home for her, confesses she,
But where she may a martyr be.
She'll to the Moors, and trade with them
For this unvalued diadem;
She offers them her dearest breath,
With Christ's name in 't, in charge for death:
She'll bargain with them, and will give
Them God, and teach them how to live
In Him; or, if they this deny,
For Him she'll teach them how to die.
So shall she leave amongst them sown
Her Lord's blood, or at least her own.

Farewell then, all the world, adieu!
Teresa is no more for you.
Farewell all pleasures, sports, and joys,
Never till now esteemed toys!

Farewell whatever dear may be—
Mother's arms, or father's knee!
Farewell house, and farewell home!
She 's for the Moors and Martyrdom.

Sweet, not so fast; lo! thy fair spouse,
Whom thou seek'st with so swift vows,
Calls thee back, and bids thee come
T' embrace a milder martyrdom….

O how oft shalt thou complain
Of a sweet and subtle pain!
Of intolerable joys!
Of a death, in which who dies
Loves his death, and dies again,
And would for ever so be slain;
And lives and dies, and knows not why
To live, but that he still may die!
How kindly will thy gentle heart
Kiss the sweetly-killing dart!
And close in his embraces keep
Those delicious wounds, that weep
Balsam, to heal themselves with thus,
When these thy deaths, so numerous,
Shall all at once die into one,
And melt thy soul's sweet mansion;
Like a soft lump of incense, hasted
By too hot a fire, and wasted
Into perfuming clouds, so fast
Shalt thou exhale to heaven at last
In a resolving sigh, and then,—
O what? Ask not the tongues of men.

Angels cannot tell; suffice,
Thyself shalt feel thine own full joys,
And hold them fast for ever there.
So soon as thou shalt first appear,
The moon of maiden stars, thy white
Mistress, attended by such bright
Souls as thy shining self, shall come,
And in her first ranks make thee room;
Where, 'mongst her snowy family,
Immortal welcomes wait for thee.
O what delight, when she shall stand
And teach thy lips heaven, with her hand,
On which thou now may'st to thy wishes
Heap up thy consecrated kisses!
What joy shall seize thy soul, when she,
Bending her blessed eyes on thee,
Those second smiles of heaven, shall dart
Her mild rays through thy melting heart!

Angels, thy old friends, there shall greet thee,
Glad at their own home now to meet thee.
All thy good works which went before,
And waited for thee at the door,
Shall own thee there; and all in one
Weave a constellation
Of crowns, with which the King, thy spouse,
Shall build up thy triumphant brows.
All thy old woes shall now smile on thee,
And thy pains sit bright upon thee:
All thy sorrows here shall shine,
And thy sufferings be divine.
Tears shall take comfort, and turn gems,
And wrongs repent to diadems.
Even thy deaths shall live, and new
Dress the soul which late they slew.
Thy wounds shall blush to such bright scars
As keep account of the Lamb's wars.

Those rare works, where thou shalt leave writ
Love's noble history, with wit
Taught thee by none but Him, while here
They feed our souls, shall clothe thine there.
Each heavenly word by whose hid flame
Our hard hearts shall strike fire, the same
Shall flourish on thy brows, and be
Both fire to us and flame to thee;
Whose light shall live bright in thy face
By glory, in our hearts by grace.
Thou shalt look round about, and see
Thousands of crown'd souls throng to be
Themselves thy crown, sons of thy vows,
The virgin-births with which thy spouse
Made fruitful thy fair soul; go now,
And with them all about thee bow
To Him; put on, He'll say, put on,
My rosy Love, that thy rich zone,
Sparkling with the sacred flames
Of thousand souls, whose happy names
Heaven keeps upon thy score: thy bright
Life brought them first to kiss the light
That kindled them to stars; and so
Thou with the Lamb, thy Lord, shalt go.
And, wheresoe'er He sets His white
Steps, walk with Him those ways of light,
Which who in death would live to see,
Must learn in life to die like thee.

Richard Crashaw. 1613?-1649

339. Upon the Book and Picture of the Seraphical Saint Teresa

O THOU undaunted daughter of desires!
By all thy dower of lights and fires;
By all the eagle in thee, all the dove;
By all thy lives and deaths of love;
By thy large draughts of intellectual day,
And by thy thirsts of love more large than they;
By all thy brim-fill'd bowls of fierce desire,
By thy last morning's draught of liquid fire;
By the full kingdom of that final kiss
That seized thy parting soul, and seal'd thee His;
By all the Heav'n thou hast in Him
(Fair sister of the seraphim!);
By all of Him we have in thee;
Leave nothing of myself in me.
Let me so read thy life, that I
Unto all life of mine may die!

Richard Crashaw. 1613?-1649

340. Verses from the Shepherds' Hymn

WE saw Thee in Thy balmy nest,
Young dawn of our eternal day;
We saw Thine eyes break from the East,
And chase the trembling shades away:
We saw Thee, and we blest the sight,
We saw Thee by Thine own sweet light.

Poor world, said I, what wilt thou do
To entertain this starry stranger?
Is this the best thou canst bestow—
A cold and not too cleanly manger?
Contend, the powers of heaven and earth,
To fit a bed for this huge birth.

Proud world, said I, cease your contest,
And let the mighty babe alone;
The phoenix builds the phoenix' nest,
Love's architecture is His own.
The babe, whose birth embraves this morn,
Made His own bed ere He was born.

I saw the curl'd drops, soft and slow,
Come hovering o'er the place's head,
Off'ring their whitest sheets of snow,
To furnish the fair infant's bed.
Forbear, said I, be not too bold;
Your fleece is white, but 'tis too cold.

I saw th' obsequious seraphim
Their rosy fleece of fire bestow,
For well they now can spare their wings,
Since Heaven itself lies here below.
Well done, said I; but are you sure
Your down, so warm, will pass for pure?

No, no, your King 's not yet to seek
Where to repose His royal head;
See, see how soon His new-bloom'd cheek
'Twixt mother's breasts is gone to bed!
Sweet choice, said we; no way but so,
Not to lie cold, you sleep in snow!

She sings Thy tears asleep, and dips
Her kisses in Thy weeping eye;
She spreads the red leaves of Thy lips,
That in their buds yet blushing lie.
She 'gainst those mother diamonds tries
The points of her young eagle's eyes.

Welcome—tho' not to those gay flies,
Gilded i' th' beams of earthly kings,
Slippery souls in smiling eyes—
But to poor shepherds, homespun things,
Whose wealth 's their flocks, whose wit 's to be
Well read in their simplicity.

Yet, when young April's husband show'rs
Shall bless the fruitful Maia's bed,
We'll bring the first-born of her flowers,
To kiss Thy feet and crown Thy head.
To Thee, dread Lamb! whose love must keep
The shepherds while they feed their sheep.

To Thee, meek Majesty, soft King
Of simple graces and sweet loves!
Each of us his lamb will bring,
Each his pair of silver doves!
At last, in fire of Thy fair eyes,
Ourselves become our own best sacrifice!

Richard Crashaw. 1613?-1649

341. Christ Crucified

THY restless feet now cannot go
For us and our eternal good,
As they were ever wont. What though
They swim, alas! in their own flood?

Thy hands to give Thou canst not lift,
Yet will Thy hand still giving be;
It gives, but O, itself's the gift!
It gives tho' bound, tho' bound 'tis free!

Richard Crashaw. 1613?-1649

342. An Epitaph upon Husband and Wife Who died and were buried together

TO these whom death again did wed
This grave 's the second marriage-bed.
For though the hand of Fate could force
'Twixt soul and body a divorce,
It could not sever man and wife,
Because they both lived but one life.
Peace, good reader, do not weep;
Peace, the lovers are asleep.
They, sweet turtles, folded lie
In the last knot that love could tie.
Let them sleep, let them sleep on,
Till the stormy night be gone,
And the eternal morrow dawn;
Then the curtains will be drawn,
And they wake into a light
Whose day shall never die in night.

Richard Lovelace. 1618-1658

343. To Lucasta, going to the Wars

TELL me not, Sweet, I am unkind,
That from the nunnery
Of thy chaste breast and quiet mind
To war and arms I fly.

True, a new mistress now I chase,
The first foe in the field;
And with a stronger faith embrace
A sword, a horse, a shield.

Yet this inconstancy is such
As thou too shalt adore;
I could not love thee, Dear, so much,
Loved I not Honour more.

Richard Lovelace. 1618-1658

344. To Lucasta, going beyond the Seas

IF to be absent were to be
Away from thee;
Or that when I am gone
You or I were alone;
Then, my Lucasta, might I crave
Pity from blustering wind or swallowing wave.

But I'll not sigh one blast or gale
To swell my sail,
Or pay a tear to 'suage
The foaming blue god's rage;
For whether he will let me pass
Or no, I'm still as happy as I was.

Though seas and land betwixt us both,
Our faith and troth,
Like separated souls,
All time and space controls:
Above the highest sphere we meet
Unseen, unknown; and greet as Angels greet.

So then we do anticipate
Our after-fate,
And are alive i' the skies,
If thus our lips and eyes
Can speak like spirits unconfined
In Heaven, their earthy bodies left behind.

Richard Lovelace. 1618-1658

345. Gratiana Dancing

SHE beat the happy pavement—
By such a star made firmament,
Which now no more the roof envìes!
But swells up high, with Atlas even,
Bearing the brighter nobler heaven,
And, in her, all the deities.

Each step trod out a Lover's thought,
And the ambitious hopes he brought
Chain'd to her brave feet with such arts,
Such sweet command and gentle awe,
As, when she ceased, we sighing saw
The floor lay paved with broken hearts.

Richard Lovelace. 1618-1658

346. To Amarantha, that she would dishevel her Hair

AMARANTHA sweet and fair,
Ah, braid no more that shining hair!
As my curious hand or eye
Hovering round thee, let it fly!

Let it fly as unconfined
As its calm ravisher the wind,
Who hath left his darling, th' East,
To wanton o'er that spicy nest.

Every tress must be confest,
But neatly tangled at the best;
Like a clew of golden thread
Most excellently ravelled.

Do not then wind up that light
In ribbands, and o'ercloud in night,
Like the Sun in 's early ray;
But shake your head, and scatter day!

Richard Lovelace. 1618-1658

347. The Grasshopper

O THOU that swing'st upon the waving hair
Of some well-filled oaten beard,
Drunk every night with a delicious tear
Dropt thee from heaven, where thou wert rear'd!

The joys of earth and air are thine entire,
That with thy feet and wings dost hop and fly;
And when thy poppy works, thou dost retire
To thy carved acorn-bed to lie.

Up with the day, the Sun thou welcom'st then,
Sport'st in the gilt plaits of his beams,
And all these merry days mak'st merry men,
Thyself, and melancholy streams.

Richard Lovelace. 1618-1658

348. To Althea, from Prison

WHEN Love with unconfined wings
Hovers within my gates,
And my divine Althea brings
To whisper at the grates;
When I lie tangled in her hair
And fetter'd to her eye,
The birds that wanton in the air
Know no such liberty.

When flowing cups run swiftly round
With no allaying Thames,
Our careless heads with roses bound,
Our hearts with loyal flames;
When thirsty grief in wine we steep,
When healths and draughts go free—
Fishes that tipple in the deep
Know no such liberty.

When, like committed linnets, I
With shriller throat shall sing
The sweetness, mercy, majesty,
And glories of my King;
When I shall voice aloud how good
He is, how great should be,
Enlarged winds, that curl the flood,
Know no such liberty.

Stone walls do not a prison make,
Nor iron bars a cage;
Minds innocent and quiet take
That for an hermitage;
If I have freedom in my love
And in my soul am free,
Angels alone, that soar above,
Enjoy such liberty.

Abraham Cowley. 1618-1667

349. Anacreontics 1. Drinking

THE thirsty earth soaks up the rain,
And drinks and gapes for drink again;
The plants suck in the earth, and are
With constant drinking fresh and fair;
The sea itself (which one would think
Should have but little need of drink)
Drinks twice ten thousand rivers up,
So fill'd that they o'erflow the cup.
The busy Sun (and one would guess
By 's drunken fiery face no less)
Drinks up the sea, and when he 's done,
The Moon and Stars drink up the Sun:
They drink and dance by their own light,
They drink and revel all the night:
Nothing in Nature 's sober found,
But an eternal health goes round.
Fill up the bowl, then, fill it high,
Fill all the glasses there—for why
Should every creature drink but I?
Why, man of morals, tell me why?

Abraham Cowley. 1618-1667

350. Anacreontics 2. The Epicure

UNDERNEATH this myrtle shade,
On flowerly beds supinely laid,
With odorous oils my head o'erflowing,
And around it roses growing,
What should I do but drink away
The heat and troubles of the day?
In this more than kingly state
Love himself on me shall wait.
Fill to me, Love! nay, fill it up!
And mingled cast into the cup
Wit and mirth and noble fires,
Vigorous health and gay desires.
The wheel of life no less will stay
In a smooth than rugged way:
Since it equally doth flee,
Let the motion pleasant be.
Why do we precious ointments shower?—
Nobler wines why do we pour?—
Beauteous flowers why do we spread
Upon the monuments of the dead?
Nothing they but dust can show,
Or bones that hasten to be so.
Crown me with roses while I live,
Now your wines and ointments give:
After death I nothing crave,
Let me alive my pleasures have:
All are Stoics in the grave.

Abraham Cowley. 1618-1667

351. Anacreontics 3. The Swallow

FOOLISH prater, what dost thou
So early at my window do?
Cruel bird, thou'st ta'en away
A dream out of my arms to-day;
A dream that ne'er must equall'd be
By all that waking eyes may see.
Thou this damage to repair
Nothing half so sweet and fair,
Nothing half so good, canst bring,
Tho' men say thou bring'st the Spring.

Abraham Cowley. 1618-1667

352. On the Death of Mr. William Hervey

IT was a dismal and a fearful night:
Scarce could the Morn drive on th' unwilling Light,
When Sleep, Death's image, left my troubled breast
By something liker Death possest.
My eyes with tears did uncommanded flow,
And on my soul hung the dull weight
Of some intolerable fate.
What bell was that? Ah me! too much I know!

My sweet companion and my gentle peer,
Why hast thou left me thus unkindly here,
Thy end for ever and my life to moan?
O, thou hast left me all alone!
Thy soul and body, when death's agony
Besieged around thy noble heart,
Did not with more reluctance part
Than I, my dearest Friend, do part from thee.

My dearest Friend, would I had died for thee!
Life and this world henceforth will tedious be:
Nor shall I know hereafter what to do
If once my griefs prove tedious too.
Silent and sad I walk about all day,
As sullen ghosts stalk speechless by
Where their hid treasures lie;
Alas! my treasure 's gone; why do I stay?

Say, for you saw us, ye immortal lights,
How oft unwearied have we spent the nights,
Till the Ledaean stars, so famed for love,
Wonder'd at us from above!
We spent them not in toys, in lusts, or wine;
But search of deep Philosophy,
Wit, Eloquence, and Poetry—
Arts which I loved, for they, my Friend, were thine.

Ye fields of Cambridge, our dear Cambridge, say
Have ye not seen us walking every day?
Was there a tree about which did not know
The love betwixt us two?
Henceforth, ye gentle trees, for ever fade;
Or your sad branches thicker join
And into darksome shades combine,
Dark as the grave wherein my Friend is laid!

Large was his soul: as large a soul as e'er
Submitted to inform a body here;
High as the place 'twas shortly in Heaven to have,
But low and humble as his grave.
So high that all the virtues there did come,
As to their chiefest seat
Conspicuous and great;
So low, that for me too it made a room.

Knowledge he only sought, and so soon caught
As if for him Knowledge had rather sought;
Nor did more learning ever crowded lie
In such a short mortality.
Whene'er the skilful youth discoursed or writ,
Still did the notions throng
About his eloquent tongue;
Nor could his ink flow faster than his wit.

His mirth was the pure spirits of various wit,
Yet never did his God or friends forget;
And when deep talk and wisdom came in view,
Retired, and gave to them their due.
For the rich help of books he always took,
Though his own searching mind before
Was so with notions written o'er,
As if wise Nature had made that her book.

With as much zeal, devotion, piety,
He always lived, as other saints do die.
Still with his soul severe account he kept,
Weeping all debts out ere he slept.
Then down in peace and innocence he lay,
Like the Sun's laborious light,
Which still in water sets at night,
Unsullied with his journey of the day.

But happy Thou, ta'en from this frantic age,
Where ignorance and hypocrisy does rage!
A fitter time for Heaven no soul e'er chose—
The place now only free from those.
There 'mong the blest thou dost for ever shine;
And wheresoe'er thou casts thy view
Upon that white and radiant crew,
See'st not a soul clothed with more light than thine.

Abraham Cowley. 1618-1667

353. The Wish

WELL then! I now do plainly see
This busy world and I shall ne'er agree.
The very honey of all earthly joy
Does of all meats the soonest cloy;
And they, methinks, deserve my pity
Who for it can endure the stings,
The crowd and buzz and murmurings,
Of this great hive, the city.

Ah, yet, ere I descend to the grave
May I a small house and large garden have;
And a few friends, and many books, both true,
Both wise, and both delightful too!
And since love ne'er will from me flee,
A Mistress moderately fair,
And good as guardian angels are,
Only beloved and loving me.

O fountains! when in you shall I
Myself eased of unpeaceful thoughts espy?
O fields! O woods! when, when shall I be made
Thy happy tenant of your shade?
Here 's the spring-head of Pleasure's flood:
Here 's wealthy Nature's treasury,
Where all the riches lie that she
Has coin'd and stamp'd for good.

Pride and ambition here
Only in far-fetch'd metaphors appear;
Here nought but winds can hurtful murmurs scatter,
And nought but Echo flatter.
The gods, when they descended, hither
From heaven did always choose their way:
And therefore we may boldly say
That 'tis the way too thither.

Hoe happy here should I
And one dear She live, and embracing die!
She who is all the world, and can exclude
In deserts solitude.
I should have then this only fear:
Lest men, when they my pleasures see,
Should hither throng to live like me,
And so make a city here.

Alexander Brome. 1620-1666

354. The Resolve

TELL me not of a face that 's fair,
Nor lip and cheek that 's red,
Nor of the tresses of her hair,
Nor curls in order laid,
Nor of a rare seraphic voice
That like an angel sings;
Though if I were to take my choice
I would have all these things:
But if that thou wilt have me love,
And it must be a she,
The only argument can move
Is that she will love me.

The glories of your ladies be
But metaphors of things,
And but resemble what we see
Each common object brings.
Roses out-red their lips and cheeks,
Lilies their whiteness stain;
What fool is he that shadows seeks
And may the substance gain?
Then if thou'lt have me love a lass,
Let it be one that 's kind:
Else I'm a servant to the glass
That 's with Canary lined.

Andrew Marvell. 1621-1678

355. An Horatian Ode upon Cromwell's Return from Ireland

THE forward youth that would appear
Must now forsake his Muses dear,
Nor in the shadows sing
His numbers languishing.

'Tis time to leave the books in dust,
And oil the unused armour's rust,
Removing from the wall
The corslet of the hall.

So restless Cromwell could not cease
In the inglorious arts of peace,
But through adventurous war
Urged his active star:

And like the three-fork'd lightning, first
Breaking the clouds where it was nurst,
Did thorough his own side
His fiery way divide:

For 'tis all one to courage high,
The emulous, or enemy;
And with such, to enclose
Is more than to oppose.

Then burning through the air he went
And palaces and temples rent;
And Caesar's head at last
Did through his laurels blast.

'Tis madness to resist or blame
The face of angry Heaven's flame;
And if we would speak true,
Much to the man is due,

Who, from his private gardens, where
He lived reserved and austere
(As if his highest plot
To plant the bergamot),

Could by industrious valour climb
To ruin the great work of time,
And cast the Kingdoms old
Into another mould;

Though Justice against Fate complain,
And plead the ancient rights in vain—
But those do hold or break
As men are strong or weak—

Nature, that hateth emptiness,
Allows of penetration less,
And therefore must make room
Where greater spirits come.

What field of all the civil war
Where his were not the deepest scar?
And Hampton shows what part
He had of wiser art;

Where, twining subtle fears with hope,
He wove a net of such a scope
That Charles himself might chase
To Caresbrooke's narrow case;

That thence the Royal actor borne
The tragic scaffold might adorn:
While round the armed bands
Did clap their bloody hands.

He nothing common did or mean
Upon that memorable scene,
But with his keener eye
The axe's edge did try;

Nor call'd the gods, with vulgar spite,
To vindicate his helpless right;
But bow'd his comely head
Down, as upon a bed.

This was that memorable hour
Which first assured the forced power:
So when they did design
The Capitol's first line,

A Bleeding Head, where they begun,
Did fright the architects to run;
And yet in that the State
Foresaw its happy fate!

And now the Irish are ashamed
To see themselves in one year tamed:
So much one man can do
That does both act and know.

They can affirm his praises best,
And have, though overcome, confest
How good he is, how just
And fit for highest trust.

Nor yet grown stiffer with command,
But still in the republic's hand—
How fit he is to sway
That can so well obey!

He to the Commons' feet presents
A Kingdom for his first year's rents,
And, what he may, forbears
His fame, to make it theirs:

And has his sword and spoils ungirt
To lay them at the public's skirt.
So when the falcon high
Falls heavy from the sky,

She, having kill'd, no more doth search
But on the next green bough to perch;
Where, when he first does lure,
The falconer has her sure.

What may not then our Isle presume
While victory his crest does plume?
What may not others fear,
If thus he crowns each year?

As Caesar he, ere long, to Gaul,
To Italy an Hannibal,
And to all States not free
Shall climacteric be.

The Pict no shelter now shall find
Within his particolour'd mind,
But, from this valour, sad
Shrink underneath the plaid;

Happy, if in the tufted brake
The English hunter him mistake,
Nor lay his hounds in near
The Caledonian deer.

But thou, the war's and fortune's son,
March indefatigably on;
And for the last effect,
Still keep the sword erect:

Besides the force it has to fright
The spirits of the shady night,
The same arts that did gain
A power, must it maintain.

Andrew Marvell. 1621-1678

356. A Garden Written after the Civil Wars

SEE how the flowers, as at parade,
Under their colours stand display'd:
Each regiment in order grows,
That of the tulip, pink, and rose.
But when the vigilant patrol
Of stars walks round about the pole,
Their leaves, that to the stalks are curl'd,
Seem to their staves the ensigns furl'd.
Then in some flower's beloved hut
Each bee, as sentinel, is shut,
And sleeps so too; but if once stirr'd,
She runs you through, nor asks the word.
O thou, that dear and happy Isle,
The garden of the world erewhile,
Thou Paradise of the four seas
Which Heaven planted us to please,
But, to exclude the world, did guard
With wat'ry if not flaming sword;
What luckless apple did we taste
To make us mortal and thee waste!
Unhappy! shall we never more
That sweet militia restore,
When gardens only had their towers,
And all the garrisons were flowers;
When roses only arms might bear,
And men did rosy garlands wear?

Andrew Marvell. 1621-1678

357. To His Coy Mistress

HAD we but world enough, and time,
This coyness, Lady, were no crime
We would sit down and think which way
To walk and pass our long love's day.
Thou by the Indian Ganges' side
Shouldst rubies find: I by the tide
Of Humber would complain. I would
Love you ten years before the Flood,
And you should, if you please, refuse
Till the conversion of the Jews.
My vegetable love should grow
Vaster than empires, and more slow;
An hundred years should go to praise
Thine eyes and on thy forehead gaze;
Two hundred to adore each breast,
But thirty thousand to the rest;
An age at least to every part,
And the last age should show your heart.
For, Lady, you deserve this state,
Nor would I love at lower rate.
But at my back I always hear
Time's winged chariot hurrying near;
And yonder all before us lie
Deserts of vast eternity.
Thy beauty shall no more be found,
Nor, in thy marble vault, shall sound
My echoing song: then worms shall try
That long preserved virginity,
And your quaint honour turn to dust,
And into ashes all my lust:
The grave 's a fine and private place,
But none, I think, do there embrace.
Now therefore, while the youthful hue
Sits on thy skin like morning dew,
And while thy willing soul transpires
At every pore with instant fires,
Now let us sport us while we may,
And now, like amorous birds of prey,
Rather at once our time devour
Than languish in his slow-chapt power.
Let us roll all our strength and all
Our sweetness up into one ball,
And tear our pleasures with rough strife
Thorough the iron gates of life:
Thus, though we cannot make our sun
Stand still, yet we will make him run.

slow-chapt] slow-jawed, slowly devouring.

Andrew Marvell. 1621-1678

358. The Picture of Little T. C. in a Prospect of Flowers

SEE with what simplicity
This nymph begins her golden days!
In the green grass she loves to lie,
And there with her fair aspect tames
The wilder flowers, and gives them names;
But only with the roses plays,
And them does tell
What colour best becomes them, and what smell.

Who can foretell for what high cause
This darling of the gods was born?
Yet this is she whose chaster laws
The wanton Love shall one day fear,
And, under her command severe,
See his bow broke and ensigns torn.
Happy who can
Appease this virtuous enemy of man!

O then let me in time compound
And parley with those conquering eyes,
Ere they have tried their force to wound;
Ere with their glancing wheels they drive
In triumph over hearts that strive,
And them that yield but more despise:
Let me be laid,
Where I may see the glories from some shade.

Meantime, whilst every verdant thing
Itself does at thy beauty charm,
Reform the errors of the Spring;
Make that the tulips may have share
Of sweetness, seeing they are fair,
And roses of their thorns disarm;
But most procure
That violets may a longer age endure.

But O, young beauty of the woods,
Whom Nature courts with fruits and flowers,
Gather the flowers, but spare the buds;
Lest Flora, angry at thy crime
To kill her infants in their prime,
Do quickly make th' example yours;
And ere we see,
Nip in the blossom all our hopes and thee.

Andrew Marvell. 1621-1678

359. Thoughts in a Garden

HOW vainly men themselves amaze
To win the palm, the oak, or bays,
And their uncessant labours see
Crown'd from some single herb or tree,
Whose short and narrow-verged shade
Does prudently their toils upbraid;
While all the flowers and trees do close
To weave the garlands of repose!

Fair Quiet, have I found thee here,
And Innocence thy sister dear?
Mistaken long, I sought you then
In busy companies of men:
Your sacred plants, if here below,
Only among the plants will grow:
Society is all but rude
To this delicious solitude.

No white nor red was ever seen
So amorous as this lovely green.
Fond lovers, cruel as their flame,
Cut in these trees their mistress' name:
Little, alas! they know or heed
How far these beauties hers exceed!
Fair trees! wheres'e'er your barks I wound,
No name shall but your own be found.

When we have run our passions' heat,
Love hither makes his best retreat:
The gods, that mortal beauty chase,
Still in a tree did end their race;
Apollo hunted Daphne so
Only that she might laurel grow;
And Pan did after Syrinx speed
Not as a nymph, but for a reed.

What wondrous life in this I lead!
Ripe apples drop about my head;
The luscious clusters of the vine
Upon my mouth do crush their wine;
The nectarine and curious peach
Into my hands themselves do reach;
Stumbling on melons, as I pass,
Ensnared with flowers, I fall on grass.

Meanwhile the mind from pleasure less
Withdraws into its happiness;
The mind, that ocean where each kind
Does straight its own resemblance find;
Yet it creates, transcending these,
Far other worlds, and other seas;
Annihilating all that 's made
To a green thought in a green shade.

Here at the fountain's sliding foot,
Or at some fruit-tree's mossy root,
Casting the body's vest aside,
My soul into the boughs does glide;
There, like a bird, it sits and sings,
Then whets and combs its silver wings,
And, till prepared for longer flight,
Waves in its plumes the various light.

Such was that happy Garden-state
While man there walk'd without a mate:
After a place so pure and sweet,
What other help could yet be meet!
But 'twas beyond a mortal's share
To wander solitary there:
Two paradises 'twere in one,
To live in Paradise alone.

How well the skilful gard'ner drew
Of flowers and herbs this dial new!
Where, from above, the milder sun
Does through a fragrant zodiac run:
And, as it works, th' industrious bee
Computes its time as well as we.
How could such sweet and wholesome hours
Be reckon'd, but with herbs and flowers!

Andrew Marvell. 1621-1678

360. Bermudas

WHERE the remote Bermudas ride
In the ocean's bosom unespied,
From a small boat that row'd along
The listening woods received this song:

'What should we do but sing His praise
That led us through the watery maze
Unto an isle so long unknown,
And yet far kinder than our own?
Where He the huge sea-monsters wracks,
That lift the deep upon their backs,
He lands us on a grassy stage,
Safe from the storms' and prelates' rage:
He gave us this eternal Spring
Which here enamels everything,
And sends the fowls to us in care
On daily visits through the air:
He hangs in shades the orange bright
Like golden lamps in a green night,
And does in the pomegranates close
Jewels more rich than Ormus shows:
He makes the figs our mouths to meet
And throws the melons at our feet;
But apples plants of such a price,
No tree could ever bear them twice.
With cedars chosen by His hand
From Lebanon He stores the land;
And makes the hollow seas that roar
Proclaim the ambergris on shore.
He cast (of which we rather boast)
The Gospel's pearl upon our coast;
And in these rocks for us did frame
A temple where to sound His name.
O, let our voice His praise exalt
Till it arrive at Heaven's vault,
Which thence (perhaps) rebounding may
Echo beyond the Mexique bay!'

Thus sung they in the English boat
A holy and a cheerful note:
And all the way, to guide their chime,
With falling oars they kept the time.

Andrew Marvell. 1621-1678

361. An Epitaph

ENOUGH; and leave the rest to Fame!
'Tis to commend her, but to name.
Courtship which, living, she declined,
When dead, to offer were unkind:
Nor can the truest wit, or friend,
Without detracting, her commend.

To say—she lived a virgin chaste
In this age loose and all unlaced;
Nor was, when vice is so allowed,
Of virtue or ashamed or proud;
That her soul was on Heaven so bent,
No minute but it came and went;
That, ready her last debt to pay,
She summ'd her life up every day;
Modest as morn, as mid-day bright,
Gentle as evening, cool as night:
—'Tis true; but all too weakly said.
'Twas more significant, she's dead.

Henry Vaughan. 1621-1695

362. The Retreat

HAPPY those early days, when I
Shin'd in my Angel-infancy!
Before I understood this place
Appointed for my second race,
Or taught my soul to fancy aught
But a white celestial thought:
When yet I had not walk'd above
A mile or two from my first Love,
And looking back—at that short space—
Could see a glimpse of His bright face:
When on some gilded cloud, or flow'r,
My gazing soul would dwell an hour,
And in those weaker glories spy
Some shadows of eternity:
Before I taught my tongue to wound
My Conscience with a sinful sound,
Or had the black art to dispense
A several sin to ev'ry sense,
But felt through all this fleshly dress
Bright shoots of everlastingness.

O how I long to travel back,
And tread again that ancient track!
That I might once more reach that plain
Where first I left my glorious train;
From whence th' enlightned spirit sees
That shady City of Palm-trees.
But ah! my soul with too much stay
Is drunk, and staggers in the way!
Some men a forward motion love,
But I by backward steps would move;
And when this dust falls to the urn,
In that state I came, return.

Henry Vaughan. 1621-1695

363. Peace

MY soul, there is a country
Far beyond the stars,
Where stands a winged sentry
All skilful in the wars:
There, above noise and danger,
Sweet Peace sits crown'd with smiles,
And One born in a manger
Commands the beauteous files.
He is thy gracious Friend,
And—O my soul, awake!—
Did in pure love descend
To die here for thy sake.
If thou canst get but thither,
There grows the flower of Peace,
The Rose that cannot wither,
Thy fortress, and thy ease.
Leave then thy foolish ranges;
For none can thee secure
But One who never changes—
Thy God, thy life, thy cure.

Henry Vaughan. 1621-1695

364. The Timber

SURE thou didst flourish once! and many springs,
Many bright mornings, much dew, many showers,
Pass'd o'er thy head; many light hearts and wings,
Which now are dead, lodg'd in thy living bowers.

And still a new succession sings and flies;
Fresh groves grow up, and their green branches shoot
Towards the old and still enduring skies,
While the low violet thrives at their root.

But thou beneath the sad and heavy line
Of death, doth waste all senseless, cold, and dark;
Where not so much as dreams of light may shine,
Nor any thought of greenness, leaf, or bark.

And yet—as if some deep hate and dissent,
Bred in thy growth betwixt high winds and thee,
Were still alive—thou dost great storms resent
Before they come, and know'st how near they be.

Else all at rest thou liest, and the fierce breath
Of tempests can no more disturb thy ease;
But this thy strange resentment after death
Means only those who broke—in life—thy peace.

Henry Vaughan. 1621-1695

365. Friends Departed

THEY are all gone into the world of light!
And I alone sit ling'ring here;
Their very memory is fair and bright,
And my sad thoughts doth clear.

It glows and glitters in my cloudy breast,
Like stars upon some gloomy grove,
Or those faint beams in which this hill is drest
After the sun's remove.

I see them walking in an air of glory,
Whose light doth trample on my days:
My days, which are at best but dull and hoary,
Mere glimmering and decays.

O holy Hope! and high Humility,
High as the heavens above!
These are your walks, and you have show'd them me,
To kindle my cold love.

Dear, beauteous Death! the jewel of the Just,
Shining nowhere, but in the dark;
What mysteries do lie beyond thy dust,
Could man outlook that mark!

He that hath found some fledg'd bird's nest may know,
At first sight, if the bird be flown;
But what fair well or grove he sings in now,
That is to him unknown.

And yet as Angels in some brighter dreams
Call to the soul, when man doth sleep:
So some strange thoughts transcend our wonted themes,
And into glory peep.

If a star were confin'd into a tomb,
Her captive flames must needs burn there;
But when the hand that lock'd her up gives room,
She'll shine through all the sphere.

O Father of eternal life, and all
Created glories under Thee!
Resume Thy spirit from this world of thrall
Into true liberty.

Either disperse these mists, which blot and fill
My perspective still as they pass:
Or else remove me hence unto that hill,
Where I shall need no glass.

John Bunyan. 1628-1688

366. The Shepherd Boy sings in the Valley of Humiliation

HE that is down needs fear no fall,
He that is low, no pride;
He that is humble ever shall
Have God to be his guide.

I am content with what I have,
Little be it or much:
And, Lord, contentment still I crave,
Because Thou savest such.

Fullness to such a burden is
That go on pilgrimage:
Here little, and hereafter bliss,
Is best from age to age.

Ballads and Songs By Unknown Authors. 17th Cent.

367. Thomas the Rhymer

TRUE Thomas lay on Huntlie bank;
A ferlie he spied wi' his e'e;
And there he saw a ladye bright
Come riding down by the Eildon Tree.

Her skirt was o' the grass-green silk,
Her mantle o' the velvet fyne;
At ilka tett o' her horse's mane,
Hung fifty siller bells and nine.

True Thomas he pu'd aff his cap,
And louted low down on his knee
'Hail to thee Mary, Queen of Heaven!
For thy peer on earth could never be.'

'O no, O no, Thomas' she said,
'That name does not belang to me;
I'm but the Queen o' fair Elfland,
That am hither come to visit thee.

'Harp and carp, Thomas,' she said;
'Harp and carp along wi' me;
And if ye dare to kiss my lips,
Sure of your bodie I will be.'

'Betide me weal; betide me woe,
That weird shall never daunten me.'
Syne he has kiss'd her rosy lips,
All underneath the Eildon Tree.

'Now ye maun go wi' me,' she said,
'True Thomas, ye maun go wi' me;
And ye maun serve me seven years,
Thro' weal or woe as may chance to be.'

She 's mounted on her milk-white steed,
She 's ta'en true Thomas up behind;
And aye, whene'er her bridle rang,
The steed gaed swifter than the wind.

O they rade on, and farther on,
The steed gaed swifter than the wind;
Until they reach'd a desert wide,
And living land was left behind.

'Light down, light down now, true Thomas,
And lean your head upon my knee;
Abide ye there a little space,
And I will show you ferlies three.

'O see ye not yon narrow road,
So thick beset wi' thorns and briers?
That is the Path of Righteousness,
Though after it but few inquires.

'And see ye not yon braid, braid road,
That lies across the lily leven?
That is the Path of Wickedness,
Though some call it the Road to Heaven.

'And see ye not yon bonny road
That winds about the fernie brae?
That is the Road to fair Elfland,
Where thou and I this night maun gae.

'But, Thomas, ye sall haud your tongue,
Whatever ye may hear or see;
For speak ye word in Elfyn-land,
Ye'll ne'er win back to your ain countrie.'

O they rade on, and farther on,
And they waded rivers abune the knee;
And they saw neither sun nor moon,
But they heard the roaring of the sea.

It was mirk, mirk night, there was nae starlight,
They waded thro' red blude to the knee;
For a' the blude that 's shed on the earth
Rins through the springs o' that countrie.

Syne they came to a garden green,
And she pu'd an apple frae a tree:
'Take this for thy wages, true Thomas;
It will give thee the tongue that can never lee.'

'My tongue is my ain,' true Thomas he said;
'A gudely gift ye wad gie to me!
I neither dought to buy or sell
At fair or tryst where I might be.

'I dought neither speak to prince or peer,
Nor ask of grace from fair ladye!'—
'Now haud thy peace, Thomas,' she said,
'For as I say, so must it be.'

He has gotten a coat of the even cloth,
And a pair o' shoon of the velvet green;
And till seven years were gane and past,
True Thomas on earth was never seen.

ferlie] marvel. tett] tuft, lock. harp and carp] play and recite (as a minstrel). leven] ?lawn. dought] could.

Ballads and Songs By Unknown Authors. 17th Cent.

368. Sir Patrick Spens

I. The Sailing

THE king sits in Dunfermline town
Drinking the blude-red wine;
'O whare will I get a skeely skipper
To sail this new ship o' mine?'

O up and spak an eldern knight,
Sat at the king's right knee;
'Sir Patrick Spens is the best sailor
That ever sail'd the sea.'

Our king has written a braid letter,
And seal'd it with his hand,
And sent it to Sir Patrick Spens,
Was walking on the strand.

'To Noroway, to Noroway,
To Noroway o'er the faem;
The king's daughter o' Noroway,
'Tis thou must bring her hame.'

The first word that Sir Patrick read
So loud, loud laugh'd he;
The neist word that Sir Patrick read
The tear blinded his e'e.

'O wha is this has done this deed
And tauld the king o' me,
To send us out, at this time o' year,
To sail upon the sea?

'Be it wind, be it weet, be it hail, be it sleet,
Our ship must sail the faem;
The king's daughter o' Noroway,
'Tis we must fetch her hame.'

They hoysed their sails on Monenday morn
Wi' a' the speed they may;
They hae landed in Noroway
Upon a Wodensday.

II. The Return

'Mak ready, mak ready, my merry men a'!
Our gude ship sails the morn.'
'Now ever alack, my master dear,
I fear a deadly storm.

'I saw the new moon late yestreen
Wi' the auld moon in her arm;
And if we gang to sea, master,
I fear we'll come to harm.'

They hadna sail'd a league, a league,
A league but barely three,
When the lift grew dark, and the wind blew loud,
And gurly grew the sea.

The ankers brak, and the topmast lap,
It was sic a deadly storm:
And the waves cam owre the broken ship
Till a' her sides were torn.

'Go fetch a web o' the silken claith,
Another o' the twine,
And wap them into our ship's side,
And let nae the sea come in.'

They fetch'd a web o' the silken claith,
Another o' the twine,
And they wapp'd them round that gude ship's side,
But still the sea came in.

O laith, laith were our gude Scots lords
To wet their cork-heel'd shoon;
But lang or a' the play was play'd
They wat their hats aboon.

And mony was the feather bed
That flatter'd on the faem;
And mony was the gude lord's son
That never mair cam hame.

O lang, lang may the ladies sit,
Wi' their fans into their hand,
Before they see Sir Patrick Spens
Come sailing to the strand!

And lang, lang may the maidens sit
Wi' their gowd kames in their hair,
A-waiting for their ain dear loves!
For them they'll see nae mair.

Half-owre, half-owre to Aberdour,
'Tis fifty fathoms deep;
And there lies gude Sir Patrick Spens,
Wi' the Scots lords at his feet!

skeely] skilful. lift] sky. lap] sprang. flatter'd] tossed afloat. kames] combs.

Ballads and Songs By Unknown Authors. 17th Cent.

369. The Lass of Lochroyan

'O WHA will shoe my bonny foot?
And wha will glove my hand?
And wha will bind my middle jimp
Wi' a lang, lang linen band?

'O wha will kame my yellow hair,
With a haw bayberry kame?
And wha will be my babe's father
Till Gregory come hame?'

'They father, he will shoe thy foot,
Thy brother will glove thy hand,
Thy mither will bind thy middle jimp
Wi' a lang, lang linen band.

'Thy sister will kame thy yellow hair,
Wi' a haw bayberry kame;
The Almighty will be thy babe's father
Till Gregory come hame.'

'And wha will build a bonny ship,
And set it on the sea?
For I will go to seek my love,
My ain love Gregory.'

Up then spak her father dear,
A wafu' man was he;
'And I will build a bonny ship,
And set her on the sea.

'And I will build a bonny ship,
And set her on the sea,
And ye sal gae and seek your love,
Your ain love Gregory.'

Then he 's gart build a bonny ship,
And set it on the sea,
Wi' four-and-twenty mariners,
To bear her company.

O he 's gart build a bonny ship,
To sail on the salt sea;
The mast was o' the beaten gold,
The sails o' cramoisie.

The sides were o' the gude stout aik,
The deck o' mountain pine,
The anchor o' the silver shene,
The ropes o' silken twine.

She hadna sail'd but twenty leagues,
But twenty leagues and three,
When she met wi' a rank reiver,
And a' his companie.

'Now are ye Queen of Heaven hie,
Come to pardon a' our sin?
Or are ye Mary Magdalane,
Was born at Bethlam?'

'I'm no the Queen of Heaven hie,
Come to pardon ye your sin,
Nor am I Mary Magdalane,
Was born in Bethlam.

'But I'm the lass of Lochroyan,
That 's sailing on the sea
To see if I can find my love,
My ain love Gregory.'

'O see na ye yon bonny bower?
It 's a' covered owre wi' tin;
When thou hast sail'd it round about,
Lord Gregory is within.'

And when she saw the stately tower,
Shining both clear and bright,
Whilk stood aboon the jawing wave,
Built on a rock of height,

Says, 'Row the boat, my mariners,
And bring me to the land,
For yonder I see my love's castle,
Close by the salt sea strand.'

She sail'd it round, and sail'd it round,
And loud and loud cried she,
'Now break, now break your fairy charms,
And set my true-love free.'

She 's ta'en her young son in her arms,
And to the door she 's gane,
And long she knock'd, and sair she ca'd.
But answer got she nane.

'O open, open, Gregory!
O open! if ye be within;
For here 's the lass of Lochroyan,
Come far fra kith and kin.

'O open the door, Lord Gregory!
O open and let me in!
The wind blows loud and cauld, Gregory,
The rain drops fra my chin.

'The shoe is frozen to my foot,
The glove unto my hand,
The wet drops fra my yellow hair,
Na langer dow I stand.'

O up then spak his ill mither,
—An ill death may she die!
'Ye're no the lass of Lochroyan,
She 's far out-owre the sea.

'Awa', awa', ye ill woman,
Ye're no come here for gude;
Ye're but some witch or wil' warlock,
Or mermaid o' the flood.'

'I am neither witch nor wil' warlock,
Nor mermaid o' the sea,
But I am Annie of Lochroyan,
O open the door to me!'

'Gin ye be Annie of Lochroyan,
As I trow thou binna she,
Now tell me of some love-tokens
That pass'd 'tween thee and me.'

'O dinna ye mind, love Gregory,
As we sat at the wine,
We changed the rings frae our fingers?
And I can shew thee thine.

'O yours was gude, and gude enough,
But ay the best was mine,
For yours was o' the gude red gowd,
But mine o' the diamond fine.

'Yours was o' the gude red gowd,
Mine o' the diamond fine;
Mine was o' the purest troth,
But thine was false within.'

'If ye be the lass of Lochroyan,
As I kenna thou be,
Tell me some mair o' the love-tokens
Pass'd between thee and me.'

'And dinna ye mind, love Gregory!
As we sat on the hill,
Thou twin'd me o' my maidenheid,
Right sair against my will?

'Now open the door, love Gregory!
Open the door! I pray;
For thy young son is in my arms,
And will be dead ere day.'

'Ye lie, ye lie, ye ill woman,
So loud I hear ye lie;
For Annie of the Lochroyan
Is far out-owre the sea.'

Fair Annie turn'd her round about:
'Weel, sine that it be sae,
May ne'er woman that has borne a son
Hae a heart sae fu' o' wae!

'Tak down, tak down that mast o' gowd,
Set up a mast of tree;
It disna become a forsaken lady
To sail sae royallie.'

When the cock has crawn, and the day did dawn,
And the sun began to peep,
Up than raise Lord Gregory,
And sair, sair did he weep.

'O I hae dream'd a dream, mither,
I wish it may bring good!
That the bonny lass of Lochroyan
At my bower window stood.

'O I hae dream'd a dream, mither,
The thought o't gars me greet!
That fair Annie of Lochroyan
Lay dead at my bed-feet.'

'Gin it be for Annie of Lochroyan
That ye mak a' this mane,
She stood last night at your bower-door,
But I hae sent her hame.'

'O wae betide ye, ill woman,
An ill death may ye die!
That wadna open the door yoursell
Nor yet wad waken me.'

O he 's gane down to yon shore-side,
As fast as he could dree,
And there he saw fair Annie's bark
A rowing owre the sea.

'O Annie, Annie,' loud he cried,
'O Annie, O Annie, bide!'
But ay the mair he cried 'Annie,'
The braider grew the tide.

'O Annie, Annie, dear Annie,
Dear Annie, speak to me!'
But ay the louder he gan call,
The louder roar'd the sea.

The wind blew loud, the waves rose hie
And dash'd the boat on shore;
Fair Annie's corpse was in the faem,
The babe rose never more.

Lord Gregory tore his gowden locks
And made a wafu' moan;
Fair Annie's corpse lay at his feet,
His bonny son was gone.

'O cherry, cherry was her cheek,
And gowden was her hair,
And coral, coral was her lips,
Nane might with her compare.'

Then first he kiss'd her pale, pale cheek,
And syne he kiss'd her chin,
And syne he kiss'd her wane, wane lips,
There was na breath within.

'O wae betide my ill mither,
An ill death may she die!
She turn'd my true-love frae my door,
Who cam so far to me.

'O wae betide my ill mither,
An ill death may she die!
She has no been the deid o' ane,
But she 's been the deid of three.'

Then he 's ta'en out a little dart,
Hung low down by his gore,
He thrust it through and through his heart,
And words spak never more.

jimp] trim. kame] comb. haw bayberry] ?a corruption for 'braw ivory': or bayberry may=laurel-wood. cramoisie] crimson. reiver] robber. dow] can. gore] skirt, waist.

Ballads and Songs By Unknown Authors. 17th Cent.

370. The Dowie Houms of Yarrow

LATE at een, drinkin' the wine,
And ere they paid the lawin',
They set a combat them between,
To fight it in the dawin'.

'O stay at hame, my noble lord!
O stay at hame, my marrow!
My cruel brother will you betray,
On the dowie houms o' Yarrow.'

'O fare ye weel, my lady gay!
O fare ye weel, my Sarah!
For I maun gae, tho' I ne'er return
Frae the dowie banks o' Yarrow.'

She kiss'd his cheek, she kamed his hair,
As she had done before, O;
She belted on his noble brand,
An' he 's awa to Yarrow.

O he 's gane up yon high, high hill—
I wat he gaed wi' sorrow—
An' in a den spied nine arm'd men,
I' the dowie houms o' Yarrow.

'O are ye come to drink the wine,
As ye hae doon before, O?
Or are ye come to wield the brand,
On the dowie banks o' Yarrow?'

'I am no come to drink the wine,
As I hae don before, O,
But I am come to wield the brand,
On the dowie houms o' Yarrow.'

Four he hurt, an' five he slew,
On the dowie houms o' Yarrow,
Till that stubborn knight came him behind,
An' ran his body thorrow.

'Gae hame, gae hame, good brother John,
An' tell your sister Sarah
To come an' lift her noble lord,
Who 's sleepin' sound on Yarrow.'

'Yestreen I dream'd a dolefu' dream;
I ken'd there wad be sorrow;
I dream'd I pu'd the heather green,
On the dowie banks o' Yarrow.'

She gaed up yon high, high hill—
I wat she gaed wi' sorrow—
An' in a den spied nine dead men,
On the dowie houms o' Yarrow.

She kiss'd his cheek, she kamed his hair,
As oft she did before, O;
She drank the red blood frae him ran,
On the dowie houms o' Yarrow.

'O haud your tongue, my douchter dear,
For what needs a' this sorrow?
I'll wed you on a better lord
Than him you lost on Yarrow.'

'O haud your tongue, my father dear,
An' dinna grieve your Sarah;
A better lord was never born
Than him I lost on Yarrow.

'Tak hame your ousen, tak hame your kye,
For they hae bred our sorrow;
I wiss that they had a' gane mad
When they cam first to Yarrow.'

lawin'] reckoning. marrow] mate, husband or wife. dowie] doleful. houms] water-meads.

Ballads and Songs By Unknown Authors. 17th Cent.

371. Clerk Saunders

CLERK SAUNDERS and may Margaret
Walk'd owre yon garden green;
And deep and heavy was the love
That fell thir twa between.

'A bed, a bed,' Clerk Saunders said,
'A bed for you and me!'
'Fye na, fye na,' said may Margaret,
'Till anes we married be!'

'Then I'll take the sword frae my scabbard
And slowly lift the pin;
And you may swear, and save your aith,
Ye ne'er let Clerk Saunders in.

'Take you a napkin in your hand,
And tie up baith your bonnie e'en,
And you may swear, and save your aith,
Ye saw me na since late yestreen.'

It was about the midnight hour,
When they asleep were laid,
When in and came her seven brothers,
Wi' torches burning red:

When in and came her seven brothers,
Wi' torches burning bright:
They said, 'We hae but one sister,
And behold her lying with a knight!'

Then out and spake the first o' them,
'I bear the sword shall gar him die.'
And out and spake the second o' them,
'His father has nae mair but he.'

And out and spake the third o' them,
'I wot that they are lovers dear.'
And out and spake the fourth o' them,
'They hae been in love this mony a year.'

Then out and spake the fifth o' them,
'It were great sin true love to twain.'
And out and spake the sixth o' them,
'It were shame to slay a sleeping man.'

Then up and gat the seventh o' them,
And never a word spake he;
But he has striped his bright brown brand
Out through Clerk Saunders' fair bodye.

Clerk Saunders he started, and Margaret she turn'd
Into his arms as asleep she lay;
And sad and silent was the night
That was atween thir twae.

And they lay still and sleepit sound
Until the day began to daw';
And kindly she to him did say,
'It is time, true love, you were awa'.'

But he lay still, and sleepit sound,
Albeit the sun began to sheen;
She look'd atween her and the wa',
And dull and drowsie were his e'en.

Then in and came her father dear;
Said, 'Let a' your mourning be;
I'll carry the dead corse to the clay,
And I'll come back and comfort thee.'

'Comfort weel your seven sons,
For comforted I will never be:
I ween 'twas neither knave nor loon
Was in the bower last night wi' me.'

The clinking bell gaed through the town,
To carry the dead corse to the clay;
And Clerk Saunders stood at may Margaret's window,
I wot, an hour before the day.

'Are ye sleeping, Marg'ret?' he says,
'Or are ye waking presentlie?
Give me my faith and troth again,
I wot, true love, I gied to thee.'

'Your faith and troth ye sall never get,
Nor our true love sall never twin,
Until ye come within my bower,
And kiss me cheik and chin.'

'My mouth it is full cold, Marg'ret;
It has the smell, now, of the ground;
And if I kiss thy comely mouth,
Thy days of life will not be lang.

'O cocks are crowing a merry midnight;
I wot the wild fowls are boding day;
Give me my faith and troth again,
And let me fare me on my way.'

'Thy faith and troth thou sallna get,
And our true love sall never twin,
Until ye tell what comes o' women,
I wot, who die in strong traivelling?'

'Their beds are made in the heavens high,
Down at the foot of our good Lord's knee,
Weel set about wi' gillyflowers;
I wot, sweet company for to see.

'O cocks are crowing a merry midnight;
I wot the wild fowls are boding day;
The psalms of heaven will soon be sung,
And I, ere now, will be miss'd away.'

Then she has taken a crystal wand,
And she has stroken her troth thereon;
She has given it him out at the shot-window,
Wi' mony a sad sigh and heavy groan.

'I thank ye, Marg'ret; I thank ye, Marg'ret;
And ay I thank ye heartilie;
Gin ever the dead come for the quick,
Be sure, Marg'ret, I'll come for thee.'

It 's hosen and shoon, and gown alone,
She climb'd the wall, and follow'd him,
Until she came to the green forest,
And there she lost the sight o' him.

'Is there ony room at your head, Saunders?
Is there ony room at your feet?
Or ony room at your side, Saunders,
Where fain, fain, I wad sleep?'

'There 's nae room at my head, Marg'ret,
There 's nae room at my feet;
My bed it is fu' lowly now,
Amang the hungry worms I sleep.

'Cauld mould is my covering now,
But and my winding-sheet;
The dew it falls nae sooner down
Than my resting-place is weet.

'But plait a wand o' bonny birk,
And lay it on my breast;
And shed a tear upon my grave,
And wish my saul gude rest.'

Then up and crew the red, red cock,
And up and crew the gray:
''Tis time, 'tis time, my dear Marg'ret,
That you were going away.

'And fair Marg'ret, and rare Marg'ret,
And Marg'ret o' veritie,
Gin e'er ye love another man,
Ne'er love him as ye did me.'

striped] thrust. twin] part in two.

Ballads and Songs By Unknown Authors. 17th Cent.

372. Fair Annie

THE reivers they stole Fair Annie,
As she walk'd by the sea;
But a noble knight was her ransom soon,
Wi' gowd and white monie.

She bided in strangers' land wi' him,
And none knew whence she cam;
She lived in the castle wi' her love,
But never told her name.

'It 's narrow, narrow, mak your bed,
And learn to lie your lane;
For I'm gaun owre the sea, Fair Annie,
A braw Bride to bring hame.
Wi' her I will get gowd and gear,
Wi' you I ne'er gat nane.

'But wha will bake my bridal bread,
Or brew my bridal ale?
And wha will welcome my bright Bride,
That I bring owre the dale?'

It 's I will bake your bridal bread,
And brew your bridal ale;
And I will welcome your bright Bride,
That you bring owre the dale.'

'But she that welcomes my bright Bride
Maun gang like maiden fair;
She maun lace on her robe sae jimp,
And comely braid her hair.

'Bind up, bind up your yellow hair,
And tie it on your neck;
And see you look as maiden-like
As the day that first we met.'

'O how can I gang maiden-like,
When maiden I am nane?
Have I not borne six sons to thee,
And am wi' child again?'

'I'll put cooks into my kitchen,
And stewards in my hall,
And I'll have bakers for my bread,
And brewers for my ale;
But you're to welcome my bright Bride,
That I bring owre the dale.'

Three months and a day were gane and past,
Fair Annie she gat word
That her love's ship was come at last,
Wi' his bright young Bride aboard.

She 's ta'en her young son in her arms,
Anither in her hand;
And she 's gane up to the highest tower,
Looks over sea and land.

'Come doun, come doun, my mother dear,
Come aff the castle wa'!
I fear if langer ye stand there,
Ye'll let yoursell doun fa'.'

She 's ta'en a cake o' the best bread,
A stoup o' the best wine,
And a' the keys upon her arm,
And to the yett is gane.

'O ye're welcome hame, my ain gude lord,
To your castles and your towers;
Ye're welcome hame, my ain gude lord,
To your ha's, but and your bowers.
And welcome to your hame, fair lady!
For a' that 's here is yours.'

'O whatna lady 's that, my lord,
That welcomes you and me?
Gin I be lang about this place,
Her friend I mean to be.'

Fair Annie served the lang tables
Wi' the white bread and the wine;
But ay she drank the wan water
To keep her colour fine.

And she gaed by the first table,
And smiled upon them a';
But ere she reach'd the second table,
The tears began to fa'.

She took a napkin lang and white,
And hung it on a pin;
It was to wipe away the tears,
As she gaed out and in.

When bells were rung and mass was sung,
And a' men bound for bed,
The bridegroom and the bonny Bride
In ae chamber were laid.

Fair Annie's ta'en a harp in her hand,
To harp thir twa asleep;
But ay, as she harpit and she sang,
Fu' sairly did she weep.

'O gin my sons were seven rats,
Rinnin' on the castle wa',
And I mysell a great grey cat,
I soon wad worry them a'!

'O gin my sons were seven hares,
Rinnin' owre yon lily lea,
And I mysell a good greyhound,
Soon worried they a' should be!'

Then out and spak the bonny young Bride,
In bride-bed where she lay:
'That 's like my sister Annie,' she says;
'Wha is it doth sing and play?

'I'll put on my gown,' said the new-come Bride,
'And my shoes upon my feet;
I will see wha doth sae sadly sing,
And what is it gars her greet.

'What ails you, what ails you, my housekeeper,
That ye mak sic a mane?
Has ony wine-barrel cast its girds,
Or is a' your white bread gane?'

'It isna because my wine is spilt,
Or that my white bread's gane;
But because I've lost my true love's love,
And he 's wed to anither ane.'

'Noo tell me wha was your father?' she says,
'Noo tell me wha was your mother?
And had ye ony sister?' she says,
'And had ye ever a brother?'

'The Earl of Wemyss was my father,
The Countess of Wemyss my mother,
Young Elinor she was my sister dear,
And Lord John he was my brother.'

'If the Earl of Wemyss was your father,
I wot sae was he mine;
And it 's O my sister Annie!
Your love ye sallna tyne.

'Tak your husband, my sister dear;
You ne'er were wrang'd for me,
Beyond a kiss o' his merry mouth
As we cam owre the sea.

'Seven ships, loaded weel,
Cam owre the sea wi' me;
Ane o' them will tak me hame,
And six I'll gie to thee.'

jimp] trim. yett] gate. tyne] lose.

Ballads and Songs By Unknown Authors. 17th Cent.

373. Edward, Edward

'WHY does your brand sae drop wi' blude,
Edward, Edward?
Why does your brand sae drop wi' blude,
And why sae sad gang ye, O?'
'O I hae kill'd my hawk sae gude,
Mither, mither;
O I hae kill'd my hawk sae gude,
And I had nae mair but he, O.'

'Your hawk's blude was never sae red,
Edward, Edward;
Your hawk's blude was never sae red,
My dear son, I tell thee, O.'
'O I hae kill'd my red-roan steed,
Mither, mither;
O I hae kill'd my red-roan steed,
That erst was sae fair and free, O.'

'Your steed was auld, and ye hae got mair,
Edward, Edward;
Your steed was auld, and ye hae got mair;
Some other dule ye dree, O.'
'O I hae kill'd my father dear,
Mither, mither;
O I hae kill'd my father dear,
Alas, and wae is me, O!'

'And whatten penance will ye dree for that,
Edward, Edward?
Whatten penance will ye dree for that?
My dear son, now tell me, O.'
'I'll set my feet in yonder boat,
Mither, mither;
I'll set my feet in yonder boat,
And I'll fare over the sea, O.'

'And what will ye do wi' your tow'rs and your ha',
Edward, Edward?
And what will ye do wi' your tow'rs and your ha',
That were sae fair to see, O?'
'I'll let them stand till they doun fa',
Mither, mither;
I'll let them stand till they doun fa',
For here never mair maun I be, O.'

'And what will ye leave to your bairns and your wife,
Edward, Edward?
And what will ye leave to your bairns and your wife,
When ye gang owre the sea, O?'
'The warld's room: let them beg through life,
Mither, mither;
The warld's room: let them beg through life;
For them never mair will I see, O.'

'And what will ye leave to your ain mither dear,
Edward, Edward?
And what will ye leave to your ain mither dear,
My dear son, now tell me, O?'

'The curse of hell frae me sall ye bear,
Mither, mither;
The curse of hell frae me sall ye bear:
Sic counsels ye gave to me, O!'

dule ye dree] grief you suffer.

Ballads and Songs By Unknown Authors. 17th Cent.

374. Edom o' Gordon

IT fell about the Martinmas,
When the wind blew shrill and cauld,
Said Edom o' Gordon to his men,
'We maun draw to a hauld.

'And what a hauld sall we draw to,
My merry men and me?
We will gae to the house o' the Rodes,
To see that fair ladye.'

The lady stood on her castle wa',
Beheld baith dale and down;
There she was ware of a host of men
Cam riding towards the town.

'O see ye not, my merry men a',
O see ye not what I see?
Methinks I see a host of men;
I marvel wha they be.'

She ween'd it had been her lovely lord,
As he cam riding hame;
It was the traitor, Edom o' Gordon,
Wha reck'd nae sin nor shame.

She had nae sooner buskit hersell,
And putten on her gown,
But Edom o' Gordon an' his men
Were round about the town.

They had nae sooner supper set,
Nae sooner said the grace,
But Edom o' Gordon an' his men
Were lighted about the place.

The lady ran up to her tower-head,
Sae fast as she could hie,
To see if by her fair speeches
She could wi' him agree.

'Come doun to me, ye lady gay,
Come doun, come doun to me;
This night sall ye lig within mine arms,
To-morrow my bride sall be.'

'I winna come down, ye fals Gordon,
I winna come down to thee;
I winna forsake my ain dear lord,
That is sae far frae me.'

'Gie owre your house, ye lady fair,
Gie owre your house to me;
Or I sall brenn yoursel therein,
But and your babies three.'

'I winna gie owre, ye fals Gordon,
To nae sic traitor as yee;
And if ye brenn my ain dear babes,
My lord sall mak ye dree.

'Now reach my pistol, Glaud, my man,
And charge ye weel my gun;
For, but an I pierce that bluidy butcher,
My babes, we been undone!'

She stood upon her castle wa',
And let twa bullets flee:
She miss'd that bluidy butcher's heart,
And only razed his knee.

'Set fire to the house!' quo' fals Gordon,
All wud wi' dule and ire:
'Fals lady, ye sall rue this deid
As ye brenn in the fire!'

Wae worth, wae worth ye, Jock, my man!
I paid ye weel your fee;
Why pu' ye out the grund-wa' stane,
Lets in the reek to me?

'And e'en wae worth ye, Jock, my man!
I paid ye weel your hire;
Why pu' ye out the grund-wa' stane,
To me lets in the fire?'

'Ye paid me weel my hire, ladye,
Ye paid me weel my fee:
But now I'm Edom o' Gordon's man—
Maun either do or die.'

O then bespake her little son,
Sat on the nurse's knee:
Says, 'Mither dear, gie owre this house,
For the reek it smithers me.'

'I wad gie a' my gowd, my bairn,
Sae wad I a' my fee,
For ae blast o' the western wind,
To blaw the reek frae thee.'

O then bespake her dochter dear—
She was baith jimp and sma':
'O row me in a pair o' sheets,
And tow me owre the wa'!'

They row'd her in a pair o' sheets,
And tow'd her owre the wa';
But on the point o' Gordon's spear
She gat a deadly fa'.

O bonnie, bonnie was her mouth,
And cherry were her cheiks,
And clear, clear was her yellow hair,
Whereon the red blood dreips.

Then wi' his spear he turn'd her owre;
O gin her face was wane!
He said, 'Ye are the first that e'er
I wish'd alive again.'

He turn'd her owre and owre again;
O gin her skin was white!
'I might hae spared that bonnie face
To hae been some man's delight.

'Busk and boun, my merry men a',
For ill dooms I do guess;
I canna look in that bonnie face
As it lies on the grass.'

'Wha looks to freits, my master dear,
It 's freits will follow them;
Let it ne'er be said that Edom o' Gordon
Was daunted by a dame.'

But when the lady saw the fire
Come flaming owre her head,
She wept, and kiss'd her children twain,
Says, 'Bairns, we been but dead.'

The Gordon then his bugle blew,
And said, 'Awa', awa'!
This house o' the Rodes is a' in a flame;
I hauld it time to ga'.'

And this way lookit her ain dear lord,
As he cam owre the lea;
He saw his castle a' in a lowe,
As far as he could see.

The sair, O sair, his mind misgave,
And all his heart was wae:
'Put on, put on, my wighty men,
Sae fast as ye can gae.

'Put on, put on, my wighty men,
Sae fast as ye can drie!
For he that 's hindmost o' the thrang
Sall ne'er get good o' me.'

Then some they rade, and some they ran,
Out-owre the grass and bent;
But ere the foremost could win up,
Baith lady and babes were brent.

And after the Gordon he is gane,
Sae fast as he might drie;
And soon i' the Gordon's foul heart's blude
He 's wroken his dear ladye.

town] stead. buskit] attired. wud] mad. grund-wa'] ground-wall. jimp] slender, trim. row] roll, wrap. Busk and boun] trim up and prepare to go. freits] ill omens. lowe] flame. wighty] stout, doughty.

Ballads and Songs By Unknown Authors. 17th Cent.

375. The Queen's Marie

MARIE HAMILTON 's to the kirk gane,
Wi' ribbons in her hair;
The King thought mair o' Marie Hamilton
Than ony that were there.

Marie Hamilton 's to the kirk gane
Wi' ribbons on her breast;
The King thought mair o' Marie Hamilton
Than he listen'd to the priest.

Marie Hamilton 's to the kirk gane,
Wi' gloves upon her hands;
The King thought mair o' Marie Hamilton
Than the Queen and a' her lands.

She hadna been about the King's court
A month, but barely one,
Till she was beloved by a' the King's court
And the King the only man.

She hadna been about the King's court
A month, but barely three,
Till frae the King's court Marie Hamilton,
Marie Hamilton durstna be.

The King is to the Abbey gane,
To pu' the Abbey tree,
To scale the babe frae Marie's heart;
But the thing it wadna be.

O she has row'd it in her apron,
And set it on the sea—
'Gae sink ye or swim ye, bonny babe,
Ye'se get nae mair o' me.'

Word is to the kitchen gane,
And word is to the ha',
And word is to the noble room
Amang the ladies a',
That Marie Hamilton 's brought to bed,
And the bonny babe 's miss'd and awa'.

Scarcely had she lain down again,
And scarcely fa'en asleep,
When up and started our gude Queen
Just at her bed-feet;
Saying—'Marie Hamilton, where 's your babe?
For I am sure I heard it greet.'

'O no, O no, my noble Queen!
Think no sic thing to be;
'Twas but a stitch into my side,
And sair it troubles me!'

'Get up, get up, Marie Hamilton:
Get up and follow me;
For I am going to Edinburgh town,
A rich wedding for to see.'

O slowly, slowly rase she up,
And slowly put she on;
And slowly rade she out the way
Wi' mony a weary groan.

The Queen was clad in scarlet,
Her merry maids all in green;
And every town that they cam to,
They took Marie for the Queen.

'Ride hooly, hooly, gentlemen,
Ride hooly now wi' me!
For never, I am sure, a wearier burd
Rade in your companie.'—

But little wist Marie Hamilton,
When she rade on the brown,
That she was gaen to Edinburgh town,
And a' to be put down.

'Why weep ye so, ye burgess wives,
Why look ye so on me?
O I am going to Edinburgh town,
A rich wedding to see.'

When she gaed up the tolbooth stairs,
The corks frae her heels did flee;
And lang or e'er she cam down again,
She was condemn'd to die.

When she cam to the Netherbow port,
She laugh'd loud laughters three;
But when she came to the gallows foot
The tears blinded her e'e.

'Yestreen the Queen had four Maries,
The night she'll hae but three;
There was Marie Seaton, and Marie Beaton,
And Marie Carmichael, and me.

'O often have I dress'd my Queen
And put gowd upon her hair;
But now I've gotten for my reward
The gallows to be my share.

'Often have I dress'd my Queen
And often made her bed;
But now I've gotten for my reward
The gallows tree to tread.

'I charge ye all, ye mariners,
When ye sail owre the faem,
Let neither my father nor mother get wit
But that I'm coming hame.

'I charge ye all, ye mariners,
That sail upon the sea,
That neither my father nor mother get wit
The dog's death I'm to die.

'For if my father and mother got wit,
And my bold brethren three,
O mickle wad be the gude red blude
This day wad be spilt for me!

'O little did my mother ken,
The day she cradled me,
The lands I was to travel in
Or the death I was to die!

wroken] avenged. row'd] rolled, wrapped. greet] cry. hooly] gently.

Ballads and Songs By Unknown Authors. 17th Cent.

376. Binnorie

THERE were twa sisters sat in a bour;
Binnorie, O Binnorie!
There cam a knight to be their wooer,
By the bonnie milldams o' Binnorie.

He courted the eldest with glove and ring,
But he lo'ed the youngest abune a thing.

The eldest she was vexed sair,
And sair envìed her sister fair.

Upon a morning fair and clear,
She cried upon her sister dear:

'O sister, sister tak my hand,
And let 's go down to the river-strand.'

She 's ta'en her by the lily hand,
And led her down to the river-strand.

The youngest stood upon a stane,
The eldest cam and push'd her in.

'O sister, sister reach your hand!
And ye sall be heir o' half my land:

'O sister, reach me but your glove!
And sweet William sall be your love.'

Sometimes she sank, sometimes she swam,
Until she cam to the miller's dam.

Out then cam the miller's son,
And saw the fair maid soummin' in.

'O father, father draw your dam!
There 's either a mermaid or a milk-white swan.'

The miller hasted and drew his dam,
And there he found a drown'd women.

You couldna see her middle sma',
Her gowden girdle was sae braw.

You couldna see her lily feet,
Her gowden fringes were sae deep.

All amang her yellow hair
A string o' pearls was twisted rare.

You couldna see her fingers sma',
Wi' diamond rings they were cover'd a'.

And by there cam a harper fine,
That harpit to the king at dine.

And when he look'd that lady on,
He sigh'd and made a heavy moan.

He 's made a harp of her breast-bane,
Whose sound wad melt a heart of stane.

He 's ta'en three locks o' her yellow hair,
And wi' them strung his harp sae rare.

He went into her father's hall,
And there was the court assembled all.

He laid his harp upon a stane,
And straight it began to play by lane.

'O yonder sits my father, the King,
And yonder sits my mother, the Queen;

'And yonder stands my brother Hugh,
And by him my William, sweet and true.'

But the last tune that the harp play'd then—
Binnorie, O Binnorie!
Was, 'Woe to my sister, false Helen!'
By the bonnie milldams o' Binnorie.

soummin'] swimming.

Ballads and Songs By Unknown Authors. 17th Cent.

377. The Bonnie House o' Airlie

IT fell on a day, and a bonnie simmer day,
When green grew aits and barley,
That there fell out a great dispute
Between Argyll and Airlie.

Argyll has raised an hunder men,
An hunder harness'd rarely,
And he 's awa' by the back of Dunkell,
To plunder the castle of Airlie.

Lady Ogilvie looks o'er her bower-window,
And O but she looks warely!
And there she spied the great Argyll,
Come to plunder the bonnie house of Airlie.

'Come down, come down, my Lady Ogilvie,
Come down and kiss me fairly:'
'O I winna kiss the fause Argyll,
If he shouldna leave a standing stane in Airlie.'

He hath taken her by the left shoulder,
Says, 'Dame, where lies thy dowry?'
'O it 's east and west yon wan water side,
And it 's down by the banks of the Airlie.'

They hae sought it up, they hae sought it down,
They hae sought it maist severely,
Till they fand it in the fair plum-tree
That shines on the bowling-green of Airlie.

He hath taken her by the middle sae small,
And O but she grat sairly!
And laid her down by the bonnie burn-side,
Til they plunder'd the castle of Airlie.

'Gif my gude lord war here this night,
As he is with King Charlie,
Neither you, nor ony ither Scottish lord,
Durst avow to the plundering of Airlie.

'Gif my gude lord war now at hame,
As he is with his king,
There durst nae a Campbell in a' Argyll
Set fit on Airlie green.

'Then bonnie sons I have borne unto him,
The eleventh ne'er saw his daddy;
But though I had an hunder mair,
I'd gie them a' to King Charlie!'

Ballads and Songs By Unknown Authors. 17th Cent.

378. The Wife of Usher's Well

THERE lived a wife at Usher's well,
And a wealthy wife was she;
She had three stout and stalwart sons,
And sent them o'er the sea.

They hadna been a week from her,
A week but barely ane,
When word came to the carline wife
That her three sons were gane.

They hadna been a week from her,
A week but barely three,
When word came to the carline wife
That her sons she'd never see.

'I wish the wind may never cease.
Nor fashes in the flood,
Till my three sons come hame to me,
In earthly flesh and blood!'

It fell about the Martinmas,
When nights are lang and mirk,
The carline wife's three sons came hame,
And their hats were o' the birk.

It neither grew in syke nor ditch,
Nor yet in ony sheugh;
But at the gates o' Paradise
That birk grew fair eneugh.

'Blow up the fire, my maidens!
Bring water from the well!
For a' my house shall feast this night,
Since my three sons are well.'

And she has made to them a bed,
She 's made it large and wide;
And she 's ta'en her mantle her about,
Sat down at the bedside.

Up then crew the red, red cock,
And up and crew the gray;
The eldest to the youngest said.
''Tis time we were away.'

The cock he hadna craw'd but once,
And clapp'd his wings at a',
When the youngest to the eldest said,
'Brother, we must awa'.

'The cock doth craw, the day doth daw,
The channerin' worm doth chide;
Gin we be miss'd out o' our place,
A sair pain we maun bide.'

'Lie still, lie still but a little wee while,
Lie still but if we may;
Gin my mother should miss us when she wakes,
She'll go mad ere it be day.'

'Fare ye weel, my mother dear!
Fareweel to barn and byre!
And fare ye weel, the bonny lass
That kindles my mother's fire!'

fashes] troubles. syke] marsh. sheugh] trench. channerin'] fretting.

Ballads and Songs By Unknown Authors. 17th Cent.

379. The Three Ravens

THERE were three ravens sat on a tree,
They were as black as they might be.

The one of them said to his make,
'Where shall we our breakfast take?'

'Down in yonder greene field
There lies a knight slain under his shield;

'His hounds they lie down at his feet,
So well they can their master keep;

'His hawks they flie so eagerly,
There 's no fowl dare come him nigh.'

Down there comes a fallow doe
As great with young as she might goe.

She lift up his bloudy head
And kist his wounds that were so red.

She gat him up upon her back
And carried him to earthen lake.

She buried him before the prime,
She was dead herself ere evensong time.

God send every gentleman
Such hounds, such hawks, and such a leman.

make] mate.

Ballads and Songs By Unknown Authors. 17th Cent.

380. The Twa Corbies (SCOTTISH VERSION)

AS I was walking all alane
I heard twa corbies making a mane:
The tane unto the tither did say,
'Whar sall we gang and dine the day?'

'—In behint yon auld fail dyke
I wot there lies a new-slain knight;
And naebody kens that he lies there
But his hawk, his hound, and his lady fair.

'His hound is to the hunting gane,
His hawk to fetch the wild-fowl hame,
His lady 's ta'en anither mate,
So we may mak our dinner sweet.

'Ye'll sit on his white hause-bane,
And I'll pike out his bonny blue e'en:
Wi' ae lock o' his gowden hair
We'll theek our nest when it grows bare.

'Mony a one for him maks mane,
But nane sall ken whar he is gane:
O'er his white banes, when they are bare,
The wind sall blaw for evermair.'

corbies] ravens. fail] turf. hause] neck. theek] thatch.

Ballads and Songs By Unknown Authors. 17th Cent.

381. A Lyke-Wake Dirge

THIS ae nighte, this ae nighte,
—Every nighte and alle,
Fire and fleet and candle-lighte,
And Christe receive thy saule.

When thou from hence away art past,
—Every nighte and alle,
To Whinny-muir thou com'st at last;
And Christe receive thy saule.

If ever thou gavest hosen and shoon,
—Every nighte and alle,
Sit thee down and put them on;
And Christe receive thy saule.

If hosen and shoon thou ne'er gav'st nane
—Every nighte and alle,
The whinnes sall prick thee to the bare bane;
And Christe receive thy saule.

From Whinny-muir when thou may'st pass,
—Every nighte and alle,
To Brig o' Dread thou com'st at last;
And Christe receive thy saule.

From Brig o' Dread when thou may'st pass,
—Every nighte and alle,
To Purgatory fire thou com'st at last;
And Christe receive thy saule.

If ever thou gavest meat or drink,
—Every nighte and alle,
The fire sall never make thee shrink;
And Christe receive thy saule.

If meat or drink thou ne'er gav'st nane,
—Every nighte and alle,
The fire will burn thee to the bare bane;
And Christe receive thy saule.

This ae nighte, this ae nighte,
—Every nighte and alle,
Fire and fleet and candle-lighte,
And Christe receive thy saule.

fleet] house-room.

Ballads and Songs By Unknown Authors. 17th Cent.

382. The Seven Virgins. A CAROL

ALL under the leaves and the leaves of life
I met with virgins seven,
And one of them was Mary mild,
Our Lord's mother of Heaven.

'O what are you seeking, you seven fair maids,
All under the leaves of life?
Come tell, come tell, what seek you
All under the leaves of life?'

'We're seeking for no leaves, Thomas,
But for a friend of thine;
We're seeking for sweet Jesus Christ,
To be our guide and thine.'

'Go down, go down, to yonder town,
And sit in the gallery,
And there you'll see sweet Jesus Christ
Nail'd to a big yew-tree.'

So down they went to yonder town
As fast as foot could fall,
And many a grievous bitter tear
From the virgins' eyes did fall.

'O peace, Mother, O peace, Mother,
Your weeping doth me grieve:
I must suffer this,' He said,
'For Adam and for Eve.

'O Mother, take you John Evangelist
All for to be your son,
And he will comfort you sometimes,
Mother, as I have done.'

'O come, thou John Evangelist,
Thou'rt welcome unto me;
But more welcome my own dear Son,
Whom I nursed on my knee.'

Then He laid His head on His right shoulder,
Seeing death it struck Him nigh—
'The Holy Ghost be with your soul,
I die, Mother dear, I die.'

O the rose, the gentle rose,
And the fennel that grows so green!
God give us grace in every place
To pray for our king and queen.

Furthermore for our enemies all
Our prayers they should be strong:
Amen, good Lord; your charity
Is the ending of my song.

Ballads and Songs By Unknown Authors. 17th Cent.

383. Two Rivers

SAYS Tweed to Till—
'What gars ye rin sae still?'
Says Till to Tweed—
'Though ye rin with speed
And I rin slaw,
For ae man that ye droon
I droon twa.'

Ballads and Songs By Unknown Authors. 17th Cent.

384. Cradle Song

O MY deir hert, young Jesus sweit,
Prepare thy creddil in my spreit,
And I sall rock thee in my hert
And never mair from thee depart.

But I sall praise thee evermoir
With sangis sweit unto thy gloir;
The knees of my hert sall I bow,
And sing that richt Balulalow!

Ballads and Songs By Unknown Authors. 17th Cent.

385. The Call

MY blood so red
For thee was shed,
Come home again, come home again;
My own sweet heart, come home again!
You've gone astray
Out of your way,
Come home again, come home again!

Ballads and Songs By Unknown Authors. 17th Cent.

386. The Bonny Earl of Murray

YE Highlands and ye Lawlands,
O where hae ye been?
They hae slain the Earl of Murray,
And hae laid him on the green.

Now wae be to thee, Huntley!
And whairfore did ye sae!
I bade you bring him wi' you,
But forbade you him to slay.

He was a braw gallant,
And he rid at the ring;
Ana the bonny Earl of Murray,
O he might hae been a king!

He was a braw gallant,
And he play'd at the ba';
And the bonny Earl of Murray
Was the flower amang them a'!

He was a braw gallant,
And he play'd at the gluve;
And the bonny Earl of Murray,
O he was the Queen's luve!

O lang will his Lady
Look owre the Castle Downe,
Ere she see the Earl of Murray
Come sounding through the town!

Ballads and Songs By Unknown Authors. 17th Cent.

387. Helen of Kirconnell

I WISH I were where Helen lies,
Night and day on me she cries;
O that I were where Helen lies,
On fair Kirconnell lea!

Curst be the heart that thought the thought,
And curst the hand that fired the shot,
When in my arms burd Helen dropt,
And died to succour me!

O think na ye my heart was sair,
When my Love dropp'd and spak nae mair!
There did she swoon wi' meikle care,
On fair Kirconnell lea.

As I went down the water side,
None but my foe to be my guide,
None but my foe to be my guide,
On fair Kirconnell lea;

I lighted down my sword to draw,
I hacked him in pieces sma',
I hacked him in pieces sma',
For her sake that died for me.

O Helen fair, beyond compare!
I'll mak a garland o' thy hair,
Shall bind my heart for evermair,
Until the day I die!

O that I were where Helen lies!
Night and day on me she cries;
Out of my bed she bids me rise,
Says, 'Haste, and come to me!'

O Helen fair! O Helen chaste!
If I were with thee, I'd be blest,
Where thou lies low and taks thy rest,
On fair Kirconnell lea.

I wish my grave were growing green,
A winding-sheet drawn owre my e'en,
And I in Helen's arms lying,
On fair Kirconnell lea.

I wish I were where Helen lies!
Night and day on me she cries;
And I am weary of the skies,
For her sake that died for me.

Ballads and Songs By Unknown Authors. 17th Cent.

388. Waly, Waly

O WALY, waly, up the bank,
And waly, waly, doun the brae,
And waly, waly, yon burn-side,
Where I and my Love wont to gae!
I lean'd my back unto an aik,
I thocht it was a trustie tree;
But first it bow'd and syne it brak—
Sae my true love did lichtlie me.

O waly, waly, gin love be bonnie
A little time while it is new!
But when 'tis auld it waxeth cauld,
And fades awa' like morning dew.
O wherefore should I busk my heid,
Or wherefore should I kame my hair?
For my true Love has me forsook,
And says he'll never lo'e me mair.

Now Arthur's Seat sall be my bed,
The sheets sall ne'er be 'filed by me;
Saint Anton's well sall be my drink;
Since my true Love has forsaken me.
Marti'mas wind, when wilt thou blaw,
And shake the green leaves aff the tree?
O gentle Death, when wilt thou come?
For of my life I am wearìe.

'Tis not the frost, that freezes fell,
Nor blawing snaw's inclemencie,
'Tis not sic cauld that makes me cry;
But my Love's heart grown cauld to me.
When we cam in by Glasgow toun,
We were a comely sicht to see;
My Love was clad in the black velvet,
And I mysel in cramasie.

But had I wist, before I kist,
That love had been sae ill to win,
I had lock'd my heart in a case o' gowd,
And pinn'd it wi' a siller pin.
And O! if my young babe were born,
And set upon the nurse's knee;
And I mysel were dead and gane,
And the green grass growing over me!

cramasie] crimson.

Ballads and Songs By Unknown Authors. 17th Cent.

389. Barbara Allen's Cruelty

IN Scarlet town, where I was born,
There was a fair maid dwellin',
Made every youth cry Well-a-way!
Her name was Barbara Allen.

All in the merry month of May,
When green buds they were swellin',
Young Jemmy Grove on his death-bed lay,
For love of Barbara Allen.

He sent his man in to her then,
To the town where she was dwellin',
'O haste and come to my master dear,
If your name be Barbara Allen.'

So slowly, slowly rase she up,
And slowly she came nigh him,
And when she drew the curtain by—
'Young man, I think you're dyin'.'

'O it 's I am sick and very very sick,
And it 's all for Barbara Allen.'
'O the better for me ye'se never be,
Tho' your heart's blood were a-spillin'!

'O dinna ye mind, young man,' says she,
'When the red wine ye were fillin',
That ye made the healths go round and round,
And slighted Barbara Allen?'

He turn'd his face unto the wall,
And death was with him dealin':
'Adieu, adieu, my dear friends all,
And be kind to Barbara Allen!'

As she was walking o'er the fields,
She heard the dead-bell knellin';
And every jow the dead-bell gave
Cried 'Woe to Barbara Allen.'

'O mother, mother, make my bed,
O make it saft and narrow:
My love has died for me to-day,
I'll die for him to-morrow.

'Farewell,' she said, 'ye virgins all,
And shun the fault I fell in:
Henceforth take warning by the fall
Of cruel Barbara Allen.'

jow] beat, toll.

Ballads and Songs By Unknown Authors. 17th Cent.

390. Pipe and Can